Acoustic Afternoons

One of the other reasons there were even less posts than usual from me last week, was that I decided I wanted to rejig which day each series appeared on, and this one seemed to be more of a Sunday afternoon kind of post than a Wednesday afternoon one.

So here we are, and to move things forward a track by The Wonder Stuff, a band whose early stuff I love, but who I have kinda lost touch with since they reformed.

But in their heyday, they produced four albums, three of which I love, although the one I’m not fond of, “Never Loved Elvis” is the one that gave them the most commercial success, containing as it did chart smasheroos “The Size of a Cow” and “Welcome to the Cheap Seats”, the latter of which’s one redeeming feature is that it features the lovely and much missed Kirsty MacColl.

But it’s to second album “Hup!” that I want to lead you today, and specifically to an album track called “Can’t Shape Up”, an acoustic version of which resurfaced as a bonus track on the CD2 release of the aforementioned “Welcome to…” and which is, simply, quite beautiful.

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The Wonder Stuff – Can’t Shape Up Again

See? Just lovely.

I’ll leave you all to go and source/listen to the original version so you can see how superior this one is.

More soon.

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The Chain #35

Blimey is that the time?

Alright, alright, alright, already, we’re back, a week later than intended, but restored back to our rightful place on a Wednesday night. This was of course always the plan come 2017, and has absolutely nothing to do with Spurs getting knocked out of the Champions League and into the UEFA Europa League, where they’ll be playing their games on Thursday nights.

So those of you with exceptionally long memories will recall that at the end of The Chain #34,we were left with Malcom McLaren’s “Buffalo Gals” as the record to link to, and as usual the suggestions were many, varied and fell into on of a couple of different categories. They also include a veritable menagerie of different animals; not just buffalos, but cows, crawfish, ducklings, swans, an elk, a moose (and probably a mouse), an ostrich, and cartoon cats, canaries and flying squirrels. We’ll hear from (or mention in passing) all of these, whilst also visiting a sex shop and engaging in some Morris Dancing. Now that’s what I call fulfilling my diversity quota.

And before we go any further, I should point out that one of you gets very close indeed to guessing what the next record in The Chain – right act, wrong song, as is (apparently) so often muttered from the judges’ chairs on The X Factor.

So let’s kick things off by working through the more obvious bunch first – those that linked to “Buffalo”, and even these can be split down into two further sub-categories: those that link to Buffalo (the animal) and those that link to Buffalo (the place).

First up, is Jules from Music From Magazines who, bless him, doesn’t seem to want to let the Christmas feeling go just yet:

“…just one last go at a Christmas/NYE drunk sing along…”

Jules, you sent me this on January 3rd, mate.

“…’Go Buffalo’ is a cracking number by Like Swimming…”

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Like Swimming – Go Buffalo

“Someone who doesn’t like swimming is Sir Nose D’Voidoffunk as featured in ‘Aqua Boogie’ by Parliament, the 12″ version of which was only pressed on one side (no B side to enjoy once and then ignore ).”

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Parliament – Aqua Boogie (12″ Version)

Hold on, he’s not done yet:

“Now this is memory based, but a famous artist, entrepreneur and kiddy fiddler (hell he tried to entice my kid brother into his Roller on the Kings Road I later found out) wanted to release only single sided 45s on his UK label.”

It’s usually at about this point that I would start glancing round the bus to see if I have any chance of escape from the conversation.

“Jonathan King discovered Genesis with Peter Gabriel as a member which can only go to one place…”

I dunno about you lot, but the suspense is killing me.

“The The’s ‘Angel Of Deception’

Only joking.”

I do the jokes. And I love the album that’s from, although some of the songs haven’t really aged all that well:

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The The – Angels of Deception

So where’s the one other place that we can go to……?

“Robbie Williams – ‘Angels'”

Oh. Goodie.

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Robbie Williams – Angels

I can’t really scoff at this. Sitting in the bar at a family wedding around twenty years ago, I led the gathering in a heart-felt rendition of this. About seven times. What little hair I have left still bristles at the memory.

My favourite Robbie moment, however, was this, when he made a guest appearance in the BBC studios at the football World Cup 1998, and was ceremoniously taken down a peg or two by Martin O’Neill:

Anyway, let’s rewind, and start back at the beginning. Here, providing not only the first suggestion I received, but getting us going with a Double Linker, it’s The Great Gog:

“Buffalo is an animal that is farmed for its milk, as is a cow. The Wonder Stuff had a sizeable hit with ‘Size Of A Cow’. It just so happens that their lead singer is [popular rhyming slang] Miles Hunt who shares a surname with a racing driver who (rather tidily for this link) won the F1 Drivers Championship driving for McLaren in 1976.”

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The Wonder Stuff – The Size of a Cow

Next up is The Robster from Is This The Life? who suggests:

“I’m going for a very easy (and slightly obvious) one – ‘Guilty Girls’ by Buffalo Tom. No cryptic, convoluted link needed. They’re one of my favourite bands and that’s good enough for me!”

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Buffalo Tom – Guilty Girls

Mine too, Rob, though I have to admit to kinda losing track of them after the double-whammy of “Let Me Come Over” and “Big Red Letter Day”, so a nod towards some of their later stuff is much appreciated. (It’s as I add their name to the Tags and find their name doesn’t auto-enter that I find myself thinking: how the hell have I never featured anything from them before? I know I was going to post “Tailights Fade” a couple of months ago, but was beaten to it by the When You Can’t Remember Anything boys nicking in first. They’ll nick anything those two; you watch, they’ll be starting up a thread where they invite people to suggest records next.) (Psst! – you know I’m kidding, right chaps? And you know that because I’ve already suggested a couple over at your place.)

Speaking of obvious choices, as The Robster was, and since I mentioned When You Can’t Remember Anything, here’s Badger from the very same blog, with one of the three suggestions that I suspected we’d get this week:

“The obvious route is to ‘Buffalo Stance’ by Neneh Cherry.”

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Neneh Cherry – Buffalo Stance

And here’s the second one that I expected, from Alyson over at What’s It All About, Alfie?

“From Buffalo Gals to…. “

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Bob Marley & The Wailers – Buffalo Soldier

The third other one that I was expecting to get mentioned, wasn’t, although babylotti came pretty close, as you’ll see in the fullness of time. So I guess, I’d better suggest it:

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Buffalo Springfield – For What It’s Worth

That song has had various segments of it lifted, quoted, or sampled on many different records over the years, one of my favourites is this, which I seem to associate with a break-dancing Transformer and I’m not sure why: was it in the video? Or used in an advert? Or did I eat far too much cheese before bed one night….?

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Les Rythmes Digitales – (Hey You) What’s That Sound?

A change of pace now. No great explanation from Rol of My Top Ten this week:

“Just two suggestions this week. I was going to try for just one, but I can’t decide between the two below:”

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Kathleen Edwards – Buffalo

and

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The Dead Weather – I Cut Like A Buffalo

In fact, many of the suggestions were pretty brief, once you take out all of the most welcome Christmas and New Year messages, along with all of the very kind things many of you said about this place which I’m far too modest to post here. For example, here’s Swiss Adam from Bagging Area:

“In ‘Burning Lights’, Joe Strummer sings ‘…you are the last of the buffalo…’ and it’s a wilderness years highlight so I’ll nominate that please.”

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Joe Strummer – Burning Lights

Over to George now, with a suggestion which comes pretty close to winning the Comment Showboat Award of the week:

“Buffalos have horns, a bony structure on the top of their heads. Another animal with a bony structure on its head is the elk (although they have antlers, but they are still bony), and the elk is also known as a moose. And from my childhood I can recall a lyric featuring the word “moose”, namely “there’s a moose loose aboot this hoose”, which is one of the few lyrics in a song by Lord Rockingham ‘s X1. I think the song is called ‘Hoots Mon’. And I bet everyone will recognise the tune once they play it.”

There’s only one way to find out:

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Lord Rockingham’s XI – Hoots Mon!

Could I ask my friends North of the Border to clarify something for us, he’s actually saying ‘mouse’ isn’t he….? Not that I’m going to disqualify George’s suggestion, because it definitely sounds like ‘moose’.

George included a link to a video clip to his suggestion, something which made him smile. You know where to go to find that. Instead, in case any of you in the UK were wondering quite where you recognise that song from, I would think it’s maybe from this:

Look out. Jules is back:

“Thanks George for the moose link! Casting my mind back to the cartoon series ‘Rocky and Bullwinkle’ about a flying squirrel and a moose (yes, I know) takes one inevitability to ROCKY with some great tunes. Let’s move on to the star Sylvester Stallone.

Sylvester’s work makes me feel mighty real but I preferred his work with Tweety Pie.”

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Mel Blanc – I Taut I Taw A Puddy Tat

Over now to Martin, who I think has posted here before, but forgive me Martin, I’m a little rusty. If this is your first time, then we’d all like to offer you a warm Chain Gang welcome, if not, then we’d all like to offer you a warm Chain Gang welcome back.

Anyway, here’s Martin’s suggestion:

“…On the basis that ‘Buffalo Gals’ is a perfect anagram of ‘Bagful of Las’ [and it is, I’ve checked], can I pitch for the ‘There She Goes’ by The La’s, please? Especially if I promise not to resort to anagrams to often…”

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The La’s – There She Goes

Just one more obvious-ish Buffalo link, and it’s another from me. I was about to write that this was one of my favourite records from the past couple of years, until I checked and found out it was released in 2010, and so now I just feel very, very old indeed:

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Avi Buffalo – What’s In It For

Okay, here comes Dirk from Sexyloser and he’s gonna get all geographic on your asses:

“Loads of great musicians come from Buffalo in the state of New York, located on the eastern shores of Lake Erie at the head of the Niagara River: I trust it’s a fantastic place to go … I mean, I’ve never been there and certainly don’t want to go, but either way …! Where was I? Ah yes, musicians include John Lombardo and Mary Ramsey out of 10,000 Maniacs, so their ‘Anthem For Doomed Youth’ should be fitting, right?”

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10,000 Maniacs – Anthem For Doomed Youth

“Also Buffalo is a twin town to Dortmund, Germany and I’m sure you all know that Phillip Boa out of Phillip Boa and The Voodoo Club come from Dortmund. If memory serves correctly, he was featured before, but not with ‘Ostrich’, my favourite song of theirs: does that count? I hope it does….”

He has featured here before, Dirk, but you’re right, not with that song, so here you go:

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Phillip Boa & The Voodoo Club – Ostrich (Love is Not The Same)

Okay, something a little more…erm…traditional next. This suggestion comes from Jonny, who is definitely a first time poster here, so please all offer him a warm Chain Gang welcome.

The reason I know this is Jonny’s first time posting here, is because he’s an old mate of mine; we went to the same school although, inevitably, I’m a few years older than him so we didn’t know each other then, but we used to work together in the kitchen of a greasy motorway café masquerading as a family restaurant back in the late 1980s/early 1990s. I worked there every holiday throughout college, and ultimately for a year after I graduated, and it Jonny and I forged a great friendship. He was into photography and I enjoyed writing; together we cobbled together a spoof corporate newsletter called “The Crappy Eater” (which gives you a pretty good clue as to the identity of the place we worked in), where we basically took the piss out of and made up shit about our work colleagues. We “accidentally” left it laying around in the staff room one day and…well, some people found it funny, but some of the old dears who worked there were definitely not impressed. Somewhere, buried in a box, somewhere in my flat, I think I have a couple of the articles we wrote. I doubt many of you will be interested as you won’t know the people we’re winding up, but Jonny: if I can find them, I’ll email you copies.

Anyway, one of the reasons that Jonny and I got on so well, apart from the fact that we were amazingly cool gods of the burger griddle, was that we both shared similar music tastes of an indie-ish nature, and it was with Jonny that I ventured to London’s Brixton Academy back in 1992 to see Sonic Youth play promoting their “Dirty” album, ably supported by Pavement and Huggy Bear. Long term readers may recall me writing about it here a long time ago.

So when Jonny sent me a suggestion, I was expecting it would be a really cool blast from the past. I was half right: it was definitely a blast from the past, but also most definitely not really cool.

Over to you Jonny (and I should add, I have had to edit this because I’m not all that familiar with the libel laws so I thought it best I erred on the side of caution):

“So ‘Buffalo Gals’ takes me here (I know the connection is loose and somewhat obscure, but hear me out)” [S’okay, Jonny, I like my connections like I like my women: loose and obscure]

“…back to being a 13 year old, purple legged, lanky piece of shit who was forced on a yearly basis to take part in the school’s Country Dancing display…” [He was quite lanky. I suspect he may have played the part of the Maypole]

“Those Buffalo Gals going round the outside, for me, conjured up images of a scantily clad maths teacher I quite liked the look of prancing round my bed wooing me in for my first sexual experience. Sadly for me, that never happened.

My brief day/wet dream would then be shattered by my then form tutor kicking out the jams with his ‘Molly Dance’. Terrible song. Terrible timing.

But somehow that fucking ‘Molly Dance’ found its way into my record collection and remained there for many a year until in a moment of skint madness I flogged the entire collection of over 700 pieces of carefully chosen vinyl masterpieces for about the amount of a gas bill.”

Anyway, crowbar that in your chain and pull it.”

700 pieces of carefully chosen vinyl masterpieces…and this:

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Ramblin’ Rod & His New Morris Van – (I Can Do The) Molly Dance

If I may fill in a couple of the blanks: the eponymous Ramblin’ Rod was in fact the Morris Dancing alter-ego of Jonny’s form tutor. And the Morris Van bit is “…a joke, that’s short for ‘vanguard'”, said Ramblin’ Rod in what was probably his only ever interview, which apparently took place at a party where “where Rod and friends were wassailing by dipping buttered toast in cider, then sticking the resulting “soldiers” in every tree trunk they could find.” Sounds like one hell of a party, right?

Before we get into the other big category – links to Malcom McLaren – let’s round up the other suggestions.

Here’s Rigid Digit from Stuff & Nonsense:

“Taking the ‘Girls’ theme [actually, it’s Gals, but since I made the same error in The Chain #34 I’ll let it slide] – a celebration of Girls everywhere; a wonderful piece of late 70s, possibly un-PC, Music Hall-esque nonsense:”

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Sailor – Girls, Girls, Girls

Yeh, it’s definitely not PC, but it’s no (previously featured) “Some Girls” by Racey is it?

There, that didn’t take long, did it?

Time for some Malcolm McLaren links, I think. Here’s Alyson, back for another go:

“Malcolm McLaren also released Double Dutch from the same album and that led me to think of Ray and Anita, that Dutch duo who were ’90s dance outfit 2 Unlimited. How about a bit of ‘No Limit’…?”

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2 Unlimited – No Limit

Given how many times the word “No” features in that song, I’ve always found it a little weird that it begins with Ray (I assume it’s not Anita) pleading to hear us say “Yeah!”.

Always reminds me of Jim Trott, that song. You know, Jim Trott, right?

Hold on, I feel a catchphrase coming on. Cue fanfare.

Well, if you’re going to suggest that (a record which features the word “No” many, many times), then I’m going to suggest this lot, back for a second airing this week:

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The Wonder Stuff – No, For The 13th Time

Back to McLaren links, and back to George:

“From Malcolm McLaren to Malcolm McDowell, he of Clockwork Orange, to The Fall and their 6 min 20 second masterpiece ‘Kurious Oranj'”

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The Fall – Kurious Oranj

Readers of a certain age will remember (a different) Curious Orange from Lee and Herring’s “This Morning with Richard Not Judy” show; this was the best (quality, if not necessarily the funniest) clip I could find:

Anyway. Where were we? Ah yes: McLaren and his numerous links. Here to add to them is The Swede from Unthought of, though, somehow:

“I know that for a while Malcolm McLaren managed quite a famous band, though for the life of me I can’t remember their name 🙂 Instead I’ll go down the producer route. Trevor Horn produced ‘Buffalo Gals’ and among his many (and varied) other credits is Belle and Sebastian’s ‘Dear Catastrophe Waitress’, from which I’d like to suggest ‘ Step Into My Office, Baby’.”

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Belle & Sebastian – Step Into My Office, Baby

Tailgating on the back of that suggestion, here’s Charity Chic from Charity Chic Music with another short but sweet entry:

“The band that The Swede was referring to was clearly Bow Wow Wow so ‘I Want Candy’ please”

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Bow Wow Wow – I Want Candy

Much as I love that version (and I really do), this – the original, I think – shades it for me:

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The Strangeloves – I Want Candy

As I’m writing this on Wednesday evening, after Trump’s first speech, and after a load of new salacious rumours began circulating about him, I wondered if I’d be able to get through this post without making reference to it. I reckon if I can get passed a band called The Strangeloves without making a joke, I’ll have done well.

Ah well. Guess I blew it.

Back to McLaren, and here’s babylotti, who’s taking us on a trip over to New York:

“From Malcolm Mclaren, manager of New York Dolls for a minimal time, leads me to David Johansen. I’ll suggest Wreckless Crazy from him…”

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David Johansen – Wreckless Crazy

“…which links me to Johnny Thunders. I’m going to suggest his version of Crawfish with Patti Palladin…”

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Johnny Thunders & Patti Palladin – Crawfish

“…and my last link, after the disastrous year for celebrity deaths I feel I have to go for ‘You Can’t Put Your Arms Around a Memory’ by Ronnie Spector with Joey Ramone.”

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Ronnie Spector (feat Joey Ramone) – You Can’t Put Your Arms Around a Memory

Of course, the McLaren-managed band that you’ve all done exceptionally well not to mention, but which my brother would never speak to me again if I didn’t, are the Sex Pistols, so here’s one which is by no means one of their finest moments, but it’s one which we’ve both got a bit of a soft spot for:

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Sex Pistols – Silly Thing

But undoubtedly, the best suggestion of the week, the Comment Showboat of choice, came from Alex G from We Will Have Salad:

“About ten years ago, there was an ITV reality show called “The Baron”, the premise being that three celebrities attempted to curry favour in a little coastal village in Aberdeenshire in order to be elected as the new Baron of Troup. The show was a complete damp squib and buried in a late night slot, so there’s no reason for anyone to recall it, really. The only reason *I* remember it is that I happen to live close to the village where it was filmed, and a few of my friends appeared in it.

Getting to the point, the three celebrities flown in were Mike “Runaround” Reid (who won, and then almost immediately snuffed it), Suzanne Shaw from Hear’Say, and… Malcolm McLaren. See, there was some relevance to all of this. On those grounds I would have suggested Mike Reid’s reading (or reiding) of “The Ugly Duckling”, but I think that should really have linked to the last record in the chain rather than the current on, so…”

Whoa there cowboy! That’s a good enough reason for me to post what is not only the Comment Showboat of the Week, but is also the Cheesiest Record of the Week (and since we’ve already featured 2 Unlimited, that’s no mean feat):

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Mike Reid – The Ugly Duckling

That bit in brackets on the record label is a bit harsh, isn’t it?

Anyway, as you were Alex; you were about to proffer your actual suggestion:

“… so bearing in mind there’s no such thing as a guilty pleasure [there isn’t, there really isn’t, though sometimes you lot really test that theory], let’s have Hear’Say’s Betty Boo-penned signature hit ‘Pure And Simple’ instead.”

Otherwise known as “The song where it looks like someone’s lighting their farts in the video”:

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Hear’Say – Pure & Simple

And in case you think that’s the cheesiest record of the week, you’re wrong: as Alex G says, it was written by Betty Boo which automatically makes it one of the best records of the week. So there.

Anyway, the aforementioned Miss Shaw was at one time the latest squeeze of serial philanderer and chicken in a basket entertainer Darren Day, which leads me to this:

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Hazel O’Connor – D-Days

Uh oh. Jules has climbed back on board. Quick everybody, avoid eye contact, stare at your copy of the Metro, pretend to make a phone call:

“Malcolm McLaren used to run a boutique on the King’s Road with Vivienne Westwood it was called SEX, most of the sex shops I used to frequent [Jules – have you ever heard the term “over-sharing”…?] mostly sold gentlemen’s magazines and ‘marital aids’ aka vibrators. Not the punk band but the American slang for a vibrator Steely Dan…”Deacon Blues”:

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Steely Dan – Deacon Blues

“…which as it happens contains the line ‘they call Alabama the crimson tide’. Crimson Tide of course is a fine film about a Russian/USA standoff… [no comparisons to be made with anything going on in world news there then…] …so:”

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The Clash – Ivan Meets G.I. Joe

Mention of Vivienne got me thinking of other famous Westwood’s, and the first one that sprang to mind was former Radio 1 and 1Xtra hip-hop DJ and host of the UK version of Pimp My Ride, Tim Westwood, who happens to be the son of the former Bishop of Peterborough, the Right Reverend Bill Westwood. And since I grew up in and around that fine cathedral city, this seems appropriate:

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The Long Blondes – Peterborough

Which should be the end, but George suggested this which, following a year of so many celebrity deaths, seemed an apt way to finish things off this week:

“Buffalo Gals was released in 1982. As was ‘Wham Rap!’ by Wham. (I find myself very ,very sad at George Michael’s death). I bought this in 1982, still have it, and still think it’s a toptastic pop song, it’s impossible to sit still when this plays.”

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Wham – Wham Rap!

Time to wrap things up then, and let’s find out what the next record in The Official Chain was:

“Produced by Malcolm McLaren were…”

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35. Bow Wow Wow – C30 C60 C90

Oh go on then, half a bonus point to Charity Chic for guessing the band, if not the song.

So, your suggestions please, via the Comments section below, for records that you can link to Bow Wow Wow’s “C30 C60 C90”, and don’t forget to explain the link in your suggestion.

See you next week (more soon).

The Chain #16

Evening Link Fans!

You know how I said I had a lot to get through last week? Well this week, even more so.

But before we get cracking, and to kill off any semblance of suspense, I’ll tell you that none of you – including me – picked the official record in The Chain. In fact none of you – including me – went down the same route as the person who picked the official one, which when you read it, will have you slapping yourself in the face and saying “Of course!!! Why didn’t I think of that!!”

First out of the traps, so to speak, this week was Charity Chic, proving once and for all why the name of this blog is very appropriate indeed, for I must admit, it was a song which I owned, albeit on a 90s compilation CD I’d picked up for something else entirely, but which also contained his suggestion:

“Dundee Unite fans despairingly sing “You’ve only got one shoe” to the socially deprived fans of Glaswegian clubs. When Gordon Strachan was manager of Celtic he was known as Chesney after a small red headed boy on the soap opera Coronation Street.  So The One and Only by Chesney Hawkes please Jez.  It’s bound to be the winner.”

Yes, folks. This is really happening:

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Chesney Hawkes – The One and Only

It’s okay. It’s safe to come out now. The be-moled one has gone.

But hot on his heels, here’s S-WC from When You Can’t Remember Anything, who not content with giving us two suggestions in his first week, goes two better by giving us four this week. So, deep breath, here we go:

Shoes were made for walking which immediately gives you ‘Fools Gold’….”

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The Stone Roses – Fools Gold

(and yes, the full 09:53 version. Of course, the full 09:53 version. Why would anyone want to listen to the short version..??)

“…But it also gives you Nancy Sinatra as well…”

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Nancy Sinatra – These Boots Are Made For Walkin’

“…As you walk in shoes you may well gaze down at them. Which is called Shoegaze. So perhaps ‘Sight of You’ by the Pale Saints.

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Pale Saints – Sight of You

“…Although ultimately if you have Kirsty singing about one pair of shoes you really need another point of view so you have to go with Fucked Up and ‘The Other Shoe’. Argument over.”

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Fucked Up – The Other Shoe

Moving swiftly on before I make really bad joke about that, here’s bagging area with more multiple suggestion mullarky, the third of which is my favourite link of the week:

“The Charlatans walked with no shoes on ‘Tellin’ Stories’…”

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The Charlatans – With No Shoes

“…Run DMC’s shoes were their Adidas…”

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Run DMC – My Adidas

“…Keith Richards once said ‘I don’t remember much about making Exile On Main Street but I do remember I had this really cool pair of snakeskin shoes’. “Happy” off that album is a blast.”

Yes. Yes, it is:

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The Rolling Stones – Happy

Here’s George:

“I was thinking of suggesting this: the Kirsty MacColl track comes from the album Tropical Brainstorm, and Typically Tropical did that single Barbados in 1975.”

This one..?

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Typically Tropical – Barbados

But before George has chance to flood me with multiple suggestions, can we give a warm Chain welcome to The Badger, who co-authors the When You Can’t Remember Anything blog with S-WC, who…erm…floods me with multiple suggestions:

Whilst my esteemed colleague S-WC is probably right about Fucked Up, he should consider this: Kirsty MacColl famously covered ‘A New England’ by Sir Billy Bragg. Billy Bragg also sang about Shoeburyness in the classic A13. So you could go there…”

And we will, for I once got Janice Long to play that for me on her late night Radio 2 show, kicking off – and I know you’ll find it hard to believe I could be behind such a thing – an hour of themed songs about roads:

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Billy Bragg – A13, Trunk Road To The Sea

“…Kirsty also sang on The Wonder Stuff’s ‘Welcome to the Cheap Seats’ from the ‘Never Loved Elvis’ album….”

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The Wonder Stuff – Welcome To The Cheap Seats

“…Elvis also featured in the title of a Cud album ‘Elvis Belt’. Which contained the classic ‘Only a Prawn in Whitby’.”

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Cud – Only (A Prawn in Whitby)

Moving on…no, wait…George hadn’t finished it seems…

“Then I thought of this: one of the other tracks from the Tropical Brainstorm album is “Não Esperando” which is Portuguese for No Waiting (and I didn’t have to look that up!), and the “waiting” bit leads to, yes, one of the 5 best songs ever recorded, Jesus Is Waiting by Al Green, the last track on the Call Me album, and 5-and-a-half-minutes of absolute genius.”

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Al Green – Jesus Is Waiting

Next up is Alex G, author of the rather fantastic We Will Have Salad who is kind enough to give my Copy and Paste skills a bit of a break by just suggesting the one song:

“What would you find “In These Shoes?”. If you were a shoemaker, probably a last. And Bob Last was the man behind the legendary late-70s indie label Fast Product, which in its brief existence gave us the debut singles by The Human League (the only reason I know the word “sericulture”), The Mekons, Dead Kennedys and Gang Of Four. Nice one, Bob. My pick: the original Fast Product version of “Damaged Goods” by Gang of Four, which Mr Last also produced. And which is great.”

Yes.Yes, it is:

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Gang of Four – Damaged Goods

And here’s Marie, who rather wonderfully adds an element of creative writing into her suggestion:

“I imagined the title of Kirsty’s “In These Shoes?” as a response to an invite to a Northern Soul All-Nighter. When asked, “What’s wrong with them?”, she might have answered, “Ain’t No Soul (In These Old Shoes) (by Major Lance.)”

One of the things I love about running this post (I can’t really claim to write it), is that often I’ll be introduced to a record I’ve never heard before, and which I instantly love. There’s a couple of tunes up there I was unfamiliar with, but my favourite of those this week goes to:

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Major Lance – Ain’t No Soul (In These Old Shoes)

Next, the return of another who I think we can now safely call a regular contributor round these parts. Here’s What’s It All About Alfie?

“This Chain could grow arms and legs, but it’s feet we’re interested in this week as feet live in shoes. A pair of shoes has two soles and following Marie’s thinking, how about Soul ll Soul with Keep On Movin’ (in these shoes) – a bit of a “lady” choice but gives The Chain balance perhaps?”

When this came out in 1989, my girlfriend at the time bloody loved it (in fact, we met because of it; she asked me to play it when I was DJ’ing one night, which I did, despite not being all that fond of it myself (No guitars, see..) The following week, I kept an eye out for her arrival, waited for her to get herself a drink and take up a spot kind of near the dancefloor, and then proceeded to play it for her again. Bingo! The oldest trick in the DJ’s Handbook.) but it wasn’t until a good few years later that the penny finally dropped with me about Soul II Soul and what an amazing record Club Classics Vol. One is:

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Soul II Soul (feat. Caron Wheeler) – Keep On Movin’

Three more to go, and here’s The Great Gog:

“I shall ignore all this talk of shoes and go with the fact that there is a chain of newsagents called McColl’s (yes, I know the spelling is ever so slightly different). Therefore I think that a song about a newsagent would be appropriate. I can think of no better such ditty (indeed I can think of no other, either) than In The Middle Of The Night from the debut album from Madness.” (Nope, me neither. The Jam’s “Man in a Corner Shop” is about the best I can come up with).

Madness_-_One_Step_Beyond___

Madness – In the Middle of the Night

Here’s The Swede, who picks up where George left off, linking to the title of the album from which “In These Shoes?” is taken:

“…‘Tropical Brainstorm’, which was co-produced by Dave Ruffy, drummer with The Ruts, one of the few groups of their time with the potential to rival The Clash in terms of passion and musical versatility. Certainly they were the only ‘punk’ band who got anywhere near The Clash when it came to reggae. ‘Give Youth a Chance’ is a good case in point.”

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The Ruts – Give Youth a Chance

Which brings us to the last of the suggestions from you guys and girls, and, since we started with a slice of cheese from Chesney, ending with another slice of cheese seems appropriate. I’ll let Kay explain:

“My suggestion is Footloose by Kenny Loggins. Just the thought of Kevin Bacon dancing angrily in a warehouse brings a smile to my face. Can’t remember if he’s dancing to footloose or some other gem in the warehouse – but what a scene!”

KennyLooginsFootlooseSingle

Kenny Loggins – Footloose

Ok, cheese is a little unkind. I went to see that in the cinema when it came out in 1984, bloody loved it then, and bloody loved hearing it again now.

And, so to my choice. And mine is nowhere near as clever as all of yours (give yourselves a hearty pat on the back for another excellent week of suggestions, by the way). I’m giving you some breathy camp electro-clash-iness:

Tiga-Shoes

Tiga – Shoes

All that’s left for me to do then is spark off a load of face-palms with the big reveal as to the identity of the official link:

“The late Kirsty MacColl’s former husband Steve Lillywhite produced Peter Gabriel’s third eponymous album…”

Grrr. How did none of us think of that??

Anyway, here’s the record they chose from said album:

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16. Peter Gabriel – I Don’t Remember

So, your suggestions please, via the Comments box below, for songs that link to Peter Gabriel’s “I Don’t Remember”, along with an explanation as to how you got there too please!

See y’all same time next week.

By which I mean: more soon.

Friday Night Music Club

Hello!

I’ve been struggling all week to come up with anything to play this week. And then, tonight, Friday, a day later than I usually start writing these posts, on my way home from work I found myself thinking about how the way that I get to hear about new music has changed so much.

Nowadays, I’m pretty much reliant on my blogging chums to flag new stuff to me; bar Jools Holland’s “Later…” there’s next to no music television programmes on in the UK these days (Friday night BBC4 documentaries excepted); or occasionally a friend will text, tweet or email me to ask if I’ve heard of someone or other, or to see if I want to go see someone I’ve never heard of live (the answer’s generally yes, as long as a) I’m not skint; b) I can track down at least one song that I like by the suggested act, and c) whether or not I value the opinion of the person asking or not).

When I was a kid, new music did not appear on the Multi-Coloured Swap Shop. Songs that were already hits appeared on Top of the Pops. And I had no idea what the Old Grey Whistle Test was, and would probably would have avoided it even if I did.

No, when I was growing up the only way I heard anything new was via the radio.

And that gave me an idea for tonight’s post. Four words to strike fear into the heart of any of you who endured my recent run of TV show titled posts. To misquote Martin Luther King: “I have a theme..”

Radio.

So I got home, cranked the laptop up, opened iTunes and typed “Radio” into the search window.

427 songs were suggested.

Jesus, this thread is going to finish me off, I thought.

But fear not: by the time I’d eliminated all the songs I have by TV on the Radio, or by Radiohead, or were on a rather fine Radio Soulwax mix I downloaded recently, or any that were on the list because they were the Radio Edit of a single, I was down to a much more palatable amount.

So, let’s crack on, shall we?

And what better place to start than with this stone cold classic:

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273. R.E.M. – Radio Free Europe (Original Hib Tone Version)

I’ve had a life-long love affair with R.E.M. Well, not quite life-long. I wish I could say I bought this when it first came out, but no. I first heard it on the third R.E.M. album I ever bought, a Best of (regular readers will perhaps be surprised to learn it wasn’t the first record I ever bought by the band) called “Eponymous”.

Radio Free Europe first came out in 1981, the band’s first single, later resurfacing as the opening track on their debut album “Murmur” two years later. I didn’t buy anything by the band until 1987’s “Document”, four years and five albums later, but I’d still like to think I was a little ahead of the majority of the pack here in the UK, where most were unaware of them until 1988’s “Green” album, interest growing somewhat by the time 1991’s “Out of Time” came out, and hitting absolute peak with 1992’s flawless “Automatic For The People”.

In the summer of 1989, I somehow found myself at quite a posh garden party, full of young darlings, public school types, who had been quite astonished that I didn’t know I was supposed to kiss the proffered hand of a young lady I was introduced to. Yes, THAT posh. (I shook it, an act which was greeted by quite the round of disbelieving guffaws.)

Anyway, feeling ever so-slightly out of place, I proceeded to get phenomenally pissed, and wandered into a barn where a DJ was trying had to tempt the fops onto the dancefloor. He played R.E.M.’s “Orange Crush” from their Green album, which pleased me (not enough to dance, mind), that was until the DJ took to the microphone and said: “That was R.E.M. a new, up and coming band from the U.S.of A.”

I couldn’t take it, marched over and started to berate him about how they were neither new nor up and coming, how they’d been around for years, how that track was from their sixth album and how that was the sort of thing he really should know if he was going to make it in the cut-throat world of DJ’ing, quietly omitting to mention that I’d only been a fan since the album before.

Musical snobbery, eh? Never gets you anywhere. Oh, what do you philistines know, anyway?

Moving on to 1993, and another of my favourite bands:

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274. Teenage Fanclub – Radio

I don’t have much to say about this, apart from it being the lead single from their “Thirteen” album, that it’s a quite magnificent single from a quite magnificent album, which, for reasons that I don’t think I’ll ever really understand, saw the band completely fail to capitalise on their break-through album “Bandwagonesque”. If you don’t own them, kids, go get ’em. Or, if you hang around here long enough, I’ll probably end up posting every song from them both sooner or later.

Moving on to another artist whose work I’ve admired for a great many years:

Radio Radio Front

275. Elvis Costello – Radio, Radio

This is from 1978, when Mr McManus was at his snarling best, so much so that following an appearance on US show Saturday Night Live in 1977, he found himself banned from appearing again.

Here’s the story: The Sex Pistols were booked to appear on the show, but for one reason or another – reportedly, a lack of visas – they couldn’t make it and Elvis and his band The Attractions were roped in. His record company wanted them to perform their current UK single “Less Than Zero” – which was about Oswald Moseley, leader of the fascist movement in the UK – but Costello was less keen, thinking the song wasn’t exactly going to resonate with an American audience.

So Costello took the stage, started to play “Less Than Zero” before calling proceedings to a halt a few bars in, announcing “I’m sorry, ladies and gentlemen, but there’s no reason to do this song here” before launching into “Radio Radio” instead.

Going so far off message was not appreciated by the powers that be; he wasn’t invited back until 1989. He did, later, however reference it on the 25th Anniversary Show, when, as Beastie Boys were just getting going on “Sabotage”, this happened:

Wow.

Where do you go to top that? Well, you can’t, but I know someone who’ll give it a bloody good go:

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276. The Wonder Stuff – Radio Ass Kiss

Ironically, this track, written by popular rhyming slang Miles Hunt, was only ever released as a single in the US, and not here in the UK, where it remained just another track from their second, not-quite-as-good-as-their-first album “Hup!”. Quite how they got away with lines like “Bugger the plugger” is beyond me. But maybe I shouldn’t be surprised: many years ago I saw Phil Collins being interviewed after he had appeared in US hit TV show “Miami Vice”. Collins related how when he attended the script run through, he’d found that his character repeatedly used the phrase “wanker”, and Collins asked the producers if they knew what it meant.

“Sure,” came the response, “it’s English slang for ‘idiot’, right?”

Fortuitously, there was nobody better qualified than Collins to enlighten them as to the true meaning.

One of the other acts who were approached to appear on Saturday Night Live on that night Costello so infuriated the TV bosses, were this next lot. They declined the invitation, giving this as their explanation: “We don’t substitute for anybody.” Bonus cool points.

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277. Ramones – Do You Remember Rock ‘N’ Roll Radio?

Well, yes, Joey, Johnny, Tommy, Dee Dee, I do, which is why I’m writing this post.

You don’t need me to tell you about the Ramones, now do you? Thought not.

One person whose music is perhaps as far away from the Ramones and Rock’n’Roll Radio as can be is the next chap:

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278. John Denver – Late Nite Radio

Denver is probably best known over here for a) Annie’s Song, b) looking like the Milky Bar Kid, c) his love of the Rocky Mountains, and d) his love of flying. Sadly, he failed to survive the occasion when he inadvertently combined those last two by crashing his plane into one of them.

Time for a musical interlude. Not that I’m saying what you’ve had so far wasn’t musical, just…this sounds like a musical interlude. And that’s a good thing. Particularly when it’s provided by a band who most people only know for one song, and that a remixed version of it, and even more so when to the best of my knowledge, this sounds like nothing else they’ve ever done:

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279. Cornershop – Kalluri’s Radio (Version)

And we’re back in the room.

Next up, a song which first came to my attention via a compilation album called “The Trip: Created by Saint Etienne”. It’s crammed full of Northern Soul, down-tempo numbers, lost and obscure nuggets from the 60s and 70s; if you’ve never heard it then I urge you to track down a copy.

I say it’s created by Saint Etienne, it’s more likely to just be Etienne stalwart and fountain of all pop knowledge Bob Stanley that compiled it. Bob once was kind enough to retweet a link to these pages once, so I reckon I owe him a name-check.

In the real world, knowing that a member of Saint Etienne had read one of my posts would earn me extra bonus points; alas it was predominantly about Bucks Fizz with a healthy portion of Shakin’ Stevens, so I reckon I’m probably in cool point deficit now. Ho hum.

But I digress. This is Douglas Dillard, banjo player (banjoist? banjoer?) and founder member of bluegrass outfit The Dillards, and Harold Eugene “Gene” Clark, singer, songwriter, guitarist  and founder member of The Byrds.

Together, they came together under the inspired name of:

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280. Doug Dillard & Gene Clark – The Radio Song

Two to go now, and it’s time for some 2 Tone ska. I don’t feature nearly enough of this kind of stuff on these pages, which some of you poor misguided fools may consider a blessing, so here’s an absolute belter to rectify that:

Onmyradio

281. The Selecter – On My Radio

And so to the last one for tonight, and any post about songs with the word Radio in the title, inspired by my musings on how I rarely listen to the radio these days (6music at the weekends aside, and particularly former Fun Lovin’ Criminal Huey Morgan’s show of a Saturday morning, which is simply unmissable), would not be complete without this polished gem (it features and was produced by Trevor Horn, so it was never going to be anything but polished, now was it?):

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282. The Buggles – Video Killed The Radio Star

What’s extraordinary about that record is that although it’s written from a future perspective, it was actually first released in 1977 (by Bruce Woolley and The Camera Club), before music videos were anywhere near the peak they would become. MTV wouldn’t even be launched for another four years, yet all that the song prophesizes – how polish, image, self-promotion, glamour and glitz would become the prevalent (X) factor, as opposed to, y’know, how good you are and what you sound like – has pretty much come true.

Which is a fairly bleak way to wrap things up, but there you go.

More soon.

Remembering Kirsty

I’m sure I won’t be the only person here in the blogosphere that will be writing a post in memory of Kirsty MacColl today, for today it is 15 years since this astoundingly talented woman was so cruelly taken from us.

In case you don’t know the story of her untimely demise, on 18 December 2000 she and her sons were on holiday in Mexico, and went diving in a designated diving area at the Chankanaab reef, that watercraft were restricted from entering . As the group were surfacing from a dive, a high-speed powerboat entered the area. Kirsty saw the boat coming before her sons did; Jamie (then 15) was in its path but Kirsty was able to push him out of the way. Tragically, in doing so she was struck by the boat and died instantly.

The powerboat involved in the accident was owned by Guillermo González Nova, multimillionaire president of the Comercial Mexicana supermarket chain, who was on board with members of his family. One of his employees, boat-hand José Cen Yam, stated that he was in control of the boat at the time of the incident. He was found guilty of culpable homicide and was sentenced to 2 years 10 months in prison. However, under Mexican law he was allowed to pay a punitive fine of 1,034 pesos (about £61) in lieu of the prison sentence. He was also ordered to pay approximately £1,425.22 in restitution to Kirsty’s family, an amount based on his wages.

To add insult to quite literal injury, eyewitnesses contradict Cen Yam’s claim that he was in control of the speedboat, and people who have spoken to him since say that he has admitted to receiving money – presumably from Nova – for taking the blame.

If you’d like to read more about Kirsty and the campaign to get justice, you can do so here.

All of which just makes me…well, sad. And not just because of the injustice, nor for the frankly gruesome nature of her death. That too, of course….but what makes me sad is the fact that whenever I hear any song by her or featuring her, I am immediately reminded of all that I have written so far here today.

Which means whilst I love all I am about to post, I do it with a very heavy heart.

So, let’s start this tribute off with one of her very earliest single, from 1981, the catchily-titled:

kirsty-maccoll-theres-a-guy-works-down-the-chip-shop-swears-hes-elvis-polydor-3

Kirsty MacColl – There’s a Guy Works Down The Chip Shop Swears He’s Elvis

Here’s Kirsty doing the very same song on Top of The Pops:

And, from her debut album “Desperate Character”, a slower, more country, version:

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Kirsty MacColl – There’s a Guy…(Country Version)

Personally, I always thought that version was very much a template for the next song, a single from 1989’s utterly wonderful “Kite” album:

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Kirsty MacColl – Don’t Come the Cowboy With Me Sonny Jim!

In between these two albums, due to some wranglings of a contractual nature, Kirsty earned her corn doing session work as a backing singer, and became very much in demand, particularly after she appeared on “Fairytale of New York” with The Pogues. Either side of that she appeared on (to name but a few):

The Smiths – “Ask” (not to mention the B-side too, a cover of Twinkle’s “Golden Lights”)

Billy Bragg – “Sexuality” (She looks fantastic in this, happy, the sort of woman you would have a right laugh down the pub with; the bit when she mocks the size of Billy’s….er….lil Bill behind his back always raises a smile round these parts)

Happy Mondays – “Hallelujah” (This is from that legendary edition of Top of The Pops when the Mondays appeared along with The Stone Roses, one of those era defining moments when us indie heads finally felt like we might be winning…and there’s Kirsty, right in the middle of it, wisely electing not to try to out-Bez dance Bez)

Morrissey – “Interesting Drug”(His fourth solo single following the messy end The Smiths met, and there’s Kirsty again, popping up on backing vocal duties, if not in the video. Not one of his better efforts this, mostly only notable for The Moz sneezing as the track edges towards fade-out.)

The Wonder Stuff – “Welcome to the Cheap Seats” (I can’t say I’m overly fond of this one, big fan of The Stuffies that I am. Suffice it to say, in my opinion, Kirsty is by far the best thing about it.)

Without fail, every interview you read given by anyone who worked on any of those records, they will say one, if not all three, of the following things:

  1. What a delight she was to work with
  2. That she never needed a second take, nailing her part first time..
  3. …a skill which inevitably draws comparison with either Karen Carpenter or Dusty Springfield.

That’s the sort of illustrious company in which Kirsty’s name should rightly be mentioned.

But all of this belittles what a wonderful artist she was in her own right. And to prove it, here’s two live performances of songs from what turned out to be her last album, “Tropical Brainstorm”, where she was experimenting with Latin American rhythms, instruments and sounds, not the sort of thing I normally go for, I’ll admit, but since I could happily listen to Kirsty singing my shopping list, I love.

Kirsty MacColl – “In These Shoes?” (Live on Later with Jools Holland)

Kirsty MacColl – “England 2, Columbia 0” (Live on Later with Jools Holland)

And thankfully, Jools is kept well away from the piano, thus preventing it turning into more of his tiresome boogie woogie.

I’ll be raising a drink to Kirsty tonight. Thanks for the memories. I just wish there were more of them.

More soon.

 

1990 – 1995 The Lost Indie Years?

A friend of mine, who is a much more successful writer than I (because he’s better at it than I am) recently wrote an article for the Huffington Post (see? Already you know he’s waaay more successful and better than lil ole me pottering away here on my lil ole blog) where he wrote about…well, as the title of this post suggests, songs from that post Madchester, pre-Britpop age, which, if you were to believe most writers, was a time that was awash with shoegazers and floppy fringes on this side of the pond, plaid shirts and grunge greaseball cuts on the other, and not much else.

As we all know, the British shoegaze movement was effectively brought down by the friendly-fire of grunge, which in turn, through a democratic process of negotiation and peaceful protest, was superseded, on these shores anyhow, by Britpop (sorry Brett, Damon, Jarvis: that’s what we’re all calling it.)

But whilst shoegaze and grunge were certainly the musical trends of choice for your self-respecting Indie kid at the time, there was other stuff knocking around which didn’t really fit into either category, which seem to have been lost in the midst of time and which, well, you need to know about. This is the thrust of his article.

Oh go on then, here’s his article: Ten Early 90s Indie Songs That Say It All

All of what I will post in this section would have cropped up anyway at some point, sooner or later, here, but this gives me a little focus.

So, in no particular order:

something-happens-hello-hello-hello-hello-hello-petrol-virgin.jpg10. “Hello Hello Hello Hello Hello (Petrol)” – Something Happens!

I’m using the Chart Show circa 1990 definition of Indie here, which means I may be stretching the definition of “indie” with this one, but let’s face it, the definition of Indie has been somewhat woolly ever since PWL came on the scene. I’d even extend that to Mute Records too, who I used to begrudge occupying places in the Indie Chart and inevitably being played. Both those labels clogged up what we could have seen at lunchtime on a Saturday around this time, with their Kylie and Erasure pop hits respectively. Grrr.

Anyway, it was via The Chart Show that this song came to my attention, and I still think it’s rather fine. Pop, yes. Terrible haircuts, yes. But still a bloody fine pop tune that gets these old bones a-twitching whenever I hear it, which is of course, whenever I play it, because nobody else ever does.

Watch the video here.

The+Bridewell+Taxis+Honesty+4675559. “Honesty” – The Bridewell Taxis

Words cannot describe how much I love this song. When I went home from college, I would try to record or watch a show called “Intermission”. On ITV, at about 3am, and introduced by a news presenter who had clearly pissed somebody off so much that they made him stay up to link this show in, Intermission was a vital crib guide for me as the resident Indie DJ at my Student Union. There were several acts I found through this show, The Bridewell Taxis being one of them. For some reason I thought they were from Bristol, until someone pointed out to me that Bridewell is in Leeds. Ho hum. Geography is not a strong point.

Anyway, “Honesty” is a weird combination of slightly jangly guitars, over a brass band, with a skinhead singing. Sleaford Mods, eat your hearts out.

Actually, I do have some words that describe it: fucking glorious.

Watch the video here.

hqdefault 8. “Tired” – BOB. A record so obscure, even the internet seems to deny it’s existence. Ok, it’s formulaic. Ok, it’s Madchester bandwagon-jumping. But it’s not that different to Mock Turtles “Can U Dig It”, now is it? And I bet you like that. Suck it up.

There is no video to watch here.

family7. “Remember What It Is That You Love” – The Family Cat

Obviously, had it come out in the 90s I’d have picked their Tom Verlaine single, but since I’m prevented from picking from that, hoisted by my own petard, I offer you this little gem from 1990.

The Family Cat are truly one of the great lost indie bands, and also one of the unluckiest, financially. I saw them play in Cardiff Uni Great Hall around this time and their merchandise was their logo, a play on the fact it was a UK tour by the Family Cat, so the letters FCUK were prominent. Does that look familiar to anyone? Yes indeed: nobody thought to trademark that, so French Connection steamed in and stole it (sorry, I mean came up with the original concept of using it) for their FC:UK range. Bugger.

This song also has a special meaning for me, as we used to do a cover of it in the band I was in at college, but more of that at a later date.

Watch the video here.

R-3026665-1312317000_jpeg6. “Which Way Should I Jump?” – The Milltown Brothers

If ever a band flirted with the idea of being properly famous, in a “sounds a bit like R.E.M.” kinda way, it was this lot. Live, they were a very tight prospect, and I won’t bang on too much about them here now because I have a couple of stories to tell in my normal thread. But suffice it to say, their “Slinky” album is an absolute blinder, and if you ever happen to be nosing through a second hand store and spot it, grab it. As you can tell from this track, it’s accomplished and fully rounded pop at its best.

Here’s the video.

R-2368056-1342997977-5799_jpeg5. “When Lucy’s Down” – Kingmaker

If ever a band flirted with the idea of being properly famous, in a “sounds a bit like The Wonder Stuff” kinda way, it was this lot. Probably not helped by the fact they had a lead singer called “Loz” who looked like just the kind of speccy twat student that Paul Calf was railing against at the time. Kingmaker were once touted as the next big thing, but it never really happened for them, although they had their 15 minutes of fame via their Top 20 hit “10 Years Asleep“, which you remember, right?

Watch the video here.

MI0002147560 4.”On The Ropes” – The Wonder Stuff

And since I’ve mentioned The Stuffies, here they are in person. By 1993, their 15 minutes were up. They were a much misconstrued bunch, the Stuffies. They found fame, finally, via “Size of a Cow” and that “Dizzy” allegiance with Vic & Bob, and as a result they were wrongly viewed as a novelty band, or a new Nutty Boys. Think the public perception of The Darkness, without the obviously innuendo-laden Christmas hit, and you get the idea. Miles’s choice of chequered suit probably didn’t help. Their post fame album, “Construction for the Modern Idiot” is a favourite of mine, intriguing in much the same way as Pulp’s “This is Hardcore” album does. This is the sound of a band enjoying the spotlight of fame, but recoiling from it at the same time.

And as with Pulp several years later, there’s a change in sound. Gone are the oh-so-clever titles, (almost) gone is the fiddly-folk feel, the violins now supplementing rather than driving their sound.  It seems that they had it all, and found that after all those years of trying, they didn’t want what they got. This is one angry band, who reached the heights of fame and fortune and found it distasteful, bitter to the touch.

Watch the video here.

UltraVividScene_SpecialOne_ep 3. “Special One” – Ultra Vivid Scene

Let’s be honest, Kim Deal was every Indie Kid’s favourite four tissue fantasy. Much as we all loved the Pixies, there isn’t one guy who loved them that doesn’t wish her vocals featured just a little more than they did. So to have her pop up on this jingly-jangly left over from 1990 was manna from the heavens. Up until this, Ultra Vivid Scene were just another 4AD band ploughing a lonely furrow. But this totally gorgeous tune still gives me goose-bumps 25 years later (Jesus, I’m old….)

Watch the video here.

the-candy-skins-wembley-ep 2. “Wembley” – The Candyskins

If ever there was an example of a band not missing the boat, but turning up for the boat too early and then going home again because the boat wasn’t ready, it’s this. This came out in 1993; had they popped it out in 1996, when Euro 96 was gripping the country, then this would have been a sure-fire Top 10’er. As it is, they languish not so much in the “Where Are They Now?” pile, as the “Sorry, who??” pile.

Watch the video here.

Paris-Angels-All-On-You-Perfum-310324 1. “Perfume (All on You)” – Paris Angels

Okay, so their name has an added significance after the events of the other week, and it could be argued that this record sits firmly in the Madchester camp, but it’s definitely a lost classic, and even though this list hasn’t been in any kind of order, if it was, then this would be Number 1.

I used to have an mp3 of John Peel announcing this in his Festive Fifty, explaining how his son would be very happy it had made it, and if I still had that mp3, I’d post it now. No greater sun shines into your life then when you hear Peelie espousing about a record. And knowing his son is 6Music’s Tom Ravenscroft makes you feel that with all of the horrors going on in the world, everything will be okay, cos Peelie’s still watching over us.

Anyway, what can I say about this record that you don’t already know? Nothing: it’s the most perfect almalgamation of indie pop and indie dance ever committed to vinyl, and they should have had the commercial success that bands like, say, oh I don’t know, The Soup Dragons had.

But no. While The Soup Dragons hit the Top 2 with their godawful cover of what was a perfectly average Stones record in the first place, this wonderful, wonderful record only grazed the dizzy heights of number 55. Justice? Pah.

Here’s the more indie-sounding video.

More soon.

 

 

 

Friday Night Music Club

And lo! The mood is set. And the more observant among you (who haven’t been subjected to one of these before) will note a pattern emerging: three or four songs in a similar vein or genre, followed by one or two linking to the next group of songs. Yes, that’s right: a bit like a DJ set (admittedly a DJ set in a ropey bar, student union or indie club as supposed to at, say, Ministry of Sound, or Pacha)

You’ll remember last time out we were entering into disco mode…so ready to go? Flares and afro on? Good Then here’s the second batch:

114890377 Odyssey – Going Back To My Roots

Let's_Groove Earth Wind & Fire – Let’s Groove

The-Wonder-Stuff-Who-Wants-To-Be-T-38682 The Wonder Stuff – Who Wants to be the Disco King?

Shed-Seven-Disco-Down-458513 Shed 7 – Disco Down

TheClashLondonCallingalbumcover The Clash – The Guns of Brixton

More next week!