Late Night Stargazing

Tonight, something unexpectedly mellow and reliably bleepy and wonderful from Underworld.

Lifted from Beaucoup Fish, their fifth studio album, and the first that I actually bought on its release (predictably late to the party as always), this was the third single of five to be released from the album, peaking at #21 in the UK Singles Chart:

Underworld – Jumbo

More soon.

Friday Night Music Club

Well, we’ve got to the end of the week, and we’ve also got to the end of another segment from the FNMC vault, where we bring our weekly revisit to Vol 4 to an end.

And, as with the previous instalments, I’ve tweaked it a bit from when it first made an appearance as the last hour of Vol 4, y’know, just to keep you (ok, me) interested.

So what delights do we have waiting for us this week, I hear you ask?

Well we kick off with some Hot Chip, before opening the “Where Are They Now?” vault to let the Lo Fidelity Allstars out to play for a while, then a roller-coaster ride through a few “feats.”: The Chemical Brothers with (uncredited) Noel Gallagher and (very much credited) The Flaming Lips, 808 State with MC Tunes, along with killers from Duran Duran (yeh, you read that right), The Stone Roses, The Beatles, Underworld, and then just when you think it’s all over, up pop Blondie and Barry White to bring the whole damn thing to a close.

And ok, I have broken the golden rule of featuring the same act twice in the same mix (actually, I’ve kinda done it twice), but I think you’ll forgive me when you listen to this one.

Here comes the admin (all together now): any skips or jumps are down to the mixing software; any mis-timed mixes are down to me; all record selections are, of course, mine.

Hold on to your hats then, pop-kids, here we go:

Friday Night Music Club Vol 4.5

And here’s your Friday Night track-listing:

  1. Hot Chip – Ready for the Floor
  2. Lo Fidelity Allstars – Tied to the Mast
  3. Duran Duran – Girls on Film (Night Version)
  4. The Stone Roses – I Am The Resurrection
  5. MC Tunes vs 808 State – Tunes Splits The Atom
  6. The Stone Roses – I Am The Resurrection (reprise)
  7. The Beatles – Tomorrow Never Knows
  8. The Chemical Brothers – Let Forever Be
  9. Underworld – Diamond Jigsaw
  10. The Chemical Brothers feat. The Flaming Lips – The Golden Path (Ewan Pearson Extended Vocal)
  11. The Beatles – Here Comes The Sun (Isolated Vocals)
  12. Blondie – Heart Of Glass
  13. Barry White – You’re The First, The Last, My Everything

And that’s yer lot from Vol 4.

See you back here next week for an all knew, never posted before box of delights.

More soon.

Friday Night Music Club

Evening all, and welcome aboard the latest instalment of Friday night fun and mixed playlists.

After I crammed 16 tunes into 58 1/2 minutes last time, we have the opposite in more than one way this week. Firstly, we’re in clubbing rather than indie disco territory, with a selection of what we used to call City Hall Classics (which I think I’ve explained before), and secondly there’s just 7 songs in this just-shy of 57 minutes.

That’s partly because some of these are very long and I thought they deserved to be heard in their full glory, but also because I didn’t think my limited mixing skills would do them justice (as is evidenced by their being at least one absolute clunker of a mix, one where I clearly start the incoming tune too loud, and one which, to be fair, comes off a lot better than I thought it had; I’ll let you listen and decide which is which for yourselves.)

None of these tunes should need any introduction, so we’ll crack straight on after the usual admin stuff: any skips or jumps are down to the mixing software; any mis-timed mixes are down to me; all record selections are mine.

The first tune has a bit of effin’ and jeffin’ on it and so warrants one of these:

Friday Night Music Club Vol 1.4

Track list:

  • Flowered Up – Weekender
  • Happy Mondays – W.F.L. [Think About the Future]
  • The Stone Roses – Fools Gold
  • A Guy Called Gerald – Voodoo Ray (Original Mix)
  • Mory Kanté – Yeke Yeke (Hardfloor Mix)
  • Josh Wink – Higher State of Consciousness (Dex & Jonesey’s Higher Stated Mix)
  • Underworld – Cowgirl (Bedrock Mix)

I’m not generally a fan of remixes, but man alive I adore that Bedrock mix sooooo much…I’m getting nostalgic for those days when I wasn’t too old to go clubbing just typing this.

Anyway: more soon.

Friday Night Music Club

Well, folks, we made it: not just to another Friday, but to the final part of my six hour long(ish) Friday Night Mix.

This week, though, I’m not going to wang on with anecdotes about why I’ve picked certain tunes or what they remind me of. I’m simply going to slip my usual disclaimer in – any skips and jumps in the mix are down to the mixing software; any mis-timed mixes are down to me; all record choices are mine – and then add to it. A bit.

For there is one technical thing I would like to point out: all of the mixing on all of the playlists has been done without the aid of a set of headphones. And whilst that’s fine if you’re just fading from one song to the next (as I did on the predominantly Indie mix last time out), when you’re trying to beat match – as you have to with dance tunes as featured exclusively this week – that makes it really difficult.

See, the headphones are not just there so you can line up the beats, they’re also there so you can monitor the transition from one track to the next, make it as seamless as possible.

Not using headphones is not me deliberately trying to make things hard for myself, and I do own a pretty decent pair; if there’s a way that I could use headphones on the software I use I would. But as the mixes are done on my laptop as opposed to actual decks, and I haven’t managed to work out how to use headphones with the software I have, sans headphones it is.

Which also means I’m reliant on the cursor/mouse to cue, play and mix each track, as opposed to in real life where I would undoubtedly use both my hands rather than just one.

See, I’ve listened to this mix God knows how many times, and every time I have, I’ve heard one or two mixes where I think “Hmmm…I could have done that better”, have gone back and redone the whole thing, only to encounter a similar disappointment somewhere else in the mix.

I even dropped one tune from the mix entirely last night, substituting it for a different one, despite having listened to it a good three or four times in the week and deciding it all sounded, not perfect, but fine.

And I already know there’s one mix in this that I make a right hash of. You’ll spot it too, there’s no need to tell me about it.

What I’m trying to say is: be gentle with me. I don’t need to know if you think my mixing is dreadful. I’d love to know if you think it’s even…y’know…just alright.

But enough of my First World Problems: what have we got for you this week? An 80 minute mix of what we used to call ‘City Hall Classics’ back in the day, along with some Cool House End-of-Nighters (frequenters of the Cardiff clubbing scene from around twenty years ago should get both references) by way of a track which sounds like it samples voice of Shaggy from the Scooby Doo cartoons, host of American Top 40 (which used to air in the UK TVs at around 3am), and walking advert for fake tan and Just For Men hair dye, Casey Kellem, culminating in my attempt to mix “the hardest song to mix in or out of” that I mentioned last week, via one of the filthiest songs I own.

Which reminds me, I’d better slap one of these on it:

Here you go then, for the last time Volume 6 (although, as previously mentioned, I will be back next week with Volume 7):

Friday Night Music Club Vol 6.6

  • Donna Summer – I Feel Love
  • Drive Red 5 – Yours Sincerely, Lionel (Dirty Dream)
  • Dirty – Dirty (E-Dancer Remix)
  • Samantha Fu – Theme From Discotheque (Soulwax Remix)
  • Mylo – Destroy Rock & Roll
  • U.S.U.R.A. – Open Your Mind (Classic Mix)
  • Moby – Go (Vitalic Remix)
  • Underworld – Rez
  • Roger Sanchez – Another Chance
  • Daft Punk – Around The World [Radio Edit]
  • The Chemical Brothers – Star Guitar
  • Laurent Garnier – Man with the Red Face (original)
  • Felix da Housecat – Silver Screen Shower Scene (Thin White Duke Mix by Jacques Lu Cont)

More soon.

Friday Night Music Club

I was beginning to think this mix was jinxed.

I’ll explain, with some back story.

Firstly, I wanted to do a mix unlike the Not Christmas one, which I thought strayed a bit too far into the territories of cheese or chart music. Whilst it served a purpose, it wasn’t really indicative of the sort of tunes which usually feature here.

This one, though is a corker, even if I do say so myself.

Regular readers may recall that way back in the late 1980s, I started DJ’ing at college because I was fed up with being able to guess what song the indie DJs would play next. So imagine my annoyance when my own brother told me that on a previous mix he’d been able to predict my next choice a couple of times. Grrr.

But this mix has proved to be such a pain to complete; when I came to do it today, it tells me that some of the tunes have been played 22 times, which gives you an idea of how many times I’ve tried to get this one right. Pretty much once a week, since Christmas.

What’s gone wrong all those times? Well, on more than one occasion professional pride kicked in: I’ve messed up a mix between tunes, so have elected to start again.

On more than one occasion, preoccupied with playing Solitaire or Candy Crush just to have something to do whilst recording the mix, there’s a sudden, irretrievable silence where the next record should be. Oops!

Once I forgot to stop recording until an hour later, and, triumphant at how the mixes had worked out, I couldn’t understand why the mix lasted over 5 hours, until I listened to it.

The other problem is booze. More than once, I’ve taken drink to such an extent that I’ve forgotten I was doing a mix until the silence after one record has finished hits home and startled me awake.

Last weekend, I got to the third record from the end, and suddenly woke up to silence and realised I’d messed up again. That’s not an indictment of the standard of the mix, by the way, more an example of how drunk I’d gotten.

Even last night, when I finally nailed it, it was my second attempt of the night, having got through most of the mix when I had a drink-spillage event, which I thought I’d sorted, until, four records from the end, suddenly the sound cut out whilst the tunes kept playing and I had no idea if it was still recording the sound or the sound of silence.

Anyway, we’ve got here, and this has been a real pain, so if you could take a listen, that would be great.

I will confess that I have broken the golden rule of not featuring the same act more than once in this mix; this wasn’t intentional, but as the various run-throughs progressed, I simply forgot said acts already appeared as “featuring” acts. One is deliberate. Sue me (Please don’t).

Time for the usual disclaimer: any glitches, skips or jumps are down to the software or the uploading/downloading process, and nothing to do with my limited mixing skills.

Oh, and the usual “effing and jeffing” warning applies; it seems I’m incapable of doing a mix which doesn’t include more than the occasional swear.

I’m not posting a link to download here, other than the one to Soundcloud, where you can either download or stream it.

I couldn’t be bothered with the last ones, but I’ve done it this time: you’ll see a list of all the acts featured in this mix at the bottom of the page, so you can check whether this one’s likely to be your cup of tea before going to the hassle of actually listening to it. If you’re particularly short of things to do, you can try to guess which song I’ve picked by which artist. There’s fun.

But by way of a description: pretty much all life is here, from indie rock to 60s California hippy-shtick, some Old Skool dance classics, some hip-hop and some soul classics via some Northern Soul belters via some TV show theme tunes (sort of); there’s some hoary old rock and some psychobilly, and a couple of tracks which should have featured in a New post by now, but the bands in question played the 6Music festival last weekend so you’ll probably know them intimately by now. And, of course, there’s The Fall.

Easy on the cheese this time, there’s even some poetry so we can all pretend we’re intellectual. You’ll have chance to dance, sit and recover for a few moments, before getting back on it again.

Available for a limited time (i.e. until I do the next one), you can download or stream this on Soundcloud here:

Friday Night Music Club (Volume 4)

I hope you have as much fun listening to this as much as I had putting it together. And I found it utterly frustrating, so you’d better.

Oh, and it ain’t over ’til the fat bloke sings.

More soon.

Friday Night Music Club

Once upon a time, in a galaxy far, far away, I used to write a series here called Friday Night Music Club.

Here is what I wrote way back in March 2015 to explain:

Friends of mine will tell you I love a themed mix tape or CD.

In my old flat, we used to have what we (ok, I) liked to call The Friday Night Music Club. This would involve us a) getting very drunk b) me shaving my head at some point c) listening to the latest CD mix I’d made (later, when I bought a sound system that allowed me to just plug my iPod in (other mp3 playing devices are available) these mixes got waaaay longer, and probably waaaaay more tedious for the listener) and d) ideally having a bit of a dance.

I’ve done mix tapes and CDs for friends and family all my life (but you already knew that, right?) but the idea here was to make a series of mix CDs which, when played in sequence, you could play at a house party and which would keep the night bubbling along nicely.

Actually, this is something I’d already tried a few years earlier. Friends of mine used to have the most excellent parties at their flat on Hilldrop Road, usually with a DJ playing, but on one occasion the DJ – and for that matter, their decks – couldn’t make it. In their absence I prepared a set of 11 CDs – about 15 hours – which, when played in sequence, took you from aperitifs and welcomers, to “go on have a bit of a dance”, through to off your nut party anthems, and then back down to sitting round talking nonsense about radishes until 6am.

Anyway, back to the Friday Night Music Club. Occasionally I’d make a theme out of the whole thing (hey, if Bob Dylan can do a radio show using the same format, I can do a mix CD, okay?) or do more than one CD and spread the theme out (there was once a 4 CD opus to a former flat mate which deserves a mention in passing) but more often than not the theme would occur to me in the middle of preparing it, and that’d be it…I’d be off….

As an aside, I appear to have missed some fairly significant landmarks in the history of this place: my first ever post was in September 2013, and if you think my posts are sporadic now, bear in mind that my second post didn’t happen until a year later in 2014. Whatever, a belated 5th anniversary to me!

Anyway, it was when I became rather fixated on the theme rather than with just posting some songs which sound good when played together that I knocked the Friday Night Music Club series on the head.

Since there are now more of us are spending our Friday Nights at home, many of us getting drunk, I figured I would bring the series back for at least a one-off for you to use as your sountrack to your Zoom/Houseparty chats. There might be more, I’ve not decided yet.

Also, this, right here what you’re reading now, is my 1500th post, so I’d like to mark at least one of my landmark posts in a timely manner.

Ahem.

That’s better.

I figured we’d go back to where it all began, to the first few episodes of Friday Night Music Club, but now with fewer attempts to be clever/funny and just more songs to rock your end of the working (from home) week/kids are in bed celebrations.

Actually, I’d hoped to bring this to you last weekend, in time for the Bank Holiday, but time simply caught up with me, the bastard.

The initial intention was simply to repost those early “mixes”, with a few new songs thrown in here and there (and some brutally culled). But as I was working on it, it metemporphasised into something different, perhaps better described as a completely new mix of tunes, very loosely hung on the framework of the old ones, in an effort to reinvigorate them, poncey as that may sound.

If you’d prefer to just listen to this on Spotify, you can do here:

Friday Night Music Club Vol. 1

…although a word of warning: Spotify doesn’t have all of the songs in the playlist, so the only real way to enjoy this in it’s full…erm…glory is by ploughing through the links below.

Oh, and a second word of warning: there’s a fair bit of effin’ and jeffin’ on some of these, so perhaps not for those with young ears.

Hopefully, there will be something for everyone in here (there’s seventy tunes in just over five hours, so I bloody hope so!), so push back the sofa, get yourself a pint of White Russian (or whatever your weapon of choice is), dim the lights and turn up the volume. Let there be grooves. Let there be guitars. Let there be cheese. Let there be some surprises, some forgotten tunes and some old favourites. Let there be singing. Let there be dancing.

Tell you what: I’ll play a song or two by way of a little intro whilst you’re getting yourself sorted:

Patience & Prudence – Tonight You Belong To Me

The Jesus & Mary Chain – Some Candy Talking

Richard Hawley – Tonight The Streets Are Ours

Frankie Valli & The Four Seasons – The Night

Lykke Li – Get Some

Richie Havens – Going Back To My Roots (Groove Armada Go North Remix)

Grace Jones – Pull Up To The Bumper

Roxy Music – Love Is The Drug

Earth Wind & Fire – Let’s Groove

Jackson Sisters – Miracles

Chic – Good Times (Full-Length Version)

Double Trouble & Rebel MC – Street Tuff (Scar Radio Mix)

Adventures Of Stevie V – Dirty Cash (Sold Out Mix Edit)

Skee-Lo – I Wish

De La Soul – Me, Myself and I

N.W.A. – Express Yourself

Public Enemy – Fight The Power

Clinton – People Power In The Disco Hour

Shed 7 – Disco Down

Los Campesinos! – You! Me! Dancing!

Cee Lo Green – Fuck You!

Janelle Monáe – Dance Apocalyptic

Taylor Swift – Shake It Off

Britney Spears – Toxic (Armand Van Helden Remix)

Girls Aloud – Something Kinda Ooooh

Icona Pop – I Love It [featuring Charli XCX]

Armand Van Helden – Koochy

Spandau Ballet – To Cut A Long Story Short

Orchestral Manoeuvres in the Dark – Enola Gay

Human League – Fascination

Archie Bronson Outfit – Dart For My Sweetheart

Stellastarr* – My Coco

Franz Ferdinand – Do You Want To

Gang of Four – I Found That Essence Rare

The Fall – Dead Beat Descendant

Maxïmo Park – Our Velocity

Sports Team – Here’s The Thing

Super Furry Animals – God! Show Me Magic

Elastica – Stutter

Black Rebel Motorcycle Club – Spread Your Love

Sum 41 – In Too Deep

Good Charlotte – Girls & Boys

My Chemical Romance – Teenagers

Ramones – Beat on the Brat

Iggy Pop – The Passenger

Talking Heads – Girlfriend Is Better

Siouxsie & The Banshees – Hong Kong Garden

The Cult – She Sells Sanctuary

The Sisters of Mercy – This Corrosion

The Rapture – House of Jealous Lovers

Interpol – Mammoth (Erol Alkan Rework)

A Guy Called Gerald – Voodoo Ray (Original Mix)

Mory Kanté – Yeke Yeke (Hardfloor Mix)

Underworld – Cowgirl (Bedrock Mix)

Josh Wink – Higher State of Consciousness (Dex & Jonesey’s Higher Stated Mix)

The Stone Roses – Fools Gold

Flowered Up – Weekender

Happy Mondays – W.F.L. [Think About the Future]

The Charlatans – The Only One I Know

Inspiral Carpets – Find Out Why

The Doors – Touch Me

divinyls – I Touch Myself

Yazoo – Don’t Go

New Order – Bizarre Love Triangle

Dan Le Sac vs Scroobius Pip – Thou Shalt Always Kill

Echo & The Bunnymen – Lips Like Sugar (Way Out West Remix Edit)

LCD Soundsytem – All My Friends

Indeep – Last Night a DJ Saved My Life

Primal Scream – Come Together (Terry Farley Remix)

The Bluetones – If…

More soon.

I’m Not Too Keen On Mondays

Morning all.

Here’s an uplifting track by Underworld to kick your week off:

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Underworld – Two Months Off (King Unique Sunspots – Vocal mix)

And since we’re here: if  you’ve contributed a suggestion to this week’s edition of The Chain, then my apologies as I’ve been laid up all weekend so I’ve not got back to any of you about songs which I’m going to have to disqualify (and there are some, I’m afraid), or songs which I’ve not been able to find (there’s a couple of those too). I’ll do that tonight, so please either look out for a response to your Comment/Suggestion (or, in a couple of places, if I have your email address, I’ll pop you an email) this evening.

Oh, and as the source song is “Echo Beach”, we’re a little heavy on songs by Echo & The Bunnymen, so if I do have to tell you that your song is disqualified, please try not to suggest anymore songs by them!

In other words, more soon.

Late Night Stargazing

Over the past few weeks in the build up to the General Election, and occasionally before that, I’ve written posts about current affairs and posted a song which seemed vaguely fitting to accompany the piece.

I am conscious that some might construe a song I’m posting as an illustration of my thoughts, or even as a joke.

Which is why, after the events in London at the end of the week, the song I had lined up for tonight’s post suddenly took on a new meaning and seemed a very distasteful record to post, even though I had no intention of writing about the horrific tragedy that was Grenfell Tower. Yet.

So I have scrapped the intended song, in favour of the one which immediately precedes it on the same album. If you’re familiar with Underworld’s “Dubnobasswithmyheadman”, then you’ll know exactly which song has been bumped and why.

This is the version from the 2014 remastered release, a throbbing, pulsating classic:

Underworld – Dubnobasswithmyheadman

Underworld – Dark & Long (Remastered)

More soon.

The Chain #36

And we’re back! Back! BACK!! (obligatory Smash Hits reference for you there.)

Here we go with another dose of interactive blogging; you all know how this works by now, so we’ll crack straight on.

Last…erm…time, we left you with “C30 C60 C90” by Bow Wow Wow and the usual plea for your suggestions for songs that can be linked to that tune.

Younger readers may not know what the C30 etc in that title stands for, so allow me to explain in a slightly patronising tone.

Many years ago, music as we know it today did not exist. MP3s was the name of a robot from Star Wars (probably); the term “streaming” meant that water, or some other liquid, was flooding out of something.

Back in those dark days, us old timers listened to music via the radio, (sometimes referred to as the wireless, but let’s not go there or things will get really complicated), or cassette tapes. These could either be purchased pre-recorded, or blank, onto which we would record the vinyl records (some naughty people recorded songs from the radio, which is definitely not okay, as we will find out), and these cassette tapes were then played on cassette players or, later, on portable devices called a Walkman. The length of the blank tape varied, and the 30 signified you could record thirty minutes of music onto it, the 60 held sixty minutes, and so on.

I mention all of this to save any puzzled looks when we start going through the suggestions, for many of them refer to that medium of music presentation.

For example, first up, here’s Charity Chic from Charity Chic Music:

“C30 C60 C90 refers to taped music [okay, you’ve put that a lot more succinctly than I just did…] – you can tape to tape and in days gone by this would be in the form to reel to reel tapes. So Reel to Reel by Simple Minds from when they were good please.”

“From when they were good”, eh? Well, that certainly narrows things down quite a bit:

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Simple Minds – Reel To Real

Reel to Real, you say? Well, if you’re going to suggest that, then I’m going to suggest this lot:

r-47885-1282972620_jpegReel 2 Real feat. The Mad Stuntman – I Like To Move It

That Mad Stuntman, he really was quite mad, wasn’t he? Textbook lunacy, there. Lovely stuff.

Over to Rigid Digit from Stuff & Nonsense who ventures: “Can I get away with 3 suggestions in one comment?” You can, but I will of course break them up into three separate suggestions and post them all out of sequence and context.

“1) C30, C60, C90 – all variants of the most portable music delivery method [Can you all stop putting that more succinctly than I did please?] Now all you need is something to play them on whilst on the move. Aah .. the Walkman – which leads (in my mind) to a roller-skating Cliff Richard in the video for Wired For Sound.”

It’s the stuff of dreams, if you’ve eaten far too much cheese before bedtime, that video:

That bit when he’s driving…does it remind you of anyone….?

May not make the midnight deadline now, as I have literally just watched that about ten times.

Anyway here, for anyone who may want to listen to it and be reminded of all that lycra again, is the single:

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Cliff Richard – Wired For Sound

Just when you thought we might be all Cliffed out for this week, here’s Alyson from What’s It All About, Alfie?:

“I remember well dancing to Go Wild In The Country by Bow Wow Wow back in the day (Mr WIAA,A?’s predecessor and I used to do a bit of show-dancing to that one) but another song about being In The Country (but not being wild) was by Sir Cliff & The Shadows back in 1966. Sir Cliff is also a great tennis fan and although this is tenuous, Annabel Croft was our British female no. 1 for a while and the lead singer with Bow Wow Wow was also called Annabel(la) so a double link.”

cliff-richard-in-the-country-columbia-2

Cliff Richard & The Shadows – In The Country

Quick! Someone suggest something slightly more credible!!

The Great Gog steps up to the oche.

“I suppose there’s also the very relevant “On Tape” by The Pooh Sticks.”

pooh-sticks-2

The Pooh Sticks – On Tape

Over now to SWC from the very much still alive and kicking When You Can’t Remember Anything:

“I will be heading, like Charity Chic, down the tape route. I will start with the excellent ‘Freak Out’ by Tapes ‘n Tapes”

tapes-575x581

Tapes ‘n Tapes – Freakout

They’re a band that have managed to pretty much pass me by, are Tapes ‘n Tapes. I remember reading about them, but never actually hearing anything by them. I think I was put off by the missing apostrophe from the other side of ‘n. Time for me to investigate some more, I think.

Here’s Rol from My Top Ten:

“The Pooh Sticks were my first thought, but I knew I’d be beaten to that, so I offer the far more obscure…..”

new-american-language

Dan Bern – Tape

And here’s The Swede from Unthought of, though, somehow:

“C30, C60 & C90 were all commercially available cassette tape lengths [Ahem…! What did I just say….?] (as was C120, but who used those?) [Erm….] and the Bow Wow Wow song in question was the first ever cassette single. Pete Murphy of Bauhaus famously appeared in a TV advert for Maxell cassette tapes, so I’ll go for ‘Bela Lugosi’s Dead’”

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Bauhaus – Bela Lugosi’s Dead

Brace yourself now, as we are about to step into the nerdy world of which cassette tape was our weapon of choice back in the day. Welcome back, Alyson:

“The tapes of choice for me were usually made by Philips which was a Dutch company and 2 Unlimited were Dutch…… Oh no, did that link last week time.

Include another L in Philips and you have the surname of half of the members of The Mamas & the Papas and I don’t know about you but “All the leaves are brown and the sky is grey, I’ve been for a walk on a winter’s day, I’d be safe and warm if I was in L.A., California dreamin’ on such a winter’s day.” Yes it’s a bit of California Dreamin’ from me.”

the-mamas-and-the-papas-california-dreamin-abc

The Mamas & The Papas – California Dreamin’

And here’s Dirk from Sexyloser to chuck his thoughts on the matter in:

“For me it always had to be BASF cassettes, they really were the best. Although, somehow, they smelled rather disgusting, strangely enough ….”

They say the olfactory sense is the most powerful in terms of invoking childhood memories, so let’s see what that little sniff and scratch session has brought back to Dirk’s mind:

“I was thinking about other famous people with a nice mohawk (‘cos that’s what always impressed me mightily when looking at Annabella [of Bow Wow Wow] back then … that and her figure, of course … I always thought she was smoking hot! Still admire her today, to be brutally honest! Perhaps I should be careful these days when saying such things, bearing in mind she was only 13 or 14 when the first singles came out, and I don’t want to end up being the one with the paedophiliac stamp in future posts of The Chain! Then again she’s two years older than me, but does this fact legalize my continiuing adoration? Interesting subject, once you think about it …”

You do realise you’re talking out loud, don’t you Dirk? Reign it in, old chap.

But before you do, here’s Martin to add a little background to Dirk’s ramblings:

“Annabella Lwin of Bow Wow Wow was famously photographed for the album sleeve art with not too many clothes on, despite being a minor. Cue tabloid frenzy and a visit from Scotland Yard for Malcolm McLaren. And on that basis, I’ll make my suggestion, an ode to being sure she’s old enough…”

travis-u16-girls-independiente-cs

Travis – U16 Girls

Back to Dirk, who hopefully has had time to have a cold shower. Dirk, fancy picking up where you left off, and maybe coming up with something which not only links to the subject record, but also to Martin’s suggestion?

“Famous people with a mohawk are Mr. T out of the A-Team of course, but also Robert de Niro as Travis Bickle in ‘Taxi Driver’, which gives me a fine opportunity to annoy George (again) and link to The Clash and ‘Red Angel Dragnet’ [because it features several lines of dialogue lifted from the film]

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The Clash – Red Angel Dragnet

As is traditional, Rol picks up the mohawk baton (which, surprisingly isn’t a euphemism) and kind of runs with it, as far as this:

“Mohawks lead me to recall Pop Corn & The Mohawks – ‘Custer’s Last Man’.  Worth a spin if you can find it”

Ok..

Two minutes later, Rol posted this:

“P.S. Having listened to it all the way through again now… you must dig it out. It is utterly mental.”

Blimey, Rol, give us a chance!

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Pop Corn & The Mohawks – Custer’s Last Man

We seem to have got a little way away from the subject in hand. Anyone care to drag us back to the whole tape thing?

Oche vacated, here’s Swiss Adam from Bagging Area

“Wild Billy Childish and the MBE’s ‘He’s Making a Tape’ (‘and it’s not for me’ she sings, Billy’s wife, Nurse Julie)”

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Wild Billy Childish and the MBEs – He’s Making A Tape

Continuing the tape theme, Martin’s back:

“Following the C30, C60, etc, into the land of mixtapes, how about ‘Press Play and Record” by Lois Maffeo?”

I could only find the same song credited to just Lois, so I’m hoping this is the song you had in mind:

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Lois – Press Play and Record

Back to SWC now, with his second choice, and his second choice by someone who has passed me by, mostly because I’ve always viewed him as a Billy Bragg wannabe, which isn’t necessarily a bad thing, but we’ve already got one Billy Bragg, so…

Anyway, having listened to this, I may have to reassess.

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Frank Turner – Losing Days

SWC: two shots on target, two goals.

Go on, have another go.

“You could also go down the mixtape route which is regularly used by rappers taking us nicely to the odd future tape and ‘Slow it Down’ by Tyler, The Creator.”

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Tyler, The Creator Ft. Hodgy Beat – Slow It Down

We’re almost at the end of the Tape links, here’s Dirk with one more, no build-up, no pre-amble, just introduced by the words: “Clever, eh? But this happens when you remember every old shit no-one else knew all along!):

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The Membranes – Spike Milligan’s Tape Recorder

First appearance of the week now from Jules of Music from Magazines fame:

“One of the best uses of tape in a promo video was of course in “America What Time Is Love?” By The KLF.”

It took me ages to work out what he meant. See if you can spot the reference:

Jules will be back shortly with some actual suggestions. Some of which I may even allow.

I haven’t suggested anything for a while. Feeling a bit left out actually. So how about I wrap up the Tape section with one of mine?

Every now and then, post The Chain, I get an email from George, telling me how much he loves a song that I’ve posted. They are always the songs that I least expect him to like, which is a mark of the man. George, I mention this because, going off some of the previous ones you’ve told me you enjoyed, you’ll love this, if you don’t know it already (though I would imagine you do).

Tidying off the tape section with another Reel song, here’s The Chemical Brothers:

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The Chemical Brothers – The Private Psychedelic Reel

Oh and George: next time you email me, there’s no need to attach the video clip of you dancing round your kitchen. But if you must, please can you be wearing some trousers next time? Or at least some underwear. Thank you.

Okay, before we move on to the next batch of links, a couple of random ones. First up, is Alex G from We Will Have Salad:

“Let’s play Chain Letters! Take Bow Wow Wow, change a letter, and you get Bow Wow Now, which is a song by Dubstar”

Quite a short game, really, that, wasn’t it? I suggest you work on a second draft before submitting it to one of the major TV channels. Although, stick the word ‘Celebrity’ at the start of it, and Channel 5 would probably be interested in it right now:

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Dubstar – Bow Wow Now

And since we seem to have stumbled into the vague area, here’s the aforementioned George:

“From Bow Wow Wow, to violins (played with a bow) and to some prog rock, namely King Crimson and ‘Larks Tongues in Aspic Part 2’ , which has some violin-ing in a splendid racket of a song.”

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King Crimson – Larks’ Tongues In Aspic, Part Two

One of the other recurring themes that came up after last week’s time’s source record, was home taping, the hobby/habit/thriftiness/call it what you will that so many of us of a certain age indulged in in our youth, sitting hunched and “hovering over the Pause & Record buttons on your knackered old tape recorder when the Top 40 was on a Sunday evening…cursing when you accidentally taped even the briefest snippet of Bruno Brookes…” as I once described it elsewhere on these pages.

This was known as piracy, which led two of the Chain Gang to come up with suggestions.

First, here’s The Robster from Is This The Life?:

“One thing immediately comes to mind, and it’s a double-linker! C30, C60, C90 Go! was a song about taping music off the radio – music piracy. The pirate skull and crossbones flag was called the Jolly Roger. Bow Wow Wow consisted of ex-members of Adam And The Ants, also formerly managed by McLaren. Adam banded together a new bunch of Ants and modelled himself as some kind of glam-punk pirate, recording a song called ‘Jolly Roger’ on the album ‘Kings of The Wild Frontier’.”

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Adam & The Ants – Jolly Roger

And then came The Great Gog, who I am used to receiving a suggestion from at around 3am the morning after I post The Chain. This time, he has a rather unique way of coming up with a suggestion:

“Like Robster, I started thinking of piracy, in particular the old cassette and crossbones logo that used to adorn many an album cover back in the early eighties. “Home Taping Is Killing Music – And It’s Illegal”, that one. This set me wondering how quickly I’d find one of these if I were to randomly pull out a few records from my vinyl collection. Around a minute or so as it turned out. The Psychedelic Furs’ eponymous debut LP was the album in question. Did any particular track lend itself to The Chain? Well, much home taping was done from the good old wireless, so a case could be made for “Blacks/Radio”. Of course, I’m now wide awake listening to said album through headphones when I should be sleeping like the more sensible members of my family…”

And I suppose that’s my fault, is it…?

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The Psychedelic Furs – Blacks/Radio

Mention of the ‘Home Taping is Killing Music’ campaign reminded me of this alternate logo, which always made me chuckle, and which at least one other blogger used to use on their website. Can’t remember who, suspect it may have been Dirk, but wouldn’t want to swear to it:

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I had that made up into a couple of t-shirts (for myself), so I probably owe somebody something for that blatant copyright breach. Ah well. Join the queue.

Anyway, where was I? Ah yes, the Home Taping is Killing Music thing. Here’s Rigid Digit with the second of his suggestions:

“2) Fuelling the Home Taping Is Killing Music campaign, the cassette single of C30, C60, C90 … Go had a blank side – this also led to the band parting company with EMI.
The logo was used in the back of Venom’s Black Metal album with the words ‘Home Taping Is Killing Music… So are Venom’…Venom have a place in my ears, but if I’m honest, they really aren’t that great…”

Don’t start backing down before we’ve even played it, Rigid!

So, here’s some words I never thought I’d type. Ladies and Gentleman, I give you Venom:

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Venom – Black Metal

Now I know I mentioned in jest that I wouldn’t post Rigid’s three suggestions in order, but truth be told, they do pretty much work in that order, fair play. So, here’s his third:

“3) The 21st Century equivalent of home-taping is downloading, so no pre-ambling explanation: Weird Al Yankovic – ‘Don’t Download This Song’.”

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Weird Al Yankovic – Don’t Download This Song

It won’t have escaped your attention that musically that’s based on this:

My two favourite bits on that song are when Cyndi Lauper comes on and kicks some ass (vocally), and (long term readers and friends, forgive me for making this joke yet again), the bit where Bob Dylan does his impression of Cartman from South Park.

But I digress, yet again.

Having allowed Rigid’s  three suggestions to appear almost uninterrupted and in sequence, I’m going to break with tradition and allow the same thing to happen with babylotti’s.

But first, round our way, whenever someone name drops, we tend to shout the word “Clang!” It is often bawled at me when I start regaling people with stories of all the bands and comedians, some on the way up, some on the way down, some going absolutely no further, that I worked with, albeit usually only for one night, back at the end of the 1980s/start of the 1990s. I mention this now, apropos of nothing.

Over to you, babylotti:

“Being from Coventry the thought of bootleg tapes immediately brings to mind my first serious music love, Ska. Or Two Tone Ska as it’s become known as.  So my first suggestion is Gangsters by The Specials with the line ‘Why must you record all my phone calls…’ [I’ve had the privilege of playing as drummer with several members of the band since]…”

Clang!

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The Specials – Gangsters

“…My next suggestion is staying with the same scene & to suggest The Selecter & On my radio, the 1991 version is better IMO. And I’m proud to say I actually deputised as their keyboard player for one gig, a very happy moment!”

CLANG!

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The Selecter – On My Radio (1991)

“…And lastly I’m going to link to Tom Robinson’s ‘Atmospherics: Listen To The Radio” for the radio link. And lets face it, we all used to tape stuff off the radio, didn’t we?”

CLA – oh. Sorry.

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Tom Robinson – Atmospherics: Listen To The Radio

Two more categories to go now until the big reveal, and unsurprisingly, we’re going to the dogs now. But before we do, a quickie from Jules:

“Songs with numbers in title, how about Culture’s ‘Two Sevens Clash’..?”

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Culture – Two Sevens Clash

To the dogs! And one from me, from an album that I’ve had for a while, but never really given it much of a chance; not sure why, probably partly because I’d not been fussed about their last one, partly because with Hooky gone I didn’t think they’d sound anywhere near as good, despite the decent reviews the album got.

But then the other night, the Iggy Pop growled his way out of my speakers on a tune I didn’t recognise. This one:

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New Order – Stray Dog

A change of pace now, and here’s Badger from When You Can’t Remember Anything, or rather, Mrs Badger on his behalf, as he had much more important things to sort out at the time:

“Greetings from the mountains. Mrs Badger here.
Tim wishes to link to ‘Old Brown Dog’ by Ralph McTell.
He’d tell you himself but he’s at the bar getting me a mojito.”

I had to check twice to make sure she hadn’t put us all to shame by submitting that in the form of a haiku.

Here’s Ralph:

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Ralph McTell – Old Brown Dog

Two Ralph stories.

When we were kids, although I have no recollection of my brother going to stay in Germany (and I know I definitely didn’t, I tend to remember that kind of stuff), we played host for a couple of weeks to a German exchange student by the name of Ralph. And of course, part of the task of having a foreign exchange student is to teach them about the British way of life, sample our culture, teach a little history even.

It was only years later that it occurred to me that perhaps there were less inappropriate,  more tactful places of interest that we could have taken a young German lad, away from his family for the first time, than the Duxford Imperial War Museum, which has, amongst many other things, a permanent Battle of Britain exhibition.

Ooopsies.

Second Ralph story isn’t really a story, but everyone who knows me knows that having featured a song by Ralph McTell, I simply cannot resist posting this:

Over to Jules, again, who is now in full on pun mood:

“Been feeling a bit ruff lately so I thought I was barking up the wrong tree with the cassette link until I did my sums

30+60+90=180 degrees, a complete turn around

Of course the link is Bow Wow Wow

And what do you do with dogs (quiet at the back)?

Run with them”

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Pet Shop Boys – Suburbia

Of course, any mention of Dogs, and there’s one person who we just have to mention:

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Snoop Doggy Dogg –  Gin and Juice

I don’t know if this particular story crossed your radar a couple of years ago, but it’s a prime example of why television interviewers, like barristers, should never ask a question that they don’t already know the answer to. Especially when you’re interviewing a Welsh farmer who has recently met Mr Dogg, and who drops da bomb at around 01:18 on this clip:

Here’s Jules with…a less successful suggestion:

“Oh! As mentioned many times Bow Wow Wow lead’s to dogs which are canine….. Sounds like K9 to me the robot dog in Dr Who

Put all the ingredients [including the earlier KLF reference] into the blender and simmer for a while and one gets

The Timelords’ ‘Doctorin’ The House’.”

Apologies Jules, but I can’t allow that one as it’s featured on The Chain before (The Chain #28, to be precise, before you started frequenting these pages, I think), and is therefore now off limits.

When I get time, I’ll set up a page listing everything we’ve posted here so far. Might take me a little while as we’re fast approaching the 800 mark, mind, but it will happen sooner or later, as I do hate having to disqualify a perfectly good suggestion on these grounds.

So, we’ve done dogs, but what about dog noises?

Here’s Martin:

“Bow Wow Wow is the noise a dog makes, as described by a child… who might describe said dog as a doggy… hence:

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Patti Page – (How Much Is) That Doggie In The Window?

“Twee but terrible,” he continues, before going on to suggest what is unquestionably the Worst Record of The Week. “So how about the noise that dog makes? In which case, “Ruff Mix” by Wonderdog, in which sampled barks are used for lyrics?

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Wonder Dog – Ruff Mix

“Fascinating (debatable) fact,” Martin adds, “the human voice of Wonderdog, in promo appearances, was none other than Simon Cowell in a dog suit – mindboggling and depressing in equal measure. Also twee but terrible.”

If only he’d stayed there, eh readers?

Two songs to go, and it’s at this point that I suddenly realise I haven’t sorted out the next song in The Official Chain which we’re all trying to either guess, or better. Bit of an oversight by me that.

I’ll leave you in Rol’s capable hands whilst I sort that out. Rol, it’s all yours, and try to pad it out a bit, will you?

“If you want a link that requires (a little) explanation, then…Bow Wow Wow is the sound of a dog barking, so…”

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I, Ludicrous – Trevor Barker

“(Actually, that didn’t take much explaining at all, did it? Must try harder.)”

That’s it, is it mate? Cheers.

Okay, last one, and last one from me. Following on from that, here’s Underworld’s “Diamond Jigsaw”. The link? It’s from their album “Barking”. I thank you.

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Underworld – Diamond Jigsaw

Before we have the final record, can I just say that all that up there that you’ve just read, that’s why I love doing this, and that’s why I don’t want to introduce any maximum suggestions per person. For where else would you hear Bauhaus, Snoop Dogg, The Pooh Sticks, Wonder Dog and King Crimson in the same post, other than here at The Chain?

Apart from on Charles Manson’s record player, of course.

So, to the official tune, and some of you got within a whisker of the link, if not the actual tune:

“C30/C60/C90 – types of cassettes. Cassettes were made by Dolby…”

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36. Thomas Dolby – Hyperactive!

Can’t really argue with that, can we?

So, your suggestions please, via the Comments section below, for records that you can link to Thomas Dolby’s “Hyperactive!”, along with your explanation on the links you propose.

And don’t forget, we’re moving to Sunday as of next post, so the next edition of The Chain will be with you the first weekend in February. Feel free to make your submissions as early as you like though.

Thanks for your time.

More soon.

The Chain #30

This week seems to have flown by; Wednesday evening and I find myself woefully unprepared for this week’s edition of The Chain. I blame Teenage Fanclub for being so bloody good last night, and for taking up one of my evenings usually spent getting this ready.

Also, my efforts to track down one of your suggestions led me to download the entire album as a single mp4, then edit it down to the one song I needed, then convert it to an mp3. I’ll not say which one, I’ll wait and see whether my new found tech skills are detected!

In short, this may be a little briefer than usual. Sorry.

So, last week, after being inundated with suggestions which linked to The Band’s “Up on Cripple Creek” which involved songs which mentioned creeks, various other bodies of water, and…erm…cripples, I rather thought that I might have it easy this week when the next track in The Official Chain turned out to be Neil Young’s “Cripple Creek Ferry”.

No such luck.

So let’s crack on, shall we? And where better to start that with babylotti:

“I don’t care how obvious it is, I’m getting Saint Etienne’s version of ‘Only Love Can Break Your Heart’ in first!”

There are plenty of mixes of this to choose from; my own personal favourite is Andrew Weatherall’s “A Mix in Two Halves”, but tonight, Matthew, I’m plumping for the better known version from Saint Etienne’s classic “Foxbase Alpha”:

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Saint Etienne – Only Love Can Break Your Heart

He’s not done there, though, nosireebob:

“Also, Elkie Brooks had a hit in 1978 with the aforementioned song, from the same album came the one single I remember her for:”

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Elkie Brooks – Pearl’s a Singer

And he’s still not done:

“And I now also have to link to ‘Pearl’s Girl’ from Underworld.”

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Underworld – Pearl’s Girl

“Elkie Brooks did a lot of good songs in the early 70’s,” chips in Kuttowski of A Few Good Times in my Life. “She was formerly the singer together with Robert Palmer in Vinegar Joe. I well remember them with their ‘Proud To Be A Honky Woman’.”

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Vinegar Joe – Proud To Be (A Honky Woman)

Well, having allowed “Pearl’s Girl” it’d be pretty churlish of me to refuse to post that, wouldn’t it?

That’s a pretty rollicking start to this week’s usual eclectic mix of the good, the bad, and the ugly, I’m sure you’ll agree.

Time for a seamless link, I think.

Here’s Badger from When You Can’t Remember Anything:

“Cripple Creek was also the name of a Western made in 1952 directed by Ray Nazarro and if we are talking Westerns then there is only one place to go and that is with “The Good, The Bad and the Ugly” or possibly from the soundtrack of the same name “The Ecstasy of Gold” which brings it back to the Gold thing”

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Ennio Morricone – The Ecstasy of Gold

“Gold thing? What gold thing?”, I hear you ask. That’s the problem with me jiggling the running order in a vain attempt to build some sort of narrative to appease you all; sometimes the links may be seamless but sometimes there’s a mention of a link that I haven’t covered yet. I’ll let Badger clarify:

“Cripple Creek is a town in Colorado and used to be very big in gold mining. This instantly allows a link to “Gold Mine Gutted” by Bright Eyes, that they are also signed to Saddle Creek, means you get a double link, all I need is a ferry and you have the whole shebang.”

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Bright Eyes – Gold Mine Gutted

Badger wasn’t the only person to mention the gold link. Step forward and take a bow Alex G from We Will Have Salad:

“’Cripple Creek Ferry’ is from the album ‘After The Gold Rush’. One of the most (in)famous gold rushes was the California gold rush which started in 1848 but exploded in 1849, and whose prospectors were thus dubbed ’49ers’, which naturally leads to the Italo-house outfit 49ers and their classic hit “Touch Me”.

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49ers – Touch Me (12″ Sexual Mix)

NB – there is very little that is “sexual” about that mix.

Which leads me on to the first of my suggestions this week. 49ers are mentioned in the American folk song, so beloved of Huckleberry Hound, “Oh My Darling Clementine” which leads me on to this little lot:

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My Darling Clementine – She Is Still My Weakness

…which in turn very nearly led me on to “My Weakness is None of Your Business” by Embrace, but you’ll be pleased to learn I showed some self-constraint.

Anyway, back to Badger:

“Or if you want contenders for the worst suggestion ‘Going For Gold’ by Shed Seven.”

I have a bit of a soft spot for Shed Seven, as it goes. They always seemed to be trying quite hard to make records which exceeded their limited capabilities. That said, ‘Going for Gold’ is not one of their finer moments. It’s also not even close to being the worst suggestion of the week, I’m afraid.

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Shed Seven – Going For Gold

Now then. Awful records. I appear to have created a monster here. For this week you were all tripping over yourselves to suggest them.

“I’m going to win the prize for Worst Record On The Chain this week” says George.

Go on then. Do your worst.

“Neil Young was also the name of a Manchester City forward of the 1960s. And one of his team-mates was Colin Bell. And Colin Bell’s birthday is February 26th. As is Michael Bolton’s. And amongst Mr Bolton’s songs is a cover of ‘Yesterday’, which is so bad I’m not sure you should post it. Mr Bolton also covered ‘Ain’t No Sunshine’ which is catastrophically poor as well. All of which is quite a shame because he seems like a genuinely nice and amusing bloke. By the way, for the sake of your well-being never play his cover of ‘So Tired Of Being Alone’. It’s really shit.”

What you seem to have done there is name three records which you don’t want me to play. You lot are lucky enough to be able to choose whether or not to click play, but me? I’ve had to listen to all of them to decide which one to post, so I’m tempted to post all three, but I’m not that cruel. So here’s the first one you mentioned:

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Michael Bolton – Yesterday

Think that’s the worst record of the week? Think again.

Getting my hopes up for something…well…a bit less shit, or failing that, somebody with a credible haircut at least, by starting his first suggestion with the word “Heh” before launching into a bit of Greek mythology, here’s Rol of My Top Ten:

“Heh.

Charon is the Ferryman in Greek mythology. He carries your soul on his boat down the river…

Yes…

Styx.

“It’s you, babe, whenever I get weary or I’ve had enough… feel like giving up, you know it’s YOUUU, babe…”

Etc.”

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Styx – Babe

Will you just take a look at some of those barnets? Yes, it was 1980, but that’s no excuse. Anyway, what are the odds of them having turned up here, as well as being the models in the display pictures that first caught the eye of Michael Bolton in the window of his local barber’s shop?

“Alternatively,” Rol continues, “if you want something a little bit cooler…

Half Man Half Biscuit – Styx Gig (Seen By My Mates Coming Out Of A)

There.

Cred restored.

Just.

(Not that I care about such things.)”

Shan’t post it, then.

Yeh, right. Like I’m ever going to pass up the opportunity to post something by Half Man Half Biscuit:

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Half Man Half Biscuit – Styx Gig (Seen By My Mates Coming Out of A)

Also intent on restoring his reputation after his earlier Michael Bolton aberration, is George, although when George has a theme, he sure as heck sticks with it:

“To make up for that, you can have some Fats Domino (The Fat Man I suggest) as Mr Domino shares his birthday with Colin Bell.”

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Fats Domino – The Fat Man

And why stop there, when you’re on a hat-trick?:

“And a Johnny Cash track, as he too shares the same birthday as Colin Bell, what about Personal Jesus?”

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Johnny Cash – Personal Jesus

Now Rol’s and George’s reputations are restored, let’s see if Charity Chic of Charity Chic Music fame fancies ruining his:

“Neil Young is from Canada and has never won Opportunity Knocks. Neil Reid from Glasgow has, with the truly awful ‘Mother of Mine'”

Brace yourselves, folks.

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Neil Reid – Mother of Mine

This, and a subsequent comment by Alyson, led me to do a little digging to see what nuggets I could find out about him. Here’s some factoids, one of which I might need to double-check:

  1. As Alyson quite rightly points out, he is now a financial advisor, in Blackpool
  2. Reid’s self-titled album went to number one in 1972, making him the youngest person to reach the pinnacle of the UK Album Charts, at the age of 12 years 9 months
  3. Said album is one of the very few Number 1 selling albums which has never had an official CD release. I think we all know why that is.
  4. In 2008, he was interviewed by Amanda Holden for ITV’s ‘When Britain First Had Talent’, which pretty much serves him right
  5. In between the end of his solo career and starting his life in the giddy world of finance, he was the third Reid brother in The Jesus & Mary Chain

Please, God, someone suggest something decent.

Rigid Digit, what have you got for us this week?

“Neil Young – intrinsically linked with Crazy Horse (although they’re only on a couple of tracks on After The Goldrush).

 Therefore – Crazy Horse => Crazy Horses (aka The Osmonds “go” Heavy Rock)”

Some of you may not think posting something by The Osmonds is necessarily an improvement, but I beg to differ: when you compare it to the majority of the rest of their turgid output you realise what a surprisingly bloody great record “Crazy Horses”:

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The Osmonds – Crazy Horses

“Crazy Horses” was, as Rigid Digit continues: “later covered by Tank (featuring Algy Ward, previously of The Saints and The Damned)”

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Tank – Crazy Horses

Oh Rigid: you already had me at The Osmonds.

Crazy Horse though – some of you must have some suggestions in that area, surely?

Well, yes, as it goes. Here’s The Great Gog:

“Going for a double link here. Neil Young has made a number of records with Crazy Horse. Ian McNabb has also made a record with members of Crazy Horse. Ian McNabb has also recorded a song that mentions a river that has a famous ferry. That song is of course, “Merseybeast”. Sadly this was the title track of the album after the one he did with Crazy Horse, but perhaps that would have been too perfect a link.

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Ian McNabb – Merseybeast

Nor have there been enough songs to link to Neil Young himself, so here’s a couple of mine. Firstly, a pre-fame daughter of a former Blue Peter presenter, fronting a band who never had much critical acclaim or commercial success, I think mostly down to the wanky way they insisted on spelling their name:

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Theaudience – If You Can’t Do It When You’re Young When Can You Do It?

Time for another seamless link. One of the things you can do when you’re (Neil) Young, is rock up on stage and make an already majestic song just that little bit more majestic:

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R.E.M. (feat. Neil Young) – Country Feedback

We’ll be popping back to some more live stuff in a moment, but first, over to Alyson from What’s It All About, Alfie? with a suggestion and a question which has sparked some great posts by some of our fellow Chain Gangers (go on, treat yourself and click on a few of the links to their blogs if you don’t already visit them regularly):

“From one Neil to another Neil – Diamond to be precise.

Now I have become aware over the weeks that there are people who are just not “cool” to like around these parts and as for Mr Bolton and his very unusual cropped-top/long at the back mullet haircut, I totally agree. Have still to work out where Neil D sits on the scale but personally I have always liked him, (most of) his songs, and his recent stuff. He did also have quite odd hair back in the day but hey, didn’t they all – oh and some very tight trousers.

Anyway Cripple Creek sounds as if it would have been quite a rocky place so if Mr Diamond had been there with the girl of his dreams there would have been “Love On The Rocks”.”

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Neil Diamond – Love on the Rocks

More Neil based fun now – and who can honestly put their hand on their heart and say they haven’t at some time or another had fun whilst Neil-ing? – from The Beard:

“From Neil Young to Neil from The Young Ones. He scored a number two hit in 1984 with his cover of Hole In My Shoe by Traffic.”

I’m assuming from the rest of your suggestion that you want the Neil version, rather than the Traffic jam, right? Excellent!

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Neil – Hole In My Shoe

“It was kept off the top spot”, the Beard continues, “by Frankie Goes To Hollywood’s Two Tribes. The spectre of nuclear war was the theme of that track. The same topic also formed the basis of The Young Ones episode Bomb. Dexy’s Midnight Runners were the musical guests in the episode, playing Jackie Wilson Said (I’m In Heaven When You Smile) which is not, sadly, about a darts player.”

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Dexys Midnight Runners –  Jackie Wilson Said (I’m in Heaven when You Smile)

By the way, does anyone else remember that as being released as Kevin Rowland & Dexys Midnight Runners, as opposed to just Dexys Midnight Runners…? Nope, me neither.

As promised, another live track now, courtesy of kuttowski:

“On ‘After The Goldrush’, Nils Lofgren, a 19 year old guitar player appeared on the scene. In his later career he played with Crazy Horse, Grin and Bruce Springsteen and I suggest his No Mercy.”

This is the version from his pithily-titled “Acoustic Live” album:

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Nils Lofgren – No Mercy

That’s enough Neil-ing, time for some Ferry-ing. Time for two from The Robster from Is This the Life:

“First up [Hey! That’s MY line! – Ed]– taking Neil YOUNG and Cripple Creek FERRY, Young’s Ferry was a historical ferry crossing of the Merced River, located in present day Merced County, California. One of Merced’s famous sons was ‘The King of the Western Swing’ Bob Wills who, along with His Texas Playboys, became one of the top chart acts of the 1930s and 40s. In 1945, they had a #1 country hit with a cover of Zeke Clements’ Smoke On The Water (definitely NOT the same song that Deep Purple recorded two and a half decades later.) This also links water/creek.”

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Bob Wills and His Texas Playboys – Smoke on the Water

“Alternatively, continuing the water theme and linking with the artist name, how about ‘Current Of The River’ by the Young Knives from 2008’s ‘Superabundance’?”

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It’s only after I posted that, that I remembered it’s the closing track on Superabundance, and comes complete with one of those pesky hidden tracks, which is also included in that link. Suffice it to say, this isn’t the one I edited.

Some more restoration of reputations now, as we welcome Charity Chic back:

“I would suggest the gorgeous Ferryman from the lovely Rachel Sermanni”

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Rachel Sermanni – Ferryman

Here’s Dirk from Sexyloser:

“I think I’ll go down the ferry-route, too. Problem is that I can’t really decide between Holly Johnson’s version of ‘Ferry ‘Cross The Mersey’, Ferry Boat Bill’s ‘Sally Goes Downtown’ (I should add that I only have this one on tape, not on vinyl/mp3, does that also count?) and Toy Dolls’ ‘You Won’t Be Merry On A North Sea Ferry’: I think I’ll go for the latter because it’s ace … and I’d like to hear it again!”

Well, that’s pretty lucky because, other than appearing on that single to raise money for the Hillsborough disaster fund back in 1989, I’m not sure Holly Johnson ever recorded a solo version of it, although of course there’s the version on Frankie Goes to Hollywood’s “Welcome to the Pleasuredome” album (I’m open to correction on that, as always), and  I’ve not been able to locate the Ferry Boat Bill track anywhere, so…well…here you go:

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Toy Dolls – You Wont Be Merry on a North Sea Ferry

Over to SWC from When You Can’t Remember Anything:

“The Edmund Fitzgerald was a ferry that sank in Lake Superior in 1975 and was then made subject of a song by one Gordon Lightfoot, a Canadian folk singer.”

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Gordon Lightfoot – The Wreck Of The Edmund Fitzgerald

If I may just interrupt for a moment there, before you suggest something we’re all going to regret: if we’re going to start posting songs about boats which sank when carrying large amounts of cargo (Five million hogs, six million dogs, and so on), then surely this has to get an honourable mention:

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The Pogues & The Dubliners – The Irish Rover

Sorry ’bout that, SWC. Do carry on, old chap:

“‘Wreck of the Edmund Fitzgerald’ was however kept off Number one in the US of A by a certain Rod Stewart and ‘Tonight’s the Night’.”

Insert your own joke about Americans making terrible decisions here, if you like.

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Rod Stewart – Tonight’s The Night

I’d never noticed the vaguely “Je T’Aime…”-esque French lady vocal at the end of that before. Possibly because I’ve never listened to the bloody thing all the way through before.

Time for a fairly straight-forward link from Swiss Adam over at Bagging Area:

“‘The Ferryman (Zeebrugge)’ by Billy Childish and the Singing Loins is my fairly straight-forward link”.

See? Told you it was straight-forward:

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Billy Childish and the Singing Loins – The Ferry Man (Zeebrugge)

Over the past few weeks, you’ll have noticed I’ve tried to include a few video clips into proceedings, but not this week, for I knew that The Swede from Unthought of, Though, Somehow had posted one as part of his suggestion:

“Bugger – kuttowski beat me to it! [with the Nils Lofgren tune] So instead I’ll give a shout out to our local ferry, which crosses the River Yare at Reedham:

By pure coincidence, it’s a chain ferry! So ‘Back on the Chain Gang’ by The Pretenders is my suggestion.”

It’s a record that’s come up before, of course, but since it’s our theme tune here (and since your video clip has brought back memories of many happy family holidays on the Norfolk Broads), it seems a pretty perfect way to round things off this week:

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The Pretenders – Back on the Chain Gang

Which just leaves me to reveal the next record in The Official Chain, and the link that gets us there. And one of you will be kicking yourselves at how close you were:

“Another Neil Young of Manchester City scored the winning goal in the 1969 FA Cup Final. Oasis are well-known Man City fans, hence…”:

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30. Oasis – Live Forever

Bad luck, George.

So, your suggestions for songs (let’s face it, it’ll be plural, won’t it?) which you can link to “Live Forever” by Oasis, via the Comments section below, along with your usual brief descriptions as to what links the two, three, four, however many, records together, in plenty of time for next week’s post.

More soon.