It’s Saturday morning, and that can mean only one thing round Dubious Towers: Rant or Chain?
Any hope of building suspense is already ruined by the title of course. But believe me, after the humiliation of the press shots of Shagger Johnson looking at his most bumblingly unkempt on Thursday evening, and what his utter failure means for all of us here in the UK, it was by no means a foregone conclusion as to what would appear here this morning. Anyway, we’ve got all weekend until the announcement we’re all now expecting, so there’s plenty of time for me to cobble something together.
So. The Chain. We ended last time with this as the source record:
We were a little thinner on the ground than usual this time around, which I wasn’t especially surprised about, because there’s not a lot to work with there, is there? So hats off to all of you that contributed.
As you know, what I try to do with these is to bring your suggestions together into, if not an actual narrative, then some sort of cohesive whole, so that it’s not just me going “And here’s so-and-so’s suggestions”. And that’s what I’m going to try to do this time, but as many of the songs were related to other songs with years in the title, I figured I’d slip those in every now and then, in their true chronological order.
But first, a little tune, the title of which perfectly describes that Pumpkins source song title:
Look, I know I say this quite a lot, but not all Quo records are of the chugga-chugga three chord boogie variety. A Year is taken from their Piledriver album where they had almost permanently settled on their winning formula, but this is a far more bluesy affair, with a bridge which nods back to their psychedelic days. Seriously, give it a listen.
I’ll be using any songs which simply link to the word “year” as an alarm to warn you it’s about time we went time travelling. If you think about it, it’s a really clever way for me to crowbar all of the ones I thought of into the narrative, and isn’t a bit crap at all.
Ok, so it’s time for some time travel, and we’ll head back to the earliest of the yearly-titled suggestions. Care to hop aboard?
And we’re heading back to 1959 for this bit of flamboyant gothness, which, just as A Year doesn’t sound like Quo, so this doesn’t sound like a Sister of Mercy record, it sounds more like a Jim Steinman composition (checks this: it isn’t, but I had no idea that Sisters mega-hit This Corrosion is a Steinman song, and he has a co-writing credit on Dominion/Mother Russia. Seems he rubbed off on Andrew Eldritch. (Not like that, you mucky lot!)):
Anyway, that was suggested by…erm…me, too. (Note: not #MeToo). I suppose I’d better let some of you lot play, hadn’t I?
Ok, so let’s kick off proper with songs which can be linked to the band name, and for a starter, here’s Rol from My Top Ten:
“Pumpkins are gourds.
So I’ll go with The Gourds and their cover of Gin n Juice by Snoop Dogg. (Or Lion. Or whatever he’s calling himself this week.)”
“You could also have Cucumber Castle by The Bee Gees,” Rol continues, “although it is pretty awful (and I like the Bee Gees).”
Rol is right, of course. I like the Bee Gees too. And that really is not good.
As an aside, for those of you old enough to remember them, was it just me that thought Barry Gibb looked like the blue one (a lion?) from 1970s kids TV show Animal Kwackers?
And you never saw them together, did you? (as I believe it is customary to say when making this kind of joke.)
Anyway, sorry Rol. You were saying?
“Melons are also gourds. Apparently. Which might explain why The Smashing Pumpkins came up with one of the worst pun album titles ever created.”
He is referring, of course, to the album from which our source record is lifted, Mellon Collie and the Infinite Sadness. But watch yourself Rol, now you’ve mentioned puns, I have a nasty feeling about where you’re going with all this, since way back in The Chain #32 this very topic came up and I ventured The Beach Boys’ Gourd Only Knows and Teenage Fanclub’s Gourd Knows It’s True and absolutely nobody noticed.
“And then there is…” Rol innocently continues:
Phew. No puns then.
Whilst we’re on all matters gourd-related, here’s the ever reliable Stevie from Charity Chic Music:
“Getting in early with The Ballad of Peter Pumpkinhead by XTC a song I once heard played at a funeral.”
This, I think, deserves some further explanation. Was the coffin much bigger at the top than the bottom? Did the cremation take ages and start from a single, strategically placed candle? I think the world needs to know.
God, I love a good harmonica. I sense a new idea for a (probably quite brief) series.
And since Rol mentioned the album name from whence our source was ripped, here’s The Great Gog:
“I’ll go with the fact that 1979 is taken from the album Mellon Collie And The Infinite Sadness, and linger on the last word albeit with a different adjective. So that will be The Saw Doctors and Exhilarating Sadness.”
Whoa! What was that and where did it come from?
That, good people, was the sound of young people making music. I know, seems a bit out of place round here, doesn’t it? It was also an artiste which links to the word “year”, which means it’s time to hop in our time travelling machine which looks remarkably like a more famous fictional one but which, for legal reasons, is called something completely different. I don’t know. Haven’t given it much thought.
How about: This Is Travelling in Time and Space? That’ll do.
Hop into TITTS and we’ll be off.
(I am 51 years old.)
And we’re landing back in 1966, for the first of several suggestions from Pat from PhonicPat who gives us our obligatory Half Man Half Biscuit song of the month (and a bit):
Since we’re already in Pat’s charming company, he’s given us another couple of songs which link to the source band’s name, thankfully devoid of gourd-related puns:
Allow me to squeeze another couple in. Firstly, here’s legendary jazz pianist Fats Waller:
The really rather ace:
The considerably less ace:
And if I’m chucking a load of Smash references in, I may as well throw a Pump in too:
…which leads me to this piece of genius:
**TIME TRAVEL KLAXON ALERT **
Here we go:
And here we are in 1969, the year when all the cool people were born, and I’ll leave you in the hands of babylotti for a while:
“Immediately, I don’t know why, but 1979 made me think of 1969 by The Stooges…”
“…then 1970 by them too….”
Whoa there cowboy! Let’s finish off 1969 before we go gallivanting across the years.
And here’s Pat (who also suggested The Stooges) with another suggestion:
When I was feverishly searching t’internet to try and find some more tunes, I stumbled across this rather surprising entry:
And I don’t suppose we can really leave 1969 without giving this an airing, even if it is rather well known that the digits in the title don’t actually refer to a year, but to something altogether much ruder:
And since we’re on the edge of the 1970s, we may as well let babylotti finish what he started with his Stooges talk and drag us into a slightly more recent age:
“…then 1970 by them too….”
“…then I remembered the great cover version of that song by Flesh for Lulu.”
Here’s a thing. About fifteen years ago, Rocco from Flesh For Lulu was in a fly-on-the-wall property documentary called A Place in Spain: Costa Chaos. It turned out to be one of those excruciating, uncomfortable shows that should go down in legend, but it seems only me, and me good mate Val who I was living with at the time and who watched this with me, remember it.
Actually, not quite us two. For fortuitously, someone has posted most of the episodes on YouTube (I think one is missing), but if you have time to spare, then I’d thoroughly recommend you spend it watching this (first episode only included here):
Seriously, when the commentary says things like “But neither of them seems to have considered how they’re going to pay for it”, you know you’re watching car crash telly. Quite how I’ve managed to get writing this finished with such a distraction, I’m not sure.
Over now to a couple of suggestions linked to Smashing Pumpkins main man Billy Corgan, and first off the boat is Hal:
“Billy reputedly had a fairly healthy self-regard, which reminded me of the opening couplet to ‘San Francisco Fat’ by personae non gratae NOFX
And in a similar vein, here’s Swiss Adam from baggingarea:
“Smashing Pumpkins singer and professional misery Billy Corgan played on New Order’s 2001 comeback album, on the song Turn My Way- which as songs go on that album is pretty good and better than anything on the follow up Waiting For The Siren’s Call.”
He’s not wrong:
He also co-wrote this (Billy Corgan, not Swiss Adam):
Let’s shift ever so briefly to 1973, just so I can post this, which is ruddy magnificent:
And just as I thought I was running out of suggestions, here Devonian with three on the bounce:
“Remember how Smashing Pumpkins had to add a “The” to make sure we all understood that they were referring to the excellence of said squashes, rather than the act of setting about them with hammers? That made me think of songs by other bands with similarly enthusiastic names, such as… da-da-da-DAH…”:
Here’s Pat, back with another related suggestion:
“The Sonic Youth version of The Simpsons theme with the link The Smashing Pumpkins, The Homeralooza episode which included the following conversation
Billy Corgan: Billy Corgan, Smashing Pumpkins.
Homer: Homer Simpson, smiling politely.”
And so on we march to 1979, and I’ll hand over the reins to Rigid Digit:
“1979 could be a very broad subject. Arguably, I could offer a list of the best songs of 1979 (and there were many – it was a fine fine year in the world of Pop).
A personal memory – 1979 is the first year I really started taking note of pop music, and on an episode of Top Of The Pops saw Dave Edmunds performing Girls Talk – that says more to me about 1979 than Alan Sunderland scoring a last minute winner for Arsenal.”
Sorry, you lost me with that last bit. But here’s Dave anyway:
“Written in 1978, Tom Robinson had a go at guessing the state of the nation 18 months into the future. Not all (any?) of his predictions came true – and certainly not the one about Spurs beating Arsenal (they lost 5 Nil).”
Times have changed, matey, what happened last weekend…? Oh, yes, this:
The Beard doesn’t know when to stop using an analogy, so I’ll let it slide:
“Alan Sunderland scored the winning goal for Arsenal in the 1979 FA Cup Final.”
“There’s the band Death From Above 1979, although I believe they often drop the 1979 bit from their moniker, it is a bit of a mouthful after all… anyway, this leads me to think of ‘Let’s Make Love And Listen To Death From Above’ by CSS, fronted by the marvellously named Lovefoxxx.”
I thought Lovefoxxx was your dating profile name?
It would be rude at this point not to feature some actual Death From Above 1979, so you can decide whether or not you wish to make love to them:
Poor old Willie, having to churn out albums of covers to pay that tax debt back.
But wait: that’s a **TIME TRAVEL KLAXON ALERT **
Which takes us to our last few records, all suggested by yours truly:
…and this odd little thing I stumbled across:
..and this, from Pat:
…and finally, this, which I was very surprised that Swiss Adam didn’t suggest:
I say “and finally”, but what I actually mean is “and finally from the past”, because what’s the point in having a saucily-named time travelling machine if we can’t go into the future as well as the past?
Off we pop:
Which just about wraps it up.
Oh wait. Here’s Rol again:
“And then there’s Little Red Courgette, obviously.”
Which just leaves me to announce what the actual next record in the real Chain is, and it’s this:
“The pumpkin patch featured in the cartoon strip ‘Peanuts’ which featured Charlie Brown, so…:”
Which just leaves me to ask for your suggestions for songs which link to Charlie Brown by The Coasters, to be submitted via either the Comments function on this page, along with a brief explanation of your link, or if you prefer anonymity that you ultimately won’t be afforded, by email to firstname.lastname@example.org
I promise that I’m not going to start all of my posts with these words, but following the last instalment of The Chain I had an email from from long-time reader and Chain Gang contributor George who said that he was “toying with idea of making a cd of Chain 48”. (To any of our younger readers, CDs are what we used to record music on to and listen to music from before streaming and making playlists became things.)
Anyway, I thought this was an excellent idea, because I have a playlist for every edition of The Chain, the purpose of which was partly so that I could revisit and relive the good times and the bad, but mostly so that I could check whether something had already been suggested and therefore was precluded from being nominated again. You may have noticed I’ve been rather lax about this since The Chain returned, and that’s not going to change: I figure in these days of Trump & Johnson, of global pandemics*, international recessions, corruption at a governmental level, and starving children (it was The Chain or a Rant today), there’s more important things to worry about than duplications in The Chain back catalogue.
(*Sit down, New Zealand, I’m not talking about you)
Anyway, the point I am trying to make is that to get all of #48’s songs onto one CD would take a lot of editing choices, so I’d love to hear which songs made the cut – even more so should you decide on making one after you’ve read this one because this week (I say that like I post these every week, rather than every six weeks or so) we have just shy of 4 and 3/4 hours worth of tunes to get through, and I don’t think there’s a duff choice amongst them. Some ropey ones, yes, but duffers, no. But then Kay hasn’t suggested anything this time, so…..so maybe I should crack on.
Oh, and George (Incoming obligatory oblique 1970s TV reference that about 80% of you won’t get): I’m sorry but we aren’t able to return any drawings sent in, but yes, it is a big one, no I’ve never seen one quite that shape before, and no I don’t need you to send me a photo, but thank you for the offer.
OK, so let’s start as we usually do with a reminder of the source material this time around, which was this:
As you might expect, we have a lot of tunes related to Talk(ing), some related to Fear of Music (the album that features on), and then what I believe is the collective term for lots of suggestions on a similar theme: an absolute fuckload of songs linked to a specific city, or the words cities or city. As always, I’ll try to put them in an order that makes some kind of narrative sense (you’ve noticed I do that right?) but if you’re planning on doing yourself a playlist of these, I’d be interested to see if you think you’ve done better (NB: no I wouldn’t. Keep it to yourself, thanks very much).
Not quite first out of the traps this time was Swiss Adam from Bagging Area who, as he will explain, suggests a tune which simply demands to go first:
“Cities should have a theme and luckily we have an ahead of its time piece of ice cool euro dance that found a second life in the Balearic sounds of ’88 and thereafter:“
Now, I don’t profess to know anywhere near as much about that there dance music as our Swiss, but I do know that got used on a tune recorded by David Russell Lee, who used to be known under the stage name of Joey Negro. Lee also recorded under many other pseudonyms, including this one, which throws in a Queen sample for good measure, and I think is what Swiss means when he says “thereafter”, given this came out in 2001:
But since we’re already going off on tangents, here’s a factoid for you (lifted from Wiki, so large pinch of salt at the ready): In 1993, Lee was approached by Take That’s label with a view to working together. Lee suggested they covered an old hit by Dan Hartman, which hadn’t been a hit in the UK but which had become a popular club track in the house music scene. They did as suggested, replacing Loleatta Holloway from the original with – who else? – Scottish songstress Lulu and lo! the boy band’s second number one in the UK was born.
Anyway. Cities. I think next I’ll hand over to Rigid Digit from Stuff & Nonsense to get us back on track:
“Knowing too much about 3rd Division Punk Bands (as I do), the phrase “Cities” immediately brought forth [this]…It’s OK, in a mohican wearing punky thrashing type way, but probably not what you’re looking for.”
Turns out, that’s quite the accurate description. I’m also imagining a purple and black furry jumper:
I gather Westlife are planning to do a cover of that as their comeback single.
Well, we seem to have strayed into the territory of songs with the word Cities in their title, so here’s another couple of suggestions. Firstly, C from Sun Dried Sparrows who says “I’m just plumping for the very first thing that comes into my head as a kind of quick subconscious response and it is…..:”
…which is bound to lighten the mood.
Let’s see what George can conjure up this time:
“Taking the cities from the song, to Manchester City, whose best English footballer was Colin Bell, whose birthday is February 26th, the same date as Michael Bolton…[Oh, Jesus, no…. – Ed]…wait for it…Fats Domino [Better – Ed]…and Johnny Cash, so my song is…:”
I think at this point I should hand back to Rigid Digit, who gave me a whole host of acts who had recorded songs called In The City, the first of which was also suggested by Martin of New Amusements fame:
..and this (just Rigid Digit now):
and (which, if I was still giving points out, would earn a couple for being in one of the coolest films ever, but I’m not, so it won’t – and in any event, I’d have to deduct points for the artist having also been in The Eagles and Ringo Starr & His All Starr Band, surely the least cool bands ever):
Now. Regular readers will know that I have deep-seated hatred of songs being appropriated for advertising purposes, as documented in my S.S.O.S. (Stop Spoiling Our Songs) series. For the avoidance of doubt, I’m with the late, great Bill Hicks on this one:
Here’s a tune which I’ve been meaning to post for a while, and which samples Hicks and explains my thoughts better than I ever could, and which I must credit my old mate Dum Dum (not his real name) for bringing into my life:
See, it’s bad enough when songs we love are appropriated to sell something, but surely it’s even worse when an act we love pops over to an overseas land in the hope that those back home will never find out what they’ve done – and I’m looking at you Bacon and Clooney – isn’t it?:
Mostly because Joey did it too:
But I digress, again.
Rigid’s next suggestion is this: “…or even Starship who built this city on sausage rolls.” Now, we all know what he is obliquely referring to, and that’s the first of the last two Christmas #1s here in the UK. In a week where Tory MPs voted down a motion which would have ensured that children from poor families don’t starve because of the various lockdown restrictions, I thought it probably best if I didn’t post a free link to a song which tried to help. Instead, here’s the (extremely unfunny) video (and yes, this got to #1 in the UK):
…and here’s the song they are referencing:
To be fair, Rigid does offer up a vastly superior song, the title of which references the same source:
So before we set off on a little journey of all the songs mentioning actual cities in their titles or their lyrics (and there’s lots of them), we’ll have a look at all of the suggestions – most of them are mine, admittedly – which feature the word City in the title or in the artiste name. But before we do that, let’s get all of the other ones mopped up.
Here’s the Devonian with, I think, my favourite explanation ever:
“A geographical link… not going off “Cities” though, but rather the fact that the bassist in Talking Heads was the esteemed (albeit not by David Byrne) Tina Weymouth. That got me wondering whether there are any other groups with bassists named after gentrified Dorset coastal settlements. But I couldn’t find any, so I had to settle for a couple of singers instead. Therefore I give you Shelly and Karen Poole and…”
“…which is great and you know it is really.”
Actually, I’m more of an ‘I Am, I Feel’ kinda guy, as it goes, but that’s enough about why I can’t go on public transport without a responsible adult in tow anymore.
“Whilst Devonian was struggling for Dorset-named bass players to link to Tina Weymouth,” pipes up The Great Gog, “I found myself thinking of a feature of said coast that is named in a song – namely the theme tune to children’s TV show Portland Bill (which must have been 20 years old when my kids watched it on satellite telly in the early 00’s).“
I can’t say this rang any bells with me at all, but I have managed to track down a copy of the writer of the theme tune in question, playing…well, it:
Next up is PhonicPat who, undeterred by suggesting the worst record last time out, has come up with a load of absolute bangers this time, starting with this, which kinda follows on given that it’s “made up of the rhythm section of Talking Heads” who just so happen to be husband and wife combo Chris Frantz (drums) and Tina Weymouth (bass and renowned gentrified Dorset coastal settlement):
Talking Heads “…tried to continue without Byrne and released the ‘No Talking Just Heads’ album” Pat continues, “featuring collaborations with Debbie Harry, Andy Partridge and Shaun Ryder amongst others therefore:”
And Pat isn’t finished there:
“[A] David Byrne/Talking Heads link” (as Byrne features as guest vocalist on this):
Now, there’s two things to say about that: firstly Byrne mentions New York at the start, and we’ll be coming on to that city in the fullness of time; and secondly these PhonicPat sponsored words: “…(along with saucy video)“.
In the name of research, strictly so that you don’t have to press play on this next video, you understand, I have watched this, several times, and can confirm that no matter how much you might slow it down or rewind and watch again, whoever had the job of censoring out the wobbly bits did a fine job. Still, best you approach with caution, eh?
Remind me in a bit to give you a related Pet Shop Boys fact, will you?
Since we seem to have landed on band-related suggestions, George is back again:
“From Talking Heads to the Talking Book album by Stevie Wonder, and the track:…”
And moving on to other suggestions about links to the band name we have Alyson from What’s It All About? who says: “We’ve had Dollar [last time out] so in the same vein can I suggest….”
Whoa there tiger! I need to explain the “in the same vein” bit, because Dollar should definitely not be bracketed with The Fizz so lightly. Oh no. For post-1980s fame The Fizz split into two factions: one containing original members Cheryl Baker, Mike Nolan and (sighs) Jay Aston, the other containing Bobby Gee and an almighty war broke out about who should use the name Bucks Fizz to promote their cruise ship wares. And amidst this row, up popped former member of Dollar and never member of the Fizz, David Van Day who, when he wasn’t trying to be the Lawrence Fox of his day and appear all outrageous by dumping his girlfriend live on Channel 5’s The Wright Stuff, elected to appropriate the name Bucks Fizz, go on a tour, sing a couple of their songs and trouser all the cash. The twat.
Anyway, here’s Alyson’s Fizz choice:
What I love about Alyson’s choice is that she could have picked the original of that, by The Romantics, but such is her devotion to ladies having their skirts ripped off as part of a Eurovision dance routine, she simply had to plump for a bit of Fizz. Kudos.
No idea what I’m banging on about? Here you go, complete with withering intro from the much missed Terry Wogan:
Genius pop music. And I mean that.
Alyson has some other suggestions linking to Talking Heads’ name, namely:
Almost time to set off on our tour of cities, have you got your packed lunch and your waterproof coat? Ok, I’ll stall for a bit with some frankly rather clever suggestions.
The source record this time features on Talking Heads’ Fear of Music album, which takes us into the dark territory of phobias. Or, as the Devonian puts it: “Cities is from the album Fear Of Music… which is a Phobia… which is a song by Flowered Up”
It sure is:
Which leads us neatly on to Hal’s suggestions: “Didn’t Cage the Elephant release an album called Melophobia?” he asks, rhetorically. Well, yes, yes they did. And in case you were wondering, Melophobia is the correct technical term for having a fear of music, so here’s something from the album of the same name:
I’ve always avoided them because, well, I thought (and still do) that they have a terrible name, but that’s not bad so maybe I need to reassess.
Anyway, Hal isn’t finished yet: “Which leads us to Phonophobia: The Second Coming by Extreme Noise Terror. Or perhaps not…”
Too late, you’ve said it now.
Phonophobia: The Second Coming is an album by Extreme Noise Terror, and this is one of the songs on it:
Peelie would be proud.
How do you follow that? With this:
Thank goodness for Rol from My Top Ten who kindly steps in to suggest this, which in his eyes “seems an obvious winner”
Frankly, if we’re going to mention bands with the word City in their name, I don’t think we can justifiably omit this lot:
“The other obvious one”, Rol continues undeterred, and I’ll let him carry on because I can’t quite work out where else to place this, “is to jump to Radiohead (as they took their name from a Talking Heads song) and Street Spirit (because there are lots of streets in cities…)
He’s not wrong, there are. I counted at least seven near where I live just the other day, and I think I may have missed some.
I hadn’t finished with bands with City in their names. This lot are definitely less renowned than Mr McKeown and the gang (Bay City Rollers, not Radiohead) and are named after 2000AD’s Judge Dredd comic strip. Play this one loud:
And so we move on to songs with the word City in the title (that aren’t called In the City). You know how until that last little spurt I’ve hardly suggested anything so far? Consider that ended. Eyes down and here we go with the almost entirely forgotten about:
…to an often overlooked gem:
…and the never to be forgotten:
A sort of clever one: this was released on City Rockers, a label synonymous with the electro-clash sound of the early 2000s:
And we shouldn’t overlook this brace of bangers:
…which almost inevitably leads us here:…
…which leads me to this spoof record, but it’s a spoof of a song which doesn’t have a city in it’s title, but I’m sure you’ll get it:
And finally, I was very surprised that absolutely nobody suggested anything from PJ Harvey’s magnificent Stories from the City, Stories from the Sea album, so I guess I’ll have to:
I’m stalling because it feels slightly disingenuous to be suggesting we go on a world tour just as so many cities around the world are locking down to prevent travel and the potential spreading of the Corona virus, so can I ask that you all don your face masks, smear yourselves in hand sanitiser like it’s goose fat before you attempt to swim the Channel, don’t stand so close to me and we’ll be off, safely.
But where to start? “Something from Gerry Rafferty’s very fine City To City album perhaps?” pipes up Rigid Digit again, which seems a perfectly good suggestion, and I’ve plumped, somewhat obviously, for the title track:
And it’s to Rigid Digit that we turn to yet again as we herald the start of The Chain World Tour which, given some places like my beloved Wales have gone into circuit-breaking lockdown today, I must say I feel a teensy bit guilty about, but, nevertheless, here we go.
Truly, there can only be one song to kick this off, and as Rigid quotes: “London, Paris, New York, Munich. Everybody talk about…:“
“I was beaten to M,” moans The Great Gog, “but other songs name-checking a number of cities that sprang to mind were…:”
Not forgetting, as Martin from New Amusements points out, a song which (apart from the Hang the DJ bit) perhaps most perfectly encapsulates where we are right now:
Ok, let’s start, with a whistle-stop tour of the UK. Here’s The Robster:
“I was going to suggest the wonderful Theme For Great Cities but Swiss Adam beat me to it! So I decided to think about songs ABOUT cities. Then I realised I’d be suggesting about 4 million songs and you’d hate me more than I’d hate myself! So in the end I plumped for one city. It was going to be Newport, but the only songs about us are parodies and parodies of parodies. So I chose our neighbours instead and came up with…:
I’m not sure why The Robster thinks this lot only do parodies. Funny songs, of course: it’s their stock in trade. I mean, sure this one is a parody, but it’s the only one I know which actually mentions The Mighty ‘Port in it’s title, and (sorry Rob) from the short time I lived there, seems wholly accurate to me:
Let’s head up to Birmingham next, and I’ll hand the reins back to Swiss Adam for a moment, for he is quoting lines from the source material to guide us to our next destination.
“Birmingham ‘lots of rich people’….” (although I think Byrne was probably referring to B’ham, Alabama.)
For those of us old enough to remember, it’s hard to forget when they fell foul of a Government clause of the 1981 Broadcasting Act which prohibited the broadcast of direct statements by representatives or supporters of 11 Irish political and paramilitary organisations. The restrictions were part of the Thatcher government’s desire to prevent Sinn Féin from employing the media for political advantage.
Yeh, I know. Dry subject.
What this meant in practical terms was that when, in 1987, they appeared on Friday Night Live , a Thames Television programme hosted by Ben Elton, they played Streets of Sorrow but the broadcaster cut to an ad break before they got to Birmingham Six.
Ridiculous as the rules were, a loop-hole meant that we were allowed to hear what Sinn Fein (the political arm of the IRA) had to say, but we could not hear them spoken by a member of the political party. Generally what this meant was the words were read by an actor with a plummy Home Counties accent, but the ludicrousness of the situation was highlighted here, on The Day Today:
This next song actually mentions bombing in Birmingham, although it means it in the “not going down to well at a gig” sense, rather than the more literal interpretation:
In these times of Tiers and Lockdown, I’m not sure we’ll get any better advice than to ‘start drinking til we’re blind’ (again, metaphorically of course – I don’t want any of us to end up in one of those adverts asking people to sponsor a puppy); I know it’s what has got me through writing this post, for a start.
“This mentions Birmingham, Alabama”, offers PhonicPat, and he’s not wrong, it does:
But we’re not quite ready to go trans-Atlantic, because here’s The Robster again:
“I have another one, this time referring to my Devon roots. The nearest city to where I grew up was Exeter – so:”
What I love about IDLES, apart from their records, is that they’re so bloody angry about everything, even their name is in capital letters like they’re shouting that too.
Catchphrase time! Well, if you’re having that, then I’m having this, a song about the nearest city to where I grew up, but where IDLES are VERY ANGRY! about how shit Exeter is, The Long Blondes are just a wee bit disappointed with how dull Peterborough is:
Staying in the UK, here’s Stevie from Charity Chic Music who takes us (much) further Up North:
“David Byrne was born in Scotland – Dumbarton to be precise. So the link is obviously:”
…which not only gets added to the ever-growing pile marked: ‘Must Investigate Further’, it also allows me to include this, which the title obviously references:
Since that also mentions Berlin, we may as well pop over to Europe, y’know, whilst we still can, without having to incorporate a two-week stay in a car park in Kent. Here’s another suggestion from Martin:
Well, this all seems to have got rather gloomy rather quickly. But I have an idea! Let’s pop over to the former capital of Turkey to liven things up a bit:
It became very apparent as I was sifting through the suggestions that there were two cities which featured more than any other, so, after a spot of self-isolation, we’ll pop back to the one in the UK: That London. And first up is another suggestion from Phonic Pat which takes us on a nice little (if expensive) tour of the city:
Here’s Swiss Adam again, quoting lines from the source record:
“…a small city, dark in the day time…”
…and suggesting this absolute shoe-in:
And here’s Martin again with two further capital suggestions:
“For when one is tired of London, one is tired of life, right?” adds Martin. Try telling Alan that:
Obligatory Alan Partridge clip? Tick!
One more from Martin, “…because I love them so…” (me too, mate, me too):
Sticking with Martin’s stream of suggestions, let’s hop over to the other city which seems to be mentioned in song titles more than any other:
“Decidedly not a cover of Ol’ Blue Eyes”, Martin adds. Well no: there’s a more liberal use of the F-word than Sinatra ever committed to record for a start. Plus, without wishing to be pedantic (he says as he is about to do just that), the Sinatra song Martin refers to is actually called Theme from New York, New York, so there was never any real danger of confusion. This next one though, less so:
That’s what being brought up listening to Radio 2 does for you: you remember records like that.
You won’t be surprised to read that I’ve got loads of these, the next of which is by someone who gets a bad rap for being a bit square (I think that’s it; I certainly don’t recall him having done anything unmentionable, apart from Uptown Girl of course), but I think he’s written some absolute corkers, and this is one of them:
New York, here we are, and here’s Odyssey to tell us we fit right in:
When The Strokes released their wonderful and never-bettered debut album Is This It? in 2001 (God, that makes me feel old), there was a difference between the UK and the US release, for the UK release included this, presumably omitted from the US release because it probably wasn’t considered to sit well so close in the wake of 9/11:
Back in time now, to the first record I ever bought, sort of. You can read about that here but in case you can’t be bothered (and if you’ve got this far I can’t blame you for feeling a bit wiped out) here it is:
Remember about seven hours ago, just after The BPA tune, I asked you to remind me to give you a Pet Shop Boys factoid? Well, the time is now: before he worked for Smash Hits magazine (my gateway drug to pop music before I grew up/discovered the NME) Neil Tennant used to work for Marvel Comics, editing out any hint of nipple from the cartoons contained within the pages of the heralded comic book. And that’s not even as funny as the rumour Stuart Maconie made up about him being a fully qualified Rugby League referee.
Anyway, here’s the Pet Shop Boys:
Hold up, Swiss is back with his quoting lyrics and suggesting songs ways:
“Memphis: ‘home of Elvis and the ancient Greeks’”
Leading him here:
And if you’re going to mention Memphis, you either have to include something by a certain Mr Presley (not Reg), or make a joke about being dead on a toilet eating a burger, or post this:
Funnily enough, Mr Simon is going in the opposite direction to Ian Hunter and the Mott the Hoople crew, as suggested by Phonic Pat:
And here’s a group who are considering a move to a completely different part of the US of A:
But as we all know, there’s only one place in America that one should consider moving to:
And that’s where I intended to sign off, were it not for one final suggestion from Martin:
“Oh, and can I add Vegas by Sleeper, just because… well, okay, just because of Louise Wener, really.”
Of course you can: if it doesn’t get cancelled as opposed to being forever rescheduled, I’ll be going to see them perform their debut album Smart, sometime, along with this morning’s postees The Bluetones doing the same with their debut album Expecting to Fly:
And that’s yer lot, except to reveal the actual next record in the actual Chain, which nobody suggested.
Here’s the link: “Talking Heads had a female bassist. So did…“
Which just leaves me to ask for your suggestions for songs which link to 1979 by The Smashing Pumpkins, to be submitted via either the Comments function on this page, or if you prefer anonymity that you ultimately won’t be afforded, by email to email@example.com
Right, you can all stop checking the time, here it is, three weeks late, but that’s better than another super-long hiatus, surely?
More mega than a fleet of MegaBuses, yes! It’s time to check the buffering capabilities of your hardware and internet provider as we launch into the latest instalment of The Chain.
And what a selection we have for you this week!
But before we get started, some admin. The more observant of you will have spotted a new page link over there on the left entitled “The Chain – The Rules”. You’ll never guess what you see if you click that!
I mention this because there would have been a couple of disqualifications this week for (unintentional) breaches of the rules; luckily one of the transgressors realised and suggested an alternative link.
The easiest rule to break is suggesting a song which has already featured, and I appreciate with around 1000 songs having featured so far this can be somewhat tricky to keep up with. As I’ve mentioned before, I’m in the process of writing up a definitive list of every song which has featured so far, but until I’ve got round to finishing that (and writing The actual Chain takes up a fair bit of time when I could be doing that), if you want to check your options are:
1) Read every previous edition of The Chain (bit time consuming that one)
2) Check the Tags down the left-hand side; if the act you wish to suggest is not listed there, then you’re fine (assuming I remembered to add them, of course). If it is listed, click their name and you’ll be taken to every page that a song by them has featured on and you can check that way.
3) Email me at firstname.lastname@example.org and I’ll check and get back to you.
OK, admin over, let’s remind ourselves of the source record for this week:
The biggest source of linkage this week was the “Echo” part of the song title, so let’s get cracking with one of mine. Since an echo is something happening again, this seems to be an appropriate place to start:
So, who else provided echo-based suggestions? Well, here’s Alex G of the temporarily (I hope) dormant We Will Have Salad to provide not just a suggestion, but also a definition of “echo”, which saves me the bother of having to copy and paste something from an online dictionary to justify some of the other suggestions I’ve come up with:
“… an echo is an acoustic phenomenon caused by sound bouncing off walls. And ceilings. And other things. But it’s the first one which concerns us here, because it leads me to suggest….”
Unsurprisingly, several of you (well, five actually) proposed records by Echo & The Bunnymen, so we may as well get one of those out of the way next, and it’s over to Swiss Adam of Bagging Area fame, with his second suggestion. (No, you haven’t blinked and missed his first, that’s coming in a while. It’s called editing.)
“Echo and the Bunnymen…sang ‘Silver (Tidal Wave)’, a beach connection there too.”
Yes indeed, that’s your first – of many, it has to be said – double linkers of the week right there. Points!
Next to one of several songs this week that I had never heard of before the suggestions came flooding in, this one courtesy of The Swede from Unthought of, though, somehow who proposed this by Cavern of Anti-Matter who, for the uninitiated (i.e. me), are Joe Dilworth and Tim Gane, formerly of Stereolab, possibly one of the most missed and most under-rated (if that’s not a contradiction, and if it is, I’m sure it’s one which would please them immensely) bands of the last twenty years or so:
I like that. A lot. Thanks for nudging it under my nose, Swede.
Which leads us quite nicely onto another suggestion by Alex G:
“When they recorded ‘Echo Beach’, Martha And The Muffins’ drummer was one Tim Gane. Another Tim Gane was more famously (not *much* more famously, I admit) the lead guitarist of McCarthy and Stereolab. [I just told them that – Ed] So I’ll go for….”
“…double link there if I’m not mistaken…” pleads Alyson. Hmmm…Echo, yes…Seas -> Beach…what do you reckon, Chain Gangers? Oh go on then: Points!
I first posted that song way back in August 2015, accompanied by a retelling of one of the many faux pas I’ve committed over the years. Since some of you may not have frequented these pages that long ago, indulge me for a moment whilst I relate this one, which took place circa 1984, as I waited for the school bus and found myself chatting to one of the “cool kids” at school. He liked cool music (i.e. not Quo) and during this conversation he extolled the virtues of ‘Seven Seas’. My response, a rather pathetic and, as it transpired, ill-judged, attempt to ingratiate myself, was to talk at length about the lead singer fire-eating on Top of the Pops and how impressive he was. I realised mid-flow that my conversation piece was attracting some quizzical looks. And that was because I had completely mis-heard him. When he had said ‘Seven Seas’, I had thought he had said this song title:
Not cool, just…not.
Anyway, moving swiftly on, here’s Walter from A Few Good Times in My Life with the scecond song this week that I’ve never heard before. Over to you Walter:
“They might be forgotten but this song is still worth to listen to sometimes…”
Actually, that was Walter’s second suggestion. His first was for an Echo & The Bunnymen track, and I think enough time has passed since the last one to allow me to post his, which needs no introduction:
Which leads us on to a very brief sub-category, those of song titles which repeat, or, you might say, echo themselves. This is by far my favourite category of the week. You’ll see why. Julian from Music from Magazines suggested this, which probably doesn’t need any further explanation:
The Quo, there, demonstrating on the record sleeve their renowned empathy for the Black Power movement.
And that brings to an end that sub-category of song titles which repeat, or, you might say, echo themselves.
You know what I haven’t said for a while? I haven’t said the words: “And here’s the next suggestion of an Echo & the Bunnymen song, this time by *insert name of Chain Gang member here*“. I feel an overwhelming need to say it again. But not just yet. I’ll wait til I’m asked.
And here’s the next suggestion of an Echo & the Bunnymen song, this time by Dirk from sexyloser with the closest we’ve had to a Showboating Suggestion so far:
“Nominated to be one of the world’s most beautiful beaches back in 2012, 2014 and 2015 was Burundi’s coast fronting Lake Tanganyika: if you’ve never been there, you really have missed a treat, I can tell you!
So obviously the correct link can only be Echo & The Burundimen (yes, it’s the Bunnymen in disguise, but still I haven’t made that [name] up, just listen to McCulloch’s intro!) and ‘Zimbo’, the 1982 Shepton Mallet live version though!”
And that does bring us to the end of the Echo section. Except…
Except, you’ll recall that I mentioned five of you had suggested songs by Echo & The Bunnymen, and so far we’ve only had four. Well, GMFree suggested their rather wonderful comeback single ‘Nothing Lasts Forever’ but then ploughed through the entire history of suggestions in The Chain and retracted that on the grounds that it had featured back in #31 so I wouldn’t have been able to allow it. (Oh, and whilst I’m on songs I couldn’t allow – Lynchiefromab, if you check the Comments in the last Chain, you’ll see that I wasn’t sure if yours were suggestions or just recommendations; if the latter then, thank you, and you’re right, but if the former than I couldn’t allow either of them as they contravene rule No. 6: “Suggestions must be more than just naming a different song by the same artist. You’re cleverer than that.” And I know that you are. Sorry!) However, GMFree did propose a different Echo & The Bunnymen track, a cover version, but suggested that I might post the original instead, since the performers have never featured in The Chain before.
In case you’ve no idea what Jules is blethering on about, Bonnie ‘Prince’ Billy is the best known stage name of Will Oldham, but he has also recorded under variations of the Palace name, including the Palace Brothers, Palace Songs, and Palace Music. As you know, I prefer it if there’s only one suggestion per person for the same band, but since these two versions are so different, and since they were recorded under different monikers, and since I allowed GMFree to suggest more than one tune by Steven Jones last week for the same reason, I guess I’ll have to let it slide this time.
Speaking of GMFree and Steven Jones:
“Mentioning Mr Jones is too easy on this occasion as Babybird was signed to the Echo label, instead I’ll just suggest one track from his 27th (!) album as Black Reindeer…available through Bandcamp.”
Now, I wouldn’t normally buy a track specifically for The Chain, preferring the suggester to provide me with a copy, but I was intrigued by that title so I downloaded that song from the band’s Bandcamp page, as recommended. And shortly afterwards, I got an email from Steven Jones which read: “Ooh a bit topical that purchase Sx”. Which was nice. So I’ll not complain about being out of pocket. This time.
You’d have to have had your head buried in the (beach) sand to not understand what he was referring to, and as it happens, this was not the only track which referenced the forthcoming apocalypse.
“‘Echo Beach’ puts me in mind of the 1959 film ‘On the Beach’, which depicts the aftermath of a devastating nuclear war. (Not a surprising image, considering the current state of affairs, I suppose.) The film stars Gregory Peck, Ava Gardner, Fred Astaire and Anthony Perkins and is based on Nevil Shute’s 1957 novel. Anyway, as I’ll use any excuse to post some black gospel quartet music, my selection is the 1950 ‘a capella’ version of…”
Well, bar that last little excursion, we appear to not only be in nuclear war related territory – cheerful! – but also Beach related, so let’s have some more of those. And since that last song contains the lyric “Hello New Order!”, it seems appropriate for us to go back and find out what Swiss Adam’s other suggestion was:
“‘Echo Beach’ takes me to the remixed version of Blue Monday from its b-side in ’83…”
So, having exhausted all of the suggestions about echoes, beaches and, of course, Nazis and impending nuclear doom, we’ll move onto something a lot nicer. Back to Martin who suggests this as a double linker:
Which leads me onto this, a track lifted from one of those typically patchy tribute albums that were all the rage once upon a time one of those tribute albums, which were all the rage once upon a time, and which could (typically) be a little on the patchy side (and this one really is patchy).
In case you’re wondering what that’s doing there, give it a listen partly as there’s an extra verse, not in the original, which links to Martin’s last choice, but mostly because it’s an utterly wigged-out mental cover version.
And whilst we’re still on chocolate cake, it’s about time I posted another clip:
Right, that’s Muffins pretty much covered, right?
Well, actually, not quite. Here’s Rol from My Top Ten:
“Muffin was a Mule and a Mule is sort of like an Ass… though very slightly different.” Which brings us to, rather rudely:
Let’s have some Echo Beach/Martha and the Muffins facts to raise the tone a little.
Fact One: Martha and the Muffins are Canadian.
“Plenty of Canadian bands/artist to choose from,” chips in Rigid Digit of Stuff & Nonsense, “including: Rush (but who has time to listen to the whole of Side 1 of ‘2112’?), Neil Young, Joni Mitchell, Bryan Adams and Bachman-Turner Overdrive. All too obvious, but this bunch of Canadian one-hit wonders…:”
“Did you know,” pipes up George, inadvertently providing Fact Two, “that Echo Beach has been voted the 35th greatest Canadian song of all time? The greatest song is the execrable song ‘Four Strong Winds’ by Ian and Sylvia, which must surely get the Worst Song vote.”
Well, I’ll happily do that George, although you realise that would mean you’d have to agree the Chas & Dave record is better…? Along with two other songs yet to feature that we all know you’ll hate….?
Four strong winds, you say? Here’s four in varying levels of strength.
The ease and squeeze:
2. The Pant Ripper (a classic):
3. The Preposterously Executed:
and 4. The Accidental Decongestant:
Right, that’s…erm…got that out of my system. More factoids please!
Fact Three, courtesy of babylotti:
“‘Echo Beach’ was released in 1980 on DinDisc records, another record that was released in 1980 on Dindisc records, and one that I still have (okay, it was a re-release in 1980, but that’s the one I have) is…:
Before we get on to the final category, time for those two songs which George won’t like, the first of which is suggested by Alyson, and I think this one wins the award for Comment Showboat of the week (or have I already awarded that? I don’t know, I’m tired…). George, sorry, I was going to leave these two till last to make it easier for you to ignore them, but thematically they kind of need to be posted earlier.
Anyway, here’s Alyson’s suggestion:
“Martha’s Vineyard is actually a small island off the State of Massachusetts. It faces out onto the Atlantic and it’s where they filmed ‘Jaws’. The fake shark they used for the movie was given the name Bruce.” Which leads us to:
And so on to the final category, songs which link to Martha. And we’ll start off with my own double-linker for the week.
There’s a well known phrase in certain communities: “Is he Arthur or Martha?”. Well, here’s an Arthur, Arthur Lee to be precise, and he and his band are going to sing a Love-Lee song which has an Echo/Repeat/Again link too. Points please!
“First thought – got Martha on my mind now so I’d like to offer one of those songs that surely everybody knows and surely everybody likes? What better time for an office clerk with a very boring job to go down to Echo Beach than during a heatwave, too?”
Next up on the oche is The Robster from Is This The Life? Now, a few weeks ago, Rob announced that he was thinking about stopping writing his blog as he was feeling devoid of inspiration and was just going through the motions. I’ve often felt the same about this place, and I know others in our little blogging community have too. You may not know that Rob lives not a million miles away from where I used to in South Wales, and I love his blog for it keeps me in touch with what’s going on down in and around my old stomping ground so I’m delighted that he’s decided – for now – to keep going, albeit with less frequent posts.
I mention all this not to put any unintentional pressure on him to carry on, but because having cut back on his posts he seems to have gone a bit stir crazy, suggesting “I’m a Man” by The Spencer Davis Group on the basis that Martha & The Muffins were an all-male band. Getting confused by that whole “Arthur or Martha” issue there, I think.
To be fair, Rob did correct himself almost immediately (with a little help from Alex G, who I can confirm is not a qualified doctor, but is a very keen enthusiast), and redeemed himself by suggesting this, another of the records I’d never heard before, and which I’m really quite pleased that I have now. And it’s a double pointer, featuring as it does a Martha and “two items you might see at a beach”:
Time for Abramson60 next, who…erm…echoes some of the sentiments raised earlier:
“Looks like things are getting worse and worse US of A side, can it really get any worse? My suggestion this week could well be aimed at that excuse for a human being, Trump. No need to explain the link?”
Nope, but this young lady certainly needs to wash her potty-mouth out with soap and water:
Another from Alex G now, who suggests “…a lovely song which is never played on the radio because if it was, everybody would stop what they were doing to listen, at a cost to the UK economy of several squillion pounds.”
I agree, it is a lovely song, although I suspect were it played more often, people would stop what they were doing to remember when – and I’m sorry to bring it up again (I’m not in the least bit sorry, as it goes) – this happened:
More from Rol next, who suggests this next song on the grounds that a) it has the word “Martha” in the title, b) it doesn’t have any other words in the title, and c) he “…can’t believe nobody’s suggested it yet…”
And the presidential links don’t end there, for there was also of course Martha Jefferson, wife to Thomas, who became 3rd President of The United States in 1801. Martha would have been the third First Lady, had she not rather inconveniently died in 1782. Anyway, this Martha leads me to this ground-breaking house record from 1986:
And the other is…well, Mrs GMFree was not alone in suggesting it, for it was also proposed by Rigid Digit (and I thought one other person too, but I’m buggered if I can spot who it was now. If you suggested it and I have omitted to credit you, make yourself known and I’ll amend this bit).
Which means that for the first time ever, we have two people correctly guessing the next record in The Official Chain, which, with the simple explanation of “From one Martha to another…” is this:
So to wrap things up, your suggestions, please, for songs which link to “Martha My Dear” by The Beatles, along with a brief description of the link, via the Comments Section down below, in time for the next edition. Whenever that might be.
Is it Wednesday again already? Where did that week go?
Right, we’ve got the biggest number of suggestions to get through that we’ve ever had this week, and that’s without any from a couple of regular Chain Gangers, so there’s no time for pleasantries this week, bar a courteous “Hello!” (Also, I’m feeling a little under the weather today, so please excuse me if there are less attempts at jokes than usual this week…)
Still, the show must go on, and all that.
We signed off last week with “The Ballad of Peter Pumpkinhead” by XTC, inviting your usual wide-ranging nominations for tunes that link to it, and I can’t think of a batter way to kick things off this week than with one of The Beard’s suggestions:
“The Ballad of Peter Pumpkinhead was released in 1992. Also released in 1992 was the album Connected by Stereo MCs. That year they supported Happy Mondays on their Yes Please! tour. Yes Please! is a genuinely appalling album and one that appeared to mark the end of Shaun Ryder as a lyricist and a poet comparable to Yeats (in the mind of Anthony H. Wilson, anyway). That was until he came back with Black Grape and the single Reverend Black Grape a few years later.”
“My first thought was that the XTC sleeve looked familiar, but I know that I didn’t buy ‘Peter Pumpkinhead’ as a single, only acquiring later on a compilation. A quick look through the vinyl singles revealed another XTC sleeve in that style for The Disappointed, which I presume was on the same album [it was, on “Nonsuch”]. This immediately brought to mind a couple of other singles I possess called Disappointed – one by Public Image Limited…”
Now, when I say the Morrissey song leads us nicely to Bob the Builder, it’s because Bob is of course voiced by actor Neil Morrissey, and not because anyone other than the aforementioned Spud has a head shaped like a pumpkin.
“Frank Sidebottom didn’t have a pumpkinhead, but it was the size of a pumpkin. His cover of Panic is always worth a spin, but as it’s that time of year, you may want to consider something from the Christmas Is Really Fantastic EP which came out 30 whole years ago! Blimey…”
By the way, apologies for the absolute bobbins way that mp3 ends; I didn’t notice until earlier today that it cuts out mid-conversation between Frank and Little Frank, and, erm, frankly I haven’t had time to re-edit it.
Anyway, we seem to be in the middle of some pumpkin related shenanigans, so here to add to the mix is a couple of suggestions from SWC, also of When You Can’t Remember Anything:
“If you need a Pumpkin reference [as it happens, I thought we would, but we’ve done alright, ta!], then we could go towards ‘Pumpkin’ by Tricky…”
And here’s another. Remember Kate Nash? You know, her with that really annoying voice that sounded like she was affecting an Essex accent, had a massive hit with “Foundations” a few years back? Yeh, you do. Well, anyway, here’s one of her follow-up singles:
I have no idea why that song is so named. I can’t help but suspect it’s one of those “Yesterday/Scrambled Eggs” scenarios, except she didn’t bother changing it.
Time for a big Chain Gang welcome to a new (I think…) contributor, and here with a couple of belters is Julian, the first of which is a double-linker, since it mentions not only pumpkins but also ballads:
“Murder Ballads by Nick Cave & The Bad Seedshas the song The Curse Of Millhaven, a line in which refers to two dog killers as ‘Stinky Bohoon and his friend with the pumpkin sized head’…”