This morning’s pick-me-up choice is an absolute no-brainer, because after a pretty tough couple of weeks at work, I was listening to some tunes over the weekend when this came on, and I immediately felt better, happier, kind of warm and fuzzier inside.
Which I’d like to think is exactly what Best Coast intended when they wrote this little beauty:
So, slightly obscure link dispensed with, let’s address the elephant in the room. There are at least two Charlie Browns, the one in the Coasters song of the same name, and the one that we’re probably all more familiar with, from the Peanuts cartoon.
So let’s kick off properly with songs which reference Charlie Brown, and I’ll hand over to Hal, who explains and suggests thusly: Thirty years ago (30 years FFS…) Jim Bob & Fruit Bat released 101 Damnations which featured…:
Hal’s “FFS” is of course Young People Speak for “For Flip’s Sake” [Are you sure about this?- Ed], and is often used when one encounters an anniversary of an event considered to have occurred relatively recently, but which transpires to have actually been much earlier, thereby adding to our feelings of old age and past-it-ness. Don’t be fooled by Hal’s use of Young People Speak, for he is as old as we are, which is why he can conjure up such selections from hitherto forgotten bands such as Carter USM (as I believe the “kids” on “the” “street” refer to them these days, if they do at all).
Hal is to be celebrated for refusing to accept that thirty years have passed since that monumental occasion, oft referred to in history books, as the year of Our Lord 19 Hundred and Ninety, the year Carter USM released their debut album.
And he’s right to refuse to accept this, because as the album came out in January 1990, it’s actually 31 years now. Sorry, Hal!
Staying on the Charlie Brown link, here’s Swiss Adam from Bagging Area who not only suggests a song linked to our favourite wibble-mouthed cartoon character, he also introduces a much needed touch of class:
Echo and the Bunnymen’s Bring On The Dancing Horses covers Charlie Brown in its first 2 lines via Jimmy Brown and Charlie Clown…
…but within the cartoon strip known as Peanuts, there are many characters who do have their names crop up in songs. Peppermint Patty is one of them, and here she is again, courtesy of TheRobster:
‘And then there’s Nobody Speak by DJ Shadow & Run The Jewels which includes the line “I walk Charlie Brown, Peppermint Patty, Linus and Lucy / Put coke in the doobie roll moodies to smoke with Snoopy'”
There was also a band called Linus, continues TheRobster, but I don’t know much about them. Me neither, and I’m not going to do your research for you.
Another Peanuts character, picks up the Devonian, is Lucy Van Pelt, whose name was taken for a Japanese indiepop band, and then they had a trademark issue with whoever owned Peanuts after Charles Schultz died, so they changed it to Advantage Lucy instead. But from their days as Lucy Van Pelt, I’ll suggest:
Now when somebody describes a band as being “Japanese indiepop“, I had a pre-conceived idea of what they might sound like, but it was nothing like that. And that’s a good thing – my favourite “never heard of this lot before, must explore” record of the month.
And then there’s the eponymous Charlie Brown himself, or, as Phonic Pat deliberately mis-spells it to get it fit his next suggestion, Charly:
Along with his already aired suggestion Rigid Digit also laid claim to some other records being linked, which weren’t (unless I were to allow pun-related tunes, which I might be minded to if we were a little short on the ground of suggestions, which we’re not), so I’m afraid Hang on Snoopy (because it’s Sloopy, not Snoopy) and Oasis’ Don’t Look Back in Anger (because he admits to making up that the line “And so Sally can wait” was written after Noel Gallagher had been watching an episode of Charlie Brown), are both disqualified.
However, nothing wrong with his two Brown suggestions, even if he does claim that they are both related to Charlie’s non-existent siblings:
Finally, says Phonic Pat, somewhat presumptuously, but I like this suggestion a lot, so I’ll let it slide, linking the trombone sound the adults make in the Peanuts films, how about a trombone take on the Pixies?
Although I get the impression he’s not proud of the second choice, as he signs off with the words “I’ll get my coat.” No need, Stevie, really: all of those rock’n’roll and doo-wop records of the late 70s and early 80s were my introduction to pop music, and I have a soft spot for them all, from Shakin’ Stevens to The Stray Cats, from Coast to Coast to Rocky Sharpe and The Replays.
What Stevie has inadvertently done there is lead us seamlessly into those suggestions which consider the Coast aspect of the source record, and here’s The Great Gog with another couple:
I also wonder what type of Coaster the band were named after. A mat on which one places a drink, a person that lives by the sea or a fairground ride? Assuming the latter, we could have:
Now, I know what you’re thinking. You’re thinking: Crikey, he’s been a bit quiet with his own suggestions this time. And you’d be right. Those last two were mine, and so are all of the rest left to go, all of which are Coast-related. To say I picked up on that and ran with it would be an understatement. So strap yourselves in, here we go: