Rant

I’ve not done one of these for a few weeks for two reasons (well, three if you count “can’t be bothered”).

Firstly, I strongly suspected that the next round of Covid-restrictions being lifted on June 21st probably wasn’t going to happen, and I didn’t want to be the miserable, gloomy sod explaining I thought it to be the case, like one of those beard and sandals nutters you see in disaster movies, wearing a sandwich-board with “The End is Nigh!” written on it, laughed at by the main character just moments before a meteor crashes into The White House.

And secondly, probably – no, definitely (note the spelling) – because I would have to write the following words: I agree with something the Conservative Government have done.

I know, right? Who do I think I am, Sir Kier Starmer?

A few months ago, the Government set out their plan, their roadmap if you must, to coming out of lockdown, where a number of dates were signposted as being significant, when certain restrictions would be lifted. And this plan came with a caveat, which many people chose to ignore: that plans were subject to change if the data indicated it might be sensible to delay matters.

Which, with that mid-June date getting ever nearer, so the rumbling reminders have emanated from Downing Street, when they’re not having weddings or using £50.00 notes to wallpaper the guest room, that is.

I’m writing this on Friday night and whilst a continuation of current restrictions has not yet been announced, I think it’s in offing, what with our new enemy the Delta variant coughing it’s way across the country. Daily cases are up 2,056 on last week, whilst daily deaths are at 11. Nowhere near where the figures have been, thankfully, but still on the increase. So, I think it’s sensible that we approach June 21st with caution and understanding that perhaps the time is not yet right for us to get back to normal (or, that hated phrase, “the new normal”).

See, what we don’t want a repeat of is what happened at Christmas. You remember what happened then, right? When the Government promised us it would be fine for us all to go home and spend Christmas with our families, before having to announce that what they actually meant was that you could pop home for a day, not stay overnight (so no getting drunk, which is the only purpose of Christmas in my book) and on the proviso that you ensured any older, more vulnerable members of your family spent the entire time sitting next to an open window.

Were the restrictions to remain, then the usual bunch of anti-maskers, anti-vaxxers, and anti-common-sensers will doubtless be up in arms. Some people still don’t seem to have got the fact that a return to normal is not going to be an overnight operation, it has to be a gradual, step-by-step process. And those people will wail about restrictions being an infringement of their civil liberties (yes, they are – that’s the fucking point of them) and how they want everything back to how it was before Covid, but for it to have happened, like, yesterday.

Queen – I Want It All

Don’t get me wrong: I don’t want the restrictions to be kept in place, but faced with the choice of that or another six months under tighter lockdown restrictions – like we had to previously when we tried to come out of lockdown too quickly – then I’m afraid I go with erring on the side of caution every time.

Of course, an extension or tightening of restrictions became more likely when the Government reacted with all the speed of a cargo ship trying to turn in the Suez Canal when the news of the new variant arriving here began to become a concern. For just as the with the last times this happened, there was indecision, prevarication and a reluctance to shut down travel between the source of the new variant, and us.

If you’ve always thought that PM Johnson’s style of leadership was based on ex-President Trump, then I’ve got news for you. It’s not that bad. He clearly takes a leaf out of this numb-nut’s book:

I mean, this shouldn’t be difficult, should it? I mean – and I hate to sound like a broken record – but wasn’t control of our borders one of the main things that Brexit was about? So what exactly is the issue with shutting down travel from locations where the virus is more prevalent than it is here?

What we have got, of course, is the Government’s excellent and not at all open to mis-interpretation traffic light scheme, telling us which countries we can and cannot travel to. That seems quite a binary set of options we have there, right? And it would be, were it not for a third, sort of in between, neither one nor the other, option.

So to clarify matters, here’s what Michael Green Grant Shapps MP said in a written statement to Parliament, the full details of which you can read here: “As the virus is still spreading in many parts of the world, people should not be travelling to amber or red countries…Countries on the green list pose the lowest risk, therefore passengers who have only visited or transited through a green list country will not be required to quarantine on arrival in England.”

Which doesn’t exactly make it terribly clear what the difference between the red and amber lists are, does it?

We all understand what the traffic lights mean in their natural habitat, in the context of when we’re driving: red = stop, green = go, amber = (broadly) the lights are changing from one to the other so don’t do anything stupid. Unless you live in London, of course, where all three mean go, just at varying speeds (Green = at the speed you were already travelling at, amber = a bit faster, red = pedal to the metal).

But in this context of international travel, this seems to imply there is no difference between red and amber in which case….what’s the point of the amber list?

Add to this the fact that our lists do not take into consideration what restrictions other countries were placing on us. So, when international travel resumed on May 17th, we were given the following giddy list of places we could travel to:

  • Portugal (including the Azores and Madeira)
  • Israel and Jerusalem (oh, yeh, that seems a dream holiday destination right now…)
  • Gibraltar
  • Iceland (not the scummy shop)
  • Singapore
  • Australia
  • Brunei Darussalam
  • Falkland Islands
  • Faroe Islands
  • New Zealand
  • Saint Helena, Ascension and Tristan da Cunha (wasn’t he one of Prince Archie’s godparents….?)
  • South Georgia and the South Sandwich Islands

I can’t confess to have looked into all of these, but New Zealand’s borders remain closed to almost all travellers, while only Australian citizens and returning permanent residents and their immediate family members are permitted to enter Australia without an exemption until further notice. I mean, under normal circumstances these guys won’t let you in if you have dirt on your shoes, so this is hardly unexpected. So, we can fly there, get refused admission, and come home again. What a holiday!

Our traffic light list is, obviously, subject to change, and so it was that yesterday it was announced that Portugal was moving from green to amber list. Cue those that had booked two weeks on the Algarve throwing their arms up in the air and their toys out of the pram. Whilst I get they are disappointed, surely they knew this was a possibility?

It did, of course, lead to perhaps the most distressing headline of the week. Brace yourself:

Our thoughts and prayers are with their families at this difficult time.

Three things:

1 – if you can’t go on holiday to your choice of destination, that is not a disaster.

2 – After her appearance delivering the UK Judging panel’s scores on Eurovision the other week – saying hello in English and then in “forren”, before going on to claim she didn’t understand or even know which language she had just spoken – then frankly Holden gets everything she deserves. Sure, by that time of the night every other nation had already decided they weren’t going to give us any points, but c’mon….they hate us enough already, without some talentless airhead giggling vaguely xenophobic tropes at them to reinforce their opinion.

3 – Um, who exactly is Jacqueline Jossa?

The Boo Radleys – Stuck on Amber

Meanwhile Liz Truss is busy doing what she does best, striking up new trade deals to replace all of those that we lost when we left the EU:

And this week, the wonderful news that deals had been struck with Norway, Iceland and Liechtenstein, which included – for the first time – the introduction of caps on the charges mobile operators are allowed to charge each other (and, ultimately, pass on to us, the consumer) for international roaming, keeping costs low for holiday makers and business travellers. (When I say “for the first time”, I mean as part of a trade deal, and when I say “introduction” I actually mean “re-introduction”, because we already enjoyed these benefits when we were part of the EU).

But I don’t wish to seem ungrateful. Thanks Liz! At least this time you don’t appear to have killed off the UK’s lamb farming industry like you did with the deal you recently struck with Australia and New Zealand.

And now, we can all wait with baited breath for that day when we can all once again travel to that internationally renowned holiday destination for your average Brit in search of sun, sea and sangria: Liechtenstein.

Since I’ve mentioned Brexit, a story in five parts, starring the Worzel Gummidge of Brexiteers, Wetherspoons‘ boss Tim Martin:

The penny’s surely going to drop at some point, isn’t readers?

“Psst! Tim! Tim! We already had the power to control our borders when we were in the EU, we just couldn’t be bothered to finance or implement it properly.”

You asked for this, so suck it up.

And your pubs are shit.

The Rolling Stones – You Can’t Always Get What You Want

******

And finally, one of these rants wouldn’t be complete without the mention of everyone’s least favourite smirking bully, Priti Patel.

On Thursday, she tweeted this:

There are three things to note about this tweet:

1 – a tweet can have a maximum of 280 characters, so the omission of the word “I’m” from the start of the tweet rather implies that Ms Patel is not really that pleased, she’s practically disowning it from the very start;

2 – “published” is not the same as “co-authored”

3 – this just happened to coincide with some more revelations about cronyism and corruption within the Conservative Party.

The release of the Electoral Commissions report on donations showed that in the quarter since October 2020 more than £600,000 has been donated to the Conservative Party by firms and individuals who have been awarded around £400 million in public contracts since the pandemic started.

First up, Oluwole Kolade, who has donated £884,342 to the Tories since 2011, £10,000 of which was to Secretary for Health Matt Hancock; Kolade is the managing partner of Livingbridge, a private equity firm which held a controlling stake in Efficio (which sounds like a team name on the Italian version of The Apprentice), and which has received £11 million from the Government since the Coronavirus kicked in. Kolade is a colleague of ‘Test and Trace’ boss Baroness Dido Harding. Just a coincidence, of course.

Then there’s Baron John Nash, who recently donated £90,000, and who is linked to IT Consultancy Softcat PLC, who, again coincidentally I’m sure, have been awarded contracts worth £16.2 million since February 2020.

Not forgetting Lord James Wharton, the sole director of GBMW Ltd, a consultancy firm he established after losing his seat of Stockton South in the 2017 General Election. Wharton/GBMW claimed up to £10,000 a month under the furlough scheme between from December 2020 to March 2021. But bless him, he donated £8000.00 of that back to the Conservative Party. Nothing to see here, of course.

And finally, thankfully, one which doesn’t relate to the award of Covid-related contracts: Peter Cruddas resigned as Conservative Party co-treasurer in 2012 after offering undercover reporters access to then Prime Minister David Cameron in exchange for £250,000 in donations. He was subsequently nominated for a peerage by Boris Johnson despite the advice of the House of Lords Appointments Commission. He is now Lord Peter Cruddas and he has donated more than £500,000 to the Tory party since he was elevated to his lofty position. Has this guy never heard of moonpig.com?

Seriously, if this doesn’t make you angry, then frankly you’re part of the problem.

Ol’ Dirty Bastard ft. Kelis – Got Your Money

More soon.

Late Night Stargazing

Regular readers may recall that a while ago I mentioned that a couple of my friends have had some mental health issues -as have I, in the past (hopefully) – and that I was happy that both felt they could talk about their issues with me.

Shortly after that, one of them contacted me to say that they had been reading *gestures with an air of futility around me* this thing that I do, and had been taking the time to listen to the songs I post. One had particularly impressed them, by Teenage Fanclub, and they confessed to me that they had always been baffled by my allegiance to them, but thought that they may have got them mixed up with The Boo Radleys, who they really didn’t like.

There are many differences between The Boo Radleys and Teenage Fanclub; not least, the worst thing that can happen to you whilst wearing a Boo Radleys T-Shirt is someone might mistakenly think you a fan of Harper Lee’s works; wearing a Teenage Fanclub T-Shirt, on the other hand, can get you banned from various parks and playgrounds.

Anyway, I tried to explain to them that they had the wrong opinion of The Boos, thinking that it might be based on their Britpoptastic breakfast show staple Wake Up Boo! This was not, I said, in the slightest bit indicative of their early work, and I promised I would post something more in keeping soon.

And so here we are, with a single from their magnificent Giant Steps album; like several others in this series, rather than being quiet, introspective, acoustic or bleepy, this falls just about in the “great cacophany of noise” bracket:

The Boo Radleys – Lazarus

And as a special treat, here’s St Etienne’s remix, which I have courtesy of a free cassette given away with an old copy of defunkt music mag Select:

The Boo Radleys – Lazarus (Saint Etienne Remix)

I might post some more from that sometime. What do you reckon?

More soon.

Welcome Back

Amidst all the joyous football results this week (4-3, 3-3, oh, and apparently there’s another cup that Arsenal and Chelsea are still in, but I’ve not really seen anything about that), there’s been one more comeback which has probably passed you all by.

I don’t wish to place any undo pressure on her to start blogging again regularly, but I was utterly delighted when new posts by Lorraine over at Still Got Manners unexpectedly popped up in my notifications.

I’ve been meaning to tidy up my sidebar for a while, root out those that didn’t post anymore so that visitors here didn’t waste their time clicking on defunkt links, and, as she hadn’t posted anything in almost four years, hers was one which probably would have gone.

It turns out her hiatus was well justified, and now she’s back on the scene I’d heartily recommend you visit her blog; Lorraine predominantly writes eloquently and entertainingly about gigs she’s been to, and seems to lead a much more exciting social life than me, which probably isn’t saying much.

A majestic tune, then, to welcome her back to the blogging fold:

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The Boo Radleys – Lazarus

More soon.

The Chain #20

A warm welcome to all the Chain Gang for the latest instalment in…erm…well, The Chain, obviously.

It seems you’ve decided to take it easy on me this week, with, at the time I’m starting to write this, just the 16 suggestions (plus mine) received. So far. Can’t rule out the occasional late arrival though.

So to recap: we ended last week with The Smiths “Rusholme Ruffians/His Latest Flame (Medley)”, and of course we were looking for your suggestions for records which can be linked to that.

Now you know the score by now: at this point I would normally simply go through the list of suggestions, in the order that I received them, until we get to the end, I suggest mine, reveal what the actual link from the official BBC The Chain is, and invite your links to that ready for next week.

This week, however, I’m going to mix it up a little bit, because, well frankly, the last suggestion I received simply has to be first.

Here’s George to explain:

“I’ve got a link to Ant and Dec………..”

Is it just me, or has it suddenly got very cold in here?

“In The Smiths the drummer was Andy Rourke. PJ O’Rourke is an American journalist……..and PJ and Duncan were in Byker Grove (not actually filmed in Byker) and they released a few singles, for example ‘Lets Get Ready to Rumble’ And PJ and Duncan are better known (according to my partner) as Ant and Dec!”

I love the double disclaimer in George’s suggestion, not just the “according to my partner” bit, but also spelling Rumble in the way he has, instead of the way that we all know it was actually spelt on that legendary single. Like this:

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PJ & Duncan – Let’s Get Ready to Rhumble

Fear not. That’s not the last we’ve heard of from George this week. And I should stress, his suggestions get better, not worse.

So, to The Swede, of Unthought of, though, somehow with a short, but sweet, suggestion:

“From Smith to Jones – Meilyr Jones with the terrific ‘How to Recognise a Work of Art’.”

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Meilyr Jones – How To Recognise A Work Of Art

If you don’t know that record – as I didn’t until The Swede suggested it and I went a-huntin’ – I would heartily recommend you give it a go. It reminds me of My Life Story crossed with Johnny Boy’s “You Are The Generation That Bought More Shoes”, and if that doesn’t tempt you, then I don’t know what will. In fact, if I can go all Victor Kiam for a moment, I liked it so much I’ve gone and got me the album, 2013, too. So, y’know, cheers Swede!

Anyway, back to business. Here’s babylotti:

“Mint Royale released a single called ‘From Rusholme with Love’, one of their most well known tracks is ‘Sexiest man in Jamaica’, not many know the sample was lifted from a live Selecter album with Prince Buster introducing the song in his own humble way, so I suggest that song: The Selecter ft Prince Buster, Rough Rider”

I just confess, I’d often wondered where that sample was lifted from. Cheers for enlightening me.

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The Selecter feat. Prince Buster – Rough Rider (Live)

In case you don’t know the Mint Royale tune babylotti refers to, it’s this:

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Mint Royale – Sexiest Man In Jamaica

And before we go any further, it would be improper not to doff a cap, raise a glass, or show respect in whatever way you think is appropriate, to the now late, always great Prince Buster who passed away last week.

Look out, here come George again.

“I’ve got a link involving Mick Hucknall………..”

No, it’s definitely got colder again.

“Johnny Marr of The Smiths was born in Manchester as was Mick Hucknall….(wait, it gets better) and Mick Hucknall recorded a trbute album of songs of Bobby “Blue” Bland (I promise you it gets better very soon……), for which Mr Hucknall was fortunate not to be sent to prison, and amongst the many fine songs recorded by Bobby “Blue” Bland is one from his R&B era, ‘Little Boy Blue’ (which is my favourite of all his songs).”

Judge for yourselves, Chain Gangers.

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Bobby “Blue” Bland  – Little Boy Blue

Better than his first suggestion, no? And at least it isn’t an actual record by the Tiffany-from-EastEnders’ vomit covered singer (look it up).

Ok, here’s SWC from When You Can’t Remember Anything:

“So Rusholme, Google tells me, is in Manchester. The Smiths also famously put Strangeways on their album sleeves which is also in Manchester. The Mull Historical Society also sang about Strangeways in their minor classic ‘Strangeways Inside’”

mhs

Mull Historical Society – Strangeways Inside

That’s an album I’ve owned for ages but have never really got into. You’d think having seen them, albeit on the main stage at Glastonbury, on a gloriously sunny Saturday afternoon, when I was too mashed to move having over-done the space cakes would endear them to me, wouldn’t you?

“Or just post Sackville by the Carpets” continues SWC.

That’s more like it!

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Inspiral Carpets – Sackville

We are now about to go fully Manc.

I’ll hand you over to Badger (also of When You Can’t Remember Anything) for the next link:

“Taking the Manchester thing that my esteemed colleague SWC mentioned and twisting it slightly by introducing ‘Shadows of Salford’ by Doves”

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Doves – Shadows of Salford

“But…” Badger continues, “Manchester is linked to Liverpool via a motorway. If you turn off that motorway near the end you end up near ‘New brighton’. Which has a promenade famously sung about by The Boo Radleys.

Well, it certainly has a promenade The Boo Radleys sang about. Famously, though….?:

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The Boo Radleys – New Brighton Promenade

You’ll recall that last week Swiss Adam from baggingarea managed to correctly guess the next song in the official chain. Let’s see if he can manage it again this week, shall we?

“To jump on Badger’s suggestion, Doves also had M62 Song which handily links Manchester and Liverpool westwards”.

No, he can’t, is the short answer.

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Doves – M62 Song

“I love all this talk of the M62” proffers The Great Gog. “It’s Immaterial started off in Liverpool and hypothesised about heading out to Manchester on Driving Away From Home (Jim’s Tune). – “it’s only 39 miles and 45 minutes…and that’s my birthplace you know”. Mine too!”

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It’s Immaterial – Driving Away From Home (Jim’s Tune)

One of my favourite records ever, that. I remember seeing them perform it on Top of The Pops back in 1986 and incredulously thinking: “What on earth is that??”

It’s a cracking anecdote, that, isn’t it?

“An alternative would be that in Rusholme Ruffians,” The Great Gog continues, “Morrissey makes reference to a speedway operator. The word speedway to me and many other Mancunians of my age evokes memories of the great Belle Vue Aces team of the 1970s, so perhaps a spot of Kathleen Edwards and “12 Bellevue” would be in order.”

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Kathleen Edwards – 12 Bellevue

This is where I piggy-back on The Great Gog’s idea. I made two semi-suggestions myself, both of which stem from his. The first was “Speedway” by Morrissey, but it seems a bit lame to link a record by The Smiths to a record by Morrissey, so I’ll scrub that.

However, I’m sticking with this absolute corker:

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Miaow – Belle Vue

Now then. We have an announcement. Regular Chain Ganger What’s It All About, Alfie? isn’t a spy at all, as we’d all suspected from her reluctance to divulge her name. No: it transpires that she has a name, and lo! It is Alyson.

Here’s her suggestion:

“Coming from the far north I get my English place names a bit muddled and in my head I got Rusholme and Rushden mixed up. I seem to remember when listening to football results being read out on a Saturday that there was a team called Rushden & Diamonds. Got me, in a very round about way, to thinking about the sadly missed Prince and one of my favourite songs from him – Diamonds & Pearls.”

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Prince & the New Power Generation – Diamonds and Pearls

Now, on to my remaining suggestions. I have to admit I was struggling a bit this week, figuring that most of you would go with links to The Smiths, to Rusholme, to Rank, but that very few of you would come up with anything linked to Ruffians. So, I flicked through my thesaurus (which I really should refer to again to come up with some alternatives for the word “suggestions”) which proffered the word “Barbarian”. Which leads me to this:

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Voice of the Beehive – There’s A Barbarian In The Back Of My Car

And I was going to leave it there, but I happened to notice for the first time that that was co-written by 1980s grebo Zodiac Mindwarp, which leads me to this:

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Zodiac Mindwarp & The Love Reaction – Prime Mover (Automatic Cannibal Mix)

Look out, George is back, and he’s taking the starting point for his third and final suggestion (which was actually his first…confusing doing this in a random order, innit?) as the album that The Smiths “Rusholme Ruffians/His Latest Flame (Medley)” is lifted from, Rank, and links it:

“…to J Arthur Rank (the British film producer) then using rhyming slang (“I’m just off for a “J Arthur” – a spot of one-handed lovemaking) to end with The Vapors song Turning Japanese, a song allegedly about Onanism – but the writer says that this is wrong.”

I have to say I’m rather disappointed if that’s the case. I’ve lost count of how many people I’ve told that is what the song’s about. Gah! Egg all over my face!

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The Vapors – Turning Japanese

Here comes Charity Chic:

“Staying on the ranking theme can I have the greatest one hit wonder of all time and a song which I think has featured on this series before (It hasn’t, or rather if it did, I forgot to tag it, although it has featured on this blog fairly recently – Ed.): Uptown Top Ranking by Althea and Donna.”

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Althea & Donna – Uptown Top Ranking

“If there is a rule about songs not featuring twice,” CC continues – there isn’t but I think we should perhaps introduce that rule now. Don’t want to make things too easy for me, now do you? –  “Ranking Full Stop by The Beat please.”

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The Beat – Ranking Full Stop

Time for the last of the suggestions, and I’ll hand over to Alex G from We Will Have Salad, who, rather annoyingly from my perspective, has a good memory:

“Well, you did lay down the challenge, so… The Smiths obviously links to Will Smith, who was half of DJ Jazzy Jeff and The Fresh Prince, and thereby had a hit with “Summertime”. You really should listen to your friends when they tell you it’s one of the two greatest records with “summer” in the title.”

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DJ Jazzy Jeff and The Fresh Prince – Summertime

I remain unbowed. I’m not saying it’s a bad record (although I have probably said that at one time or another). I’m just saying that if I have to pick my favourite two songs with the word “summer” in the title, I’m going for “Hot Fun in the Summertime” by Sly & The Family Stone and “Here Comes The Summer” by The Undertones every time. But each to his/her own, and all that.

And that’s the end of that, and you probably will have noticed that normality has been restored, and there’s been no  correct guesses as to the official link this week. As usual, that’s because your suggestions are all really good, and as usual, the official one is ever so slightly underwhelming:

“Another famous ‘Smith’ is Cure frontman Robert…”

The song, on the other hand, is terrific. But you already knew that, right?

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20. The Cure – In Between Days

And that’s it for another week. I would think most of you know what to do now, but we’re having a few more visitors to these shores recently, so I’ll recap: send me your suggestions for songs that you can link to The Cure’s “In Between Days”, along with a description of how you have got to your suggestion, via the Comments section below. All suggestions welcome.

See you all same time, same place, next week.

Oh, and more soon, obviously.

Friday Night Music Club

This was supposed to be the last part of this “Songs With The Same Name As Television Programmes, But Which Are Not The Actual Theme Tune, Or A Cover Version Of The Theme Tune Of The Programme In Question” theme, but I’ve thought of enough additional ones to drag it out for another week after this. I’ll let you decide whether that’s a good thing or not.

So, we’ll kick things off with what seems to be the obligatory dollop of Britpop:

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246. The Boo Radleys – It’s Lulu

…the title of which is of course lifted from the TV show of the same name (obviously, hence it’s inclusion here. Do try and keep up, will you..?) as Scottish elf Lulu’s 1970s Saturday night spectacular (Disclaimer: the request for you to vote for Lulu to win a Brit award is nothing to do with me):

But whenever I hear the name Lulu, it’s not the Bee Gee-banging, Freemans catalogue saleswoman that first springs to my mind. No, it’s the character played by Kathy Burke in “Harry Enfield & Chums”:

Not the funniest clip in the world, I grant you, but you get the giste.

National Treasure-in-waiting Kathy’s had quite an increase in her online presence recently; she’s joined Twitter (if you like a good swear – and a good laugh – give her a follow @KathyBurke ), and has been interviewed by Adam Buxton on his wonderful podcast (which you can listen to here) and on Scroobius Pip’s fascinating Distraction Pieces podcast (which you can listen to here). Both are highly recommended.

Plus, Kathy’s in this, which I’d completely forgotten about until writing this post:

And she also declared her admiration for the lyrics of the bequiffed one when she appeared on Room 101 (go to 25:38 for the relevant bit):

And whilst she’s a highly regarded theatre producer these days, it is for this character and sketch that she is perhaps mostly fondly remembered:

Why am I banging on about Kathy Burke?, I hear you ask. Well, because of the sitcom she starred in which was named after this, that’s why:

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247. ABBA – Gimme! Gimme! Gimme! (A Man After Midnight)

Well, it is Eurovision weekend, after all. Can’t really not mention them somewhere, can I?

Now. Regular readers will know that I have often cited my older brother (hello!) as a major influence on my music tastes. As I’m a couple of years younger than him, and although later life has brought some kind of parity, when we were kids I always seemed to be a lagging behind in terms of records that we bought. Consequently for much of our youth I would have rather died than actually admit to liking anything he did: when he liked rock music, I was still into Bucks Fizz and Shakin’ Stevens; by the time I’d started listening to Deep Purple, AC/DC and Led Zeppelin, he had moved onto The Rolling Stones and The Jam, and had come back from America with his brace of albums by The Go-Go’s amongst other things; by the time I’d moved onto them, he was going Goth. You get the idea.

Anyway, the reason I mention this now is that I’ve been thinking for a while about doing a series of posts where I highlight records which he bought but which he probably would rather I didn’t remember him having, and of which he will doubtless deny all knowledge.

Like this one (oh, yes you did!):

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248. Eurythmics – Would I Lie To You?

This was the lead single and opening track from their fourth studio album, 1985’s “Be Yourself Tonight”, (which he bought), the second single from it being their only UK Number 1, “There Must Be an Angel (Playing with My Heart)”, which is possibly one of my least favourite records ever, due to the ridiculous amount of over-signing which characterises it. I’m not going to post it, because I hate it so much.

His purchase of this album, though, does demonstrate another family trait which we both seem to have: not getting into bands until they’re past their best. By the time this came out, Eurythmics had all but ditched the electronic sound which informed their earlier finer moments, such as singles like “Love is a Stranger”, “Sweet Dreams (Are Made This)”, “Who’s That Girl?” and “Here Comes The Rain Again”, all released just a year or so earlier.

As for the TV show it links to, it’s a comedic update of “Call My Bluff”, a parlour game if you will. For those of you outside the UK who’ve never seen it, the premise is this: two teams of three play against each other. One player reads out a card containing a statement about something they must claim to do or have done; members of the opposing team question them and try to work out if they’re telling the truth or not. To make things more interesting, as they say, they have never seen the card before, which means if it’s a lie, their quick-wittedness and ability to lie is closely scrutinised.

Here are some of my favourite moments from the show. First, Glaswegian comedian Kevin Bridges tries to convince his opponents that he once bought a horse by mistake:

Secondly, Welsh comedian Rhod Gilbert explains how he once paid for some tapas with a Nissan Micra (this is the complete episode so feel free to skip forward to 24:18 for Rhod’s yarn):

Of course, the game is made even harder when you have the likes of the brilliant Bob Mortimer, who seems to be talking utter nonsense most of the time, on:

There is of course another famous song with the same name, another song that I’m not overly fond of, but in a spirit of both diversity and transparency, here’s the inexplicable  winner of three Ivor Novello Awards in 1992, for Best Contemporary Song, Best Selling Song and International Hit of the Year :

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249. Charles & Eddie – Would I Lie To You?

Every show I’ve mentioned so far this week has been broadcast on the BBC, so let’s change channels.

Between 1999 and 2006, ITV showed a drama series which I never watched, partly because it seemed to be a rip-off, albeit one with considerably higher production values, of Australian soap and late-night student/stoner favourite “Prisoner: Cell Block H”, and without a character with as great a name as “Vinegar Tits Vera”, but mostly because…well, it was on ITV, which is usually enough to put me right off.

Set in Larkhall, a fictional South London women’s prison, by which I mean a women’s prison in South London, not a prison for South London women (although now I think about it….), I speak of course of:

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250. Donna Summer – Bad Girls

And whilst we’re on prisoners, here’s The Clash with the B-Side of their single “(White Man) In Hammersmith Palais”:

The Clash - (White Man) In Hammersmith Palais - 1978

251. The Clash – The Prisoner

…which of course shares it’s name with the iconic, if mind-bending (read: weird), 1960s show starring Patrick McGoohan. Here’s the original opening sequence, which doesn’t half seem to go on:

One TV detective who was responsible for making a lot of people prisoners over the 69 episodes he starred (see what I did there? I really don’t just throw this together, you know), was Columbo.

In 2008, The Verve released their fourth album, the much anticipated follow-up to 1997’s critically acclaimed, multi-million selling “Urban Hymns”. However, “Forth”, for that was the witty moniker it received, was under-whelming at best, but did contain this:

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252. The Verve – Columbo

A few years ago, I was working for a motor insurance company, and was asked if I could come up with any incentive schemes to get the best out of the staff. Some of the claims we dealt with were theft-related, and which required a telephone interview of the policyholder. I, along with pretty much all of my colleagues, hated doing these, so I suggested that my employers should try to find a way to make these a less arduous task for us. To do this, I suggested a monthly cash prize for whoever used the phrase “Oh, there’s just one more thing …” at the end of the interview most often in the month,  just as the interviewee thought their ordeal was over,  presenting them with a killer question, catching them off guard.

The didn’t go for it. The fools. Perhaps I should have suggested a hand lion.

Ok, last one for this week.

I’ve always loved songs which tell a story, which explains why I like those old Country stars like Johnny Cash, Kris Kristofferson, George Jones, Tom T. Hall so much, as well as folks like Ray Davies, Lennon & McCartney, Jagger & Richards, Nick Cave, Bruce Springsteen, and it’s to the latter that we turn to round things off.

The title track from his 1980 double-album of the same name, this is just wonderful:

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253. Bruce Springsteen – The River

And the link? In 1988, and running for just one series (it was THAT good) was a romantic comedy starring twinkly-eyed 70s heart-throb David Essex as lovable, Cockney, ex-convict (aren’t they all…?) Davey Jackson.

Nope, me neither.

More soon.