Rant

It’s been a while since I felt sufficiently outraged to write one of these, and I imagine you’re expecting this to be about the Covid enquiry, or Rishi Sunak’s spineless leadership, or how he’s managed to offend the entire Greek nation, the appearance of Farage on I’m a Celebrity… or the long-overdue demise of Suella Braverman.

But no. Whilst this could have been about any one of those, instead I’m going to tell you about something that happened to me this week.

On Thursday I travelled via train down to London and work. So far so mundane. On the way back, however, I found myself in an unrequested discussion with someone that I can only describe as a racist fuckwit that I did not initiate.

Now, given my previous Rants on these very pages, some of you may find this rather hard to believe but I don’t really enjoy arguing with people. My mother would doubtless disagree, as I was an argumentative little sod in my teenage years – think Harry Enfield’s Kevin (of Kevin and Perry fame) only less tolerant and you won’t be far wide of the mark.

But, other than locking horns with my parents, I’ve since been far more reticent about getting into an argument. So lacking in the courage of my own convictions was I that, when I was on the Student Union Executive at college, I became known as The Fencesitter. My response was that my position as Social Secretary was a non-political role, so I didn’t see why I had to have an opinion on everything. Besides, I could usually see opposing opinions from both sides; a typical Libran, if I believed in such mumbo-jumbo.

It’s the fear of being challenged, of getting my facts wrong and then found out, I think. On subjects where I’m confident, which aren’t opinion based, then I’m fine. At work, for example, where I know exactly what I’m doing and have the experience and information to back it up, then I’m fine. I was once engaged in a 40+ minute telephone discussion with a claimant, who simply wouldn’t accept the reasons that I’d declined his claim; at the end of it, several people came over to congratulate me for the way I handled myself throughout, not once raising my voice or losing my temper.

In an old job, I ended one call to a motor insurers, and my boss said: “Please don’t ever leave this job. I’d hate for it to be me you’re arguing with.” And in yet another job (I’ve been around a bit), I had adopted my customary position when dealing with an awkward customer on the phone – slumped back in my chair, feet on the desk (it was my signature move, a way of communicating to my colleagues that I had “a live one” on the phone) – and at the end of the call, the work experience lad came over to me and said “Cor! You’re brilliant at arguing mister!”. (He really did say Cor! by the way; I remember thinking at the time that I’d never actually heard anyone saying it in real life, only in comic books when I was a kid):

Oh, and in Carry On films, of course. And anything with Terry Scott in it. But never in real life.

But I digress. What I’m trying to say that it’s easy for me to construct a narrative here, to present my side of the argument, knowing that, generally, it’ll be read by people who broadly agree with me, and I won’t be challenged on what I’ve said.

Besides, long ago I learned a valuable lesson from my old pal Tony: you’ll never change an adversary’s mind by arguing with them, you’ll just make them more entrenched and determined that they’re in the right. A withering comment, however, can be far more fatal. Tony related a conervsation he’d been in where one of the other participants said something racist; rather than challenging them, Tony just said: “Well, I think that’s sad,” shook his head and moved away. Shortly afterwards, I was working in a restaurant, where we did not serve anything as exotic or tasty as Indian food, when one of the waitresses whispered to me “God, it stinks of curry in here” as an Asian family walked in. “Shhh!” I said. “It’s ok, they didn’t hear me,” she replied. “No, but I did,” I said. It may not have changed her view, but she sure as hell never repeated anything like that in my presence again.

Whenever I remember this, the words to Kristofferson’s To Beat the Devil swirl across my mind:

Kris Kristofferson – To Beat the Devil

So, on Thursday evening – and before I go any further, lest any of the “This Didn’t Happen” brigade start parping up: every word you are about to read is true; I’m nowhere near talented enough to make any of this up – I was travelling back from London. Other than the joy all of us feel when we’ve finished work for the day, I’m not in the best of moods: I’ve endured standing in the cold waiting for my connecting train, delayed as usual, to arrive, and at work that day a colleague had told me that I reminded them of someone, but that they couldn’t put their finger on who it was. Until they suddenly managed to put their finger well and truly and annoyingly right on it:

Yeh, thanks, mate.

I board the train and manage to bagsy a seat, one of those foursomes, where two seats face the two opposite. The other three seats are occupied. Ordinarily I avoid these for two reasons: you’re constantly battling your fellow travellers for leg-room, and also it increases the chances of you sitting in the vicinity of someone you’d rather not be sharing air with.

As the train ventures on its journey, stopping at such places steeped in prestige as Biggleswade and St Neots…

“…Taplow…Winnersh…”

…inevitably empting as it goes, until I am sitting in the four-seater all alone. In the four-seater to my right is a bloke having an animated conversation with someone on his phone, about what I don’t know, as I have my ear-buds in. I click the volume on the iTunes app on my phone a couple of notches higher to drown him out completely, stretch out and wait.

The train approaches the penultimate station and passengers rise from their seats and head towards the doors, some having walked several carriage-lengths to be nearer the door they think will be closest to the station exit. It’s then that I clock him for the first time; he’s quite young, mid-20s to early 30s I’d say, white caucasian; whilst I notice him, he doesn’t really stand out from the rest, and I assume he is going to be alighting at the next stop.

The train stops, passengers disembark, the doors close and we start moving again. And he’s still there, standing in the aisle, now seemingly trying to decide whether to sit with shouty-on-the-phone man, or listening-to-music-quietly me. He plumps for my four-seater and sits diagonally across from me.

Literally seconds had passed before I was suddenly aware of him trying to attract my attention. I removed one ear-bud and looked at him quizzically.

“Excuse me, does this train go to Peterborough?” he asked.

I nodded, and pointed at the digitalised sign scrolling above his head. “It literally doesn’t go anywhere else,” I said. “Next stop. Last stop.” Knowing that he had got on to the train at least one station before the last, I briefly wonder why he has waited this long to check he was on the right train, and why he has been unable to either read the display or hear the pre-recorded “This train is for Peterborough” announcements, but I replace my ear-bud, the internationally recognised sign which means “Now leave me alone.”

But he didn’t. A few seconds pass, and this time he is trying to attract my attention by clicking his fingers at me. I sigh and remove one ear-bud again, annoyed because he was interrupting a rare moment of brilliance by Sting:

The Police – Can’t Stand Losing You

“Are you from Peterborough?” he asked.

“I live there, but I’m not from there, although I did grow up not far away. I moved back to the area a couple of years ago after thirty or so years living away.” I’m resigned to having to talk to him now, and plump for courtesy as the best way to get through this, although a part of me is terrified that he’s either going to ask me if I have somewhere he can stay, or worse, to recommend good night-spots in the city.

“I’m from Crowland”, he told me, “do you know it?”

I do. “The scene of my greatest moment ever”, I tell him, thinking that this isn’t so bad, he’s not that weird really. He looks at me quizzically. “I used to play football when I was younger, before I discovered booze and fags and girls”, but he cuts me short before I can tell him of my greatest moment ever, scoring two goals (admittedly, at U-15 level) against Crowland, the first where I nutmegged the thuggish and intimidating central defender before slotting the ball past the ‘keeper, after which the defender hissed “Do that again and I’ll fucking kill you!” in my ear. So a few minutes, I nonchalantly did it again, same result, and he didn’t kill me, or come even close to doing so. I don’t know, whatever happened to keeping your word, eh?

“Do you find there are less indigenous people in Peterbrough since you returned?” he interrupted my re-telling of the finest solo goal since Ricky Villa in the 1981 FA Cup final.

“Well, there’s only one person that I knew back then who still lives here,” I reply, thinking how he had used the word indigenous in rather a strange way.

“I bet you think that’s really quite sad, don’t you?” he ventured.

“Not really,” I replied. “People move. Some come back again. I have. My friend did. There’s probably more people living locally that I know if I could be bothered to look and particularly wanted to see them again.” He’s nodding and smiling at me sympathetically. I later realise that he wants me to think that he ‘gets’ me, that he understands.

“Can I ask you what you think about all these immigrants flooding into the country to take advantage of our benefit system?”

And it’s only then that the penny dropped and I realise I’ve been played. His enquiry about the train’s destination is merely an ice-breaker, the subsequent questions designed to see if and how I would react. He’s not just some lonely traveller looking for a bit of human interaction, he’s wanting to foist his frankly vile opinions on me. My courtesy has undone me, for he now has me engaged.

“Actually,” he says before I can answer, “let me tell you what I think and then you can tell me whether or not you agree with me.”

I’d rather you didn’t, I thought. Or rather:

The Ting Tings – Shut Up and Let Me Go

Your use of the word “flooding” and mention of our social benefits system being taken advantage of have already given me a pretty good idea what you think, I thought. But I kept my mouth shut. Keep your powder dry, old chap, you’re going to need it, I told myself, gritting my teeth.

“I don’t think it’s right that all of these immigrants, those non-indigenous people, can come to this country just to get put up in a hotel at our expense and sponge off the state,” he continued.

“They’re all doing that, are they?” I counter.

“Yes. Most of them.”

“I think you’re in very dangerous territory when you start attributing the same characteristics to a huge amount of people. Some may be doing that, I’d say the vast majority aren’t.”

“Don’t get me wrong, the ones trying to escape war-torn areas, fair enough, they’ve got something to escape from. But the ones that aren’t just want to take advantage of our generosity.”

“You’ve clearly never had to live on benefits if you think it’s generous,” I countered.

“You don’t get put up in a hotel if you’re on benefits.”

“Rather they live on the street, would you? But not in tents, of course. Anyway, those deserving of social housing where there is none available are often placed in paid accommodation. Local councils are doing it all the time.” You’ll have noticed I’m warming to the challenge by now.

“Then why do they come here? Travelling all that way, when they could stop in any of the countries they pass through?” He pauses, before adding: “I’m thinking about Albanians here.”

“What have you got against Albanians?” I ask.

“Nothing, nothing…but Austria, Italy, Spain, they could stop in any one of them, so why come here if not to take advantage of us?” he persisted. “France!” he adds triumphantly, like he has just wielded the best card at Top Trumps. “If it was me,” he adds, “I’d stop at the first place I could that was safe. Wouldn’t you? I mean, why not stop at France?”

“Oh, I agree with that to some extent. They have nice cheese and wine in France. But then, to off-set that, it is notoriously full of French people…so y’know,,,swings and roundabouts…” I offer, before remembering I will not defeat my foe with the use of humour.

“But seriously,” I continue, “They could stop in other countries, but they’re not obliged to, are they? I think there are a lot of answers to your “Why come here?” question. How about because the notion, however misguided it might be, that historically the UK, in spite of its “No Blacks, No Irish, No Dogs” signage, has been seen as a welcoming destination? We even invited migrants over in the Windrush scheme, not that that ultimately panned out particularly well for anyone. How about they just want to make a better life for them and their families, get a job, pay their taxes, contribute to society, and they think the place they’d most like to do that is here? Although,” I add, realising he has no idea where Albania is, “if they’ve taken the route from Albania you’ve mentioned then any job that involved map-reading is out of the question.”

“But we’re paying for non-indigenous people to stay in 5 star hotels when they get here…”

“Are we though?” I say in my best ‘U OK hun?’ voice. “Economically, since it’s councils placing them there, a lot of which are on the verge of bankruptcy thanks to Goverment cuts to their funding it’s more likely to be B&B’s, Travelodges and Premier Inns than 5 star hotels. And either way they’d mostly be empty at this time of year anyway, so they’re already contributing to the local economy, right? And perhaps if we weren’t so slow at processing their immigration applications, then they wouldn’t be such a burden on the state whilst they go through the process.” I’m quite good at this, I find myself thinking. “And unless I’m mistaken, I think current statistics show that immigration is higher than it’s been for quite some time and the backlog to process them is almost as big.”

“Well, that’s all Labour’s fault,” he offers.

“Labour haven’t been in power for the last thirteen years, how do you figure it’s their fault?”

“Corbyn,” he says, brandishing what he believes to be another winning hand, “he was on the left, wasn’t he?”

“I think history will agree that Corbyn was on the left,” I agree. “But he was also a left-winger with zero power. So, again: how exactly are Labour to blame for the current migration crisis, as opposed to, say the Conservatives – who are on the right by the way – who have been in power for much of the recent period.”

“Tony Blair,” he said, sitting back into his chair and crossing his arms. “Tony Blair was recent.”

“Blair resigned in 2007. That’s hardly recent.”

“But Labour were in power until 2010. That is recent.”

“Well,” I sigh, “that very much depends on what your definition of recent is. Is it more recent than Cameron, May, Johnson, Truss and Sunak? No. Is it more recent than, Ted Heath, Thatcher, Pitt the Younger…?”

“I’ve not heard of him…” he interrupted, like to mention someone he wasn’t familiar with was against the rules, and it was then that I knew this was not a man who was used to someone actually arguing with him. Most, I think, would either try to ignore him, or jusy agree with everything he said for a quiet life.

“Really? UK history not your thing, eh? Son of Pitt the Elder? First prime minister of the UK? No…?”

“No….I’ve heard of Margaret Thatcher though/”

“You do surprise me….”

” A fine leader.”

“I think we’re going to have to agree to disagree there.”

“You’re on the left too, aren’t you?”

“I’m certainly to the left of you,” I confirm. “I’ve never voted Conservative and I can’t imagine that I ever will.”

“I wouldn’t vote Conservative at the moment either.”

“Not right-wing enough for you?” I’m definitely feeling emboldened now.

“Socialists are on the left. Hitler was a socialist.”

“Hitler was not a socialist,” I counter with what I had thought to be the least controversial thing I’d said if not ever, then definitely all day.

“Yes he was. He was in the National Socialist Party!”

“Just because they called themselves the National Socialist Party doesn’t mean they were socialists. I could insist I’m…I don’t know…a donkey, but that wouldn’t make me a donkey. It’d make me someone insisting I’m a donkey.” [Why have I said donkey? I must stop saying I’m a donkey.] “I don’t think any socialists would include the systematic extermination of those holding a particular religious belief as an integral part of their political view,” I added, hoping he didn’t realise that we were potentially right back in Corbyn territory again.

“Let me ask you this,” he said, like he was changing subject, “this morning I caught the bus from Crowland to Peterborough. The bus was packed. And then this frail indigenous lady got on the bus…”

Here he goes with his use of ‘indigenous’ again. I wonder if he knows what the word means, or if he’s just heard someone use it before and is copying them, or, more likely if he has word-of-the-day toilet paper.

“How do you know she was indigenous? Was it because she was white…?”

“From her voice, the way she spoke. And the bus was full of non-indigenous people and not one of them got up to let her sit down. Don’t you think that’s terrible, that none of them subscribed to our views of what is right and gave up their seat to let a little old lady sit down?”

Non-indigenous people probably know not to start a conversation of any kind, let alone a political one, with a stranger on a train, I thought, but decided against vocalising it. And anyway, how did he know that they were all non-indigenous?

“I let her sit down. I stood, gave up my seat, and let her sit down,” he proudly crowed.

“Congratulations. I look forward to reading your name in the New Year’s Honours list.”

“I see you have a walking stick. Do you find people give up their seat for you?”

“They do, and I’m always very grateful and find my belief in human nature surprisingly restored.”

“And were they indigenous or non-indigenous people who offered their seat?”

“See, I never realised it was a competition, so I’ve not really been keeping score.” I stop short of saying “I don’t see colour….”.

At which point, the train pulled up at platform 5 of Peterborough station, and, instead of being relieved, I was suddenly more concerned about how I was going to shake this bloke off. Fortuitously, fate was on my side, not that I believe in that mumbo jumbo either: I stood on my own shoelace and I had to put a stop to my escape plans whilst I re-tied it. He was on his way out, unable to fight back against the tide of passengers getting off the train, and by the time I straightened up again, lace tied, he had disappeared. I waited a few more minutes, making sure he had definitely gone, until the train guard came on the tannoy to announce that any passengers left on the train had better get off sharpish, or they’d be locked on board, at which point I alighted, made my way to the exit and jumped into a taxi waiting at the rank.

Foo Fighters – My Hero

The driver made an effort to engage me in small talk of a “it’s turned cold, hasn’t it?” nature. Noticing he was of Asian heritage, I mentioned the conversation I’d just escaped from, thinking my position would earn some credit of the non-financial type with him. However, I had forgotten the default political position of taxi drivers: “Oh yes, in Peterborough there are loads of them, but it’s not like in Birmingham where there are no-go areas for white people.” Here we go again, I thought.

“Do you mean indigenous people…?” I said.

“What was that mate?” came the reply, the driver looking at me in the mirror.

“Nothing, nothing,” I replied, sank back into my chair and didn’t utter another word until we turned into the road where I live.

“Whereabouts mate?” the driver called back to me.

“Just up here, on the left,” I replied.

Kirsty MacColl – The End of a Perfect Day

More soon.

Sunday Morning Coming Down

The other day, I made one of my pilgrimages to the office, and found myself (we don’t have our own allocated desk, it’s a first-come-first-served, so, with more staff than desks, you have to get there early to bagsy one, beach-towel on deckchair-style) sitting alongside a chap who, during lockdown, had prepared a pop quiz to include in an online departmental Christmas party.

We got to chatting about this, as I had prepared a pop quiz under similar circumstances for the following year. He recalled that I had performed rather better than he had expected anyone to do without the help of Dr Google (19 out of 20, pop fact fans). He’d mentioned to the chap I work with that he suspected I’d cheated (I hadn’t – but what I had done on hearing there was to be a pop quiz at an online Christmas party had guessed it would be about Christmas #1s (it was), so I swatted up in advance, only tripped up by failing to distinguish one godawful X Factor winner from another), who, to his credit, defended me. “No,” he later told me, “Jez knows a lot about pop music. It’s his ‘thing’.”

“Know your stuff do you?” said, let’s call him Paul (because that’s his name) as we chatted.

“Up to a point,” I said. “Ask me anything about post-2010 and I wouldn’t be confident.”

“Right,” he said, clearly considering this a challenge, and mulling over something that would stump me. And then, a few minutes later: “What record knocked Wet Wet Wet’s Love is All Around off of #1?”

Saturday Night by Whigfield,” I replied instantly. I knew that watching all those re-runs of TOTP on BBC4 would pay off one day. I saw him wince and curse under his breath.

“The only record that features a duck quacking to reach #1” I added. I did consider adding: “Of course, CW McCall’s Convoy mentions a rubber duck, but that only got to #2,” before remembering that no-one likes a smart-arse, so I reigned it in.

“Saturday Night doesn’t have a duck quacking on it!” said Paul. I reiterated my claim, and watched as he scrambled to put his headphones on and pay a visit to YouTube. Seconds later, he was laughing. “Fair play,” he said, which I took as a compliment.

Our chat continued, about what I can’t recall so it obviously didn’t concern anything as important as pop music, before Paul announced that he had a meeting to go to, and then, as he stood to leave, uttered a sentence which ended with the words “…one day at a time”. He paused and added: “Sweet Jesus”, a look on his face which I interpreted as meaning: Challenge extended.

Challenge accepted. “Lena Martell, #1 in 1979” before completely forgetting to reign it in this time and adding: “Co-written by Kris Kristofferson”.

He was already walking away by now, but stopped in his tracks and turned back. “Ha! No, it’s not, it’s Tammy Wynette!”

“No. It’s Lena Martell, #1 in 1979, co-written by Kris Kristofferson,” I repeated. I was confident about this, partly because I wrote about it in this very series, here (a quick look at said post reminds me that it’s more about tea-time quiz show Pointless than it is about One Day at a Time. Also, the link to the Merle Haggard version which I posted then is dead; let me know if anyone wants me to resuscitate it), mostly because, as I wrote back then, “…my brain is somehow wired to remember that kind of useless crap.”

Paul headed off, shaking his head and muttering “It’s definitely Tammy Wynette…”

“I’m not saying Tammy Wynette hasn’t recorded it,” I called after him, “just that Lena Martell’s version got to #1. In 1979. And it was co-written by Kris Kristofferson.”

An hour or so later, Paul returned. I left it half an hour or so, before innocently venturing: “Have you checked whether I’m right or not yet?”. Lord, forgive me for being so bloody needy.

“Checked what?”

“Whether Tammy Wynette recorded One Day at a Time, or whether it was Lena Martell’s version which got to #1. In 1979. And that it was co-written by Kris Kristofferson…?”

Furious typing ensued, before he slumped back in his chair. “Bloody hell, you’re right.”

“And Tammy Wynette’s version?”

More furious typing followed by more slumping. “No…apparently she’s never recorded it.”

“That’s remarkable. It’s been covered by over 200 different artists, you know”, I said, quoting my own blogpost/Wikipedia, and really rubbing salt into his wounds now.

Paul just shook his head. “I could’ve sworn it was Tammy Wynette.”

Challenge completed.

You’ll have noticed that I mentioned when I last wrote about One Day at a Time, I deliberately didn’t post Lena Martell’s version, and those of you who are familiar with the record will be relieved to know I’m not going to post it now either.

Instead, I thought I’d post somebody else covering a Kristofferson song. But there’s literally thousands of those, so I figured I’d do the old switcheroo, and post Kristofferson covering somebody else: there are far fewer of those to choose from.

In 1995, a compilation of covers by various artists called Come Together: America Salutes The Beatles was released. You may not know this, as it got little to no press coverage, but The Beatles have just released their first new material in yonks, which is remarkable given that 50% of the band is dead.

Anyway, said album contains Kristofferson and full band country-rocking out to this riff-tastic tune, which I offer to you today by way of an mp3, as it seems that none of the streaming services have this album (which probably gives you an indication of the overall quality of it) and, as far as I can establish, Kristofferson has never released it under his own steam:

Kris Kristofferson – Paperback Writer

More soon.

Sunday Morning Coming Down

This week, a song by an old favourite of the blog, and who penned the song that this series is named after.

Kris Kristofferson is rightly lauded for his skills as a story-teller, and few of his songs are more perfect examples of his craft than this, from 1971’s The Silver Tongued Devil and I:

Kris Kristofferson – Jody and The Kid

More soon.

Sunday Morning Coming Down

It’s been a while since I posted anything by Kris Kristofferson, who wrote the song that this series is named after.

It’s Father’s Day here in the UK, so I figured it only right to post something by the great man himself, who I got into purely because of my Dad’s record collection.

This song has featured here before, here, which may be worth a read as it relays the tale of what a naughty and embarrassing (to my parents) little boy I was.

But, as mentioned in that post, here’s a song which I simply did not understand when I used to sing-a-long to it in the back of the family car as we travelled to see our grandparents every Saturday. Back then, I didn’t know about metaphors and the like, so assumed this was just about an actual devil, rather than the cautionary tale about men who will say whatever they need to say to get…ahem…”what men want”:

Kris Kristofferson – The Silver Tongued Devil And I

Were it not for Papa playing these records by Kristofferson, Cash and the like when I was a kid, then I almost certainly wouldn’t be posting country tunes I like of a Sunday morning.

So y’know, you can blame or thank him, whichever you think is appropriate.

I know which side of the fence I’m on: Happy Father’s Day, Dad, and thanks for everything.

More soon.

Friday Night Music Club

Well, we made it to the end of another week folks, so as your..erm..*coughs*..reward, here’s the fourth part of the six-hour plus mix I put together and then split down a while ago.

This is probably the most mixed-bag of the lot, ranging from classical to country, taking in many indie and dance and indie dance points in between. There’s a whiff of a theme developing about three quarters of the way through which, surprisingly I pull away from; more surprising than that is that there’s a couple of relatively recent tunes in here (by recent, I mean ‘released in the last 12 months’); and even more surprising than that is that when presented with the opportunity, I manage to resist going off one playing covers or songs which sample a particular act. You’ll know who I mean when you get there.

A quick admission and anecdote rolled into one: I stole the idea of mixing the opening two tracks from another DJ.

One night, back when I was living in Cardiff, I was out clubbing, when the resident DJ dropped the first two tunes in today’s mix. Same tunes, same order. The crowd fell into a stunned silence when he played the first – and give him his dues, it’s a proper show-stopper, alright – then exploded into euphoric raptures when he played the second.

Except me. I was furious. For as I watched the DJ lap up the adulation from the crowd, I felt like going up to him, tapping him on the shoulder and saying: “I hear you’ve bought Jacques Lu Cont’s Fabriclive 09 mix CD too then?”, for those same two tracks featured in the same order on that.

Anyway. Disclaimer time: any skips and jumps in the mix are down to the mixing software; any mis-timed mixes are down to me; all record choices are 100% mine (except the first two, obviously).

Here you go:

Friday Night Music Club Vol 6.4

And here’s the track-listing (look away if you prefer to be surprised):

  • Richard Strauss – Also Sprach Zarathustra
  • Eurythmics – Sweet Dreams (Are Made Of This)
  • Stereo MC’s – Connected
  • Primal Scream – Don’t Fight It, Feel It
  • Electronic – Getting Away With It (Greg Wilson Edit)
  • Death In Vegas – Scorpio Rising
  • Camper Van Beethoven – Pictures of Matchstick Men
  • The Mock Turtles – Can You Dig It?
  • Yeah Yeah Yeahs – Zero
  • She Drew The Gun – Behave Myself
  • Carter The Unstoppable Sex Machine – Let’s Get Tattoos
  • Lloyd Cole & The Commotions – Jennifer She Said
  • Belle & Sebastian – The Boy With The Arab Strap
  • Sharon Van Etten & Angel Olsen – Like I Used To
  • Kris Kristofferson – Best Of All Possible Worlds
  • Isobel Campbell & Mark Lanegan – Honey Child What Can I Do?

More soon.

Sunday Morning Coming Down

If you’ve seen the unedited version of Ken Burns’ docu-series Country Music, you’ll already know the extraordinary story of how this morning’s song came about.

Kristofferson relates how he went with friends to a church service; he had never thought of needing help, but he was at a low point in his life. When the pastor asked the congregation, “Is anybody feeling lost?” “Up goes my hand,” Kristofferson says. The Pastor then asked, “Are you ready to accept Christ? Kneel down there.” “I’m kneeling there,” Kristofferson continues, “and I carry a big load of guilt around…and I was just out of control, crying. It was a release. It really shook me up.” Kristofferson later said, “It was just a personal thing I was going through at the time. I had some kind of experience that I can’t even explain.”

Shortly afterwards, he recorded this Larry Gatlin composition, which appears as the closing track on his 1973 album Jesus Was A Capricorn, and features Gatlin and soon-to-be Mrs Kristofferson, Rita Coolidge, on backing vocals. It went on to be his biggest ever selling song, and is just stunning, irrespective of your views on religion:

Kris Kristofferson – Why Me

More soon.

Sunday Morning Coming Down

The other day I received an email from some mailing list I must have signed up to sometime and forgotten all about.

It was from Team Kristofferson, telling me that although Kris had taken the decision to retire last year (a little overdue in my opinion, given his very sad inability to remember some of the wonderful lyrics he had written when performing live), I should be assured that there were some projects underway and they were going through all of his demos and unreleased material.

Plus, a link to Kristofferson’s website, where you can stream all of his back catalogue, via Apple, Spotify or Amazon, here: Discography – Kris Kristofferson

So I figured this was as good enough a reason to post something by the great man myself which I may or may not have posted previously, I can’t be bothered to check:

More soon.

Sunday Morning Coming Down

It would be remiss of me to completely overlook the fact that we’ve just passed what would have been Johnny Cash’s 89th birthday.

Here’s his version of the song which lends it’s title to this series. I love the story his daughter Rosanne tells in the wonderful Ken Burns documentary series Country Music, about how, when he wanted to perform the song on his own TV show, the network did not want him to sing the line “Wishing, Lord, that I was stoned”.

“…he argued with them about it,” Rosanne says, “and they put their foot down – ‘You just can’t do that’ – well, Kris [Kristofferson] was in the audience that night, and Dad just couldn’t in good conscience change that word, with the song writer sitting in the audience…When he was performing it, he sang ‘Wishing, Lord, that I was *leans into microphone* STONED’ – emphasis on stoned….Kris was very happy, the network was not.”

Here’s the episode in full; it’s all well worth a watch (as are all of the episodes, most of which appear to be on YouTube), but the bit about today’s song starts at around 1:06:18 if you want to skip to it:

And here’s Cash and Kristofferson, singing it together:

More soon.

Sunday Morning Coming Down

It’s Valentine’s Day, apparently.

Not a day which has burdened me with the problems of flowers, presents, restaurants, the purchasing of an M&S Meal for Two, or perfunctory love-making for many a year.

In fact, I’m a bit annoyed that a) it’s on a Sunday, and b) we’re in lockdown so I’m working from home, so I can’t do my usual hilarious joke where I apologise for turning up to work a bit late with the excuse that I couldn’t open my front door for all the Valentine cards piled up behind it.

Anyway, what I am left with is the unenvious duty of choosing a suitably romantic Country record to fill this morning’s slot (and no, I’m not still talking about perfunctory love-making).

I did, briefly, toy with the idea of posting one of those “titles you only find in Country music” tunes, but then I thought of poor old Steve Wright on Radio 2, snowed under on his vomit-inducing Sunday Love Songs show, and thought I’d cut him a break and post an actual love song, even if it is one about lost love, which is probably a subject many more can associate with than the everlasting sort. I mean, we all remember the lost loves, right?:

Enjoy your day.

More soon.

The Chain #49

I promise that I’m not going to start all of my posts with these words, but following the last instalment of The Chain I had an email from from long-time reader and Chain Gang contributor George who said that he was “toying with idea of making a cd of Chain 48”. (To any of our younger readers, CDs are what we used to record music on to and listen to music from before streaming and making playlists became things.)

Anyway, I thought this was an excellent idea, because I have a playlist for every edition of The Chain, the purpose of which was partly so that I could revisit and relive the good times and the bad, but mostly so that I could check whether something had already been suggested and therefore was precluded from being nominated again. You may have noticed I’ve been rather lax about this since The Chain returned, and that’s not going to change: I figure in these days of Trump & Johnson, of global pandemics*, international recessions, corruption at a governmental level, and starving children (it was The Chain or a Rant today), there’s more important things to worry about than duplications in The Chain back catalogue.

(*Sit down, New Zealand, I’m not talking about you)

Anyway, the point I am trying to make is that to get all of #48’s songs onto one CD would take a lot of editing choices, so I’d love to hear which songs made the cut – even more so should you decide on making one after you’ve read this one because this week (I say that like I post these every week, rather than every six weeks or so) we have just shy of 4 and 3/4 hours worth of tunes to get through, and I don’t think there’s a duff choice amongst them. Some ropey ones, yes, but duffers, no. But then Kay hasn’t suggested anything this time, so…..so maybe I should crack on.

Oh, and George (Incoming obligatory oblique 1970s TV reference that about 80% of you won’t get): I’m sorry but we aren’t able to return any drawings sent in, but yes, it is a big one, no I’ve never seen one quite that shape before, and no I don’t need you to send me a photo, but thank you for the offer.

OK, so let’s start as we usually do with a reminder of the source material this time around, which was this:

As you might expect, we have a lot of tunes related to Talk(ing), some related to Fear of Music (the album that features on), and then what I believe is the collective term for lots of suggestions on a similar theme: an absolute fuckload of songs linked to a specific city, or the words cities or city. As always, I’ll try to put them in an order that makes some kind of narrative sense (you’ve noticed I do that right?) but if you’re planning on doing yourself a playlist of these, I’d be interested to see if you think you’ve done better (NB: no I wouldn’t. Keep it to yourself, thanks very much).

Not quite first out of the traps this time was Swiss Adam from Bagging Area who, as he will explain, suggests a tune which simply demands to go first:

“Cities should have a theme and luckily we have an ahead of its time piece of ice cool euro dance that found a second life in the Balearic sounds of ’88 and thereafter:

Now, I don’t profess to know anywhere near as much about that there dance music as our Swiss, but I do know that got used on a tune recorded by David Russell Lee, who used to be known under the stage name of Joey Negro. Lee also recorded under many other pseudonyms, including this one, which throws in a Queen sample for good measure, and I think is what Swiss means when he says “thereafter”, given this came out in 2001:

But since we’re already going off on tangents, here’s a factoid for you (lifted from Wiki, so large pinch of salt at the ready): In 1993, Lee was approached by Take That’s label with a view to working together. Lee suggested they covered an old hit by Dan Hartman, which hadn’t been a hit in the UK but which had become a popular club track in the house music scene. They did as suggested, replacing Loleatta Holloway from the original with – who else? – Scottish songstress Lulu and lo! the boy band’s second number one in the UK was born.

Anyway. Cities. I think next I’ll hand over to Rigid Digit from Stuff & Nonsense to get us back on track:

“Knowing too much about 3rd Division Punk Bands (as I do), the phrase “Cities” immediately brought forth [this]…It’s OK, in a mohican wearing punky thrashing type way, but probably not what you’re looking for.”

Turns out, that’s quite the accurate description. I’m also imagining a purple and black furry jumper:

I gather Westlife are planning to do a cover of that as their comeback single.

Well, we seem to have strayed into the territory of songs with the word Cities in their title, so here’s another couple of suggestions. Firstly, C from Sun Dried Sparrows who says “I’m just plumping for the very first thing that comes into my head as a kind of quick subconscious response and it is…..:”

…which is bound to lighten the mood.

Let’s see what George can conjure up this time:

“Taking the cities from the song, to Manchester City, whose best English footballer was Colin Bell, whose birthday is February 26th, the same date as Michael Bolton…[Oh, Jesus, no…. – Ed]…wait for it…Fats Domino [Better – Ed]…and Johnny Cash, so my song is…:”

Phew!

I think at this point I should hand back to Rigid Digit, who gave me a whole host of acts who had recorded songs called In The City, the first of which was also suggested by Martin of New Amusements fame:

..and this (just Rigid Digit now):

and (which, if I was still giving points out, would earn a couple for being in one of the coolest films ever, but I’m not, so it won’t – and in any event, I’d have to deduct points for the artist having also been in The Eagles and Ringo Starr & His All Starr Band, surely the least cool bands ever):

and this:

Now. Regular readers will know that I have deep-seated hatred of songs being appropriated for advertising purposes, as documented in my S.S.O.S. (Stop Spoiling Our Songs) series. For the avoidance of doubt, I’m with the late, great Bill Hicks on this one:

Here’s a tune which I’ve been meaning to post for a while, and which samples Hicks and explains my thoughts better than I ever could, and which I must credit my old mate Dum Dum (not his real name) for bringing into my life:

See, it’s bad enough when songs we love are appropriated to sell something, but surely it’s even worse when an act we love pops over to an overseas land in the hope that those back home will never find out what they’ve done – and I’m looking at you Bacon and Clooney – isn’t it?:

Mostly because Joey did it too:

But I digress, again.

Rigid’s next suggestion is this: “…or even Starship who built this city on sausage rolls.” Now, we all know what he is obliquely referring to, and that’s the first of the last two Christmas #1s here in the UK. In a week where Tory MPs voted down a motion which would have ensured that children from poor families don’t starve because of the various lockdown restrictions, I thought it probably best if I didn’t post a free link to a song which tried to help. Instead, here’s the (extremely unfunny) video (and yes, this got to #1 in the UK):

…and here’s the song they are referencing:

To be fair, Rigid does offer up a vastly superior song, the title of which references the same source:

So before we set off on a little journey of all the songs mentioning actual cities in their titles or their lyrics (and there’s lots of them), we’ll have a look at all of the suggestions – most of them are mine, admittedly – which feature the word City in the title or in the artiste name. But before we do that, let’s get all of the other ones mopped up.

Here’s the Devonian with, I think, my favourite explanation ever:

“A geographical link… not going off “Cities” though, but rather the fact that the bassist in Talking Heads was the esteemed (albeit not by David Byrne) Tina Weymouth. That got me wondering whether there are any other groups with bassists named after gentrified Dorset coastal settlements. But I couldn’t find any, so I had to settle for a couple of singers instead. Therefore I give you Shelly and Karen Poole and…”

“…which is great and you know it is really.”

Actually, I’m more of an ‘I Am, I Feel’ kinda guy, as it goes, but that’s enough about why I can’t go on public transport without a responsible adult in tow anymore.

“Whilst Devonian was struggling for Dorset-named bass players to link to Tina Weymouth,” pipes up The Great Gog, “I found myself thinking of a feature of said coast that is named in a song – namely the theme tune to children’s TV show Portland Bill (which must have been 20 years old when my kids watched it on satellite telly in the early 00’s).

I can’t say this rang any bells with me at all, but I have managed to track down a copy of the writer of the theme tune in question, playing…well, it:

Next up is PhonicPat who, undeterred by suggesting the worst record last time out, has come up with a load of absolute bangers this time, starting with this, which kinda follows on given that it’s “made up of the rhythm section of Talking Heads” who just so happen to be husband and wife combo Chris Frantz (drums) and Tina Weymouth (bass and renowned gentrified Dorset coastal settlement):

Talking Heads “…tried to continue without Byrne and released the ‘No Talking Just Heads’ album” Pat continues, “featuring collaborations with Debbie Harry, Andy Partridge and Shaun Ryder amongst others therefore:”

and

and

And Pat isn’t finished there:

“[A] David Byrne/Talking Heads link” (as Byrne features as guest vocalist on this):

Now, there’s two things to say about that: firstly Byrne mentions New York at the start, and we’ll be coming on to that city in the fullness of time; and secondly these PhonicPat sponsored words: “…(along with saucy video)“.

In the name of research, strictly so that you don’t have to press play on this next video, you understand, I have watched this, several times, and can confirm that no matter how much you might slow it down or rewind and watch again, whoever had the job of censoring out the wobbly bits did a fine job. Still, best you approach with caution, eh?

Remind me in a bit to give you a related Pet Shop Boys fact, will you?

Since we seem to have landed on band-related suggestions, George is back again:

“From Talking Heads to the Talking Book album by Stevie Wonder, and the track:…”

And moving on to other suggestions about links to the band name we have Alyson from What’s It All About? who says: “We’ve had Dollar [last time out] so in the same vein can I suggest….”

Whoa there tiger! I need to explain the “in the same vein” bit, because Dollar should definitely not be bracketed with The Fizz so lightly. Oh no. For post-1980s fame The Fizz split into two factions: one containing original members Cheryl Baker, Mike Nolan and (sighs) Jay Aston, the other containing Bobby Gee and an almighty war broke out about who should use the name Bucks Fizz to promote their cruise ship wares. And amidst this row, up popped former member of Dollar and never member of the Fizz, David Van Day who, when he wasn’t trying to be the Lawrence Fox of his day and appear all outrageous by dumping his girlfriend live on Channel 5’s The Wright Stuff, elected to appropriate the name Bucks Fizz, go on a tour, sing a couple of their songs and trouser all the cash. The twat.

Anyway, here’s Alyson’s Fizz choice:

What I love about Alyson’s choice is that she could have picked the original of that, by The Romantics, but such is her devotion to ladies having their skirts ripped off as part of a Eurovision dance routine, she simply had to plump for a bit of Fizz. Kudos.

No idea what I’m banging on about? Here you go, complete with withering intro from the much missed Terry Wogan:

Genius pop music. And I mean that.

Alyson has some other suggestions linking to Talking Heads’ name, namely:

and

Almost time to set off on our tour of cities, have you got your packed lunch and your waterproof coat? Ok, I’ll stall for a bit with some frankly rather clever suggestions.

The source record this time features on Talking Heads’ Fear of Music album, which takes us into the dark territory of phobias. Or, as the Devonian puts it: “Cities is from the album Fear Of Music… which is a Phobia… which is a song by Flowered Up”

It sure is:

Which leads us neatly on to Hal’s suggestions: “Didn’t Cage the Elephant release an album called Melophobia?” he asks, rhetorically. Well, yes, yes they did. And in case you were wondering, Melophobia is the correct technical term for having a fear of music, so here’s something from the album of the same name:

I’ve always avoided them because, well, I thought (and still do) that they have a terrible name, but that’s not bad so maybe I need to reassess.

Anyway, Hal isn’t finished yet: “Which leads us to Phonophobia: The Second Coming by Extreme Noise Terror. Or perhaps not…”

Too late, you’ve said it now.

Phonophobia: The Second Coming is an album by Extreme Noise Terror, and this is one of the songs on it:

Peelie would be proud.

How do you follow that? With this:

Thank goodness for Rol from My Top Ten who kindly steps in to suggest this, which in his eyes “seems an obvious winner”

Frankly, if we’re going to mention bands with the word City in their name, I don’t think we can justifiably omit this lot:

“The other obvious one”, Rol continues undeterred, and I’ll let him carry on because I can’t quite work out where else to place this, “is to jump to Radiohead (as they took their name from a Talking Heads song) and Street Spirit (because there are lots of streets in cities…)

He’s not wrong, there are. I counted at least seven near where I live just the other day, and I think I may have missed some.

I hadn’t finished with bands with City in their names. This lot are definitely less renowned than Mr McKeown and the gang (Bay City Rollers, not Radiohead) and are named after 2000AD’s Judge Dredd comic strip. Play this one loud:

And so we move on to songs with the word City in the title (that aren’t called In the City). You know how until that last little spurt I’ve hardly suggested anything so far? Consider that ended. Eyes down and here we go with the almost entirely forgotten about:

…to an often overlooked gem:

…and the never to be forgotten:

A sort of clever one: this was released on City Rockers, a label synonymous with the electro-clash sound of the early 2000s:

And we shouldn’t overlook this brace of bangers:

…which almost inevitably leads us here:…

…which leads me to this spoof record, but it’s a spoof of a song which doesn’t have a city in it’s title, but I’m sure you’ll get it:

And finally, I was very surprised that absolutely nobody suggested anything from PJ Harvey’s magnificent Stories from the City, Stories from the Sea album, so I guess I’ll have to:

I’m stalling because it feels slightly disingenuous to be suggesting we go on a world tour just as so many cities around the world are locking down to prevent travel and the potential spreading of the Corona virus, so can I ask that you all don your face masks, smear yourselves in hand sanitiser like it’s goose fat before you attempt to swim the Channel, don’t stand so close to me and we’ll be off, safely.

But where to start? “Something from Gerry Rafferty’s very fine City To City album perhaps?” pipes up Rigid Digit again, which seems a perfectly good suggestion, and I’ve plumped, somewhat obviously, for the title track:

And it’s to Rigid Digit that we turn to yet again as we herald the start of The Chain World Tour which, given some places like my beloved Wales have gone into circuit-breaking lockdown today, I must say I feel a teensy bit guilty about, but, nevertheless, here we go.

Truly, there can only be one song to kick this off, and as Rigid quotes: “London, Paris, New York, Munich.  Everybody talk about…:

“I was beaten to M,” moans The Great Gog, “but other songs name-checking a number of cities that sprang to mind were…:”

…and…

Not forgetting, as Martin from New Amusements points out, a song which (apart from the Hang the DJ bit) perhaps most perfectly encapsulates where we are right now:

Ok, let’s start, with a whistle-stop tour of the UK. Here’s The Robster:

“I was going to suggest the wonderful Theme For Great Cities but Swiss Adam beat me to it! So I decided to think about songs ABOUT cities. Then I realised I’d be suggesting about 4 million songs and you’d hate me more than I’d hate myself! So in the end I plumped for one city. It was going to be Newport, but the only songs about us are parodies and parodies of parodies. So I chose our neighbours instead and came up with…:

I’m not sure why The Robster thinks this lot only do parodies. Funny songs, of course: it’s their stock in trade. I mean, sure this one is a parody, but it’s the only one I know which actually mentions The Mighty ‘Port in it’s title, and (sorry Rob) from the short time I lived there, seems wholly accurate to me:

Let’s head up to Birmingham next, and I’ll hand the reins back to Swiss Adam for a moment, for he is quoting lines from the source material to guide us to our next destination.

“Birmingham ‘lots of rich people’….” (although I think Byrne was probably referring to B’ham, Alabama.)

For those of us old enough to remember, it’s hard to forget when they fell foul of a Government clause of the 1981 Broadcasting Act which prohibited the broadcast of direct statements by representatives or supporters of 11 Irish political and paramilitary organisations. The restrictions were part of the Thatcher government’s desire to prevent Sinn Féin from employing the media for political advantage.

Yeh, I know. Dry subject.

What this meant in practical terms was that when, in 1987, they appeared on Friday Night Live , a Thames Television programme hosted by Ben Elton, they played Streets of Sorrow but the broadcaster cut to an ad break before they got to Birmingham Six.

Ridiculous as the rules were, a loop-hole meant that we were allowed to hear what Sinn Fein (the political arm of the IRA) had to say, but we could not hear them spoken by a member of the political party. Generally what this meant was the words were read by an actor with a plummy Home Counties accent, but the ludicrousness of the situation was highlighted here, on The Day Today:

This next song actually mentions bombing in Birmingham, although it means it in the “not going down to well at a gig” sense, rather than the more literal interpretation:

In these times of Tiers and Lockdown, I’m not sure we’ll get any better advice than to ‘start drinking til we’re blind’ (again, metaphorically of course – I don’t want any of us to end up in one of those adverts asking people to sponsor a puppy); I know it’s what has got me through writing this post, for a start.

“This mentions Birmingham, Alabama”, offers PhonicPat, and he’s not wrong, it does:

But we’re not quite ready to go trans-Atlantic, because here’s The Robster again:

“I have another one, this time referring to my Devon roots. The nearest city to where I grew up was Exeter – so:”

What I love about IDLES, apart from their records, is that they’re so bloody angry about everything, even their name is in capital letters like they’re shouting that too.

Catchphrase time! Well, if you’re having that, then I’m having this, a song about the nearest city to where I grew up, but where IDLES are VERY ANGRY! about how shit Exeter is, The Long Blondes are just a wee bit disappointed with how dull Peterborough is:

Staying in the UK, here’s Stevie from Charity Chic Music who takes us (much) further Up North:

David Byrne was born in Scotland – Dumbarton to be precise.  So the link is obviously:”

…which not only gets added to the ever-growing pile marked: ‘Must Investigate Further’, it also allows me to include this, which the title obviously references:

Since that also mentions Berlin, we may as well pop over to Europe, y’know, whilst we still can, without having to incorporate a two-week stay in a car park in Kent. Here’s another suggestion from Martin:

Well, this all seems to have got rather gloomy rather quickly. But I have an idea! Let’s pop over to the former capital of Turkey to liven things up a bit:

It became very apparent as I was sifting through the suggestions that there were two cities which featured more than any other, so, after a spot of self-isolation, we’ll pop back to the one in the UK: That London. And first up is another suggestion from Phonic Pat which takes us on a nice little (if expensive) tour of the city:

Here’s Swiss Adam again, quoting lines from the source record:

“…a small city, dark in the day time…”

…and suggesting this absolute shoe-in:

And here’s Martin again with two further capital suggestions:

“For when one is tired of London, one is tired of life, right?” adds Martin. Try telling Alan that:

Obligatory Alan Partridge clip? Tick!

One more from Martin, “…because I love them so…” (me too, mate, me too):

Sticking with Martin’s stream of suggestions, let’s hop over to the other city which seems to be mentioned in song titles more than any other:

“Decidedly not a cover of Ol’ Blue Eyes”, Martin adds. Well no: there’s a more liberal use of the F-word than Sinatra ever committed to record for a start. Plus, without wishing to be pedantic (he says as he is about to do just that), the Sinatra song Martin refers to is actually called Theme from New York, New York, so there was never any real danger of confusion. This next one though, less so:

That’s what being brought up listening to Radio 2 does for you: you remember records like that.

You won’t be surprised to read that I’ve got loads of these, the next of which is by someone who gets a bad rap for being a bit square (I think that’s it; I certainly don’t recall him having done anything unmentionable, apart from Uptown Girl of course), but I think he’s written some absolute corkers, and this is one of them:

New York, here we are, and here’s Odyssey to tell us we fit right in:

When The Strokes released their wonderful and never-bettered debut album Is This It? in 2001 (God, that makes me feel old), there was a difference between the UK and the US release, for the UK release included this, presumably omitted from the US release because it probably wasn’t considered to sit well so close in the wake of 9/11:

Back in time now, to the first record I ever bought, sort of. You can read about that here but in case you can’t be bothered (and if you’ve got this far I can’t blame you for feeling a bit wiped out) here it is:

Remember about seven hours ago, just after The BPA tune, I asked you to remind me to give you a Pet Shop Boys factoid? Well, the time is now: before he worked for Smash Hits magazine (my gateway drug to pop music before I grew up/discovered the NME) Neil Tennant used to work for Marvel Comics, editing out any hint of nipple from the cartoons contained within the pages of the heralded comic book. And that’s not even as funny as the rumour Stuart Maconie made up about him being a fully qualified Rugby League referee.

Anyway, here’s the Pet Shop Boys:

Hold up, Swiss is back with his quoting lyrics and suggesting songs ways:

“Memphis: ‘home of Elvis and the ancient Greeks’”

Leading him here:

And if you’re going to mention Memphis, you either have to include something by a certain Mr Presley (not Reg), or make a joke about being dead on a toilet eating a burger, or post this:

Funnily enough, Mr Simon is going in the opposite direction to Ian Hunter and the Mott the Hoople crew, as suggested by Phonic Pat:

And here’s a group who are considering a move to a completely different part of the US of A:

But as we all know, there’s only one place in America that one should consider moving to:

And that’s where I intended to sign off, were it not for one final suggestion from Martin:

“Oh, and can I add Vegas by Sleeper, just because… well, okay, just because of Louise Wener, really.”

Of course you can: if it doesn’t get cancelled as opposed to being forever rescheduled, I’ll be going to see them perform their debut album Smart, sometime, along with this morning’s postees The Bluetones doing the same with their debut album Expecting to Fly:

And that’s yer lot, except to reveal the actual next record in the actual Chain, which nobody suggested.

Here’s the link: “Talking Heads had a female bassist. So did…

Which just leaves me to ask for your suggestions for songs which link to 1979 by The Smashing Pumpkins, to be submitted via either the Comments function on this page, or if you prefer anonymity that you ultimately won’t be afforded, by email to dubioustaste26@gmail.com

More soon.