Rant

It’s been a while since I felt sufficiently outraged to write one of these, and I imagine you’re expecting this to be about the Covid enquiry, or Rishi Sunak’s spineless leadership, or how he’s managed to offend the entire Greek nation, the appearance of Farage on I’m a Celebrity… or the long-overdue demise of Suella Braverman.

But no. Whilst this could have been about any one of those, instead I’m going to tell you about something that happened to me this week.

On Thursday I travelled via train down to London and work. So far so mundane. On the way back, however, I found myself in an unrequested discussion with someone that I can only describe as a racist fuckwit that I did not initiate.

Now, given my previous Rants on these very pages, some of you may find this rather hard to believe but I don’t really enjoy arguing with people. My mother would doubtless disagree, as I was an argumentative little sod in my teenage years – think Harry Enfield’s Kevin (of Kevin and Perry fame) only less tolerant and you won’t be far wide of the mark.

But, other than locking horns with my parents, I’ve since been far more reticent about getting into an argument. So lacking in the courage of my own convictions was I that, when I was on the Student Union Executive at college, I became known as The Fencesitter. My response was that my position as Social Secretary was a non-political role, so I didn’t see why I had to have an opinion on everything. Besides, I could usually see opposing opinions from both sides; a typical Libran, if I believed in such mumbo-jumbo.

It’s the fear of being challenged, of getting my facts wrong and then found out, I think. On subjects where I’m confident, which aren’t opinion based, then I’m fine. At work, for example, where I know exactly what I’m doing and have the experience and information to back it up, then I’m fine. I was once engaged in a 40+ minute telephone discussion with a claimant, who simply wouldn’t accept the reasons that I’d declined his claim; at the end of it, several people came over to congratulate me for the way I handled myself throughout, not once raising my voice or losing my temper.

In an old job, I ended one call to a motor insurers, and my boss said: “Please don’t ever leave this job. I’d hate for it to be me you’re arguing with.” And in yet another job (I’ve been around a bit), I had adopted my customary position when dealing with an awkward customer on the phone – slumped back in my chair, feet on the desk (it was my signature move, a way of communicating to my colleagues that I had “a live one” on the phone) – and at the end of the call, the work experience lad came over to me and said “Cor! You’re brilliant at arguing mister!”. (He really did say Cor! by the way; I remember thinking at the time that I’d never actually heard anyone saying it in real life, only in comic books when I was a kid):

Oh, and in Carry On films, of course. And anything with Terry Scott in it. But never in real life.

But I digress. What I’m trying to say that it’s easy for me to construct a narrative here, to present my side of the argument, knowing that, generally, it’ll be read by people who broadly agree with me, and I won’t be challenged on what I’ve said.

Besides, long ago I learned a valuable lesson from my old pal Tony: you’ll never change an adversary’s mind by arguing with them, you’ll just make them more entrenched and determined that they’re in the right. A withering comment, however, can be far more fatal. Tony related a conervsation he’d been in where one of the other participants said something racist; rather than challenging them, Tony just said: “Well, I think that’s sad,” shook his head and moved away. Shortly afterwards, I was working in a restaurant, where we did not serve anything as exotic or tasty as Indian food, when one of the waitresses whispered to me “God, it stinks of curry in here” as an Asian family walked in. “Shhh!” I said. “It’s ok, they didn’t hear me,” she replied. “No, but I did,” I said. It may not have changed her view, but she sure as hell never repeated anything like that in my presence again.

Whenever I remember this, the words to Kristofferson’s To Beat the Devil swirl across my mind:

Kris Kristofferson – To Beat the Devil

So, on Thursday evening – and before I go any further, lest any of the “This Didn’t Happen” brigade start parping up: every word you are about to read is true; I’m nowhere near talented enough to make any of this up – I was travelling back from London. Other than the joy all of us feel when we’ve finished work for the day, I’m not in the best of moods: I’ve endured standing in the cold waiting for my connecting train, delayed as usual, to arrive, and at work that day a colleague had told me that I reminded them of someone, but that they couldn’t put their finger on who it was. Until they suddenly managed to put their finger well and truly and annoyingly right on it:

Yeh, thanks, mate.

I board the train and manage to bagsy a seat, one of those foursomes, where two seats face the two opposite. The other three seats are occupied. Ordinarily I avoid these for two reasons: you’re constantly battling your fellow travellers for leg-room, and also it increases the chances of you sitting in the vicinity of someone you’d rather not be sharing air with.

As the train ventures on its journey, stopping at such places steeped in prestige as Biggleswade and St Neots…

“…Taplow…Winnersh…”

…inevitably empting as it goes, until I am sitting in the four-seater all alone. In the four-seater to my right is a bloke having an animated conversation with someone on his phone, about what I don’t know, as I have my ear-buds in. I click the volume on the iTunes app on my phone a couple of notches higher to drown him out completely, stretch out and wait.

The train approaches the penultimate station and passengers rise from their seats and head towards the doors, some having walked several carriage-lengths to be nearer the door they think will be closest to the station exit. It’s then that I clock him for the first time; he’s quite young, mid-20s to early 30s I’d say, white caucasian; whilst I notice him, he doesn’t really stand out from the rest, and I assume he is going to be alighting at the next stop.

The train stops, passengers disembark, the doors close and we start moving again. And he’s still there, standing in the aisle, now seemingly trying to decide whether to sit with shouty-on-the-phone man, or listening-to-music-quietly me. He plumps for my four-seater and sits diagonally across from me.

Literally seconds had passed before I was suddenly aware of him trying to attract my attention. I removed one ear-bud and looked at him quizzically.

“Excuse me, does this train go to Peterborough?” he asked.

I nodded, and pointed at the digitalised sign scrolling above his head. “It literally doesn’t go anywhere else,” I said. “Next stop. Last stop.” Knowing that he had got on to the train at least one station before the last, I briefly wonder why he has waited this long to check he was on the right train, and why he has been unable to either read the display or hear the pre-recorded “This train is for Peterborough” announcements, but I replace my ear-bud, the internationally recognised sign which means “Now leave me alone.”

But he didn’t. A few seconds pass, and this time he is trying to attract my attention by clicking his fingers at me. I sigh and remove one ear-bud again, annoyed because he was interrupting a rare moment of brilliance by Sting:

The Police – Can’t Stand Losing You

“Are you from Peterborough?” he asked.

“I live there, but I’m not from there, although I did grow up not far away. I moved back to the area a couple of years ago after thirty or so years living away.” I’m resigned to having to talk to him now, and plump for courtesy as the best way to get through this, although a part of me is terrified that he’s either going to ask me if I have somewhere he can stay, or worse, to recommend good night-spots in the city.

“I’m from Crowland”, he told me, “do you know it?”

I do. “The scene of my greatest moment ever”, I tell him, thinking that this isn’t so bad, he’s not that weird really. He looks at me quizzically. “I used to play football when I was younger, before I discovered booze and fags and girls”, but he cuts me short before I can tell him of my greatest moment ever, scoring two goals (admittedly, at U-15 level) against Crowland, the first where I nutmegged the thuggish and intimidating central defender before slotting the ball past the ‘keeper, after which the defender hissed “Do that again and I’ll fucking kill you!” in my ear. So a few minutes, I nonchalantly did it again, same result, and he didn’t kill me, or come even close to doing so. I don’t know, whatever happened to keeping your word, eh?

“Do you find there are less indigenous people in Peterbrough since you returned?” he interrupted my re-telling of the finest solo goal since Ricky Villa in the 1981 FA Cup final.

“Well, there’s only one person that I knew back then who still lives here,” I reply, thinking how he had used the word indigenous in rather a strange way.

“I bet you think that’s really quite sad, don’t you?” he ventured.

“Not really,” I replied. “People move. Some come back again. I have. My friend did. There’s probably more people living locally that I know if I could be bothered to look and particularly wanted to see them again.” He’s nodding and smiling at me sympathetically. I later realise that he wants me to think that he ‘gets’ me, that he understands.

“Can I ask you what you think about all these immigrants flooding into the country to take advantage of our benefit system?”

And it’s only then that the penny dropped and I realise I’ve been played. His enquiry about the train’s destination is merely an ice-breaker, the subsequent questions designed to see if and how I would react. He’s not just some lonely traveller looking for a bit of human interaction, he’s wanting to foist his frankly vile opinions on me. My courtesy has undone me, for he now has me engaged.

“Actually,” he says before I can answer, “let me tell you what I think and then you can tell me whether or not you agree with me.”

I’d rather you didn’t, I thought. Or rather:

The Ting Tings – Shut Up and Let Me Go

Your use of the word “flooding” and mention of our social benefits system being taken advantage of have already given me a pretty good idea what you think, I thought. But I kept my mouth shut. Keep your powder dry, old chap, you’re going to need it, I told myself, gritting my teeth.

“I don’t think it’s right that all of these immigrants, those non-indigenous people, can come to this country just to get put up in a hotel at our expense and sponge off the state,” he continued.

“They’re all doing that, are they?” I counter.

“Yes. Most of them.”

“I think you’re in very dangerous territory when you start attributing the same characteristics to a huge amount of people. Some may be doing that, I’d say the vast majority aren’t.”

“Don’t get me wrong, the ones trying to escape war-torn areas, fair enough, they’ve got something to escape from. But the ones that aren’t just want to take advantage of our generosity.”

“You’ve clearly never had to live on benefits if you think it’s generous,” I countered.

“You don’t get put up in a hotel if you’re on benefits.”

“Rather they live on the street, would you? But not in tents, of course. Anyway, those deserving of social housing where there is none available are often placed in paid accommodation. Local councils are doing it all the time.” You’ll have noticed I’m warming to the challenge by now.

“Then why do they come here? Travelling all that way, when they could stop in any of the countries they pass through?” He pauses, before adding: “I’m thinking about Albanians here.”

“What have you got against Albanians?” I ask.

“Nothing, nothing…but Austria, Italy, Spain, they could stop in any one of them, so why come here if not to take advantage of us?” he persisted. “France!” he adds triumphantly, like he has just wielded the best card at Top Trumps. “If it was me,” he adds, “I’d stop at the first place I could that was safe. Wouldn’t you? I mean, why not stop at France?”

“Oh, I agree with that to some extent. They have nice cheese and wine in France. But then, to off-set that, it is notoriously full of French people…so y’know,,,swings and roundabouts…” I offer, before remembering I will not defeat my foe with the use of humour.

“But seriously,” I continue, “They could stop in other countries, but they’re not obliged to, are they? I think there are a lot of answers to your “Why come here?” question. How about because the notion, however misguided it might be, that historically the UK, in spite of its “No Blacks, No Irish, No Dogs” signage, has been seen as a welcoming destination? We even invited migrants over in the Windrush scheme, not that that ultimately panned out particularly well for anyone. How about they just want to make a better life for them and their families, get a job, pay their taxes, contribute to society, and they think the place they’d most like to do that is here? Although,” I add, realising he has no idea where Albania is, “if they’ve taken the route from Albania you’ve mentioned then any job that involved map-reading is out of the question.”

“But we’re paying for non-indigenous people to stay in 5 star hotels when they get here…”

“Are we though?” I say in my best ‘U OK hun?’ voice. “Economically, since it’s councils placing them there, a lot of which are on the verge of bankruptcy thanks to Goverment cuts to their funding it’s more likely to be B&B’s, Travelodges and Premier Inns than 5 star hotels. And either way they’d mostly be empty at this time of year anyway, so they’re already contributing to the local economy, right? And perhaps if we weren’t so slow at processing their immigration applications, then they wouldn’t be such a burden on the state whilst they go through the process.” I’m quite good at this, I find myself thinking. “And unless I’m mistaken, I think current statistics show that immigration is higher than it’s been for quite some time and the backlog to process them is almost as big.”

“Well, that’s all Labour’s fault,” he offers.

“Labour haven’t been in power for the last thirteen years, how do you figure it’s their fault?”

“Corbyn,” he says, brandishing what he believes to be another winning hand, “he was on the left, wasn’t he?”

“I think history will agree that Corbyn was on the left,” I agree. “But he was also a left-winger with zero power. So, again: how exactly are Labour to blame for the current migration crisis, as opposed to, say the Conservatives – who are on the right by the way – who have been in power for much of the recent period.”

“Tony Blair,” he said, sitting back into his chair and crossing his arms. “Tony Blair was recent.”

“Blair resigned in 2007. That’s hardly recent.”

“But Labour were in power until 2010. That is recent.”

“Well,” I sigh, “that very much depends on what your definition of recent is. Is it more recent than Cameron, May, Johnson, Truss and Sunak? No. Is it more recent than, Ted Heath, Thatcher, Pitt the Younger…?”

“I’ve not heard of him…” he interrupted, like to mention someone he wasn’t familiar with was against the rules, and it was then that I knew this was not a man who was used to someone actually arguing with him. Most, I think, would either try to ignore him, or jusy agree with everything he said for a quiet life.

“Really? UK history not your thing, eh? Son of Pitt the Elder? First prime minister of the UK? No…?”

“No….I’ve heard of Margaret Thatcher though/”

“You do surprise me….”

” A fine leader.”

“I think we’re going to have to agree to disagree there.”

“You’re on the left too, aren’t you?”

“I’m certainly to the left of you,” I confirm. “I’ve never voted Conservative and I can’t imagine that I ever will.”

“I wouldn’t vote Conservative at the moment either.”

“Not right-wing enough for you?” I’m definitely feeling emboldened now.

“Socialists are on the left. Hitler was a socialist.”

“Hitler was not a socialist,” I counter with what I had thought to be the least controversial thing I’d said if not ever, then definitely all day.

“Yes he was. He was in the National Socialist Party!”

“Just because they called themselves the National Socialist Party doesn’t mean they were socialists. I could insist I’m…I don’t know…a donkey, but that wouldn’t make me a donkey. It’d make me someone insisting I’m a donkey.” [Why have I said donkey? I must stop saying I’m a donkey.] “I don’t think any socialists would include the systematic extermination of those holding a particular religious belief as an integral part of their political view,” I added, hoping he didn’t realise that we were potentially right back in Corbyn territory again.

“Let me ask you this,” he said, like he was changing subject, “this morning I caught the bus from Crowland to Peterborough. The bus was packed. And then this frail indigenous lady got on the bus…”

Here he goes with his use of ‘indigenous’ again. I wonder if he knows what the word means, or if he’s just heard someone use it before and is copying them, or, more likely if he has word-of-the-day toilet paper.

“How do you know she was indigenous? Was it because she was white…?”

“From her voice, the way she spoke. And the bus was full of non-indigenous people and not one of them got up to let her sit down. Don’t you think that’s terrible, that none of them subscribed to our views of what is right and gave up their seat to let a little old lady sit down?”

Non-indigenous people probably know not to start a conversation of any kind, let alone a political one, with a stranger on a train, I thought, but decided against vocalising it. And anyway, how did he know that they were all non-indigenous?

“I let her sit down. I stood, gave up my seat, and let her sit down,” he proudly crowed.

“Congratulations. I look forward to reading your name in the New Year’s Honours list.”

“I see you have a walking stick. Do you find people give up their seat for you?”

“They do, and I’m always very grateful and find my belief in human nature surprisingly restored.”

“And were they indigenous or non-indigenous people who offered their seat?”

“See, I never realised it was a competition, so I’ve not really been keeping score.” I stop short of saying “I don’t see colour….”.

At which point, the train pulled up at platform 5 of Peterborough station, and, instead of being relieved, I was suddenly more concerned about how I was going to shake this bloke off. Fortuitously, fate was on my side, not that I believe in that mumbo jumbo either: I stood on my own shoelace and I had to put a stop to my escape plans whilst I re-tied it. He was on his way out, unable to fight back against the tide of passengers getting off the train, and by the time I straightened up again, lace tied, he had disappeared. I waited a few more minutes, making sure he had definitely gone, until the train guard came on the tannoy to announce that any passengers left on the train had better get off sharpish, or they’d be locked on board, at which point I alighted, made my way to the exit and jumped into a taxi waiting at the rank.

Foo Fighters – My Hero

The driver made an effort to engage me in small talk of a “it’s turned cold, hasn’t it?” nature. Noticing he was of Asian heritage, I mentioned the conversation I’d just escaped from, thinking my position would earn some credit of the non-financial type with him. However, I had forgotten the default political position of taxi drivers: “Oh yes, in Peterborough there are loads of them, but it’s not like in Birmingham where there are no-go areas for white people.” Here we go again, I thought.

“Do you mean indigenous people…?” I said.

“What was that mate?” came the reply, the driver looking at me in the mirror.

“Nothing, nothing,” I replied, sank back into my chair and didn’t utter another word until we turned into the road where I live.

“Whereabouts mate?” the driver called back to me.

“Just up here, on the left,” I replied.

Kirsty MacColl – The End of a Perfect Day

More soon.

Friday Night Music Club Vol 36

I’ve written on these pages, a long time ago, about how I love Northern Soul, but know so little about it that it rarely features on these pages.

So it seemed the weekly Friday night mix is a perfect opportunity to rectify that.

So this week, the first half of the mix is pure Northern Soul gold, followed by a bit of 80s British ska, separated by a tune which, after last week’s Avalanches-heavy mix, I was reminded pops up, surprisingly, on their magnificent debut album Since I Met You. Then we round things off with a clutch of songs which at first glance have no business sitting next to each other, but trust me – you trust me, right? – may be disparate but they sound great together.

Let’s get things started, shall we?

Friday Night Music Club Vol 36

And here’s what you get for the price of your broadband:

  1. Johnny Taylor – Friday Night
  2. Edwin Starr – Stop Her On The Sight (S.O.S)
  3. The Contours – Just A Little Misunderstanding
  4. Rita & The Tiaras – Gone With The Wind Is My Love
  5. Frank Wilson – Do I Love You (Indeed I Do)
  6. The Velvelettes – Needle In A Haystack
  7. Marvin Gaye & Tammi Terell – Ain’t No Mountain High Enough
  8. Ike & Tina Turner – River Deep, Mountain High
  9. Kid Creole & The Coconuts – Stool Pigeon
  10. The Specials – Gangsters
  11. The Beat – Ranking Full Stop
  12. Bad Manners – Special Brew
  13. The Police – Can’t Stand Losing You
  14. Young MC – Know How
  15. Modjo – Lady (Hear Me Tonight)
  16. Bee Gees – Spirits Having Flown
  17. Foo Fighters – Learn To Fly
  18. Neil Diamond – Solitary Man
  19. Echo & The Bunnymen – Nothing Lasts Forever

That’s yer lot til next time.

More soon.

Friday Night Music Club

Regular visitors to my Friday night slot (stop it….!) will probably have noticed a few things that I like to do with the mixes I put together and post here (I’m talking the self-contained, meant-to-be-listened-to-as-a-whole mixes, not one of the ones I’ve recently split down into hour-long mixes).

Firstly, I like the first tune to be a definite opener; not necessarily one which sets the tone and style for the rest of the mix, but one which can easily be recognised as a curtain-raiser. See Tonight You Belong To Me by Patience and Prudence from Vol 1; I Dig Rock’n’Roll Music by Peter, Paul & Mary from Vol 2; Rudy, A Message To You by The Specials from Vol 3; Serious Drugs by BMX Bandits from Vol 4; R.E.M.’s Daysleeper from Vol 5…you get the idea.

Secondly, I love placing songs next to each other which shouldn’t really be there, songs which you would never have thought to play alongside each other but which somehow work (I think/hope).

Thirdly, I do love to slip in a tune which makes the listener think: ‘Blimey, I’ve not heard this for ages’ or ‘Cor, I’d forgotten all about this!’ (Not that anyone really says ‘Cor’ or ‘Blimey’ outside of a Carry On film anymore.)

Fourthly, end on something magnificent, just like you would want any gig or DJ set you went to in real life to do. Go out on a high, always leave ’em wanting more etc etc.

You’ll find examples of all four of these character traits on tonight’s brand new shiny mix, so let’s get the admin out of the way and crack right on, shall we?

Admin Part 1: any skips or jumps are down to the mixing software (I counted two when I listened back to this one); any mis-timed mixes are down to me (there’s one that’s a bit clunky here, I’m afraid; all record selections are mine (you’d better believe it, baby).

Admin Part 2: two of the tunes featuring this week contain some effin’ and jeffin’. One of those two contains a lot. Therefore this warning is most definitely required this week:

Friday Night Music Club Vol 8

And here’s your track listing. Look away now if you like it to be a surprise:

  • Death In Vegas – Dirge
  • Marilyn – Calling Your Name
  • Dexys Midnight Runners – Geno
  • The Pogues – The Sick Bed Of Cuchulainn
  • Pixies – Nimrod’s Son
  • Super Furry Animals – Golden Retriever
  • New Order – Regret
  • Missy Elliott featuring Ludacris – Gossip Folks [Fatboy Slim remix]
  • Miike Snow – Animal [Crookers Remix]
  • Fatboy Slim – Everybody Needs a 303
  • The Beloved – Your Love Takes Me Higher [7″ mix]
  • Bentley Rhythm Ace – Bentleys Gonna Sort You Out
  • The Police – Every Little Thing She Does Is Magic
  • Belle & Sebastian – Seeing Other People
  • Beck – Deadweight
  • The Primitives – Spacehead
  • Ride – Twisterella

That’ll do.

More soon. I may even post something else before next Friday, you never know.

Replenishing the Vinyl

Regular visitors will recall that a few weeks ago, I took ownership of on the responsibility of looking after my brother’s vinyl.

In case you missed it, a brief recap: my brother has been living overseas for the past few years, the majority of his belonging in storage whilst he was away.

Now he’s back, all of his worldy belongings have been retrieved, and since he hasn’t owned a turntable since sometime in the 1990s, he decided he had no use of his vinyl anymore, and that it could go to an appreciative, caring home (i.e. mine.)

He’s quite techy, my brother, so I don’t really envisage him investing in a turn-table anytime soon. I’m not saying his vinyl is now my vinyl but….

The other week, he arrived at my gaff in North London, having driven from our folks house in Northamptonshire, dropped off his vinyl and, to my surprise, his CD collection (which I haven’t even ventured into yet; there’s three crates worth for me to investigate, although a cursory glance picked out a mix CD I’d made him, obviously much appreciated), before we headed off to Staffordshire to his new place, where we dropped off the rest of the stuff he had collected from our parents’, and then it was off to Nottinghamshire to one of those Big Yellow places to collect his tropical fish tanks and an absolute fuck load of gravel.

At the first stop at his new home, one of his new neighbours approached us, proffering a parcel of his which she had signed for. The three of us chatted for a few moments, during which time it came out that he had got rid of his vinyl as part of the move. The neighbour seemed shocked he could let the vinyl go, and we reassured her by telling her I was looking after them.

“Well, at least they’re local if you want them, then,” she said.

“Not really,” I replied, “I live in London.”

Anyway, as no doubt those of you who were aware of my recent receipt of this cache of vinyl loveliness had been expecting, I figured I’d write about some of them. But where to start?

Thumbing through them, I was reminded of both our early obsession with rock music; there’s a lot more Deep Purple than I expected, quite a bit of Led Zeppelin too. Ah,we were all young once.

And then I began to notice the records I remembered him owning but which weren’t there: where were his copies of AC/DC’s Back in Black and For Those About to Rock that I distinctly remember him owning. And his copy of Quo’s 12 Gold Bars? And, considerably less rocky, an album that we’d inexplicably both owned copies of, like (brace yourself) Billy Joel’s An Innocent Man?

And there’s my “in”, I thought. Let’s start off my by looking at the records we had in common.

For there are some, and not just ones which I’ve subsequently bought, which we have in common, and a couple of albums, by the same band, which I don’t remember him owning, but which I definitely did.

That should not be misconstrued as an allegation of theft, by the way.

But very very long term readers may remember that I wrote here about my youthful obsession with the God that is Shakin’ Stevens, and how I grew out of it and into The Police just at the wrong time in terms of Christmas presents being bought.

Weirdly, as we drove north from London to Staffs, our conversation turned to the band in question, as this got played on the radio:

the-police-ghost-in-the-machine

The Police – Spirits in the Material World

It’s a running joke between my brother and I that I’m “in charge of remembering things”. We’re not just talking birthdays and anniversaries, but also people we’ve both known in the past and, on this occasion, that The Police was the first proper gig that he went to. I think he was a little taken aback by the fact that I remembered this.

I remember this not because of The Police, but because of their support band that night (The Alarm), who my brother and his mates came away feeling more excited about than the main act. Shortly afterwards, they all started spiking their hair up, and from there it was but a short step to the World of Goth they all inhabited for the next couple of years (and which he wrote about here), much to the chagrin of the local knuckle-draggers who, when faced with three spikey haired, tight black jeans, flowery shirts and winkle-picker wearing youths, decided that the only thing to do to something new that they didn’t understand was to kick the living shit out of them at every opportunity.

But more of this another time.

A few weeks ago, I featured an album I’d purchased on vinyl shortly before learning I’d be taking ownership of my brother’s stash, and which I suspected would be amongst his collection (it wasn’t). Since I didn’t remember him owning a copy of today’s record, which I’d also recently re-purchased, here’s some other tunes from the same album:

The Police – Every Little Thing She Does is Magic

Look, I know Sting is a twat. But that, my friends, is a fecking great pop song.

The Police – Rehumanize Yourself

The Police – Too Much Information

The Police – Demolition Man

(Yes, we have Sting to blame for a terrible Stallone/Snipes movie!)

The Police – Invisible Sun

And to round things off, a cover of that last tune; I’d like to say this is the one redeeming feature from the worthy but ghastly Peace Together project from the early 1990s, but I’m not sure that even that platitude is accurate:

R-1344026-1438981853-9980_jpeg

Therapy? – Invisible Sun

More soon. Maybe something interesting, who can tell?

Friday Night Music Club

A couple of weeks ago, I wrote a very short post – too short, so I’m told – in my “Which Reminds Me…” thread, about Kaiser Chiefs’ “Na Na Na Na Naa”.

That in turn has made me think about how songs with nonsensical titles have played quite a big part in the history of rock and pop, so I thought we’d have a look at some of them tonight.

But just like cafe’s feel obliged to write the words “Warning: Contents May Be Hot”, here’s an advance warning for you: this post contains songs of wildly varying quality. But that’s why you’re here, right? Right….?

So, let’s start with one of the greatest records ever:

CDCHD-1340b

283. The Crystals – Da Doo Ron Ron

Unfortunately, people of a certain age, i.e. me, can’t hear that record without being reminded of this pair:

Not got any funnier with age that, has it?

What is there to say about Little Richard that hasn’t already been said? Well, very little that isn’t defamatory, so we’ll go straight to one of his tunes:

4799060

284. Little Richard – Bama Lama Bama Loo

Bears more than a passing similarity to his own “Tutti Frutti”, that is it…?

In 1986, presumably spurred on by his former Generation X frontman Billy Idol’s solo success, guitarist Bob “Derwood” Andrews formed Westworld. Named after the Yul Brinner movie, the band had two hit singles in 1987: a great one, “Sonic Boom Boy” which made Number 11 in the UK charts, and this not so great one, which made Number 37:

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 285. Westworld – Ba-Na-Na-Bam-Boo

The follow-up single, “Where The Action Is” tanked even more, not even making the Top 40, and when their debut album met with a similarly indifferent response from the UK record buying public, the writing was on the wall for the band.

A few years ago, there was a rather wonderful sitcom on BBC3 called “Him and Her”. Starring Russell Tovey as Steve (the “Him”) and Sarah Solemani as Becky (the “Her”), a young couple living together in a flat where all of the action in the first three series’ took place. With able support from the likes of Joe Wilkinson, Camille Coduri and Kerry sister-of-Russell-Howard Howard, it’s a wonderfully understated show, with no laughter track or studio audience, full of awkward silences and knowing looks. If you haven’t ever seen, I would urge you to check out.

Here’s a clip:

I mention this now because the end credits had this playing over them:

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286. Lulu – Boom Bang-a-Bang

“Him and Her” was written by Stefan Golaszewski, who some of you will know for being part of the comedy sketch group “Cowards”, along with the likes of Tim Key and Tom Basden. He also wrote the equally great “Mum” which is currently showing on BBC2 at 10:00pm on Friday nights, but you wouldn’t know that because you’re here reading this on a Friday night, right? Watch it, it’s great.

More TV related shenanigans now, and a tune which again is guaranteed to bring back some happy memories for those of us “of a certain age”:

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287. The Dickies – Banana Splits (Tra La La)

For those of you who have no clue what I’m talking about, when I was a kid in the 1970s, no Saturday morning was complete without watching The Banana Split Show, which would always be on at about 8am, whetting the appetite for the three and a bit hour feast of middle of the road, middle class niceness that was The Multi-Coloured Swap Shop.

The Banana Splits were a fictional rock band comprised of Fleegle, Bingo, Drooper (I wonder how he got his name….?) and Snorky, who were in essence, and sorry to shatter the illusion, four blokes in weird costumes.

Probably easier if I just show you them, I think:

I so wanted a buggy like that when I was a kid.

Wait – did I just say “Middle of the Road”…?

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288. Middle Of The Road – Chirpy Chirpy Cheep Cheep

Let’s not dwell to much on that one, eh? Instead, let me direct you this, a song which was just a bit too far ahead of the pack. Released in 1992, had it been three of four years later it would have been one of the great records of the Britpop era, by one of the most underrated  acts, led by one of the most underrated musicians ever – Lawrence, formally of Felt, now of Go-Kart Mozart (unless he’s moved on again), then of Denim. As it was, it was largely, criminally, ignored by the majority of the Great British record buying public, the fools:

I’d hoped to be able to find their appearance on “Later…”, and it’s there on YouTube, but with even worse sound/video quality than that clip. It is rather amusing to read all the “This sounds like something from the 70s” slams in the Comments under that, written by people who really didn’t understand that that was the whole point.

Time for some more puppet-based fun now, but ignore what it says on the sleeve, and give credit where credit’s due:

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289. Mahna Mahna & The Two Snowths – Mahna Mahna

Nope, you’re right. I can’t resist posting the video clip of that:

What’s not to love about that?

To some early 1980s German electro now, and a record which when I saw them perform it on Top of The Pops, the lead singer scared me like nothing else on that show had since Ron Mael had glowered down the camera lens in the 1970s:

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290. Trio – Da Da Da

Next to one of my favourite bands when I was a kid, cementing a place in my affections just after I’d grown bored of Shakin’ Stevens but before I’d discovered the joys of Status Quo, and, crucially, before I’d realised what a pretentious prick Sting was, and, even more crucially, before I’d ever seen him act.

From their 1980 album “Zenyatta Mondatta”, here’s:

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291. The Police – De Do Do Do, De Da Da Da

I say I hadn’t worked out how pretentious Sting was, but the clues are on that album. Who else could write a lyric like this with a straight face:

“It’s no use, he sees her
He starts to shake and cough
Just like the old man in
That book by Nabokov” (from “Don’t Stand So Close To Me”)

Really, Sting? Are we supposed to believe you couldn’t think of something to rhyme with “Lolita”??

Time to round things off for this week, with two stone cold classics.

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 292.Small Faces – Sha-La-La-La-Lee

And finally, you will have done very well to avoid knowing that the Euro 2016 tournament started tonight, with England’s first game on tomorrow. Now, there seems little point in me posting any football related songs – though I have loads – when you can go and pay Football and Music a visit, and find everything you ever wanted to hear, and quite a lot that you don’t (said with affection, I promise – the first comment I ever posted was on this website).

No, instead, I’m going to leave you with this song, because it mentions “Tottenham Hotspur, when they couldn’t get one in” in the lyrics.

It’s looking like there will be five Spurs players in England’s starting eleven tomorrow night. Some of them might even be lucky enough to get played in their preferred position.

I’ll be hoping that one of them, at least, manages to get one in.

You know where I’m going with this, right?

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293. Chas & Dave – Gertcha

Oh, and good luck to all the Home Nations: Wales (except against us, of course), Northern Ireland, Republic of Ireland and…oh, that seems to be the end of the list.

More soon.

The Chain #5

Afternoon, link fans!

Happy to report that a steady number of suggestions to follow Lynyrd Skynyrd’s “Sweet Home Alabama” were received this week (by which I mean the same as last week: two), both of which take us in directions I anticipated, albeit not the tunes I expected.

But first, some admin. I had a message from Dave a.k.a. The Great Gog who said:

“The original reasons for links are available online (or at least they were around eighteen months ago when I last looked) on an archived Radio 2 page from when Radcliffe and Maconie were on that station, but I guess that would be cheating.”

Well, Dave, yes it would, but it would also help us clarify why the official suggestion was made. So, I’ve had a peek – and I swear, I have resisted the temptation to look at the next record in the chain or how they got there – and can confirm the following:

  1. I was right about the link between Booker T and Otis Redding
  2. George was right about the link between Otis Redding and Lynyrd Skynyrd, which for those of you who haven’t read the comments is that Otis Redding died in a plane crash, as did several members of Lynyrd Skynyrd.

The other bit of admin I need to sort was prompted by George who asked:

“Am I allowed to make another chain suggestion?”

So, let’s clear this up. I’m always happy to get messages from any of you, especially when it’s suggesting songs that you think I might like, or a suggestion for something to post, or hopefully both (Cath – I’ll be getting to that one you sent me months ago soon, honest!). Plus, since George no longer blogs (unless I’m missing something…) it’s a delight to hear from him; as I’ve mentioned before, I used to absolutely love his old blog and the blogosphere (I hate that term, by the way) is a poorer place without him contributing to it, so I’m proud that he reads this and wants to chip in. I kinda feel like his surrogate blogger…!

Anyway, this is starting to sound like I’ve had  few too many drinks and am about to verge into slurry “You’re my best mate, you are” territory, so I’ll delay no further.

Here’s George’s suggestion:

“Lynyrd Skynyrd were named after a PE teacher; track 2 on Elton John’s album Don’t Shoot Me I’m only The Piano Player (an album I have, by the way) is “Teacher I Need You”.”

Not a song I was familiar with, as it goes, but that shouldn’t stop me, in fact one of the things I’m enjoying about this thread – and, for that matter, the actual Chain feature on Radcliffe & Maconie’s show – is that it introduces me to “new” stuff ( can I legitimately refer to a song released in 1973 as “new”, I wonder? Yes, if it’s new to me, I unwonder.), so here it is:

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Elton John – Teacher, I Need You

S’alright, that, innit? I mean, it could’ve been worse, it could’ve been Van Halen’s “Hot For Teacher”, and then I’d have had all sorts of editorial issues to address…

Anyway, cheers for that George, keep those suggestions coming.

(Yes, checked. Nothing litigious or injunction breaking there. Continue – Legal Ed.)

The other suggestion was from the aforementioned Dave/The Great Gog who wrote:

“My suggestion would be linking the Len from the group name to a Len in a song title and an excuse to listen to The Auteurs’ “Lenny Valentino”.”

Oh Dave, what a great choice.

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The Auteurs – Lenny Valentino

I have two recommendations on the back of that:

  1. If you haven’t already, then go read Auteurs main man Luke Haines’ brilliant book “Bad Vibes: Britpop and My Part in its Downfall”. Essential reading. Buy it here. (Actually, if you can buy it anywhere other than Amazon, like from someone who pays their taxes, please do.)
  2. Follow him on Twitter to see what an entertainingly cantankerous old sod he is: @LukeHaines_News

It occurred to me that other than tracking down and posting the suggested songs, I haven’t really contributed much to this thread myself so far, and that’s not what you all pay your money for (You have all paid your Dubious Taste Subscription Fees, right…?)

So during the week I thought of a couple of songs which could link to the Lynyrd Skynyrd one, and funnily enough, they’re along the same lines as both George and Dave’s suggestions.

First, going with Dave’s “Len” suggestion, here’s one hit wonders and butter tart (whatever they are) enthusiasts Len:

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Len – Steal My Sunshine

Dunno what it is about that tune, but it always raises a smile on these old grizzle-chops.

The other suggestion I had was by a band that long-term readers will remember I enthused about some time ago as the act that guided me away from listening to Shakin’ Stevens when I was a nipper.

As you will probably know, former great record writer, terrible actor, commendable environmentalist and all-round pretentious prick Sting (your name’s Gordon, Sting, admit it!) used to be a teacher, amongst other things: less famously, he was also a bus conductor, a building labourer,  a tantric lover (not a fighter) and a tax officer, which gives us another well founded reason to hate him.

He also wrote this, one of the greatest break-up records ever:

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 The Police – Can’t Stand Losing You

Which leads me, finally, to the next record in the official Chain:

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5. Ash – Girl from Mars

So, ladies and gentleman, your suggestions via the Comments function (at the bottom of the page) please for a) the reason the official Chain went from Lynyrd Skynyrd’s “Sweet Home Alabama” to Ash’s “Girl From Mars”, and b) any record you’d like me to post which you can link to “Girl From Mars” by Ash, along with the explanation of the connection.

Same time next week?

S’not as catchy as “More soon” that, is it?

More soon.