Friday Night Christmas Club 2023

I think it’s fair to say that when it comes to doing Christmas mixes, I’m scarred by one I did previously.

I’ve probably told this story before; if I have, sorry, feel free to skip on to the tunes. If not, then read on.

When I still flat-shared, with Hel and a couple of randoms, knowing my love of preparing a playlist, I was charged with providing the music to soundtrack our Xmas do. The remit was simple: we’re going to get drunk, we want Xmas songs to sing and dance to whilst that happens.

Now, Xmas songs broadly fall into two categories:

  1. Hoorah! It’s Christmas!!! Let’s get shit-faced!! and
  2. It’s Christmas, let’s pause and reflect and be all meaningful and stuff,

I spent hours scouring t’internet for suitable tunes, figuring the moody reflective stuff would serve as punctuation, allowing us to sit down amongst the party poppers and pulled crackers and have a bit of a breather after the relentless knees-up and conga-ing from the livelier tunes.

Having sorted some five hours worth of tunes, alas I ran out of time to actually structure the playlist. But hey! I thought, that’s what the shuffle function is for!

Cue the most unmitigated disaster of a Xmas party ever, as shuffle chose to pick out every miserable, blue blue Christmas-esque tune on the playlist, without even the slightest sniff of Shaky, the briefest bit of Boney M or nod towards Noddy. I think we were all in bed by 10:30.

Mindful of this, this week’s mix is Christmassy, but split into two sections: the usual slow burners at the start, followed by Party Time! (with a teensiest little dip back into the slow burners again…you’ll see why…).

Oh, and those of you still playing Whamaggedon!, fret not, Last Christmas doesn’t feature. (If you know, you know…at the time of writing, I’ve still not heard it….)

I’ll shut up and just get on with it, shall I?

Here’s some Christmas songs to rock your Christmas world: some old classics, some cover versions, some uncovered originals, all designed to get you in a Christmas kinda mood (eventually):

Friday Night Christmas Club 2023

  1. LCD Soundsystem – Christmas Will Break Your Heart

No. I know. Not a band that you’d expect to find has done a Christmas record. It’s reliably, morosely, ace though.

2. Smith & Burrows – When the Thames Froze

That’s Tom Smith of Editors fame, and Andy Burrows of Razorlight…er…fame. This came out in 2011, and is included here because it’s lovely, but also because of a lyric which, sadly, remains topical – probably more so than it did at the time – 12 years later:

Goddamn, this government
Will they ever tell me where the money went?
Protesters march out on the street
As young men sleep amongst the feet

3. Laura Marling – Goodbye England (Covered In Snow)

I’m sorry. I can’t forgive her for being at least partly responsible for the rise of the execrable Mumford & Sons, no matter how many songs as goddamn wonderful as this she releases.

It sounds nothing like it, but I’m strangely reminded of Kate Bush’s wonderful Christmas song.

4. Isobel Campbell & Mark Lanegan – Time of the Season

It’ll pick up soon, I promise. Until then, here’s the 21st century’s Nancy & Lee, doing what they do best. This pops up on Hawk, their third and final album (it’s extremely unlikely there will be a fourth…), which in case you’re interested is way better than their second album Sunday at Devil Drive, but nowhere near as good as their debut Ballad of the Broken Seas. But then, very little is.

5. Tracey Thorn – Tinsel and Lights

Typically gorgeous stuff from the former Everything But The Girl girl singer. I don’t think I need to elaborate, do I? I hate the phrase “does what it says on the tin”, but it is annoyingly appropriate here. It’s Tracey Thorn being Christmassy – what do you expect it’s going to sound like, other than gorgeous?

6. Linda Lewis – Winter Wonderland

Linda sadly passed away earlier this year. She’s probably best known here in the UK for three things (if that many): 70s singles Rock-a-Doodle-Doo, her version of Betty Everett’s The Shoop Shoop Song (which was later made even more famous by Cher), and for providing the vocals on Midfield General’s lovely Reach Out, which you can hear here.

7. Pastor T.L. Barrett and The Youth for Christ Choir – Jingle Bells, Pt. 1

A couple of weeks ago, in the middle of the day, there was a knock at my door. I was expecting a delivery, so I answered. Bargain Hunt can always be paused. It turned out it wasn’t the purchases I was waiting for, but some chap who was doing a poll about the nation’s radio listening habits. I agreed to participate for three reasons: firstly, because I got the impression that not many others had (he seemed genuinely surprised someone had answered the door so he had chance to use his rehearsed and relentlessly jovial patter); secondly, I’ve never known anyone who was asked to do this kind of thing, and when I see the results of some survey or other, I often find myself thinking: ‘Who the bloody hell did they ask to get that result?’; and thirdly because I’m aware that certain BBC radio stations – primarily 6Music – are constantly under threat of the axe. Maybe I can be of some help, thought I.

The only problem: I rarely, if at all, listen to the radio these days.

I was tasked with logging my daily listening routine for the following week. I didn’t want to make my responses up, so I made the effort to engage.

Why am I telling you this? Because on one of those days, the ever-lovely Lauren Laverne played this thing of gospel beauty, and I simply had to track it down to include here. You’re welcome (and thanks Lauren!)

8. The Northern Soul Orchestra – Christmas Is Sooner Than You Think

You’ll hopefully have noticed the pace is picking up now, albeit slowly. I was really pleased when I found that lurking amongst all of the Northern Soul compilation albums I’ve downloaded (legally) recently, was this corker. My only gripe? I think that Christmas is on Monday. I’ve checked my calendar and everything. It definitely is.

9. The Ronettes – Sleigh Ride

Right, if you haven’t already, then crank the volume up. More than any other, this is the song that, to me, means Christmas is here, which is why it’s the one of only two songs (I think) to feature in both playlists (last year and this). Lifted from the greatest Christmas album ever (NOW Christmas doesn’t count, and still isn’t as good anyway), A Christmas Gift For You From Phil Spector, it’s a much nicer gift than, say, shooting actresses in the face.

Altogether now: Ring-a-ling-a-ling-a-ding-dong-ding!

10. Emmy The Great & Tim Wheeler – Marshmallow World

Emmy and TimfromAsh were a couple when they released their This Is Christmas album – from which this cover of the Darlene Love classic comes – back in 2011. No idea if they’re still together, and not especially interested either. This isn’t Heat magazine. What does interest me is how they managed to Wizzard this one up. You’ll see what I mean.

11. Girls Aloud – I Wanna Kiss You So (Christmas in a Nutshell)

Christmas wouldn’t be Christmas without The Girls. Here they are getting all romantic in the snow, and managing to outdo The Ronettes in the nonsense lyrics stakes.

Bish Bash Bong Whoo! indeed. Wise words, mate-esses.

12. The Raveonettes – The Christmas Song

Foot off the gas for a moment, but don’t worry, things will pick up again shortly. Despite it’s title, this isn’t that one about chestnuts roasting on an open fire (you’re standing too close to it, mate. And put some strides on for Pete’s sake). I needed an “…and relax…” song to lead into the next tune, and this little beauty from Danish duo Sune Rose Wagner and Sharin Foo fits the bill perfectly.

13. Shane MacGowan & The Popes – Christmas Lullaby (Version #1)

Sure, it sounds like a rejected album track from his days with The Pogues, but that doesn’t make it any less special. A reminder of the talent we lost this year. And that it’s Christmas in Palestine.

14. The Fall – Jingle Bell Rock

And we’re off again! Somehow it just seemed right to stick Shane next to Mark E Smith. It’s not exactly universally loved by fans of The Fall, this, but Friday night on Oxford Street/Walking with green M&S bags/Join them up with old beef and sprouts always raises a smile around these parts.

15. The Dickies – Silent Night

See, they didn’t just do that cover of The Banana Splits theme tune.

16. Sultans of Ping – Xmas Bubblegum Machine

Told you things would pick up again, right? Here’s the Sultans with their ode to that most Christmassy of artefacts (ahem): the bubblegum machine.

17. Shonen Knife – Space Christmas

The two tunes which made it on to both Christmas mixes I’ve done (the last was in 2021) are simply my favourite Christmas records ever. This should be one of yours too. Simplistic oddball Christmas cheer: awesome.

18. Saint Etienne feat. Tim Burgess – I Was Born On Christmas Day

It doesn’t happen often, but I’ve done some research: National Treasure Tim ws born on 30th May. St Etienne singer Sarah Cracknell, was born on 12th April. Bandmate Pete Wiggs entered this world on 15th May. Liars.

Oh wait…other bandmate (and hero to pretty much every muso I know) Bob Stanley actually was born on 25th December.

As you were.

19. The Polyphonic Spree – Happy Xmas (War Is Over)

If you don’t stop and think about it, this is a lovely, hopeful and positive way to round things off. But if you do happen to stop and think about it, you realise that it’s not a Christmas record at all: it’s an anti-war song with a Christmas message and some jingly bells tagged on to give it commercial clout. Not that there’s anything wrong with anti-war songs, of course. It’s just that if the last couple of years have taught us anything, it’s that war most definitely is not over.

War might not be over, but this mix is.

More soon. Merry Christmas.

Christmas Eve Music Club

A couple of weeks ago, I had the dubious distinction of co-hosting this year’s Christmas Party at work.

This involved me and three others planning and then hosting the event, which got moved to an online virtual party a little more than a week before it was scheduled for, due to the latest Covid strain and the advice to avoid face-to-face meetings unless they were absolutely necessary. This meant a lot of frantic rewriting, but it all went well in the end, with remarkably few technical issues. I’ll maybe write some more about this later.

You won’t be surprised to learn that my main contribution with regards to content was a pop quiz, in the form of a Spot the Intro round. The organisers last year had done one about Christmas Number Ones, so I had planned to do one about Christmas Number Twos, mostly so that I could make a particularly lavatorial joke.

However, you’d be surprised how many records which were #2 in the UK charts on Christmas Day are not particularly Christmassy at all, so it got changed to The Not The Christmas Number One Quiz, which isn’t a particularly snappy title, I must confess.

I prepared 20 intros of Christmas records and invited the attendees to name the song, the artist, the year it was originally a hit, and what was actually #1 that Christmas.

This allowed we to slip in a few gags when delivering the answers: “That was Coldplay with Christmas Lights, setting the template for the soundtrack to every M&S advert since” and, my favourite, “From 2008, that’s It’s Christmas Time by Status Quo, which was kept off the #1 slot by Alexandra Burke’s Hallelujah. That, and 38 other records.”

Anyway, that put me in the mood for doing a Christmas mix, remembering that this time last year Christmas was cancelled and I posted a very long and defiantly un-Christmassy mix.

My brother is picking me up to go to be with our parents later today, so this mix is intended to be played on the journey over there (you’ve been warned, bruv!), and then when we arrive too. As such it’s geared towards Christmas Eve, travelling home, Santa visiting (and what the randy old dog gets up to when he does) and the hope that this Christmas is better than last year. It’s full of slightly obscure tunes and the occasional cover of a Christmas favourite. And you’ll be relieved to hear that, unlike most of my mixes, it’s only about an hour and a quarter long. There’s only so many jingling bells one can take.

The length doesn’t seem to have effected the occasional skip or jump (my usual disclaimer) but having listened to it through that shouldn’t spoil your enjoyment too much.

And yes, of course The Wedding Present and Status Quo (R.I.P. Rick) make appearances.

I’m having fun guessing at which song my father will try to work out how to turn the volume down a little, and when exactly my mother will ask just what on earth we’re listening to. I reckon if it’s not when Helen Love is covering Merry Christmas (I Don’t Wanna Fight) then it will certainly be when Mr. Hankey the Christmas Poo makes his annual appearance. And so we’re back to Christmas #2s.

Here you go:

Xmas Eve Music Club

And here’s the tracklisting:

  1. Saint Etienne – Driving Home For Christmas
  2. Summer Camp – Christmas Wrapping
  3. Low – Just Like Christmas
  4. Cuckooland – Silver Bells
  5. Charley Pride – Christmas In My Home Town
  6. Bruce Springsteen – Santa Claus Is Coming To Town
  7. George Jones – My Mom And Santa Claus
  8. John Prine – I Saw Mommy Kissing Santa Claus
  9. Bob Dylan – Must Be Santa
  10. Girls Aloud – Not Tonight Santa
  11. Eels – Everything’s Gonna Be Cool This Christmas
  12. The Ronettes – Sleigh Ride
  13. Sharon Jones & the Dap-Kings – White Christmas
  14. Joey Ramone – Christmas (Baby Please Come Home)
  15. Helen Love – Merry Christmas (I Don’t Wanna Fight)
  16. The Housemartins – Caravan of Love
  17. Cocteau Twins – Frosty The Snowman
  18. South Park – Mr. Hankey the Christmas Poo
  19. The Wedding Present – Step into Christmas
  20. Fountains Of Wayne – I Want An Alien For Christmas
  21. Shonen Knife – Space Christmas
  22. Ash – I Wish It Could Be Christmas Everyday
  23. Julian Casablancas – I Wish It Was Christmas Today
  24. Status Quo – It’s Christmas Time
  25. Darlene Love – Marshmallow World
  26. Weezer – We Wish You A Merry Christmas

I haven’t had time to prepare anything else to post over the Christmas weekend, but I’ll probably be back before the New Year, so for now I’ll just wish you all a very Merry Christmas.

More soon.

New Mood on Monday

As you may have gathered by the lack of posts recently, I’ve been struggling for a while with the general apathy I usually feel around this time of year.

I mentioned recently that I’d not been feeling myself (stop sniggering at the back!) for a while, and after I’d been off work for a week, my GP signed me off for a further week, prescribed me Amoxillin (for a chest infection) and instructed me to have a Covid test (which came back as negative).

For a good few weeks though, I’ve just felt lethargic and apathetic, I can’t be bothered with doing anything, including writing stuff here. The two weeks I was off work, I spent most of the time in bed sleeping or snoozing in front of the television. A colleague pointed out to me that these are classic symptoms of depression.

And he’s right, but I don’t think that’s where I am. I’ve written before about how I have experienced and suffered bouts of depression, but how I feel now doesn’t feel as I did then. Not that there’s a uniform pattern for such things, of course.

But what I can do is to get back to normal, and try to raise everyone’s spirits – including my own – by posting a relentlessly cheery song of a Monday morning which will make you smile no matter how down you or I might feel.

And there’s no better feel-good record than Shonen Knife covering The Carpenters, from the wonderful If I Were A Carpenter tribute album:

See? Happier already.

More soon.

Ba Ba Ba Ba-Ba Ba Ba Ba

I think I end up posting this every year, but I bloody love it, so I’ll make no excuses for blowing the dust off it yet again. (Can you blow dust off an mp3…?)

And a third different version of that iconic A Christmas Gift for You sleeve to feature in almost as many days here, this time with the lyrics, just in case they’re a bit too complicated for you to comprehend:

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Shonen Knife – Space Christmas

Ace. Just, ace.

More soon.

Friday Night Music Club

So, as I mentioned last week, I spent the majority of Sunday in an increasingly wet and muddy Victoria Park attending Field Day.

Consensus amongst my group was that we’d rather catch The Avalanches and Air in the relocated Return of the Rural tent than any of the other headliners – and, yes, that included PJ Harvey, sacrilege, I know – but in terms of staying dry and relatively mud-free it was a pretty smart move.

Oh and because of the music too, of course.

We arrived just at the tent just as The Temper Trap were finishing, which just happened to coincide with quite the downpour, so we happily ventured inside, where the resident DJs were whipping the crowd up into a pre-Avalanches frenzy by dropping this little beauty:

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294. Naughty By Nature – O. P. P.

Now I’m not going to pretend that I was particularly fond of rap or hip hop when it first reached these shores – the Beastie Boys was about as far as my taste stretched – and O.P.P. was not a song that even crossed my radar until some 10 years or so after it was released in 1991. In fact, it’s probably one of the records that is responsible for me revisiting all of those classic tunes and realising I would totally have to re-evaluate my position.

And yes, to those who know me, that does mean having to admit I was wrong. It does happen.

Hearing it again last week was a joy, in particular watching lots of people of around about my age trying to bust the same moves they used to roll out when this first came out, with varying degrees of success, I think it’s fair to say.

Me? I have no moves.

Of course, O.P.P. features a sample of this early 70s classic:

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295. Jackson 5 – ABC

Which got me thinking: song titles with abbreviations, acronyms or just letters (but not words) – there’s got to be a few of them, right?

Right! Yup, belt yourself in folks, it’s theme time again here on a Friday night, and I promise everyone of these is a belter. Which means no “YMCA”, obviously.

No list of abbreviation titles would be complete without this next one, though:

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296. Ottawan – D.I.S.C.O.

I believe Dame Edna Everage got her specs back eventually.

Somewhere in the darkest, most ill-informed recesses of my brain, I had stored the information that they were called Ottawan because they were from Ottawa, Canada. Nope. French, apparently. Not even French-Canadian. Just French. With a bit of what Wikipedia rather vaguely refers to as “Caribbean” thrown into the mix. Ah well, you’re never too old to learn, eh?

Keeping things on a disco-y vibe, here’s some Philly soul:

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297. MFSB featuring The Three Degrees – TSOP (The Sound Of Philadelphia)

Now that’s value for money: not just one set of abbreviations, but two. As you can see, TSOP stands for The Sound of Philadelphia, whilst the MFSB stands for…ermm…well, let’s just say the clean version is “Mother Father Sister Brother”, whilst the considerably less clean version has at least one of those changed for something altogether fruitier.

And yes, that really is The Three Degrees, they of “When Will I See You Again” fame, and one time favourite band of Prince Charles. Like that’s a recommendation.

Now it’s not often that I post two songs by the same artist in the same thread, and I’m not about to start now, but this does come awfully close.

In 1982, Michael Jackson released his “Thriller” album. You don’t need me to tell you what a massive album that was, I assume? Thought not. It was accompanied by what seemed to be a never-ending stream of singles from it. “Thriller” contained 9 tracks. 7 of them were released as singles. Unbelievably, “Thriller” itself was the last of them, presumably because the video took so long to do. The next track was the 6th:

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298. Michael Jackson – PYT (Pretty Young Thing)

Thanks for clarifying what the “PYT” referred to for us there, Michael.

Although, given the allegations which dogged his adult life, I don’t think he really needed to, did he? I mean, the signs were there for us all to see when you think about it. He looks like he’s growling in that cover shot, leaning out the window of a Ford Cortina, Bubbles the monkey strapped in the passenger seat, a bag of tempting sweeties just out of shot.

On the subject of “Thriller”, the song, not the album, one of my favourite pub quiz facts: it was written by a chap called Rod Temperton from the exotic town of Cleethorpes, Lincolnshire, who used to be in Heatwave, a late 70s/early 80s disco band best known for their 1976 hit “Boogie Nights”, after which the brilliant movie by Paul Thomas Anderson, starring Mark Wahlberg as blessed in the “downstairs area” porn star Dirk Diggler, is named. If you haven’t seen it, go away and do so right now. We’ll wait for you, I promise.

Have they gone? Right, let’s carry on.

Something bordering on contemporary now: a record that’s only ten years old, which is about as recent as I get round these parts.

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299. Rihanna – SOS

Heavily sampling Soft Cell’s version of “Tainted Love” (more about that over the weekend), the song was originally intended for Def Jam label-mate Christina Milian for her third solo album “So Amazin'”, but she turned it down and it was given to Rihanna instead. “SOS” went on to become Rihanna’s first US number one single, whilst Milian’s album absolutely tanked and she was dropped by the label. Them’s the breaks.

And so to the 300th song in this thread, and I can’t think of a better song to inhabit this position (well, I can, but it’d probably be a Quo one and you’d all moan) than this:

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300. The Shamen – L.S.I. (Beat Edit)

You have to love Mr C’s rapping interlude’s, don’t you? Altogether now: “Love Sex Intelligence…coming on like a seventh sense!”

Wait a minute – seventh? No, no, no, no, no. Master Fry says there’s more:

Time for some proper Old School rave stuff now:

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LFO – LFO

In case you’re interested, LFO stands for Low-Frequency Oscillator, a function on what used to be called synthesizers, but now are just called keyboards.

And now, as they say, for something completely different, and to a song which I have been thinking about posting in my “Same Title, Different Song” thread, along with one by Monty Python’s Flying Circus:

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302. Shonen Knife – S*P*A*M

I own far too few Shonen Knife songs; I posted their fab “Space Christmas” song about six months ago here (just before Christmas, funnily enough), and own this, and their wonderful cover version of The Carpenters’ “Top of the World” (which I’ll get round to posting sooner or later), and that seems to be about it. I thought I had more than that. But every time I hear something by them, I have a smile on my face. Mental note to self: buy more Shonen Knife.

Ok, time to get loud. Here’s the Manic Street Preachers:

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303. Manic Street Preachers – P.C.P.

Lifted from their seminal 1994 “The Holy Bible” album, and released as a Double A side along with “Faster”, the boys caused quite the stir when they appeared on Top of the Pops, dressed like this:

Perhaps unsurprisingly, the military regalia, and in particular lead singer James Dean Bradfield’s balaclava, were construed by many as a show of support for the IRA, and the BBC received 25,000 complaints, which seems a suspiciously round figure to me.

If any of you are disturbed by Bradfield’s attire, I can temper that somewhat: he came into Boots the Chemist in Cardiff when I worked there, and asked me to show him where the Athlete’s Foot powder was kept. Pop stars, see? They’re just like you and I. Except with icky fungal foot conditions.

Two to go for tonight. Penultimately, some Blur.

By 1997, the Britpop war between Blur and Oasis was over, and few could argue that from a commercial perspective, Oasis had won. Yes, Blur’s “Country House” had beaten Oasis’ “Roll With It” to the Number One slot in the singles, but “The Great Escape” album – though it had its moments – paled in comparison to its predecessor “Parklife” and racked up sales of 2.54 million worldwide. Oasis’ “(What’s The Story) Morning Glory”, on the other hand, managed 22.4 million. I love Blur, but that’s fairly comprehensive.

So the band went off, regrouped and rethought things. What they came back with, the eponymous “Blur” album, from memory, surprised, shocked, delighted and just plain pissed off fans in equal measure. Gone were the upbeat chirpy cockney numbers, in came a more lo-fi, stripped down sound (see: “Beetlebum“) tempered by the occasional blast of sonic noise terror and whooping (see: “Song 2“).

See also, this:

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 304. Blur – M.O.R. (Alan Moulder Road Version)

And so finally, since we’ve mentioned Britpop, to a track from, to my mind, the greatest album from that brief period; to a title that takes abbreviations to a whole new level, and a song which displays classic Jarvis witticisms, slow burn atmospherics which would become more prevalent on their follow-up album “This Is Hardcore”, building to a crescendo which is just, well, Pulp:

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305. Pulp – F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.

More soon.

It’s Chriiiistmas!!!

Hello again.

Well, what to say about the next couple of picks, other than that they are gloriously odd:

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Shonen Knife – Space Christmas

Nice of them to put the lyrics on the sleeve, just in case they were a bit too complicated for you to pick up by yourself, eh?

After all these years, I’m still not sure what planet Sultans of Ping were on, so it seems appropriate to put them next.

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Sultans of Ping – Xmas Bubblegum Machine

More soon.