The Chain #50

It’s Saturday morning, and that can mean only one thing round Dubious Towers: Rant or Chain?

Any hope of building suspense is already ruined by the title of course. But believe me, after the humiliation of the press shots of Shagger Johnson looking at his most bumblingly unkempt on Thursday evening, and what his utter failure means for all of us here in the UK, it was by no means a foregone conclusion as to what would appear here this morning. Anyway, we’ve got all weekend until the announcement we’re all now expecting, so there’s plenty of time for me to cobble something together.

So. The Chain. We ended last time with this as the source record:

We were a little thinner on the ground than usual this time around, which I wasn’t especially surprised about, because there’s not a lot to work with there, is there? So hats off to all of you that contributed.

As you know, what I try to do with these is to bring your suggestions together into, if not an actual narrative, then some sort of cohesive whole, so that it’s not just me going “And here’s so-and-so’s suggestions”. And that’s what I’m going to try to do this time, but as many of the songs were related to other songs with years in the title, I figured I’d slip those in every now and then, in their true chronological order.

But first, a little tune, the title of which perfectly describes that Pumpkins source song title:

Look, I know I say this quite a lot, but not all Quo records are of the chugga-chugga three chord boogie variety. A Year is taken from their Piledriver album where they had almost permanently settled on their winning formula, but this is a far more bluesy affair, with a bridge which nods back to their psychedelic days. Seriously, give it a listen.

I’ll be using any songs which simply link to the word “year” as an alarm to warn you it’s about time we went time travelling. If you think about it, it’s a really clever way for me to crowbar all of the ones I thought of into the narrative, and isn’t a bit crap at all.

Ok, so it’s time for some time travel, and we’ll head back to the earliest of the yearly-titled suggestions. Care to hop aboard?

And we’re heading back to 1959 for this bit of flamboyant gothness, which, just as A Year doesn’t sound like Quo, so this doesn’t sound like a Sister of Mercy record, it sounds more like a Jim Steinman composition (checks this: it isn’t, but I had no idea that Sisters mega-hit This Corrosion is a Steinman song, and he has a co-writing credit on Dominion/Mother Russia. Seems he rubbed off on Andrew Eldritch. (Not like that, you mucky lot!)):

Anyway, that was suggested by…erm…me, too. (Note: not #MeToo). I suppose I’d better let some of you lot play, hadn’t I?

Ok, so let’s kick off proper with songs which can be linked to the band name, and for a starter, here’s Rol from My Top Ten:

“Pumpkins are gourds.

So I’ll go with The Gourds and their cover of Gin n Juice by Snoop Dogg. (Or Lion. Or whatever he’s calling himself this week.)”

Takeaway salesman?

“You could also have Cucumber Castle by The Bee Gees,” Rol continues, “although it is pretty awful (and I like the Bee Gees).”

Rol is right, of course. I like the Bee Gees too. And that really is not good.

As an aside, for those of you old enough to remember them, was it just me that thought Barry Gibb looked like the blue one (a lion?) from 1970s kids TV show Animal Kwackers?

And you never saw them together, did you? (as I believe it is customary to say when making this kind of joke.)

Anyway, sorry Rol. You were saying?

“Melons are also gourds. Apparently. Which might explain why The Smashing Pumpkins came up with one of the worst pun album titles ever created.”

He is referring, of course, to the album from which our source record is lifted, Mellon Collie and the Infinite Sadness. But watch yourself Rol, now you’ve mentioned puns, I have a nasty feeling about where you’re going with all this, since way back in The Chain #32 this very topic came up and I ventured The Beach Boys’ Gourd Only Knows and Teenage Fanclub’s Gourd Knows It’s True and absolutely nobody noticed.

“And then there is…” Rol innocently continues:

Phew. No puns then.

Whilst we’re on all matters gourd-related, here’s the ever reliable Stevie from Charity Chic Music:

“Getting in early with The Ballad of Peter Pumpkinhead by XTC a song I once heard played at a funeral.”

This, I think, deserves some further explanation. Was the coffin much bigger at the top than the bottom? Did the cremation take ages and start from a single, strategically placed candle? I think the world needs to know.

God, I love a good harmonica. I sense a new idea for a (probably quite brief) series.

And since Rol mentioned the album name from whence our source was ripped, here’s The Great Gog:

“I’ll go with the fact that 1979 is taken from the album Mellon Collie And The Infinite Sadness, and linger on the last word albeit with a different adjective. So that will be The Saw Doctors and Exhilarating Sadness.”

Whoa! What was that and where did it come from?

That, good people, was the sound of young people making music. I know, seems a bit out of place round here, doesn’t it? It was also an artiste which links to the word “year”, which means it’s time to hop in our time travelling machine which looks remarkably like a more famous fictional one but which, for legal reasons, is called something completely different. I don’t know. Haven’t given it much thought.

How about: This Is Travelling in Time and Space? That’ll do.

Hop into TITTS and we’ll be off.

(I am 51 years old.)

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And we’re landing back in 1966, for the first of several suggestions from Pat from PhonicPat who gives us our obligatory Half Man Half Biscuit song of the month (and a bit):

Since we’re already in Pat’s charming company, he’s given us another couple of songs which link to the source band’s name, thankfully devoid of gourd-related puns:

…and…

Allow me to squeeze another couple in. Firstly, here’s legendary jazz pianist Fats Waller:

The really rather ace:

The considerably less ace:

And if I’m chucking a load of Smash references in, I may as well throw a Pump in too:

…which leads me to this piece of genius:

**TIME TRAVEL KLAXON ALERT **

Here we go:

And here we are in 1969, the year when all the cool people were born, and I’ll leave you in the hands of babylotti for a while:

“Immediately, I don’t know why, but 1979 made me think of 1969 by The Stooges…”

“…then 1970 by them too….”

Whoa there cowboy! Let’s finish off 1969 before we go gallivanting across the years.

And here’s Pat (who also suggested The Stooges) with another suggestion:

When I was feverishly searching t’internet to try and find some more tunes, I stumbled across this rather surprising entry:

And I don’t suppose we can really leave 1969 without giving this an airing, even if it is rather well known that the digits in the title don’t actually refer to a year, but to something altogether much ruder:

And since we’re on the edge of the 1970s, we may as well let babylotti finish what he started with his Stooges talk and drag us into a slightly more recent age:

“…then 1970 by them too….”

“…then I remembered the great cover version of that song by Flesh for Lulu.”

This one?

Here’s a thing. About fifteen years ago, Rocco from Flesh For Lulu was in a fly-on-the-wall property documentary called A Place in Spain: Costa Chaos. It turned out to be one of those excruciating, uncomfortable shows that should go down in legend, but it seems only me, and me good mate Val who I was living with at the time and who watched this with me, remember it.

Actually, not quite us two. For fortuitously, someone has posted most of the episodes on YouTube (I think one is missing), but if you have time to spare, then I’d thoroughly recommend you spend it watching this (first episode only included here):

Seriously, when the commentary says things like “But neither of them seems to have considered how they’re going to pay for it”, you know you’re watching car crash telly. Quite how I’ve managed to get writing this finished with such a distraction, I’m not sure.

Over now to a couple of suggestions linked to Smashing Pumpkins main man Billy Corgan, and first off the boat is Hal:

“Billy reputedly had a fairly healthy self-regard, which reminded me of the opening couplet to ‘San Francisco Fat’ by personae non gratae NOFX

And in a similar vein, here’s Swiss Adam from baggingarea:

“Smashing Pumpkins singer and professional misery Billy Corgan played on New Order’s 2001 comeback album, on the song Turn My Way- which as songs go on that album is pretty good and better than anything on the follow up Waiting For The Siren’s Call.”

He’s not wrong:

He also co-wrote this (Billy Corgan, not Swiss Adam):

Let’s shift ever so briefly to 1973, just so I can post this, which is ruddy magnificent:

And just as I thought I was running out of suggestions, here Devonian with three on the bounce:

“Remember how Smashing Pumpkins had to add a “The” to make sure we all understood that they were referring to the excellence of said squashes, rather than the act of setting about them with hammers? That made me think of songs by other bands with similarly enthusiastic names, such as… da-da-da-DAH…”:

…and….

“…and…”

Here’s Pat, back with another related suggestion:

“The Sonic Youth version of The Simpsons theme with the link The Smashing Pumpkins, The Homeralooza episode which included the following conversation

Billy Corgan: Billy Corgan, Smashing Pumpkins.

Homer: Homer Simpson, smiling politely.”

And so on we march to 1979, and I’ll hand over the reins to Rigid Digit:

“1979 could be a very broad subject. Arguably, I could offer a list of the best songs of 1979 (and there were many – it was a fine fine year in the world of Pop).

A personal memory – 1979 is the first year I really started taking note of pop music, and on an episode of Top Of The Pops saw Dave Edmunds performing Girls Talk – that says more to me about 1979 than Alan Sunderland scoring a last minute winner for Arsenal.”

Sorry, you lost me with that last bit. But here’s Dave anyway:

“Written in 1978, Tom Robinson had a go at guessing the state of the nation 18 months into the future. Not all (any?) of his predictions came true – and certainly not the one about Spurs beating Arsenal (they lost 5 Nil).”

Times have changed, matey, what happened last weekend…? Oh, yes, this:

Just saying.

The Beard doesn’t know when to stop using an analogy, so I’ll let it slide:

“Alan Sunderland scored the winning goal for Arsenal in the 1979 FA Cup Final.”

Don’t make me post that football clip again….

“Field Music are the best band from Sunderland.”

Better.

“The Noisy Days Are Over by, erm, Field Music.”

And here’s C from Sun Dried Sparrows:

“There’s the band Death From Above 1979, although I believe they often drop the 1979 bit from their moniker, it is a bit of a mouthful after all… anyway, this leads me to think of ‘Let’s Make Love And Listen To Death From Above’ by CSS, fronted by the marvellously named Lovefoxxx.”

I thought Lovefoxxx was your dating profile name?

It would be rude at this point not to feature some actual Death From Above 1979, so you can decide whether or not you wish to make love to them:

Poor old Willie, having to churn out albums of covers to pay that tax debt back.

But wait: that’s a **TIME TRAVEL KLAXON ALERT **

Which takes us to our last few records, all suggested by yours truly:

…and this odd little thing I stumbled across:

..and this, from Pat:

…and finally, this, which I was very surprised that Swiss Adam didn’t suggest:

I say “and finally”, but what I actually mean is “and finally from the past”, because what’s the point in having a saucily-named time travelling machine if we can’t go into the future as well as the past?

Off we pop:

To here:

Which just about wraps it up.

Oh wait. Here’s Rol again:

“And then there’s Little Red Courgette, obviously.”

Obviously.

Which just leaves me to announce what the actual next record in the real Chain is, and it’s this:

“The pumpkin patch featured in the cartoon strip ‘Peanuts’ which featured Charlie Brown, so…:”

Which just leaves me to ask for your suggestions for songs which link to Charlie Brown by The Coasters, to be submitted via either the Comments function on this page, along with a brief explanation of your link, or if you prefer anonymity that you ultimately won’t be afforded, by email to dubioustaste26@gmail.com

More soon.

I Just Can't Get Enough of Those Self-Isolation Blues

The first thing I want to say today is thank you, for all the good wishes after my last post, especially to the couple of “lurkers” (their choice of words!) who’d never left a comment before but wanted to show some support. The rest of you guys are used to offering support in my times of woe, so y’know…still appreciated, but it’s a big deal for non-bloggers to stick their heads above the parapet – so thank you to you all.

The second thing, I guess, is how I’m doing. Well, better, is the answer to that; I still have an annoying cough, but the high temperature has gone and I’ve not strayed into the territory of being short of breath, any more so than usual.

So I’m not sure that I’ve had “it”; that said, whether I have or not, I do think I’ve done the right thing by taking myself out of circulation. Indeed, the day after I decided not to go to work, I learned that there had been one confirmed case in my office, along with a couple of people who, like me, were showing some of the signs so the decision was made that all in my department should work from home for the time being.

Much as I disagree with much of the Government’s handling of this crisis, and at the risk of sounding like I’m trying to score political points here because Boris has been – well, I’d like to say unbelievably here, but he’s been exactly as we expected: an idiot of King Canute proportions, trying to turn back the tide of a virus with catchphrases; isn’t “Turn The Tide” just a little bit too close to “Get Brexit Done”? – believably shit, the one thing they did get right was to recommend that, if you can, you work from home, avoid contact with anyone else, self-isolate, irrespective of whether or not you have any of the symptoms.

Anyway, how have I filled my days since Wednesday I hear you mumble into a scarf pulled across your chops? Well, with quite a lot of snoozing in front of the telly, it has to be said. But also listening to some podcasts – truly the BBC have upped their game and shown exactly why it is essential they do not become a subscription only service – and watching some TV shows and films that I love. On Friday, I watched two of my favourite films: Shaun of the Dead, which incredibly ITV2 isn’t showing at the moment, and Eternal Sunshine of the Spotless Mind, both of which I’ll probably return to talk about at some point.

Tonight there’s a documentary about Maradona on Channel 4 which is probably worth a watch, along with the final episode of Hidden on BBC4, which I won’t bang on about as I’m biased because my friend Sian (who many of you sponsored to do the London Marathon last year) stars in it, and (she, and it) is just utterly, utterly brilliant.

But you won’t be surprised to learn that I’ve also spent quite a while thinking about appropriate songs for our current situation, and so, well here you go: fourteen apt songs to keep you reasonably occupied

And to start off, a man who claims to understand the joys of self-isolation, but who in reality probably would have sent out a couple of hoods via his Mafia connections to sort out this corona wise guy:

Frank Sinatra – A Man Alone

The message that we’re trying to get across here is that, irrespective of what symptoms you may or may may not have, your time would be much better spent staying at home rather than clearing the shelves down at your local supermarket of their staple foods:

Alice DeeJay – Better Off Alone

Whilst she may have a valid point, nobody is going to take seriously anyone who gives their ascribed profession as their surname. It’d be like me telling you my name is Jez Insurance Officer, or Boris demanding to be called Boris Prime Minister (although given what his actual surname is slang for, this might be preferable), or Clarkson insisting he be referred to as Jeremy Denim-Bigot.

Perhaps, just perhaps (given that it came out in 1999) this isn’t the clarion call to stay home that we want it to be. How do we know that “Alice” doesn’t have any of the symptoms we’ve all come to know and over-identify? There’s only one group qualified to ask such a question:

Terrorvision – Alice What’s the Matter (‘Oh Yeah’ Mix)

Now, irrespective of whether Alice is or is not showing any of the symptoms, it’s important that she – and you, yes you – takes themselves out of the loop for a while. If you’re not exposed to it, then you can’t catch or spread it – it’s not a difficult concept, right?

What you need to convince you is somebody who shot their own face off in a downward spiral of herion and depression, right? Right!

Nirvana – Stay Away

No? Ok, so how about something from an album of acts covering/trying out Brian Wilson songs under his tutelage, who are so good, they don’t even make the list of artists on the front sleeve of the very album they feature on?

Redwood – Time To Get Alone

And so to a song which I’ve had ear-worming it’s way through my brain for days now, the title of which is self-explanatory, even if the subject matter is actually some hippie schtick:

Thunderclap Newman – Something In The Air

Sometimes, you have to look for the silver lining with global crises, and I think we can find one here. For finally, we find a use for a song from R.E.M.’s just-about-above-average Up album, for it’s not just ‘something’ that’s in the air….:

R.E.M. – You’re In The Air

So, the best way to fight this is to self-isolate, to avoid contact with anybody else. As a result, I imagine there’s quite a few porn sites which have suddenly experienced an increase in traffic. The ladies on Babestation (er…probably…) are knackered this morning, having had to ‘talk’ to more drunk blokes back from The ‘Spoons than they’re used to.

I doubt that’s what Billy Steinberg and Tom Kelly had in mind when they wrote this next song; I’d imagine that a global pandemic and the domino-effect on to the adult entertainment industry probably barely crossed their mind, which is why this plea is so mis-placed. But who can resist a power ballad right now? Appropriate your own pretend microphone now please!

Heart – Alone

We now know the answer to the question: How do I get you alone? Answer: wave some unsullied bog roll at them. Job’s a good ‘un.

Now don’t take the title of this next song too seriously. It’s just here to add some class to proceedings. Just because you’re alone at home does not necessarily mean you’re lonely. You’re doing a good thing.

And besides, none of us can call upon the likes of Willie Nelson to dash out a quick duet anyway, so suck it up:

Sheryl Crow – Lonely Alone (feat. Willie Nelson)

One group, if any of them were still alive, who would probably not follow the rules are this lot, who nonetheless wrote this, not their finest moment, granted, but any excuse to slip a little Gabba Gabba Hey! into your daily routine should be celebrated (Disclaimer: they do not say Gabba Gabba Hey! on this song):

Ramones – Sitting In My Room

So what have we learned, not just here (I’m not sure anyone has learned anything here) but in the broader context?

Well the main thing is that regardless of whether you have any of the symptoms or not: STAY AT HOME.

And if you’re lucky enough to share a home with other people, do not engage in any tactile behaviour.

We know some songs about avoiding touching, don’t we kids?

MC Hammer – U Can’t Touch This

I prefer this as a Government Health Warning, though:

Motorhead & Girlschool – Please Don’t Touch

So whilst you can’t touch your own face, or anybody else, what can you touch? Well all I can do here is refer you to the over-worked (so I’m told) Babestation ladies and Divinyls, who combined may have the answer:

divinyls – I Touch Myself

But I don’t want to add to the scaremongering here. It really is quite simple:

– wash your hands regularly;

– try not to touch your face, or other people, or things that other people might have touched;

– Don’t panic buy/stockpile/whatever you call it: buy what you need for a short period of self-isolation only;

– And then stay indoors.

Because, to quote Nick Frost in Shaun of the Dead – right at the end of this clip (includes some effing and jeffing, by the way):

Super Furry Animals – It’s Not The End Of The World

That should do you for now.

More soon.

Sunday Morning Coming Down

A little while ago, I noted how I rarely posted any songs by Willie Nelson as a solo artist here, instead featuring duets or collaborations.

Time to rectify that a little more with this absolute belter from 1974’s Phases and Stages album:

Willie Nelson – Bloody Mary Morning

Let’s be honest, we’ve all had mornings like that, right guys? Right…?

More soon.

Sunday Morning Coming Down

When we went to Glastonbury in 2010, Llyr, Hel and I watched a mesmerising performance by Willie Nelson on the Pyramid Stage.

Last night I looked back and realised I’ve never posted something by Willie on his own (without prompting via The Chain): it’s always been with someone, be it Merle Haggard or Kris Kristofferson or…erm…Snoop Dogg.

So here’s something which I know is quite predictable, but still…it’s magnificent:

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Willie Nelson – Always On My Mind

More soon.

Sunday Morning Coming Down

Back to some country this morning, and a follow-on tune to the post I did a couple of weeks ago about the reality TV show “Gone to Pot: American Road Trip”.

The link will become obvious, not least because it’s Willie Nelson again.

And this track also features Kris Kristofferson, Jamey Johnson and….Snoop Dogg:

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Willie Nelson – Roll Me Up And Smoke Me When I Die (with Snoop Dogg, Kris Kristofferson & Jamey Johnson)

More soon.

The Chain #37

“Sunday, Sunday here again in tidy attire
You read the colour supplement, the TV guide…”

Well, you can now add “The Chain” to the list of things to read on a Sunday, although events have rather caught up with me, meaning that it will be a race against the clock for me to get this finished by the end of the day.

We ended The Chain #36 with “Hyperactive!” by Thomas Dolby and the usual request for your suggestions for songs that can be linked to that tune. Let’s see what you came up with.

First, a batch of songs which link to “Hyperactive!” the song, and “Hyperactive!” the physical state, first amongst them being submitted by Rol from My Top Ten:

“‘Hyperactive!’ begins with a psychiatrist asking Dolby to “Tell me about your childhood.” So my first choice is…”

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Black Box Recorder – Child Psychology

Which allows me to blow the dust off of my Chain Catchphrase early doors this week. So, if you’re suggesting that, then I’m suggesting this:

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The Avalanches – Frontier Psychiatrist (Radio Edit)

A few weeks ago, Babylotti got in touch to put me on notice that he was looking to suggest a song which he thought it would be impossible for me to locate a copy of. This week is the week he put that into practice:

“Okay so starting off with the Hyperactive link, it reminds me of another 80s songster, Alexei Sayle. He had a hit with ‘Ullo John! Gotta New Motor?’ (not the link yet) [which is lucky, as it’s featured before, so I’d have had to disqualify it] in the charts at the exact same time as ‘Hyperactive!’, [I’ve checked this, and it is correct: 26/02/84, ‘Hyperactive!’ was at #29 on it’s way down from #17, whilst ‘Ullo John! Gotta New Motor?’ was at #35 on it’s way to the giddy heights of #15]  but in 1982 he released a single as the Albanian World Cup Squad, ‘Albania! Albania!’ (as threatened/promised!). With a chorus quite reminiscent of the Blackadder theme tune, I first heard it on the Anne Nightingale show back then, had been after it ever since.”

One of the rules here at The Chain is that if you suggest a song then you must be able to supply a copy of it in the event that I don’t already own it, or am unable to source it. This has happened 4 or 5 times since we started, and you won’t be surprised to learn than I couldn’t find this one. I had been prepared for this, as Babylotti previously advised me that as far as he was aware, it was only available on one website.

That website, he revealed, was his Soundcloud page. Should be easy enough to find, I thought, typing the words “babylotti” and “soundcloud” into Google. Did it find babylotti’s Soundcloud page? Did it heck. But what it did reveal is that some chap called Rick Shide has been reposting The Chain verbatim for a few months now on something called ‘Inoreader’.

Let’s all give Rick a wave, shall we?

5x8xeflwqawqnd3ozpvw_simpsons%20stare
Hi Rick!

I’m sure you’re all as flattered as I am.

Anyway, to babylotti’s suggestion, which he ended up adding to his own blog, Livin’ Out Rock’n’Roll in order that you can all hear it today. I have to admit, it is pretty funny:

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The Albanian World Cup Squad – Albania Albania!

Babylotti then goes off at a bit of tangent, which is fine, as long as it’s justifiable, and his next two suggestions are, linking to “Hyperactive!” via the aforementioned Alexei Sayle record:

“I’ll then stay with the football theme and choose the song from when New Order ruled the world, World in Motion. The greatest football song ever, and that’s coming from a Republic of Ireland supporter…”

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New Order – World In Motion

Of course, one of the highlights of that record is the rap performed by John Barnes, and let’s be honest, other than that goal against Brazil, it was probably the most impressive thing he ever did in an England shirt.

Caught up on the tube in August last year, Barnes was kind enough to treat his fellow travellers with an impromptu rendition:

“And my last one,” babylotti rounds off, “which always reminds me of Goal of the Month:”

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The Lightning Seeds – The Life Of Riley

It wasn’t just the song title “Hyperactive!” that was linked to; many others linked to Hyperactive the condition.

Over now to Jules from Music From Magazines. In case you have any issues deciphering Jules’ contributions, as I did this week, please note something he said in a Comments Conversation we had yesterday:

“Please check the time I posted this , music from mags rules are only post in pubs…”

A fine rule, which I may have to bring in as mandatory…

Anyway, here’s Jules’ first suggestion:

“A Hyperactive Thomas can cause many problems, so let’s get it out the system and try Ivor Biggun and….”

Stop right there. Let me just slap one of these labels on this one:

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Although, it’s hardly needed, you can pretty much get the gist from the sleeve, the artist (I use that term most misguidedly) and song title:

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Ivor Biggun – I’m A Wanker

Ivor Biggun is a the “comic” creation of Doc Cox, who some of you may remember from his stint as one of the co-hosts of consumer show “That’s Life!”, a show spoofed here by the “Not The Nine O’Clock News” team (albeit, in pre-Cox days):

Thankfully, The Robster from Is This The Life? is here to de-smut proceedings:

“If you are hyperactive, some, or all, of your senses are working overtime so at the risk of requesting something that’s been used before….”

I must admit, I thought it had too, but nope!

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XTC – Senses Working Overtime

A couple more suggestions from me now. A quick browse through my thesaurus tells me that synonyms of the word “Hyperactive” are “Over Excited”, so….

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The Housemartins – Five Get Over Excited

…and “Excitable”, so…

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Amazulu – Excitable

If you ever need to investigate whether there was a link between increased illegal drug use (non-contraceptive) and teenage pregnancies in the 1980s, then you could probably cite this record, for gleefully announcing over a summery, steel drum tune that the lead singer is “drowning in amphetamines” and, even more irresponsibly, that “I don’t care if you get me into trouble”. Yours faithfully, Outraged, Tunbridge Wells.

Finally in this first batch, here’s Alyson from What’s It All About, Alfie? who, like me, went to see ‘T2 Trainspotting’ this week and, like me, bloody loved it. That’s a recommendation, by the way.

“Ian Watkins from the group Steps was always called “H” which was short for Hyperactive – If you’ve ever seen him being interviewed on telly (no I wouldn’t admit to it either) you will know why. The song of theirs that I’m going to choose is…”

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Steps – Tragedy

That’s not quite what I first thought the “H” stood for, if I’m honest…

Regular visitors to these pages will know that each week one suggestion is crowned “Worst Record of the Week”. Unbelievably, this week that record is not by Steps.

Moving on, and several of you provided links to Mr Dolby himself; here’s Rigid Digit from Stuff & Nonsense with one of them:

“Thomas Dolby was in The Camera Club (a band, not a photographic society) with Bruce Woolley.  Bruce Woolley was co-writer (with Trevor Horn and Geoff Downes) of ‘Video Killed The Radio Star’, the song which epitomises all things 80s (even though it was released in 1979).

Many earholes have agreed that the Bruce Woolley and The Camera Club version is superior.”

Let’s find out, shall we?

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Bruce Woolley – Video Killed The Radio Star

Over to Walter from a few good times in my life:

“Thomas Dolby wrote ‘New Toy’ by Lene Lovich a song that was played often long long years ago”.

Not be my, it wasn’t: other than her totally ace/bonkers (delete as applicable) Stiff release “Lucky Number” I don’t think I’ve ever heard anything else by her:

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Lene Lovich – New Toy

Okay, now I have.

The first suggestion we received this week was from The Great Gog, whose nominated track leads us rather nicely into the next batch of similarly-themed-suggestions:

“A fairly straightforward double-link springs to mind immediately. Thomas Dolby was involved in the production of Prefab Sprout’s ‘From Langley Park To Memphis’ album (although duties were shared out on that one). That album just happens to include another song with an exclamation mark at the end of the titles, so “Hey Manhattan!” it is.”

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Prefab Sprout – Hey Manhattan!

Yes, The Great Gog was not the only person to suggest a song on the basis that it, or the performing artist, had an exclamation mark in the name somewhere.

Welcome to SWC from When You Can’t Remember Anything with a swift three in a row followed by a mic drop:

“Hyperactive has an ! at the end of it. This I think also adorns the cover of “Enough is Enough” by Chumbawamba…”

It does:

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Chumbawamba & Credit to the Nation – Enough Is Enough

“If it doesn’t then I will go for ‘Hyper Enough’ by Superchunk…”

Well, it does, but I’ll allow this on the basis that, well, because it’s Superchunk:

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Superchunk – Hyper Enough

“Or continuing the ! theme ‘Annihilate Now!’ By Idlewild.”

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Idlewild – Annihilate Now!

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Next up, it’s Martin from New Amusements, who suggests a song by a band who are very dear to me indeed:

“Hyperactive has an exclamation mark at the end. Mid-80s twee-merchants The Chesterfields used to use an inverted exclamation mark as the “i” in their name, so how about ‘Ask Johnny Dee’ by The Chesterfields? Or maybe that should be The Chesterf¡elds…”

Taken from their jingly-jangly guitar lost classic “Kettle”, an album which came out in 1987 on the oft-overlooked Subway Records label; I recently placed it in a “Top 1o albums which have stayed with me” Facebook round-robin thing.

I’d completely forgotten about the ! in their name, and I have to say I’m bloody delighted to have the chance to post a song by them, even if they are very much “of their time”.

Oh but before I do, a clarification from Martin:

“On closer inspection, the exclamation mark in The Chesterfields wasn’t inverted, just normal i.e. The Chesterf!elds.”

It’s still in.

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The Chesterfields – Ask Johnny Dee

Last of the Exclamation Marks now, and another of my suggestions. In all honesty, when the first song linked by the exclamantion mark came in, I thought there would be no way that somebody wouldn’t suggest something by this lot.

If you don’t know this band, but like “House of Jealous Lovers”-era The Rapture, then I’d heartily recommend you give this a spin, if for no other reason than it’s prowling Slits “I Heard It Through the Grapevine”-esque bass line:

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!!! – Me and Giuliani Down by the School Yard (A True Story)

Okay, on to other Thomas’s now, and back to The Great Gog:

“Around the time that Mr. Dolby was first active musically, there was another keyboard player called Thomas releasing records, albeit with less commercial success – Thomas Leer. Mr. Leer later went on to be part of Act, who had a minor hit with ‘Snobbery & Decay’.”

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Act – Snobbery & Decay

Well, if you’re suggesting that, then I’m suggesting this, featuring Claudi Brücken, who was also in Act:

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Propaganda – Duel

Also hailing from the When You Can’t Remember Anything blog, here’s Badger:

“From Thomas Dolby to a Thomas who actually quite good – Thomas Bangalter from Daft Punk and the click tastic ‘Giorgio by Morodor’.”

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Daft Punk – Giorgio by Moroder

“My second choice,” continues Badger, “is ‘Thomas the Fib’ by much missed dancey jazz pioneers Red Snapper from their excellent ‘Prince Blimey’ album. Prince Blimey being the bastard son of Prince William and Katie Price from their ill advised affair of 2001. That was exposed by the Daily Mirror after Wills was seen leaving a kebab shop at 3 in the morning and letting himself into the back door of Price’s Penge Maisonette.” [Can we insert the word ‘allegedly’ in that at least once and preferably several times please? – Legal Ed]

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Red Snapper – Thomas the Fib

Right, you know who this week’s instalment of The Chain is missing? George, that’s who. Up you step, George:

“From Thomas (Dolby) to the diminutive Tommy, which could lead to any number of tracks from a double by The Who, but won’t, but does lead to Eric Clapton who performed Eyesight to the Blind in the film Tommy (I went with my mum to see that film).. Sonny Boy Williams (the second one) does the original”

I’m assuming it’s the original version that you want:

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Sonny Boy Williamson II – Eyesight to the Blind

Now, remember earlier that Jules revealed that he only ever posts when in the pub? Here’s another one from him, which he submitted after I had asked what on earth he was dribbling on about in two of his other suggestions (one of which i still don’t understand):

“St Thomas supported Lambchop at the Wedgewood Rooms in Portsmouth some years back, as the encore started we had to go to get the last ferry home. And the song a cover of The Stranglers “(Get a) Grip (of Yourself)’.”

Some admin, from me: the St Thomas referred to does not imply that Thomas Dolby has received some kind ecclesiastical sanctity; it is the performing name of one Thomas Hansen. Also, the cover isn’t by St Thomas, it’s by Lambchop, a live version of which appears on their “Rainer on my Parade” album, but I’m posting the studio version.

Some admin from Jules: “This [choice] is not a reference to my previous ‘I’m a Wanker’ suggestion.”

If you say so, Jules, if you say so…

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Lambchop – Grip

Two more categories to go now, and unsurprisingly, many of you linked to Thomas Dolby’s surname, and the technical side of sound reproduction.

I’ll let Martin explain:

“Dolby, as anyone of a certain vintage (i.e. all of us) knows, is the de facto tape hiss reduction technology. Dolby-B was most common. Dolby-C less so – better hiss reduction but too much loss of treble. Dolby-S came knocking just as tape succumbed to burning your own CDs instead, but it was brilliant! Especially if recording on a good quality metal tape (TDK MA90 or, better still, Sony Metal-XR)… sorry, turning into a hi-fi geek. The suggestion. So for me, Dolby makes me think “S” and hence, unfortunately, S-Express and ‘Theme From S-Express’. Not something I’m desperate to hear again…”

Long-term readers will know that some time ago I ran a very short-lived thread about the samples used on certain records, and ran one post which looked at exactly this tune. You can read it again here (not sure if the links are still active, let me know if not).

Anyway, here’s S’Express:

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S’Express – Theme From S’Express

Next to chip in is Michael, who suggests the sort of tune that Dirk normally does:

“Thomas Dolby > Alternative TV. Dolby as noise reduction, most TVs today have Dolby. I guess Action Time and Vision kind of sounds hyperactive.”

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Alternative TV – Action Time Vision

Before we go any further, a suggestion of a different sort. As mentioned earlier, one of the rules here is that we don’t play the same tune twice (unless the first time it was played it was because it featuring in The Official Chain, rather than being suggested by one of us). When you leave your Comment/Suggestion, you should have the option of ticking a little box which lets you know if anyone replies to your Comment – please tick this, for in the event of me being unable to source the song, or in case I need you to clarify your suggestion, or, as happened here, you suggested something that had already featured, it makes it a lot easier for me to get in touch with you. Thanks.

So, back to Rigid Digit:

“Spinal Tap reference time:

 When discussing the failure of their new album (‘Smell The Glove’), Jeanine Pettibone (David St Hubbins’ girlfriend) stated that the problem with the album was that “You can’t do Heavy Metal in DOBLY”

Suggested track: ‘Stonehenge’.”

Which we’ve had before (#32). So, in the absence of a response from Rigid to my request for an alternative suggestion, I’ve, er, plumped for this one:

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Spinal Tap – Big Bottom

Back to George now, who picks up the Dolby theme and runs with it, followed, it has to be said, by more than one of us:

“The Dolby system on tapes was to reduce hiss. Something else that makes a hiss is a snake, hence the track ‘Long Snake Moan’ by P J Harvey”

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PJ Harvey – Long Snake Moan

“See how I didn’t choose Union Of The Snake by Duran Duran…?” George signs off.

What, this?

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Duran Duran – Union of the Snake

A joint suggestion now, for The Swede of Unthought of, though, somehow nominated a tune that was on my not-so-shortlist, which he very graciously said he’d step aside and let me nominate. However, a better idea, I think is if we jointly suggest this and then both have another go at a snake related tune.

Over to you then, Swede:

“As George so rightly pointed out the Dolby system was developed in part to reduce tape hiss. Another thing that hisses is of course a snake, so let’s have ‘The Snake’ by Al Wilson.”

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Al Wilson – The Snake

Bloody great, that, isn’t it?

Ok, so The Swede’s extra suggestion goes thusly:

“I’ll suggest ‘Snakes and Snakes’ by Bell X1, an old favourite tune of both me and Mrs S.”

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Bell X1 – Snakes and Snakes

Ah. Well that pretty much beats my alternative snake song, which features a snake, the arch nemesis of the titular character, called Hissing Sid:

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Keith Michell – Captain Beaky

Nope, that’s not the worst record of the week either.

Some of you knew that Thomas Dolby was heavily involved in the development of ringtones; Rigid Digit says that he “…invented the Nokia Ring Tone (cue oversized mobile phone a la Trigger Happy TV: “HELLO!, I’m on the Internet. It’s very boring (mostly, but there are some places worth visiting – honest!)”

In case the reference to oversized mobile phones means nothing to you, Rigid refers to this:

..which prompted babylotti to pipe up:

“You’d almost want to go with Mario Piu’s Library there, it samples Dom Joly’s favourite phrase.”

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Mario Piu – Library

Quite an uninspring bit of cover art, that, isn’t it. Let me see if I can find a more appropriate library related picture…

*rummages around*

Ah yes, this seems about right:

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Anyway, where were we? Ringtones, that’s where. And here’s Alex G from We Will Have Salad with, without even the merest shadow of a doubt, the Worst Recod of the Week, by a country mile:

“Thomas Dolby went on to basically invent polyphonic ringtones. I therefore suggest this week’s worst record, ‘Axel F’ by Crazy Frog, on the grounds that it’s Thomas Dolby’s fault. I dimly recall there were some further, possibly even worse, follow-ups, but I think Axel F will suffice to remind us of the evil that Thomas Dolby has visited upon the world. His crimes must never be forgotten.”

It’s alright for you lot, you don’t have to listen to it, like I do when I check the copy I *ahem* aquired is clear and has uploaded okay.

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Crazy Frog – Axel F

I once berated a guy I worked with for having that as his ringtone.

As I mentioned when Alex posted that, the one redeeming feature of that record is, if my memory serves, that it stopped Coldplay from getting their first ever number one single.

Speaking of Coldplay, a suggestion from Charity Chic of Charity Chic Music fame:

“Thomas Dolby had the look of a mad scientist and indeed did ‘She Blinded Me With Science’. So, ‘The Scientist’ please – not the Coldplay original but rather the Willie Nelson cover.  If you can only find the original please don’t bother.”

Always a pleasure to deny Coldplay twice in one post.

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Willie Nelson – The Scientist

“Failing that, E=MC2”, CC adds.

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Big Audio Dynamite – E=MC2

Just two more suggestions to go now; penultimately, back to The Robster:

“The quirky scientist Dr Magnus Pyke guested on another of Thomas Dolby’s hits ‘She Blinded Me With Science’. In his Wikipedia entry, it claims one of the many books he’s written is ‘Tricky and Portishead and Other Stonehead Bristol Sounds of the Future.’ I have seen references of this come up occasionally in other places, but have never actually managed to track down any credible suggestion that such a book even exists. However, it’s a fantastic thought that Dr Pyke would have written such a thing, so I’m also going to suggest some things links with my other suggestion: Tricky’s cover of XTC’s ‘Dear God’.”

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Tricky – Dear God

Which would be where we’d leave it, but one last peek into the pub to see what Jules has been up to leads to something about him being too old to be in a fight, about Donald Trump, an admission that the one suggestion I still don’t follow “…still makes not a lot sense…”, that I should “…ignore previous drunken ramblings…” and most pertinently that “…I needed some Billy Bragg…”

So, as a one off, while I’m not at all sure how this links to the source record, I’ll assume that somewhere there is a link buried deep in Jules inner psyche, play it, and leave it at that. It is rather fine, as relevant today as when Woody Guthrie first penned the lyrics:

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Billy Bragg & Wilco – All You Fascists

Woody Guthrie died in 1967.

And so to the next song in The Official Chain, and once again, once of you was mightily close, getting the right band, the right link, but the wrong song.

Here’s the link:

“…Thomas Dolby produced an album by Prefab Sprout…”

Here’s the song:

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37. Prefab Sprout – Bonny

Here’s some Bonus Points for The Great Gog for proving Meat Loaf right when he sang “Two Out of Three Ain’t Bad”.

And here’s a request for your suggestions for songs which link to “Bonny” by Prefab Sprout, along with a brief description of the link, via the Comments Section down below, in time for next Sunday’s edition (by which I mean, by Saturday night, please!)

More soon.