I Am The Mouth

1989. I am established as the DJ (OK, co-DJ, just in case Danny Sweeney, who I’ve not heard from in 25 years is reading this) at the Indie Night (every other Tuesday) at the Student’s Union, and I have absolutely given up on the idea that my night may benefit from some funding to allow me to buy records that might keep me abreast of the then-current changes in the world of independent music.

Drastic times call for drastic measures; I realised I would have to spend some of my own money on records to play. So, I decided a percentage of the money I got paid to DJ would have to be reinvested, and so it was that I ventured into Cardiff to see what spoils I could find.

In those days, despite the presence of a Virgin Megastore and an HMV, there was only place to go to if you wanted to buy cool records in Cardiff: Spillers Records. Spillers is the oldest record shop in the world, established in Cardiff in 1894 by Henry Spiller, and I’m delighted to report still going strong today. If ever you’re in Cardiff, I urge you to go check it out. Or, visit them online here. The Robster will doubtless back me up on this.

On this occasion, I leave with two 12″ singles: Morrissey’s “Ouija Board, Ouija Board” and today’s choice, which, for the purposes of introducing some element of narrative suspense, I won’t divulge just yet.

Ordinarily, I would buy records and listen to them in advance, so I could see where it would fit in amongst all of the other stuff I intended to play. But on this occasion,I must have gone to Spillers on a Tuesday afternoon, for I know that when I arrived at the DJ booth that night I hadn’t listened to either record.

Aboiut an hour or so in, I popped the Morrissey record on. It is, to my dismay, one of the least dance-worthy records I have ever heard. I love it now, but I would never even contemplate playing it out.

Talking on the microphone was a definite no-no at the Union Nightclub, minus cool points if you did. Instead, around the venue were a number of TV screens, where you could write messages to the attending hordes dozens.

“This is the new Morrissey single….” I typed as the opening bars kicked in.

A little over a minute later, as literally nothing had happened, I typed to an empty dancefloor and a slightly fuller bar:

“Shit, isn’t it?”

I’d never faded a record out before, but this was a first. I slammed something by The Cure on and a few ventured back to the dancefloor.

An hour or so later, and it is time to drop my other purchase, which I also haven’t listened to. I am, given the reaction to the Morrissey record, a little nervous.

I cue up the record, and type the words “And this is the new record by The Stone Roses…”.

Fade in.

Sounds okay. A couple of hardened troopers venture onto the dancefloor. Better, if only a little.

A week or so later, I am sorting records out in the DJ booth in advance of me playing a night I wasn’t particularly familiar with (a 70s night, in case you’re interested. I’m available for bookings, by the way. Weddings, bar mitzvahs, etc). I have Top of the Pops playing on the TV screens. It’s what transpires to be an iconic edition, the moment when the Happy Mondays and The Stone Roses both gate-crashed the chart party for the first time.

The Roses come on, and over the audience cheers (theirs, not mine) I hear what is now is a seminal drum beat and bass riff kick in.

Hang on. That’s not what I played the other week.

I glance up to the screen, in time to see the camera swoop over the studio audiences’ heads, and the caption: “13. New Entry. The Stone Roses. Fools Gold” briefly appear and disappear.

That’s definitely not what I played the other week.

I didn’t watch the rest of the performance, I was too busy scrabbling through my records, looking for the offending 12″, which I eventually found, and sat back on my haunches, looking at the record sleeve, confused, until I flipped it over and saw what the B-Side was.

Famously, they had swapped the A and B-side, meaning the record I’d bought, and played, in all good faith as the A-side, was suddenly relegated to the B-Side.

I’m going to look a right twat, I thought.

It’s still a classic, mind:

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The Stone Roses – What The World Is Waiting For

Although, I may have inadvertently got it wrong all those years ago, I stand by that being an absolute tune.

And certainly better than any of the formulaic old tosh they’ve served up since they reformed.

More soon.

The Chain #31

Okay, okay, I’m a little later than usual. My apologies. I seem to have developed some kind of Chain Tourette’s Syndrome this week, incapable of resisting posting an additional link or splurging out another suggestion. You’ll see.

Last week we ended with “Live Forever” by Oasis, and it’s fair to say the Mancunian siblings caused quite the difference in opinions between you, with some voicing “By and large and on the whole, all things considered… Oasis can piss off” and others “Can I start by saying that I bloody love Oasis?”

As usual, suggestions came from one of several broad categories, but where to start?

At the beginning, seems as good a place as any. Here’s Swiss Adam from Bagging Area to kick things off:

“Johnny Marr springs to mind (shared manager, guitar given by Johnny to Noel on which he wrote that song I think). Johnny Marr’s solo song ‘Upstarts’ from a couple of years ago was splendid, a comeback. And even though I don’t much like ’em, Oasis were upstarts for a while.”

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Johnny Marr – Upstarts

You can add the fact that Noel Gallagher joined Johnny on stage when I saw him at the Brixton Academy last year to that list of connections too, if you like.

Let’s use collaborations as the starting point to kick on with, and a second suggestion from Swiss Adam:

“Oasis recorded a song with another Johnny. Johnny Depp. Who was attached to Vanessa Paradis who had a hit with the strangely alright ‘Joe Le Taxi’.”

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Vanessa Paradis – Joe Le Taxi

Those of you who read the Comments section will know that prompted a big fat “Did they??” from Yours Truly. In fact, it turns out everyone’s favourite begrudgingly apologetic dog smuggler recorded with them twice, on “Fade In-Out” from “Be Here Now”, and on “Fade Away (Warchild Version)” from the 1995 “Help!” compilation album. In fact, anything with the word “Fade” in the title, and Depp was all over it like a tramp on chips.

He also, of course, plays guitar on this:

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Shane MacGowan & the Popes – That Woman’s Got Me Drinking

But I digress; back to Swiss Adam for his hat-trick of collaboration suggestions (even though his first one wasn’t really one):

“John Squire played with the Burnage numpties at Knebworth. And John Squire was in the Stone Roses without whom Oasis would never have existed. They could also never have written anything as trippy and light as Elephant Stone.”

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The Stone Roses – Elephant Stone

Continuing the theme, let’s shift from people who have played with Oasis, to acts that have featured one of the band (okay, let’s face it, Liam or Noel). Over to Badger from When You Can’t Remember Anything:

“Live Forever is considered by many as Liam’s greatest vocal recording. Although that’s harsh on ‘Little James’. Anyway Liam also contributes vocals to Echo and the Bunnymen’s wonderful comeback single ‘Nothing Lasts Forever’. The irony of that was probably lost in him.”

Wonderful is damning this record with faint praise; I often dread a band I love reforming and releasing their new material, but Echo & The Bunnymen proved the exception to the rule with this:

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Echo & The Bunnymen – Nothing Lasts Forever

And of course, with “Forever” in the title, we have a double-linker! We’ll come back to more with a similar (okay, identical) link later on.

The mere mention of Liam gives me the opportunity to post this, from the “Live Forever” Britpop documentary, my favourite ever interview clip involving him, where he is asked if he feels he has an androgynous quality about him:

Anyway, another suggestion from me, this time featuring the other one-eyebrowed wonder. Noel Gallagher teamed up with The Lemonheads’ Evan Dando to record – but never officially release (hence the absence of a proper sleeve and the somewhat shonky sound quality) – this:

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Noel Gallagher & Evan Dando – Purple Parallelogram

What? There were people in Oasis other than Liam and Noel you say? Over to Rigid Digit from Stuff and Nonsense:

“Oasis’ bass player Paul McGuigan co-authored (with Paolo Hewitt) a book called ‘The Greatest Footballer You Never Saw’ about ex Reading and Cardiff City player Robin Friday.

A picture of Robin Friday “flicking the V” at the Luton Town goalkeeper was used on the cover of the Super Furry Animals ‘The Man Don’t Give A F**k'”

He certainly was:

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Super Furry Animals – The Man Don’t Give A Fuck

And, since I’m going to see them next Friday at The Roundhouse perform not only their brilliant debut album “Fuzzy Logic” but also their even better follow-up album “Radiator”, here’s a bonus, a tune I’ve posted before, their epic 22:30 minute long live version from the Hammersmith Apollo, complete with Cian Ciaran’s techno wig out section:

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Super Furry Animals – The Man Don’t Give a Fuck (Live Hammersmith Apollo)

Before I start posting nothing but Super Furry Animals records, it’s time for The Beard to perform an intervention:

“Oasis’ touring keyboardist was Jay Darlington from Britpop no-marks Kula Shaker [Don’t worry folks, he’s not going there]. Their lead singer Crispin Mills was the son of actress Hayley Mills. She starred in the film ‘Tiger Bay’ (alongside, I think, Sir John Mills?) [Correct!]. ‘Tiger Bay’ is also the name of Saint Etienne’s third album. ‘Like A Motorway’ from this album, please.”

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Saint Etienne – Like A Motorway

As usual, competition has been hot this week to come up with the Worst Record of the Week, and here’s The Great Gog with the first, which not only links to the Gallagher brothers, but also to the football team mentioned in The Official Chain link which led us here:

“…the brothers Gallagher support a certain team who are still in the Champions League (sorry, couldn’t resist!)…[*cough* 2-0, 2nd October 2016]…so, the ditty supposedly sung by the early ’70’s City squad, “The Boys In Blue” – although I can’t imagine that the likes of Franny Lee would have been that good at holding a tune.”

No need to imagine, GG, here they are, and let’s just say Franny was no Ossie Ardiles, either on the pitch or in the studio:

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Manchester City FC – Boys in Blue

I’ll be honest, I only posted that so I could bring your attention to the song-writing credits, which will probably seem familiar to many of you. Yes, Godley, Crème and Gouldman – three fifths of 10cc. The muso-nerds amongst you will know that 10cc get their name from the average male ejaculate. 10cc formed in 1972, the same year as “Boys in Blue” was released. There’s a joke in there somewhere, but you don’t need me to do it, you can fill in the wanks blanks.

Anyway, back to you GG:

“Also, there is of course, “Blue Moon” – of which there have been many versions, but as an early contender for Worst Song Of The Week, I’ll plump for Showaddywaddy’s version.”

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Showaddywaddy – Blue Moon

You have to feel a bit sorry for Showaddywaddy, surely the most unintentional casualty of the whole Operation Yew tree thing, for who amongst us didn’t used  to enjoy saying their name in the voice of a certain, dead, disgraced, BBC DJ, TV presenter and paedophile? And now even that simple joy has been taken away from us. I bet Eric Bristow does that impression still. (See, I’m nothing if not topical!)

Something a little more straight forward and less contentious next: here’s Charity Chic from Charity Chic Music:

“Until I come up with something obscure I’ll go for an obvious one: ‘Midnight at the Oasis by Maria Mulduar’.”

As it happens, CC wasn’t the only one to suggest this record; step forward Kuttowski from A few good times in my life:

“The first thing that came on my mind was a song by Maria Muldaur. Midnight At The Oasis is one of these songs that accompanied me during the last decades. I really can’t explain why I can’t get this little folk/jazz tune out of my mind. Probably because it is just a good song.”

And here it is:

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Maria Muldaur – Midnight At The Oasis

Now, the more astute among you will have noticed a couple of references to Liam and Noel Gallagher so far. Here’s George to explain the link between these two fine gentlemen with the same surname:

“Oasis had the Gallagher brothers in them. And there are a plethora of bands that have brothers , so I will suggest Creedence Clearwater Revival (who featured two Fogertys) and ‘Born On The Bayou’.”

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Creedence Clearwater Revival – Born on the Bayou

Oooh- bands with siblings in them, can I play? Please pwetty please?

It seems to me that Scotland has more than its’ fair share of bloody marvellous musical talent, and quite a few music bloggers too, many of whom visit these pages, so this one’s for you, a much overlooked (until that bloody awful musical came out a few years ago; other than featuring the music of The Proclaimers, it has little to recommend it) and rather lovely tune:

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The Proclaimers – Sunshine on Leith

And, well, if we’re going to have one Scottish band with a couple of brothers called Reid, we’d better have the other one too (PS. Neil Reid was not one of them):

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The Jesus & Mary Chain – Cherry Came Too

Okay. Brace yourself. Here’s George with the winner of this week’s Worst Record of the Week award.

“Going from the Gallagher Brother to two sisters, those two in the Cheeky Girls (one of them married Lembit Opik) and, having consulted with my partner, their most famous song is called Cheeky Song, which I’ve just played. It’s rubbish.”

I do love the way that George always pretends not to know anything about his suggestions for Worst Record of The Week and tries to shift the blame over to his other half. We all know the truth, George, you’re fooling nobody.

Thank god neither of you have heard of Jedward, s’all I can say.

Oh, and a slight correction; Lembit Opik didn’t marry one of the Cheeky Girls, they were engaged but split up in 2008 after a “difficult period” in the relationship, which I think we can interpret as meaning “when he slept with the wrong sister”.

So, here’s what I’m sure will be the least clicked link of the week. I, on the other hand have had to listen to that more times when writing this blog than I had ever had the misfortune to hear it before (Twice).

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The Cheeky Girls – Cheeky Song (Touch My Bum)

Look! There’s a Christmas Remix!! If you’re all very good boys and girls, I’ll see if I can find that and post it nearer the 25th. I bet it has some sleigh bells and probably a joke about pulling a Christmas Cracker.

Let’s get out of here, and have some simple songs which link to the word “Live”, the word “Forever”, or some derivative of either.

Time, then, to give the customary very warm Chain Gang welcome to first time contributor Martin from New Amusements (is that a Gene reference I espy, Martin…?):

“I’m going with living forever… having tinkered with synonyms (eternal and immortal) and come to unsatisfactory dead ends (anything by, er, Eternal, and Immortals by Fall Out Boy), I have instead decided to opt for the words “Electric word, life. It means forever, and that’s a mighty long time.”

In other words, Let’s Go Crazy by Prince. Doubly fitting, as those Gallagher boys have been known to go crazy on the odd occasion…”

A classy suggestion, and just what the Doctor order after George let those pesky cheeky-ettes in:

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Prince & The Revolution – Let’s Go Crazy

Whilst we’re on lyrical references, here’s Alex G from We Will Have Salad:

“Oasis claim they’re gonna live forever. Irene Cara claimed likewise on “Fame”. To be fair to all involved, they’re not wrong *yet*.”

There’s still another month left of 2016, Alex. Plenty of time yet.

On the day or so before I write The Chain, I upload all of the songs onto a playlist on my iPod, and give them a listen as I commute to and from work, the idea being that a) I can check all of the mp3s sound okay, b) can get a rough idea of the running order, and c) hope I can think of something interesting or amusing to write about each tune. As I got to off the bus and walked to the office this morning, this tune came on:

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Irene Cara – Fame

I have to say, it put me in a really good mood for the start of the day. You should try it. The only disappointing thing about it was that when I got to the office, not one person was wearing a leotard or leggings, Doris wasn’t squawking “Hi Fidelity” by the water cooler, nor was Bruno attempting to play the photocopier like a piano. Still, can’t have everything.

Back, now, to The Great Gog, who before he started regaling us with Manchester City related awfulness, did actually suggest this:

“My first thought was to suggest another song with the words ‘live’ and ‘forever’ in the title: OMD – ‘(Forever) Live And Die’.”

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Orchestral Manoeuvres in the Dark – Forever Live and Die

Next, as Mark Morrison almost once said, it’s the Return of the Badger:

“But having gone down the forever route…other things can be forever as well. Like Polymers according to Future of the Left….”

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Future of the Left – Polymers Are Forever

“…and fucking if you listen to Babyshambles.” Which I don’t as a rule, but then I’ve listened to The Cheeky Girls twice, I may as well give Babyshambles a whirl:

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Babyshambles – Fuck Forever

Remember earlier we were talking about Oasis records that Johnny Depp had played on? Well here’s fun: that Warchild version of “Fade Away” also featured one time Pete Doherty muse Kate Moss giving it the full Linda McCartey on tambourine. What are the odds, eh?

Here’s George, who doesn’t seem even remotely apologetic for making me/us listen to The Cheeky Girls:

“…on the forever link, what about ‘Forever Came Today’ by Diana Ross and The Supremes?”

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Diana Ross & The Supremes – Forever Came Today

Time for some input from the fairer sex: here’s Alyson from What’s It All About, Alfie?:

“Ok so The Cheeky Girls song may get the prize for the worst record of the week [there’s no “may” about it, it does] but here is another contender. “Forever and Ever” by that hirsute Greek, Demis Roussos. I always thought Neil Diamond (my choice from last week) was a very hirsute man back in the day with all that exposed chest hair, but nothing on Mr Roussos. Come to think of it the Gallagher Brothers are quite hirsute in the eyebrow department, them having only one an’ all. A double-link and a pattern forming here for me relating to hairy men!”

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Demis Roussos – Forever and Ever

Next to return for a second, and indeed a third, suggestion is kuttowski:

“‘Live Forever’ is the name of a live album by Bob Marley from back in 1980. So I suggest Burnin’ and Lootin’”

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Bob Marley & The Wailers – Burnin’ and Lootin’

More from Kuttowski:

“‘Live Forever’ is the name of a documentary about the rise and fall of Brit Pop from the mid 90’s to their end. Pulp’s Common People with it’s wonderful lyrics became a signature to Brit Pop.”

Indeed, to my mind the anthem of Britpop, and a song kept from reaching Number One by Robson and Jerome, who also kept Oasis’s “Wonderwall” from the top slot.

Here’s the full length version from “Different Class”:

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Pulp – Common People

Time to hand over to Rol from My Top Ten for his musings of the week:

“First thought: Queen – Who Wants To Live Forever?

Which, if the question referred to the Oasis song, would lead to a resounding “Not me!” I appreciate that some people might feel the same about Queen, but quite frankly they would be, at best, misguided.”

I told you Oasis divided opinions, didn’t I?

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Queen – Who Wants To Live Forever

I’m not sure if it’s distasteful, ironic or entirely appropriate that this is posted just as we pass the 25th anniversary of Freddie Mercury’s death, but since I know Rol is a big fan of Queen (as opposed to a fan of big queens) I’ll go with the latter.

“‘Who Wants To Live Forever?’ comes from the soundtrack of the movie Highlander, which leads me naturally to a lovely early Billy Joel song called ‘Summer, Highland Falls.’ Hey, if we can show Neil Diamond love, Billy must get his too.”

A debate for another day, I think, but certainly one I’ll be backing you up on (up to a point):

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Billy Joel – Summer, Highland Falls

Now, amongst that, you mentioned Neil Diamond, didn’t you? Over to Charity Chic again:

“The by now obligatory Neil Diamond moment – ‘Forever in Blue Jeans'”:

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Neil Diamond – Forever in Blue Jeans

Phenomenal bit of work there, artist responsible for the design of the single sleeve.

“What’s next on the list?”

“Something called “Forever in Blue Jeans” by Neil Diamond. Any ideas?”

“How about we just stick his face on some denim?”

“Perfect. Fancy a pint?”

Now this song reminds me of someone, a former flatmate of mine and Hel’s. This was his favourite record by Diamond. I mean, it’s okay but it’s no “I Am…I Said”, is it? Hell, it’s not even “Cracklin’ Rosie” or “Beautiful Noise”. This is one of the perils of house-sharing these days; you can interview them as much as you like, but you never know what people are really like until they move in. This guy was priceless.

He survived on a diet of pizza and pasta on alternating days, then tried to take the piss out of me for eating liking foreign food because I was eating Mexican one evening. His idea of eating pasta was to boil some water, add pasta, drain then add nothing but tomato ketchup. Once, he realised he had put too much water in the saucepan, so decided to empty some out – into the kitchen bin, rather than into the sink. He would eat packets of crisps and just drop the empty packets on the floor. We once found a half devoured bag of Doritos next to the toilet. A toilet which he refused to lift the seat of when he peed, and which he refused to flush before he left to go to work (after we had) of a morning, leaving a gorgeous odour to greet the first person home. He made several unwelcome passes at Hel, and made up an entirely fictitious girlfriend who he claimed worked on a leading TV soap opera, even though we did know someone who worked on the same show who categorically told us the girl didn’t exist. Oh, and he did a runner from the house in the middle of the day when we were at work, leaving me and Hel to cover his share of the household bills, and I suspect, liberating a large chunk of my vinyl – including all of The Smiths original Rough Trade album releases – as he went.

All of which might just about be forgivable were it not for one thing: he liked Kasabian.

Every possible opportunity he had, he would bang on about how awesome they were, and when one of their albums, I forget which, the one where they try and sound like Oasis meets the Stones meets “Rocks”-era Primal Scream probably, like that narrows it down, was voted Album of the Year by Q magazine, he bought a copy (of the magazine), and kept leaving it around the house, open at the relevant page, like we were going to go “Oh, well if Q says it’s the Album of the Year….”

And if it wasn’t Kasabian, it was bloody Mumford & Sons. I rest my case.

I mention all of this now, because one day he burst into the house, breathless with excitement, gushing “Jez…Jez…have you heard of Longpigs? Best…Britpop band…ever!”

Now don’t get me wrong. There’s nothing wrong with Longpigs first album, “The Sun is Often Out”. And they gave us Richard Hawley, so for that we are of course grateful In fact, I can’t believe I’ve never posted anything by him – I’ll rectify that over the weekend.

But best Britpop band ever? C’mon…

Anyway, that leads me, in a very roundabout way indeed, to what I think is their finest moment. For if you do Live Forever, then surely it could be said that you go on and on…

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Longpigs – On and On

Ahem. Where were we?

Ah yes, back to Rol, I think:

“Final thought, on the subject of living forever (unless I have another thought)…

Ryan Adams (no B) – ‘Note To Self: Don’t Die’ …would be good advice for any budding immortals.”

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Ryan Adams – Note to Self Don’t Die

Another inadvertent double-linker there, as Mr B-less Adams also once covered Oasis’s “Wonderwall”, as did this lot:

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The Mike Flowers Pops – Wonderwall

Remember when Worst Record of the Week used to be about posting the Cheesiest Record of the Week? Well, that would win, even if it’s deliberately so.

And, just take a look at that Radio 1 sticker that proudly adorns the front. It reads: “As First Heard on the Kevin Greening Show”. Surely I’m not alone in furrowing my brow and saying, “Sorry, who??” Perhaps his career was cut short precisely because it was his show that first played that.

Hang on, Rol’s thought of something else. Having convinced himself not to suggest something by Gallagher and Lyle, he came back with this:

“Oh, I just had a thought about the Gallagher & Lyle route that would lead to a semi-respectable song.

Gallagher & Lyle reminds me of Tate & Lyle.

Tate & Lyle make sugar.

So… Sugar – ‘If I Can’t Change Your Mind'”

“Semi-respectable”?? That’s a fine record, and no mistake:

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Sugar – If I Can’t Change Your Mind

“Please post the video so everyone can laugh at Bob Mould’s cardigan,” Rol concludes.

Okay, but I’m rather a partial to a nice cardy, so no sniggering:

Now, who haven’t we heard from yet? Ah yes, SWC from When You Can’t Remember Anything:

The B Side to ‘Live Forever’ was ‘Up in the Sky’ which is where according to Sugar you would find the City of Armenia.”

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Sugar – Armenia City in the Sky

…which is a cover of The Who track from “The Who Sell Out” of course. And Oasis covered The Who’s “My Generation” on their live album “Lord Don’t Slow Me Down”. This week, more than any, we seem to be going round in circles and finding additional links.

“Alternatively,” SWC continues, “the complete opposite of live forever would be dying young so we could have ‘All Die Young’ by much missed Smith Westerns.”

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Smith Westerns – All Die Young

Or, for that matter, this, from the second Blondie album I ever bought as a kid (after I got “Best of Blondie”, but before “Parallel Lines”):

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Blondie – Die Young Stay Pretty

And one more from SWC:

“Live Forever was apparently inspired by ‘Shine a Light’ by The Rolling Stones so we could have that.”

Sure could:

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The Rolling Stones – Shine a Light

Next up, its The Swede from Unthought of, though, somehow:

“I’ll make a simple jump from Oasis to fellow Creation recording artists Swervedriver – ‘Rave Down’ please!”

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Swervedriver – Rave Down

I had totally forgotten how good that is, like a cross between My Bloody Valentine and Doves.

Last suggestion of the week, and I’ve deliberately kept this one back til last. I’ll leave you in the capable hands of The Robster from Is This the Life? to wrap things up:

“Pre-Oasis, Noel Gallagher was a roadie for Inspiral Carpets. Post-Oasis, he formed the High Flying Birds. Therefore I offer ‘Flying Like A Bird’ from Inspiral Carpets’ self-titled comeback album from 2014. I’d also like to dedicate it to their drummer Craig Gill who passed away last week.”

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Inspiral Carpets – Flying Like a Bird

On which poignant note, all that is left for me to do is the admin bit. Here’s the link to the next record in The Official Chain, an underwhelming link as is so often the case, but a great record:

“Oasis used a leisure centre in Swindon as inspiration for their band name. Also from Swindon were…”

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31. XTC – The Ballad of Peter Pumpkinhead

You know the drill by now; your suggestions for records that link to “The Ballad of Peter Pumpkinhead” by XTC, along with a brief description as to how you got from one to the other, via the Comments section below.

See you next week, Chain Gang!

(More soon).

More Looney Tunes

A couple of weeks ago, on Halloween, I posted a tune from a compilation album I had been given as a child, and I happened to mention a couple of the other songs on the same album.

These attracted a little attention, so I promised I’d post the stuff you’d asked about. And here I am. Man of my word and all that.

So, Track One Side One (remember those days, folks?) is by Napoleon XIV (it’s not really: if you don’t already know the record, you’ll understand why the singer claims to be that historical figure soon enough).

Anyway, for narrative purposes, Track One Side One is by someone claiming to be Napoleon XIV.

And it goes like this:

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Napoleon XIV – They’re Coming To Take Me Away

Now. Do you like The Stone Roses? In which case, like me, you’ll consider their debut album to be one of the finest records ever made. Even that sort-of backwards version of the gorgeous “Waterfall” they called “Don’t Stop” just so they could claim it was a different song, rather than write an actual tune as majestic as the rest of the album.

Don’t pretend you don’t know what I mean:

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The Stone Roses – Waterfall

The Stone Roses – Don’t Stop

Now, as I said, I love that album, it’s one that bonds people of a certain age. A few years ago, I went to a barbeque at a friend’s place and someone put that album on. Nobody spoke of it but everybody sang along, not in a rousing, communal “we all know this” way, more in an under your breath “this is my record” kind of way. To the whole album. It was odd but lovely that we all had a shared love of this one record.

But there are many who would call it derivative, and I would fight those people…well, not to the death, but I might offer to buy them a pint and have a chat about it.

The Stone Roses were not, of course, the first people to release a backwards version of a song. I don’t doubt there are earlier examples of the Devil’s work, but here, from 1966, is Napoleon XIV doing just that, the B-side to the properly enunciated, mental but not quite as mental as this version:

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Napoleon XIV – !aaaH !aH yawA eM ekaT ot gnimoC er’yehT

I guarantee you won’t listen to that more than once, if that.

Now, just to prove that not everybody who calls themselves Napoleon is a bit of a head case, here’s a bloke I saw supporting the ever wonderful Los Campesinos! back when I lived in  Cardiff. This is unusual, but brilliant and well worth three and a half minutes of your time. Give it a listen:

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Napoleon IIIrd – Hit Schmooze For Me

More soon.

The Chain #25

It’s Chain Gang time, and for any newcomers to these shores, hello, and here’s an explanation as to what we do here: each week we move along the records which have featured on the BBC’s The Chain segment of Radcliffe and Maconie’s show, originally on Radio 2, currently on 6 Music; we play the next in the chain, ask for your suggestions for tunes we can play which link to that record, but instead of picking just one, we endeavour to post links to them all. Then, at the end of the post, we reveal what the official next record is, and off we go again.

I mention this as at the weekend I met up with some friends for Sunday lunch; a few of them read this regularly (hello!), some sporadically (hello!), some never (there’s not much point in saying hello to them) and one who falls into the middle category asked me what the hell is going on here. Got it now?

Perhaps it would be better if we just crack on? Last week, we ended with the song that was the 24th record played in the official chain on the aforementioned show, Joni Mitchell’s “You Turn Me On, I’m a Radio” and these are the suggestions you came up with.

Oh and by the way, this is slightly later than usual as I’ve had some issues with the layout of this post, which I don’t seem to be able to rectify. I suspect it’s because of the size of the post; I’ll keep trying to make it look pwetty for you all after I’ve posted it.

Anyway, this week, all of the suggestions (including my own) can be put into one of six, broad categories.

Category 1 – Joni Mitchell:

Regular readers will know that the record that brought us to Joni Mitchell was Elvis Costello & The Attractions’ “Radio Radio”. Even more regular readers will know that a few weeks ago, in a Comment Conversation about acts which everyone else seems to adore and revere, but which leave some of us utterly flaccid and distinctly unaroused, regular contributor to this page, George, told us how he is left cold by The Clash and Bruce Springsteen. So imagine our surprise when he mentioned last week that he had a link which resulted in a song by The Boss. However, he declined to let us know what it was.

Until, that is, after last week’s Chain post had been posted, at which point he sent this:

“Now that you’ve published this week’s Chain I can give you my Springsteen link. Elvis Costello’s real name was Declan McManus. Mick MacManus was a wrestler, and Bruce Springsteen wrote a song called The Wrestler. Now, I have been in touch with the chairman of FOMAMB (Federation of Middle Aged Male Bloggers ) who tells me you are not allowed to edit your post and re-upload it with my suggestion.”

This is fictional federation-ness gone mad! Curse the federation! Where’s Blake’s 7 when you need them?

So why am I mentioning this in a section a category which I have quite clearly just announced contains links to Joni Mitchell? Well, because Alex G from We Will Have Salad kindly stepped in to assist, that’s why:

“That’s easy” writes our hero, “Nick Mitchell is a wrestler. Or Ryan Mitchell is a wrestler. And so on.”

Thanks Alex! And here you go George. No, no need to thank us:

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Bruce Springsteen – The Wrestler

And that, dear newcomer, is how easy it is to suggest a link.

Here’s another one, from The Robster, from Is This The Life? who writes:

“One of Joni’s most famous songs is Woodstock, about the legendary festival in 1969. Although initially scheduled to perform there, Joni was prevented from doing so by her record label as they had booked a TV appearance for her the next day and they were concerned she wouldn’t make it back in time.

Her then-boyfriend was Graham Nash, who did perform at Woodstock as part of Crosby, Stills, Nash & Young. He relayed the weekend’s events to Joni who subsequently wrote the song about it.

The link then… Woodstock was opened by Richie Havens who played one of the event’s most fondly remembered sets. On his 1974 album ‘Mixed Bag II’, Havens covered The Loner, a song originally written and performed by Neil Young, who also played Woodstock as a member of CSN&Y.”

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Richie Havens – The Loner

And that, BBC, is how you “educate, inform and entertain”.

Sometimes, the suggestions can go off at a bit of a tangent, mind. One person’s suggestion may lead another contributor in a different direction. So long as the link is sound, though, we’ll dust off the tune in question and give it a spin. Take Swiss Adam from Bagging Area‘s first suggestion of the week, for example (and yes, I did just say first suggestion, for often folks will make offer more than one. I’ve got four this week, but then it’s my blog, so there):

“Neil Young is the obvious route but Robster’s got it covered. Teenage Fanclub’s Neil Jung perhaps?”

Lifted from their should-have-been-huge “Grand Prix” album, it’s often overlooked that when it was released as a single, “Neil Jung” came in two different versions: your actual bona fide album version and this, the lesser known but still bloody excellent, version:

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Teenage Fanclub – Neil Jung (Alternative Version)

But like I said, Swiss Adam isn’t done there. Oh no.

“Acid house band Fluke had a decent track called Joni (think it samples Big Yellow Taxi too).”

Girls: out with your glo-sticks. Guys: off with your shirts and do the Meat Dance. Oi Oi! Saveloy!

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Fluke – Joni

One of the great things, even if I do say myself, is there sheer diversity of the suggestions we get here, and here’s an example. From Teenage Fanclub, to Fluke, to The Fall, all linking back to the same source. Here’s George again:

“Joni Mitchell sang about a Big Yellow Taxi. Taxi was an American sitcom from the late 70s, starring, amongst others, Danny De Vito. And there’s a Fall single Rolling Danny (originally by Gene Vincent).”

Yeh, I thought that was how Danny was spelt too, until I checked out the single sleeve, that is:

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The Fall – Rollin’ Dany

Now, The Chain is not just about picking the coolest record with the cleverest link. Here at A History of Dubious Taste (generally) and The Chain (specifically) we like to feature the occasional record which some might describe as cheesy, some just as downright crap. Previously, we’ve had songs by Chesney Hawkes, Busted, and last week, Russ Abbot. Truly we know no shame.

First to take a tilt at claiming this week’s “Worst Record of the Week” crown goes to babylotti. This is actually the third suggestion he gave this week (the others will feature in a bit,  in different categories):

“Paul Evans with the ‘Hello, This is Joannie (The Telephone Answering Machine Song)’, purely because I thought he was referring to Joni Mitchell as a kid (I originally thought that was how it was on the record….)

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Paul Evans – Hello, This Is Joannie (The Telephone Answering Machine Song)

Ordinarily, I would now write something terribly scathing and/or witty, but this is a record which I posted a few weeks ago on my currently on hiatus “Friday Night Music Club”, thread, where I once posted a load of songs about telephone calls. You can read it here: self-referential tosser.

Anyway, nice try, babylotti, but I’m afraid that’s not the Worst Record of the Week. Stick around folks, you’ll see soon enough.

Here’s The Swede, from Unthought of, though, somehow with his suggestion for the week:

“Joni collaborated with Charles Mingus on her LP ‘Mingus’. This was Mingus’s final musical project and the album was dedicated to him after his death. On the 1959 LP ‘Mingus Ah Um’, Charles Mingus paid his own tribute to the recently deceased saxophonist Lester Young, with the gorgeous ‘Goodbye Pork Pie Hat’.”

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Charles Mingus – Goodbye Pork Pie Hat

See? Educational, informative and entertaining.

On to Rol from My Top Ten now, who perfectly demonstrates what I mean about going off on tangents:

“Kudos to babylotti for suggesting Hello This Is Joannie… which led me to think of my all-time favourite answerphone song:”

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Blake Shelton – Austin

“Oh, but hang on, I’m supposed to be linking to Joni, aren’t I….?”

We’ll come back to you, Rol.

In the meantime, since we seem to be on a bit of a Country tip, here’s George again:

“From Joni Mitchell to David Mitchell of Peep Show and his co-worker Robert Webb, to Webb Pierce, he of the guitar-shaped swimming pool, and his absolutely toptastic song There Stands The Glass.”

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Webb Pierce – There Stands The Glass

Toptastic indeed, great mate!

And so to the last of the suggestions in this category, and I’ll hand you over to Charity Chic from Charity Chic Music:

“Joni Mitchell is a talented painter whose work has appeared on her album covers.  Ditto Jon Langford so Chivalry by the Mekons please.”

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Mekons – Chivalry

Category 2 – For the Roses:

That leads me rather nicely on to my own first suggestion of the week. “You Turn Me On, I’m a Radio” is lifted from Joni’s “For the Roses” album, and, just like Joni and Jon Langford, John Squire of The Stone Roses, when he wasn’t chucking paint over his former record company’s offices, or taking several years to make an album that falls into “alright but not as good as their first album and certainly not worth the wait” bracket, or releasing underwhelming come back singles (did anyone like The Stone Roses come back material? In fact, can anyone name any of the singles? Without checking? Nope, thought not.)

So here’s a double linker, courtesy of Yours Truly:

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The Stone Roses – Made Of Stone

Rol’s back!

“OK… ‘For The Roses’, also contains the excellent ‘Barangrill’, the opening lines of which are:

“Three waitresses all wearing
Black diamond earrings
Talking about zombies and Singapore Slings”

So, this week, my suggestions are…”

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The Zombies – Time of the Season

“…and…”

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Harry Belafonte – Zombie Jamboree

Is it just me, or has Harry Belafonte got massive hands?

Now, newcomers I now need to introduce you to the concept of Comment Showboating. This is where a contributor provides a long, detailed, spectacular explanation of how they have got from Record A to Record B, and is a phrase I originally used to describe one of George’s early suggestions. It is meant as a compliment, by the way. More recently, Dirk from sexyloser has been providing the entertainment in this regard, but not this week:

“No Comment Showboating attempt this week, because the fact that this song seems to derive from an album called ‘For The Roses’ immediately made me think of a version of ‘Good Year For The Roses’ that I simply LOVED ever since I first heard it (on Peel, where else?), and in my estimation it’s better than any other version I know, and this – excuse me – includes E. Costello. So my choice for this week links to Dino Lee (The King Of White Trash) and his version of ‘Good Year For The Roses’ from 1985.”

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Dino Lee – Good Year for the Roses

“If you can’t find it anywhere, I’d be happy to send you an mp3-file …” Dirk adds. Oh ye of little faith! But that does flag up one of the rules here at The Chain: if you’re going to suggest a record, particularly an obscure one, then you must have a copy yourself in case I don’t have it already or am unable to source it. And then be nice when I come begging.

Now, before I become all bogged down with “The Rule”, we’ll move onto the third category of the night.

Category 3 – Turns/Turn-Ons:

Often the simplest links are the best, and more often then not the simplest way to link from the source song to your choice of tune is to pick a word from the title and find one that has the same word, preferably, but not necessarily in the title.

Here’s SWC from When You Can’t Remember Anything to show you what I mean:

“So something you turn on are lights. Interpol released a fairly terrific record a few years back called ‘NYC’ which featured on their album ‘Turn on the Bright Lights’.”

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Interpol – NYC

“Alternatively,” continues our just-moved-house-buddy, “you can turn face as Gravenhurst did in their wonderful track ‘I Turn my Face to the Forest Floor’.”

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Gravenhurst – I Turn My Face To The Forest Floor

He’s right, that is wonderful. I’d never heard of Gravenhurst before, but if you like that track, I can heartily recommend getting hold of a copy (legally, of course) of the “Flashlight Seasons” album for more of the same. Cheers SWC!

“Now if you’ll excuse me, I have a wheelbarrow being delivered.”

Erm, fair enough. You’re excused.

What seemed an age ago, babylotti gave us the third of his three suggestions, and it’s about time we went back to check out his other two. Well, one of them for now:

“Robert Palmer’s cover of Jam & Lewis’s ‘I Didn’t Mean to Turn You On’ (the original was by Cherrelle)”

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Robert Palmer – I Didn’t Mean To Turn You On

Now, had you not stipulated you were nominating the Robert Palmer version, I would have happily plumped for the Cherelle version. There’s just something about the Robert Palmer version that makes me feel a little…uneasy. Listen to the lyrics: this a man apologising to a woman for being so utterly irresistible (simply irresistible, you could say) that she cannot help but get turned on by him. This came out in 1985, when Palmer was 36. I know that’s not quite old enough for this to qualify as locker room talk, the optimum age for which we all now know is 59, but still…. The “Don’t blame me, you shouldn’t have gone out with me because you should have known you wouldn’t be able to resist me” defence makes my skin crawl, and Palmer’s version of this song is a Ched Evans of a record.

Trump should use this version as his walk-on music for tonight’s final live debate. At least Palmer is dead and so won’t be able to protest about it’s appropriated use.

Ahem. Anyway. Remember Alex G from right at the top of this post, kindly providing me with a reason to post some Bruce Springsteen? Well, here he is again:

“I would say this is kind of obvious, but since nobody else has suggested it (and I still like it)…”

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Freakpower – Turn on, Tune in, Cop Out [Radio Mix]

Let’s stay in dancier territories for a moment, with another of my suggestions, which at first glance has no link, but once you hear the lyrics, you’ll spot the turn-on link fairly easily:

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Paul Oakenfold Ft Brittany Murphy – Faster Kill Pussycat

And since we’re now on to songs which contain the lyrics “You turn me on”, here’s The Beard:

“You turn me on are the opening words of a well known song by Simple Minds. Said song (almost) shares it’s title with one time Saturday morning kids show Live & Kicking. The predecessor of this show was Going Live!, helmed by Phillip Schofield. The greyer than grey presenter was famously accosted by Fruitbat from Carter the Unstoppable Sex Machine at the Smash Hits Poll Winners Party in 1991. The song they, erm, played at that shindig was After The Watershed.”

For those of you who don’t know what The Beard is blethering on about, here’s the footage:

For reasons which are probably already pretty clear if you watched that all the way through, The Rolling Stones took out an injunction against the band to prevent it being played on the radio, and then took further legal action to make sure the song was thereafter credited to “Morrison, Carter, Richards and Jagger”. You’d have thought, given that “After the Watershed” came out in 1991, Richard Ashcroft might have learned something, wouldn’t you?. But no: six years later The Verve released “Bitter Sweet Symphony”, which, predictably, befell exactly the same fate for sampling The Stones’ manager Andrew Loog Oldham’s orchestral version of “The Last Time”.

 And here’s the song:

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Carter the Unstoppable Sex Machine – After The Watershed (Early Learning The Hard Way)

“It’s better than aforementioned Simple Minds number,” signs off our Bearded Brethren. What, this one?

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Simple Minds – Alive And Kicking

Yes. Yes, it is.

Time for a category change.

Category 4 – Radio:

Time to pop back to babylotti again, for his third choice which was actually his second (I really don’t make this easy for myself, do I?)

“Because I meant to post it when ‘Radio, Radio’ was the chain, but it still is relevant with this thread, Latin Quarter’s ‘Radio Africa’. Wasn’t really a fan, but saw them at the Sheffield Leadmill years ago & have remembered that song ever since……”

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Latin Quarter – Radio Africa

Over now to The Great Gog, who was first to post a suggestion this week, which used to mean he got top billing, but hey-ho, times change, and now he finds himself the second of two songs in the fourth category. Nothing personal, mind, I thought this was one of the cleverest links this week:

“Well, Joni clearly believes herself to be an item of electrical equipment, and this is not a unique state for a recording artist to find themselves in. Remember Buggles? The “Video Killed The Radio Star” duo (there’s a Radio link I hadn’t thought of!)? Some people may be surprised to know that they recorded an album. Still more may be surprised to learn that they even made it as far as a second album.  It is on this second album where Trevor Horn rather robotically advises the listener that “I Am A Camera”. It was released as a single but didn’t trouble the Charts at all.”

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Buggles – I Am A Camera

 You’re right GG – I knew they made one album, but a second? Nope, no clue.

Category 5 – Blue:

Perhaps Mitchell’s most famous album, and one which will always feature in those snooty “Best Albums Ever” lists that are published every now and again, is “Blue”. Here’s another of my suggestions:

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The Bluetones – Are You Blue or Are You Blind?

The Bluetones were a fine singles band in my book, but were regarded as a poor man’s Stone Roses, which I’ve never seen myself. It’s like when Gene were proclaimed as a Happy Shopper Smiths, simply because they had an articulate, literate lead singer and their music was guitar-lead. I’ll feature some more of their records on here sometime soon.

In the meantime, over to Alyson from What’s It All About Alfie? Now, I have to be honest, her reason for suggesting the song she has done does not having anything to do with “Blue”, but I was feeling a little lonely in this category, all on my Jack Jones, and by putting Alyson’s suggestion in here too (it does fit) it bestows double-linker status on it:

“Elvis Costello did a version of ‘Good Year for the Roses’ but that means we double back to him. Thinking of flowers however, it did remind me that when I went to see him in the early ’80s he was supported by a band called The Bluebells (led by Bobby Bluebell !). They had a hit (twice) with the song ‘Young at Heart’ so I’ll go with that one as well.”

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The Bluebells – Young At Heart

In case you’re wondering why she says “as well”, I haven’t gotten to her first choice yet. Time, see. It’s not linear, it’s…oh, I’ll let this chap explain:

Category 6 – Berets:

We’re on the home straight now, folks. And the Worst Record of the Week is still to make an appearance.

Many contributions this week referred to Joni’s preferred head-wear – a beret – yet nobody nominated this one, so I guess I’ll have to:

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Prince & The Revolution – Raspberry Beret

The first to suggest a tune based on a beret was Charity Chic who wrote:

“Joni is famous for wearing a beret. So too was the whippet loving Dundonian, the late great Billy McKenzie. So ‘Party Fears Two’ by the Associates please !”

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Associates – Party Fears Two

Dirk’s back with his actual second suggestion of the week:

“I know that the above [his first suggestion] is not the correct link as chosen by the BBC lads, in fact it’s (because, as CC correctly points out, good ole’ Joni seems to like wearing a nice beret) Staff Sergeant Barry Sadler’s ‘The Ballad Of The Green Berets’. Of course it is….

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Staff Sergeant Barry Sadler – The Ballad Of The Green Berets

I wouldn’t be so sure about that, Dirk…

Ok, here comes the last of your suggestions for the week, and it’s Alyson’s other one:

“Another lady that used to sport a beret was Rickie Lee Jones, she of ‘Chuck E.’s in Love’ fame.”

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Rickie Lee Jones – Chuck E.’s In Love

Which just leaves my final one for this week. Mention a beret to pretty much anyone who was brought up in the UK in the 1970s, and the first person who will spring to mind isn’t Joni Mitchell, or Billy McKenzie, or Prince, or Rickie Lee Jones, or, astonishing as it may seem, to Staff Sergeant Barry Sadler. No. They will think of Michael Crawford as Frank Spencer in BBC sitcom “Some Mothers Do ‘Ave ‘Em”.

Frank Spencer was not the brightest chap in the world, talking in an almost infantile way despite quite clearly being an adult. He was also very accident prone, and the main events of each episode was building up to the grand finale, a impeccably orchestrated stunt which Crawford, apparently, did mostly himself.

Here’s perhaps the most famous one (and yes, I know he’s not wearing a beret in this clip):

In the 1970s and early 1980s there was a band who I have mentioned before on these pages, who did “comedy” versions of pop songs. But their repertoire was not restricted to such cheesiness. Sometimes they wrote their own, original songs, and sometimes the subject matter of those songs was popular television comedy characters.

Brace yourself here come The Barron Knights:

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The Barron Knights – The Ballad Of Frank Spencer

Ordinarily, I would make a half-hearted effort to defend including something that bad, but there’s no point, is there? Sorry.

Let’s move on to the next record in the official Chain, the link to which could easily have rested in the first category of the night and saved us all a lot of time:

“Mitch Mitchell played bass in the Jimi Hendrix Experience, so…”

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25. The Jimi Hendrix Experience – Voodoo Chile [Slight Return]

In case you’re wondering about the slightly dubious sleeve, that’s the original cover of “Electric Ladyland” from which “Voodoo Chile [Slight Return]” is lifted.

So – your suggestions please, via the Comments Section down below, for records which you can link to Voodoo Chile [Slight Return] by the Jimi Hendrix Experience, along with an as brief or as complicated as you like explanation as to how you have got from one record t’other.

And I’m willing to bet I know which artist Charity Chic will suggest. And if he doesn’t, I will.

More soon (next week, to be precise).

The Chain #16

Evening Link Fans!

You know how I said I had a lot to get through last week? Well this week, even more so.

But before we get cracking, and to kill off any semblance of suspense, I’ll tell you that none of you – including me – picked the official record in The Chain. In fact none of you – including me – went down the same route as the person who picked the official one, which when you read it, will have you slapping yourself in the face and saying “Of course!!! Why didn’t I think of that!!”

First out of the traps, so to speak, this week was Charity Chic, proving once and for all why the name of this blog is very appropriate indeed, for I must admit, it was a song which I owned, albeit on a 90s compilation CD I’d picked up for something else entirely, but which also contained his suggestion:

“Dundee Unite fans despairingly sing “You’ve only got one shoe” to the socially deprived fans of Glaswegian clubs. When Gordon Strachan was manager of Celtic he was known as Chesney after a small red headed boy on the soap opera Coronation Street.  So The One and Only by Chesney Hawkes please Jez.  It’s bound to be the winner.”

Yes, folks. This is really happening:

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Chesney Hawkes – The One and Only

It’s okay. It’s safe to come out now. The be-moled one has gone.

But hot on his heels, here’s S-WC from When You Can’t Remember Anything, who not content with giving us two suggestions in his first week, goes two better by giving us four this week. So, deep breath, here we go:

Shoes were made for walking which immediately gives you ‘Fools Gold’….”

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The Stone Roses – Fools Gold

(and yes, the full 09:53 version. Of course, the full 09:53 version. Why would anyone want to listen to the short version..??)

“…But it also gives you Nancy Sinatra as well…”

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Nancy Sinatra – These Boots Are Made For Walkin’

“…As you walk in shoes you may well gaze down at them. Which is called Shoegaze. So perhaps ‘Sight of You’ by the Pale Saints.

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Pale Saints – Sight of You

“…Although ultimately if you have Kirsty singing about one pair of shoes you really need another point of view so you have to go with Fucked Up and ‘The Other Shoe’. Argument over.”

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Fucked Up – The Other Shoe

Moving swiftly on before I make really bad joke about that, here’s bagging area with more multiple suggestion mullarky, the third of which is my favourite link of the week:

“The Charlatans walked with no shoes on ‘Tellin’ Stories’…”

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The Charlatans – With No Shoes

“…Run DMC’s shoes were their Adidas…”

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Run DMC – My Adidas

“…Keith Richards once said ‘I don’t remember much about making Exile On Main Street but I do remember I had this really cool pair of snakeskin shoes’. “Happy” off that album is a blast.”

Yes. Yes, it is:

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The Rolling Stones – Happy

Here’s George:

“I was thinking of suggesting this: the Kirsty MacColl track comes from the album Tropical Brainstorm, and Typically Tropical did that single Barbados in 1975.”

This one..?

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Typically Tropical – Barbados

But before George has chance to flood me with multiple suggestions, can we give a warm Chain welcome to The Badger, who co-authors the When You Can’t Remember Anything blog with S-WC, who…erm…floods me with multiple suggestions:

Whilst my esteemed colleague S-WC is probably right about Fucked Up, he should consider this: Kirsty MacColl famously covered ‘A New England’ by Sir Billy Bragg. Billy Bragg also sang about Shoeburyness in the classic A13. So you could go there…”

And we will, for I once got Janice Long to play that for me on her late night Radio 2 show, kicking off – and I know you’ll find it hard to believe I could be behind such a thing – an hour of themed songs about roads:

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Billy Bragg – A13, Trunk Road To The Sea

“…Kirsty also sang on The Wonder Stuff’s ‘Welcome to the Cheap Seats’ from the ‘Never Loved Elvis’ album….”

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The Wonder Stuff – Welcome To The Cheap Seats

“…Elvis also featured in the title of a Cud album ‘Elvis Belt’. Which contained the classic ‘Only a Prawn in Whitby’.”

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Cud – Only (A Prawn in Whitby)

Moving on…no, wait…George hadn’t finished it seems…

“Then I thought of this: one of the other tracks from the Tropical Brainstorm album is “Não Esperando” which is Portuguese for No Waiting (and I didn’t have to look that up!), and the “waiting” bit leads to, yes, one of the 5 best songs ever recorded, Jesus Is Waiting by Al Green, the last track on the Call Me album, and 5-and-a-half-minutes of absolute genius.”

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Al Green – Jesus Is Waiting

Next up is Alex G, author of the rather fantastic We Will Have Salad who is kind enough to give my Copy and Paste skills a bit of a break by just suggesting the one song:

“What would you find “In These Shoes?”. If you were a shoemaker, probably a last. And Bob Last was the man behind the legendary late-70s indie label Fast Product, which in its brief existence gave us the debut singles by The Human League (the only reason I know the word “sericulture”), The Mekons, Dead Kennedys and Gang Of Four. Nice one, Bob. My pick: the original Fast Product version of “Damaged Goods” by Gang of Four, which Mr Last also produced. And which is great.”

Yes.Yes, it is:

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Gang of Four – Damaged Goods

And here’s Marie, who rather wonderfully adds an element of creative writing into her suggestion:

“I imagined the title of Kirsty’s “In These Shoes?” as a response to an invite to a Northern Soul All-Nighter. When asked, “What’s wrong with them?”, she might have answered, “Ain’t No Soul (In These Old Shoes) (by Major Lance.)”

One of the things I love about running this post (I can’t really claim to write it), is that often I’ll be introduced to a record I’ve never heard before, and which I instantly love. There’s a couple of tunes up there I was unfamiliar with, but my favourite of those this week goes to:

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Major Lance – Ain’t No Soul (In These Old Shoes)

Next, the return of another who I think we can now safely call a regular contributor round these parts. Here’s What’s It All About Alfie?

“This Chain could grow arms and legs, but it’s feet we’re interested in this week as feet live in shoes. A pair of shoes has two soles and following Marie’s thinking, how about Soul ll Soul with Keep On Movin’ (in these shoes) – a bit of a “lady” choice but gives The Chain balance perhaps?”

When this came out in 1989, my girlfriend at the time bloody loved it (in fact, we met because of it; she asked me to play it when I was DJ’ing one night, which I did, despite not being all that fond of it myself (No guitars, see..) The following week, I kept an eye out for her arrival, waited for her to get herself a drink and take up a spot kind of near the dancefloor, and then proceeded to play it for her again. Bingo! The oldest trick in the DJ’s Handbook.) but it wasn’t until a good few years later that the penny finally dropped with me about Soul II Soul and what an amazing record Club Classics Vol. One is:

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Soul II Soul (feat. Caron Wheeler) – Keep On Movin’

Three more to go, and here’s The Great Gog:

“I shall ignore all this talk of shoes and go with the fact that there is a chain of newsagents called McColl’s (yes, I know the spelling is ever so slightly different). Therefore I think that a song about a newsagent would be appropriate. I can think of no better such ditty (indeed I can think of no other, either) than In The Middle Of The Night from the debut album from Madness.” (Nope, me neither. The Jam’s “Man in a Corner Shop” is about the best I can come up with).

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Madness – In the Middle of the Night

Here’s The Swede, who picks up where George left off, linking to the title of the album from which “In These Shoes?” is taken:

“…‘Tropical Brainstorm’, which was co-produced by Dave Ruffy, drummer with The Ruts, one of the few groups of their time with the potential to rival The Clash in terms of passion and musical versatility. Certainly they were the only ‘punk’ band who got anywhere near The Clash when it came to reggae. ‘Give Youth a Chance’ is a good case in point.”

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The Ruts – Give Youth a Chance

Which brings us to the last of the suggestions from you guys and girls, and, since we started with a slice of cheese from Chesney, ending with another slice of cheese seems appropriate. I’ll let Kay explain:

“My suggestion is Footloose by Kenny Loggins. Just the thought of Kevin Bacon dancing angrily in a warehouse brings a smile to my face. Can’t remember if he’s dancing to footloose or some other gem in the warehouse – but what a scene!”

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Kenny Loggins – Footloose

Ok, cheese is a little unkind. I went to see that in the cinema when it came out in 1984, bloody loved it then, and bloody loved hearing it again now.

And, so to my choice. And mine is nowhere near as clever as all of yours (give yourselves a hearty pat on the back for another excellent week of suggestions, by the way). I’m giving you some breathy camp electro-clash-iness:

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Tiga – Shoes

All that’s left for me to do then is spark off a load of face-palms with the big reveal as to the identity of the official link:

“The late Kirsty MacColl’s former husband Steve Lillywhite produced Peter Gabriel’s third eponymous album…”

Grrr. How did none of us think of that??

Anyway, here’s the record they chose from said album:

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16. Peter Gabriel – I Don’t Remember

So, your suggestions please, via the Comments box below, for songs that link to Peter Gabriel’s “I Don’t Remember”, along with an explanation as to how you got there too please!

See y’all same time next week.

By which I mean: more soon.

Happy Easter Monday

So this is what posting on a Monday looks like, is it?

I had today’s choice all lined up and ready to go, when I read Adam’s post over at the consistently excellent We Will Have Salad yesterday where he, quite rightly, and unaware of my selection, said that the tune I had decided to post today was a bit obvious. As a result, I toyed with the idea of not posting it, before deciding that I’d post it regardless, that it would be fine to do so as long as I acknowledged its obviousness in a knowing, post-modern kind of way. Which I think I’ve just done.

And anyway, I can always post more than one song today, right?

So here it is:

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The Stone Roses – I Am The Resurrection

This is the full length album version, with the extended guitar wig-out at the end. A friend of mine once said that they hated the part of that where it “sounds like the theme tune to [popular children’s TV show] “Rainbow”

It took me ages to work out what he meant. See if you can spot it, dear listeners.

I’ve been visiting my parents over the weekend, travelling back today, so I’ll use the time on the train to come up with something a bit…well, if not better, then different. At least three have already occurred to me. You have been warned.

More soon.