Late Night Stargazing

I think I’ve mentioned before that in an old shared household I used to live in, Friday night would often be spent sitting around, playing records, drinking, chewing the fat, smoking the more than occasional doobie (as I believe “the kids” stopped referring to it at least 30 years ago) and, ultimately, proceeding/denigrating (delete as applicable) into a drunken sing-song at the end of the night.

We all knew when one of us decided the night was over; pop one of three or four records on and the message was clear: I’ve had enough and I need my bed.

Hel and I had a clutch of tunes which we had to hear (and bawl along to) before we staggered up the wooden hill to bed, but it’s funny thinking about it now that there was no cross-over, no Venn diagram – the same songs didn’t crop up on both “must hear” lists, no matter how much I tried to educate her. (Tongue placed firmly in cheek, there.)

Anyway, in the old house, this was one of those songs we simply had to hear and sing-a-long to, even if, as it transpires, I was getting a good chunk of the words wrong, and whenever I hear it – this version, not the George Jones version, mind – I’m transported back to those nights with – even though I am no longer on speaking terms with any of the other people involved – a certain degree of fondness:

Elvis Costello & The Attractions – Good Year For The Roses

There’s a line in that which I’m pretty sure Gary “Boss-Eyed” Barlow *ahem* appropriated (nicked) when he wrote this:

Take That – Back For Good

Did you spot it, dear reader?

Go on, admit it. That’s still pretty great, isn’t it? Even if a bit of the lyric is stolen, like some tax money stowed away in an offshore account in the Cayman Islands.

I’m nothing if not up-to-date with my targets.

More soon.

Old

I try to avoid posts marking the anniversaries of records being released for two reasons.

Firstly, I can’t be bothered with, and would have no idea where to start, keeping track of this sort of thing.

Secondly, because I just feel old when I see them.

“It can’t be that long, can it?” I find myself thinking, before looking it up and finding that yes, yes it can be that long ago that the record in question came out, even if does seem like a blink away.

On my Twitter timeline this week, it was brought to my attention that Sleeper’s The It Girl is twenty five years old this week.

I wouldn’t mention it were it not for the fact that I have a ticket for a gig which has been kicked down the road several times because of Covid, where the band will perform the album before this in full, ably supported by The Bluetones doing the same for their debut album, Learning To Fly.

And so it is: Sleeper’s The It Girl is 25, and I dare not look to see how old their debut album Smart is.

So here’s one of the singles from the album, notable for two reasons. Firstly, it’s used as the theme tune to a Radio 4 panel show (either the Sue Perkins hosted Dilemma, or the Victoria Coren-Mitchell hosted Heresy, I can’t remember which now and typically neither are available on the iPlayer at the moment to allow me to check – I think it’s the former):

Sleeper – What Do I Do Now?

And secondly because of this utterly wonderful cover version, by the other Elvis, which I’ve posted before but is so good it deserves another outing:

Elvis Costello & The Attractions – What Do I Do Now?

Take your pick.

More soon.

The Chain #50

It’s Saturday morning, and that can mean only one thing round Dubious Towers: Rant or Chain?

Any hope of building suspense is already ruined by the title of course. But believe me, after the humiliation of the press shots of Shagger Johnson looking at his most bumblingly unkempt on Thursday evening, and what his utter failure means for all of us here in the UK, it was by no means a foregone conclusion as to what would appear here this morning. Anyway, we’ve got all weekend until the announcement we’re all now expecting, so there’s plenty of time for me to cobble something together.

So. The Chain. We ended last time with this as the source record:

We were a little thinner on the ground than usual this time around, which I wasn’t especially surprised about, because there’s not a lot to work with there, is there? So hats off to all of you that contributed.

As you know, what I try to do with these is to bring your suggestions together into, if not an actual narrative, then some sort of cohesive whole, so that it’s not just me going “And here’s so-and-so’s suggestions”. And that’s what I’m going to try to do this time, but as many of the songs were related to other songs with years in the title, I figured I’d slip those in every now and then, in their true chronological order.

But first, a little tune, the title of which perfectly describes that Pumpkins source song title:

Look, I know I say this quite a lot, but not all Quo records are of the chugga-chugga three chord boogie variety. A Year is taken from their Piledriver album where they had almost permanently settled on their winning formula, but this is a far more bluesy affair, with a bridge which nods back to their psychedelic days. Seriously, give it a listen.

I’ll be using any songs which simply link to the word “year” as an alarm to warn you it’s about time we went time travelling. If you think about it, it’s a really clever way for me to crowbar all of the ones I thought of into the narrative, and isn’t a bit crap at all.

Ok, so it’s time for some time travel, and we’ll head back to the earliest of the yearly-titled suggestions. Care to hop aboard?

And we’re heading back to 1959 for this bit of flamboyant gothness, which, just as A Year doesn’t sound like Quo, so this doesn’t sound like a Sister of Mercy record, it sounds more like a Jim Steinman composition (checks this: it isn’t, but I had no idea that Sisters mega-hit This Corrosion is a Steinman song, and he has a co-writing credit on Dominion/Mother Russia. Seems he rubbed off on Andrew Eldritch. (Not like that, you mucky lot!)):

Anyway, that was suggested by…erm…me, too. (Note: not #MeToo). I suppose I’d better let some of you lot play, hadn’t I?

Ok, so let’s kick off proper with songs which can be linked to the band name, and for a starter, here’s Rol from My Top Ten:

“Pumpkins are gourds.

So I’ll go with The Gourds and their cover of Gin n Juice by Snoop Dogg. (Or Lion. Or whatever he’s calling himself this week.)”

Takeaway salesman?

“You could also have Cucumber Castle by The Bee Gees,” Rol continues, “although it is pretty awful (and I like the Bee Gees).”

Rol is right, of course. I like the Bee Gees too. And that really is not good.

As an aside, for those of you old enough to remember them, was it just me that thought Barry Gibb looked like the blue one (a lion?) from 1970s kids TV show Animal Kwackers?

And you never saw them together, did you? (as I believe it is customary to say when making this kind of joke.)

Anyway, sorry Rol. You were saying?

“Melons are also gourds. Apparently. Which might explain why The Smashing Pumpkins came up with one of the worst pun album titles ever created.”

He is referring, of course, to the album from which our source record is lifted, Mellon Collie and the Infinite Sadness. But watch yourself Rol, now you’ve mentioned puns, I have a nasty feeling about where you’re going with all this, since way back in The Chain #32 this very topic came up and I ventured The Beach Boys’ Gourd Only Knows and Teenage Fanclub’s Gourd Knows It’s True and absolutely nobody noticed.

“And then there is…” Rol innocently continues:

Phew. No puns then.

Whilst we’re on all matters gourd-related, here’s the ever reliable Stevie from Charity Chic Music:

“Getting in early with The Ballad of Peter Pumpkinhead by XTC a song I once heard played at a funeral.”

This, I think, deserves some further explanation. Was the coffin much bigger at the top than the bottom? Did the cremation take ages and start from a single, strategically placed candle? I think the world needs to know.

God, I love a good harmonica. I sense a new idea for a (probably quite brief) series.

And since Rol mentioned the album name from whence our source was ripped, here’s The Great Gog:

“I’ll go with the fact that 1979 is taken from the album Mellon Collie And The Infinite Sadness, and linger on the last word albeit with a different adjective. So that will be The Saw Doctors and Exhilarating Sadness.”

Whoa! What was that and where did it come from?

That, good people, was the sound of young people making music. I know, seems a bit out of place round here, doesn’t it? It was also an artiste which links to the word “year”, which means it’s time to hop in our time travelling machine which looks remarkably like a more famous fictional one but which, for legal reasons, is called something completely different. I don’t know. Haven’t given it much thought.

How about: This Is Travelling in Time and Space? That’ll do.

Hop into TITTS and we’ll be off.

(I am 51 years old.)

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And we’re landing back in 1966, for the first of several suggestions from Pat from PhonicPat who gives us our obligatory Half Man Half Biscuit song of the month (and a bit):

Since we’re already in Pat’s charming company, he’s given us another couple of songs which link to the source band’s name, thankfully devoid of gourd-related puns:

…and…

Allow me to squeeze another couple in. Firstly, here’s legendary jazz pianist Fats Waller:

The really rather ace:

The considerably less ace:

And if I’m chucking a load of Smash references in, I may as well throw a Pump in too:

…which leads me to this piece of genius:

**TIME TRAVEL KLAXON ALERT **

Here we go:

And here we are in 1969, the year when all the cool people were born, and I’ll leave you in the hands of babylotti for a while:

“Immediately, I don’t know why, but 1979 made me think of 1969 by The Stooges…”

“…then 1970 by them too….”

Whoa there cowboy! Let’s finish off 1969 before we go gallivanting across the years.

And here’s Pat (who also suggested The Stooges) with another suggestion:

When I was feverishly searching t’internet to try and find some more tunes, I stumbled across this rather surprising entry:

And I don’t suppose we can really leave 1969 without giving this an airing, even if it is rather well known that the digits in the title don’t actually refer to a year, but to something altogether much ruder:

And since we’re on the edge of the 1970s, we may as well let babylotti finish what he started with his Stooges talk and drag us into a slightly more recent age:

“…then 1970 by them too….”

“…then I remembered the great cover version of that song by Flesh for Lulu.”

This one?

Here’s a thing. About fifteen years ago, Rocco from Flesh For Lulu was in a fly-on-the-wall property documentary called A Place in Spain: Costa Chaos. It turned out to be one of those excruciating, uncomfortable shows that should go down in legend, but it seems only me, and me good mate Val who I was living with at the time and who watched this with me, remember it.

Actually, not quite us two. For fortuitously, someone has posted most of the episodes on YouTube (I think one is missing), but if you have time to spare, then I’d thoroughly recommend you spend it watching this (first episode only included here):

Seriously, when the commentary says things like “But neither of them seems to have considered how they’re going to pay for it”, you know you’re watching car crash telly. Quite how I’ve managed to get writing this finished with such a distraction, I’m not sure.

Over now to a couple of suggestions linked to Smashing Pumpkins main man Billy Corgan, and first off the boat is Hal:

“Billy reputedly had a fairly healthy self-regard, which reminded me of the opening couplet to ‘San Francisco Fat’ by personae non gratae NOFX

And in a similar vein, here’s Swiss Adam from baggingarea:

“Smashing Pumpkins singer and professional misery Billy Corgan played on New Order’s 2001 comeback album, on the song Turn My Way- which as songs go on that album is pretty good and better than anything on the follow up Waiting For The Siren’s Call.”

He’s not wrong:

He also co-wrote this (Billy Corgan, not Swiss Adam):

Let’s shift ever so briefly to 1973, just so I can post this, which is ruddy magnificent:

And just as I thought I was running out of suggestions, here Devonian with three on the bounce:

“Remember how Smashing Pumpkins had to add a “The” to make sure we all understood that they were referring to the excellence of said squashes, rather than the act of setting about them with hammers? That made me think of songs by other bands with similarly enthusiastic names, such as… da-da-da-DAH…”:

…and….

“…and…”

Here’s Pat, back with another related suggestion:

“The Sonic Youth version of The Simpsons theme with the link The Smashing Pumpkins, The Homeralooza episode which included the following conversation

Billy Corgan: Billy Corgan, Smashing Pumpkins.

Homer: Homer Simpson, smiling politely.”

And so on we march to 1979, and I’ll hand over the reins to Rigid Digit:

“1979 could be a very broad subject. Arguably, I could offer a list of the best songs of 1979 (and there were many – it was a fine fine year in the world of Pop).

A personal memory – 1979 is the first year I really started taking note of pop music, and on an episode of Top Of The Pops saw Dave Edmunds performing Girls Talk – that says more to me about 1979 than Alan Sunderland scoring a last minute winner for Arsenal.”

Sorry, you lost me with that last bit. But here’s Dave anyway:

“Written in 1978, Tom Robinson had a go at guessing the state of the nation 18 months into the future. Not all (any?) of his predictions came true – and certainly not the one about Spurs beating Arsenal (they lost 5 Nil).”

Times have changed, matey, what happened last weekend…? Oh, yes, this:

Just saying.

The Beard doesn’t know when to stop using an analogy, so I’ll let it slide:

“Alan Sunderland scored the winning goal for Arsenal in the 1979 FA Cup Final.”

Don’t make me post that football clip again….

“Field Music are the best band from Sunderland.”

Better.

“The Noisy Days Are Over by, erm, Field Music.”

And here’s C from Sun Dried Sparrows:

“There’s the band Death From Above 1979, although I believe they often drop the 1979 bit from their moniker, it is a bit of a mouthful after all… anyway, this leads me to think of ‘Let’s Make Love And Listen To Death From Above’ by CSS, fronted by the marvellously named Lovefoxxx.”

I thought Lovefoxxx was your dating profile name?

It would be rude at this point not to feature some actual Death From Above 1979, so you can decide whether or not you wish to make love to them:

Poor old Willie, having to churn out albums of covers to pay that tax debt back.

But wait: that’s a **TIME TRAVEL KLAXON ALERT **

Which takes us to our last few records, all suggested by yours truly:

…and this odd little thing I stumbled across:

..and this, from Pat:

…and finally, this, which I was very surprised that Swiss Adam didn’t suggest:

I say “and finally”, but what I actually mean is “and finally from the past”, because what’s the point in having a saucily-named time travelling machine if we can’t go into the future as well as the past?

Off we pop:

To here:

Which just about wraps it up.

Oh wait. Here’s Rol again:

“And then there’s Little Red Courgette, obviously.”

Obviously.

Which just leaves me to announce what the actual next record in the real Chain is, and it’s this:

“The pumpkin patch featured in the cartoon strip ‘Peanuts’ which featured Charlie Brown, so…:”

Which just leaves me to ask for your suggestions for songs which link to Charlie Brown by The Coasters, to be submitted via either the Comments function on this page, along with a brief explanation of your link, or if you prefer anonymity that you ultimately won’t be afforded, by email to dubioustaste26@gmail.com

More soon.

The Fall

No, not them.

I’m writing this as an advance apology; there may be less writing round here for a little while, there may be more (we’ll see), but there’s a possibility that anything I do write might not make much sense. Teapotkettlebarbeque!

On Room 101, host Frank Skinner once illustrated that he was getting old by relating how once he was backstage at a gig, talking to a much younger comedian, when he (Frank) complained of some back pain. The younger comedian asked him what had happened, and he realised that this back pain came with no anecdote, he was simply getting old and had inexplicable aches.

I haven’t quite reached that stage yet, but I do ache at the moment, and that’s because on Monday I had what a different Frank – Spencer (look him up, millenials) – used to describe as “a bit of an accident”.

Rushing to catch the bus which would get me to work at something approaching ‘on time’ (a rarity on a Monday, hence my I’m Not Too Keen On Mondays series), I fell down the stairs to my flat.

Worry not, these are internal stairs, not an external fire exit.

But they are very steep, with a corner step right outside the door to my flat. There’s no bannister to hold on to, past a certain point; when I was discharged from hospital in 2018, with my rehab/physio incomplete, the thing I was looking forward to least was trying to conquer these stairs.

Anyway, on Monday morning, they finally beat me, as I went arse over tit down them. I’m blaming me wearing a different pair of shoes which perhaps had less grip than my normal ones, but truth be told I have no idea what caused me to fall.

But fall I did, from top-to-bottom; I think my arse hit every step on the way down, and my head at least one or two too.

The next thing I remember is the woman from the flat below me – who I don’t exactly get on with – standing over me, asking if I was okay. I have no idea if she heard the thumps of fat arse on step and had come out to see what was going on, or if she had found me there when she left for work, but she kindly helped me to my feet and asked if I was okay.

“Yeh, yeh…I’m fine…bruise a bit prided though….”

“I think you need to go to A&E,” she told me, and as I wobbled a bit trying to get to my feet and out the door, I decided she probably had a point.

And so Monday was spent at the local hospital, waiting, waiting, having some X-Rays, then waiting some more. Turned out nothing was broken, though they suspected I had “mild concussion”. The advice was to take it easy, and if I was feeling dizziness in a day or so, I should come back to A&E and they would do further investigations.

And so Tuesday was spent at home, flat on my back, watching TV. Which was nice.

By Wednesday, the dizzy spells hadn’t stopped so I returned to A&E and after several hours of waiting, I had a CAT scan to my head, which found nothing of any interest (insert own joke here). I relayed the result to Kay (my boss) and told her I would be back in the office on Thursday.

And so Thursday came; I went to work, and the journey was, thankfully uneventful. I had a chat with Marion, one of the senior managers, about what had happened and felt kinda fine. Stiff and achey, but otherwise ok.

Back at my desk, some twenty minutes later, the lad next to me said something. I asked him to repeat it, which he did. I looked at him quizzically. Why is he telling me it’s good to see me now, I thught, when I’ve been back at my desk for this long, and we’ve already discussed the ridiculousness of something he had been sent to review? On request, he repeated what he had said again, and at the third time of asking I realised he was telling me that Marion was trying to attract my attention.

Kay got in to work and suggested we do my Back to Work Interview straight away. We found a vacant room off of the main office space, and before my arse had even hit the seat, Kay had said: “Should you be here?”

Midway through the conversation I realised I wasn’t exactly sitting normally: my left hand was on the table between us, about half way across it, propping me up.

And then I realised I was blethering on about having bruises on my arse like when John Noakes had that accident doing the Cresta Run on Blue Peter in the 1970s, and when he showed off one on his hip he realised that he was wearing his wife’s underwear, which he had ‘accidentally’ put on in the dark that morning. (I wish I could find a link to this, to prove it happened…)

It was like a knock to my head had caused all of the built-up popular (and not so popular) cultural references were finally released into the wild, gambolling across the vesta, or rather spilling out and into my words.

And now I realise that I have also referenced Room 101 and Frank Spencer in this post and that Kay’s decision to send me home and tell me not to come back until Monday was probably wise.

So perhaps I should just skip to the appropriate tunes, some of which in no way indicate a buried Messiah complex.

Elbow – Fallen Angel

Adorable – Favourite Fallen Idol

Elvis Costello & The Attractions – I Can’t Stand Up For Falling Down

Franz Ferdinand – The Fallen

The Chemical Brothers – Catch Me I’m Falling

More soon.

The Chain #39

Scene: an empty warehouse, in darkness.

FX: A door creaks opens, a switch clicks.

The lights flicker into life.

Delivery Man 1 [poking his head through the door]: Yes, this looks like it.

Delivery Man 1 backs into view, clipboard under arm, guiding a large object covered in a sheet, which is being pushed by Delivery Man 2 with considerably more effort than Delivery Man 1 is expending.

FX: The door slams shut.

Delivery Man 2: Whereabouts does it need to go? What does the order say?

Delivery Man 1 consults the clipboard.

Delivery Man 1: It says “Leave in the middle of the floor, covered, as if it’s been here for ages.”

Delivery Man 2 [with a shrug]: Bit weird, but if that’s what it says.

Job done, they exit, leaving the light on.

FX: the door opens and closes. Pause. Repeat.

An incredibly handsome, if fat and bald, man enters the room. He surveys the object before removing the sheet.

Incredibly handsome, if fat and bald, man: And we’re back in the room!

Hello, and welcome to The Chain. Where’ve you been? I’ve been waiting for you.

Prompted by a question about whether one of this week’s suggestions qualified under the rules, and nothing whatsoever to do with the amount of time since one of these posts appeared, nosireebob, I thought it might be best if I go over them again here, with a brief explanation of what we do here.

So, The Chain is a feature on BBC 6Music’s Radcliffe and Maconie show (and prior to that, their show on BBC Radio 2), where a record is played and they invite suggestions as to what record could be played next, which must link in some way to the one just played.

The difference here is that whilst they choose just one record to play, we try to post all of the suggestions which you submit.

The only rules are:

  1. No suggested record can feature twice (unless it has only featured as part of The Official Chain). If you’re not sure – ask!
  2. The only exception to this rule is “Back on the Chain Gang” by The Pretenders, which has been adopted as our theme tune
  3. When making your suggestion, you must provide an explanation of the link between the two songs
  4. You must already own a copy of it, and be willing to provide it (in case I don’t already own it or am unable to source it)
  5. Suggestions must be more than just naming a different song by the same artist.
  6. You can make as many suggestions as you like, but please, go easy on me, won’t you?

That’s about it. I award points every now and again, for Worst Record of the Week, Cheesiest Record of the Week, Comment Showboat of the Week, and of course, for anyone who happens to guess either the song or act (or both) that is the next record in the Official Chain, which becomes the source record for the following week. Nobody’s keeping score (well, I’m not anyway), the points are just a bit of fun.

Okay, that’s the admin done. Last time out, the source record was “The Universal” by Blur; personally, I found this a really tricky one to link to, especially as I have to wait and see what’s left after you guys have nominated all the good ones. Ho hum, such is life.

So, here we go then, and as usual, we’ll bracket them into several fairly broad categories and, as usual, we’ll probably wander off on a couple of tangents along the way.

First out of the traps last time was Charity Chic from Charity Chic Music who wrote:

“It has to be something off ‘Universal Audio’, the final album by The Delgados. I Fought the Angels would do rather nicely I feel”

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The Delgados – I Fought The Angels

Of course, CC was not alone in suggesting a link to something of Universal appeal; Dirk from sexyloser proffered thusly:

“…because not enough good German music is being featured on these pages, I’d like to  link to Die Sterne – ‘Universal Tellerwäscher’ from 1994 …. which in fact is a mighty record indeed!”

I was going to make a rather unkind joke about the phrase “good German music” being an oxymoron, but then I listened to Dirk’s suggestion and have to agree, it is mighty fine (even if I have not one clue as to what it’s about, although Google Translate, which is never wrong, obviously, tells me that a Tellerwäscher is a dishwasher ):

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Die Sterne – Universal Tellerwäscher

Sticking with the Universal theme, SWC from When You Can’t Remember Anything suggested this:

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Universal Being – Size of an Elephant

whilst The Great Gog wrote:

“…seeing as we’re all commenting on The Universal, Red Hot Chilli Peppers’ Universally Speaking would seem apt.”

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Red Hot Chili Peppers – Universally Speaking

And The Beard quoted a completely different song which contains the word “Universal”:

“Universal, unique untouched, unadulterated, the raw uncut”

He is, of course, referring to this:

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Blackalicious – Alphabet Aerobics

Time for the first interlude of the day; I stumbled along this clip the other day, which I’m sure you’ll agree contains some quite wizardly rapping:

Anyway, where were we?

Ah yes. Blur’s ‘The Universal’. Take it away Julian of Music from Magazines fame:

“Blur did a song “Beetlebum”
The Beatles did a song “Across The Universe”
Laibach did a version of “Across The Universe”
Laibach nailed “Sympathy For The Devil”

(The 7.52 version please)”

As you wish:

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Laibach – Sympathy For The Devil

Time for a big Chain welcome for the first of two new contributors to The Chain this week, here’s Telefrank:

“The video for ‘The Universal’ references the Korova Milk Bar, so something by Wendy Carlos natch.”

Just to join up the dots: the Korova Milk Bar features in ‘A Clockwork Orange’, so this seemed like as good a tune as any:

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Wendy Carlos – Title Music From ‘A Clockwork Orange’

Walter from A Few Good Times in My Life pointed out that “…the opposite of universe might be the underground. So…”

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The Jam – Going Underground

It’s scary how that song is so relevant now, 35 years after it came out. “Times have changed”, some people say. I’d play them that and respectfully disagree.

Anyway, before I start going off on one, more Universal shenanigans. Here’s Alex G from We Will Have Salad:

“A nice easy link from ‘Universal’ to another well-known film studio: Columbia.”

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Oasis – Columbia

Walter continues the theme: “Universal is also a music label distributing music of various and different artists. So I suggest:”

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Tom Petty – You Don’t Know How It Feels

From the Universal links, it’s one small step to the universe, and space in general, and to our second new member of The Chain Gang of the week, abramson60, the 60th from the very noble Abramson family, as Adam Buxton would say:

Anyway, abramson60 has certainly got the hang of how to make sure you get lots of tunes played here: list of a load of songs he’d considered before finally plumping for a completely different one. I, of course, cannot resist:

“Universe would automatically take me down the space road, so you could have….”

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 Liz Phair – Supernova

“…or another of my pet favorites…”

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Julian Cope – Spacehopper

“…not forgetting that he went on to become the nation’s favourite spaced out artist.”

But, “…sticking with universe, The Rocky Horror Picture Show had long lasting and profound influence on the somewhat naive 16 year old me who first saw the film at the tail end of the 70’s. So my pick is ‘I’m Going Home’, not quite sure where to but somewhere in the outer reaches of space.”  I’m not sure I quite follow the link there, but as it’s your first visit, I’ll let it slide this time:

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Dr. Frank N. Furter – I’m Going Home

Over to The Swede from Unthought of, though, somehow next, who says:

“I’ll keep things cosmic and suggest ‘Space is Deep’ by Hawkwind – the studio version from ‘Doremi Fasol Latido’ please.”

Very well.

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Hawkwind – Space Is Deep

A couple of you suggested links from lyrics withing ‘The Universal’, which is fair enough and fine by me. For example, Rigid Digit from Stuff & Nonsense suggested:

“‘The Universal’ includes the lines:
“And to karaoke songs,
We like to sing along,
Although the words are wrong”

So .. mondegreens (misheard lyrics) and possibly the most well known: ‘Scuse me while I kiss this guy'”

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The Jimi Hendrix Experience – Purple Haze

Next up, Martin from New Amusements, who takes the “list a load of songs then pick a completely different one as their choice” approach adopted by abramson60 and combines it with Rigid Digit’s focus on the song’s lyrics:

“The Universal includes a line about ‘satellites in every home’ so we could go with that, enabling…”

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The Hooters – Satellite

“…or…”

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Lou Reed – Satellite Of Love

“…or…”

Sleeping-Satellite-Single-cover

Tasmin Archer – Sleeping Satellite

“…or, I guess…”

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The Tornados – Telstar

If I could just butt in for a moment, I can’t hear that record without thinking of this record (and vice versa) since I can’t help but think that while it’s not a straight-out sample, the synth melody line, owes more than a little debto the old instrumental Martin suggests:

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Saint Etienne – You’re In A Bad Way

Martin’s actual choice will follow in a moment, but props where props are due, the category it falls into was first suggested by The Robster from Is This The Life? (well, actually, it was first mentioned by Rigid Digit last week time)

“My link comes in the form of British Gas adverts. The Universal was, as you point out, used in an ad campaign for British Gas. So was ‘More Than A Feeling’ by Boston, which despite ticking all the middle-of-the-road 70s AOR boxes, is a damn fine tune and one I always find myself playing air guitar to. True!”

It may well be, but unfortunately that’s featured in The Chain before, so, as per the rules above, I can’t allow it this week. Sorry!

Tell you what, have another go:

“Another gem from the British Gas archive is the wonderful ‘Rescue Me’ by Fontella Bass which cannot fail to give everyone a lift on a Monday morning.”

Much better.

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Fontella Bass – Rescue Me

Back to Martin again: “…let’s go down the route of the Blur track’s British Gas-based ubiquity, all the excuse we need to have ‘Jumpin’ Jack Flash’ by The Rolling Stones, since that tells us ‘it’s a gas, gas, gas.'”

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The Rolling Stones –  Jumpin’ Jack Flash

He’s still not done yet, mind:

“But I’d rather suggest a song I really like, so the gas connection allows me to pitch the much-less-played ‘It’s A Gas’ by The Wedding Present. Any excuse to get the Gedge out, after all.”

I could not agree more.

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The Wedding Present – It’s A Gas

Catchphrase time! If you’re suggesting that, then I’m suggesting this:

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T. Rex – Life’s A Gas

And as a special treat, here’s Marc Bolan performing ‘Life’s A Gas’ with Cilla Black, of all people:

The less said about that the better, I think.

But whilst we’re on adverts, here’s Snuff from their ace “Flibbiddydibbiddydob” album (these are so short, you may as well have two):

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Snuff – Bran Flakes

Snuff – Shake ‘n’ Vac

After those words from our sponsors, back to The Great Gog:

“‘The Great Escape album’ from which The Universal is taken also includes a song called ‘Top Man’. When I was younger (and a little less Great) I used to venture into Manchester and frequent a store of that name, and occasionally even buy something. Having done this, my then-significant other would drag me to where she wanted to buy stuff – Chelsea Girl. Obviously the title of a song by Simple Minds…”

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Simple Minds – Chelsea Girl

Well, if you’re suggesting that, then I’m suggesting this:

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Ride – Chelsea Girl

Sorry GG, I interupted, do carry on:

“…[Chelsea Girls is] also referenced on Mighty Mighty’s ‘Is There Anyone Out There?’ Which sort of links back to matters universal.”

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Mighty Mighty – Is There Anyone Out There?

Right, where next? Since we seem to have exhausted all of the possibilities of links to “The Universal”, how about links to Blur? Seems like a plan.

Over to Birthday Boy Rol (45 today!) from My Top Ten, then, with two and a half suggestions:

“Suggestion that needs no explanation: ‘Mr. Blur’ by Tom Verlaine.”

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Tom Verlaine – Mr. Blur

He continues: “Suggestion that leads a little more explanation: Blur used to be called Seymour. I’m sure someone will link to the obvious song from that (the one about a record company boss…”

You mean this one, I assume?

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Belle & Sebastian – Seymour Stein

“…so,” Rol continues, “I’ll point us towards the character of Seymour in the movie ‘The Little Shop of Horrors’ and suggest the song ‘Feed Me, Seymour’ as sung by the killer plant Audrey II (aka Levi Stubbs from The Four Tops).”

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Audrey II – Feed Me (Git It)

The Great Gog’s back:

As Rol has mentioned Seymour, the track that I always think of when I hear Blur’s previous name is ‘Read About Seymour’ by Swell Maps.”

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Swell Maps – Read About Seymour

Now, before he started listing spacey songs, abramson60 also proffered up a few relating to the name of Blur:

“Blur taken as unclear leads me to…”

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Lindisfarne – Fog On The Tyne

You can all count yourself lucky that I decided not to post the version with Gazza on it. Actually, that might have been quite appropriate, since writing and indeed reading The Chain often has the air of a hostage situation about it, so maybe we should expect him to rock up with a bucket of fried chicken and a fishing rod.

Anyway, back to you abramson60:

“…or maybe when everything clears…”

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Jimmy Cliff – I Can See Clearly Now

I’ve got Snuff covering that too somewhere, but let’s not overdo it, eh? That would take us over the 2 minutes of Snuff records mark, which would never do.

Any more, abramson60?

“Having said all of that I would much prefer to offer up Dr Phibes and the House of Wax Equations (any brownie points for extra long band names?) [Nope – Ed] and Hazy Lazy Hologram, link being obvious and in hazy, and everyone loves drug induced music, don’t they?”

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Dr Phibes & The House Of Wax Equations – Hazy Lazy Hologram

Back to Julian for his obligatory weekly suggestion of a record by Lambchop:

“A Blur is what the world is when ones had too many HIC!!

Where was I ?

Who fucking knows?

Oh yes its all coming back to me…..”

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Lambchop – The Man Who Loved Beer

And what of the individual members of Blur, there must be some links there, right?

Guess what, here’s abramson60. Again.

“Blur’s singer is Damon Albarn who is the son of Keith Albarn, who once managed Soft Machine, whose drummer Robert Wyatt went onto have a solo career, recording ‘Shipbuilding’ which as we all know was written by Elvis Costello, who took part in the Red Wedge tours along side Billy Bragg. So my suggestion has to be ‘Valentine’s Day Is Over’.”

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Billy Bragg – Valentine’s Day Is Over

I have two things to say about this. Firstly, I had no idea of the Albarn connection to Soft Machine, and secondly, abramson60 did suggest this back on February 15th, which makes his choice of Billy track a little more understandable.

But frankly, you had me at “Shipbuilding”:

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Elvis Costello & The Attractions – Shipbuilding

SWC’s back:

“Damon Albarn was the boyfriend of Justine Frischmann of Elastica. So let’s have ‘Stutter’ from them.”

The first record I ever bought by Elastica this, albeit on an NME compilation album of their Singles of the Week from 1993, and without doubt one of the finest ever songs about erectile disfunction.

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Elastica – Stutter

Charity Chic’s back, with the obligatory Clash record of the week. Don’t worry George, there’s a finite number of them that can be suggested:

“Damon Albarn was in The Good,The Bad and the Queen, as was Paul Simonon who wrote and sung ‘Guns of Brixton'”

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The Clash – The Guns of Brixton

Speaking of George, he’s been rather quiet so far this week, so here’s the first of his suggestions:

“Damon Albarn was/is also in a band called Gorillaz, and gorillas are in a branch of primates, as are monkeys, leading to ‘Monkey On My Back’ by The Triffids (from the Field of Glass EP). I think the song is not actually about monkeys.”

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The Triffids – Monkey on My Back

Well, if you’re suggesting that, then I’m suggesting this:

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Inspiral Carpets – Monkey On My Back

In fact, given his involvement with Gorillaz, you could describe Albarn as a…

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 The Maytals – Monkey Man

(My apologies, by the way: I realised I’ve misnamed the mp3 as Toots and The Maytals, rather than just The Maytals, but I really can’t be arsed with changing it.)

The Great Gog’s back again:

“I did have one more up my sleeve, but left it in case anyone else came up with it – they haven’t , so here goes. Blur’s lead singer is D. Albarn. Shuffling one of those letters to the left a bit allows me to type Dr. Alban, the early 90’s hitmaker who made such a lasting impression on me that I can only recall one of his tunes…”

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Dr Alban – It’s My Life

Hands down winner of the “Worst Record of the Week” award, there.

“Used in a Tampax advert at some point in the nineties too,” pipes up The Beard. Now, let’s not lower ourselves by making any jokes about that particualr subject. That’s it. None. End of. Period.

Instead, let’s move onto the other members of Blur, and focus for a moment on bass player Alex James. Over to you, George:

“Another Alex is Alex Harvey, so the song is from the first Sensational Alex Harvey Band album ‘Framed’, and ‘The Hammer Song’.”

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The Sensational Alex Harvey Band – The Hammer Song

Another from SWC next, I think:

“When he is not doing that [being in Blur] he schmoozes up to his famous neighbours David Cameron and Jeremy Clarkson. He also pretends to make cheese which gives us a lovely link to ‘Gorgonzola’ by Leslie Sarony.”

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Leslie Sarony – Gorgonzola

Mention any of the old music hall acts such as Leslie, and I’m afraid I can’t help thinking of this chap:

Back over to Rol, who might just see this post before his birthday’s finished:

“All this talk of Alex James’s cheese behooves me to suggest Copy Cats by The Humdrum Express, which features the lines…

“I read a Jamie Oliver’s Feastival review
Where ex-Top Gear presenters jumped the queue
To a sign publicising ageing sleaze
But it was Alex James’s aptly named new cheese”

(It also features the line “More Betty Than Swervedriver”, which I’m half thinking of stealing to rename my blog.)”

Bagsy and first dibs duly note.

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The Humdrum Express – Copy Cats

I may aswell chuck one in to the Alex-mix. When he isn’t making cheese, or being in Blur, he’s also popped up in some questionable novelty acts, most famously with Fat Les, but also in Wig Wam, a truly awful project that I’m not going to offend your ears by playing. His partner-in-crime there, though, was one Alison Clarkson aka Betty Boo:

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Betty Boo – Where Are You Baby?

Two band members left, and absolutely nobody suggested anything Graham Coxon-related so I had a quick shufty round and found that according to wikipedia, he appeared on Blue Peter twice as a child.

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Mike Oldfield – Blue Peter

But since all the rest of the band are getting at least two songs, we may as well have one of his singles. Friends of mine will attest that every time we’ve heard thisplayed out, I always point out that the intro sounds a lot like “Into the Valley” by Skids (Since nobody has ever agreed with me on this point, I’d post it so you could compare, but as it’s already featured on The Chain once before, I can’t. Who made these stupid rules up anyway??):

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Graham Coxon – Freakin’ Out

Which just leaves drummer Dave Rowntree, and a suggestion by The Beard:

“He shares his surname with the confectioners Rowntree. They are based in York and created the KitKat. York City’s Bootham Crescent ground was for a period renamed KitKat Crescent. ‘Crystal Crescent’ is a track by Primal Scream amd nothing to do with chocolate or the city of York.”

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Primal Scream – Crystal Crescent

Times may not change, by Primal Sceam certainly have over the years, haven’t they?

Finally, Rowntree has stood for election three times on behalf of the Labour party, losing on each occasion. Which leads me to this:

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Radiohead – Electioneering

Which just leaves us to reveal what the next record in the Official Chain is, and many of you will have noticed the absence of one particular song from the start of this post, when we looked at songs with the word “Universal” in the title. Many people wanted to suggest this, but Swiss Adam from baggingarea was the first out of the traps so the kudos and points are his this week:

“The Small Faces have their own ‘Universal’ which is a lovely song.”

Ain’t that the truth:

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Small Faces – The Universal

So, all that laves me to do is to ask for your suggestions, please, for songs which link to “The Universal” by Small Faces, along with a brief description of the link, via the Comments Section down below, in time for the next edition.

Let’s say that will be next week, and see what happens, eh?

More soon.

The Chain #24

Ordinarily, I start every post on The Chain by recapping what we do here, what record we’re linking to this week, and then say I’d better crack on as we’ve got loads to get through.

Now whilst it is true that we have got an awful lot of tunes this week, there’s not as many as perhaps there could be, and that’s because one of our regular Chain Gang contributors is conspicuous by his absence for a second week running and is, I hear, rather unwell. I mean, I haven’t actually been presented with a sick note excusing him from participating, but that’s what I hear.

So, Badger: get well soon mate, and this week’s post is dedicated to you.

Last week’s record was “Radio, Radio” by Elvis Costello & The Attractions, a song which cropped up a couple of months ago on my Radio-themed “Friday Night Music Club” post, and so I was anticipating a few that I had chosen back then would resurface again here. Not a bit of it, which is either indicative of either the wide range of musical tastes you guys and girls cover, or of how many bad records I chose. Or both.

So to kick things off, one of my suggestions which didn’t quite make the cut when I was writing that “Friday Night…” post, mostly because it doesn’t have the word “Radio” in it’s title. But it seems an appropriate place for us to start:

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Charlie Dore – Pilot of the Airwaves

Onwards, then, to some of your suggestions, and one final piece of housework. George: sorry about this, but there at least five records you’re not going to enjoy this week.

Here’s Dirk from sexyloser:

“Great start to link not one, but four different Clash tunes to, much to the dismay of George, I would suspect (I l.o.v.e. this!): ‘Capital Radio One’….”

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The Clash – Capital Radio One

…and we’ll check back with Dirk throughout today’s post to go through the rest of them.

But first, more Clash-related shenanigans from Unthought of, Though, Somehow‘s The Swede:

“‘Radio Radio’ is taken from the LP ‘This Year’s Model’. If your car happens to be this year’s model (at least if it was registered in the UK between March & August), the age identifier portion of the number plate would be 16. In 1980 The Clash promoted the ‘London Calling’ LP with the 16 Tons Tour, every night of which would see the band walk on stage to ‘Sixteen Tons’ by Tennessee Ernie Ford.”

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Tennessee Ernie Ford – Sixteen Tons

Next up, here’s Swiss Adam from Bagging Area with one of those suggestions where we get three for the price of one:

“Clearly you need to go to Jonathan Richman and the Modern Lovers’ ‘Roadrunner’, with his radio on…”

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Jonathan Richman & The Modern Lovers – Roadrunner

“…And Joy Division who danced to the radio in Transmission….”

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Joy Division – Transmission

“…And Half Man Half Biscuit who had Joy Division Oven Gloves.”

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Half Man Half Biscuit – Joy Division Oven Gloves

Actually, there’s a double link for that one, as it was the subject of a Facebook campaign to get it to Number 6 in the UK Singles charts in an effort to save the BBC’s radio station 6 Music. It actually managed to scale to the giddy heights of Number 56, but the station survived, thankfully.

Time to check back in with Dirk, whose next Clash/Radio song is, perhaps unsurprisingly:

“…‘Capital Radio Two’…”

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The Clash – Capital Radio Two

Whenever someone mentions Capital Radio, I’m always reminded of one of their DJs, who also worked the decks on Radio 1 for a while: David ‘Kid’ Jensen. I am still allowed to mention him, aren’t I? He’s not one of the bad ones, right? Good. Then I can legitimately play this:

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The Pretenders – Kid

But enough of my suggestions (by which I mean, I’ll have some more later): time for Alex G, who this week writes his suggestion like this:

“The recent Edinburgh Fringe revival of 80s comedy show “Radio Active” has got me listening to the old shows again. One of the episodes is called “The Radio Radio Programme” and as usual it includes one of Phil Pope’s musical parodies, his target in that particular episode being “Sledgehammer” by Peter Gabriel. Not one of PP’s best efforts, but reason enough to suggest linking to the original “Sledgehammer” by the actual Peter Gabriel.”

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Peter Gabriel – Sledgehammer

I could, at this point, post that ground-breaking video, but we’ve all seen that, so instead I thought I’d take a step back and post a couple of Phil Pope’s better parodies. I think you’ll recognise his targets on both of these:

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The HeeBeeGeeBees – Meaningless Songs

Oh, and this, which I don’t find in the slightest bit amusing:

How dare they.

Alyson from What’s It All About, Alfie? leaps to my their defence, by proving that sounds nothing like them:

“Elvis Costello’s next release after ‘Radio Radio’ was ‘Oliver’s Army’ which led me to think of the Status Quo song ‘In The Army Now’.”

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Status Quo – In The Army Now

Alyson – and indeed her other half Jamie – will be back in a bit. When you see what one of them suggests, you’ll be wishing they had stopped at Quo.

In the meantime, here’s Charity Chic from Charity Chic Music, who you may recall was very close to suggesting the official next record in the chain last week, and therefore almost bagged himself some invaluable (by which I mean of no value whatsoever) bonus points:

“From ‘Radio Radio’ to the excellent ‘Mexican Radio’ by Wall of Voodoo…”

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Wall Of Voodoo – Mexican Radio

CC’s not done yet though:

“…whose lead singer was Stan Ridgway who gave us the less excellent Camouflage”

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Stan Ridgway – Camouflage

“Suspect I won’t be troubling the scorers this week…” he sadly concludes.

You’re right, CC, you won’t. But you haven’t nominated the worst record of the week. Has he, Alyson?

Nor has The Beard, although he gave me a bit of a fright with the direction of this week’s suggestion:

“The lyrics to ‘Radio Radio’ make reference to late night listening. Circa 1992 I heard Annie Lennox played back to back in the small hours on Radio One, something that haunts me to this day. One of the songs played was Why. Why by Carly Simon is infinitely better.”

Deep breaths, everyone. We’re okay. He didn’t go there. The Annie Alarm remains untroubled.

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Carly Simon – Why

“…as is Nobody Does It Better by the same artist”, continues our (presumably) Bearded Buddy:

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Carly Simon – Nobody Does it Better

Ordinarily, I might only allow one song by the same artist to be nominated by the one person, but I’m going to let it slide here for two reasons. Firstly, “Nobody Does It Better” is my favourite Bond theme ever (most of the time; sometimes it’s “Live and Let Die”). Secondly…well…have you ever seen the episode in the second series of “I’m Alan Partridge” where our late night radio host describes the opening sequence of “The Spy Who Loved Me”, to which “Nobody…” is the theme, as the VHS copy he intended to watch in his static home has been inadvertently taped over with “America’s Strongest Man”? And have you ever wondered how accurate his commentary is? Wonder no longer:

Speaking of songs that I wouldn’t normally allow, here’s The Great Gog:

“‘Radio Radio’ features the same word repeated in its title as does another ECATA ditty, ‘Party Party’ from the film of the same name. There are obviously lots of other examples of this type of song-titling, but that one seemed the most appropriate.”

Under normal circumstances, I wouldn’t allow a song by the same artist as the record we are linking to (not that it’s ever happened before, mind). On this occasion, you just get away with it on the grounds of the repetition of words theme.

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Elvis Costello & The Attractions – Party Party

The film is bloody awful, mind.

GG has a point: there are lots of records which employ repetition in their title, and to prove it, here’s Kay:

“Using the theme of repetition – Radio Radio – I thought of Tonight, Tonight by The Smashing Pumpkins.”

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The Smashing Pumpkins – Tonight, Tonight

In fact, you could also have this one, which I pointed out to Kay I was surprised she hadn’t suggested, given that’s it’s by her favourite group, that it has a title with the same word repeated in it, and even has the word ‘repetition’…erm…repeated quite a lot in it:

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Hot Chip – Over and Over

I don’t think Kay has stopped kicking herself for missing that yet.

Time to check back on Dirk and see where he is with his Clash-a-thon:

“…‘This is Radio Clash’…”

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The Clash – This Is Radio Clash

Thanks Dirk, see you in a bit!

Time for The Robster from Is This The Life?:

“Seeing as there’s a lack of cheese so far… How about – playing on the Attractions – ‘Opposites Attract’ by Paula Abdul. Appalling, I know, but this isn’t about taste, is it?”

It certainly isn’t, but you, too, need not be concerned about the quality levels not having dipped enough just yet. Eh, Alyson?

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Paula Abdul – Opposites Attract

Regardless, “I feel the need to right that wrong,” The Robster continues, “so my other offering is Kirsty MacColl’s ‘There’s A Guy Works Down The Chip Shop Swears He’s Elvis’.”

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Kirsty MacColl – There’s a Guy Works Down The Chip Shop Swears He’s Elvis

Right. Let me take a step back, survey the carnage, and see who I haven’t mentioned yet.

George. Of course, George.

“Older people than myself, such as Charity Chic and The Swede, might prefer to use the word wireless instead of radio. In the tv programme Not The Nine O’Clock News, they once did a song with the lyrics “On the road you must be brave and tireless, on the road you can listen to the wireless”. I think that song is called I Like Trucking.”

Close, George. My recollection is that on the show it was referred to as “I Like Trucking”, but when the cash-in accompanying album “Hedgehog Sandwich” was released, the title had been shortened to just “Trucking”:

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Not The Nine O’Clock News – Trucking

Alyson’s back, with her hubby in tow this time:

“I have an entry first from the other half Jamie, who decided that if there are two radios the sound will be in stereo which led him to think of the Stereophonics who released a track called Vegas Two Times from their ‘Just Enough Education to Perform’ album. Bit of a double link with the “stereo” and the “two times” both relating to Radio Radio.”

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Stereophonics – Vegas Two Times

What with me having lived in Wales for 20 years, at the time that the Stereophonics came to prominence, you could be forgiven for thinking I love them.

You’d be wrong though.

Did you ever have that thing happen to you, when you’re in the middle of a conversation and someone suddenly sticks their head round the corner, and says something which completely makes you lose your thread? Here’s Swiss Adam again, who’s located another unexpected item in his Bagging Area:

“R.E.M.’s Radio Song too”

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R.E.M. – Radio Song

Now where was I…? Oh, never mind. Can’t have been important.

Back over to Dirk’s Clash Corner for the final time now. What are you listening to now, Dirk?

“… ‘Radio Clash’!!!”

Of course you are. And now, so are we (minus George).

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The Clash – Radio Clash

Here comes Rol from My Top Ten:

I worked in the radio industry for 23 years of my life. Radio Radio is one of my all-time favourite songs because of the lines…

‘And the radio is in the hands
Of such a lot of fools
Trying to anaesthetize
The way that you feel’

When I started working in radio, back in the late 80s, my ambition was to be a jock because then I’d get to pick my own music. A couple of years later, presenter choice was gone from local radio and my ambitions of being a DJ were over. I stayed in the industry for a further 20 years in other roles because it was an easy job and I got lots of freebies from the record library: basically, all the good stuff they wouldn’t ever play because it didn’t “test well” with the great unwashed.

All of which would usually lead me to suggest the same track I selected last week: Rex Bob Lowenstein by Mark Germino & The Sluggers. But as I already had that one, can I instead go with a very similar tale…”

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Tom Petty and the Heartbreakers – The Last DJ

George is back!

“I have a chain that results in a Bruce Springsteen song…” he says, slightly curiously, given that on these very pages he has named Broooce as the other act, along with The Clash, that he dislikes.

Despite much encouragement, he declined to provide us with the link, declaring he would “rather stick pins in my eyes”, which seems a bit extreme. I’d recommend ear plugs as a far more effective way to avoid hearing something, George. You’re welcome.

Instead, he comes up with this:

“From Elvis Costello to Elvis Perkins (son of Anthony Perkins the actor) and from his album Ash Wednesday the song Ash Wednesday.”

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Elvis Perkins – Ash Wednesday

A couple more folks returning from earlier now. Here’s The Robster:

“We got here by way of the name of Elvis Costello’s record label. There’a a reggae label called Easy Star Records that has a house band, The Easy Star All-Stars. Along with an astounding selection of guest vocalists, they’ve released a series of excellent tribute albums over the years, one of which was ‘Radiodread’, a reggae tribute to ‘OK Computer’ by Radiohead. I could suggest any number of songs from it (‘Lucky’ featuring the legendary Frankie Paul; ‘Let Down’ featuring the uber-legendary Toots & The Maytals), but I’m going to plump for ‘No Surprises’ featuring The Meditations.”

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Easy Star All-Stars – No Surprises (Feat. The Meditations)

And here’s Charity Chic:

“I was going to offer Radio Gaga by Queen but even I would not stoop that low.  The Frank Sidebottom version on the other hand …”

This one?

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Frank Sidebottom – Radio Ga Ga

I know what you’re thinking. You’re thinking that’s the worst record we’re featuring this week, right? No. No it isn’t. For Frank Sidebottom was a genius. You know he was, he really, really was.

I suppose we should let Dirk have a non Clash request, right?

“What I really would like to hear is The Members – ‘Phone-In Show’ from their debut album, simply because I haven’t heard it for ages and can’t be arsed to search for the LP.”

Well Dirk, I could be arsed to search for it, but couldn’t find the bloody thing. So instead, here’s their version of ‘Phone-In Show’ taken from one of their Peel Sessions instead:

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The Members – Phone-In Show (Peel Session)

You may have noticed that it’s not just Badger who is conspicuous by his absence this week. Where has his When You Can’t Remember Anything… partner in crime S-WC got to? Well, he’s in the middle of moving house, but he did take time out from packing up boxes to suggest this:

“I don’t really have a lot of time to explain but my suggestion is ‘Radio Ladio’ by Metronomy.”

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Metronomy – Radio Ladio

Doesn’t really need much explanation, to be honest, that one SWC. Anyway, hope you have your broadband sorted in time to get a suggestion in for next week!

Rol’s back, with a suggestion to protect George’s eyes from becoming pin cushions:

“…my second choice would be State Trooper by Bruce…

Radio’s jammed up with talk show stations
Just talk talk talk talk talk
Till you lose your patience…”

I think maybe George has suffered enough this week.

Only joking. Course he hasn’t. Here’s the Trentemoller remix of it, which might make it a tad more palatable:

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Bruce Springsteen – State Trooper (Trentemoller Mix)

Okay, where next. Ah yes. Can’t really put this off any longer. Welcome back Alyson:

“I think I have probably come up with something that would win cheesiest song EVER in a poll of polls. Yes, from Elvis Costello to Abbott and Costello (the more mature chain-ganger will remember them) to Russ Abbot who had a mid ’80s hit with Atmosphere (as in he liked a party with one).”

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Russ Abbot – Atmosphere

Let’s be honest, it was only a matter of time before I got round to posting this. There’s so much to make you cringe here: the reference to being “at the dancing party”  – was that ever a thing?; the desperate attempt to be hip by referencing Frankie Goes to Hollywood; the frankly rather seedy looking video where Russ saunters through a nightclub full of dressed-for-the-80s bright young things, looking like the sort of person your mother used to warn you about.

You’ve never seen the video, you say? Then get your laughing gear round this:

See what they did there? It’s so disappointing that it doesn’t quite work.

Maybe it does if you do it the other way round?

Better. Much better.

Okay, to round things off this week, one last suggestion from me.

In 2006, Basement Jaxx released their fourth album “Crazy Itch Radio”, from which I’ve chosen this little beauty:

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Basement Jaxx – Take Me Back To Your House

Which just leaves us with the small matter of what the official song in the link was. And normally I’m a little bit disparaging about the tune they select, not so much for the song, but for the reason it was suggested/selected.

But credit where credit’s due, this week’s is a double-linker:

“Elvis Costello sings on the Joni Mitchell covers album [A Tribute to Joni Mitchell]…”

..and although he doesn’t sing this one, the choice of Joni tune doubles up here:

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24. Joni Mitchell – You Turn Me On, I’m a Radio

And that, as they say, whoever they may be, is that.

Your suggestions please, via the Comments section down below, for records that can be linked to “You Turn Me On, I’m a Radio” by Joni Mitchell, along with a brief description of your linking logic.

Same time next week?

(More soon.)

The Chain #23

Welcome, welcome Chain Gangers new and old, welcome all.

Last week’s record was “Radar Love” by Golden Earring, and the gauntlet was thrown down for you to come up with records which linked to that five minute rock classic. Some of you chose to link to word “Radar”, some to the word “Golden”, one of you to the word “Ear”, but, and bless you all for this, not one of you went down the very simple route of suggesting songs which linked to the word “Love” or “Ring”.

Actually, that’s not quite true. For one from amongst our ranks linked to both. At the same time. We’ll deal with them later.

So, to your suggestions, and first up this week is Charity Chic from Charity Chic Music:

“Let’s get the cheese out the fridge early doors,” begins CC. Music to my ears, that. Regular readers will know that whilst we encourage, smart, clever, odd, witty, records here, we also enjoy a bit of cheese to off-set it all. So what does CC have in store for us?

“Golden Earring puts one in mind (or me at any rate) of Golden Brown by the Stranglers. There was a Boston Strangler leading to the poodle band Boston with More than a Feeling.”

If I could just clarify, Boston were a band from Boston who named their band Boston, that’s how full of innovative ideas they were. So clearly, Boston were not a band made up exclusively of Poodles. That would be ridiculous. There was a Yorkshire Terrier on keyboards too, and an American Hairless Terrier called Brian provided occasional backing vocals.

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Boston – More Than a Feeling

“I may well be back,” CC adds, somewhat ominously.

Now, once in a while a suggestion contains a bit of info that I didn’t know, and this week that dubious distinction goes to The Great Gog:

“Oh well, I’d better get it over with. For those that know about these things, there’s a bit of an elephant in the room with Golden Earring, or should I say Eggermont in the room. Japp Eggermont to be precise. Not content with providing a track for the Euro-version of Smashie & Nicey to play, Mr. Eggermont post-Golden Earring was responsible for the medley mania that blighted the UK Charts in 1981 with his Starsound project.”

In case you have no idea what GG is talking about here, the Starsound project was kind of like a prototype Jive Bunny, who simply mixed old pop hits together into a medley with an irritating drum beat syncing them all together. You can read about them here or if you’d like to actually hear one of them, this is the one that got to No. 2 in the UK charts in 1981:

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 Stars On 45 – Stars On 45

No need to thank me.

Anyway, sorry GG, I seem to have interrupted, do carry on.

“This launched many copyists, but perhaps the most interesting lurked on the b-side of Squeeze’s “Labelled With Love” single – “Squabs On Forty Fab”. Clearly, Glenn, Chris and the guys weren’t taking it terribly seriously, but it’s a better listen than any other the others that were around.”

See? I had no idea that a bloke from Golden Earring was responsible for all those records, nor did I know that Squeeze had done a parody, of sorts:

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Squeeze – Squabs On Forty Fab

Time to get settled now folks, as our nice Uncle Dirk from sexyloser is about to demonstrate the art of Comment Showboating:

“…in ‘Radar Love’, Golden Earring have a line which goes “And the radio played that forgotten song / Brenda Lee’s “Coming On Strong””.

Not only is this tune shamelessly forgotten indeed (although I have a feeling that someone might easily suggest it here in due course in order to rectify this situation)…”

Stop right there. We can do that right now:

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Brenda Lee – Coming On Strong

Do continue, Dirk.

“…it’s also a little known fact that this song’s title refers to Barrett Strong, American singer and songwriter, born February 5, 1941 in West Point, Mississippi.

Brenda Lee, although married to Ronnie Shacklett since 1963, apparently had a soft spot for lucky Barret as well, or is there any other explanation why she wrote a song about having sex with him and even describes her favourite position in the title?” [Erm…are you sure about this bit…? I’ve read this several times and can’t make out if you’re making a very rude joke or not – Ed.]

“And, friends, it must have been g.r.e.a.t. sex, because it was Barrett Strong who gave Brenda the nickname under which she was widely known until the end of her career: “Little Miss Dynamite”!

Also commonly not all too well known is that Barrett wanted more than just this short liaison, but it took him until 1973 until he responded with a song for Brenda: ‘Stand Up And Cheer For The Preacher’.

History shows us that his wish was never fulfilled by Brenda, nevertheless it’s my suggestion for this week’s link, so there you are!”

I have no idea whether any of this is true or not, so just in case, a disclaimer: the views of Dirk are not necessarily shared by the broadcaster.

Anyway, here’s the tune Dirk nominates, and rather fine it is too:

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Barrett Strong – Stand Up and Cheer for the Preacher

Time to welcome The Swede from Unthought of, though, somehow who proposes a song and a band I had no previous knowledge of, and who, on the strength of this song – which musically reminds me of Cowboy Junkies take on “Sweet Jane” from their The Trinity Sessions album – I’ve gone out and got me the album.

“There’s no way I can pass up such a (ahem) golden opportunity to suggest my favourite song of 2015. From Golden to Silver – ‘Silver John’ by This is the Kit.”

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This Is The Kit – Silver John

Onwards now to SWC from When You Can’t Remember Anything who submits:

“Radar makes me firstly think of MASH so that immediately gives us the opportunity to have a listen to the Manics version of theme tune to that.”

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Manic Street Preachers – Theme From M.A.S.H (Suicide Is Painless)

“But secondly” SWC continues, “Radar also makes me think of the wonderful Dawn of The Replicants’ single ‘Radars’.”

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Dawn Of The Replicants – Radars

Which seems an appropriate moment for me to slip one of my suggestions in, for the first record that sprang to my mind when I saw the source material was this, one of those “let’s stick this previously unreleased track on the Greatest Hits album in the hope it helps flog a few more copies” affairs:

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Blur – Music Is My Radar

And now, the return of Is This The Life‘s The Robster for his second (or should that be fourth, fifth, sixth, seventh and eighth..?) suggestions:

“A couple [ahem! – Ed] of suggestions from me: Radar Love was from an album called Moontan. Moon Safari was an album by Air featuring the excellent song Kelly Watch The Stars”

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Air – Kelly, Watch the Stars

“Another track from Moontan – Vanilla Queen – samples Marilyn Monroe who sang a song called I Wanna Be Loved By You…”

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Marilyn Monroe – I Wanna Be Loved By You

“A more obvious route – and a blatant excuse to get some David Gedge in here – takes us straight to Ears by Cinerama…”

0001459016_500Cinerama – Ears

“Alternatively, using the Golden tack – Gold Lion by Yeah Yeah Yeahs…”

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Yeah Yeah Yeahs – Gold Lion

“…or better still, Golden by Stephenhero (aka Patrick Fitzgerald of Kitchens Of Distinction) which features vocals by the delectable Tanya Donelly.”

stephenherogoldenepStephen Hero – Golden

“Better leave it at that – I’m getting greedy…” he (finally) signs off.

Y’think??

Now, I’ve never heard that Stephen Hero record before, so forgive me as I’m not entirely confident in the place I got it from: is it supposed to do that thing where it seems to go into a completely different song for no reason whatsoever? (Not saying I don’t like it, by the way, just wondered if I’ve picked me up some duffer of a tampered with version).

Ok, so The Robster emailed me to tell me it sounded like I had indeed been sold a pup and that what I seemed to have was a sampler for the whole EP, which just goes to show what an idiot I am. Link now updated to feature the correct song. Many thanks to the Robster for pointing me in the right direction with this one, which I like even more now that I’ve heard it properly!

Moving on to Alyson from What’s It All About, Alfie? who writes:

“I am (sadly) old enough to remember Golden Earring from when they first released Radar Love back in ’73 and I hated it! Not my thing at all and they stole valuable TOTP from my favourite teen idols of the day. Bit of a one-hit wonder though so they soon went away, but then what happens, they release the same bl**dy song again four years later! My musical tastes had evolved by this time but they still (to use a phrase last employed by my favourite person to stalk/spy on/copy, George) “rubbed me up the wrong way” – Again they were taking valuable air time away from the acts I did want to watch on television!

So, to pull a lyric from a song I really do like, they not only stole time:

One time, one time (but)
Two times, two times…..

Yes, a very tenuous link to the Fugees version of Killing Me Softly from me this week.”

I think I understand that connection, just about:

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The Fugees – Killing Me Softly

Remember how Charity Chic said they may be back later? Turns out, they weren’t ruddy well joking:

“In 1978 Radar Records released their first single (I Love The Sound of) Breaking Glass by Nick Lowe – hopefully got those brackets in the correct order Alyson!”

This prompted a mini-discussion (can two comments be classed as a discussion? Discuss.) as to whether there were any brackets in the song title in question, Alyson stating: “Not seeing brackets in any of my reference material for that one CC, although I’m not actually looking at the single so they might have snuck those pesky brackets in there.”

I was with CC on this one, right up until the point that, after uploading and naming the MP3, I checked the single sleeve. Oopsies.

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Nick Lowe – (I Love the Sound of) Breaking Glass

Luckily, it turns out that we’re all right. For it seems that in some countries, it was released with, and in some countries without, the brackets. For example, when it was released on Columbia Records in the USA, the brackets were included. As evidence:

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Glad to clear that up. And by the way, who said us bloggers were nerds?

Now does anyone know what time it is? That’s right: it’s George Time!

“Golden Earring were Dutch (I suppose they still are). So were Focus, but I chose them last week, but The Vengaboys were Dutch. I recognised We Like To Party (and did a little dance a la The Inbetweeners film which brought a smile to my partner’s face. Or was it a grimace…. ).”

Definitely the latter.

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Vengaboys – We Like to Party! (The Vengabus)

For those of you new round these parts, can I stress that this is not the sort of record that George usually suggests. He’s been under a lot of pressure recently…

To try and balance things out a little, I’ve spent much of my spare time since George suggested this trying to find a clip of the Wenger Boys from Sky One’s Soccer AM, but to no avail. In my quest, however, I did find an article about Vengaboys which read: “Vengaboys are a Dutch Eurodance group…[who were] never critically acclaimed”.

Hands up who knows can think of a really good reason why that might be?

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Nuff said.

Here’s Rol from My Top Ten; surely he’ll have some blinding suggestions for us?

“My first thought this time was that Golden Earring also had a song called The Twilight Zone and recently I put together a Top Ten Twilight Zone Songs (songs which could have been episodes of the amazing Rod Serling TV show). Number One on that list was Angie Baby by Helen Reddy because it freaks me out every time I listen to it.

However, I’ve disqualified the above as it’s way too self-referential.”

Oh shush. Such modesty. Read it here.

“So instead, I offer Mark Germino & The Sluggers’ classic DJ song Rex Bob Lowenstein, taken from the album Radartown. Rex Bob is a hero to music bloggers everywhere – he refuses to “play the song list they send in the mail” and when The Man tries to make him, he barricades himself in his studio and “plays smash and trash till they cuff him on the floor”.”

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Mark Germino and The Sluggers – Rex Bob Lowenstein

Over to Alex G from We Will Have Salad now:

“OK, sticking with Dutchness for a moment, one Dutch musician who passed through Golden Earring’s ranks was Robert-Jan Stips, later of art popsters Nits, from whom I nominate “Radio Shoes”. And since the first “R” of “RADAR” stands for Radio, that’s a connection by two different routes.”

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The Nits – Radio Shoes

“Also,” Alex continues, “I imagine most or all of Golden Earring wore shoes.”

Not according to The Great Gog, they don’t:

“Picking up from Alex G, a bit of lazy stereotyping would have the Dutch band’s footwear being clogs. This of course opens up the opportunity for a quick blast of Violinski’s “Clog Dance”.

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Violinski – Clog Dance

70s-tastic, Great Mate!

What time is it? It’s a quarter past George Time! And here he is with another contender for Comment Showboat of the week:

“Taking Gold as a starting point, directly under gold in the Periodic Table is Roentgenium, symbol Rg, named after Wilhelm Rontgen, the discoverer of X-rays. And The Butthole Surfers have a song with lines I Saw An X-Ray Of A Girl Passing Gas, from the Hairway To Steven album. (Apologies to German readers and Germano-philes for not using an umlaut in Rontgen.)”

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Butthole Surfers – I Saw an X-Ray Of a Girl Passing Gas

Last, but by no means least, of your suggestions this week, it’s welcome back to The Beard:

“Golden Earring are famously Dutch. The sport of darts has produced many famous Dutchmen, none more so than current world number one Michael Van Gerwen. In the glamour world of professional arrows, walk-on music is standard. His walk-on music is Seven Nation Army by The White Stripes. Frontman Jack White appears to have a low boredom threshold/strong work ethic and was also in, among others, The Raconteurs with a couple of gadges from The Greenhornes. My choice is The End Of The Night by The Greenhornes.”

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The Greenhornes – The End of the Night

I was going to post The White Stripes tune for you too, but CC only posted it over at his place a couple of days ago, so here’s the Glitch Mob Remix of it instead:

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The White Stripes – Seven Nation Army (The Glitch Mob Remix)

Now, you’ll recall that right at the top of this week’s post, I wrote this: “…not one of you went down the very simple route of suggesting songs which linked to the word “Love” or “Ring”.

Actually, that’s not quite true. For one from amongst our ranks linked to both. At the same time. We’ll deal with them later.”

Well the time to deal with them is now, and that person was yours truly. And surprisingly, I’m not going for the easy joke here. And this is the record:

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Pixies – I’ve Been Tired

Whilst Black Francis/Frank Black/whatever he’s calling himself this week and Kim Deal may be (or have been in the latter’s case) the famous ones in the Pixies, this overlooks their drummer, the fantastically named Dave Lovering. Which is probably why he plays an instrument that is played sitting down, to protect his Lovering. (You know when I said I wasn’t going for the easy joke? I lied.)

And one more from me. Some people claim to be able to use their Radar to establish what sexual preference a person is. Often this is referred to as a Gay-dar. Which sounds too much like this for me to be able to resist:

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Electric Six – Gay Bar

It also gives me the opportunity to post the quite brilliant video for it:

That’s enough Abraham Lincoln’s in posing pouches for this week, I think. Time to reveal what the BBC Radio 2 listening public nominated as their choice to follow on from Radar Love by Golden Earring:

“From ‘Radar Love’ to Elvis Costello’s record label, Radar, hence…”

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23. Elvis Costello & The Attractions – Radio Radio

CC – you were so close to gaining some bonus points. So near, and yet so far…

Ok, so you all know what to do next. Send me, via the Comments section below, you’re suggestions for records which can be linked to “Radio Radio” by Elvis Costello & The Attractions, along with your explanation of the link between the two (or in The Robster’s case, five).

See you back here in a week’s time!

(More soon)

The Chain #22

Evening Chain Gang!

So, so much to get through this week, so I’ll assume you all know what we do here, and will dive straight in.

Last week’s records was “Inbetweener” by Sleeper, and the suggestions for records that link to that came in thick and fast. Now, I know I swore off fiddling around with the order last week, but as it turned out, this week there were several suggestions which followed similar themes so I thought I’d try to group those together, interspersed with the remaining ones.

And so to kick things off this week, here’s The Swede from Unthought of, though, somehow which just happened to be the first one I received:

“Louise Wener of Sleeper published an autobiography in 2010 entitled ‘Different For Girls’. ‘It’s Different For Girls’ is the title of a rather splendid Joe Jackson song.”

It most certainly is, and you need proof, here you are:

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Joe Jackson – It’s Different For Girls

Wener’s post-Sleeper career has largely been based upon her writing skills; not only has she written that aforementioned autobiography, but she’s written several works of fiction too. Which made me think of this record, which contains my favourite mop-top guitar riff: