The Chain #43

There. That’s caught you all out. The Chain on a Wednesday morning.

Don’t get used to this. I’m at a work conference this afternoon and won’t get back until late, so I figured if I didn’t get it done before then, it’d end up being another week before it appeared. So, I started writing it earlier than usual (but still a week late, if you’re being ungratefully picky).

Anyway, we’ve lots to get through this week – 63 new suggestions in total – and so, as has become usual, we’ll start off with a reminder of the source record for the week:

original_44242. The Beatles – Martha My Dear

Yet again, one of you correctly guessed the next song in The Chain, but we’ll come to that later. Or, more specifically, at the end.

But first, where to begin? Link-wise, I can think of no finer place than with therobster from Is This The Life? although, as you will see, the first tune of the week can only be partly credited to him:

“I’ve gone down the ‘intentionally misspelled animal-related band name’ route. How about some Def Leppard? No…?” 

Yes! But with no actual one-armed suggestions forthcoming from the robster, in stepped Rol from My Top Ten:

“If therobster isn’t going to suggest one, can I suggest…”

Def Leppard

Def Leppard – Let’s Get Rocked

“…because it’s very silly.”

Back to therobster, who actually suggests this:

“…let’s have the Monkees. As the Beatles were from Liverpool, I reckon ‘Randy Scouse Git’ would fit well. Plus, it’s actually about a party the band went to that was hosted by The Beatles”

Monkees

The Monkees – Randy Scouse Git

Now, just in case any of you were planning on pulling me up on using that sleeve, let me explain. RCA Records bosses told the band that they would not release the song with the title “Randy Scouse Git” (which, incidentally, is taken from 1960s sitcom “‘Til Death Us Do Part”), and demanded they gave it an alternate title. “Okay”, said drummer/singer Mickey Dolenz, “‘Alternate Title’ it is.”

Here’s another band that fits nicely into the category:

Byrds

The Byrds – I’ll Feel a Whole Lot Better

Now, as therobster quite right points out, The Beatles is indeed a mis-spelling, and a pun, on a group if insects, but this seems to have completely passed Kay by:

“I’m going down the insect/bug route” she announces, and then names these two tunes:

Adam & The Ants

Adam & The Ants – Prince Charming

and

Verve

The Verve – Catching The Butterfly

But whilst we’re on links from The Beatles to the beetles, we may as well have Mrs GMFree, who suggests: “A Beetle is a VW car which is German, so are krautrock masters Kraftwerk…”

Or, as Alan Partridge would say:

tumblr_mzmv3gTWx11qedb29o1_500

 “Kommen sie bitte und listen to Kraftwerk”

Kraftwerk

Kraftwerk – Autobahn

(NB. I tried to track down a video clip of just the Partridge – Kraftwerk introduction, sadly to no avail. But imagine my surprise when typing the words “alan partridge introduces kraftwerk” into Google to find that the fourth link it offers is to…The Chain #28!)

But I digress. GMFree seizes the opportunity to do the old Chain link one-two shuffle:

“Which leads me to my [next] suggestion with the recent death of Holger Czukay…”

Can

Can – Mushroom

“…which I first heard covered by The Jesus & Mary Chain, one of many bands influenced by the experimental Germans.”

And GMFree isn’t done there, providing “a Beatle link to a Captain Beefheart cover”, which contains one of the rarest sounds ever committed to record – Mark E Smith giggling:

Fall

The Fall – Beatle Bones ‘N’ Smokin’ Stones (Peel Session)

There’s also this, of course:

House Of Love

The House of Love – The Beatles and The Stones

Enter George (that’s an introduction, rather than a command), who suggests:

“…given that The Beatles once played on the roof of their Apple building, what about…”

Drifters

The Drifters – Up On The Roof

Ah yes, Apple Records. Alex G picks this up and runs with it:

“‘Martha, My Dear’ is from The Beatles’ eponymous 1968 LP, their first on their own Apple Records imprint. So from one artist-owned label named after a fruit, to another: Ray Charles’ Tangerine Records. I do wonder whether the Beatles got the idea from him, though nobody else seems to think so. Anyway, let’s go for Ray Charles’ version of…”

Ray

Ray Charles – Eleanor Rigby

Which is, as Alex G points out/pleads, a double linker. Points!

Time for a Magical Mystery Tour next, courtesy of Julian from Music From Magazines:

“The Beatles had a couple of names before they became famous

1. The Quarrymen

To quarry is to mine as in ‘Soul Mining’ by The The ( fill your boots)”

Don’t mind if I do.

The The

The The – Uncertain Smile

Julian continues:

“2. The Silver Beatles

Martha is a lady’s name

And the bloke leaning over my shoulder at the bar is called Dave, amongst other things

So let’s switch on the Magimix ™ and see what delight we get

………… and the winner is

David Soul ‘Silver Lady'”

Much as I love that record, it’s featured before, way back in The Chain #8, and as such has to be disqualified. But since GMFree has done the old Chain link one-two shuffle, I suggested Julian might want to follow suit. So, since, he’d got to David Soul, perhaps one of his other songs? Nope. That’s too straight-forward for our Julian:

“David Soul starred in a short lived TV show called ‘Casablanca’, so how about…”

Dooley

Dooley Wilson – As Time Goes By

I must say, I’m not in the least bit surprised that Julian has suggested a song from a film which contains the line “Of all the gin joints in all the towns in all the world, she walks into mine.”

Anyway, he’s riffing by now:

“…coincidently [Casablanca] was the record label that released…”

Parliament

Parliament – Dr. Funkenstein

Having valiantly chipped in to assist therobster earlier, Rol’s back with a suggestion all his own doing:

“‘Martha My Dear’ is from The White Album. Another band who released a ‘White Album’ (following on from their Blue, Green and Red albums… even though all of them were actually just eponymous) were Weezer. From that, I’ll suggest…”

Weezer_-_Weezer_(The_White_Album)

Weezer – Thank God for Girls

Do any other White albums spring to mind? Well, no, although there is, of course “The Whitey Album”, by Sonic Youth off-shoot Ciccone Youth (I really thought this would get suggested, especially as I posted a track from it in a recent post).

Ciccone

Ciccone Youth – Addicted to Love

Over to Alyson from What’s It All About? to wrap up the whiteness now:

“It occurred to me that The Beatles ‘White Album’ reminds me of Mr Barry White…I can’t find any dog-related [this will get explained soon – Ed] Barry songs or ones about a girl called Martha [I think we pretty much used them all up last time – Ed] so it’ll have to be the next most appropriate for this place:”

Barry

Barry White – Let The Music Play

Now, all this white stuff is all well and good, but let me draw all of your attention back to something Alex G said earlier: ‘Martha, My Dear’ is from The Beatles’ eponymous 1968 LP…” And he’s quite right: the album in question is colloquially known as ‘The White Album’ but it’s actually, officially, called ‘The Beatles’.

Which takes us back to George, who suggests a new category: “…the ‘eponymous album that wasn’t a debut’ route.” And specifically he suggest this, from Blur’s 1997 album, the fifth that they released:

Blur

Blur – Death of a Party

I must say, this is my favourite link of all that were suggested this time. It had never occurred to me before that most acts, when releasing an eponymous album, made it their debut, presumably to double the impact of their name, get it “out there” as a recognisable brand. So I did a little digging and found these acts also released eponymous albums, but not first time around:

Metallica

Metallica – Enter Sandman

Yes, everyone calls their fifth album “The Black Album”, but it’s not called that, it’s called ‘Metallica’.

And at the other end of the musical spectrum, this lots’ first album was 1973’s “Ring Ring”, but it wasn’t until two years later, when they released their third album, that they released an album called…well, you can figure the rest of that sentence out for yourselves:

Front Cover

ABBA – S.O.S.

I sense a new series of posts coming on…

Now, remember how in her suggestion Alyson mentioned something about dogs in songs? Well that’s where we’re going next and here’s Dirk from sexyloser to explain why:

“..the title ‘Martha My Dear’ was inspired by McCartney’s Old English Sheepdog, named Martha.”

Which leads us nicely into a whole batch of songs about dogs. Sort of. But before we get to Dirk’s suggestion, here’s The Great Gog, awake at 02:31am and thinking about dogs:

“All this talk of Martha has me thinking of my one of my sister’s dogs, which goes by that moniker. Martha is a spaniel, no idea what type of spaniel though. One type is a cocker spaniel which immediately led me to thinking of…”

Cocker

Joe Cocker – With A Little Help From My Friends

Relax ladies, he’s married. And dead.

Back to The Great Gog it is then:

“Another type is a King Charles spaniel. The next King Charles is still a prince, however, so I can legitimately suggest…”

Prince Charles

Prince Charles & The City Beat Band – Cash (Cash Money)

The Songs (Sort Of) About Dogs category is (almost) the largest category, so strap yourself in for some canine capers. You could say that we’ve gone dog crazy, in fact:

Soup

The Soup Dragons – Backwards Dog

Okay then Dirk, what have you got for us?

“Another famous Old English Sheepdog was Alfie, who starred in ‘Serpico’, so – of course – did Al Pacino. And Al Pacino will always be remembered – at least in my household – not for Serpico, but a) [for the sex scene he had with the fabulous Ellen Barkin in] ‘Sea Of Love’, the film being named after a single by Phil Phillips from 1959. I prefer The Heptones’ version from 1968 though, also we don’t have enough Rocksteady on ‘The Chain’, I’m sure you’ll agree!”

Sorry, I stopped paying attention at the mention of Ellen Barkin. (I was wondering you were linking to her surname)

Heptones

The Heptones – Sea Of Love

What was the other thing Al Pacino is remembered for in Dirk Towers, Dirk?

“…and b) for ‘The Godfather’….So…if you have a minute The Godfathers would be appropriate…perhaps….?”

Godfathers

The Godfathers – Birth, School, Work, Death

And Dirk’s not done there. Oh no:

“We could also have something by Blondie as well…‘cos contrary to what everyone thinks, the band didn’t choose their name because Debbie Harry was blonde, no, they named themselves after Adolf Hitler’s German Shepherd, Blondi (the ‘i’ – ending was generally regarded as being too uncommon for American ears, so much so that the ‘-e’ was added)!”

Which is good enough for me. Here’s the Blondie track Dirk suggested:

deborah-harry-13772

Blondie – Ring Of Fire (Live 1980)

At which point, Walter from A few good times in my life pops in to throw this threesome into the mix:

“…if we go the ‘dog’ road there will be a lot of songs recommended, i.e….:”

And as it happens, nobody else suggested any of the three Walter mentioned, (although I had one lined up as one of my oh-so many choices) so here they are:

Specials

The Specials – Do The Dog

and

Stooges

The Stooges – I Wanna Be Your Dog

and

Adam - Dog

Adam & The Ants – Dog Eat Dog

Ok, brace yourself. It’s time for the undisputed Worst Record of the Week award, and to present the award here’s all round nice guy and not a white supremacist enabler at all, Sean Spicer accept the award and explain what the hell he was thinking when he sent me this suggestion is Rigid Digit from Stuff & Nonsense:

“…sticking firmly to the Dogs route (and a contender for Worst Record Of The Week)…”

Not just a contender, Rigid, but so nailed on The Worst Record Of The Week that nobody else even bothered to try to think of any more because this was so obviously unbeatable.

But first some context.

The song is about Barbara Woodhouse, a dog trainer who found celebrity status in the UK in the late 1970s/early 1980s, back when celebrities were required to have some semblance of talent (see also celebrity steeplejack Fred Dibnah). Here’s a clip to give you an idea:

And here she is, interviewing William Shatner, teaching his dogs a thing or two, and then revealing a little too much about her bedtime habits for my liking:

And here’s Rigid’s suggestion. Remember: in the world of The Barron Knights, a man putting on a ladies voice = funny:

Barron

The Barron Knights – The Sit Song

Not that they’re alone in that belief:

And here’s two actual funny women, Rebecca Front and Joanna Scanlon, parodying Ms Woodhouse directly and subtly:

I’ll leave the last word on that Barron Knights song to Charity Chic who quipped:

“I think you missed an H out of the title.”

Rigid then goes on to mention the Dogs d’Amour, but doesn’t actually suggest a record by them. Luckily for us him, babylotti steps in with three suggestions by the band; I’ve picked the one he cited as his favourite. Because I’m nice like that.

Dogs D'Amour

the Dogs d’Amour- How Do You Fall In Love Again?

Relax ladies, etc. etc.

I must say I always get the Dogs d’Amour mixed up with The Quireboys. Were they around at the same time? (NB: This is a rhetorical question, the type where instead of already knowing the answer, I already know that I don’t really care.)

So let’s have some more doggy-do’s, and one which I was surprised nobody else suggested. A song which is famously about a dog, although the name in the title was changed from ‘Brandy’ in the first draft (who sounds more like a stripper than a dog, if I’m honest) to:

Manilow

Barry Manilow – Mandy

Count yourselves lucky I didn’t post the Boyzone version. Or the Westlife version. Whichever one of them recorded it. They’re the same thing really anyway, aren’t they?

Oh, and innuendo fans, check out the title of that B-Side. Parp!

IMG_20170626_195601

Since we appear to be in 1970s softie ballad territory, here’s another from Rigid Digit:

“What the world needs is more acoustic guitar playing beardy blokes…”

which is debatable, but he means that as an introduction to this:

Cat

Cat Stevens – I Love My Dog

It’s no wonder that Cat Stevens changed his name. A cat admitting to loving a dog is always going to be given the cold shoulder by the feline community.

Now, I must admit that when Rigid suggested that song, I actually thought he was talking about this:

Peter

Peter Shelley – Love Me Love My Dog

Thank goodness for The Barron Knights, or I’d have to give myself the Worst Record of the Week award now.

But it’s okay, I can turn things round. From Peter Shelley, to Pete Shelley:

Pete Shelley

Pete Shelley – Homosapien

(I was going to post a Buzzcocks tune and had settled for the (s)punky little burst that is ‘Orgasm Addict’, until I realised how that might look when played after the previous two songs…)

Time for another one that I was surprised nobody else came up with. The original version has featured on The Chain before, so I would have had to disqualify it. But, as with the helping hand I tried to give Julian earlier, had the original been suggested than I would doubtless have given you a nudge towards this:

Futureheads

The Futureheads – Hounds Of Love

One more doggy disc to go, and we’re back with Rigid Digit again. He’s relentless, isn’t he?

His final suggestion is for a record that’s “Madly brilliant, but not really essential.”

Who

The Who – Dogs

Their record label initially refused to release that, on the grounds that it was trying just a bit too hard to sound like The Small Faces. Harsh, but fair.

But as Rigid astutely concludes:

“There ain’t many songs whose last words are: ‘lovely buttocks'”

A fair point, well made. But just think of the songs which could be improved by the inclusion of those words. “God Save The Queen” springs to mind.

Speaking of which…

Often, the suggestions link from one song to another by way of one word in the title. But there wasn’t much to work on here, just three words, and one of them, Martha, was pretty much done to death last time. But there was one more song to link to that name, from Swiss Adam over at Bagging Area:

I have a niece called Martha. Her Mum, my sister, was born in June 1977. My parents sometimes say that if she’d been born on the Queen’s jubilee day they’d have called her Jubilee. At least I think they’re joking. So [this] seems an appropriate link (Pistols obvs).”

Pistols

Sex Pistols – God Save The Queen

As does this, to be fair:

Blur Parklife

Blur – Jubilee

Having mopped up the last of the Martha’s, we’ll edge towards the end of the song title now with a “My” or two. Or three, actually. And two of them are from me.

This being one of them:

Armand (2)

Armand Van Helden – My My My (feat. Tara McDonald)

And since it features a man and his dog (and for no other reason, honestly) here’s the video for that one too:

The other “My” suggestion comes from abramson60, who, clearly unmoved by that video, announces that he’s “got a soft spot for Joan Armatrading.”

Joan

Joan Armatrading – Me Myself I

Me: Well, if you’re suggesting that…

The Chain gang: …then you’re suggesting this:

De La Soul

De La Soul – Me Myself and I

And so on to what is the biggest grouping of songs of the week.

Surprisingly, nobody went for this:

tmp_2F1420573049348-s4rvbej6l5g919k9-e0b7ea9049dbb04b796f7811c3583366_2FMCR914-675x672

The Stone Roses – Elizabeth My Dear

So, where to start with this little lot. Well, let’s split them down into songs which feature the word “Dear” in the title (or prominently elsewhere in the lyrics) and, first, songs which can in some way be linked to Deer.

And, after missing last times linkage, it’s a warm welcome back to SWC, who proffers this:

“If we want to be clever…”

Hinds

Hinds – Garden

Look out. Julian’s back:

“I never checked the spelling and assumed Paul was singing about a ruminant mammal on his Scottish Croft . The Beatles released a b-side “Rain” and Bambi was a deer, know the song yet?

Blind Bambi… no idea

Dead blind Bambi… still no idea…?”

I must admit, I assumed at this point that Julian was about to suggest this:

bambi

Sex Pistols – Who Killed Bambi

(Except it’s not really the Sex Pistols, is it? It’s got Eddie Tudor-Pole on lead vocals for a start. And it’s from ‘The Great Rock’n’Roll Swindle’. And it’s title and that picture are  clearly meant to shock, but it’s shocking for the sake of being shocking. Not cool.)

But no, Julian was in fact going here:

“Ok it’s the rain song from Bambi”.

This caused a little confusion at Chain HQ, as the song that Julian actually wanted was this:

Bambi

Bambi – Little April Showers

…which, confusingly, was not going to be in the original film, it was going to be a song called “Rain Song”, which was ditched in favour of “…April Showers”, and which you can see/hear here:

And then, just to confuse things even further, Julian goes and suggests this:

Houses of The Holy

Led Zeppelin – The Rain Song

But of course, we all know where Julian’s really heading:

“More importantly the animated video for “Is a Woman” also features falling leaves and a deer, by Lambchop of course”

But of course:

Lambchop

Lambchop – Is A Woman

And here’s the video he mentions:

I’ve not had chance to watch that, so I’m trusting you on that one, Jules.

Ok, so that’s the deer related bunch over with, so “if we are going down the dear route”, says SWC, then “we need….”

Dears

The Dears – 22: The Death Of All The Romance

Cheers, SWC, I’d totally forgotten about that one. Great to hear it again.

Back to GMFree now, for another couple of belters:

Lush

Lush – Dear Me (Miki’s 8-Track Home Demo)

and

Blade Runner

Don Percival – One More Kiss, Dear

I have a confession to make: I’ve never seen Blade Runner. Sacrilege, I know. But it’s one of those films that everybody bangs on to me about how amazing it is that it can never live up to expectations. I guess I’d better rectify that before the new one comes out later this year, right?

Over to babylotti now, who suggests these two:

“[I’m] going to fall back on Marvin Gaye’s divorce settlement album, ‘Here My Dear’, with obvious reference to Martha my dear….I’ll suggest the title track rather than any of the singles.”

Marvin

Marvin Gaye – Here, My Dear

…before also doing that old Chain link one-two shuffle:

 “And from there I believe I have to link to…”

CCR

Creedence Clearwater Revival – I Heard It Through The Grapevine

And whilst we’re on great versions of classic songs, does this next one remind anyone of anything?

Little Fish

Little Fish – Darling Dear

Anybody? No? Not even this:

Just me then.

Back to abramson60 again for his second and final submission:

“…there would be ‘Mother dear, they’re teaching me to do the goose-step’, which can be found in….”

Alex

The Sensational Alex Harvey Band – Give My Compliments To The Chef

Martin from New Amusements snuck his suggestion under the wire just in time:

“Keith Moon used to call everybody “Dear Boy” and he did a pretty fair cover of Beatles track ‘In My Life’ for his lone solo album ‘Two Sides of the Moon’ (even if it was played with too straight a bat). Anyway, a double-linker!”

A double-linker indeed. Points!

Keith

Keith Moon – In My Life

Back to Walter now, and his final two suggestions (although, granted, his first three were more mentioned in passing than actual suggestions):

“For sure,  from probably Talking Heads’ last good record ‘Naked’…”

Talking Heads

Talking Heads – Ruby Dear

and “Another song that accompanied me since my youngest days…”

Traffic

Traffic – Dear Mr. Fantasy

Time for C from Sun Dried Sparrows tune now, and this is an example of me saving the best ’til (almost) last; I think this is my favourite song by this lot. I love a good bracket (see?)

“I went down the ‘dear’ route too and another song whose title ends in the word ‘dear’ (there can’t be many, surely?). “Dear” is such a charming, old-fashioned word, I always thought it sounded a bit out of place for Blondie to use it but I love that they do. So I’d like to suggest…”

Blondie

Blondie – (I’m Always Touched By Your) Presence Dear

Now, when the suggestions start coming in, I will often have a little bet with myself as to who I think will suggest what. I’m rarely right, of course. For example, this week I was sure that Dirk would suggest this:

Au Pairs

Au Pairs – Dear John

But he didn’t, so now I have to, just to give extra justification for me posting this:

Quo

Status Quo – Dear John

You’re right. I can’t help myself sometimes.

Which just leaves two songs, and you’ve probably noticed that Charity Chic from Charity Chic Music has been a bit quiet this time out. Here’s why:

“My first thoughts (neither of which will be the correct answer) were…”

Siouxsie

Siouxsie & The Banshees – Dear Prudence

…which, given it’s a cover of a song from The Beatles’ “White Album” and features the word “Dear” is unquestionably a double-linker (Points!!).

And I wouldn’t be so sure about neither of your suggestions being right, CC, for you’re right on the money with your second one. The official link is, quite simply “From one Dear to another…” and the next record in The Official Chain is this:

Dexys

43. Dexys Midnight Runners – There, There, My Dear

I’d forgotten how great that record is too, as it goes.

So, CC, congratulations. A huge bag of non-existent points is winging its way to you. Hopefully that makes up for The Chain making you late for work last time. And today, too.

Ok, you know what happens now. This is the bit where I invite your suggestions, please, for songs which link to “There, There, My Dear” by Dexys Midnight Runners, along with a brief description of the link, via the Comments Section down below, in time for the next edition. Who knows when that might be.

More soon.

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The Chain #35

Blimey is that the time?

Alright, alright, alright, already, we’re back, a week later than intended, but restored back to our rightful place on a Wednesday night. This was of course always the plan come 2017, and has absolutely nothing to do with Spurs getting knocked out of the Champions League and into the UEFA Europa League, where they’ll be playing their games on Thursday nights.

So those of you with exceptionally long memories will recall that at the end of The Chain #34,we were left with Malcom McLaren’s “Buffalo Gals” as the record to link to, and as usual the suggestions were many, varied and fell into on of a couple of different categories. They also include a veritable menagerie of different animals; not just buffalos, but cows, crawfish, ducklings, swans, an elk, a moose (and probably a mouse), an ostrich, and cartoon cats, canaries and flying squirrels. We’ll hear from (or mention in passing) all of these, whilst also visiting a sex shop and engaging in some Morris Dancing. Now that’s what I call fulfilling my diversity quota.

And before we go any further, I should point out that one of you gets very close indeed to guessing what the next record in The Chain – right act, wrong song, as is (apparently) so often muttered from the judges’ chairs on The X Factor.

So let’s kick things off by working through the more obvious bunch first – those that linked to “Buffalo”, and even these can be split down into two further sub-categories: those that link to Buffalo (the animal) and those that link to Buffalo (the place).

First up, is Jules from Music From Magazines who, bless him, doesn’t seem to want to let the Christmas feeling go just yet:

“…just one last go at a Christmas/NYE drunk sing along…”

Jules, you sent me this on January 3rd, mate.

“…’Go Buffalo’ is a cracking number by Like Swimming…”

like-swimming-go-buffalo

Like Swimming – Go Buffalo

“Someone who doesn’t like swimming is Sir Nose D’Voidoffunk as featured in ‘Aqua Boogie’ by Parliament, the 12″ version of which was only pressed on one side (no B side to enjoy once and then ignore ).”

aqua_boogie

Parliament – Aqua Boogie (12″ Version)

Hold on, he’s not done yet:

“Now this is memory based, but a famous artist, entrepreneur and kiddy fiddler (hell he tried to entice my kid brother into his Roller on the Kings Road I later found out) wanted to release only single sided 45s on his UK label.”

It’s usually at about this point that I would start glancing round the bus to see if I have any chance of escape from the conversation.

“Jonathan King discovered Genesis with Peter Gabriel as a member which can only go to one place…”

I dunno about you lot, but the suspense is killing me.

“The The’s ‘Angel Of Deception’

Only joking.”

I do the jokes. And I love the album that’s from, although some of the songs haven’t really aged all that well:

r-1456586-1330413676_jpeg

The The – Angels of Deception

So where’s the one other place that we can go to……?

“Robbie Williams – ‘Angels'”

Oh. Goodie.

radioveronica_player_600x600_6822

Robbie Williams – Angels

I can’t really scoff at this. Sitting in the bar at a family wedding around twenty years ago, I led the gathering in a heart-felt rendition of this. About seven times. What little hair I have left still bristles at the memory.

My favourite Robbie moment, however, was this, when he made a guest appearance in the BBC studios at the football World Cup 1998, and was ceremoniously taken down a peg or two by Martin O’Neill:

Anyway, let’s rewind, and start back at the beginning. Here, providing not only the first suggestion I received, but getting us going with a Double Linker, it’s The Great Gog:

“Buffalo is an animal that is farmed for its milk, as is a cow. The Wonder Stuff had a sizeable hit with ‘Size Of A Cow’. It just so happens that their lead singer is [popular rhyming slang] Miles Hunt who shares a surname with a racing driver who (rather tidily for this link) won the F1 Drivers Championship driving for McLaren in 1976.”

the-wonder-stuff-size-of-a-cow-polydor

The Wonder Stuff – The Size of a Cow

Next up is The Robster from Is This The Life? who suggests:

“I’m going for a very easy (and slightly obvious) one – ‘Guilty Girls’ by Buffalo Tom. No cryptic, convoluted link needed. They’re one of my favourite bands and that’s good enough for me!”

1280x1280

Buffalo Tom – Guilty Girls

Mine too, Rob, though I have to admit to kinda losing track of them after the double-whammy of “Let Me Come Over” and “Big Red Letter Day”, so a nod towards some of their later stuff is much appreciated. (It’s as I add their name to the Tags and find their name doesn’t auto-enter that I find myself thinking: how the hell have I never featured anything from them before? I know I was going to post “Tailights Fade” a couple of months ago, but was beaten to it by the When You Can’t Remember Anything boys nicking in first. They’ll nick anything those two; you watch, they’ll be starting up a thread where they invite people to suggest records next.) (Psst! – you know I’m kidding, right chaps? And you know that because I’ve already suggested a couple over at your place.)

Speaking of obvious choices, as The Robster was, and since I mentioned When You Can’t Remember Anything, here’s Badger from the very same blog, with one of the three suggestions that I suspected we’d get this week:

“The obvious route is to ‘Buffalo Stance’ by Neneh Cherry.”

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Neneh Cherry – Buffalo Stance

And here’s the second one that I expected, from Alyson over at What’s It All About, Alfie?

“From Buffalo Gals to…. “

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Bob Marley & The Wailers – Buffalo Soldier

The third other one that I was expecting to get mentioned, wasn’t, although babylotti came pretty close, as you’ll see in the fullness of time. So I guess, I’d better suggest it:

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Buffalo Springfield – For What It’s Worth

That song has had various segments of it lifted, quoted, or sampled on many different records over the years, one of my favourites is this, which I seem to associate with a break-dancing Transformer and I’m not sure why: was it in the video? Or used in an advert? Or did I eat far too much cheese before bed one night….?

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Les Rythmes Digitales – (Hey You) What’s That Sound?

A change of pace now. No great explanation from Rol of My Top Ten this week:

“Just two suggestions this week. I was going to try for just one, but I can’t decide between the two below:”

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Kathleen Edwards – Buffalo

and

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The Dead Weather – I Cut Like A Buffalo

In fact, many of the suggestions were pretty brief, once you take out all of the most welcome Christmas and New Year messages, along with all of the very kind things many of you said about this place which I’m far too modest to post here. For example, here’s Swiss Adam from Bagging Area:

“In ‘Burning Lights’, Joe Strummer sings ‘…you are the last of the buffalo…’ and it’s a wilderness years highlight so I’ll nominate that please.”

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Joe Strummer – Burning Lights

Over to George now, with a suggestion which comes pretty close to winning the Comment Showboat Award of the week:

“Buffalos have horns, a bony structure on the top of their heads. Another animal with a bony structure on its head is the elk (although they have antlers, but they are still bony), and the elk is also known as a moose. And from my childhood I can recall a lyric featuring the word “moose”, namely “there’s a moose loose aboot this hoose”, which is one of the few lyrics in a song by Lord Rockingham ‘s X1. I think the song is called ‘Hoots Mon’. And I bet everyone will recognise the tune once they play it.”

There’s only one way to find out:

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Lord Rockingham’s XI – Hoots Mon!

Could I ask my friends North of the Border to clarify something for us, he’s actually saying ‘mouse’ isn’t he….? Not that I’m going to disqualify George’s suggestion, because it definitely sounds like ‘moose’.

George included a link to a video clip to his suggestion, something which made him smile. You know where to go to find that. Instead, in case any of you in the UK were wondering quite where you recognise that song from, I would think it’s maybe from this:

Look out. Jules is back:

“Thanks George for the moose link! Casting my mind back to the cartoon series ‘Rocky and Bullwinkle’ about a flying squirrel and a moose (yes, I know) takes one inevitability to ROCKY with some great tunes. Let’s move on to the star Sylvester Stallone.

Sylvester’s work makes me feel mighty real but I preferred his work with Tweety Pie.”

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Mel Blanc – I Taut I Taw A Puddy Tat

Over now to Martin, who I think has posted here before, but forgive me Martin, I’m a little rusty. If this is your first time, then we’d all like to offer you a warm Chain Gang welcome, if not, then we’d all like to offer you a warm Chain Gang welcome back.

Anyway, here’s Martin’s suggestion:

“…On the basis that ‘Buffalo Gals’ is a perfect anagram of ‘Bagful of Las’ [and it is, I’ve checked], can I pitch for the ‘There She Goes’ by The La’s, please? Especially if I promise not to resort to anagrams to often…”

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The La’s – There She Goes

Just one more obvious-ish Buffalo link, and it’s another from me. I was about to write that this was one of my favourite records from the past couple of years, until I checked and found out it was released in 2010, and so now I just feel very, very old indeed:

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Avi Buffalo – What’s In It For

Okay, here comes Dirk from Sexyloser and he’s gonna get all geographic on your asses:

“Loads of great musicians come from Buffalo in the state of New York, located on the eastern shores of Lake Erie at the head of the Niagara River: I trust it’s a fantastic place to go … I mean, I’ve never been there and certainly don’t want to go, but either way …! Where was I? Ah yes, musicians include John Lombardo and Mary Ramsey out of 10,000 Maniacs, so their ‘Anthem For Doomed Youth’ should be fitting, right?”

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10,000 Maniacs – Anthem For Doomed Youth

“Also Buffalo is a twin town to Dortmund, Germany and I’m sure you all know that Phillip Boa out of Phillip Boa and The Voodoo Club come from Dortmund. If memory serves correctly, he was featured before, but not with ‘Ostrich’, my favourite song of theirs: does that count? I hope it does….”

He has featured here before, Dirk, but you’re right, not with that song, so here you go:

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Phillip Boa & The Voodoo Club – Ostrich (Love is Not The Same)

Okay, something a little more…erm…traditional next. This suggestion comes from Jonny, who is definitely a first time poster here, so please all offer him a warm Chain Gang welcome.

The reason I know this is Jonny’s first time posting here, is because he’s an old mate of mine; we went to the same school although, inevitably, I’m a few years older than him so we didn’t know each other then, but we used to work together in the kitchen of a greasy motorway café masquerading as a family restaurant back in the late 1980s/early 1990s. I worked there every holiday throughout college, and ultimately for a year after I graduated, and it Jonny and I forged a great friendship. He was into photography and I enjoyed writing; together we cobbled together a spoof corporate newsletter called “The Crappy Eater” (which gives you a pretty good clue as to the identity of the place we worked in), where we basically took the piss out of and made up shit about our work colleagues. We “accidentally” left it laying around in the staff room one day and…well, some people found it funny, but some of the old dears who worked there were definitely not impressed. Somewhere, buried in a box, somewhere in my flat, I think I have a couple of the articles we wrote. I doubt many of you will be interested as you won’t know the people we’re winding up, but Jonny: if I can find them, I’ll email you copies.

Anyway, one of the reasons that Jonny and I got on so well, apart from the fact that we were amazingly cool gods of the burger griddle, was that we both shared similar music tastes of an indie-ish nature, and it was with Jonny that I ventured to London’s Brixton Academy back in 1992 to see Sonic Youth play promoting their “Dirty” album, ably supported by Pavement and Huggy Bear. Long term readers may recall me writing about it here a long time ago.

So when Jonny sent me a suggestion, I was expecting it would be a really cool blast from the past. I was half right: it was definitely a blast from the past, but also most definitely not really cool.

Over to you Jonny (and I should add, I have had to edit this because I’m not all that familiar with the libel laws so I thought it best I erred on the side of caution):

“So ‘Buffalo Gals’ takes me here (I know the connection is loose and somewhat obscure, but hear me out)” [S’okay, Jonny, I like my connections like I like my women: loose and obscure]

“…back to being a 13 year old, purple legged, lanky piece of shit who was forced on a yearly basis to take part in the school’s Country Dancing display…” [He was quite lanky. I suspect he may have played the part of the Maypole]

“Those Buffalo Gals going round the outside, for me, conjured up images of a scantily clad maths teacher I quite liked the look of prancing round my bed wooing me in for my first sexual experience. Sadly for me, that never happened.

My brief day/wet dream would then be shattered by my then form tutor kicking out the jams with his ‘Molly Dance’. Terrible song. Terrible timing.

But somehow that fucking ‘Molly Dance’ found its way into my record collection and remained there for many a year until in a moment of skint madness I flogged the entire collection of over 700 pieces of carefully chosen vinyl masterpieces for about the amount of a gas bill.”

Anyway, crowbar that in your chain and pull it.”

700 pieces of carefully chosen vinyl masterpieces…and this:

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Ramblin’ Rod & His New Morris Van – (I Can Do The) Molly Dance

If I may fill in a couple of the blanks: the eponymous Ramblin’ Rod was in fact the Morris Dancing alter-ego of Jonny’s form tutor. And the Morris Van bit is “…a joke, that’s short for ‘vanguard'”, said Ramblin’ Rod in what was probably his only ever interview, which apparently took place at a party where “where Rod and friends were wassailing by dipping buttered toast in cider, then sticking the resulting “soldiers” in every tree trunk they could find.” Sounds like one hell of a party, right?

Before we get into the other big category – links to Malcom McLaren – let’s round up the other suggestions.

Here’s Rigid Digit from Stuff & Nonsense:

“Taking the ‘Girls’ theme [actually, it’s Gals, but since I made the same error in The Chain #34 I’ll let it slide] – a celebration of Girls everywhere; a wonderful piece of late 70s, possibly un-PC, Music Hall-esque nonsense:”

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Sailor – Girls, Girls, Girls

Yeh, it’s definitely not PC, but it’s no (previously featured) “Some Girls” by Racey is it?

There, that didn’t take long, did it?

Time for some Malcolm McLaren links, I think. Here’s Alyson, back for another go:

“Malcolm McLaren also released Double Dutch from the same album and that led me to think of Ray and Anita, that Dutch duo who were ’90s dance outfit 2 Unlimited. How about a bit of ‘No Limit’…?”

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2 Unlimited – No Limit

Given how many times the word “No” features in that song, I’ve always found it a little weird that it begins with Ray (I assume it’s not Anita) pleading to hear us say “Yeah!”.

Always reminds me of Jim Trott, that song. You know, Jim Trott, right?

Hold on, I feel a catchphrase coming on. Cue fanfare.

Well, if you’re going to suggest that (a record which features the word “No” many, many times), then I’m going to suggest this lot, back for a second airing this week:

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The Wonder Stuff – No, For The 13th Time

Back to McLaren links, and back to George:

“From Malcolm McLaren to Malcolm McDowell, he of Clockwork Orange, to The Fall and their 6 min 20 second masterpiece ‘Kurious Oranj'”

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The Fall – Kurious Oranj

Readers of a certain age will remember (a different) Curious Orange from Lee and Herring’s “This Morning with Richard Not Judy” show; this was the best (quality, if not necessarily the funniest) clip I could find:

Anyway. Where were we? Ah yes: McLaren and his numerous links. Here to add to them is The Swede from Unthought of, though, somehow:

“I know that for a while Malcolm McLaren managed quite a famous band, though for the life of me I can’t remember their name 🙂 Instead I’ll go down the producer route. Trevor Horn produced ‘Buffalo Gals’ and among his many (and varied) other credits is Belle and Sebastian’s ‘Dear Catastrophe Waitress’, from which I’d like to suggest ‘ Step Into My Office, Baby’.”

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Belle & Sebastian – Step Into My Office, Baby

Tailgating on the back of that suggestion, here’s Charity Chic from Charity Chic Music with another short but sweet entry:

“The band that The Swede was referring to was clearly Bow Wow Wow so ‘I Want Candy’ please”

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Bow Wow Wow – I Want Candy

Much as I love that version (and I really do), this – the original, I think – shades it for me:

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The Strangeloves – I Want Candy

As I’m writing this on Wednesday evening, after Trump’s first speech, and after a load of new salacious rumours began circulating about him, I wondered if I’d be able to get through this post without making reference to it. I reckon if I can get passed a band called The Strangeloves without making a joke, I’ll have done well.

Ah well. Guess I blew it.

Back to McLaren, and here’s babylotti, who’s taking us on a trip over to New York:

“From Malcolm Mclaren, manager of New York Dolls for a minimal time, leads me to David Johansen. I’ll suggest Wreckless Crazy from him…”

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David Johansen – Wreckless Crazy

“…which links me to Johnny Thunders. I’m going to suggest his version of Crawfish with Patti Palladin…”

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Johnny Thunders & Patti Palladin – Crawfish

“…and my last link, after the disastrous year for celebrity deaths I feel I have to go for ‘You Can’t Put Your Arms Around a Memory’ by Ronnie Spector with Joey Ramone.”

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Ronnie Spector (feat Joey Ramone) – You Can’t Put Your Arms Around a Memory

Of course, the McLaren-managed band that you’ve all done exceptionally well not to mention, but which my brother would never speak to me again if I didn’t, are the Sex Pistols, so here’s one which is by no means one of their finest moments, but it’s one which we’ve both got a bit of a soft spot for:

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Sex Pistols – Silly Thing

But undoubtedly, the best suggestion of the week, the Comment Showboat of choice, came from Alex G from We Will Have Salad:

“About ten years ago, there was an ITV reality show called “The Baron”, the premise being that three celebrities attempted to curry favour in a little coastal village in Aberdeenshire in order to be elected as the new Baron of Troup. The show was a complete damp squib and buried in a late night slot, so there’s no reason for anyone to recall it, really. The only reason *I* remember it is that I happen to live close to the village where it was filmed, and a few of my friends appeared in it.

Getting to the point, the three celebrities flown in were Mike “Runaround” Reid (who won, and then almost immediately snuffed it), Suzanne Shaw from Hear’Say, and… Malcolm McLaren. See, there was some relevance to all of this. On those grounds I would have suggested Mike Reid’s reading (or reiding) of “The Ugly Duckling”, but I think that should really have linked to the last record in the chain rather than the current on, so…”

Whoa there cowboy! That’s a good enough reason for me to post what is not only the Comment Showboat of the Week, but is also the Cheesiest Record of the Week (and since we’ve already featured 2 Unlimited, that’s no mean feat):

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Mike Reid – The Ugly Duckling

That bit in brackets on the record label is a bit harsh, isn’t it?

Anyway, as you were Alex; you were about to proffer your actual suggestion:

“… so bearing in mind there’s no such thing as a guilty pleasure [there isn’t, there really isn’t, though sometimes you lot really test that theory], let’s have Hear’Say’s Betty Boo-penned signature hit ‘Pure And Simple’ instead.”

Otherwise known as “The song where it looks like someone’s lighting their farts in the video”:

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Hear’Say – Pure & Simple

And in case you think that’s the cheesiest record of the week, you’re wrong: as Alex G says, it was written by Betty Boo which automatically makes it one of the best records of the week. So there.

Anyway, the aforementioned Miss Shaw was at one time the latest squeeze of serial philanderer and chicken in a basket entertainer Darren Day, which leads me to this:

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Hazel O’Connor – D-Days

Uh oh. Jules has climbed back on board. Quick everybody, avoid eye contact, stare at your copy of the Metro, pretend to make a phone call:

“Malcolm McLaren used to run a boutique on the King’s Road with Vivienne Westwood it was called SEX, most of the sex shops I used to frequent [Jules – have you ever heard the term “over-sharing”…?] mostly sold gentlemen’s magazines and ‘marital aids’ aka vibrators. Not the punk band but the American slang for a vibrator Steely Dan…”Deacon Blues”:

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Steely Dan – Deacon Blues

“…which as it happens contains the line ‘they call Alabama the crimson tide’. Crimson Tide of course is a fine film about a Russian/USA standoff… [no comparisons to be made with anything going on in world news there then…] …so:”

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The Clash – Ivan Meets G.I. Joe

Mention of Vivienne got me thinking of other famous Westwood’s, and the first one that sprang to mind was former Radio 1 and 1Xtra hip-hop DJ and host of the UK version of Pimp My Ride, Tim Westwood, who happens to be the son of the former Bishop of Peterborough, the Right Reverend Bill Westwood. And since I grew up in and around that fine cathedral city, this seems appropriate:

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The Long Blondes – Peterborough

Which should be the end, but George suggested this which, following a year of so many celebrity deaths, seemed an apt way to finish things off this week:

“Buffalo Gals was released in 1982. As was ‘Wham Rap!’ by Wham. (I find myself very ,very sad at George Michael’s death). I bought this in 1982, still have it, and still think it’s a toptastic pop song, it’s impossible to sit still when this plays.”

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Wham – Wham Rap!

Time to wrap things up then, and let’s find out what the next record in The Official Chain was:

“Produced by Malcolm McLaren were…”

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35. Bow Wow Wow – C30 C60 C90

Oh go on then, half a bonus point to Charity Chic for guessing the band, if not the song.

So, your suggestions please, via the Comments section below, for records that you can link to Bow Wow Wow’s “C30 C60 C90”, and don’t forget to explain the link in your suggestion.

See you next week (more soon).

The Chain #18

Evening Chainies! Welcome aboard the latest instalment of interactive blogging, where I welcome your suggestions for songs to play next week.

For newcomers, here’s the deal: there’s a feature on 6Music’s Radcliffe & Maconie week-day afternoon show where they play a record, ask their listeners to suggest a record connected to it, they pick the best one, play that, and ask for suggestions for the next song to play.

Where we differ is this: we play the same record as they do, invite your suggestions, play all of them, awarding completely arbitrary bonus points here and there (usually for correctly guessing the next song in the official Chain, occasionally for the cleverest/most impressive explanation as to how the suggested record was reached (or “Comment Showboating”, as it’s become known round these parts), but most often for suggesting something by a band I bloody love), then play the next record in the 6Music list, point out it’s nowhere near as clever/good/witty as any that you have come up with, and ask that you repeat the trick, provide a suggestion that links to the official record, which we play the following week, and so on, and so forth, repeat ad infinitum.

Of course, we’ve only been doing this for three weeks, and they’ve been doing theirs, playing three tracks a day, five times a week, so we’re quite some way behind them, so when I say we play the same record as they do, we do, just about six years later.

Here’s the only three things I ask:

  1. When making your suggestion, provide an explanation as to how you got there. And try to be a little bit more creative than just saying “So and so did a cover of that, please play their version”;
  2. Whilst it’s great to have obscure, cool records suggested, try and mix it up a little. Don’t be embarrassed to suggest a cheesy or downright awful record. Lord knows I’ve suggested enough myself;
  3. If I don’t own, or am unable to track down a copy of the song in question, please make sure that you’re able to supply me with it if need be. (NB – this happens rarely. This may only be week 18, but we’re 130 suggestions in, and only three times have I been stumped so far.)

Before we get started, one more bit of admin to get through.

I have not yet introduced the “Two Suggestions per person” rule that I mentioned last week. Well, not yet, anyway. To be honest, I felt a bit like a stroppy kid, losing at a game of football in the park who threatens to take his ball home unless he wins. So, uncapped numbers of suggestions remain, for now. But please bear in mind that I don’t have an infinite amount of time go trawling for the oh-so-many tunes that I don’t already own.

Okay, so that’s the tedious stuff out of the way. Let’s get cracking.

Last week, I left you with Kate Bush’s “Hounds of Love” and asked you to come up with any ideas as to what we could play this week. And true to form, you’ve come up with some absolute stonkers, and some utterly weird things too.

So, first up this week is Swiss Adam from bagging area who wrote:

“Hounds of Love? Does your pussy do the dog? (asked The Cramps)”

Short and to the point, is our Swiss:

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The Cramps – Can Your Pussy Do the Dog?

Actually, I take that back. For before we can draw breath, Swiss is back with a second suggestion. Which is fine. We can still have a kick-a-round:

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The House of Love – Never

Yup, totally with you on that one Swiss. It’s a single which is often overlooked because of the majesty of the singles that had preceded it, but it’s still a corking little indie-pop record which deserves an airing.

Now for those of you who don’t peruse the Comments section, where the suggestions are left, these next two take a little extra explanation.

See, last week I was asked to post Vampire Weekend’s “A-Punk”, which I duly did, but added that they’re not a band I’m fond off, and that they generally just rub me up the wrong way. Regular contributor George left a message, in an effort to show some solidarity, letting me know that he feels much the same way about The Clash and Bruce Springsteen.

Cue Charity Chic, stepping effortlessly into shit-stirring mode:

“Kate Bush on her return to live performances sold out the Hammersmith Apollo for a 22 night residency between 26th August and 1st October 2014. There used to be another venue in Hammersmith called the Palais. So ‘(White Man) In Hammersmith Palais’ by The Clash, please…and dedicate it to George!”

Sorry George, but this is for you:

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The Clash – (White Man) In Hammersmith Palais

And he isn’t done there either:

“Kate Bush had an album called The Dreaming. Bruce Springsteen had an album called Working on the Dream. The title track please…and dedicate it to George!”

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Bruce Springsteen – Working On a Dream

I have visions of Charity Chic posting the second of those two, saying “Boom!”, dropping his microphone and strutting off stage.

Next up, here’s Badger from When You Can’t Remember Anything:

“Well there is a track by Death Grips called ‘World of Dogs’ but I wouldn’t put up a picture of the album cover.”

Not sure I see what the fuss is about, Badger:

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Death Grips – World of Dogs

I should, of course, point out that isn’t the actual cover Badger refers to. If you want to Google it, I’d strongly recommend that you don’t do it at work.

“As a serious suggestion ‘Hounds of Love’ was covered memorably by The Futureheads which takes us nicely to ‘Decent Days and Nights’ by that lot.”

Badger almost became the first person to have points deducted for providing too obvious a link there, just dodging the bullet by suggesting a record by The Futureheads other than their cover of Madam Bush:

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The Futureheads – Decent Days And Nights

Here’s George, who clearly is not going to rise to Charity Chic’s bait:

“From Hounds to Dogs and Tropical Hot Dog Night by Captain Beefheart (from the Shiny Beast Bat Chain Puller album)”

MI0000642565Captain Beefheart and The Magic Band – Tropical Hot Dog Night

I have to confess, Beefheart are one of those bands I know I’m supposed to like, but I’ve given Trout Mask Replica many opportunities to win me over, and every time I’ve just come away scratching my head (in befuddlement, I don’t have nits).

That said, though, I really like the track George has suggested, so maybe it’s about time I gave it another go.

Here’s The Swede from Unthought of, though, somehow with another suggestion I didn’t know, or rather didn’t know this version of it. I’ll let him explain:

“On the b-side of the ‘Hounds of Love’ 7″ single, Kate Bush covered a traditional seafaring ballad, ‘The Handsome Cabin Boy’. The great Martin Carthy sang an acapella version of the same song on his self-titled debut LP in 1965.”

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Martin Carthy – The Handsome Cabin Boy

Here’s When You Can’t Remember Anything‘s co-writer, S-WC:

“Kate Bush allowed ITV to use her surname for a section of the show I’m a Celebrity… called The Bushtucker Trial [not sure that’s entirely true, but I’ll let it slide – Ed]. Johnny Rotten appeared in one of those and ate a kangaroos anus. So we’d best have Anarchy in the UK.”

And that’s why I’ll let it slide. Still sounding as fresh and as angry today as it did back in 1976 (I imagine, I was a little too young got punk), here’s them Grundy-baiting Sex Pistols:

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Sex Pistols – Anarchy in the U.K

And there’s a good reason why I’ll let that slide, for if I didn’t, I’d have to disqualify a third suggestion from Swiss Adam at bagging area:

“Shaun Ryder too. Wrote for luck?”

Oh, go on then:

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Happy Mondays – Wrote For Luck

Sadly, as long as I waited, not one of you suggested we continue that particular theme by playing something by Peter Andre. Not even “Insania” which he wrote on the show. An opportunity missed, I’m sure you’ll agree. Or, hopefully not.

Coincidentally, those last two suggestions feature bands who are commonly referred to incorrectly as “The Sex Pistols” or “The Happy Mondays”. There is no prefix on either. The next suggestion – by Swiss again with his fourth – yes, fourth – go, features a band with nothing but the word The in their name:

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The The – Dogs Of Lust

Now, right at the top of this post, I mentioned that so far I’ve only needed to be bailed out three times when hosting this thread, and two of them were suggestions made by George. So when he popped up again with this, I felt myself break out into a cold sweat:

“From Kate Bush to The Very Things’ song The Bushes Scream While My Daddy Prunes.”

The other time I couldn’t find a postable copy of a song, it had been suggested by Dirk over at Sexyloser, so when he chipped in by saying: “George, the recommendation of that particular Very Things – tune almost makes me forgive you disliking The Clash so much: excellent choice!”, well, I knew I was in trouble.

Luckily, we’ve just had a Bank Holiday Weekend here, so I had a little extra time to track it down. It’s not the finest quality, and there is a moment or two’ silence at the start that I haven’t had time to trim off, but here in all their glory, are The Very Things:

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The Very Things – The Bushes Scream While My Daddy Prunes

Have to say the jury’s still out on that one here at Dubious Taste Towers. I’d fully expected to award the Oddest Record of the Week gong to the Captain Beefheart track, but I think The Very Things takes that honour. It certainly wins Best Title of the Week. (I need some jingles for these, don’t I?)

Here’s Alex G from We Will Have Salad with an idea for a bit of pre-fame (they were not famous for a lot longer than they were famous, after all) Pulp:

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Pulp – Dogs Are Everywhere

Finally this week, here’s What’s It All About, Alfie?:

“Another female singer with similarly “bushy” dark hair had their biggest chart hit in 1978 and it was Patti Smith with Because The Night so going for that one please.” Which, as Charity Chic gleefully pointed out, was written by one Bruce Springsteen:

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Patti Smith Group – Because The Night

And so we come to the end of your suggestions, and we come onto mine.

Ahem.

There are many types of Hound, other than the ones of Love. There are Basset Hounds, which I couldn’t think of anything for. There’s the Greyhound, but The Swede suggested the only song I know by them back in The Chain #7. There’s the Whippet, a sighthound breed descended from greyhounds, but there’s nothing there…

…wait a minute. Whippet. Whippit. Whip It.

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Devo – Whip It

I’m here all week.

Now, if any one you had suggested that, I would have been awarding bonus points. But I can’t really award them to myself, so I won’t. (*looks pleadingly at you all*)

And so, to the official song in The Chain, where this was the reasoning:

“Kate Bush’s 2005 album Aerial featured the track ‘King of the Mountain’, which referred to Elvis Presley”

..and this was the song:

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18. Elvis Presley – (Marie’s the Name) His Latest Flame

As usual, not a patch on any of your suggestions, but there you have it.

And so that’s my bit done for another week. Please send me your suggestions of records we can play next week, that link to “(Marie’s The Name) His Latest Flame” by Elvis Presley – there should be plenty for you to work with there – along with a brief description as to how you got there, via the Comments section at the bottom of the page.

See you next time!

(More soon).

Friday Night Music Club

Today is Andrew’s birthday. Andrew is my older/only brother.

For once I don’t have to take international time-zones into consideration to ensure that he reads my birthday wishes on the right day, for this year he’s home from India and back in the UK for a couple of weeks.

To mark the occasion, I’m travelling up to my folks for the weekend, and to inevitably spend Saturday night sitting up and drinking Jack Daniels with him. Often when I go home, I’ll prepare a playlist of stuff to listen to, but often this has to take into consideration what the ‘rents will put up with having to listen to. So I thought this week, I’d post a few songs here which remind me of my Big Bro because…well, he bought (most of) them when we were kids.

As I was choosing the songs to play tonight, it occurred to me that my musical evolution followed a pretty similar path to his. This is hardly surprising since I used to listen to his records in that period before I started buying my own on a regular basis. We both had: a dodgy rock stage, a dodgy pop phase, followed by some semblance of redemption by way of liking something approaching decent indie records (although he had more than a passing Goth phase too).

I’ve talked about some of the records from our shared past before, here and he even wrote about the songs he bought when he was younger here. I’ve tried to avoid the songs played on those posts and focus on the…less cool stuff. For a start, anyway.

(By the way: my file sharing service Cut Pi, seems to be becoming increasingly erratic, and doesn’t seem to recognise some of the mp3s as being mp3s. It’s been doing this for a while and I can’t work out why. Upshot is, some of the links are shared via Zippyshare. Hope they work okay. And George – you got your wish.)

So let’s break these into the aforementioned three sections.

The Rock Stage

Of course, he had bought AC/DC’s seminal 1980 “Back in Black” album, (and later owned copies of “Let There Be Rock” and “If You Want Blood…You Got It!” (an album title I always thought would have been better suited to Kiss or Alice Cooper) but I imagine you all know pretty much every song from that album, so I’ve plumped for this from their 1981 release, which pretty much sums up us at the time, the band, and how the start of tonight’s post is going to go:

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337. AC/DC – For Those About To Rock (We Salute You)

Shortly after we moved into what became the family home throughout our childhood (mid-1970s), our parents converted a part of the loft into what they christened “The Playroom” – which was fine whilst we were kids, when it housed Andrew’s model train set and my Dr Who toys, but a little embarrassing, in the way that teenagers find everything embarrassing, when they would suggest we took any friends who called round up to The Playroom, which by our teens housed a sofa, a TV and a record player.

At first, the record player was one of those old ones, with the arm that came across and held your next record on the spindle whilst the current record played underneath. But soon, Andrew had saved enough cash up to purchase his first stereo system, one of those with a radio, twin tape deck, a space for records to be stored, a silver beast housed in a teak cabinet with a glass door to the front.

This next album made regular appearances on both turntables; I preferred the album’s title tracks, whilst Andrew always loved this one, ironically, I like to think, given he spent 20-odd years in the RAF:

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338. Black Sabbath – War Pigs

Next, a song which he didn’t buy, but every time I hear it I am reminded of those formative years spent listening to records, and in particular one Thursday evening when we had been banished upstairs to watch Top of the Pops, on which this record appeared, and which led to the pair of us leaping up from the sofa and frantically playing air-guitar, in full on foot-on the monitor mode:

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339. Iron Maiden – Run to the Hills

The reason I think I remember that is because it was probably a turning point, where we both admitted to liking the same records as each other. Up until then, we hated, or pretended to, each other’s musical choices – dammit, we pretended to hate each other (that’s what siblings did when they were that age, right?), having many a play fight which spilt over into full on physical violence, as the snooker cue that I broke over his back once attests (Look, he was bigger than me, I was fully entitled to come tooled up, okay?). As does the broken violin bow we had argued over a few years earlier when we had both found ourselves learning the instrument at Junior School. (I know, I know – fights involving violin bows: it’s not exactly “Angela’s Ashes”, is it…?)

(As an aside: my friends Hel and Llyr went to the Reading Festival in 2005 when Iron Maiden head-lined. They watched them, and afterwards reported that the section of the crowd they were in were distinctly non-plussed by the veteran rockers. Lead warbler Bruce Dickinson, attempting to whip the crowd up into a frenzy would call “Do you remember this one…?”; the crown responded as one “Nope!”)

Particularly indicative of our love/hate relationship came one Saturday night in, I guess, the early 80s. Saturday nights were a family night, which we would spend playing records from my Dad’s record collection. As I’ve mentioned on numerous occasions, Dad’s taste is predominantly Country records, but there was/is diversity there: he likes a bit of jazz, some folk, some classical. There was a series of classical albums that he owned, a spin off from a BBC radio programme, called “The World of Your Hundred Best Tunes” (a name I toyed with giving this very blog, until I realised there may be copyright issues). We were categorically not allowed to bring our own records down to play. But my brother figured out a way round this, and got one song – a cover version of Beethoven’s 9th Symphony by the next band from their “Difficult to Cure” album – played. So offended was I that he had been allowed to have one of his songs played, but I hadn’t (as I had no rock covers of classical records) I spent the entirety of the song under the dining room table, kicking and screaming about “how unfair” it was. (“So Unfair” was, I’m reliably informed, mostly anytime my parents watch any Harry Enfield sketch involving Kevin & Perry, practically my catchphrase when I was a teenager. This was just me warming up, I reckon)

Obviously, I’ve mellowed with age. But I’m still not playing “Summertime” by DJ Jazzy Jeff and The Fresh Prince unless someone comes up with a bloody good reason to. And I mean bloody good.

Anyway, I’m not playing the Beethoven cover either; since they’re unlikely to feature again (more than once more) on these pages, I thought I’d plump for the big single from the same album:

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340. Rainbow – I Surrender

Rainbow were, of course, one of the many bands to rise from the ashes of Deep Purple, another band that we begrudgingly admitted to having a shared passion for back then. Again, Big Bro’s record collection featured several of their albums, but the first I recall seeing – and to this day, the only one I’ve ever purchased myself (Cheers Fopp (Cardiff  branch) and your £2.00 shelf!) – was a compilation album called “Deepest Purple”, from which this one is lifted:

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341. Deep Purple – Woman from Tokyo [Single Edit]

And you’ll be relieved to hear, that’s the end of the Rock Stage…

The Pop Phase

…and perhaps less relieved when you see what comes next.

Luckily for you, I’ve talked before – here – about the fact that we both mysteriously somehow came to own our own copies of Billy Joel’s “An innocent Man” album, so I’ll spare you that.

Ditto, I’ve previously posted – here – the two songs from Cyndi Lauper’s “She’s So Unusual” album, which he also owned that are any good (and I’m not going to post “Girls Just Wanna Have Fun” as it annoys me even more than the aforementioned “Summertime”)

But here’s a song by a band I’ve never really liked but – and I can say this without fear of correction, as he denies remembering anything from our childhood – I’m pretty sure Andrew joined the fan-club of:

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342. Thompson Twins – Doctor Doctor

Twins, see? And there were three of them. Pfffffft. Funny guys (and a girl). (They were named after the characters from the Tintin cartoons, as everyone knows – The Ed)

Moving swiftly on, to a song which I had completely forgotten about until Brian over at Linear Tracking Lives! posted it a month or so in his wonderful alphabetical trawl through his own record-buying history.

Lifted from her “The Drum is Everything”, much was expected of Carmel and her brand of smoky, jazzy pop, but she feel by the wayside shortly after this was released (although I did pick up one of the singles from the follow-up album, which I’ll feature soon enough, and which utterly tanked):

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343. Carmel – More, More, More

I should at this point talk about the records by groups like The Go-Go’s which he brought back from a summer in America staying with relatives, working on their blueberry farm. Instead, I’m going to post something from an album which contains another of my most disliked pop songs ever by another group I was fairly indifferent to for much of their existence, but with the benefit of hindsight I can see did have some decent pop tunes, particularly in their early 80s synth-pop phase.

But the album Andrew bought by Eurythmics – “Be Yourself Tonight” – does not come from that period. It comes from their just-after-the-synth-pop-phase, and from an album which brought their only UK Number 1, the aforementioned disliked pop song “There Must Be an Angel (Playing With My Heart)” (It’s the over-singing that does my head in). The album spawned two other hits: “Would I Lie To You?”, which I posted recently, and this one, which I’d completely forgotten about until I came to write this, gave it a listen, and decided it’s not too bad at all:

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344. Eurythmics – It’s Alright (Baby’s Coming Back)

But there was one band from his pop period who loomed large. I believe they were the first band he ever saw live (albeit supporting The Police), and, as I mentioned a couple of weeks ago, a band I’ve got a bit of a soft spot for too:

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345. The Alarm – Where Were You Hiding When The Storm Broke?

It was The Alarm more than any other band, I think, that focused my brother’s attentions on records which were…well, let’s say more critically acclaimed shall we?

But first, two more bands that I remember compilation albums appearing amongst his burgeoning record collection. Neither need any introduction:

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346. The Rolling Stones – Get Off Of My Cloud

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347. The Jam – Down in the Tube Station at Midnight

I don’t recall which of these albums first surfaced on The Playroom’s record decks (ha! like it was anyway near as cool in there as that sounds), what I do know is that a) I have recently bought both of these albums on vinyl myself, and b) shortly after The Jam album appeared I remember laughing at my brother for wearing white socks, the only mod accessory one could get away with at our school. Still, at least he didn’t steal them, of if he did, he wasn’t dumb enough to get caught. Ahem.

But these were the first shoots of liking more credible records, for very soon, we were fully into stage three, where he has resided ever since.

The Road to Redemption

There’s only one place to start. The Alarm’s haircuts may have influenced his for many years afterwards, when he could get away with it, but it was the dress sense and image of one of the Sex Pistols that most captured his imagination. He was told many times that he looked like this sneerer, which I’m pretty sure always thrilled him, however indifferent he may have appeared to look.

It’s credited to Sex Pistols, but make no mistake, released in 1978 as the band were imploding, this is a Sid Vicious record in everything but name:

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348. Sex Pistols – My Way

And so, with his black hair sprayed vertically, skinny black jeans with black studded belt and black winkle-pickers or occasionally cowboy boots (which, if memory serves, were brown when he bought them, unable to source a black pair, and which he spent several hours glossing over with a tub of Kiwi black polish and an oily rag), there was only one place he was going to go next:

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349. The Sisters of Mercy – Alice

And of course, this lot, who we are both unified in our admiration of, so it seems appropriate this song occupies the 350th slot in this section:

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350. The Jesus & Mary Chain – You Trip Me Up

He also bought the one and only album by this next lot, who I mention because I cannot hear it without thinking of the summer I spent as an underage drinker, hanging out with him and his mates Rob and Phil, driving round Cambridgeshire’s village pubs, where no-one knew our names, pubs like The Barnwell Mill, which had a massive juke box, and only one record they liked upon it. Once they realised that it didn’t differentiate between the same song having been selected twice by different people, they realised they could have hours of fun, by simply playing this, over and over and over and over and over again, often leaving after they’d heard it once, leaving the rest of the drinkers to sup their way through it another 17 times:

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351. Sigue Sigue Sputnik – Love Missile F1-11

Gradually, our musical tastes have pretty much merged. At no time was this more apparent than when I was at Sixth Form, between 1986 and 1988. As I mentioned recently, on a nightly basis  I found myself preparing mixtapes to play in the Sixth Form common room the following day, and there was one album which Andrew had bought which was invaluable for that. For he is the only person I know to have bought the legendary NME C86 album when it came out (admittedly, he bought the vinyl version, not the original cassette only version, but props are still due).

This band featured on the album in question, but not with this song, which he both realised we loved within the last few years, when discussing how much the much-missed The Long Blondes reminded us of them:

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352. The Shop Assistants – Safety Net

In 1997, our paths crossed back at our folks house, and, presumably after they’d gone to bed we were either playing records, or more likely watching a music TV channel, this came on. I’d not seen him so enthused for some years (actually, I’d probably not seen him for years), and he proclaimed this “the new punk”:

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353. The Prodigy – Firestarter

At which point, I’d better draw things to a close. If I don’t, it won’t be his birthday anymore by the time I post this.

So, one last one, by a band I remember him going to see towards the start of their career, and telling me afterwards how he’d been to see a band who used bashing-themselves-on- the-head-with-a-metal-tea-tray as a percussion instrument. I’d be very surprised if this doesn’t get an airing tomorrow night:

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354. The Pogues – Boys From the County Hell

Happy Birthday Bro. See you tomorrow. I’ll bring the Jack Daniels.

And to the rest of you – well, as I’m away, it’ll be a little quiet around here for the next couple of days, certainly not as busy as it normally is of a weekend. If I have time to write them before I set off tomorrow, there will be a Late Night Stargazing and a Sunday Morning Coming Down, but no promises. Otherwise, The Chain will return on Monday, so you’ve got another couple of days to get your suggestions in if you haven’t done so already.

Til then, have a fab weekend.

Oh, and More Soon, obviously.