This is the series where I feature The Guardian’s idea of the 100 best UK #1s ever, and we see what I have to say about them(which usually isn’t much, to be honest).
I’ll cut to the quick: here’s what The Guardian has to say about the record that they placed at #91 in this countdown of the greatest #1 hits:
“Saturday Night just pipped Gina G’s Ooh Aah … Just a Little Bit to our 90s Eurobanger slot. First off, it’s an actual Eurobanger (not an Aussie impersonator), and like the Village People’s YMCA, it has a dance routine invented by fans that came to define the song. It’s got an immediately iconic tag (“dee dee da da da!”), plus it was the victor in one of pop’s funniest plagiarism cases: I want some of whatever the person who thinks this sounds like Lindisfarne’s Fog on the Tyne was having.”
I know I have often moaned in the past about how time-consuming it is to write The Chain, but this morning, at around 2am, having put off writing it every day this week, it suddenly occured to me that there are three reasons why it takes me so long:
1. You won’t be surprised to learn that I don’t own every record that gets suggested, so I have to track down a copy to post here. I quite enjoy this aspect, as it goes;
2. As I’m going through all of your suggestions, I put all the songs on a playlist so I can familiarise myself with them, and hopefully come up with either some decent jokes (I’ll let you be the judge of how succcesful I am with that) and/or some funny video clips to include in the post. This latter aspect, as I’m sure you can imagine, often leads me down a YouTube rabbithole. That said, I quite enjoy this aspect too;
3. For practically every song you suggest, I manage to think of at least one more to link to either the source record, or your suggestion. That’s not meant to sound like a boast, more a statement of fact: people who write music-based blogs tend to know quite a lot of records. I try to exert some kind of control over the amount of my own suggestions I include but sometimes I just can’t resist. I really like this aspect as well.
So next time I moan about what a pain it is to write The Chain, ignore me. Once I get going on it, I bloody love it.
As can be seen by the amount of suggestions I’ve made this time.
And that’s despite the source record being, in my opinion, one of the worst singles by – well, I’m not going to say the worst bands, not when Black Eyed Peas and Coldplay are both things – but certainly by a band that I don’t much care for.
In case you’ve forgotten, said source record this time around was this:
As usual, the suggestions can be split into categories, one for each word: ‘U2’, ‘Beautiful’ and ‘Day’, with a few tangents thrown in for good measure.
We’ll save the vitriol of links to U2 for later I think, so let’s start with a suggestion from PhonicPat:
“[Beautiful Day] is from their ‘All That You Can’t Leave Behind” album which leads nicely to…:”
Over to C from Sun Dried Sparrows to kick off all the nominations linked to the word ‘Day’ and complete the cleansing of the palate:
“I think ‘keeping it simple’ will be my mantra from now on, so… Beautiful Day takes me to beautiful Days. I’ve just been through your back pages and I couldn’t see Kirsty MacColl’s sublime cover version appearing here before, so can we have that one please?”
Next up is a clutch of suggestions/songs mentioned in passing – which you all know I can’t resist – from Kay. For those of you who don’t know, Kay is my manager at work, but also a friend. She, too, wants to keep things simple:
“I’m a simple soul [I’m saying nothing – Ed], so I immediately started thinking of songs about a particular day of the week. First thought was…”:
“…then remembered [Look out, folks, she’s off. Experience tells me to get comfy and look like you’re paying attention – Ed] Foals had a song called Sunday, and I thought I would choose that, so you’d have to post it (much to your disgust)…”
Allow me to explain that “much to your disgust” comment: I’m not a Foals fan. I don’t dislike them either, to be honest. I just find them a bit “meh”. I don’t understand why anyone would want to pay money to go and see them, unless they need to pick up a new Yasser Arafat-type scarf from the merchandise stall, that is.
Anyway, carry on.
“…but then thought neither a Monday or a Sunday is a beautiful day. So I’m going for…”
That’s all the ‘Day’ suggestions, and before we move let’s move on to the “Beautiful” links, a suggestion which covers both, and I’ll hand you over to The Robster from on/off/on-again/no-he’s-definitely-gone-this-time Is This The Life?
“Beautiful Day was used by ITV for their ill-fated coverage of The Premiership back in, erm, I don’t remember. Quite a few years ago. The song I always associate with football on TV is Life Of Riley by the Lightning Seeds which Match Of The Day used for its Goal Of The Month feature.”
Ill-fated it certainly was, for two reasons: firstly, given an alternative, I don’t know anyone who would elect to watch football on ITV, and secondly, tactical analysis was provided by former professional footballer Andy Townsend, not from the comfort of a warm studio, but from what was know as The Tactics Truck, for no other reason, it seemed, than alliteration.
Whilst we’re on the subject of football, here’s PhonicPat with a couple of suggestions which I’ll allow, even though they link to The Robster’s suggestion more than to the source record:
“Late to the party this time around and some of my thoughts already reflected in the comments [but I haven’t got to them yet in this post, in case you were wondering – Ed]…More footy with…”:
“…and one more football song:”
Sorry, Pat. I can’t say I enjoyed that one. Worst Record of the Week, in my book.
Now we’ll move on to just plain Beautiful, words often used to describe Swiss Adam from Bagging Area, I’m sure:
“There are lots of songs that link to beautiful – Peaking Lights’ Beautiful Dub has the double pleasure of the word in its title and being beautiful to listen to.”
There’s a little snatch (and no, I don’t mean Bono) of the melody of that, such as it is, which reminds me of Una Paloma Blanca by Jonathan King, but since I’ve banned Morrissey’s solo records from the blog because of his extremist views, I guess I should extend that to convicted paedophiles too. So instead, here’s the George Baker Selection with the titularly-truncated (presumably Ms Stubbs complained) Paloma Blanca:
Personally, whenever I hear the name U2, I want to rebel against it, and listen to the complete opposite. So, like a typically confusing clue on 70s game show 3-2-1…
…here we go: The clue mentions the complete opposite and the the opposite of U could be Me or it could be We; the opposite of the opposite of 2 is the number immediately adjacent to it, so it could be 1 or it could be 3; if you want to rebel against something then you want to bring about change, and perhaps the most famous rebels were the French Resistance…so the next suggestion is of course:
I mean, really I should be awarding myself some points for Showboat of the Week. Not that I can be bothered awarding points anymore. Nobody really cares about them, do they?
Here’s Martin again with another song which sort of links to the band’s name:
“Finally I want to mention ‘U Talk 2 Much’ by Sultans of Ping FC, not least for its U2-referencing sleeve art”:
Which takes me back to PhonicPat, and an alternative Sultans of Ping FC tune, suggested “…for the footy link”:
Do you remember when U2 graciously and modestly decided that everyone with iTunes should be blessed with a free copy of their 2014 Songs of Innocence album, whether they wanted it or not? Well, that leads me here:
Time to go off on some (non-football) tangents, I think, and so here’s Alyson from What’s It All About?:
“U-2 is a kind of plane and another plane become the inspiration for a song by OMD, so I’m going for Enola Gay, which very scarily was a big hit for them in 1980, 40 years ago now. The awful event addressed in the song, the atomic bombing of Hiroshima, happened only 35 years prior to that. Is it just me or is time running away with us as we get older?”
And follow that up with an equally warm hand on his entrance for Stevo Kifaru, who, for a first-time Chain Ganger has certainly got the hang of naming a load of records knowing full-well I won’t be able to resist posting them all:
“U2 were named after an American spy plane, the Lockheed U-2, so I’m going with the theme of Spies for a second. My initial thought was…:”
Pop the handbrake on for a moment and hide the jacket potatoes, I have (yes, yet another) suggestion:
….which I’m sure you’ll agree is the very best of the mixes, right Chums?
It turns out Stevo is quite the Chatty Cathy (a bit rich, coming from me, granted), for he continues:
“I also thought U2 reminded me of the nomenclature of German submarines, always beginning with a U, & that brought me to Das Boot. Many years ago my friend randomly asked me, what was the number of the sub in Das Boot? I thought for a second & said U96. I have felt like such a nerd since that day, my friend obviously grateful that I answered his question, but the look he gave me was one of shock at my depths of geekness….In reality I just remembered the techno remix of the theme tune that was released under the name of U96….”:
In the interest of balance, perhaps I should point out that Bono at least seems to be vaguely self-aware and have a sense of humour about how many people view him, even if that sense of humour has been written by somebody else:
“U2 to Stiff Little Fingers to Grandmaster Flash and back to U2 in 3 moves:
There is a story that Adam Clayton says the bass line for U2’s ‘With Or Without You’ is basically Stiff Little Fingers’ ‘Alternative Ulster’ slowed down.”
Now. I know you haven’t suggested it, and I wouldn’t ordinarily post a second song by the source artist (especially when it’s U-Sodding-2), but I don’t think I can let that slide without investigating. So here’s both of those records, to allow us to compare and contrast:
Hmm. I suppose he may have a point. But it’s not exactly the most complicated bass-line in the world is it?
“SLFs 1997 album Tinderbox,” Rigid gamely continues, undeterred, “contains a cover version of ‘The Message’, which includes the lyric: “Don’t push me cos I’m close to the Edge”
So, here’s both the cover and the original. I do like a bit of SLF, but I know which of these I prefer:
Sounds a bit Walk This Way, only not as good to me, no? Imagine the Run DMC boys hadn’t turned up at the studio and so Aerosmith recorded their part too.
Where were we? Ah yes: Grandmaster Flash:
Of course, any mention of The Edge being close to the edge means that I’m contractually obliged to share this clip:
Last ones before we find out what the next record in The actual Chain is, and I’ll hand over to The Great Gog to bring things to a thrilling climax as only he can:
“The phrase ‘close to the edge’ has already been mentioned. Of course Bono and the other two are close to The Edge when they play live. Close To The Edge was also an album recorded by Yes in 1972. Later versions of this album include a cover of the Paul Simon-penned America, also recorded in the same year.”
Now, I’m no Yes man, so I checked what Wiki has to say about this, and GG is quite correct:
“In 1987, ‘Close to the Edge’ was reissued by Atlantic Records on CD in the United States and Europe. Another issue of the album was digitally remastered by Joe Gastwirt in 1994. In 2003, the album was reissued again on disc in an expanded and remastered edition by Rhino and Elektra Records. Included were two previously unreleased tracks: an alternate version of ‘And You and I’, an early run-through of ‘Siberian Khatru’, and Yes’s 1972 single ‘America’ with its b-side, an edit of ‘Total Mass Retain‘.”
Never in doubt:
It’s not so much a cover version as a lot of proggy noodling with the Simon & Garfunkel lyrics chucked in after a while.
I should be careful how I phrase that, really; for to describe them as ‘Simon & Garfunkel lyrics’ does rather give the impression that Art had some involvement in the song-writing process, a goof that Annie Nightingale made when she interviewed Paul Simon for The Old Grey Whistle Test many years ago:
“1972 saw Simon record the song ‘Mother & Child Reunion’,” GG continues. “He performed this song on stage (and presumably close to The Edge) with U2 at Madison Square Garden in 2015.The performance is on YouTube but the quality isn’t great and there’s a load of waffle from Bono at the start of it.”
Which seems a good enough reason to just post the Paul Simon version:
And all that leaves me to do is….oh wait. Rigid Digit is back:
“Forgot to include the story of my U2 branded SatNav.It’s terrible – the streets have no names, and I still haven’t found what I’m looking for.
And I think my U2 fridge is on the way out – all it does is Rattle and Hum.”
Thanks Rigid, I trust you’ll be here all week?
Anyway, as I was saying (he says, locking the door behind him to be on the safe side), all that leaves me to do is to give you the next song in The Chain, along with the way the person suggesting it got there. And don’t worry, it’s a waaaaaaaay better record this time:
The link: As PhonicPat said right at the top, Beautiful Day appeared on the band’s All That You Can’t Leave Behind album. What Pat didn’t say was that said album was produced by Brian Eno (and Daniel Lanois); and the album that this is taken from (Fear of Music) was also produced by Brian Eno (without Daniel Lanois):
So, your suggestions, please, for songs which link to Cities by Talking Heads, along with a brief description of the link, via the Comments Section down below or via email to email@example.com in time for whenever The Chain circus next rolls into town, in a month or so’s time (probably).