The Chain #26

Welcome back to the Chain Gang.

We ended up last week with me inviting suggestions for songs which link to The Jimi Hendrix Experience’s “Voodoo Chile [Slight Return]”, which is lifted from their “Electric Ladyland” album, whilst also making a rather bold prediction:

“I’m willing to bet I know which artist Charity Chic will suggest.”

So over to you, CC:

“If you are thinking Wall of Voodoo, they only had one decent song which I suggested last week which could be winner if it didn’t take you back to the radio theme.”

Errrr,  no. That wasn’t who I was thinking of. However, that did prompt Dirk from Sexyloser to suggest the following:

“Wall Of Voodoo’s “Dance You F***ers*” was okay as well, if I remember correctly”

Wall Of Voodoo – Dance You Fuckers

Fancy another go, Charity Chic?

“Chile used to be ruled by a tin-pot fascist dictator called General Pinochet. When he took I’ll he came to the UK where our very own tin-pot fascist dictator Margaret Thatcher gave him bed and board at the countries expense. Thereafter the normally spineless Jack Straw the then Home Secretary deported him. I wrote to congratulate him but never got the courtesy of a reply.

 So “(We Don’t Need This) Fascist Groove Thang” by Heaven 17 please.”

Heaven 17 – [We Dont Need This] Fascist Groove Thang

Nope, that wasn’t what I was thinking of either. How embarrassing. Anyone else?

Here’s Rol from My Top Ten:

“Why has nobody suggested Kirsty MacColl yet? Is that what you were expecting from Charity Chic?

Kirsty had an excellent album called Electric Landlady. The opening track is called Halloween, making it doubly appropriate.

That’s not my official suggestion. Just the obvious one you were no doubt looking for.”

Bingo!

Kirsty MacColl – Halloween

You see, the other week, having successfully suggested a link to a Kirsty MacColl record for the second week running, and aware of our mutual adoration of her work, CC announced that he would attempt to link to something by her at every opportunity.

I’m reminded of QI, and the number of times Alan Davies has proffered “a blue whale” as an answer, and got it wrong, but then when it is the answer, manages to miss it. Like this:

Now. Before we go any further, I need to just clear a little something up. And having popped the tissues away, now I need to clarify something.

The reason we are linking to The Jimi Hendrix Experience’s “Voodoo Chile [Slight Return]” is that it was the next record in the official BBC Chain, following on from Joni Mitchell’s “You Turn Me On I’m a Radio”, and the official link between the two was given as “…Mitch Mitchell played bass in the Jimi Hendrix Experience…”. Needless to say this raised a few eyebrows, by The Swede (“That’ll be news to Noel Redding’s estate”) and Alex G (“What a disappointing official connection. I expect better than that for £145.50 a year.”)

So let’s just check with the bible of all accurate data: Wikipedia, which lists Mitch Mitchell’s credits as ‘backing vocals, drums (except on “Rainy Day Dream Away” and “Still Raining, Still Dreaming”), percussion, lead vocals on “Little Miss Strange”‘ and Noel Redding’s as ‘backing vocals, bass on “Crosstown Traffic”, “Little Miss Strange”, “Come On (Let the Good Times Roll)”, “Burning of the Midnight Lamp”, and “Voodoo Child (Slight Return)”, acoustic guitar and lead vocals on “Little Miss Strange”‘

So perhaps we should have a couple of Noel Redding related tunes before we go any further.

There is a town just outside London which hosts an annual music festival over the August Bank Holiday Weekend. That town is Reading, but it’s pronounced the same way as Noel’s surname. The other way to pronounce it is, of course, in the same way as in the phrase “Reading, Writing And Arithmetic”, which just so happens to be the title of the debut album by The Sundays. Here’s the opening track:

The Sundays – Skin & Bones

Similarly, here’s George, with both of his suggestions linking to the unappreciated multi-instrumentalist:

“Noel Redding the bass player/drummer, could also play the mandolin, and so could Ira Lonnie Loudermilk, better known as Ira Louvin, one half the toptastic Louvin Brothers. (He was also the heavy drinking much married and alleged wife-beater who was once shot by one of wives). And one of the Louvin Brothers’ song is The Angels Rejoiced Last Night, which has one of the finest examples of lyrics in country music you’ll ever hear.”

The Louvin Brothers – The Angels Rejoiced Last Night

I don’t know about you, but the sight of that album sleeve has just bumped that record to the top of my “must own” pile.

Here’s George’s second suggestion:

“I’m surprised no-one has posted an Otis Redding suggestion, so mine is ‘Stay in School’.”

Otis Redding – Stay in School

I have two things to say about that. Firstly, I always thought Roy Orbison was ‘The Big O’? Secondly, George adds: “I played this to some of my classes when I was working.” So what on earth was your teaching style like if you had to play the pupils a record imploring them not leave?

“I also played them the occasional track by Gong,” George adds, like that makes it perfectly acceptable. Although maybe in an alternative to classroom bell context, a “That Gong’s not for you, it’s for me” kinda way, I guess it might work.

But I digress. Where were we. Oh yes, Chile. CC was not the only person to go down the “Chile” route. Here’s The Robster from Is This The Life?

“I also couldn’t get Chile out of my head, in this case the country – ‘Chile Your Waters Run Red Through Soweto’. While the Billy Bragg version is best known, for me you can’t beat Sweet Honey In The Rock’s take which is just wonderful.”

Sweet Honey In The Rock – Chile Your Waters Run Red Through

And in similar territory, literally, here’s The Great Gog:

“Back in my mid-80s student radio days, I had a stand-in co-presenter for the mammoth 4-hour Saturday Sportswatch (not my choice of title). I set the Hendrix track off and as it finished I was busy scribbling info off Ceefax for an upcoming link. Said co-presenter then back-announced the track, pronouncing Chile as one would the South American country which is spelt that way. Cue much mirth around the studio where music snobbery was positively encouraged.

 Anyway…I’m obviously now in South American county mode, so I offer ‘Ecuador’ by Sash!…”

Sash! – Ecuador

“…or,” The Great Gog continues, “‘Brazilian Love Affair’ by George Duke.”

 George Duke – Brazilian Love Affair

Before we move on to the most popular links, one which received two nominations this week, firstly from Rol (“The other obvious suggestion is ‘Slight Return’, the Bluetones’ biggest hit. But you can have that one for free.”) – CC: did you notice that’s the second time he’s said “obvious choice”? He may as well have said blue whale – but also from The Beard (“Alternatively, ‘Slight Return’ by The Bluetones”), which, to be fair, looks a little bit odd when taken out of context i.e. immediately after his other suggestions, which we’ll come to in a bit.

The Bluetones – Slight Return

Now, a Public Service Announcement. I have had to disqualify three suggestions this week, because I don’t think the suggested link is correct. I’m talking about these:

“Jimi’s guitar solo from, oh I forget but not Voodoo Chile, was recycled in BAD’s C’mon Every Beat Box and then later Right Said Fred (Deeply Dippy I think). Which was then covered on the Heavenly Fred EP by the Rockingbirds. One of whom plays guitar for Edwyn Collins.”

I had the BAD track all lined up and ready to go, listened to it to make sure it sounded okay, and realised after it finished that I hadn’t noticed any Hendrix-guitar in there. So I listened again. And again. And again. And again. Nope. So I had a little look on-line, and stumbled across this page which explains all of the samples, source materials and references on BAD’s “No 10 Upping Street” album, from which “C’mon Every Beat Box” is lifted. No mention of Mr Hendrix at all there, nor on several other places I checked.

Now, don’t get me wrong, I would love to post all of them, not least The Rockingbirds version of Deeply Dippy, but as far as I can see, these suggestions fall at the first hurdle. So sorry, but in the absence of any link, I can’t play any of those tunes.

Ok, so there were two other means of linking to our source record this week which attracted mucho attentioni (those online Italian lessons weren’t wasted on me, right?), and so I’ll hand you back over to Dirk for a moment:

“Now, there are quite a lot of really good bands called “The Something Something Experience”, such as The Colorblind James Experience, The Iowa City Beef Experience, The Jean Paul Sartre Experience, The Joyce McKinney Experience, The Mr. T Experience, The Tony Head Experience plus, I’m sure, a few others which I can’t think of currently. ‘Lift To Experience’ spring to mind as well, but they don’t count in my Mr. Monk–world.

Also we have The Sid Presley Experience and the B-Side of their 1984 7″ ‘Hup 2-3-4’ is rather splendid, so it shall be my link for this week, please: ‘Public Enemy Number One’.”

The Sid Presley Experience – Public Enemy Number One

Time to welcome back Charity Chic:

“I was going to offer up ‘Considering a Move to Memphis’ by the Colorblind James Experience but Dirk stole my thunder…I am not having a good day…”

Well, actually he just mentioned it in passing, so I’ll give you that one (also because it’s one of my favourite records ever):

The Colorblind James Experience – Considering a Move to Memphis

And here’s another one of those ‘The Something Something Experience’ bands, suggested by Yours Truly, although strictly speaking they’re a the ‘Something Something Something Experience’ band: a band with a truly magnificent name, but who’s music sadly doesn’t quite fulfill expectations, unless you’re expecting some fey C86-esque indie jingly-jangly guitars, in which case, fill your boots:

James Dean Driving Experience – Sean Connery

But by far and away the most popular link this week was to Voodoo. There was a great song by Vic and Bob from their “The Smell of Reeves & Mortimer” series called, I think, “Do You Do Voodoo?” which I was hoping to link to now, but can I find it? Can I heck as like.

So, let’s start off with a welcome return for Marie, who suggests this:

“As soon as I saw the word “Voodoo” (with Halloween being just around the corner an’ all), I knew that I had to suggest this song: Charles Sheffield’s ‘It’s Your Voodoo Working'”

I wish I could say I’d planned this week’s post to land a couple of days before Halloween, but honestly, I never look at what the next link in the Chain is until I come to write this, so I can’t claim to be that organised.

Anyway, here’s Charles:

Charles Sheffield – It’s Your Voodoo Working

Time for babylotti’s suggestion(s):

“‘Voodoo Chile’ was part of the Hendrix medley released as a free record with Soft Cell’s most accomplished album, The Art of Falling Apart. The other side of that record was a song based on George A Romero’s film about a boy who believes himself to be a vampire. So I’m suggesting that one, ‘Martin’, by Soft Cell.”

Soft Cell – Martin

It’s not long before babylotti’s back though, with a second suggestion:

“Jeez, how did I not take that chance to link to Tom Robinson Band’s Martin? I think I just did…;-)”

Don’t think you can get round me with a cheeky winking emoji, old chap. That’s the sort of thing likely to make me not post your choice. But since it’s a rather fine choice, here you go:

Tom Robinson Band – Martin

It’s not often that we get different versions of the same song suggested here, but that’s exactly what happened this week. I’ll let SWC from When You Can’t Remember Anything explain:

“I have always thought that the greatest song to ever feature the word voodoo was by A Guy Called Gerald and Voodoo Ray….”

A Guy Called Gerald – Voodoo Ray (Original Mix)

“But,” continues SWC, “his version is not the best for that you need to go to Acid Brass version.”

For the uninitiated, “Acid Brass” is an album of acid house choons covered by a brass band. The Williams Fairey Brass Band, to be precise. Don’t let that put you off though, this is, as SWC alludes, brilliant:

The Williams Fairey Brass Band – Voodoo Ray

I said three versions, right? Right. Here’s Swiss Adam from Bagging Area:

“Voodoo Ray is not only the best record with the word Voodoo in its title, but one of the best records ever made. No arguing. Fact. The Acid Brass version is wonderful too but Gerald’s was proof that British house music was going somewhere else entirely. For an updated version see Optimo’s remix (done with Jeremy Deller).”

Jeremy Deller – Voodoo Ray (Optimo remix)

Can we have a factoid about the tune before you go Swiss?

“It was supposed to be Voodoo Rage but there weren’t enough spaces in the digital name display so he changed it to Ray.”

Thanks Swiss!

Here’s babylotti again. He’s been thinking.

“Just yesterday I was listening to Philip Boa & The Voodoo Club, they once sang a song about Paul, who was in love with a container…..which is a line from another of their songs, so my next suggestion is Love on Sale by them…”

Phillip Boa & The Voodoo Club – Love On Sale

Now. “Container Love” by Philip Boa & The Voodoo Club is another record I adore, so I’m a bit annoyed you didn’t pick that one. In fact, I very nearly over-ruled you and played that instead. But then I realised we’re a bit light on cheese this week – we love the occasional cheesy record round these parts – and without Love on Sale then you wouldn’t have been able to provide this week’s Dairylea triangle:

“Which leads me to my awful song selection, from Love on Sale to ‘You Gotta Be A Hustler If You Wanna Get On’ by Sue Wilkinson.”

Not awful, babylotti, cheesy.

Sue Wilkinson – You Gotta Be A Hustler If You Wanna Get On

Ah. Okay. As you were. Awful it is.

That made it to Number 25 in the UK charts back in 1980. It was her only hit. Maybe she’d have had more if her name hadn’t been so…well, drab. I mean, it’s not exactly the sort of name that conjures up visions of a pop star, is it? To me, Sue Wilkinson sounds like the woman from the office with a fixation on cats, who arranges the collections for people’s birthdays and tries to engage you in conversations about The Great British Bake Off when you’re trying to mind your own business by killing time at the photocopier.

Now, we can’t really do a post referencing records linked to Voodoo without mentioning The Robster’s next suggestion:

“Screamin’ Jay Hawkins looked like a witch doctor who practiced voodoo. He’s best known, of course, for his classic I Put A Spell On You, but in 1974, he released a single called Voodoo, which was backed by You Put The Spell On Me. So you can have any one of those three.”

Suddenly, this has become like a version of Michael Barrymore’s “Strike It Lucky”: I can have top, middle or bottom, you say? Middle! (See, I can resist making the obvious joke sometimes)

Screamin’ Jay Hawkins – Voodoo

Time for some Swede action. Here’s The Swede from Unthought of though, somehow:

“Working on the basis of ‘first thought, best thought’, the song that immediately popped into my head to follow ‘Voodoo Chile (Slight Return)’ was ‘(The Ballad Of) The Voodoo Ranger’ by Multicoloured Shades.”

 The Multicoloured Shades – (The Ballad Of) The Voodoo Ranger

Chain Gang, count yourself very lucky, for that song made me think of one very cheesy one which, had I had the time, would have got posted right now. I’ll save it for another time…

Here’s Swiss Adam, back for a second, third and fourth bite at the cherry:

“Voodoo always makes me think of The Gun Club’s debut album Fire of Love (the cover art). Sex Beat is a peak on an album of peaky peaks. They were never that good again.”

I’m not sure we’ve ever had someone link via the medium of cover art before. I suppose, given the cover art I used for “Electric Ladyland” last week – which Hendrix himself disapproved of, by the way – I should be grateful. Anyway: a first!

The Gun Club – Sex Beat

Anyone who regularly visits his excellent Bagging Area blog will not be surprised by the manner in which Swiss continues: “…which gives me two Andrew Weatherall links- Two Lone Swordsmen did a spirited cover version of Sex Beat…”

Two Lone Swordsmen – Sex Beat

“…and the sleeve of Sabres of Paradise’s wonderful single Wilmot recycled The Gun Club’s cover images and is a voodoo influenced tune itself.”

The Sabres Of Paradise – Wilmot

I always thought that was about popular chicken-in-a-basket entertainer Gary Wilmot. Apparently not.

A couple of weeks ago, one of the songs posted here was Carly Simon’s “Nobody Does It Better”, and I happened to comment that it was my favourite Bond theme ever, although occasionally it might be the next record. Here’s Alyson from What’s It All About, Alfie?:

Paul McCartney & Wings – Live And Let Die

It seems Rol has been trying to think of something clever:

“I was going to try and be deep and obscure this week, but then I remembered one of my favourite tracks from my favourite album of last year: ‘Voodoo Doll’ by John Grant”.

Regular readers will know I share Rol’s love of all things John Grant related, so here you go:

John Grant – Voodoo Doll

Time to welcome back (I think – you have posted here before, haven’t you…?) Brian from Linear Tracking Lives:

“Like The Robster, my first thought was Screamin’ Jay Hawkins. Then I recalled quite a few albums with voodoo in the name, such as the Dirty Dozen Band’s Voodoo and Paul Carrack’s Suburban Voodoo, but there isn’t that one song that hits on the theme. Then I smiled when I thought of Harvey Korman as Hedley Lamarr in ‘Blazing Saddles’ telling his band of bad guys “Now go do that voodoo that you do so well.” Yes, I’m that highbrow. Well, that’s liberally lifted from Cole Porter’s ‘You Do Something to Me’. Francis Albert sings that song with gusto, but it’s not my favourite. So, finally, my pick is a close cousin to voodoo…. Witchcraft, sung by Sinatra”

Frank Sinatra – Witchcraft

Here’s Alex G, fresh from expressing his disappointment at last week’s link, which given the amount of research he’s done into his own link is a bit rich:

“Talking Heads did a song called Papa Legba, which is named after some sort of spirit in Haitian Voodoo.”

(Papa Legba is the loa who serves as the intermediary between the loa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. Either that or an over-priced midfielder currently arousing the curiosity of  Manchester United’s scouting team. You decide.)

Talking Heads – Papa Legba

Alyson’s back, to expand on her earlier “Live and Let Die” nomination:

“Thinking about it a bit more, the fictitious island where much of the Voodoo action in the film took place was called San Monique but of course it is highly likely that this fictitious island was supposed to be Haiti where, apparently, the majority of the population hold Voodoo beliefs. This of course got me thinking of the song ‘Haitian Divorce’ by Steely Dan.”

Steely Dan – Haitian Divorce

Time now for a big warm Chain Gang welcome to Kuttowski, who unless I’m very much mistaken, is Walter from the excellent A few good times in my life blog. Welcome aboard, Kuttowski/Walter, what have you got for us?

“I think it is time to join the chain gang. Thinking about the word voodoo Screaming Jay Hawkins and Voodoo Ray came to my mind. But it all said by the ones before. So I would suggest Voodoo by Mano Negra, a French band lead by Manu Chao back in the late 80’s. Starting with a dark mood this song turns into a weird folk chaos.”

Mano Negra – Voodoo

“Otherwise,” he continues, “I would suggest Jah Wobble’s Voodoo.”

You can have both:

Jah Wobble – Voodoo (Original Mix)

And so to the last of the Voodoo related tracks, and a very heartfelt welcome back, albeit via the conduit that is SWC, to Badger:

“I spoke to Badger and his suggestion from the sofa is thus. Part of the voodoo ceremony is to slaughter a rooster. (He is basing this solely from the Mickey Rourke/Lisa Bonet film [Angel Heart, I believe – Film Ed] of a few years back.) But that takes us too ‘Mansize Rooster’ by Supergrass.”

Hallelujah, what a great, often overlooked tune. And I think I speak for everyone here when I say it’s great to hear Badger is on his way back to fighting fit.

Supergrass – Mansize Rooster

Four songs to go, and here’s my last choice. This is, I believe, a cover of a Kiss record, performed here by The Lemonheads back in their early days before they had added the The to their name. I’m not going to explain the link: if you don’t get it, then just type the words “Jimi Hendrix” and “Plaster Caster” into Google. But don’t do it at work:

The Lemonheads – Plaster Caster

Having given him a bit of a ribbing earlier, I was going to let Charity Chic have the last word this week. But, that honour is being saved for my favourite link of the week.

So, sorry CC, but here’s your other selection:

Neil Young – From Hank to Hendrix

Earlier on, I mentioned that The Beard had suggested The Bluetones “Slight Return” as his final choice, and here come his first two choices, the reasoning behind which I love:

“From Jimi Hendrix to Hendrik Van Kleefe, the dodgy Dutch diamond dealer from To Hull And Back, the Only Fools and Horses Christmas special from 1985. Two of the world’s greatest cities, Hull and Amsterdam, are featured in the episode. 1985 also saw the release of Flag Day, the debut single by “the fourth best band in Hull” aka The Housemartins.”

The Housemartins – Flag Day

And finally:

“‘Amsterdam’ by Peter Bjorn and John didn’t come out in 1985 but is great nonetheless.”

Peter Bjorn and John – Amsterdam

Right, can you all line up please? *Does quick head count* Okay, I don’t think I missed anyone out. So let’s have a look at the reason behind the next record in the official Chain:

“Jimi Hendrix’s manager was Chas Chandler, who played bass in The Animals…”

…and this was the record of choice:

26. The Animals – The House of the Rising Sun

So, let’s be having your suggestions for records which you can link to The House of the Rising Sun by The Animals, along with a description as to the link between the two records, via the Comments section down below.

See you next week.

(More soon).

The Chain #24

Ordinarily, I start every post on The Chain by recapping what we do here, what record we’re linking to this week, and then say I’d better crack on as we’ve got loads to get through.

Now whilst it is true that we have got an awful lot of tunes this week, there’s not as many as perhaps there could be, and that’s because one of our regular Chain Gang contributors is conspicuous by his absence for a second week running and is, I hear, rather unwell. I mean, I haven’t actually been presented with a sick note excusing him from participating, but that’s what I hear.

So, Badger: get well soon mate, and this week’s post is dedicated to you.

Last week’s record was “Radio, Radio” by Elvis Costello & The Attractions, a song which cropped up a couple of months ago on my Radio-themed “Friday Night Music Club” post, and so I was anticipating a few that I had chosen back then would resurface again here. Not a bit of it, which is either indicative of either the wide range of musical tastes you guys and girls cover, or of how many bad records I chose. Or both.

So to kick things off, one of my suggestions which didn’t quite make the cut when I was writing that “Friday Night…” post, mostly because it doesn’t have the word “Radio” in it’s title. But it seems an appropriate place for us to start:

Charlie Dore – Pilot of the Airwaves

Onwards, then, to some of your suggestions, and one final piece of housework. George: sorry about this, but there at least five records you’re not going to enjoy this week.

Here’s Dirk from sexyloser:

“Great start to link not one, but four different Clash tunes to, much to the dismay of George, I would suspect (I l.o.v.e. this!): ‘Capital Radio One’….”

The Clash – Capital Radio One

…and we’ll check back with Dirk throughout today’s post to go through the rest of them.

But first, more Clash-related shenanigans from Unthought of, Though, Somehow‘s The Swede:

“‘Radio Radio’ is taken from the LP ‘This Year’s Model’. If your car happens to be this year’s model (at least if it was registered in the UK between March & August), the age identifier portion of the number plate would be 16. In 1980 The Clash promoted the ‘London Calling’ LP with the 16 Tons Tour, every night of which would see the band walk on stage to ‘Sixteen Tons’ by Tennessee Ernie Ford.”

Tennessee Ernie Ford – Sixteen Tons

Next up, here’s Swiss Adam from Bagging Area with one of those suggestions where we get three for the price of one:

“Clearly you need to go to Jonathan Richman and the Modern Lovers’ ‘Roadrunner’, with his radio on…”

Jonathan Richman & The Modern Lovers – Roadrunner

“…And Joy Division who danced to the radio in Transmission….”

Joy Division – Transmission

“…And Half Man Half Biscuit who had Joy Division Oven Gloves.”

Half Man Half Biscuit – Joy Division Oven Gloves

Actually, there’s a double link for that one, as it was the subject of a Facebook campaign to get it to Number 6 in the UK Singles charts in an effort to save the BBC’s radio station 6 Music. It actually managed to scale to the giddy heights of Number 56, but the station survived, thankfully.

Time to check back in with Dirk, whose next Clash/Radio song is, perhaps unsurprisingly:

“…‘Capital Radio Two’…”

The Clash – Capital Radio Two

Whenever someone mentions Capital Radio, I’m always reminded of one of their DJs, who also worked the decks on Radio 1 for a while: David ‘Kid’ Jensen. I am still allowed to mention him, aren’t I? He’s not one of the bad ones, right? Good. Then I can legitimately play this:

The Pretenders – Kid

But enough of my suggestions (by which I mean, I’ll have some more later): time for Alex G, who this week writes his suggestion like this:

“The recent Edinburgh Fringe revival of 80s comedy show “Radio Active” has got me listening to the old shows again. One of the episodes is called “The Radio Radio Programme” and as usual it includes one of Phil Pope’s musical parodies, his target in that particular episode being “Sledgehammer” by Peter Gabriel. Not one of PP’s best efforts, but reason enough to suggest linking to the original “Sledgehammer” by the actual Peter Gabriel.”

Peter Gabriel – Sledgehammer

I could, at this point, post that ground-breaking video, but we’ve all seen that, so instead I thought I’d take a step back and post a couple of Phil Pope’s better parodies. I think you’ll recognise his targets on both of these:

The HeeBeeGeeBees – Meaningless Songs

Oh, and this, which I don’t find in the slightest bit amusing:

How dare they.

Alyson from What’s It All About, Alfie? leaps to my their defence, by proving that sounds nothing like them:

“Elvis Costello’s next release after ‘Radio Radio’ was ‘Oliver’s Army’ which led me to think of the Status Quo song ‘In The Army Now’.”

Status Quo – In The Army Now

Alyson – and indeed her other half Jamie – will be back in a bit. When you see what one of them suggests, you’ll be wishing they had stopped at Quo.

In the meantime, here’s Charity Chic from Charity Chic Music, who you may recall was very close to suggesting the official next record in the chain last week, and therefore almost bagged himself some invaluable (by which I mean of no value whatsoever) bonus points:

“From ‘Radio Radio’ to the excellent ‘Mexican Radio’ by Wall of Voodoo…”

Wall Of Voodoo – Mexican Radio

CC’s not done yet though:

“…whose lead singer was Stan Ridgway who gave us the less excellent Camouflage”

Stan Ridgway – Camouflage

“Suspect I won’t be troubling the scorers this week…” he sadly concludes.

You’re right, CC, you won’t. But you haven’t nominated the worst record of the week. Has he, Alyson?

Nor has The Beard, although he gave me a bit of a fright with the direction of this week’s suggestion:

“The lyrics to ‘Radio Radio’ make reference to late night listening. Circa 1992 I heard Annie Lennox played back to back in the small hours on Radio One, something that haunts me to this day. One of the songs played was Why. Why by Carly Simon is infinitely better.”

Deep breaths, everyone. We’re okay. He didn’t go there. The Annie Alarm remains untroubled.

Carly Simon – Why

“…as is Nobody Does It Better by the same artist”, continues our (presumably) Bearded Buddy:

Carly Simon – Nobody Does it Better

Ordinarily, I might only allow one song by the same artist to be nominated by the one person, but I’m going to let it slide here for two reasons. Firstly, “Nobody Does It Better” is my favourite Bond theme ever (most of the time; sometimes it’s “Live and Let Die”). Secondly…well…have you ever seen the episode in the second series of “I’m Alan Partridge” where our late night radio host describes the opening sequence of “The Spy Who Loved Me”, to which “Nobody…” is the theme, as the VHS copy he intended to watch in his static home has been inadvertently taped over with “America’s Strongest Man”? And have you ever wondered how accurate his commentary is? Wonder no longer:

Speaking of songs that I wouldn’t normally allow, here’s The Great Gog:

“‘Radio Radio’ features the same word repeated in its title as does another ECATA ditty, ‘Party Party’ from the film of the same name. There are obviously lots of other examples of this type of song-titling, but that one seemed the most appropriate.”

Under normal circumstances, I wouldn’t allow a song by the same artist as the record we are linking to (not that it’s ever happened before, mind). On this occasion, you just get away with it on the grounds of the repetition of words theme.

Elvis Costello & The Attractions – Party Party

The film is bloody awful, mind.

GG has a point: there are lots of records which employ repetition in their title, and to prove it, here’s Kay:

“Using the theme of repetition – Radio Radio – I thought of Tonight, Tonight by The Smashing Pumpkins.”

The Smashing Pumpkins – Tonight, Tonight

In fact, you could also have this one, which I pointed out to Kay I was surprised she hadn’t suggested, given that’s it’s by her favourite group, that it has a title with the same word repeated in it, and even has the word ‘repetition’…erm…repeated quite a lot in it:

Hot Chip – Over and Over

I don’t think Kay has stopped kicking herself for missing that yet.

Time to check back on Dirk and see where he is with his Clash-a-thon:

“…‘This is Radio Clash’…”

The Clash – This Is Radio Clash

Thanks Dirk, see you in a bit!

Time for The Robster from Is This The Life?:

“Seeing as there’s a lack of cheese so far… How about – playing on the Attractions – ‘Opposites Attract’ by Paula Abdul. Appalling, I know, but this isn’t about taste, is it?”

It certainly isn’t, but you, too, need not be concerned about the quality levels not having dipped enough just yet. Eh, Alyson?

Paula Abdul – Opposites Attract

Regardless, “I feel the need to right that wrong,” The Robster continues, “so my other offering is Kirsty MacColl’s ‘There’s A Guy Works Down The Chip Shop Swears He’s Elvis’.”

Kirsty MacColl – There’s a Guy Works Down The Chip Shop Swears He’s Elvis

Right. Let me take a step back, survey the carnage, and see who I haven’t mentioned yet.

George. Of course, George.

“Older people than myself, such as Charity Chic and The Swede, might prefer to use the word wireless instead of radio. In the tv programme Not The Nine O’Clock News, they once did a song with the lyrics “On the road you must be brave and tireless, on the road you can listen to the wireless”. I think that song is called I Like Trucking.”

Close, George. My recollection is that on the show it was referred to as “I Like Trucking”, but when the cash-in accompanying album “Hedgehog Sandwich” was released, the title had been shortened to just “Trucking”:

Not The Nine O’Clock News – Trucking

Alyson’s back, with her hubby in tow this time:

“I have an entry first from the other half Jamie, who decided that if there are two radios the sound will be in stereo which led him to think of the Stereophonics who released a track called Vegas Two Times from their ‘Just Enough Education to Perform’ album. Bit of a double link with the “stereo” and the “two times” both relating to Radio Radio.”

Stereophonics – Vegas Two Times

What with me having lived in Wales for 20 years, at the time that the Stereophonics came to prominence, you could be forgiven for thinking I love them.

You’d be wrong though.

Did you ever have that thing happen to you, when you’re in the middle of a conversation and someone suddenly sticks their head round the corner, and says something which completely makes you lose your thread? Here’s Swiss Adam again, who’s located another unexpected item in his Bagging Area:

“R.E.M.’s Radio Song too”

R.E.M. – Radio Song

Now where was I…? Oh, never mind. Can’t have been important.

Back over to Dirk’s Clash Corner for the final time now. What are you listening to now, Dirk?

“… ‘Radio Clash’!!!”

Of course you are. And now, so are we (minus George).

The Clash – Radio Clash

Here comes Rol from My Top Ten:

“I worked in the radio industry for 23 years of my life. Radio Radio is one of my all-time favourite songs because of the lines…

‘And the radio is in the hands
Of such a lot of fools
Trying to anaesthetize
The way that you feel’

When I started working in radio, back in the late 80s, my ambition was to be a jock because then I’d get to pick my own music. A couple of years later, presenter choice was gone from local radio and my ambitions of being a DJ were over. I stayed in the industry for a further 20 years in other roles because it was an easy job and I got lots of freebies from the record library: basically, all the good stuff they wouldn’t ever play because it didn’t “test well” with the great unwashed.

All of which would usually lead me to suggest the same track I selected last week: Rex Bob Lowenstein by Mark Germino & The Sluggers. But as I already had that one, can I instead go with a very similar tale…”

Tom Petty and the Heartbreakers – The Last DJ

George is back!

“I have a chain that results in a Bruce Springsteen song…” he says, slightly curiously, given that on these very pages he has named Broooce as the other act, along with The Clash, that he dislikes.

Despite much encouragement, he declined to provide us with the link, declaring he would “rather stick pins in my eyes”, which seems a bit extreme. I’d recommend ear plugs as a far more effective way to avoid hearing something, George. You’re welcome.

Instead, he comes up with this:

“From Elvis Costello to Elvis Perkins (son of Anthony Perkins the actor) and from his album Ash Wednesday the song Ash Wednesday.”

Elvis Perkins – Ash Wednesday

A couple more folks returning from earlier now. Here’s The Robster:

“We got here by way of the name of Elvis Costello’s record label. There’a a reggae label called Easy Star Records that has a house band, The Easy Star All-Stars. Along with an astounding selection of guest vocalists, they’ve released a series of excellent tribute albums over the years, one of which was ‘Radiodread’, a reggae tribute to ‘OK Computer’ by Radiohead. I could suggest any number of songs from it (‘Lucky’ featuring the legendary Frankie Paul; ‘Let Down’ featuring the uber-legendary Toots & The Maytals), but I’m going to plump for ‘No Surprises’ featuring The Meditations.”

Easy Star All-Stars – No Surprises (Feat. The Meditations)

And here’s Charity Chic:

“I was going to offer Radio Gaga by Queen but even I would not stoop that low.  The Frank Sidebottom version on the other hand …”

This one?

Frank Sidebottom – Radio Ga Ga

I know what you’re thinking. You’re thinking that’s the worst record we’re featuring this week, right? No. No it isn’t. For Frank Sidebottom was a genius. You know he was, he really, really was.

I suppose we should let Dirk have a non Clash request, right?

“What I really would like to hear is The Members – ‘Phone-In Show’ from their debut album, simply because I haven’t heard it for ages and can’t be arsed to search for the LP.”

Well Dirk, I could be arsed to search for it, but couldn’t find the bloody thing. So instead, here’s their version of ‘Phone-In Show’ taken from one of their Peel Sessions instead:

The Members – Phone-In Show (Peel Session)

You may have noticed that it’s not just Badger who is conspicuous by his absence this week. Where has his When You Can’t Remember Anything… partner in crime S-WC got to? Well, he’s in the middle of moving house, but he did take time out from packing up boxes to suggest this:

“I don’t really have a lot of time to explain but my suggestion is ‘Radio Ladio’ by Metronomy.”

Metronomy – Radio Ladio

Doesn’t really need much explanation, to be honest, that one SWC. Anyway, hope you have your broadband sorted in time to get a suggestion in for next week!

Rol’s back, with a suggestion to protect George’s eyes from becoming pin cushions:

“…my second choice would be State Trooper by Bruce…

Radio’s jammed up with talk show stations
Just talk talk talk talk talk
Till you lose your patience…”

I think maybe George has suffered enough this week.

Only joking. Course he hasn’t. Here’s the Trentemoller remix of it, which might make it a tad more palatable:

Bruce Springsteen – State Trooper (Trentemoller Mix)

Okay, where next. Ah yes. Can’t really put this off any longer. Welcome back Alyson:

“I think I have probably come up with something that would win cheesiest song EVER in a poll of polls. Yes, from Elvis Costello to Abbott and Costello (the more mature chain-ganger will remember them) to Russ Abbot who had a mid ’80s hit with Atmosphere (as in he liked a party with one).”

Russ Abbot – Atmosphere

Let’s be honest, it was only a matter of time before I got round to posting this. There’s so much to make you cringe here: the reference to being “at the dancing party”  – was that ever a thing?; the desperate attempt to be hip by referencing Frankie Goes to Hollywood; the frankly rather seedy looking video where Russ saunters through a nightclub full of dressed-for-the-80s bright young things, looking like the sort of person your mother used to warn you about.

You’ve never seen the video, you say? Then get your laughing gear round this:

See what they did there? It’s so disappointing that it doesn’t quite work.

Maybe it does if you do it the other way round?

Better. Much better.

Okay, to round things off this week, one last suggestion from me.

In 2006, Basement Jaxx released their fourth album “Crazy Itch Radio”, from which I’ve chosen this little beauty:

Basement Jaxx – Take Me Back To Your House

Which just leaves us with the small matter of what the official song in the link was. And normally I’m a little bit disparaging about the tune they select, not so much for the song, but for the reason it was suggested/selected.

But credit where credit’s due, this week’s is a double-linker:

“Elvis Costello sings on the Joni Mitchell covers album [A Tribute to Joni Mitchell]…”

..and although he doesn’t sing this one, the choice of Joni tune doubles up here:

24. Joni Mitchell – You Turn Me On, I’m a Radio

And that, as they say, whoever they may be, is that.

Your suggestions please, via the Comments section down below, for records that can be linked to “You Turn Me On, I’m a Radio” by Joni Mitchell, along with a brief description of your linking logic.

Same time next week?

(More soon.)