The Chain #24

Ordinarily, I start every post on The Chain by recapping what we do here, what record we’re linking to this week, and then say I’d better crack on as we’ve got loads to get through.

Now whilst it is true that we have got an awful lot of tunes this week, there’s not as many as perhaps there could be, and that’s because one of our regular Chain Gang contributors is conspicuous by his absence for a second week running and is, I hear, rather unwell. I mean, I haven’t actually been presented with a sick note excusing him from participating, but that’s what I hear.

So, Badger: get well soon mate, and this week’s post is dedicated to you.

Last week’s record was “Radio, Radio” by Elvis Costello & The Attractions, a song which cropped up a couple of months ago on my Radio-themed “Friday Night Music Club” post, and so I was anticipating a few that I had chosen back then would resurface again here. Not a bit of it, which is either indicative of either the wide range of musical tastes you guys and girls cover, or of how many bad records I chose. Or both.

So to kick things off, one of my suggestions which didn’t quite make the cut when I was writing that “Friday Night…” post, mostly because it doesn’t have the word “Radio” in it’s title. But it seems an appropriate place for us to start:

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Charlie Dore – Pilot of the Airwaves

Onwards, then, to some of your suggestions, and one final piece of housework. George: sorry about this, but there at least five records you’re not going to enjoy this week.

Here’s Dirk from sexyloser:

“Great start to link not one, but four different Clash tunes to, much to the dismay of George, I would suspect (I l.o.v.e. this!): ‘Capital Radio One’….”

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The Clash – Capital Radio One

…and we’ll check back with Dirk throughout today’s post to go through the rest of them.

But first, more Clash-related shenanigans from Unthought of, Though, Somehow‘s The Swede:

“‘Radio Radio’ is taken from the LP ‘This Year’s Model’. If your car happens to be this year’s model (at least if it was registered in the UK between March & August), the age identifier portion of the number plate would be 16. In 1980 The Clash promoted the ‘London Calling’ LP with the 16 Tons Tour, every night of which would see the band walk on stage to ‘Sixteen Tons’ by Tennessee Ernie Ford.”

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Tennessee Ernie Ford – Sixteen Tons

Next up, here’s Swiss Adam from Bagging Area with one of those suggestions where we get three for the price of one:

“Clearly you need to go to Jonathan Richman and the Modern Lovers’ ‘Roadrunner’, with his radio on…”

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Jonathan Richman & The Modern Lovers – Roadrunner

“…And Joy Division who danced to the radio in Transmission….”

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Joy Division – Transmission

“…And Half Man Half Biscuit who had Joy Division Oven Gloves.”

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Half Man Half Biscuit – Joy Division Oven Gloves

Actually, there’s a double link for that one, as it was the subject of a Facebook campaign to get it to Number 6 in the UK Singles charts in an effort to save the BBC’s radio station 6 Music. It actually managed to scale to the giddy heights of Number 56, but the station survived, thankfully.

Time to check back in with Dirk, whose next Clash/Radio song is, perhaps unsurprisingly:

“…‘Capital Radio Two’…”

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The Clash – Capital Radio Two

Whenever someone mentions Capital Radio, I’m always reminded of one of their DJs, who also worked the decks on Radio 1 for a while: David ‘Kid’ Jensen. I am still allowed to mention him, aren’t I? He’s not one of the bad ones, right? Good. Then I can legitimately play this:

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The Pretenders – Kid

But enough of my suggestions (by which I mean, I’ll have some more later): time for Alex G, who this week writes his suggestion like this:

“The recent Edinburgh Fringe revival of 80s comedy show “Radio Active” has got me listening to the old shows again. One of the episodes is called “The Radio Radio Programme” and as usual it includes one of Phil Pope’s musical parodies, his target in that particular episode being “Sledgehammer” by Peter Gabriel. Not one of PP’s best efforts, but reason enough to suggest linking to the original “Sledgehammer” by the actual Peter Gabriel.”

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Peter Gabriel – Sledgehammer

I could, at this point, post that ground-breaking video, but we’ve all seen that, so instead I thought I’d take a step back and post a couple of Phil Pope’s better parodies. I think you’ll recognise his targets on both of these:

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The HeeBeeGeeBees – Meaningless Songs

Oh, and this, which I don’t find in the slightest bit amusing:

How dare they.

Alyson from What’s It All About, Alfie? leaps to my their defence, by proving that sounds nothing like them:

“Elvis Costello’s next release after ‘Radio Radio’ was ‘Oliver’s Army’ which led me to think of the Status Quo song ‘In The Army Now’.”

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Status Quo – In The Army Now

Alyson – and indeed her other half Jamie – will be back in a bit. When you see what one of them suggests, you’ll be wishing they had stopped at Quo.

In the meantime, here’s Charity Chic from Charity Chic Music, who you may recall was very close to suggesting the official next record in the chain last week, and therefore almost bagged himself some invaluable (by which I mean of no value whatsoever) bonus points:

“From ‘Radio Radio’ to the excellent ‘Mexican Radio’ by Wall of Voodoo…”

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Wall Of Voodoo – Mexican Radio

CC’s not done yet though:

“…whose lead singer was Stan Ridgway who gave us the less excellent Camouflage”

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Stan Ridgway – Camouflage

“Suspect I won’t be troubling the scorers this week…” he sadly concludes.

You’re right, CC, you won’t. But you haven’t nominated the worst record of the week. Has he, Alyson?

Nor has The Beard, although he gave me a bit of a fright with the direction of this week’s suggestion:

“The lyrics to ‘Radio Radio’ make reference to late night listening. Circa 1992 I heard Annie Lennox played back to back in the small hours on Radio One, something that haunts me to this day. One of the songs played was Why. Why by Carly Simon is infinitely better.”

Deep breaths, everyone. We’re okay. He didn’t go there. The Annie Alarm remains untroubled.

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Carly Simon – Why

“…as is Nobody Does It Better by the same artist”, continues our (presumably) Bearded Buddy:

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Carly Simon – Nobody Does it Better

Ordinarily, I might only allow one song by the same artist to be nominated by the one person, but I’m going to let it slide here for two reasons. Firstly, “Nobody Does It Better” is my favourite Bond theme ever (most of the time; sometimes it’s “Live and Let Die”). Secondly…well…have you ever seen the episode in the second series of “I’m Alan Partridge” where our late night radio host describes the opening sequence of “The Spy Who Loved Me”, to which “Nobody…” is the theme, as the VHS copy he intended to watch in his static home has been inadvertently taped over with “America’s Strongest Man”? And have you ever wondered how accurate his commentary is? Wonder no longer:

Speaking of songs that I wouldn’t normally allow, here’s The Great Gog:

“‘Radio Radio’ features the same word repeated in its title as does another ECATA ditty, ‘Party Party’ from the film of the same name. There are obviously lots of other examples of this type of song-titling, but that one seemed the most appropriate.”

Under normal circumstances, I wouldn’t allow a song by the same artist as the record we are linking to (not that it’s ever happened before, mind). On this occasion, you just get away with it on the grounds of the repetition of words theme.

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Elvis Costello & The Attractions – Party Party

The film is bloody awful, mind.

GG has a point: there are lots of records which employ repetition in their title, and to prove it, here’s Kay:

“Using the theme of repetition – Radio Radio – I thought of Tonight, Tonight by The Smashing Pumpkins.”

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The Smashing Pumpkins – Tonight, Tonight

In fact, you could also have this one, which I pointed out to Kay I was surprised she hadn’t suggested, given that’s it’s by her favourite group, that it has a title with the same word repeated in it, and even has the word ‘repetition’…erm…repeated quite a lot in it:

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Hot Chip – Over and Over

I don’t think Kay has stopped kicking herself for missing that yet.

Time to check back on Dirk and see where he is with his Clash-a-thon:

“…‘This is Radio Clash’…”

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The Clash – This Is Radio Clash

Thanks Dirk, see you in a bit!

Time for The Robster from Is This The Life?:

“Seeing as there’s a lack of cheese so far… How about – playing on the Attractions – ‘Opposites Attract’ by Paula Abdul. Appalling, I know, but this isn’t about taste, is it?”

It certainly isn’t, but you, too, need not be concerned about the quality levels not having dipped enough just yet. Eh, Alyson?

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Paula Abdul – Opposites Attract

Regardless, “I feel the need to right that wrong,” The Robster continues, “so my other offering is Kirsty MacColl’s ‘There’s A Guy Works Down The Chip Shop Swears He’s Elvis’.”

kirsty-maccoll-theres-a-guy-works-down-the-chip-shop-swears-hes-elvis-polydor

Kirsty MacColl – There’s a Guy Works Down The Chip Shop Swears He’s Elvis

Right. Let me take a step back, survey the carnage, and see who I haven’t mentioned yet.

George. Of course, George.

“Older people than myself, such as Charity Chic and The Swede, might prefer to use the word wireless instead of radio. In the tv programme Not The Nine O’Clock News, they once did a song with the lyrics “On the road you must be brave and tireless, on the road you can listen to the wireless”. I think that song is called I Like Trucking.”

Close, George. My recollection is that on the show it was referred to as “I Like Trucking”, but when the cash-in accompanying album “Hedgehog Sandwich” was released, the title had been shortened to just “Trucking”:

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Not The Nine O’Clock News – Trucking

Alyson’s back, with her hubby in tow this time:

“I have an entry first from the other half Jamie, who decided that if there are two radios the sound will be in stereo which led him to think of the Stereophonics who released a track called Vegas Two Times from their ‘Just Enough Education to Perform’ album. Bit of a double link with the “stereo” and the “two times” both relating to Radio Radio.”

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Stereophonics – Vegas Two Times

What with me having lived in Wales for 20 years, at the time that the Stereophonics came to prominence, you could be forgiven for thinking I love them.

You’d be wrong though.

Did you ever have that thing happen to you, when you’re in the middle of a conversation and someone suddenly sticks their head round the corner, and says something which completely makes you lose your thread? Here’s Swiss Adam again, who’s located another unexpected item in his Bagging Area:

“R.E.M.’s Radio Song too”

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R.E.M. – Radio Song

Now where was I…? Oh, never mind. Can’t have been important.

Back over to Dirk’s Clash Corner for the final time now. What are you listening to now, Dirk?

“… ‘Radio Clash’!!!”

Of course you are. And now, so are we (minus George).

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The Clash – Radio Clash

Here comes Rol from My Top Ten:

I worked in the radio industry for 23 years of my life. Radio Radio is one of my all-time favourite songs because of the lines…

‘And the radio is in the hands
Of such a lot of fools
Trying to anaesthetize
The way that you feel’

When I started working in radio, back in the late 80s, my ambition was to be a jock because then I’d get to pick my own music. A couple of years later, presenter choice was gone from local radio and my ambitions of being a DJ were over. I stayed in the industry for a further 20 years in other roles because it was an easy job and I got lots of freebies from the record library: basically, all the good stuff they wouldn’t ever play because it didn’t “test well” with the great unwashed.

All of which would usually lead me to suggest the same track I selected last week: Rex Bob Lowenstein by Mark Germino & The Sluggers. But as I already had that one, can I instead go with a very similar tale…”

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Tom Petty and the Heartbreakers – The Last DJ

George is back!

“I have a chain that results in a Bruce Springsteen song…” he says, slightly curiously, given that on these very pages he has named Broooce as the other act, along with The Clash, that he dislikes.

Despite much encouragement, he declined to provide us with the link, declaring he would “rather stick pins in my eyes”, which seems a bit extreme. I’d recommend ear plugs as a far more effective way to avoid hearing something, George. You’re welcome.

Instead, he comes up with this:

“From Elvis Costello to Elvis Perkins (son of Anthony Perkins the actor) and from his album Ash Wednesday the song Ash Wednesday.”

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Elvis Perkins – Ash Wednesday

A couple more folks returning from earlier now. Here’s The Robster:

“We got here by way of the name of Elvis Costello’s record label. There’a a reggae label called Easy Star Records that has a house band, The Easy Star All-Stars. Along with an astounding selection of guest vocalists, they’ve released a series of excellent tribute albums over the years, one of which was ‘Radiodread’, a reggae tribute to ‘OK Computer’ by Radiohead. I could suggest any number of songs from it (‘Lucky’ featuring the legendary Frankie Paul; ‘Let Down’ featuring the uber-legendary Toots & The Maytals), but I’m going to plump for ‘No Surprises’ featuring The Meditations.”

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Easy Star All-Stars – No Surprises (Feat. The Meditations)

And here’s Charity Chic:

“I was going to offer Radio Gaga by Queen but even I would not stoop that low.  The Frank Sidebottom version on the other hand …”

This one?

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Frank Sidebottom – Radio Ga Ga

I know what you’re thinking. You’re thinking that’s the worst record we’re featuring this week, right? No. No it isn’t. For Frank Sidebottom was a genius. You know he was, he really, really was.

I suppose we should let Dirk have a non Clash request, right?

“What I really would like to hear is The Members – ‘Phone-In Show’ from their debut album, simply because I haven’t heard it for ages and can’t be arsed to search for the LP.”

Well Dirk, I could be arsed to search for it, but couldn’t find the bloody thing. So instead, here’s their version of ‘Phone-In Show’ taken from one of their Peel Sessions instead:

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The Members – Phone-In Show (Peel Session)

You may have noticed that it’s not just Badger who is conspicuous by his absence this week. Where has his When You Can’t Remember Anything… partner in crime S-WC got to? Well, he’s in the middle of moving house, but he did take time out from packing up boxes to suggest this:

“I don’t really have a lot of time to explain but my suggestion is ‘Radio Ladio’ by Metronomy.”

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Metronomy – Radio Ladio

Doesn’t really need much explanation, to be honest, that one SWC. Anyway, hope you have your broadband sorted in time to get a suggestion in for next week!

Rol’s back, with a suggestion to protect George’s eyes from becoming pin cushions:

“…my second choice would be State Trooper by Bruce…

Radio’s jammed up with talk show stations
Just talk talk talk talk talk
Till you lose your patience…”

I think maybe George has suffered enough this week.

Only joking. Course he hasn’t. Here’s the Trentemoller remix of it, which might make it a tad more palatable:

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Bruce Springsteen – State Trooper (Trentemoller Mix)

Okay, where next. Ah yes. Can’t really put this off any longer. Welcome back Alyson:

“I think I have probably come up with something that would win cheesiest song EVER in a poll of polls. Yes, from Elvis Costello to Abbott and Costello (the more mature chain-ganger will remember them) to Russ Abbot who had a mid ’80s hit with Atmosphere (as in he liked a party with one).”

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Russ Abbot – Atmosphere

Let’s be honest, it was only a matter of time before I got round to posting this. There’s so much to make you cringe here: the reference to being “at the dancing party”  – was that ever a thing?; the desperate attempt to be hip by referencing Frankie Goes to Hollywood; the frankly rather seedy looking video where Russ saunters through a nightclub full of dressed-for-the-80s bright young things, looking like the sort of person your mother used to warn you about.

You’ve never seen the video, you say? Then get your laughing gear round this:

See what they did there? It’s so disappointing that it doesn’t quite work.

Maybe it does if you do it the other way round?

Better. Much better.

Okay, to round things off this week, one last suggestion from me.

In 2006, Basement Jaxx released their fourth album “Crazy Itch Radio”, from which I’ve chosen this little beauty:

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Basement Jaxx – Take Me Back To Your House

Which just leaves us with the small matter of what the official song in the link was. And normally I’m a little bit disparaging about the tune they select, not so much for the song, but for the reason it was suggested/selected.

But credit where credit’s due, this week’s is a double-linker:

“Elvis Costello sings on the Joni Mitchell covers album [A Tribute to Joni Mitchell]…”

..and although he doesn’t sing this one, the choice of Joni tune doubles up here:

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24. Joni Mitchell – You Turn Me On, I’m a Radio

And that, as they say, whoever they may be, is that.

Your suggestions please, via the Comments section down below, for records that can be linked to “You Turn Me On, I’m a Radio” by Joni Mitchell, along with a brief description of your linking logic.

Same time next week?

(More soon.)

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Jez

Contact me by email at: dubioustaste26@gmail.com Follow me on Twitter: @atastehistory Or do both. Whatever.

28 thoughts on “The Chain #24”

  1. Another fascinating set of links – and the chance to hear one or two things I’d not heard before – I do enjoy this series.
    So where to go this week? Well, Joni clearly believes herself to be an item of electrical equipment, and this is not a unique state for a recording artist to find themselves in. Remember Buggles? The “Video Killed The Radio Star” duo (there’s a Radio link I hadn’t thought of!)? Some people may be surprised to know that they recorded an album. Still more may be surprised to learn that they even made it as far as a second album.
    It is on this second album where Trevor Horn rather robotically advises the listener that “I Am A Camera”. It was released as a single but didn’t trouble the Charts at all.

  2. Now that you’ve published this week’s Chain I can give you my Springsteen link. Elvis Costello’s real name was Declan McManus. Mick MacManus was a wrestler, and Bruce Springsteen wrote a song called The Wrestler. Now, I have been in touch with the chairman of FOMAMB (Federation of Middle Aged Male Bloggers ) who tells me you are not allowed to edit your post and re-upload it with my suggestion.

  3. The Chain is a work of genius Jez
    It really really is
    Joni is famous for wearing a beret. So too was the whippet loving Dundonian the late great Billy McKenzie
    So Party Fears Two by The Associates please Jez

    1. Thanks CC, very kind of you to say so, though I maintain it’s the standard of suggestions that makes it so much fun to do. Party Fears Two is further evidence of this!

      1. Tis true
        But I was cleverly (not so cleverly as it turns out) trying to sneak in the Frank Sidebottom saying you highlighted above

  4. Morning all my WiFi is working. Hurrah. So something you turn on are lights. Interpol released a fairly terrific record a few years back called ‘NYC’ which featured on their album ‘turn on the bright lights’.
    Alternatively you can turn face as Gravenhurst did in their wonderful track
    ‘I turn my face to the forest floor’.
    Now if you excuse me i have a wheelbarrow being delivered.
    Swc.

  5. I initially managed to link this to a Coldplay song, but I’m keeping that under wraps as I really can’t do that to you – not after my Paula Abdul moment! So instead, I’ve got this: One of Joni’s most famous songs is Woodstock, about the legendary festival in 1969. Although initially scheduled to perform there, Joni was prevented from doing so by her record label as they had booked a TV appearance for her the next day and they were concerned she wouldn’t make it back in time.

    Her then-boyfriend was Graham Nash, who did perform at Woodstock as part of Crosby, Stills, Nash & Young. He relayed the weekend’s events to Joni who subsequently wrote the song about it.

    The link then… Woodstock was opened by Richie Havens who played one of the event’s most fondly remembered sets. On his 1974 album ‘Mixed Bag II’, Havens covered The Loner, a song originally written and performed by Neil Young, who also played Woodstock as a member of CSN&Y.

  6. Neil Young is the obvious route but Robster’s got it covered.
    Teenage Fanclub’s Neil Jung perhaps?
    Acid house band Fluke had a decent track called Joni (think it samples Big Yellow Taxi too).

  7. Joni Mitchell sang about a Big Yellow Taxi. Taxi was an American sitcom from the late 70s, starring, amongst others, Danny De Vito. And there’s a Fall single Rolling Danny (originally by Gene Vincent).

  8. Going to go for a triple header here….
    Robert Palmer’s cover of Jam & Lewis’s I didn’t mean to turn you on (the original was by Cherrelle)
    And because I meant to post it when Radio Radio was the chain, but it still is relevant with this thread, Latin Quarter Radio Africa. Wasn’t really a fan, but saw them at the Shefgfield Leadmill years ago & have remembered that song ever since……
    Lastly, my contender for trite song of the week, Paul Evans with the Telephone answer machine song (hello this is Joannie), purely because I thought he was referring to Joni Mitchell as a kid (I originally thought that was how it was on the record….)

  9. You will be hard pushed to come up awith a cheesier annswer than babylotti’s last one
    Trip two
    Joni Mitchell is a talented painter whose work has appeared on her album covers.
    Ditto Jon Langford so Chivalry by the Mekons please

  10. First off, thanks for posting the Russ Abbott / Joy Division mash-ups. They brought a rare smile at the end of a shitty week.

    Secondly, though I was going to try and be cool with my choice this week, my first idea was the same as Babylotti’s… and I never knew it was a cover.

    Kudos also to babylotti for suggesting Hello This Is Joanie… which led me to think of my all-time favourite answerphone song:

    Austin by Blake Shelton

    Oh, but hang on, I’m supposed to be linking to Joni, aren’t I?

    OK… You Turn Me On, I’m A Radio is from For The Roses, which also contains the excellent Barangrill, the opening lines of which are:

    Three waitresses all wearing
    Black diamond earrings
    Talking about zombies and Singapore Slings

    So, this week, Jez, my suggestions are…

    The Zombies – Time of the Season

    and

    Harry Belafonte – Zombie Jamboree

  11. Loved the Alan Partridge and Russ/Joy Division clips – was worth the ridicule of having suggested Atmosphere just to see where it led you – and not where I expected it to!

    Bit late to the party this week and babylotti has already come up with my only two ideas – think they could be on to a winner there.

    I may return.

  12. You turn me on are the opening words of a well known song by Simple Minds. Said song (almost) shares it’s title with one time Saturday morning kids show Live & Kicking. The predecessor of this show was Going Live!, helmed by Phillip Schofield. The greyer than grey presenter was famously accosted by Fruitbat from Carter the Unstoppable Sex Machine at the Smash Hits Poll Winners Party in 1991. The song they, erm, played at that shindig was After The Watershed. It’s better than aforementioned Simple Minds number.

  13. Been pondering and like CC thought of Joni in her beret – Another lady that used to sport a beret was Rickie Lee Jones, she of Chuck E.’s in Love fame (a sneaky wee full stop in that title).

    Another one is that Elvis Costello did a version of A Good Year for the Roses but that means we double back to him – Thinking of flowers however, it did remind me that when I went to see him in the early ’80s he was supported by a band called The Bluebells (led by Bobby Bluebell !). They had a hit (twice) with the song Young at Heart so I’ll go with that one as well.

    P.S. Noticed you’d corrected my faux pas with the Stereophonics album last time so thanks for that – my blogging nerd credentials would have been in tatters!

    1. Yours wasn’t the first submission I’ve corrected and I doubt it’ll be the last, but I don’t think it’s fair to call people out on it. Besides, I gave you enough of a ribbing about nominating Russ Abbot (glad you took that in the spirit it was intended, by the way!)

      1. Realise now there should be no “A” in Good Year for the Roses so if there’s time to correct my second faux pas in two weeks that would be great – I’ll get my coat!

  14. There’s not enough country music in these Chain suggestions. Here’s one. From Joni Mitchell to David Mitchell of the Peep Show and his co-worker Robert Webb, to Webb Pierce, he of the guitar-shaped swimming pool, and his absolutely toptastic song There Stands The Glass.

  15. Again, no comment showboarding attempt this week, because the fact that this song seems to derive from an album called ‘For The Roses’ immediately made me think of a version of ‘Good Year For The Roses’ that I simply LOVED ever since I first heard it (on Peel, where else?), and in my estimation it’s better than any other version I know, and this – excuse me – includes E. Costello. So my choice for this week links to Dino Lee (The King Of White Trash) and his version of ‘Good Year For The Roses’ from 1985.

    If you can’t find it anywhere, Jez, I’d be happy to send you an mp3-file …

    I know that the above is not the correct link as chosen by the BBC lads, in fact it’s (because, as CC correctly points out, good ole’ Joni seems to like wearing a nice beret) Staff Sergeant Barry Saddler’s ‘The Ballad Of The Green Berets’. Of course it is ….

  16. I’m extremely late to the party this week and am overwhelmed by another deluge of fine selections in the original post and these comments. This really is the best thing on the internet.
    ‘You Turn Me On I’m a Radio’ is taken from Joni Mitchell’s 1972 LP ‘For the Roses’. Seven years later she collaborated with Charles Mingus on her LP ‘Mingus’. This was Mingus’s final musical project and the album was dedicated to him after his death. On the 1959 LP ‘Mingus Ah Um’, Charles Mingus paid his own tribute to the recently deceased saxophonist Lester Young, with the gorgeous ‘Goodbye Pork Pie Hat’.

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