The Chain #34

Oh, Come All Ye Faithful, Joyful and Triumphant, come to the Festive edition of The Chain!

I’ve been beset by technical issues this week, not just those which have delayed this by a day, but also the issues with several contributions mysteriously being marked as Spam and disappearing from the Comments section.

But, nevertheless here we are, with another mixed bag of your suggestions, linked to last week’s final record, “Pink Moon” by Nick Drake.

As usual, the suggestions can be split down into various categories – namely songs or artists which include the words or some derivative thereof, of “Nick”, “Drake, “Pink” or “Moon”. Surprisingly, almost none of you suggested anything which contained more than one link, so here’s one to get us started.

From “The Dark Side of the Moon” by Pink Floyd (who have a band member called Nick), here’s:

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Pink Floyd – Time

I set you all an additional challenge last week: since this week’s post would be available in Christmas week, I asked you to see if you could provide suggestions of a festive nature where possible, and some of you  duly obliged.

Surprisingly, though, none of you suggested this, a song by a band so un-Christmassy I’ve always found this to be a slightly odd addition to their canon of work, let alone the fact that they released a whole album worth of this stuff:

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The Beach Boys – Little Saint Nick

So, over to you, but where to start? I suppose really, given that he has made more contributions this week than our most regular of readers have made since we started doing this, we should probably hear something from Rol of My Top Ten, right? Agreed.

So, here’s Charity Chic from Charity Chic Music then:

“Another Nick busy at this time of year is St Nicholas better known as Santa Claus. When another Nick shuffles of this mortal coil he will almost certainly be canonized. Can we have The Man That I’ve Become from Dig My Mood an album by St Nick of Lowe please?”

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Nick Lowe – The Man That I’ve Become

Is it just me, or does the picture on that sleeve have more than a passing resemblance to a certain orange President-Elect?

CC wasn’t the only person to suggest this particular Nick this week. Here’s Walter from A few good times in my life:

“Taking his first name it is a short step to Nick Lowe. Probably one of the best songwriters in the early 80’s and blessed with a great voice. So what about the first Stiff single ever ‘So It Goes’?”

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Nick Lowe – So It Goes

Regular visitors will know that generally, each week, after I’ve received several suggestions, I get a comment from Alyson from What’s It All About, Alfie? bemoaning the fact that all of the songs she was going to suggest had already been made by co-Chain Gangers. It’s a bit like when the person on the third podium on ‘Pointless’ says that the person on the second podium had just taken their answer. Anyway, so imagine my delight when the very first comment I got this week was from Alyson:

“Time for sleep now, then work tomorrow, so will no doubt be late again with my suggestion…but before CC trumps me, it might involve Lily the Pink.”

Several hours passed. Article 50 was activated and nobody noticed. Civilizations rose and fell. And then, finally, this:

“Well, sleep, work and xmas shopping got in the way so 18 hours after my first comment, I have decided against Lily The Pink by The Scaffold…”

Oh no you don’t. You’re having it, whether you like it or not, young lady:

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The Scaffold – Lily The Pink

And since we seem to have stumbled into Pink territory, back to Walter:

“Pink leads me to Pink Flag, Wire’s first record. Three Girl Rhumba was one of these little masterpieces in this era. Groundbreaking and always worth to listen to.”

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Wire – Three Girl Rhumba

A few years ago, when I still shared a flat, I did my usual Friday night routine of doing a playlist to get drunk with my flatmates to; it included that Wire rune, followed by the next record. I had neglected to tell my new flatmates that it was a playlist they were listening to; they thought my iPod was incredible for knowing to play these two records together (along with a whole host of other songs which sounded like/had been ripped off (allegedly) from each other. Hmm…maybe there’s a new topic for me there….). What I mean to say is *ahem* *clears throat* *offers a cheeky wink to the audience*…Well, if you’re going to suggest that, then I’m going to suggest this:

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Elastica – Connection

Right. I suppose we’d better make some in-roads into this mountain sized pile of suggestions by Rol. Oh hang on, Alyson’s back:

“I have always thought that the multi-talented American singer Pink, and Sharon Watts from Eastenders, were dopplegangers and who did Sharon date for a while on that show – Yes it was “Nick” Berry who had a big hit with Every Loser Wins. (They don’t, every loser generally loses, but it worked well for him). A tenuous double link.”

Much as I’d love to post that, it has featured here before and the rule is that the only records we can feature twice are a) “Back on the Chain Gang” by The Pretenders, and b) records which turn out to be the next record in The Official Chain which we’ve already had. Have another go.

“…perhaps Lily The Pink it will have to be, although just remembered that the brother of Mike McGear of The Scaffold was Paul McCartney whom I also seem to remember recorded a theme for the teatime soap “Crossroads” which Nick Drake’s sister, aforementioned Gabrielle, appeared in. Don’t know if theme tunes count as a suggestion but another double link.”

Well, we’ve featured the theme tune to Bergerac and Space:1999 here before, so I don’t see why not, especially when The Great Gog made reference to the same theme tune via a different link in his suggestion:

“There is Nick’s sister, Gabrielle, who starred in Crossroads at one time. The theme tune to Crossroads was written by Tony Hatch…”

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The Tony Hatch Orchestra – Crossroads Theme

I have had that firmly lodged in my brain ever since I listened to it. It should come with some sort of Government health warning. As should have the programme it book-ended.

“Things hatch from eggs,” continues The Great Gog, “which to me at least is as good an excuse as any for “Egg Shaped Fred” from Mansun.”

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Mansun – Egg Shaped Fred

Catchphrase alert! Well, if you’re going to suggest that, then I’m going to suggest this, from the magnificent “The Mysterious Production of Eggs” by Andrew Bird:

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Andrew Bird – Fake Palindromes

Right, where were we? Ah yes, Alyson, back to you:

“Final pink suggestion is simply ‘Pink Cadillac’ by Natalie Cole simply because she is yet someone else from that long list of artists who have left us since this time last year.”

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Natalie Cole – Pink Cadillac

It’s probably about time put a dent into Rol’s suggestions. No, really this time.

“I’m resisting the obvious Springsteen link from Alyson’s last suggestion as it’s Christmas and I don’t want to upset George” This would be most admirable, were it not for the fact that Springsteen wrote Pink Cadillac, but I’m sure George appreciates the sentiment.

“However, since no one else will dare suggest a song by the best damned pop star of the last 20 years, can I suggest ‘So What’ by Pink?”

The Chain would like to make it very clear that the views of Rol re: the best pop star of the last 20 years are not necessarily shared by the publishers of The Chain.

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Pink – So What

Well, if you’re going to suggest that, then I’m going to suggest this, by one of the greatest pop stars of the last 60 years:

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Dame Shirley Bassey – Get the Party Started

There’s something rather wonderful about hearing a seventy-year old Welsh woman proclaiming: “I’m comin’ up so you better you better get this party started”, isn’t there? Bear that in mind when your grannies farting herself to sleep in front of the television on Christmas Day.

Which reminds me: Christmas records, anyone?

Ah, here’s Julian from Music From Magazines, he seems the sort of cheery fellow bound to supply us with something festive. Which he will, but first, he’ll expand a little on the whole Gabrielle Drake thing. She rather seems to have set racing the hearts of several of the men of a certain age who contribute here:

“Nick Drake’s sister was Gabrielle Drake who was in the TV show UFO (any picture would be a Christmas gift for any man of a certain age [See? I told you so]), the heavy metal band UFO is not a gift.”

It’s okay, we’re not having anything by UFO. Although, had you actually suggested something by them, I would have been honour bound to post it. Oh and by the way, I am not posting a picture of Gabrielle Drake. If you’re reading this, you’re already connected to the internet, so you can find one yourself, you mucky sod. (c6e302534f132c440893dd44980da6ce)

Before you all go cranking open a spare browser to do exactly that, stick around folks, because if you piece together this little bit of connected thinking out loud, you get a rather fine example of Comment Showboating.

“On the other hand ‘Calling Occupants of Interplanetary Craft” by The Carpenters is a fine song written by the Canadian group Klaatu, a bunch of session musicians, who some folk thought were The Beatles.”

klaatu_-_3_47_est_coverKlaatu – Calling Occupants Of Interplanetary Craft

I’ve always thought that was a pretty odd, uncharacteristic record for The Carpenters to have recorded, had assumed it was a cover version, but had never actually thought about finding out for sure. Consequently, that’s the first time I’ve ever heard it.

By the way, many years ago, I was drafted into what turned out to be the winning team in a pub quiz. (There was a music round, and without wishing to sound immodest, I was often asked to join teams for pub quizzes which featured a music round). The prize was “A Tribute to The Carpenters”, which I had assumed was going to be a night of people performing cover versions of their many hits, but which actually turned out to be a selection of middle aged men displaying a rather fine range of bureaus and occasional tables they had made.

I digress. Back to Julian:

“A slight detour to the movies for the classic sci fi ‘The Day the Earth Stood Still’ starring Michel Rennie as the alien called ….Klaatu. A still from the film was used (with some editing) for the cover of Ringo Starr’s LP ‘Goodnight Vienna’.”

It’s okay, he’s going somewhere with this. Trust me.

And he’s not wrong you know. The original:

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and the “Peace and Love! Peace and Love! No autographs! Peace and Love” rip off:

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“Which of course leads on to Dora Bryan and ‘All I Want for Christmas is a Beatle'”

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Dora Bryan – All I Want For Christmas is a Beatle

At last, a Christmas record! And am I alone in being reminded of a certain other iconic performer from the North West of England when I hear that? No? You know who I mean, surely?

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Frank Sidebottom – Oh Blimey It’s Christmas

Take that back a step, before I interrupted and brightened your lives up with Frank, and Rol has another link:

“…this leads me to think of ‘Doris Daytheearthstoodstill’ by Future Bible Heroes.”

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Future Bible Heroes – Doris Daytheearthstoodstill

Julian’s not quite done yet, and we’re most definitely not done with the Gabrielle Drake links just yet. Here’s Julian, ruining all that excellent Comment Showboating by suggesting the Worst Record of the Week:

“Back to Gabrielle Drake. The organisation that [Spoiler alert!! – Considerate Ed] will save the world in UFO is the Supreme Headquarters Alien Defence Organization or SHADO which is only a short step, (or a W) to a truly crap Christmas song”:

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Cliff Richard – Mistletoe & Wine

“All this talk of Gabrielle Drake being in Crossroads but am I the only one who mainly remembers her from that 1970s Sunday Night drama set in the exciting world of haulage – ‘The Brothers’?” chips in Alyson. “So many links to bands/duos with Brothers in their name so won’t overload you and was really just looking for one that might have done a seasonal ditty but all I could find in my library was Count Basie & The Mills Brothers with ‘December’! (Goodness knows where that came from as can’t remember ever noticing it before.)”

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Count Basie & The Mills Brothers – December

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Okay, let’s wrap up the rest of the Drake related suggestions, and we’ll go back to The Great Gog:

“A contender for worst record of the week [Too late, even though you did suggest this first. It is nowhere near as bad as Sir Cliff – Cut’n’Paste Ed]”:

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Charlie Drake – My Boomerang Wont Come Back

More Drake-related shenanigans from The Beard now:

“Drake is a popular Canadian rapper. Another, much better, Canadian rapper is Abdominal. He is best known for his collaborations with DJ Format. When not hip-hopping Format makes spaced out funk as part of The Simonsound. ‘Tour De Mars’, their cover of Kraftwerk’s Tour De France, is almost as good as the original.”

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The Simonsound – Tour de Mars

Even more Drake related nonsense from Rigid Digit of, appropriately enough, Stuff & Nonsense fame:

“Drake = a male duck
 A wild duck = mallard
Mallard = Steam Train

Next up:
The only* Heavy Metal song about a Steam Train

* probably not the only, but the only one I can think of right now”

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Saxon – Princess Of The Night

And the Drake links just keep on coming. Here’s Swiss Adam from Bagging Area:

“Nick Drake was related to  Elizabethan sailor, privateer and adventurer, Francis Drake.[Has anyone checked this? – Ed] Francis Drake was a thorn in the side of the ‘King of Spain’, which is a song by Galaxie 500.”

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Galaxie 500 – King of Spain

Over to The Robster from Is This The Life? now:

“A drake is a male duck. Chuck Berry was famous for his ‘duck walk’ and he had a song called Havana Moon, first released in 1957, later re-recorded for the 1979 album Rock It. Interestingly, that was the last studio album Chuck released, but he has a new one lined up for 2017, the year he turns 91. Yes – 91. I wonder if he can still do the duck walk?”

I imagine if he can, it would be The Duck Walk sponsored by Stannah Stairlifts and Sanatogen Vital 50+.

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Chuck Berry – Havana Moon

Props for the Duck/Drake/Moon double-linker by the way, Rob.

A quick additional duck-link from Walter:

“I don’t think he can’t do the duck walk any more but I’m surprised that he will us give a new record at the age of 91 and I ask myself if Keith Richards will still be on the stage at this age. So Ducks Deluxe came to my mind with Who’s put the bump”

By which I think you mean this (and apologies, I could only find a live version, but it doesn’t sound like there’s many people in the audience, so it’s practically a live studio version):

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Ducks Deluxe – Daddy Put the Bomp

Whilst we’re on ducks, a song which I remember from my childhood, which I haven’t been able to find a decent copy of, but did find this clip from TOTP2, which means it is top-and-tailed by Steve Wright, which makes it even worse than it already is:

It was around this point that the Comments went all wonky and some got deleted. As far as I can tell, this affected Charity Chic, who compensated by reposting his links over and over again until they worked, and SWC and Badger’s. If anyone else’s got lost, my apologies.

One that didn’t get lost, was this from Kay. In the interest of full disclosure, I should let you all know that Kay is not just a friend of mine, but also my boss, so you’ll forgive me for allowing her suggestions, irrespective of how terrible the record or tenuous the link she suggests. I can say this without fear of retribution because by the time she reads this, she’ll be at least halfway through the bottle of Chocolate Orange liqueur we bought her today. Delicious on Coco Pops, I’m…er…told.

“Nick Drake links to Drake, same name but then realised I didn’t really know any of Drake’s stuff. [I have just Googled him,and I’m none the wiser] So went the same way as The Robster and linked drake to male ducks, then realised I knew no songs that are linked to ducks [It’s going well this, isn’t it?] …. but [I sense a Eureka! moment is imminent] ducks live in ponds and frogs do too…so my choice is Paul McCartney & The Frog Chorus’ ‘We All Stand Together’, which was the first record my sister brought.”

Or, as he is forever known Chez Jez:  Fab Macca Wacky Thumbs Aloft. Some of you will understand the reference.

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Paul McCartney & The Frog Chorus – We All Stand Together

I’m going to avoid the lazy joke about that being Nigel Farage’s least favourite record since it contains a bunch of frogs suggesting unity. Although I appear to have just made it anyway.

By George, it’s George!

“Worst song of the week contender [Nuh-huh]. From Nick Drake to Ted Drake (the footballer) who played for Southampton (and Arsenal)., and was manager of Chelsea when they won their first league title in 1954/55. And born in Southampton, in 1955 (double chain link there!) was Howard Jones. Now, I could it leave it to Charity Chic to pick a Howard Jones track from his record shelves But I’m going for…”

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Howard Jones – New Song

“…which had that bloke in chains prancing around on Top of the Pops. Who was he, anyone know?”

As I said in the Comments, I do. His name was Jed, a name I have been mistakenly called many times, and as such one which is indelibly edged into my brain.

And in case you don’t know who George is on about, here’s Howard and Jed, singing and prancing around on Top of the Pops:

 

I’m having a flashback, I swear…

Let’s move on to wrapping up the Pink links, and I’ll hand you over to George again:

“Pink Moon to Pink Industry and their single ‘What I Wouldn’t Give’. (The cover of the single featured a picture of Morrissey).”

It does indeed, which is precisely the reason I have a copy of it, poor obsessed fool that I was:

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Pink Industry – What I Wouldn’t Give

By the way, as I’ve uploaded that I’ve realised that there’s about three minutes of silence at the end of it. Time constraints prevent me from editing it, but I may come back and do it later on, if anyone’s that fussed. What I mean is, when the song sounds like it has ended at around the 3:30 mark, it has: don’t sit around in silence on the off-chance something interesting might be about to happen, as it isn’t.

As I mentioned earlier, the glitches that meant some comments went AWOL seem to have affected Charity Chic, SWC and Badger’s. I think we got there in the end though, although what with SWC and Badger both posting from their excellent When You Can’t Remember Anything blog I’m not 100% sure that I’ve attributed the right song to the right chap this week. So, more apologies if I’ve messed it up.

So, I think this is SWC taking us, as he puts it, “down the pink route” now he’s “finished watching Gabrielle Drake’s finest moment ‘Commuter Husbands’ “

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“The obvious link from here is to ‘Snooker Loopy’ by Chas ‘n’ Dave and The Matchroom Mob” which has featured before, so I can’t allow, I’m afraid, “But another song that features pink would be ‘Pink Glove’ by Pulp.”

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Pulp – Pink Glove

Plus,  “Aerial Pink who was in a band called Holy Shit with Christopher Owen from Girls. So you could have the very Christmassy:”

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Girls – Vomit

It’s Rol time again, with more pinkness:

“‘Hey Eugene’ by Pink Martini would be good too.”

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Pink Martini – Hey Eugene

From vomit to Martini. I don’t just throw this together you know.

Here’s babylotti with a hat-trick, starting with a pink connection, and ending with something festive:

“First of all, I can think of Fuzzbox (had they dropped the ‘We’ve Got a …& We Know How to Use It’ by then?) [Yes and no, is the answer: officially they were now just Fuzzbox, but as this was the first single they released under that moniker, the “We’ve Got…” part was snuck onto the record sleeve just in case there was any doubt as to who was responsible for it. There’d been quite a make over in between the ‘Bostin’ Steve Austin’ album and this, so you can’t really blame them – Ed]) and Pink Sunshine. Bostin’”

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Fuzzbox – Pink Sunshine

“From there that leads me to another one introduced to me by Peel, Fuzzbox’ label mate Ted Chippington. I’d love to go for his version of ‘D.I.S.C.O.’, but I will settle for ‘Rockin with Rita’…”

That’s fortuitous, I haven’t been able to find ‘D.I.S.C.O.’, but ‘Rockin’ with Rita’, no problem:

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Ted Chippington – Rockin’ with Rita

“Finally from ‘Rockin’ with Rita’, I’m going for a festive link to Mel & Kim’s [no, not those ones, but it’s only a matter of time before they turn up here] ‘Rockin’ Around the Christmas Tree’.”

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Mel & Kim – Rockin’ Around The Christmas Tree

Next, a stone cold classic, courtesy of Charity Chic:

“No repetition here and something that is neither obscure nor obtuse, just a song that is demanding to be played:”

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The Psychedelic Furs – Pretty In Pink

What we need now is something that neatly takes us from Pink to Moon. Preferably by way of one of the greatest records ever recorded. Any takers?

The Swede from Unthought of, though, somehow confidently steps up to the oche:

“‘Pink Moon’ was produced by John Wood and among his many other credits are several of Squeeze’s early hits, including ‘Up the Junction’.”

That will do nicely.

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Squeeze – Up The Junction

So, moons. Over to Martin now (forgive me if I’m rattling through these a bit now…time is ticking away….) who offers a song and a critique:

“I’ll go with an obvious moon connection instead and throw Morrissey’s ‘Moon River’ hat into the ring, even if it does go on a bit.”

You can say that again. Somehow he manages to drag this out for 9:40. I’d put the kettle on if I were you:

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Morrissey – Moonriver (extended)

Rol’s back:

“Moon River is from the excellent 1961 movie Breakfast At Tiffany’s, starring Audrey Hepburn and George Peppard. Ten years earlier, one of Audrey’s first ever screen roles was as a “Cigarette Girl” in the movie Laughter In Paradise in which she appeared alongside another famous George… George Cole. That George would go on to become immortalised as Arfur Daley in the TV show Minder, and in 1983, he would release a Christmas single with his co-star Dennis (“write the theme tune, sing the theme tune”) Waterman.”

I wish I could say I didn’t actually already own this. I think this may over-take Sir Cliff in the Worst Record of the Week stakes:

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Dennis Waterman & George Cole – What Are We Gonna Get ‘Er Indoors?

“Their Top of the Pops performance is worth a watch.” It is, just so you can see the dictionary definition of the words “excrutiating” and “embarrassing” acted out:

It is at this point in the Comments section, that Julian and Rol had a bit of a chat, coming up with more suggestions. Nice to see you boys getting along!

Julian: “Back to the movies, in the film ‘New York New York’ Blue Moon is destroyed by Robert De Niro who costarred in ‘What Happened Next’ (2008) with Bruce Willis……..”

Which leads us to what has been argued to be the greatest Christmas movie ever: Die Hard. (It’s not. It’s pretty much Home Alone for grown-ups.)

The end credits have this festive number playing over them:

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Vaughn Monroe & His Orchestra – Let It Snow! Let It Snow! Let It Snow!

Rol: “Blue Moon was also the detective agency where David Addison (Bruce Willis) worked in the aforementioned [last week] ‘Moonlighting'”

Julian: “Nice. Al Jarreau “The Christmas Song” anyone?”

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Al Jarreau – The Christmas Song

And since we’ve landed on some Christmas songs again, here’s another suggestion from Rol:

“Can I add ‘Run With The Fox’ by Chris Squire & Alan White (roughly a quarter of Yes) because it contains a Christmas Moon, which isn’t pink but probably has fairy lights hanging from it. It might keep old proggies like The Swede happy… or not. “

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Alan White & Chris Squire – Run with the Fox

Respect to the guys in the Art Team for the many hours they must have put in coming up with the concept for that sleeve. Money well earned, chaps.

I haven’t used my catch-phrase for ages. It’ll never catch on at this rate. Let’s do it.

Well, if you’re going to suggest that, then I’m going to suggest this, since it’s actually called “Christmas Moon” and because it’s ace:

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Emmy the Great & Tim Wheeler – Christmas Moon

Which I think just leaves us with Badger. Since his comment was one that was lost, I received a summary of both his and SWC’s suggestions. We’ve had SWC’s, here’s Badger’s:

“Nick Drake also recorded ‘Road’ which was covered by scouse punk band Drive on their ‘Out Freakage’ album…”

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Drive – Road

“…Roads lead to nowhere as Talking Heads told us…”

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Talking Heads – Road To Nowhere

“…Or if you want to go festive you drive home on them like Chris fucking Rea….”

Or like Saint Etienne, for that matter (bullet dodged, there, I think):

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Saint Etienne – Driving Home for Christmas

And this is where it gets complicated. For at the end of their summary of the lost comments, posted by which of our fine friends I know not, was this:

“He also said something about Malcolm McLaren but I true to form can’t remember what.”

Later, this, again, author unconfirmed: “It was to do with ‘Duck Rock’.”

I sought clarification: “Was there a song from ‘Duck Rock’ you had in mind? If not, it’s going to be ‘Double Dutch’…”

The response, again author unconfirmed: “Well most of it is rubbish to be honest [Fair point]. I only thought of it because I saw a copy in a charity shop. Double Dutch is fine.”

But I felt a bit bad about…erm…badgering them into letting me play the track I like the most, so I persevered:

“Yeh, it’s that or ‘Buffalo Girls’ really isn’t? Your call, I have them both lined up ready to go. Which did you suggest in your original lost comment? We should go with that one, really.. “

No response, but to be fair, the boys have probably been swamped with comments and nice things being said about their frankly phenomenal final post (for now…?) over at When You Can’t Remember Anything. If you haven’t read it yet, do your self a favour: click that link and read something incredible. Advanced warning: you will undoubtedly shed a tear.

The reason I was trying to check whether or not one of them had suggested ‘Buffalo Gals’ (as I have subsequenty realised it’s actually called) was this. I never look at what the next record in the Official Chain is until I’ve finished sourcing all the tunes you suggested and thought of a few myself. Seems only fair that we have an even playing field, where I don’t know what the next record in The Chain is any more than you do. Besides, it’d just look plain fishy if I “guessed” right every week.

But when I did look to see what the next record in The Official Chain was, this is what I found:

“From Nick Drake to the following (which is on the ‘Duck Rock’ album)..”:


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34. Malcolm McLaren – Buffalo Gals

So, SWC, Badger, jointly as I have no idea which of you suggested Malcolm McLaren, and in honour of your bloody marvellous (please keep going, you’re too good at this to stop) blog, have some bonus points. Merry Christmas.

Okay. So. This is the last edition of The Chain for 2016. I’ll be taking next week off, bar a couple of pre-planned posts I have lined up. Due to the nature of it, I can’t really write The Chain in advance, obviously.

So, you have two weeks to get your suggestions to me, via the Comments section below, for songs which link to “Buffalo Gals” by Malcom McLaren, along with the usual explanation about how you got from record A to record B.

Oh and one more thing. I love doing this, and I’ve said it before and I really mean it – I just host it, the majority of the work is down to you lot and your quite brilliant suggestions. I’ve followed blogs for over ten years now, and I don’t think I’ve ever come across a blog that does what we do here at The Chain. Not me, we.

I  cannot think of a single other blog where requests are invited and all are posted; where all is good-natured, pleasant and friendly and everyone accepts they may get a bit of a ribbing every now and then, and nobody objects, nobody trolls, nobody flounces off in a strop because I’ve said their record choice was terrible; where I’ve been introduced to God knows how many songs and artists that I would probably never have heard were we not doing this (and where I hope I’ve returned the favour a few times); and where we get the most incredibly diverse range of artists – just look at that Tag list underneath this!! 46 songs!! Where else would you get that?

What I’m trying to say is this: if you’ve ever made a suggestion here, thank you. You have helped make this place what it is.

Have a very Merry Christmas, and a Happy New Year.

More power to your elbows.

Oh. And More soon, obviously.

The Chain #31

Okay, okay, I’m a little later than usual. My apologies. I seem to have developed some kind of Chain Tourette’s Syndrome this week, incapable of resisting posting an additional link or splurging out another suggestion. You’ll see.

Last week we ended with “Live Forever” by Oasis, and it’s fair to say the Mancunian siblings caused quite the difference in opinions between you, with some voicing “By and large and on the whole, all things considered… Oasis can piss off” and others “Can I start by saying that I bloody love Oasis?”

As usual, suggestions came from one of several broad categories, but where to start?

At the beginning, seems as good a place as any. Here’s Swiss Adam from Bagging Area to kick things off:

“Johnny Marr springs to mind (shared manager, guitar given by Johnny to Noel on which he wrote that song I think). Johnny Marr’s solo song ‘Upstarts’ from a couple of years ago was splendid, a comeback. And even though I don’t much like ’em, Oasis were upstarts for a while.”

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Johnny Marr – Upstarts

You can add the fact that Noel Gallagher joined Johnny on stage when I saw him at the Brixton Academy last year to that list of connections too, if you like.

Let’s use collaborations as the starting point to kick on with, and a second suggestion from Swiss Adam:

“Oasis recorded a song with another Johnny. Johnny Depp. Who was attached to Vanessa Paradis who had a hit with the strangely alright ‘Joe Le Taxi’.”

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Vanessa Paradis – Joe Le Taxi

Those of you who read the Comments section will know that prompted a big fat “Did they??” from Yours Truly. In fact, it turns out everyone’s favourite begrudgingly apologetic dog smuggler recorded with them twice, on “Fade In-Out” from “Be Here Now”, and on “Fade Away (Warchild Version)” from the 1995 “Help!” compilation album. In fact, anything with the word “Fade” in the title, and Depp was all over it like a tramp on chips.

He also, of course, plays guitar on this:

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Shane MacGowan & the Popes – That Woman’s Got Me Drinking

But I digress; back to Swiss Adam for his hat-trick of collaboration suggestions (even though his first one wasn’t really one):

“John Squire played with the Burnage numpties at Knebworth. And John Squire was in the Stone Roses without whom Oasis would never have existed. They could also never have written anything as trippy and light as Elephant Stone.”

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The Stone Roses – Elephant Stone

Continuing the theme, let’s shift from people who have played with Oasis, to acts that have featured one of the band (okay, let’s face it, Liam or Noel). Over to Badger from When You Can’t Remember Anything:

“Live Forever is considered by many as Liam’s greatest vocal recording. Although that’s harsh on ‘Little James’. Anyway Liam also contributes vocals to Echo and the Bunnymen’s wonderful comeback single ‘Nothing Lasts Forever’. The irony of that was probably lost in him.”

Wonderful is damning this record with faint praise; I often dread a band I love reforming and releasing their new material, but Echo & The Bunnymen proved the exception to the rule with this:

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Echo & The Bunnymen – Nothing Lasts Forever

And of course, with “Forever” in the title, we have a double-linker! We’ll come back to more with a similar (okay, identical) link later on.

The mere mention of Liam gives me the opportunity to post this, from the “Live Forever” Britpop documentary, my favourite ever interview clip involving him, where he is asked if he feels he has an androgynous quality about him:

Anyway, another suggestion from me, this time featuring the other one-eyebrowed wonder. Noel Gallagher teamed up with The Lemonheads’ Evan Dando to record – but never officially release (hence the absence of a proper sleeve and the somewhat shonky sound quality) – this:

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Noel Gallagher & Evan Dando – Purple Parallelogram

What? There were people in Oasis other than Liam and Noel you say? Over to Rigid Digit from Stuff and Nonsense:

“Oasis’ bass player Paul McGuigan co-authored (with Paolo Hewitt) a book called ‘The Greatest Footballer You Never Saw’ about ex Reading and Cardiff City player Robin Friday.

A picture of Robin Friday “flicking the V” at the Luton Town goalkeeper was used on the cover of the Super Furry Animals ‘The Man Don’t Give A F**k'”

He certainly was:

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Super Furry Animals – The Man Don’t Give A Fuck

And, since I’m going to see them next Friday at The Roundhouse perform not only their brilliant debut album “Fuzzy Logic” but also their even better follow-up album “Radiator”, here’s a bonus, a tune I’ve posted before, their epic 22:30 minute long live version from the Hammersmith Apollo, complete with Cian Ciaran’s techno wig out section:

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Super Furry Animals – The Man Don’t Give a Fuck (Live Hammersmith Apollo)

Before I start posting nothing but Super Furry Animals records, it’s time for The Beard to perform an intervention:

“Oasis’ touring keyboardist was Jay Darlington from Britpop no-marks Kula Shaker [Don’t worry folks, he’s not going there]. Their lead singer Crispin Mills was the son of actress Hayley Mills. She starred in the film ‘Tiger Bay’ (alongside, I think, Sir John Mills?) [Correct!]. ‘Tiger Bay’ is also the name of Saint Etienne’s third album. ‘Like A Motorway’ from this album, please.”

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Saint Etienne – Like A Motorway

As usual, competition has been hot this week to come up with the Worst Record of the Week, and here’s The Great Gog with the first, which not only links to the Gallagher brothers, but also to the football team mentioned in The Official Chain link which led us here:

“…the brothers Gallagher support a certain team who are still in the Champions League (sorry, couldn’t resist!)…[*cough* 2-0, 2nd October 2016]…so, the ditty supposedly sung by the early ’70’s City squad, “The Boys In Blue” – although I can’t imagine that the likes of Franny Lee would have been that good at holding a tune.”

No need to imagine, GG, here they are, and let’s just say Franny was no Ossie Ardiles, either on the pitch or in the studio:

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Manchester City FC – Boys in Blue

I’ll be honest, I only posted that so I could bring your attention to the song-writing credits, which will probably seem familiar to many of you. Yes, Godley, Crème and Gouldman – three fifths of 10cc. The muso-nerds amongst you will know that 10cc get their name from the average male ejaculate. 10cc formed in 1972, the same year as “Boys in Blue” was released. There’s a joke in there somewhere, but you don’t need me to do it, you can fill in the wanks blanks.

Anyway, back to you GG:

“Also, there is of course, “Blue Moon” – of which there have been many versions, but as an early contender for Worst Song Of The Week, I’ll plump for Showaddywaddy’s version.”

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Showaddywaddy – Blue Moon

You have to feel a bit sorry for Showaddywaddy, surely the most unintentional casualty of the whole Operation Yew tree thing, for who amongst us didn’t used  to enjoy saying their name in the voice of a certain, dead, disgraced, BBC DJ, TV presenter and paedophile? And now even that simple joy has been taken away from us. I bet Eric Bristow does that impression still. (See, I’m nothing if not topical!)

Something a little more straight forward and less contentious next: here’s Charity Chic from Charity Chic Music:

“Until I come up with something obscure I’ll go for an obvious one: ‘Midnight at the Oasis by Maria Mulduar’.”

As it happens, CC wasn’t the only one to suggest this record; step forward Kuttowski from A few good times in my life:

“The first thing that came on my mind was a song by Maria Muldaur. Midnight At The Oasis is one of these songs that accompanied me during the last decades. I really can’t explain why I can’t get this little folk/jazz tune out of my mind. Probably because it is just a good song.”

And here it is:

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Maria Muldaur – Midnight At The Oasis

Now, the more astute among you will have noticed a couple of references to Liam and Noel Gallagher so far. Here’s George to explain the link between these two fine gentlemen with the same surname:

“Oasis had the Gallagher brothers in them. And there are a plethora of bands that have brothers , so I will suggest Creedence Clearwater Revival (who featured two Fogertys) and ‘Born On The Bayou’.”

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Creedence Clearwater Revival – Born on the Bayou

Oooh- bands with siblings in them, can I play? Please pwetty please?

It seems to me that Scotland has more than its’ fair share of bloody marvellous musical talent, and quite a few music bloggers too, many of whom visit these pages, so this one’s for you, a much overlooked (until that bloody awful musical came out a few years ago; other than featuring the music of The Proclaimers, it has little to recommend it) and rather lovely tune:

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The Proclaimers – Sunshine on Leith

And, well, if we’re going to have one Scottish band with a couple of brothers called Reid, we’d better have the other one too (PS. Neil Reid was not one of them):

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The Jesus & Mary Chain – Cherry Came Too

Okay. Brace yourself. Here’s George with the winner of this week’s Worst Record of the Week award.

“Going from the Gallagher Brother to two sisters, those two in the Cheeky Girls (one of them married Lembit Opik) and, having consulted with my partner, their most famous song is called Cheeky Song, which I’ve just played. It’s rubbish.”

I do love the way that George always pretends not to know anything about his suggestions for Worst Record of The Week and tries to shift the blame over to his other half. We all know the truth, George, you’re fooling nobody.

Thank god neither of you have heard of Jedward, s’all I can say.

Oh, and a slight correction; Lembit Opik didn’t marry one of the Cheeky Girls, they were engaged but split up in 2008 after a “difficult period” in the relationship, which I think we can interpret as meaning “when he slept with the wrong sister”.

So, here’s what I’m sure will be the least clicked link of the week. I, on the other hand have had to listen to that more times when writing this blog than I had ever had the misfortune to hear it before (Twice).

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The Cheeky Girls – Cheeky Song (Touch My Bum)

Look! There’s a Christmas Remix!! If you’re all very good boys and girls, I’ll see if I can find that and post it nearer the 25th. I bet it has some sleigh bells and probably a joke about pulling a Christmas Cracker.

Let’s get out of here, and have some simple songs which link to the word “Live”, the word “Forever”, or some derivative of either.

Time, then, to give the customary very warm Chain Gang welcome to first time contributor Martin from New Amusements (is that a Gene reference I espy, Martin…?):

“I’m going with living forever… having tinkered with synonyms (eternal and immortal) and come to unsatisfactory dead ends (anything by, er, Eternal, and Immortals by Fall Out Boy), I have instead decided to opt for the words “Electric word, life. It means forever, and that’s a mighty long time.”

In other words, Let’s Go Crazy by Prince. Doubly fitting, as those Gallagher boys have been known to go crazy on the odd occasion…”

A classy suggestion, and just what the Doctor order after George let those pesky cheeky-ettes in:

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Prince & The Revolution – Let’s Go Crazy

Whilst we’re on lyrical references, here’s Alex G from We Will Have Salad:

“Oasis claim they’re gonna live forever. Irene Cara claimed likewise on “Fame”. To be fair to all involved, they’re not wrong *yet*.”

There’s still another month left of 2016, Alex. Plenty of time yet.

On the day or so before I write The Chain, I upload all of the songs onto a playlist on my iPod, and give them a listen as I commute to and from work, the idea being that a) I can check all of the mp3s sound okay, b) can get a rough idea of the running order, and c) hope I can think of something interesting or amusing to write about each tune. As I got to off the bus and walked to the office this morning, this tune came on:

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Irene Cara – Fame

I have to say, it put me in a really good mood for the start of the day. You should try it. The only disappointing thing about it was that when I got to the office, not one person was wearing a leotard or leggings, Doris wasn’t squawking “Hi Fidelity” by the water cooler, nor was Bruno attempting to play the photocopier like a piano. Still, can’t have everything.

Back, now, to The Great Gog, who before he started regaling us with Manchester City related awfulness, did actually suggest this:

“My first thought was to suggest another song with the words ‘live’ and ‘forever’ in the title: OMD – ‘(Forever) Live And Die’.”

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Orchestral Manoeuvres in the Dark – Forever Live and Die

Next, as Mark Morrison almost once said, it’s the Return of the Badger:

“But having gone down the forever route…other things can be forever as well. Like Polymers according to Future of the Left….”

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Future of the Left – Polymers Are Forever

“…and fucking if you listen to Babyshambles.” Which I don’t as a rule, but then I’ve listened to The Cheeky Girls twice, I may as well give Babyshambles a whirl:

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Babyshambles – Fuck Forever

Remember earlier we were talking about Oasis records that Johnny Depp had played on? Well here’s fun: that Warchild version of “Fade Away” also featured one time Pete Doherty muse Kate Moss giving it the full Linda McCartey on tambourine. What are the odds, eh?

Here’s George, who doesn’t seem even remotely apologetic for making me/us listen to The Cheeky Girls:

“…on the forever link, what about ‘Forever Came Today’ by Diana Ross and The Supremes?”

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Diana Ross & The Supremes – Forever Came Today

Time for some input from the fairer sex: here’s Alyson from What’s It All About, Alfie?:

“Ok so The Cheeky Girls song may get the prize for the worst record of the week [there’s no “may” about it, it does] but here is another contender. “Forever and Ever” by that hirsute Greek, Demis Roussos. I always thought Neil Diamond (my choice from last week) was a very hirsute man back in the day with all that exposed chest hair, but nothing on Mr Roussos. Come to think of it the Gallagher Brothers are quite hirsute in the eyebrow department, them having only one an’ all. A double-link and a pattern forming here for me relating to hairy men!”

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Demis Roussos – Forever and Ever

Next to return for a second, and indeed a third, suggestion is kuttowski:

“‘Live Forever’ is the name of a live album by Bob Marley from back in 1980. So I suggest Burnin’ and Lootin’”

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Bob Marley & The Wailers – Burnin’ and Lootin’

More from Kuttowski:

“‘Live Forever’ is the name of a documentary about the rise and fall of Brit Pop from the mid 90’s to their end. Pulp’s Common People with it’s wonderful lyrics became a signature to Brit Pop.”

Indeed, to my mind the anthem of Britpop, and a song kept from reaching Number One by Robson and Jerome, who also kept Oasis’s “Wonderwall” from the top slot.

Here’s the full length version from “Different Class”:

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Pulp – Common People

Time to hand over to Rol from My Top Ten for his musings of the week:

“First thought: Queen – Who Wants To Live Forever?

Which, if the question referred to the Oasis song, would lead to a resounding “Not me!” I appreciate that some people might feel the same about Queen, but quite frankly they would be, at best, misguided.”

I told you Oasis divided opinions, didn’t I?

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Queen – Who Wants To Live Forever

I’m not sure if it’s distasteful, ironic or entirely appropriate that this is posted just as we pass the 25th anniversary of Freddie Mercury’s death, but since I know Rol is a big fan of Queen (as opposed to a fan of big queens) I’ll go with the latter.

“‘Who Wants To Live Forever?’ comes from the soundtrack of the movie Highlander, which leads me naturally to a lovely early Billy Joel song called ‘Summer, Highland Falls.’ Hey, if we can show Neil Diamond love, Billy must get his too.”

A debate for another day, I think, but certainly one I’ll be backing you up on (up to a point):

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Billy Joel – Summer, Highland Falls

Now, amongst that, you mentioned Neil Diamond, didn’t you? Over to Charity Chic again:

“The by now obligatory Neil Diamond moment – ‘Forever in Blue Jeans'”:

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Neil Diamond – Forever in Blue Jeans

Phenomenal bit of work there, artist responsible for the design of the single sleeve.

“What’s next on the list?”

“Something called “Forever in Blue Jeans” by Neil Diamond. Any ideas?”

“How about we just stick his face on some denim?”

“Perfect. Fancy a pint?”

Now this song reminds me of someone, a former flatmate of mine and Hel’s. This was his favourite record by Diamond. I mean, it’s okay but it’s no “I Am…I Said”, is it? Hell, it’s not even “Cracklin’ Rosie” or “Beautiful Noise”. This is one of the perils of house-sharing these days; you can interview them as much as you like, but you never know what people are really like until they move in. This guy was priceless.

He survived on a diet of pizza and pasta on alternating days, then tried to take the piss out of me for eating liking foreign food because I was eating Mexican one evening. His idea of eating pasta was to boil some water, add pasta, drain then add nothing but tomato ketchup. Once, he realised he had put too much water in the saucepan, so decided to empty some out – into the kitchen bin, rather than into the sink. He would eat packets of crisps and just drop the empty packets on the floor. We once found a half devoured bag of Doritos next to the toilet. A toilet which he refused to lift the seat of when he peed, and which he refused to flush before he left to go to work (after we had) of a morning, leaving a gorgeous odour to greet the first person home. He made several unwelcome passes at Hel, and made up an entirely fictitious girlfriend who he claimed worked on a leading TV soap opera, even though we did know someone who worked on the same show who categorically told us the girl didn’t exist. Oh, and he did a runner from the house in the middle of the day when we were at work, leaving me and Hel to cover his share of the household bills, and I suspect, liberating a large chunk of my vinyl – including all of The Smiths original Rough Trade album releases – as he went.

All of which might just about be forgivable were it not for one thing: he liked Kasabian.

Every possible opportunity he had, he would bang on about how awesome they were, and when one of their albums, I forget which, the one where they try and sound like Oasis meets the Stones meets “Rocks”-era Primal Scream probably, like that narrows it down, was voted Album of the Year by Q magazine, he bought a copy (of the magazine), and kept leaving it around the house, open at the relevant page, like we were going to go “Oh, well if Q says it’s the Album of the Year….”

And if it wasn’t Kasabian, it was bloody Mumford & Sons. I rest my case.

I mention all of this now, because one day he burst into the house, breathless with excitement, gushing “Jez…Jez…have you heard of Longpigs? Best…Britpop band…ever!”

Now don’t get me wrong. There’s nothing wrong with Longpigs first album, “The Sun is Often Out”. And they gave us Richard Hawley, so for that we are of course grateful In fact, I can’t believe I’ve never posted anything by him – I’ll rectify that over the weekend.

But best Britpop band ever? C’mon…

Anyway, that leads me, in a very roundabout way indeed, to what I think is their finest moment. For if you do Live Forever, then surely it could be said that you go on and on…

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Longpigs – On and On

Ahem. Where were we?

Ah yes, back to Rol, I think:

“Final thought, on the subject of living forever (unless I have another thought)…

Ryan Adams (no B) – ‘Note To Self: Don’t Die’ …would be good advice for any budding immortals.”

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Ryan Adams – Note to Self Don’t Die

Another inadvertent double-linker there, as Mr B-less Adams also once covered Oasis’s “Wonderwall”, as did this lot:

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The Mike Flowers Pops – Wonderwall

Remember when Worst Record of the Week used to be about posting the Cheesiest Record of the Week? Well, that would win, even if it’s deliberately so.

And, just take a look at that Radio 1 sticker that proudly adorns the front. It reads: “As First Heard on the Kevin Greening Show”. Surely I’m not alone in furrowing my brow and saying, “Sorry, who??” Perhaps his career was cut short precisely because it was his show that first played that.

Hang on, Rol’s thought of something else. Having convinced himself not to suggest something by Gallagher and Lyle, he came back with this:

“Oh, I just had a thought about the Gallagher & Lyle route that would lead to a semi-respectable song.

Gallagher & Lyle reminds me of Tate & Lyle.

Tate & Lyle make sugar.

So… Sugar – ‘If I Can’t Change Your Mind'”

“Semi-respectable”?? That’s a fine record, and no mistake:

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Sugar – If I Can’t Change Your Mind

“Please post the video so everyone can laugh at Bob Mould’s cardigan,” Rol concludes.

Okay, but I’m rather a partial to a nice cardy, so no sniggering:

Now, who haven’t we heard from yet? Ah yes, SWC from When You Can’t Remember Anything:

The B Side to ‘Live Forever’ was ‘Up in the Sky’ which is where according to Sugar you would find the City of Armenia.”

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Sugar – Armenia City in the Sky

…which is a cover of The Who track from “The Who Sell Out” of course. And Oasis covered The Who’s “My Generation” on their live album “Lord Don’t Slow Me Down”. This week, more than any, we seem to be going round in circles and finding additional links.

“Alternatively,” SWC continues, “the complete opposite of live forever would be dying young so we could have ‘All Die Young’ by much missed Smith Westerns.”

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Smith Westerns – All Die Young

Or, for that matter, this, from the second Blondie album I ever bought as a kid (after I got “Best of Blondie”, but before “Parallel Lines”):

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Blondie – Die Young Stay Pretty

And one more from SWC:

“Live Forever was apparently inspired by ‘Shine a Light’ by The Rolling Stones so we could have that.”

Sure could:

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The Rolling Stones – Shine a Light

Next up, its The Swede from Unthought of, though, somehow:

“I’ll make a simple jump from Oasis to fellow Creation recording artists Swervedriver – ‘Rave Down’ please!”

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Swervedriver – Rave Down

I had totally forgotten how good that is, like a cross between My Bloody Valentine and Doves.

Last suggestion of the week, and I’ve deliberately kept this one back til last. I’ll leave you in the capable hands of The Robster from Is This the Life? to wrap things up:

“Pre-Oasis, Noel Gallagher was a roadie for Inspiral Carpets. Post-Oasis, he formed the High Flying Birds. Therefore I offer ‘Flying Like A Bird’ from Inspiral Carpets’ self-titled comeback album from 2014. I’d also like to dedicate it to their drummer Craig Gill who passed away last week.”

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Inspiral Carpets – Flying Like a Bird

On which poignant note, all that is left for me to do is the admin bit. Here’s the link to the next record in The Official Chain, an underwhelming link as is so often the case, but a great record:

“Oasis used a leisure centre in Swindon as inspiration for their band name. Also from Swindon were…”

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31. XTC – The Ballad of Peter Pumpkinhead

You know the drill by now; your suggestions for records that link to “The Ballad of Peter Pumpkinhead” by XTC, along with a brief description as to how you got from one to the other, via the Comments section below.

See you next week, Chain Gang!

(More soon).

The Chain #18

Evening Chainies! Welcome aboard the latest instalment of interactive blogging, where I welcome your suggestions for songs to play next week.

For newcomers, here’s the deal: there’s a feature on 6Music’s Radcliffe & Maconie week-day afternoon show where they play a record, ask their listeners to suggest a record connected to it, they pick the best one, play that, and ask for suggestions for the next song to play.

Where we differ is this: we play the same record as they do, invite your suggestions, play all of them, awarding completely arbitrary bonus points here and there (usually for correctly guessing the next song in the official Chain, occasionally for the cleverest/most impressive explanation as to how the suggested record was reached (or “Comment Showboating”, as it’s become known round these parts), but most often for suggesting something by a band I bloody love), then play the next record in the 6Music list, point out it’s nowhere near as clever/good/witty as any that you have come up with, and ask that you repeat the trick, provide a suggestion that links to the official record, which we play the following week, and so on, and so forth, repeat ad infinitum.

Of course, we’ve only been doing this for three weeks, and they’ve been doing theirs, playing three tracks a day, five times a week, so we’re quite some way behind them, so when I say we play the same record as they do, we do, just about six years later.

Here’s the only three things I ask:

  1. When making your suggestion, provide an explanation as to how you got there. And try to be a little bit more creative than just saying “So and so did a cover of that, please play their version”;
  2. Whilst it’s great to have obscure, cool records suggested, try and mix it up a little. Don’t be embarrassed to suggest a cheesy or downright awful record. Lord knows I’ve suggested enough myself;
  3. If I don’t own, or am unable to track down a copy of the song in question, please make sure that you’re able to supply me with it if need be. (NB – this happens rarely. This may only be week 18, but we’re 130 suggestions in, and only three times have I been stumped so far.)

Before we get started, one more bit of admin to get through.

I have not yet introduced the “Two Suggestions per person” rule that I mentioned last week. Well, not yet, anyway. To be honest, I felt a bit like a stroppy kid, losing at a game of football in the park who threatens to take his ball home unless he wins. So, uncapped numbers of suggestions remain, for now. But please bear in mind that I don’t have an infinite amount of time go trawling for the oh-so-many tunes that I don’t already own.

Okay, so that’s the tedious stuff out of the way. Let’s get cracking.

Last week, I left you with Kate Bush’s “Hounds of Love” and asked you to come up with any ideas as to what we could play this week. And true to form, you’ve come up with some absolute stonkers, and some utterly weird things too.

So, first up this week is Swiss Adam from bagging area who wrote:

“Hounds of Love? Does your pussy do the dog? (asked The Cramps)”

Short and to the point, is our Swiss:

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The Cramps – Can Your Pussy Do the Dog?

Actually, I take that back. For before we can draw breath, Swiss is back with a second suggestion. Which is fine. We can still have a kick-a-round:

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The House of Love – Never

Yup, totally with you on that one Swiss. It’s a single which is often overlooked because of the majesty of the singles that had preceded it, but it’s still a corking little indie-pop record which deserves an airing.

Now for those of you who don’t peruse the Comments section, where the suggestions are left, these next two take a little extra explanation.

See, last week I was asked to post Vampire Weekend’s “A-Punk”, which I duly did, but added that they’re not a band I’m fond off, and that they generally just rub me up the wrong way. Regular contributor George left a message, in an effort to show some solidarity, letting me know that he feels much the same way about The Clash and Bruce Springsteen.

Cue Charity Chic, stepping effortlessly into shit-stirring mode:

“Kate Bush on her return to live performances sold out the Hammersmith Apollo for a 22 night residency between 26th August and 1st October 2014. There used to be another venue in Hammersmith called the Palais. So ‘(White Man) In Hammersmith Palais’ by The Clash, please…and dedicate it to George!”

Sorry George, but this is for you:

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The Clash – (White Man) In Hammersmith Palais

And he isn’t done there either:

“Kate Bush had an album called The Dreaming. Bruce Springsteen had an album called Working on the Dream. The title track please…and dedicate it to George!”

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Bruce Springsteen – Working On a Dream

I have visions of Charity Chic posting the second of those two, saying “Boom!”, dropping his microphone and strutting off stage.

Next up, here’s Badger from When You Can’t Remember Anything:

“Well there is a track by Death Grips called ‘World of Dogs’ but I wouldn’t put up a picture of the album cover.”

Not sure I see what the fuss is about, Badger:

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Death Grips – World of Dogs

I should, of course, point out that isn’t the actual cover Badger refers to. If you want to Google it, I’d strongly recommend that you don’t do it at work.

“As a serious suggestion ‘Hounds of Love’ was covered memorably by The Futureheads which takes us nicely to ‘Decent Days and Nights’ by that lot.”

Badger almost became the first person to have points deducted for providing too obvious a link there, just dodging the bullet by suggesting a record by The Futureheads other than their cover of Madam Bush:

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The Futureheads – Decent Days And Nights

Here’s George, who clearly is not going to rise to Charity Chic’s bait:

“From Hounds to Dogs and Tropical Hot Dog Night by Captain Beefheart (from the Shiny Beast Bat Chain Puller album)”

MI0000642565Captain Beefheart and The Magic Band – Tropical Hot Dog Night

I have to confess, Beefheart are one of those bands I know I’m supposed to like, but I’ve given Trout Mask Replica many opportunities to win me over, and every time I’ve just come away scratching my head (in befuddlement, I don’t have nits).

That said, though, I really like the track George has suggested, so maybe it’s about time I gave it another go.

Here’s The Swede from Unthought of, though, somehow with another suggestion I didn’t know, or rather didn’t know this version of it. I’ll let him explain:

“On the b-side of the ‘Hounds of Love’ 7″ single, Kate Bush covered a traditional seafaring ballad, ‘The Handsome Cabin Boy’. The great Martin Carthy sang an acapella version of the same song on his self-titled debut LP in 1965.”

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Martin Carthy – The Handsome Cabin Boy

Here’s When You Can’t Remember Anything‘s co-writer, S-WC:

“Kate Bush allowed ITV to use her surname for a section of the show I’m a Celebrity… called The Bushtucker Trial [not sure that’s entirely true, but I’ll let it slide – Ed]. Johnny Rotten appeared in one of those and ate a kangaroos anus. So we’d best have Anarchy in the UK.”

And that’s why I’ll let it slide. Still sounding as fresh and as angry today as it did back in 1976 (I imagine, I was a little too young got punk), here’s them Grundy-baiting Sex Pistols:

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Sex Pistols – Anarchy in the U.K

And there’s a good reason why I’ll let that slide, for if I didn’t, I’d have to disqualify a third suggestion from Swiss Adam at bagging area:

“Shaun Ryder too. Wrote for luck?”

Oh, go on then:

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Happy Mondays – Wrote For Luck

Sadly, as long as I waited, not one of you suggested we continue that particular theme by playing something by Peter Andre. Not even “Insania” which he wrote on the show. An opportunity missed, I’m sure you’ll agree. Or, hopefully not.

Coincidentally, those last two suggestions feature bands who are commonly referred to incorrectly as “The Sex Pistols” or “The Happy Mondays”. There is no prefix on either. The next suggestion – by Swiss again with his fourth – yes, fourth – go, features a band with nothing but the word The in their name:

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The The – Dogs Of Lust

Now, right at the top of this post, I mentioned that so far I’ve only needed to be bailed out three times when hosting this thread, and two of them were suggestions made by George. So when he popped up again with this, I felt myself break out into a cold sweat:

“From Kate Bush to The Very Things’ song The Bushes Scream While My Daddy Prunes.”

The other time I couldn’t find a postable copy of a song, it had been suggested by Dirk over at Sexyloser, so when he chipped in by saying: “George, the recommendation of that particular Very Things – tune almost makes me forgive you disliking The Clash so much: excellent choice!”, well, I knew I was in trouble.

Luckily, we’ve just had a Bank Holiday Weekend here, so I had a little extra time to track it down. It’s not the finest quality, and there is a moment or two’ silence at the start that I haven’t had time to trim off, but here in all their glory, are The Very Things:

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The Very Things – The Bushes Scream While My Daddy Prunes

Have to say the jury’s still out on that one here at Dubious Taste Towers. I’d fully expected to award the Oddest Record of the Week gong to the Captain Beefheart track, but I think The Very Things takes that honour. It certainly wins Best Title of the Week. (I need some jingles for these, don’t I?)

Here’s Alex G from We Will Have Salad with an idea for a bit of pre-fame (they were not famous for a lot longer than they were famous, after all) Pulp:

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Pulp – Dogs Are Everywhere

Finally this week, here’s What’s It All About, Alfie?:

“Another female singer with similarly “bushy” dark hair had their biggest chart hit in 1978 and it was Patti Smith with Because The Night so going for that one please.” Which, as Charity Chic gleefully pointed out, was written by one Bruce Springsteen:

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Patti Smith Group – Because The Night

And so we come to the end of your suggestions, and we come onto mine.

Ahem.

There are many types of Hound, other than the ones of Love. There are Basset Hounds, which I couldn’t think of anything for. There’s the Greyhound, but The Swede suggested the only song I know by them back in The Chain #7. There’s the Whippet, a sighthound breed descended from greyhounds, but there’s nothing there…

…wait a minute. Whippet. Whippit. Whip It.

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Devo – Whip It

I’m here all week.

Now, if any one you had suggested that, I would have been awarding bonus points. But I can’t really award them to myself, so I won’t. (*looks pleadingly at you all*)

And so, to the official song in The Chain, where this was the reasoning:

“Kate Bush’s 2005 album Aerial featured the track ‘King of the Mountain’, which referred to Elvis Presley”

..and this was the song:

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18. Elvis Presley – (Marie’s the Name) His Latest Flame

As usual, not a patch on any of your suggestions, but there you have it.

And so that’s my bit done for another week. Please send me your suggestions of records we can play next week, that link to “(Marie’s The Name) His Latest Flame” by Elvis Presley – there should be plenty for you to work with there – along with a brief description as to how you got there, via the Comments section at the bottom of the page.

See you next time!

(More soon).

Friday Night Music Club

So, as I mentioned last week, I spent the majority of Sunday in an increasingly wet and muddy Victoria Park attending Field Day.

Consensus amongst my group was that we’d rather catch The Avalanches and Air in the relocated Return of the Rural tent than any of the other headliners – and, yes, that included PJ Harvey, sacrilege, I know – but in terms of staying dry and relatively mud-free it was a pretty smart move.

Oh and because of the music too, of course.

We arrived just at the tent just as The Temper Trap were finishing, which just happened to coincide with quite the downpour, so we happily ventured inside, where the resident DJs were whipping the crowd up into a pre-Avalanches frenzy by dropping this little beauty:

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294. Naughty By Nature – O. P. P.

Now I’m not going to pretend that I was particularly fond of rap or hip hop when it first reached these shores – the Beastie Boys was about as far as my taste stretched – and O.P.P. was not a song that even crossed my radar until some 10 years or so after it was released in 1991. In fact, it’s probably one of the records that is responsible for me revisiting all of those classic tunes and realising I would totally have to re-evaluate my position.

And yes, to those who know me, that does mean having to admit I was wrong. It does happen.

Hearing it again last week was a joy, in particular watching lots of people of around about my age trying to bust the same moves they used to roll out when this first came out, with varying degrees of success, I think it’s fair to say.

Me? I have no moves.

Of course, O.P.P. features a sample of this early 70s classic:

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295. Jackson 5 – ABC

Which got me thinking: song titles with abbreviations, acronyms or just letters (but not words) – there’s got to be a few of them, right?

Right! Yup, belt yourself in folks, it’s theme time again here on a Friday night, and I promise everyone of these is a belter. Which means no “YMCA”, obviously.

No list of abbreviation titles would be complete without this next one, though:

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296. Ottawan – D.I.S.C.O.

I believe Dame Edna Everage got her specs back eventually.

Somewhere in the darkest, most ill-informed recesses of my brain, I had stored the information that they were called Ottawan because they were from Ottawa, Canada. Nope. French, apparently. Not even French-Canadian. Just French. With a bit of what Wikipedia rather vaguely refers to as “Caribbean” thrown into the mix. Ah well, you’re never too old to learn, eh?

Keeping things on a disco-y vibe, here’s some Philly soul:

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297. MFSB featuring The Three Degrees – TSOP (The Sound Of Philadelphia)

Now that’s value for money: not just one set of abbreviations, but two. As you can see, TSOP stands for The Sound of Philadelphia, whilst the MFSB stands for…ermm…well, let’s just say the clean version is “Mother Father Sister Brother”, whilst the considerably less clean version has at least one of those changed for something altogether fruitier.

And yes, that really is The Three Degrees, they of “When Will I See You Again” fame, and one time favourite band of Prince Charles. Like that’s a recommendation.

Now it’s not often that I post two songs by the same artist in the same thread, and I’m not about to start now, but this does come awfully close.

In 1982, Michael Jackson released his “Thriller” album. You don’t need me to tell you what a massive album that was, I assume? Thought not. It was accompanied by what seemed to be a never-ending stream of singles from it. “Thriller” contained 9 tracks. 7 of them were released as singles. Unbelievably, “Thriller” itself was the last of them, presumably because the video took so long to do. The next track was the 6th:

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298. Michael Jackson – PYT (Pretty Young Thing)

Thanks for clarifying what the “PYT” referred to for us there, Michael.

Although, given the allegations which dogged his adult life, I don’t think he really needed to, did he? I mean, the signs were there for us all to see when you think about it. He looks like he’s growling in that cover shot, leaning out the window of a Ford Cortina, Bubbles the monkey strapped in the passenger seat, a bag of tempting sweeties just out of shot.

On the subject of “Thriller”, the song, not the album, one of my favourite pub quiz facts: it was written by a chap called Rod Temperton from the exotic town of Cleethorpes, Lincolnshire, who used to be in Heatwave, a late 70s/early 80s disco band best known for their 1976 hit “Boogie Nights”, after which the brilliant movie by Paul Thomas Anderson, starring Mark Wahlberg as blessed in the “downstairs area” porn star Dirk Diggler, is named. If you haven’t seen it, go away and do so right now. We’ll wait for you, I promise.

Have they gone? Right, let’s carry on.

Something bordering on contemporary now: a record that’s only ten years old, which is about as recent as I get round these parts.

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299. Rihanna – SOS

Heavily sampling Soft Cell’s version of “Tainted Love” (more about that over the weekend), the song was originally intended for Def Jam label-mate Christina Milian for her third solo album “So Amazin'”, but she turned it down and it was given to Rihanna instead. “SOS” went on to become Rihanna’s first US number one single, whilst Milian’s album absolutely tanked and she was dropped by the label. Them’s the breaks.

And so to the 300th song in this thread, and I can’t think of a better song to inhabit this position (well, I can, but it’d probably be a Quo one and you’d all moan) than this:

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300. The Shamen – L.S.I. (Beat Edit)

You have to love Mr C’s rapping interlude’s, don’t you? Altogether now: “Love Sex Intelligence…coming on like a seventh sense!”

Wait a minute – seventh? No, no, no, no, no. Master Fry says there’s more:

Time for some proper Old School rave stuff now:

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LFO – LFO

In case you’re interested, LFO stands for Low-Frequency Oscillator, a function on what used to be called synthesizers, but now are just called keyboards.

And now, as they say, for something completely different, and to a song which I have been thinking about posting in my “Same Title, Different Song” thread, along with one by Monty Python’s Flying Circus:

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302. Shonen Knife – S*P*A*M

I own far too few Shonen Knife songs; I posted their fab “Space Christmas” song about six months ago here (just before Christmas, funnily enough), and own this, and their wonderful cover version of The Carpenters’ “Top of the World” (which I’ll get round to posting sooner or later), and that seems to be about it. I thought I had more than that. But every time I hear something by them, I have a smile on my face. Mental note to self: buy more Shonen Knife.

Ok, time to get loud. Here’s the Manic Street Preachers:

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303. Manic Street Preachers – P.C.P.

Lifted from their seminal 1994 “The Holy Bible” album, and released as a Double A side along with “Faster”, the boys caused quite the stir when they appeared on Top of the Pops, dressed like this:

Perhaps unsurprisingly, the military regalia, and in particular lead singer James Dean Bradfield’s balaclava, were construed by many as a show of support for the IRA, and the BBC received 25,000 complaints, which seems a suspiciously round figure to me.

If any of you are disturbed by Bradfield’s attire, I can temper that somewhat: he came into Boots the Chemist in Cardiff when I worked there, and asked me to show him where the Athlete’s Foot powder was kept. Pop stars, see? They’re just like you and I. Except with icky fungal foot conditions.

Two to go for tonight. Penultimately, some Blur.

By 1997, the Britpop war between Blur and Oasis was over, and few could argue that from a commercial perspective, Oasis had won. Yes, Blur’s “Country House” had beaten Oasis’ “Roll With It” to the Number One slot in the singles, but “The Great Escape” album – though it had its moments – paled in comparison to its predecessor “Parklife” and racked up sales of 2.54 million worldwide. Oasis’ “(What’s The Story) Morning Glory”, on the other hand, managed 22.4 million. I love Blur, but that’s fairly comprehensive.

So the band went off, regrouped and rethought things. What they came back with, the eponymous “Blur” album, from memory, surprised, shocked, delighted and just plain pissed off fans in equal measure. Gone were the upbeat chirpy cockney numbers, in came a more lo-fi, stripped down sound (see: “Beetlebum“) tempered by the occasional blast of sonic noise terror and whooping (see: “Song 2“).

See also, this:

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 304. Blur – M.O.R. (Alan Moulder Road Version)

And so finally, since we’ve mentioned Britpop, to a track from, to my mind, the greatest album from that brief period; to a title that takes abbreviations to a whole new level, and a song which displays classic Jarvis witticisms, slow burn atmospherics which would become more prevalent on their follow-up album “This Is Hardcore”, building to a crescendo which is just, well, Pulp:

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305. Pulp – F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.

More soon.

Friday Night Music Club

Evening all. Hope you’ve all had a good week.

Let’s crack straight on with the next part of the snappily-titled “Songs With The Same Name As Television Programmes, But Which Are Not The Actual Theme Tune, Or A Cover Version Of The Theme Tune Of The Programme In Question” theme.

First up, as I was flicking through the channels the other night, I saw an advert for a new show on E4, not a channel I visit often, which, according to IMDb is a spin-off from a movie franchise I’ve never seen nor, having read the synopsis, do I ever intend to see. Still it gives me the excuse to play this belter from 1988:

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239. Jane Wiedlin – Rush Hour

This was lifted from Wiedlin’s second solo album after The Go-Go’s split (the first time), and was her only solo UK Top 40 hit, making an appearance in BBC1’s Peter Kay’s Car Share. She’s also an actor, appearing as Joan of Arc in Bill & Ted’s Excellent Adventure amongst other things.

But it’s as the main song-writer in The Go-Go’s, along with Belinda Carlisle, that’s she’s best known, although they remain a very much under-valued band on this side of the pond. They only ever cracked the UK Top 40 once, and that was when they reformed in 2004, when “Has The Whole World Lost It’s Head?” crept up to Number 29. Here’s them performing it on The Late Show:

I’ve touched on The Go-Go’s before when discussing albums my brother brought back from his trip to stay with family in the United States in the early 1980s, and they will feature again here very soon, so I’ll move on.

HAIM are a band who have recently made the breakthrough over here; I say recently, their debut album “Days Are Gone” came out in 2013 and the next track was the fourth single to be lifted from it.

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240. HAIM – The Wire

A few years ago, my brother leant me the box-set of The Wire TV show, a US show which many had touted as being the greatest TV show ever at the time of its airing. In case you’ve never seen it, here’s Charlie Brooker to explain:

This was my first experience of binge-watching, spending many nights checking the time and thinking I could squeeze one more episode in before bed.

There were five seasons of the show (I’ll concede to referring to them as seasons rather than series as it’s a US show), and the opening theme tune was “Way Down in the Hole”, a track written by Tom Waits and lifted from his 1987 album Franks Wild Years (not to be confused with the song “Frank’s Wild Years” on Wait’s 1983 album “Swordfishtrombones”. Each season uses a different recording and a different opening sequence, with the theme being performed by The Blind Boys of Alabama, The Neville Brothers, DoMaje, Steve Earle and Tom Waits himself.

And here they all are:

Moving on: Banderas are one of those bands that I always thought were called The Banderas. That is, until their name popped into my head when thinking of songs to post here and I tried to do some research on them.

Here’s what I found out: they were a female music due from the 1990s (which I knew); they were an off-shoot from The Communards (which I didn’t know, although it kind of rings a bell from somewhere), featuring Communards backing singer Sally Herbert and shaven headed Caroline Buckley (which I partly knew: I remembered the shaved head part. You know, the important detail. This was the early 1990s, tough, and by now we had all seen Sinead O’Connor and such things no longer shocked us); and they are best well-known for this:

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241. Banderas – This Is Your Life (Original Mix)

This shares a name with the long-running UK TV show which featured a celebrity (affectionately referred to as “the victim”) being surprised by the host, invited into a TV studio to be taken through the contents of The Big Red Book, and reintroduced to significant people from their past who would drop in, share a generally rather dull anecdote about the celebrity subject, before taking a seat alongside them if they were family, or opposite them if they weren’t. I often imagined that after they had recounted their uninteresting story from the past, the guest would sit in the chairs opposite, glowering at the celebrity, who probably owed them money, and that after the end credits it all kicked off, family against non-family.

Largely the show was broadcast live, which meant that the newspapers weren’t able to advertise who the “victim” was. Oddly, this seemed to only add to the excitement, millions tuning in for at least the first couple of minutes to see who was going to be on. Non-celebrities were often the subject too, but nobody ever watched them.  (“Who is it this week, Ron?” “Some bloke who was the youngest serving group captain in the RAF.” “Oh. Have you got the remote control?”)

The shows stopped being shown live in 1983 after boxer Alan Minter, surely the Shaun Ryder of the 1980s, couldn’t stop swearing during his episode.

Here’s the iconic, very 60s, theme tune:

Next up, some more Britpop era tunes, and a song which could quite easily have featured in my “How To Do a Cover Version” thread.

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242. Saint Etienne – Who Do You Think You Are?

Nope, I had no idea it was a cover version either. But, whilst scouring t’internet trying to think of smart-arse things to say, I find that it’s actually the fourth version to see the light of day. (In all honesty, the other three are a bit samey, so you could spare yourself a lot of time and just listen to one of them then agree with me that the Saint Etienne version is head and shoulders above them all.)

Written by Des Dyer and Chris Scott, it first saw the light of day in December 1973 when it was released by Candlewick Green (presumably there were copyright issues with being called Camberwick Green):

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Candlewick Green – Who Do You Think You Are?

Then in 1974, Dyer and Scott released it themselves under the name Jigsaw on their album “I’ve Seen The Film, I’ve Read The Book” (there was no T-Shirt for them to buy):

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Jigsaw – Who Do You Think You Are?

Also in 1974, Bo Donaldson & The Heywoods, deciding the Who Do You Think You Are? market wasn’t quite saturated enough, released their own version, which itself was a follow-up to their cover version of Paper Lace’s “Billy Don’t Be A Hero”:

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Bo Donaldson & The Heywoods – Who Do You Think You Are?

But I digress. Who Do You Think You Are? is, of course, also a British genealogy documentary series which has aired on the BBC (initially on BBC2, but on BBC1 from series 3 onwards) since 2004, and in which a celebrity tries to make it look as if they are tracing their family tree themselves rather than just going where the programme makers tell them to, talking to whomever they are told to, whilst blowing fake dust from thick weighty tomes on cue.

Keeping with the Britpop bands asking question subtheme, a song by a band that I think are truly under-rated, many declaring them to be Smiths-lite, a comparison I always thought most unfair. JC wrote about this single a little while ago over on his blog, here, so I won’t dwell on how majestic this song is. Here, just to give you something a little different, is a live version, recorded at the Royal Albert Hall:

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243. Gene – Where Are They Now? (Live At The Royal Albert Hall)

Trying to research the TV show of the same name has driven me a little bit crackers. My recollection is that it was a show in the late 1970/early 1980s, hosted by former Juke Box Jury presenter and BBC stalwart David Jacobs, where he interviewed someone who had once been in the limelight and found out, well, what they were doing now. He also used to pop up on The Kenny Everett Show, mournfully state the name of the show whilst looking straight into camera, before disappearing again. But can I find any evidence of these things anywhere? Nope. The only mention I can find of either is in this on the BBC website. So, you’ll just have to trust me on this one.

One I can provide you with evidence of, however, is Razzmatazz, a music based children’s television programme which ran on ITV between 1981 and 1987. I suppose you could say it was a kid’s version of Top of the Pops, or perhaps more accurately as ITV’s version of Cheggers Plays Pop, but, crucially, without Keith Chegwin.

Here’s the theme tune (although it will probably try and tell you the link has expired; it’s still there you just have to look around for it a bit), and more interestingly, here’s a very young Kirsty MacColl appearing on it:

And, quick, before I start getting all miserable about Kirsty not being around anymore, here’s a just-before-they-went-massive Pulp:

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244. Pulp – Razzmatazz

Released in February 1993, this was their final release on Gift Records, and it reached the giddy heights of number 80 in the UK charts. But it was very much laying the foundations for what was about to come: follow-up single “Lipgloss” made number 50; “Do You Remember the First Time?” got to number 33 the following year, closely followed by “The Sisters EP” (number 19) and then…well, the rest is history.

So, to the last one for tonight, and to make things circular, a song with the same name as a TV series penned by Charlie Brooker, released by Canadian collective (they’re all collectives in Canada, have you noticed? Never bands, all collectives) Arcade Fire:

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245. Arcade Fire – Black Mirror

If you like your TV drama dark and a little disturbing, then I urge you to track some of Brooker’s TV shows down. The only one currently available on Channel 4’s On Demand Service, All 4, is the last one produced for the channel, “White Christmas”, which you can watch here. Sadly, there’s no sign of the first and most infamous episode, “The National Anthem” which first aired in 2011, and telling the story of the kidnap of a (fictional) princess, and the subsequent ransom demand being that (fictional) Prime Minister Michael Callow must have sexual intercourse with a pig on live national television. The episode gained notoriety in 2015 when…well, I’ll let Brooker himself explain:

That’ll do you.

More soon.

How to Do a Cover Version

A few years ago, I used to occasionally co-DJ at a night a mate of mine used to put on, called “Indieoke”.

The premise was simple: karaoke, but only Indie songs. Oh, and a live band, instead of a backing tape.

As you can imagine, these were highly entertaining nights, the allure of singing in front of an actual live band was too much for many to resist, leading to…well, shall we just say varying results?

One chap, having managed to bagsy the song he wanted to do, approached the microphone and said something along the lines of: “I’m not going to do the cover of the version you know of this song. I’m going to do a cover of the better version of it.”

I had to admire his swagger.

And this is what he sang:

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Pulp – Common People

Only he did in the style of:

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William Shatner – Common People

Fair play. Doubtless the guiding hand of Ben Folds is a necessary influence, but I think Shatner’s version’s alright, and not even in an ironic, so bad it’s good kinda way.

More soon.

Sunday Afternoon Movie Club

Time for a Parental Guidance sticker again.

When you get to my age, barely a week goes by without me getting yet another reminder of just how old and decrepit I’ve become. I suppose I should be grateful; the alternative is much grimmer.

It also makes me wonder: what in today’s popular culture will be celebrated in 20 years time? The day we all saw that picture of Kim Kardashian’s arse? The moment Justin Bieber changed his haircut? The day Zayn left One Direction? (it was him that left, right?)

As if having to deal with the fact that this year it will be 30 years since The Smiths released “The Queen Is Dead” wasn’t enough for me to cope with,  I now have to deal with the fact that it is twenty years since Trainspotting (the movie, not the book, that was even longer ago) was released.

Fuck, really??

For many, this was their first introduction to the genius that is Danny Boyle, the director. Personally, I was working in a video shop in Cardiff between 1994 and 1996 (I really used my degree to its full potential) so had seen, and loved, Boyle’s directorial debut, “Shallow Grave” and so was already aware of his visionary genius.

Trainspotting though took him to another level entirely.

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Based on the Irvine Welsh book, it tells the story of Renton (Ewen MacGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), Begbie (Robert Carlyle), Diane (Kelly MacDonald) and Tommy (Kevin McKidd), their battles with addiction to heroin (Renton, Spud, Sick Boy, Tommy) or alcohol/violence (Begbie), a battle that at least one would lose (no spoilers here), and those that surviveds’ attempts to break free by engineering a drug deal which would enable their freedom once and for all.

Watching it back, there are so many iconic moments, from the opening sequence:

to Spud’s speed-fuelled interview:

to the infamous Begbie bar scene:

to the “Worst Toilet in Scotland”:

to Spud’s…err…accident…

Of course, there was much hysteria in the press about this film, this squalid film, that glorified drug abuse (it doesn’t, it really, really doesn’t) and how young impressionable folks would doubtless see it and be unable to resist embarking on a downward spiral of drug abuse and ultimately death. All total bollocks, of course.

But, for me, there was one other thing about Trainspotting that got me hooked: the soundtrack. You could tell that each record that featured had been chosen, or commissioned, with great care: the breadth and depth of the movie’s soundtrack (which got released over two albums) was simply staggering, taking in established records and placing them next to newer Britpop-y tunes (it was 1996, after all) and managing to totally capture the zeitgeist (whatever that means).

This was a turning point for me: it wasn’t until I saw Trainspotting that I appreciated that dance and indie music could co-exist in my own personal musical CV. Until now, I rarely gave dance music the time of day, but such was my love of the film I simply had no choice. Particularly, this one:

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Bedrock feat. KYO – For What You Dream Of

There was, of course, the odd classic cut by a Britpop band to consider as well, not least one which remains one of my favourite Pulp songs to this day:

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Pulp – Mile End

And then, of course, the two songs which bookend the movie, one gaining a new lease of life from it’s inclusion, the other…well…it’s just one of the greatest era-defining records:

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Iggy Pop – Lust For Life

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Underworld – Born Slippy

Danny Boyle has gone on to bigger and brighter things: he won an Oscar in 2008 for Best Picture and Best Director (and another six) for “Slumdog Millionaire”, and orchestrated the opening ceremony of the 2012 London Olympics (I bought the 3-DVD boxset of the Olympics, and have never watched anything other than the 1st one which contains the opening ceremony). In the run-up, I was firmly in the “we’re going to fuck this up aren’t we?” camp, didn’t even watch it live, but when I did I was entranced; it was a thing of such patriotic beauty it is one of the very few things that make me feel proud to be British.

Here it is, in all its glory:

This led (and rightly so – it is, simply, astounding) to him being offered a knighthood  which he earns extra bonus cool points by declining.

News has come out over the past twelve months that work has started on “Porno”, the sequel to Trainspotting. Having read the book, I cannot wait for the day I get to queue up at the local multiplex and legitimately ask for “a single to watch Porno please”.

More soon.