The Chain #10

I need to think of a new way to open these posts other than saying “So I left you last week with *insert name here* record and asked you to suggest songs that linked to it”.

But until I do, you’ll have to make do with this:

So, I  left you last week with “The River” by Bruce Springsteen and asked you to suggest songs that linked to it. This week, I’m simply going to post them in the order that I received them.

So, as with most weeks, first out of the traps was George who said:

“The Springsteen album The River has a track called Fade Away. And Buddy Holly wrote and sang Not Fade Away.”

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Buddy Holly – Not Fade Away

Next up, The Swede, with a typically classy link:

“I was born (and spent the first 15 years of my life) in Walthamstow. When I was a young lad, Dad would often take me for a Sunday afternoon stroll along the nearby River Lea. In my memory it was always a glorious adventure, but a few recently rediscovered photos taken at the time tell a different story – the river and the old buildings along the bank were in a pretty sorry state back then, though I believe there has been a massive regeneration of the area in recent years.

But I digress. I’d like to go from ‘The River’ to the River Lea to Jim Lea and ‘When the Lights Are Out’ from ‘Old New Borrowed and Blue’, which was his first ever lead vocal on a Slade track.”

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Slade – When The Lights Are Out

I don’t know about you, but I can no longer hear a Slade tune without thinking of this:

Slade in Flame, indeed.

Next up, Charity Chic:

“Not sure I can top the Swede but The River to River Deep Mountain High to the Mountain by Steve Earle and the Del McCoury Band to Duke of Earl by Darts to Darts of Pleasure by Franz Ferdinand.”

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Franz Ferdinand – Darts of Pleasure

I can’t really ignore the mention of “River Deep Mountain High”, now can I? But since I very much enjoyed watching Ronnie Spector’s set at Glastonbury over the weekend (if you have access to the BBC iPlayer, seek it out), I’m going to plump for the Phil Spector produced version by Ike & Tina Turner:

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Ike & Tina Turner – River Deep, Mountain High

Which leads me rather nicely on to a suggestion I received that wasn’t via the Comments at the bottom of last week’s post. My boss, Kay, was talking to me at the start of the week, and suggested something called “Rolling on the River”, by which it transpires she meant this (although I think she wanted the Tina Turner version):

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Creedence Clearwater Revival – Proud Mary

Which, it turns out is a double link, referencing not just the river, but also Mary.

Final suggestion time, and this week, it’s from The Great Gog, who also goes with name of the heroine in Springsteen’s track as the link:

“‘The River’ was released in 1980 and mentions a girl called Mary. Another song released in 1980, mentioning someone of that name is Robert Palmer’s ‘Johnny And Mary’.”

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Robert Palmer – Johnny & Mary

Which just leaves my choice, and, since you know I have no shame, I’m going to post a song which references both a river, and Mary, who, it would seem comes to a somewhat stickier end than any of the other Marys mentioned so far. Oh, and there’s also the fact that the story told takes place in Nebraska, which was of course the name of a Springsteen album.

You might ask: What’s so shameless about that?

Well, my suggestion this week is by Richard Marx:

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Richard Marx – Hazard

(Go on, admit it. That’s alright really, isn’t it?)

Oh, and great though all of the other suggestions were this week, I win, with an unprecedented triple link choice.

And so to the admin task of posting the song that BBC Radio 2 listeners suggested to link to Springsteen’s song, and I imagine many of you will know what the link between the two songs was:

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The Rembrandts – I’ll Be There For You

(And if you don’t know the link between Springsteen and The Rembrandts’ “I’ll Be There For You”, there’s a bit of a clue in that picture).

So, as usual, your suggestions please for what we can play next week that links to The Rembrandts’ “I’ll Be There For You”; you can either leave them in the Comments below, or just shout across the desk at work.

More soon.

**NEWS JUST IN**

It’s not often (okay, it’s the first time) I get a late submission, but this just came through from Marie who said:

“I probably have this game all wrong, but “The River” led me to “One More River To Cross” by The Soul Stirrers (featuring Sam Cooke.)”

Well, you have the game pretty much right, just a week late. But since it’s a ladies prerogative to be late (and since it would be churlish of me to decline the chance to post some sweet, sweet Sam Cooke) I’ll let it slide:

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Sam Cooke with The Soul Stirrers – One More River to Cross

More soon.

Friday Night Music Club

Hello, good evening and welcome to what is for us lucky folks in the UK is that rarest and most beautiful of things: a bank holiday weekend.

For those of you outside the UK, that means we have Monday off.

And for what I think is the first time in my working life, I have been astute enough to book today off too, giving me a glorious 4 days off on the trot.

And how will I be spending it, I hear you ask? Predominantly, perched in front of my laptop writing guff for you all to enjoy read, interspersed with the occasional missive to the agency who manage the flat I live in about where they can stick the £150.00 “administration fee” they want to charge me to renew my tenancy agreement.

So before, I get all grizzly about that, let’s get going with a non-themed, just tunes Friday Night Music Club.

But first some admin: inspired by The Robster over at “Is This The Life?” I’m using a different file-sharing service this week. I’ve grown a little tired of people telling me they can’t use the Zippyshare link to songs on their phones, and even more so about the pop-ups that Zippyshare seem to generate, and the content of some of the ads they insert, which I definitely do not approve of, and which I hope none of you have clicked. I’ve road-tested the new one and it seems to be waaaaaay better, but I’d be grateful for your feedback (Cath, Llyr, Kay) as to whether it’s an improvement or not.

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262. The Cure – Friday I’m In Love

When I was in my final year at college, I would often spend a Friday night round at my mate Daints’ flat. Daints was the singer in the band that I attempted to play lead guitar in, and I would often seek sanctuary round at his. Occasionally we would rehearse or, heaven forbid, write a song; more often we would sink a few beers, smoke a few fags (USA folks: that doesn’t mean what you think), play a little Tetris (this does nothing to negate any nerd thoughts you may have had about me, does it?) and indulge in what today is annoyingly termed “banter” but back then was just some mates having a laugh.

On one such occasion, Daints was ribbing (again, not what you USA folks might think) one of his flat-mates (a nice enough girl called Paula, who my friends and I all referred to, rather unkindly I can see with the benefit of hindsight, as “Baked Potato” because of her resemblance to one) about her love of The Cure, by pointing out that there out-put at the time (i.e. when this came out) was nothing more than “chart music”. He spat the phrase out with such distaste that she had no chance of recovery.

Still, it’s perfect Friday Night fodder, and let’s be honest, whilst I have no clue about what bothers the charts these days, there’s nothing wrong with our favourite bands being successful, right? Hence it’s inclusion here.

Next, an oft-overlooked single from what I think is one of the greatest debut albums in recent history:

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263. Franz Ferdinand – Michael

Now, the closest you will get to a theme this week, and a man who apparently had no “G” on his keyboard :

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264. Michael Jackson – Wanna Be Startin’ Somethin’

Let’s just examine some of the lyrics for a second:

“You’re A Vegetable (You’re A Vegetable)
Still They Hate You (You’re A Vegetable)
You’re Just A Buffet (You’re A Vegetable)
They Eat Off Of You (You’re A Vegetable)”

Erm, okay Michael.

Who knew he had so much in common with Thatcher?

Or the Child Catcher from Chitty Chitty Bang Bang for that matter (Let’s not go there – Legal Ed.)

Ma Ma Se, Ma Ma Sa, Ma Ma Coo Sa indeed.

Ok, moving on to my favourite type of record to play when DJ’ing.: long ones.

The benefit of dropping long record are threefold:

  1. You don’t have to think about what to play next for a while;
  2. You can dash off to the toilet and get back in plenty of time for the next tune;
  3. Generally, people don’t like to walk off the dancefloor mid-record, as it makes it look like they didn’t know what they were dancing to in the first place. Long records test their endurance in a way that Bear Grylls can only dream of, allowing you chuckle about  those who start dancing and who then feel compelled/become determined to see it out to the end of the song, however knackered they may look 3/4 of the way through.

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265. Marvin Gaye – Got To Give It Up

That’s just shy of 12 minutes worth of funky grooviness right there, and if you can’t make it to the Gents and back in that time, then I’d suggest you contact your GP.

Next up, a song you will all know, but a remix of it that I first came across when I picked it up on a compilation CD in a Virgin megastore sale, and which has such a fantastically 80s bass-line it almost makes me want to be the next Mrs John Taylor:

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266. Duran Duran – Girls on Film (Salt Tank Remix)

And for all you lonely people (by which  here’s the original video, directed by 10cc’s Godley and Crème and banned by the BBC for what will become fairly obvious reasons if you watch it (by which I mean Dad, do not watch this when Mum’s around):

Moving swiftly on….and following on from my recent Kate Bush posts, here’s a remix of a 1992 tune by Utah Saints, which samples La Madame Bush, this version released in 2008:

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267. Utah Saints – Something Good 08 (Van She Tec Mix)

…and which had a simply splendid video to accompany it:

Terrible gag at the end, mind, but as a former Cardiffian, I can’t help but love it.

Next up, a tune that simply sounds good played next to that one:

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268. Simian Mobie Disco – Audacity of Huge

I first came across the next record when I was DJ’ing at college; originally called “Pro>Gen”, it got it’s first release when the band’s sort-of original line-up was still intact, by which I mean before Will Sinn had tragically drowned off the coast of Tenerife.

Truth be told, it did little to bother the charts on it’s first release, but post-Sinn, in that way that records tend to do when someone involved with creating them dies, like the general public rubber-necking a car crash, it was much more successful when it got re-released as “Move Any Mountain”.

Here’s the original:

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269. The Shamen – Pro>Gen

I worked with The Shamen once. *CLANG* Name-dropping alert!!

We booked them on the Synergy Tour when I was at college and one of my many duties was to ensure their rider demands were met. On this occasion, one of them was that all of the performers were provided with a hot meal.

No problem, I thought: they can have something from the college refectory, same as every other band that had come through our doors. If it’s good enough for the Manic Street Preachers, The Blue Aeroplanes and Carter USM (CLANG! CLANG! CLANG!), it’s good enough for this lot, reasoned I.

So, they were provided with menus of the day’s delicious offerings, from which they all ordered, and I dispatched a couple of members of my team to go and collect their chosen sustenance.

Mr C. was, I recall, not happy about the standard of the slop that he was given, ranting off about how he hadn’t eaten properly for days and how he couldn’t eat what he had been given.

I stood up and looked him in the eye.

“We have to eat this shit every fucking day, mate” I said.

Mr C sat down again.

I still love his rap in this though.

After the gig, I ventured into the dressing room. Now I’m not saying that they weren’t all diabetics, but there were an awful lot of syringes laying around in there.

I once played “Pro>Gen” at a house party, and the now ex-girlfriend of one of my best mates started singing “E’s are Good” when it got to the chorus, not in any ironic “they all sound the same” kinda way, but in a genuine “that’s what this record is, right?” kinda way.

Lucky escape, mate.

At the same house party (shout out to the Hilldrop Massive!!), I played this, and a man I’d never met before, or since, practically exploded with excitement, came and hugged me, and then would not shut up about the fact I’d played it for the rest of the night. So, in his honour:

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270. Double Trouble & Rebel MC – Street Tuff (Scar Radio Mix)

Two more songs for tonight. Firstly, the song which they invariably use to mark the end of one of their gigs; this is essentially the sound of The Charlatans flicking the lights on and off, stacking chairs and starting to mop the floor around you:

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271. The Charlatans – Sproston Green (US Version)

But it’s not our end of night tune. That honour goes to another act that needs no introduction, and which, if you timed listening/reading to all of this just right, will be pretty much perfect:

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272. The Chemical Brothers – Midnight Madness

The video is rather fun/disturbing (delete as applicable):

That should do you for this week.

More soon.

How to Do a Cover Version

And whilst we’re at resurrecting threads I previously dropped, how about this one?

Anyone who has caught Hot Chip live in the last couple of years (an elite group amongst which I am unable to count myself, but I saw the Glastonbury footage when I got home…from Glastonbury. There was a clash, ok?? Super Furries or Hot Chip – you know which way I’m gonna swing) will have borne witness to the genius that is their version of Broooce’s “Dancing in the Dark”. And now, here it is:

hzAhCn Hot Chip – Dancing in the Dark

and here’s the original:

A_-Front Bruce Springsteen – Dancing in the Dark

I believe it is obligatory in blogland, having mentioned “Dancing in the Dark” to post the video, which features a pre-Friends Courtney Cox being dragged on stage to dance (badly) with Broooce (also dancing badly). What are the odds of that happening, huh? Here it is: obligation filled.

But wait! What’s that at the end of the Hot Chip version? Isn’t that the sound of one James Murphy and his LCD Soundsystem collective’s finest moments? Why yes, it is, and here’s all 7:37 of the glorious original:

LCD_Soundsystem_-_All_My_Friends_cover_art LCD Soundsystem – All My Friends

And while we’re at it, here’s Franz Ferdinand’s version of the same glorious song:

LCD_Soundsystem_-_All_My_Friends Franz Ferdinand – All My Friends

More soon. Possibly.