It’s Bank Holiday Weekend here in the UK, which can mean only one thing: being stuck in the house, watching television, whilst the rain buckets down outside until it’s time to go back to work again on Tuesday.
Which leads me onto the theme for this week, and for the next couple of weeks: Songs With The Same Name As Television Programmes, But Which Are Not The Actual Theme Tune, Or A Cover Version Of The Theme Tune Of The Programme In Question.
With a sub-title that long, you can’t really be all that surprised to learn that this one is going to take more than one week to get through….
And where better to start than here:
Released in 1978, and peaking in the UK chart at 17, this new wave classic earned the group an appearance on the very show that the lyrics so roundly criticise. There’s an interesting bit of pop history about the line up too: each band member had a stage name and one, Jo Calles (a.k.a. Luke Warm), after the group split up in late 1978, went on to form Shake with, amongst others, Troy Tate, a name many of you will recognise partly from him later appearing in Julian Cope’s band Teardrop Explodes, and many more will recognise as the producer of the original cut of The Smiths’ debut album, which was ditched in favour of the mix provided by John Porter. After Shake split, Callis went on to join Human League, just in time to co-write their classic “Don’t You Want Me”. There you go, don’t say you never learn anything around here.
And just to prove that The Rezillos “Top of the Pops” was neither the actual theme nor a cover of the theme to the show in question (see, I’ve already heavily edited this subtitle), get your laughing gear around this little montage:
Moving on, here’s one of my favourite singles from the mid-90s “Britpop” era:
The title is lifted not just from the erroneously used term for Chinese martial arts (the original meaning is any study, learning, or practice that requires patience, energy, and time to complete – see, entertaining and informative, me), but also the American TV series which ran from 1972 – 1975, and starred David Carradine as a Shaolin monk called Kwai Chang Caine. The part was originally intended for some chap called Bruce Lee, only for the TV studios to duck out of casting an Asian and cast non-Asian Carradine instead. The 70s, eh? Gotta love ’em.
Having spent much of his subsequent life appearing in frankly duff straight to video B-movies such as Deathrace 2000, Safari 3000, and Night Rhythms, Carradine’s career was going through something of a renaissance following his appearance in Tarantino’s 2004 “Kill Bill: Volumes 1 & 2”, At least it was, until 2009 when he died suddenly in a hotel room in Thailand, apparently killed by the same thing as allegedly killed Michael Hutchence: the old “erotic asphyxiation” routine, which I shall not be demonstrating for you any time soon.
Here’s the title credits, featuring not just David Carradine, but Keith too:
But there’s another popular culture moment involved with the Ash single: the sleeve, which captures that moment back in 1995 when Manchester United’s Eric Cantona, having just been sent off during a match against Crystal Palace, got ever so slightly upset by some comments from the crowd:
This, inevitably, led to a lengthy ban from the game for Cantona, and to this very brief press conference statement which I often see people describe as being confusing:
Now, I do not claim to be a man blessed with profound intellect, but that’s not really that hard to understand, is it?
Anyway, on May 21st 2016, Manchester United and Crystal Palace will meet each other in this year’s FA Cup Final, and there’s the teensiest part of me that hopes one of the participants decides to re-enact the Cantona moment. My money’s on Palace boss Alan Pardew, whose got a bit of form in the losing his rag stakes. Him, or United’s Marouane Fellaini, who I’m sure you could wind up pretty easily if you asked him when the new series of Saved By the Bell is going to start enough times.
But I digress. Some more Britpop tuneage next:
Sleeper will feature many more times on these here pages, so we’ll jump straight to the TV show from whence the title is ripped:
I bet there’s quite a few people my age and older who went a tad misty-eyed at the sight of Anglia Television’s silver knight at the start of the clip.
But, oh! Times have certainly changed in the world of TV game shows, haven’t they?
That’s broadcasting stalwart Nicholas Parsons doing the hosting duties; he can still be heard hosting Radio 4’s wonderful parlour game/panel show “Just A Minute”, and, at the age of 92 as I write this, he seems to be in possession of just as many of his faculties now as he was back then. Take that in whatever way you wish.
But Sale of the Century has a dark secret. For it was here that the Dark Overlord himself made his first TV appearance:
So, y’know, cheers for that Anglia Television.
In 1975, David Bowie released “Young Americans”; you don’t need me to tell you what an incredible album that is, or to tell you that this was one of the singles lifted from it:
Okay, so this is a bit of a cheat by me, since the Bowie single pre-dates the 1980 Alan Parker directed movie of the same name by five years:
…and the 1982 TV series by the same name by seven years:
…but any excuse to post a bit of Bowie, eh?
It also gives me the excuse to link to this 24 carat cheese nugget:
Bruno was no singer, was he?
In 1969, the BBC launched a show about holiday destinations, called “Holiday ’69”. (Stop it…..!!). The show ran until 2007, but in the 1990s, they dropped the year from the title, making it just plain old “Holiday”. Which is lucky, as surprisingly Madonna never recorded a song called “Holiday ’69” (she left that kind of grubbiness to Bryan Adams):
Back when I was at college, there was a quiz held in the Students’ Union every other Tuesday which a couple of mates and I used to regularly enter (and which I ended up hosting). The Students Union had invested in a karaoke machine – quite the new-fangled gadget at the arse-end of the 1980s – but were struggling to come up with occasions on which it could be used. So, at the end of each round of the quiz, it was decided that one member from the team with – now, I want to say the highest, but in reality, it was probably the lowest – score was invited up on stage to perform a song of the host’s choice.
My fellow team-mates were considerably less stage-shy than I, so on the two occasions that one of us had to go on stage, it was me that bowed to public pressure. The relevance of this is that on one of these occasions, it was Madonna’s “Holiday” that I was obliged to perform (on the other occasion, it was The Police’s “Walking On The Moon”, just in case you’re interested). I delivered both in a dead-pan, spoken style, a la Ted Chippington.
“Who’s Ted Chippington?” I hear you ask.
This is Ted Chippington:
“Oh THAT Ted Chippington”, I hear you reply, looking none-the-wiser.
Don’t worry yourself about him now, he’ll crop up again on these pages in a lot more depth at some point or another.
So, with the BBC having a show about potential holiday destinations – which, if memory serves me right from my younger days, seemed to feature a pleasing amount of footage of continental topless beaches – ITV decided to get in on the act with a rival show, called “Wish You Were Here?”. We know a song about that too, don’t we?
Ok time to wrap things up for this week, and here’s the finest example of a song having the same name as a TV show, but this is another cheat by me as it is clearly named after and references the show in question. But it gives me a chance to play some Divine Comedy, and a lesser known track by them too:
And just so you know that neither me nor The Divine Comedy main-man Neil Hannon are losing our marbles:
That’ll do you for this week.