The Chain #29

As the late great Sir David Frost would have said had he been hosting it, rather than faffing about interviewing Richard Nixon, or popping through the keyhole with a bloke who makes pasta sauce: Hello, Good Evening, and Welcome to the latest instalment in the series of posts known as The Chain.

We ended last week with “Up on Cripple Creek” by The Band, and I set you all three challenges:

  1. Come up with your usual high standard of suggestions for songs which link to that record;
  2. See if any of you could come up with a song worse than the one I had thought of, or failing that, the actual one I was thinking of;
  3. I didn’t actually write this, but I think we were all hoping for some suggestions to lift the post-election blues.

And, as I hoped, you did not disappoint.

As usual, you can break down this week’s suggestions into various categories, so here we go with the first of those groups, which picked up on the fact that many of The Band hailed from the country who experienced some technical difficulties last week when the website which facilitates people applying to emigrate to their fine land crashed due to the amount of traffic it received after Trump won the election: Canada.

First out of the traps was George, determined to dazzle us with his knowledge of terrible records:

“Worst Record In The Chain challenge accepted! [see..?] The Band were mostly from Canada. And also from Canada were a group called Sway, who covered Ottawan’s ‘Hands Up (Give Me Your Heart)’, and if you thought that the original was bad, just listen to that cover.”

As it goes, I don’t think the original is that bad. Of it’s time, yes. As for the cover George has nominated though, well…he has a point. Also of it’s time, that time being when it was acceptable to churn out cheesy versions of old tunes, i.e. the late 80s. I’m looking at you, Stock Aitken and Waterman. And you can piss off as well, Cowell:

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Sway – Hands Up (Give Me Your Heart)

As an aside, you’d think that if you were going down the Canadian route, then simply suggesting something by Ottawan would be sufficient, what with Ottawa being the capital of Canada and everything. But no: it turns out Ottawan were not actually Ottawan at all; they were founded by French record producers Daniel Vangarde and Jean Kluger and fronted by Caribbean-born Jean Patrick Baptiste and Annette, who apparently is so famous as not to require a surname. Such things are for mere mortals like you and I.

Much as he might be keen to win the coveted crown of “Worst Record of the Week” (you haven’t, by the way George. Not even close), George is also keen to make a more credible suggestion, also tip-toeing his way along the Canadian route:

“And from that absolute piece of nonsense to something simply awesome, as The Swede will undoubtedly agree. Sticking with the Canada link, there’s a Canadian ballad dating from ca. 1839 called ‘Canadee-i-o’ which is on the Nic Jones’ album Penguin Eggs.”

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Nic Jones – Canadee-i-o

Adding to the list of Canadian based suggestions comes Rol with a not entirely unpredictable choice (I mean that in a nice way, of course):

“Leonard Cohen was also Canadian. Take your pick… most of his songs are scarily prescient right now.

Death Of A Ladies’ Man will do if you don’t want to choose yourself.”

I’d be here all day trying to decide if I did.

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Leonard Cohen – Death Of Ladies’ Man

Just in case you’re worried we’re about to move into (or remain in, depending on your thoughts on Mr Cohen) gloomy territory, we’ll move on to the next group now, which is songs which relate to the Creek in the Cripple Creek, and to get things moving on that front, here’s babylotti:

“The word ‘Creek’ inspires two songs from me, both ones I originally heard/taped off John Peel. The Fall, with Cruisers Creek probably my first or second memorable encounter with the band…”

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The Fall – Cruisers Creek

“… and another Peel favourite, Half Man Half Biscuit’s ‘I Love You Because (You Look Like Jim Reeves)’ with it’s classic opening verse:

‘Me girlfriend looks like Peggy Mount, what am I supposed to do?

I’m up the creek and never mind the paddle boy, I haven’t even got a canoe”.

Genius.

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Half Man Half Biscuit – I Love You Because (You Look Like Jim Reeves)

Pure class.

Oh, and just in case you’re interested, this is Peggy Mount:

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Which in no way should be considered a neat segue to Charity Chic and his first suggestion of the week:

“Husband and wife Marc Olsen and Victoria Williams appeared together as part of The Original Harmony Ridge Creekdippers. Prior to this and whilst still a Jayhawk, Olsen penned a song ‘Miss Williams’ Guitar’ for his beau.”

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The Jayhawks – Miss Williams’ Guitar

Over to Badger now, who, unselfish chap that he is, nominates a band that his buddy SWC loves (as does he, it has to be said, and, after they posted them over at their When You Can’t Remember Anything blog a month or so ago and I went out and snaffled me their back catalogue, so do I):

“Saddle Creek is the next town up the Nebraska river after Cripple Creek and Saddle Creek Records house the totally wonderful Hop Along whose ‘Painted Shut’ was the second best album released last year. So to celebrate that let’s have ‘Waitress’ by them.”

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Hop Along – Waitress

Here’s Rol again:

“Can I suggest Shit Creek by The Icicle Works…? Seems very appropriate this week.”

Doesn’t it just?

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The Icicle Works – Shit Creek

“And…Up On Cripple Creek is about a girl called Bessie, so I also suggest ‘You Stand Here’ by Dressy Bessy (which does sound very much like Inbetweener by Sleeper to me… linking back a few weeks on The Chain… which might get messy: what happens if we cross links?)”

You need to ask? It’s like when streams cross, Rol:

Dunno about you, but I’m definitely imagining that’s Trump Tower and that two certain non-politicians are stuck in a gold lift.

Anyway, you suggested a tune, didn’t you?

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Dressy Bessy – You Stand Here

PS – that reminds me more of Belly than anyone else. I think. Can’t quite put my finger on it, to be honest. Maybe The Breeders circa “Pod”. Either way, it gets a thumbs up from me.

Time for a big Chain Gang welcome now to first time contributor Lynchie, who writes:

“Am I being too stupid to suggest Buffy Sainte Marie playing mouthbow and singing “Cripple Creek” LIVE?”

Lynchie, no suggestion is too stupid for these pages, and yours is far from stupid. Plus, you were kind enough to post a link to the clip you were referring to in the Comments (I’ll not post it again here, but if you want it you can find it back on The Chain #28).

Instead, here’s the version you mention in glorious sound-only format:

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Buffy Sainte-Marie – Cripple Creek (Live)

Suggestions weren’t just restricted to Creek related, mind; a few nominated songs with a more watery flavour. Take Kay, for example:

“I have two which both link creek with river/water etc. A bit literal, but there you go….First of all the wonderful PJ Harvey – ‘Down by the Water'”

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PJ Harvey – Down by the Water

“…and secondly Kylie Minogue and Nick Cave – ‘Where the Wild Roses Grow’. A really dark record for a really dark day.”

No prizes for guessing on which day Kay suggested those, eh readers?

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Nick Cave & the Bad Seeds (ft. Kylie Minogue) – Where The Wild Roses Grow

About time I joined in the water sports, I think (Stop it…). Who fancies some a capella fun?

Lifted from the soundtrack of the truly wonderful Coen Brothers movie “O Brother Where Art Thou?”, here’s Alison Krauss:

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Alison Krauss – Down To The River To Pray

Ok, on then to the third group: The Band and it’s members.

But first, I love a good Factoid, and Alyson supplies a belter this week, even if she can’t quite remember the nuts and bolts of it:

“Discovered recently when I posted a video clip of One Of Us by ABBA that Agnetha got custody of the “Music from Big Pink” album by The Band, when she and Bjorn (or was it Benny) went their separate ways. Won’t take credit for spotting this – it was another chain ganger whom I won’t embarrass by naming – but that will be my suggestion for this week!”

So here for Alyson and The Swede (ooops!), is a bit of ABBA:

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ABBA – One of Us

Of course, there’s nothing wrong with liking a bit of ABBA. One of the many purchases I made from Britannia music back in the 1980s was their Greatest Hits Volume 2, which I still own, long after much of my own vinyl has been sold, stolen or donated to charity shops. In fact, “One of Us” is taken from their final studio album “The Visitors”, a vinyl copy of which I have very happy memories of, not so much for the record itself, but for it’s sleeve. I’ll cryptically say no more than that for now, but at least one person reading this will know what I’m referring to, and they’ll have just spat their coffee all over the place in surprise. I’ll explain some other time.

In the meantime, here’s The Swede. Look innocent everybody, like we don’t know his little secret.

Oh hi, Swede. Us? Talking about you? Noooo, course not.

We’re on to links to The Band, and band members of The Band. Any suggestions?

“Robbie Robertson of The Band mentored Jesse Winchester’s early career, even producing his first LP in 1970. I’ll choose a much later track by Jesse though, ‘Sham-A-Ling-Dong-Ding’ from 2009’s ‘Love Filling Station’. “

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Jesse Winchester – Sham-A-Ling-Dong-Ding

I’ve never heard that before. It is properly gorgeous. The Swede: thank you for bringing that into my life.

“There’s a YouTube clip of Jesse performing the song on Elvis Costello’s American TV show that I’d defy anyone to get through without serious lip-quivering” The Swede adds. He’s not wrong:

That voice has no right to be coming out of that face. Just incredible.

Until I heard that, had you mentioned the word “Winchester” to me my reference point would have been this:

I think this might actually be a decent plan to escape the world right now, as it goes.

Back at the start of October, I wrote a post about how “Labour of Love” by Hue and Cry always took me back to a certain bar that we used to frequent in Peterborough when I was at Sixth Form, the name of which I couldn’t recall. My old mate Richie got in touch with a list of bars it could’ve been, and he nailed it first time: Miss Pears. A terrible name for a bar, I’m sure you’ll agree. I’m sure you’ll all sleep well tonight knowing that.

I mention this because the next song also reminds me of the same place; they had a TV which seemed to have the video for this eternally playing on a loop.

The Robster provides three suggestions “that don’t need much explaining”, and this was one of them, a double linker since there’s a water link in it too:

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Robbie Robertson – Somewhere Down The Crazy River

I always thought Robbie Robertson was one of those made-up joke names, like Boaty McBoatface. Seems I was wrong.

The Robbie Roberston suggestions don’t stop there. Here’s The Beard:

“The Band’s Robbie Robertson has worked with Martin Scorsese on the soundtracks to several of his films. One such collaboration was Casino. Las Vegas, in particular The Strip, is renowned for it’s casinos. Slightly off The Strip is a shiny gold hotel emblazoned with the name of an arsehole. Despite said arsehole’s bigoted views and alleged improprieties he is on the cusp of taking over as the King of the Jungle. With hopes of a Sam Allardyce style rapid fall from grace in mind, it has to be Impeach The President by The Honey Drippers.”

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The Honey Drippers – Impeach The President

“Or if that’s too grim a link for something as joyous as The Chain, Love Is The Drug by Roxy Music….”

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Roxy Music – Love Is The Drug

“…or Devo’s cover of ‘(I Can’t Get No) Satisfaction’, both of which are on the soundtrack to the aforementioned Casino”

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Devo – (I Can’t Get No) Satisfaction

There was more than one person in The Band, by the way, as Charity Chic explains:

“Garth Hudson played with his organ in The Band [I said stop it….!] You can cross a creek via a ford. Therefore Hudson Ford with Burn Baby Burn please”

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Hudson Ford – Burn Baby Burn

The verse to that has a touch of “Yellow River” about it, doesn’t it? Wait a minute…river…creek…oh go on then. And as this week sees the 25th anniversary of their break-through album “Out of Time”, here’s R.E.M. doing a cover of the old Christie hit:

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R.E.M. – Yellow River

But undisputed king of suggestions to link to The Band this week is undoubtedly Rigid Digit:

“Lets do this literally: The Band can be alternatively spelt as The Banned, hence the 1970s punk cash-in “Little Girl” must be next up…”

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 The Banned – Little Girl

“…or: The Band => Banned => Banned Records. Or in this case, a record that was banned by it’s creator when he discovered what the title actually meant. Is Cliff Richard and “Honky Tonk Angel” waiting in the wings?”

Well, it is now:

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Cliff Richard – Honky Tonk Angel

Which must be the worst record of the week, right?

Wrong. For our Rigid friend has another suggestion:

“…or:  The Banned was the name of the made-up band on Eastenders. One of the group left and scored a massive hit with a piano-tinkly ballad. Could it be Nick Berry with ‘Every Loser Wins’..?”

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Nick Berry – Every Loser Wins

Ok so THAT has to be the worst record of the week, surely?

Nope. But Rigid, you are about to find out how close you came to guessing the song that I was thinking off. In fact, with SWC you jointly nudge even closer to it. I’ll let SWC explain:

“The Banned were the name of the pub band in Eastenders which featured Sharon and Kelvin on vocals. The British public took them to their hearts and sent their one and only single in to the higher parts of the top 20. Sadly I forget what it was called. But it is a contender for the worst record of the week.”

“Something Outta Nothing” blurts out Rigid, with scant regard for his public perception.

Oooh, you’re both so unbelievably close…!

The record I was thinking of, and undisputed Worst Record of the Week was “Something Outta Nothing” but when it got released as a single they didn’t release it under the moniker ‘The Banned’, they released it as…well, sounding like a song that Samantha Fox rejected for being “too shit”, they released it as this:

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Letitia Dean & Paul Medford – Something Outta Nothing

No, I don’t have any shame, since you ask.

Need some help stopping your ears bleeding? Here’s The Robster with another of his brief, self-explanatory songs, one of my favourite records of all time, by one of the most under-rated indie bands of all time:

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Felt – Ballad Of The Band

A little more The Band-related shenanigans now from The Great Gog:

“The Band also recorded as song called The Weight, so I immediately thought of a song title which is itself a weight – ‘4st 7lb’ from Manic Street Preachers.”

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Manic Street Preachers – 4st 7lb

“I did also think of ’78 Stone Wobble’ by Gomez” The Great Gog continues, “which could technically be referencing a weight, but may well be concerning itself with something else altogether”

You’ve got me scratching my head there. Am I missing something? What else could it refer to…?

No matter, it’s bloody great so it’s bloody in:

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Gomez – 78 Stone Wobble

Before we move on to the final grouping, which is songs which link to the word “Cripple” – a category I’m sure we’re all approaching with nothing short of nervous trepidation – here’s Walter:

“The B-side of the record is ‘The Night They Drove Old Dixie Down’. It became an anthem of America’s southern pride. That leads me to another song showing southern pride. So let me suggest Lynyrd Skynyrd with Sweet Home Alabama.”

This has actually featured before on The Chain – don’t let those streams cross!! – way back on the Chain #4. I’m allowing it’s inclusion this week because it wasn’t suggested by one of the Chain Gangers (at that point, there was only me, George and Charity Chic), it was the next link in The (Official) Chain, and because in those days I would ask for suggestions as to what the link was, as well as suggesting alternative links. So, as a testament to how this little corner of ours has grown and changed (for the better, I think), here you go:

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Lynyrd Skynyrd – Sweet Home Alabama

No, no, I’m not crying, just got something in my eye, s’all….

We’ll ignore the fact that, unsurprisingly, Trump won 62% of the vote in Barmy ‘Bama.

Last week, I made a joke. I don’t know if you spotted it. I said that regular contributor Dirk “…has a different way of dealing the idea of linking records together. Whilst the rest of us ponder the staple tune and think of songs to link to it, Dirk seems to decide on what record he wants to hear then just make up any old stuff to get to it.”

Now Dirk took that in the spirit it was intended, although when I first read his suggestion this week, I wasn’t so sure:

“…if that…were even HALFWAY true, I’d by now have invented an interesting tale which leads to Intense Degree’s “He Was The Ukulele Player For Dr. Eugene’s Travelling Folk Show Band” just because it has “band” in the title …. and because I’d like to hear it again!”

Having just popped over to Dirk’s place I see that he has kindly posted the whole of the Colorblind James Experience’s second album, which I’ve never heard, and which I shall be returning to pillage and leave a nice comment shortly, so I figured I owed him a favour:

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Intense Degree – He Was The Ukulele Player For Doctor Eugene’s Travelling Folk Show Band

Not really my cup of tea that. In fact, the kindest way I can describe it is “mercifully short”. Still, each to their own and all that. S’not all about me, now is it?

Anyway, Dirk does continue to make an actual suggestion:

“…instead I took the complicated route and found something linked to “Cripple” (not many of you will do THAT, I’d have thought): The Crippled Pilgrims and ‘Black And White’: a mighty tune off their 1984 debut MiniAlbum … which I haven’t listened to for quite a while … admittedly, so …”

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But as for not many linking to “Cripple”, well, sure, not many, but some. Step forwards, The Robster with another of his suggestions that “don’t need much explaining”:

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Antony And The Johnsons – Cripple And The Starfish

Not just The Robster, either. Step forwards SWC:

“Eagulls released the imaginatively titled EP a few years back. The fourth track was called Cripple Hypokalemic Periodic Paralysis. But the best track on the episode was Moulting. And if that’s the correct link then I’ll run through Exeter tomorrow wearing just a feather boa and a pair of wellingtons.”

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29. Eagulls – Moulting

Regular Chain Gangers will know that when I insert the number of The Chain we’re at as part of the mp3 link, it can mean only one thing: that is the contributor has correctly guessed the next song in The (Official) Chain, has won some bonus points, and on this occasion gets an all expenses trip to Exeter!

Does anyone have any wellies SWC can borrow tomorrow?

Of course, on this occasion, I’m just winding you up. Of course that isn’t the next record. I don’t think it had even been released when The (Official) Chain was at this stage.

We’re nearly there though.

Just one more to go. And it wasn’t just The Robster and SWC who came up with a song linked to “Cripple”, yours truly did too. This is from the first album that I ever bought on CD, (purchasing it at the same time as The Housemartins ‘London 0 Hull 4’, in case you’re interested):

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John Lennon – Crippled Inside

Now I don’t know about you, but when I find out what the source record is each week – and I genuinely don’t look until I start writing the post – the first thing I do is go to my iTunes (other music and multi-media playing devices are available), type in some of the words from the song title, or from the album it features on, and see what I already have which might be of use. This week, it gave me that record, The Fall record that babylotti suggested, the Buffy Sainte Marie record that Lynchie suggested, and one other, which just so happens to be the real next link in The Chain. And you’re all going to wish you hadn’t shot your bolt with your links to Creeks, Cripples, and Water this week.

Here’s the link:

“…Neil Young wrote a song called ‘Cripple Creek Ferry’, from the ‘After the Goldrush’ album…”

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29. Neil Young – Cripple Creek Ferry

All that’s left for me to do this week is invite your suggestions for songs which you can link to “Cripple Creek Ferry” by Neil Young, via the Comments section below, along with your usual brief descriptions as to what links the two records together.

See you next week folks.

More soon.

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The Chain #18

Evening Chainies! Welcome aboard the latest instalment of interactive blogging, where I welcome your suggestions for songs to play next week.

For newcomers, here’s the deal: there’s a feature on 6Music’s Radcliffe & Maconie week-day afternoon show where they play a record, ask their listeners to suggest a record connected to it, they pick the best one, play that, and ask for suggestions for the next song to play.

Where we differ is this: we play the same record as they do, invite your suggestions, play all of them, awarding completely arbitrary bonus points here and there (usually for correctly guessing the next song in the official Chain, occasionally for the cleverest/most impressive explanation as to how the suggested record was reached (or “Comment Showboating”, as it’s become known round these parts), but most often for suggesting something by a band I bloody love), then play the next record in the 6Music list, point out it’s nowhere near as clever/good/witty as any that you have come up with, and ask that you repeat the trick, provide a suggestion that links to the official record, which we play the following week, and so on, and so forth, repeat ad infinitum.

Of course, we’ve only been doing this for three weeks, and they’ve been doing theirs, playing three tracks a day, five times a week, so we’re quite some way behind them, so when I say we play the same record as they do, we do, just about six years later.

Here’s the only three things I ask:

  1. When making your suggestion, provide an explanation as to how you got there. And try to be a little bit more creative than just saying “So and so did a cover of that, please play their version”;
  2. Whilst it’s great to have obscure, cool records suggested, try and mix it up a little. Don’t be embarrassed to suggest a cheesy or downright awful record. Lord knows I’ve suggested enough myself;
  3. If I don’t own, or am unable to track down a copy of the song in question, please make sure that you’re able to supply me with it if need be. (NB – this happens rarely. This may only be week 18, but we’re 130 suggestions in, and only three times have I been stumped so far.)

Before we get started, one more bit of admin to get through.

I have not yet introduced the “Two Suggestions per person” rule that I mentioned last week. Well, not yet, anyway. To be honest, I felt a bit like a stroppy kid, losing at a game of football in the park who threatens to take his ball home unless he wins. So, uncapped numbers of suggestions remain, for now. But please bear in mind that I don’t have an infinite amount of time go trawling for the oh-so-many tunes that I don’t already own.

Okay, so that’s the tedious stuff out of the way. Let’s get cracking.

Last week, I left you with Kate Bush’s “Hounds of Love” and asked you to come up with any ideas as to what we could play this week. And true to form, you’ve come up with some absolute stonkers, and some utterly weird things too.

So, first up this week is Swiss Adam from bagging area who wrote:

“Hounds of Love? Does your pussy do the dog? (asked The Cramps)”

Short and to the point, is our Swiss:

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The Cramps – Can Your Pussy Do the Dog?

Actually, I take that back. For before we can draw breath, Swiss is back with a second suggestion. Which is fine. We can still have a kick-a-round:

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The House of Love – Never

Yup, totally with you on that one Swiss. It’s a single which is often overlooked because of the majesty of the singles that had preceded it, but it’s still a corking little indie-pop record which deserves an airing.

Now for those of you who don’t peruse the Comments section, where the suggestions are left, these next two take a little extra explanation.

See, last week I was asked to post Vampire Weekend’s “A-Punk”, which I duly did, but added that they’re not a band I’m fond off, and that they generally just rub me up the wrong way. Regular contributor George left a message, in an effort to show some solidarity, letting me know that he feels much the same way about The Clash and Bruce Springsteen.

Cue Charity Chic, stepping effortlessly into shit-stirring mode:

“Kate Bush on her return to live performances sold out the Hammersmith Apollo for a 22 night residency between 26th August and 1st October 2014. There used to be another venue in Hammersmith called the Palais. So ‘(White Man) In Hammersmith Palais’ by The Clash, please…and dedicate it to George!”

Sorry George, but this is for you:

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The Clash – (White Man) In Hammersmith Palais

And he isn’t done there either:

“Kate Bush had an album called The Dreaming. Bruce Springsteen had an album called Working on the Dream. The title track please…and dedicate it to George!”

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Bruce Springsteen – Working On a Dream

I have visions of Charity Chic posting the second of those two, saying “Boom!”, dropping his microphone and strutting off stage.

Next up, here’s Badger from When You Can’t Remember Anything:

“Well there is a track by Death Grips called ‘World of Dogs’ but I wouldn’t put up a picture of the album cover.”

Not sure I see what the fuss is about, Badger:

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Death Grips – World of Dogs

I should, of course, point out that isn’t the actual cover Badger refers to. If you want to Google it, I’d strongly recommend that you don’t do it at work.

“As a serious suggestion ‘Hounds of Love’ was covered memorably by The Futureheads which takes us nicely to ‘Decent Days and Nights’ by that lot.”

Badger almost became the first person to have points deducted for providing too obvious a link there, just dodging the bullet by suggesting a record by The Futureheads other than their cover of Madam Bush:

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The Futureheads – Decent Days And Nights

Here’s George, who clearly is not going to rise to Charity Chic’s bait:

“From Hounds to Dogs and Tropical Hot Dog Night by Captain Beefheart (from the Shiny Beast Bat Chain Puller album)”

MI0000642565Captain Beefheart and The Magic Band – Tropical Hot Dog Night

I have to confess, Beefheart are one of those bands I know I’m supposed to like, but I’ve given Trout Mask Replica many opportunities to win me over, and every time I’ve just come away scratching my head (in befuddlement, I don’t have nits).

That said, though, I really like the track George has suggested, so maybe it’s about time I gave it another go.

Here’s The Swede from Unthought of, though, somehow with another suggestion I didn’t know, or rather didn’t know this version of it. I’ll let him explain:

“On the b-side of the ‘Hounds of Love’ 7″ single, Kate Bush covered a traditional seafaring ballad, ‘The Handsome Cabin Boy’. The great Martin Carthy sang an acapella version of the same song on his self-titled debut LP in 1965.”

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Martin Carthy – The Handsome Cabin Boy

Here’s When You Can’t Remember Anything‘s co-writer, S-WC:

“Kate Bush allowed ITV to use her surname for a section of the show I’m a Celebrity… called The Bushtucker Trial [not sure that’s entirely true, but I’ll let it slide – Ed]. Johnny Rotten appeared in one of those and ate a kangaroos anus. So we’d best have Anarchy in the UK.”

And that’s why I’ll let it slide. Still sounding as fresh and as angry today as it did back in 1976 (I imagine, I was a little too young got punk), here’s them Grundy-baiting Sex Pistols:

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Sex Pistols – Anarchy in the U.K

And there’s a good reason why I’ll let that slide, for if I didn’t, I’d have to disqualify a third suggestion from Swiss Adam at bagging area:

“Shaun Ryder too. Wrote for luck?”

Oh, go on then:

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Happy Mondays – Wrote For Luck

Sadly, as long as I waited, not one of you suggested we continue that particular theme by playing something by Peter Andre. Not even “Insania” which he wrote on the show. An opportunity missed, I’m sure you’ll agree. Or, hopefully not.

Coincidentally, those last two suggestions feature bands who are commonly referred to incorrectly as “The Sex Pistols” or “The Happy Mondays”. There is no prefix on either. The next suggestion – by Swiss again with his fourth – yes, fourth – go, features a band with nothing but the word The in their name:

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The The – Dogs Of Lust

Now, right at the top of this post, I mentioned that so far I’ve only needed to be bailed out three times when hosting this thread, and two of them were suggestions made by George. So when he popped up again with this, I felt myself break out into a cold sweat:

“From Kate Bush to The Very Things’ song The Bushes Scream While My Daddy Prunes.”

The other time I couldn’t find a postable copy of a song, it had been suggested by Dirk over at Sexyloser, so when he chipped in by saying: “George, the recommendation of that particular Very Things – tune almost makes me forgive you disliking The Clash so much: excellent choice!”, well, I knew I was in trouble.

Luckily, we’ve just had a Bank Holiday Weekend here, so I had a little extra time to track it down. It’s not the finest quality, and there is a moment or two’ silence at the start that I haven’t had time to trim off, but here in all their glory, are The Very Things:

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The Very Things – The Bushes Scream While My Daddy Prunes

Have to say the jury’s still out on that one here at Dubious Taste Towers. I’d fully expected to award the Oddest Record of the Week gong to the Captain Beefheart track, but I think The Very Things takes that honour. It certainly wins Best Title of the Week. (I need some jingles for these, don’t I?)

Here’s Alex G from We Will Have Salad with an idea for a bit of pre-fame (they were not famous for a lot longer than they were famous, after all) Pulp:

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Pulp – Dogs Are Everywhere

Finally this week, here’s What’s It All About, Alfie?:

“Another female singer with similarly “bushy” dark hair had their biggest chart hit in 1978 and it was Patti Smith with Because The Night so going for that one please.” Which, as Charity Chic gleefully pointed out, was written by one Bruce Springsteen:

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Patti Smith Group – Because The Night

And so we come to the end of your suggestions, and we come onto mine.

Ahem.

There are many types of Hound, other than the ones of Love. There are Basset Hounds, which I couldn’t think of anything for. There’s the Greyhound, but The Swede suggested the only song I know by them back in The Chain #7. There’s the Whippet, a sighthound breed descended from greyhounds, but there’s nothing there…

…wait a minute. Whippet. Whippit. Whip It.

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Devo – Whip It

I’m here all week.

Now, if any one you had suggested that, I would have been awarding bonus points. But I can’t really award them to myself, so I won’t. (*looks pleadingly at you all*)

And so, to the official song in The Chain, where this was the reasoning:

“Kate Bush’s 2005 album Aerial featured the track ‘King of the Mountain’, which referred to Elvis Presley”

..and this was the song:

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18. Elvis Presley – (Marie’s the Name) His Latest Flame

As usual, not a patch on any of your suggestions, but there you have it.

And so that’s my bit done for another week. Please send me your suggestions of records we can play next week, that link to “(Marie’s The Name) His Latest Flame” by Elvis Presley – there should be plenty for you to work with there – along with a brief description as to how you got there, via the Comments section at the bottom of the page.

See you next time!

(More soon).

The Sample Life

This post started off as being the next in my Late Night Stargazing thread, but as I was writing it, it struck me it would be much better served resurrecting another old thread.

I think we’ll start by breaking this one down into it’s composite parts.

Firstly, the main vocal part of the tune is provided by none other than Miss Nina Simone, the song lifted from her ground-breaking 1961 album “Forbidden Fruit”:

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Nina Simone – Rags And Old Iron

Next, the bass line is stolen from this bunch of wonderful nerdos:

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Devo – Mongoloid

In the words of a now disgraced and imprisoned antipodean, can you tell what it is yet?

It’s this:

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Layo & Bushwacka! – Love Story (Original Version)

Anyone who thinks DJs, remixers, call them what you will are not talented musicians in their own right need to have a word with themselves. It takes a very special creative mind to hear a Nina Simone record and think “You know what that needs? A bit of Devo, that’s what!” and then to pull it off with such aplomb. Chapeau, Monsieur Layo et ton ami Monsieur Bushwacka! (No idea where the French accent has come from, by the way. I seem to have come over all ‘Allo! ‘Allo!. Their real names are Layo (no, really) and Matthew, which doesn’t really have the same impact, even if you do add an exclamation mark after it.)

Anyway, released in 2002, “Love Story” takes me right back to a club in Cardiff that me and my buddies used to frequent. Now closed, due, I think, to some alleged misdemeanour over fire regulations, The Emporium to my mind was the best club in the city. Not especially big, but just dark and dingy enough that you could get lost in it – or lose yourself in it, if you prefer – it was spread over two floors and three rooms; as you entered there was a funky little bar, which by the end of the night had inevitably turned into a chill-out area; in the corner was a spiral staircase leading up to The Attic, where things usually got a little harder and faster, across to the opposite staircase, stopping only to warn those on the way up to “Mind The Step” (right at the top there was one step which was slightly higher than the others, and it was a rare event when you walked up or down it that you didn’t see someone trip over it and end up spread-eagled on the floor outside the Ladies – not a good look), and into the main room.

The great thing about the main room – well, one of the many great things about the main room – in The Emporium was that it had a sprung wooden floor (the club itself was situated above a row of shops, so we’re actually on the first floor now) so that when the bass kicked in on any particular tune you could really feel it. Often the combination of that and the crowd going mental meant that you were, literally, bouncing, almost to the point where you began to fear the floor would give way and we’d all be hurtled down into the shop below. At which point you’d realise you were heading into a paranoia hole and decide now was probably a good time to pop another pill, sniff another popper, or whatever your stimulant of choice was. After all, they’d never survive the fall, would they? Best make the most of them now, eh?

“Love Story” was most definitely one of those tunes, especially if the DJ knew to crank the bass up just as it kicks back in at the 05:40 mark.

A year later, “Love Story” took on a whole new lease of life, when Tim Deluxe did one of them there mash-up things, taking this:

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Kings of Tomorrow (feat. Julie McKnight) – Finally

and added it to “Love Story” making this:

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Layo & Bushwacka! – Love Story vs Finally

Much as I love that version, it’s the original that does it for me every time.

Guess I’d better go and dig something out for the Late Night Stargazing thread then, hadn’t I?

More soon.