The Chain #34

Oh, Come All Ye Faithful, Joyful and Triumphant, come to the Festive edition of The Chain!

I’ve been beset by technical issues this week, not just those which have delayed this by a day, but also the issues with several contributions mysteriously being marked as Spam and disappearing from the Comments section.

But, nevertheless here we are, with another mixed bag of your suggestions, linked to last week’s final record, “Pink Moon” by Nick Drake.

As usual, the suggestions can be split down into various categories – namely songs or artists which include the words or some derivative thereof, of “Nick”, “Drake, “Pink” or “Moon”. Surprisingly, almost none of you suggested anything which contained more than one link, so here’s one to get us started.

From “The Dark Side of the Moon” by Pink Floyd (who have a band member called Nick), here’s:

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Pink Floyd – Time

I set you all an additional challenge last week: since this week’s post would be available in Christmas week, I asked you to see if you could provide suggestions of a festive nature where possible, and some of you  duly obliged.

Surprisingly, though, none of you suggested this, a song by a band so un-Christmassy I’ve always found this to be a slightly odd addition to their canon of work, let alone the fact that they released a whole album worth of this stuff:

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The Beach Boys – Little Saint Nick

So, over to you, but where to start? I suppose really, given that he has made more contributions this week than our most regular of readers have made since we started doing this, we should probably hear something from Rol of My Top Ten, right? Agreed.

So, here’s Charity Chic from Charity Chic Music then:

“Another Nick busy at this time of year is St Nicholas better known as Santa Claus. When another Nick shuffles of this mortal coil he will almost certainly be canonized. Can we have The Man That I’ve Become from Dig My Mood an album by St Nick of Lowe please?”

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Nick Lowe – The Man That I’ve Become

Is it just me, or does the picture on that sleeve have more than a passing resemblance to a certain orange President-Elect?

CC wasn’t the only person to suggest this particular Nick this week. Here’s Walter from A few good times in my life:

“Taking his first name it is a short step to Nick Lowe. Probably one of the best songwriters in the early 80’s and blessed with a great voice. So what about the first Stiff single ever ‘So It Goes’?”

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Nick Lowe – So It Goes

Regular visitors will know that generally, each week, after I’ve received several suggestions, I get a comment from Alyson from What’s It All About, Alfie? bemoaning the fact that all of the songs she was going to suggest had already been made by co-Chain Gangers. It’s a bit like when the person on the third podium on ‘Pointless’ says that the person on the second podium had just taken their answer. Anyway, so imagine my delight when the very first comment I got this week was from Alyson:

“Time for sleep now, then work tomorrow, so will no doubt be late again with my suggestion…but before CC trumps me, it might involve Lily the Pink.”

Several hours passed. Article 50 was activated and nobody noticed. Civilizations rose and fell. And then, finally, this:

“Well, sleep, work and xmas shopping got in the way so 18 hours after my first comment, I have decided against Lily The Pink by The Scaffold…”

Oh no you don’t. You’re having it, whether you like it or not, young lady:

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The Scaffold – Lily The Pink

And since we seem to have stumbled into Pink territory, back to Walter:

“Pink leads me to Pink Flag, Wire’s first record. Three Girl Rhumba was one of these little masterpieces in this era. Groundbreaking and always worth to listen to.”

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Wire – Three Girl Rhumba

A few years ago, when I still shared a flat, I did my usual Friday night routine of doing a playlist to get drunk with my flatmates to; it included that Wire rune, followed by the next record. I had neglected to tell my new flatmates that it was a playlist they were listening to; they thought my iPod was incredible for knowing to play these two records together (along with a whole host of other songs which sounded like/had been ripped off (allegedly) from each other. Hmm…maybe there’s a new topic for me there….). What I mean to say is *ahem* *clears throat* *offers a cheeky wink to the audience*…Well, if you’re going to suggest that, then I’m going to suggest this:

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Elastica – Connection

Right. I suppose we’d better make some in-roads into this mountain sized pile of suggestions by Rol. Oh hang on, Alyson’s back:

“I have always thought that the multi-talented American singer Pink, and Sharon Watts from Eastenders, were dopplegangers and who did Sharon date for a while on that show – Yes it was “Nick” Berry who had a big hit with Every Loser Wins. (They don’t, every loser generally loses, but it worked well for him). A tenuous double link.”

Much as I’d love to post that, it has featured here before and the rule is that the only records we can feature twice are a) “Back on the Chain Gang” by The Pretenders, and b) records which turn out to be the next record in The Official Chain which we’ve already had. Have another go.

“…perhaps Lily The Pink it will have to be, although just remembered that the brother of Mike McGear of The Scaffold was Paul McCartney whom I also seem to remember recorded a theme for the teatime soap “Crossroads” which Nick Drake’s sister, aforementioned Gabrielle, appeared in. Don’t know if theme tunes count as a suggestion but another double link.”

Well, we’ve featured the theme tune to Bergerac and Space:1999 here before, so I don’t see why not, especially when The Great Gog made reference to the same theme tune via a different link in his suggestion:

“There is Nick’s sister, Gabrielle, who starred in Crossroads at one time. The theme tune to Crossroads was written by Tony Hatch…”

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The Tony Hatch Orchestra – Crossroads Theme

I have had that firmly lodged in my brain ever since I listened to it. It should come with some sort of Government health warning. As should have the programme it book-ended.

“Things hatch from eggs,” continues The Great Gog, “which to me at least is as good an excuse as any for “Egg Shaped Fred” from Mansun.”

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Mansun – Egg Shaped Fred

Catchphrase alert! Well, if you’re going to suggest that, then I’m going to suggest this, from the magnificent “The Mysterious Production of Eggs” by Andrew Bird:

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Andrew Bird – Fake Palindromes

Right, where were we? Ah yes, Alyson, back to you:

“Final pink suggestion is simply ‘Pink Cadillac’ by Natalie Cole simply because she is yet someone else from that long list of artists who have left us since this time last year.”

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Natalie Cole – Pink Cadillac

It’s probably about time put a dent into Rol’s suggestions. No, really this time.

“I’m resisting the obvious Springsteen link from Alyson’s last suggestion as it’s Christmas and I don’t want to upset George” This would be most admirable, were it not for the fact that Springsteen wrote Pink Cadillac, but I’m sure George appreciates the sentiment.

“However, since no one else will dare suggest a song by the best damned pop star of the last 20 years, can I suggest ‘So What’ by Pink?”

The Chain would like to make it very clear that the views of Rol re: the best pop star of the last 20 years are not necessarily shared by the publishers of The Chain.

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Pink – So What

Well, if you’re going to suggest that, then I’m going to suggest this, by one of the greatest pop stars of the last 60 years:

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Dame Shirley Bassey – Get the Party Started

There’s something rather wonderful about hearing a seventy-year old Welsh woman proclaiming: “I’m comin’ up so you better you better get this party started”, isn’t there? Bear that in mind when your grannies farting herself to sleep in front of the television on Christmas Day.

Which reminds me: Christmas records, anyone?

Ah, here’s Julian from Music From Magazines, he seems the sort of cheery fellow bound to supply us with something festive. Which he will, but first, he’ll expand a little on the whole Gabrielle Drake thing. She rather seems to have set racing the hearts of several of the men of a certain age who contribute here:

“Nick Drake’s sister was Gabrielle Drake who was in the TV show UFO (any picture would be a Christmas gift for any man of a certain age [See? I told you so]), the heavy metal band UFO is not a gift.”

It’s okay, we’re not having anything by UFO. Although, had you actually suggested something by them, I would have been honour bound to post it. Oh and by the way, I am not posting a picture of Gabrielle Drake. If you’re reading this, you’re already connected to the internet, so you can find one yourself, you mucky sod. (c6e302534f132c440893dd44980da6ce)

Before you all go cranking open a spare browser to do exactly that, stick around folks, because if you piece together this little bit of connected thinking out loud, you get a rather fine example of Comment Showboating.

“On the other hand ‘Calling Occupants of Interplanetary Craft” by The Carpenters is a fine song written by the Canadian group Klaatu, a bunch of session musicians, who some folk thought were The Beatles.”

klaatu_-_3_47_est_coverKlaatu – Calling Occupants Of Interplanetary Craft

I’ve always thought that was a pretty odd, uncharacteristic record for The Carpenters to have recorded, had assumed it was a cover version, but had never actually thought about finding out for sure. Consequently, that’s the first time I’ve ever heard it.

By the way, many years ago, I was drafted into what turned out to be the winning team in a pub quiz. (There was a music round, and without wishing to sound immodest, I was often asked to join teams for pub quizzes which featured a music round). The prize was “A Tribute to The Carpenters”, which I had assumed was going to be a night of people performing cover versions of their many hits, but which actually turned out to be a selection of middle aged men displaying a rather fine range of bureaus and occasional tables they had made.

I digress. Back to Julian:

“A slight detour to the movies for the classic sci fi ‘The Day the Earth Stood Still’ starring Michel Rennie as the alien called ….Klaatu. A still from the film was used (with some editing) for the cover of Ringo Starr’s LP ‘Goodnight Vienna’.”

It’s okay, he’s going somewhere with this. Trust me.

And he’s not wrong you know. The original:

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and the “Peace and Love! Peace and Love! No autographs! Peace and Love” rip off:

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“Which of course leads on to Dora Bryan and ‘All I Want for Christmas is a Beatle'”

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Dora Bryan – All I Want For Christmas is a Beatle

At last, a Christmas record! And am I alone in being reminded of a certain other iconic performer from the North West of England when I hear that? No? You know who I mean, surely?

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Frank Sidebottom – Oh Blimey It’s Christmas

Take that back a step, before I interrupted and brightened your lives up with Frank, and Rol has another link:

“…this leads me to think of ‘Doris Daytheearthstoodstill’ by Future Bible Heroes.”

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Future Bible Heroes – Doris Daytheearthstoodstill

Julian’s not quite done yet, and we’re most definitely not done with the Gabrielle Drake links just yet. Here’s Julian, ruining all that excellent Comment Showboating by suggesting the Worst Record of the Week:

“Back to Gabrielle Drake. The organisation that [Spoiler alert!! – Considerate Ed] will save the world in UFO is the Supreme Headquarters Alien Defence Organization or SHADO which is only a short step, (or a W) to a truly crap Christmas song”:

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Cliff Richard – Mistletoe & Wine

“All this talk of Gabrielle Drake being in Crossroads but am I the only one who mainly remembers her from that 1970s Sunday Night drama set in the exciting world of haulage – ‘The Brothers’?” chips in Alyson. “So many links to bands/duos with Brothers in their name so won’t overload you and was really just looking for one that might have done a seasonal ditty but all I could find in my library was Count Basie & The Mills Brothers with ‘December’! (Goodness knows where that came from as can’t remember ever noticing it before.)”

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Count Basie & The Mills Brothers – December

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Okay, let’s wrap up the rest of the Drake related suggestions, and we’ll go back to The Great Gog:

“A contender for worst record of the week [Too late, even though you did suggest this first. It is nowhere near as bad as Sir Cliff – Cut’n’Paste Ed]”:

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Charlie Drake – My Boomerang Wont Come Back

More Drake-related shenanigans from The Beard now:

“Drake is a popular Canadian rapper. Another, much better, Canadian rapper is Abdominal. He is best known for his collaborations with DJ Format. When not hip-hopping Format makes spaced out funk as part of The Simonsound. ‘Tour De Mars’, their cover of Kraftwerk’s Tour De France, is almost as good as the original.”

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The Simonsound – Tour de Mars

Even more Drake related nonsense from Rigid Digit of, appropriately enough, Stuff & Nonsense fame:

“Drake = a male duck
 A wild duck = mallard
Mallard = Steam Train

Next up:
The only* Heavy Metal song about a Steam Train

* probably not the only, but the only one I can think of right now”

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Saxon – Princess Of The Night

And the Drake links just keep on coming. Here’s Swiss Adam from Bagging Area:

“Nick Drake was related to  Elizabethan sailor, privateer and adventurer, Francis Drake.[Has anyone checked this? – Ed] Francis Drake was a thorn in the side of the ‘King of Spain’, which is a song by Galaxie 500.”

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Galaxie 500 – King of Spain

Over to The Robster from Is This The Life? now:

“A drake is a male duck. Chuck Berry was famous for his ‘duck walk’ and he had a song called Havana Moon, first released in 1957, later re-recorded for the 1979 album Rock It. Interestingly, that was the last studio album Chuck released, but he has a new one lined up for 2017, the year he turns 91. Yes – 91. I wonder if he can still do the duck walk?”

I imagine if he can, it would be The Duck Walk sponsored by Stannah Stairlifts and Sanatogen Vital 50+.

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Chuck Berry – Havana Moon

Props for the Duck/Drake/Moon double-linker by the way, Rob.

A quick additional duck-link from Walter:

“I don’t think he can’t do the duck walk any more but I’m surprised that he will us give a new record at the age of 91 and I ask myself if Keith Richards will still be on the stage at this age. So Ducks Deluxe came to my mind with Who’s put the bump”

By which I think you mean this (and apologies, I could only find a live version, but it doesn’t sound like there’s many people in the audience, so it’s practically a live studio version):

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Ducks Deluxe – Daddy Put the Bomp

Whilst we’re on ducks, a song which I remember from my childhood, which I haven’t been able to find a decent copy of, but did find this clip from TOTP2, which means it is top-and-tailed by Steve Wright, which makes it even worse than it already is:

It was around this point that the Comments went all wonky and some got deleted. As far as I can tell, this affected Charity Chic, who compensated by reposting his links over and over again until they worked, and SWC and Badger’s. If anyone else’s got lost, my apologies.

One that didn’t get lost, was this from Kay. In the interest of full disclosure, I should let you all know that Kay is not just a friend of mine, but also my boss, so you’ll forgive me for allowing her suggestions, irrespective of how terrible the record or tenuous the link she suggests. I can say this without fear of retribution because by the time she reads this, she’ll be at least halfway through the bottle of Chocolate Orange liqueur we bought her today. Delicious on Coco Pops, I’m…er…told.

“Nick Drake links to Drake, same name but then realised I didn’t really know any of Drake’s stuff. [I have just Googled him,and I’m none the wiser] So went the same way as The Robster and linked drake to male ducks, then realised I knew no songs that are linked to ducks [It’s going well this, isn’t it?] …. but [I sense a Eureka! moment is imminent] ducks live in ponds and frogs do too…so my choice is Paul McCartney & The Frog Chorus’ ‘We All Stand Together’, which was the first record my sister brought.”

Or, as he is forever known Chez Jez:  Fab Macca Wacky Thumbs Aloft. Some of you will understand the reference.

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Paul McCartney & The Frog Chorus – We All Stand Together

I’m going to avoid the lazy joke about that being Nigel Farage’s least favourite record since it contains a bunch of frogs suggesting unity. Although I appear to have just made it anyway.

By George, it’s George!

“Worst song of the week contender [Nuh-huh]. From Nick Drake to Ted Drake (the footballer) who played for Southampton (and Arsenal)., and was manager of Chelsea when they won their first league title in 1954/55. And born in Southampton, in 1955 (double chain link there!) was Howard Jones. Now, I could it leave it to Charity Chic to pick a Howard Jones track from his record shelves But I’m going for…”

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Howard Jones – New Song

“…which had that bloke in chains prancing around on Top of the Pops. Who was he, anyone know?”

As I said in the Comments, I do. His name was Jed, a name I have been mistakenly called many times, and as such one which is indelibly edged into my brain.

And in case you don’t know who George is on about, here’s Howard and Jed, singing and prancing around on Top of the Pops:

 

I’m having a flashback, I swear…

Let’s move on to wrapping up the Pink links, and I’ll hand you over to George again:

“Pink Moon to Pink Industry and their single ‘What I Wouldn’t Give’. (The cover of the single featured a picture of Morrissey).”

It does indeed, which is precisely the reason I have a copy of it, poor obsessed fool that I was:

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Pink Industry – What I Wouldn’t Give

By the way, as I’ve uploaded that I’ve realised that there’s about three minutes of silence at the end of it. Time constraints prevent me from editing it, but I may come back and do it later on, if anyone’s that fussed. What I mean is, when the song sounds like it has ended at around the 3:30 mark, it has: don’t sit around in silence on the off-chance something interesting might be about to happen, as it isn’t.

As I mentioned earlier, the glitches that meant some comments went AWOL seem to have affected Charity Chic, SWC and Badger’s. I think we got there in the end though, although what with SWC and Badger both posting from their excellent When You Can’t Remember Anything blog I’m not 100% sure that I’ve attributed the right song to the right chap this week. So, more apologies if I’ve messed it up.

So, I think this is SWC taking us, as he puts it, “down the pink route” now he’s “finished watching Gabrielle Drake’s finest moment ‘Commuter Husbands’ “

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“The obvious link from here is to ‘Snooker Loopy’ by Chas ‘n’ Dave and The Matchroom Mob” which has featured before, so I can’t allow, I’m afraid, “But another song that features pink would be ‘Pink Glove’ by Pulp.”

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Pulp – Pink Glove

Plus,  “Aerial Pink who was in a band called Holy Shit with Christopher Owen from Girls. So you could have the very Christmassy:”

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Girls – Vomit

It’s Rol time again, with more pinkness:

“‘Hey Eugene’ by Pink Martini would be good too.”

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Pink Martini – Hey Eugene

From vomit to Martini. I don’t just throw this together you know.

Here’s babylotti with a hat-trick, starting with a pink connection, and ending with something festive:

“First of all, I can think of Fuzzbox (had they dropped the ‘We’ve Got a …& We Know How to Use It’ by then?) [Yes and no, is the answer: officially they were now just Fuzzbox, but as this was the first single they released under that moniker, the “We’ve Got…” part was snuck onto the record sleeve just in case there was any doubt as to who was responsible for it. There’d been quite a make over in between the ‘Bostin’ Steve Austin’ album and this, so you can’t really blame them – Ed]) and Pink Sunshine. Bostin’”

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Fuzzbox – Pink Sunshine

“From there that leads me to another one introduced to me by Peel, Fuzzbox’ label mate Ted Chippington. I’d love to go for his version of ‘D.I.S.C.O.’, but I will settle for ‘Rockin with Rita’…”

That’s fortuitous, I haven’t been able to find ‘D.I.S.C.O.’, but ‘Rockin’ with Rita’, no problem:

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Ted Chippington – Rockin’ with Rita

“Finally from ‘Rockin’ with Rita’, I’m going for a festive link to Mel & Kim’s [no, not those ones, but it’s only a matter of time before they turn up here] ‘Rockin’ Around the Christmas Tree’.”

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Mel & Kim – Rockin’ Around The Christmas Tree

Next, a stone cold classic, courtesy of Charity Chic:

“No repetition here and something that is neither obscure nor obtuse, just a song that is demanding to be played:”

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The Psychedelic Furs – Pretty In Pink

What we need now is something that neatly takes us from Pink to Moon. Preferably by way of one of the greatest records ever recorded. Any takers?

The Swede from Unthought of, though, somehow confidently steps up to the oche:

“‘Pink Moon’ was produced by John Wood and among his many other credits are several of Squeeze’s early hits, including ‘Up the Junction’.”

That will do nicely.

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Squeeze – Up The Junction

So, moons. Over to Martin now (forgive me if I’m rattling through these a bit now…time is ticking away….) who offers a song and a critique:

“I’ll go with an obvious moon connection instead and throw Morrissey’s ‘Moon River’ hat into the ring, even if it does go on a bit.”

You can say that again. Somehow he manages to drag this out for 9:40. I’d put the kettle on if I were you:

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Morrissey – Moonriver (extended)

Rol’s back:

“Moon River is from the excellent 1961 movie Breakfast At Tiffany’s, starring Audrey Hepburn and George Peppard. Ten years earlier, one of Audrey’s first ever screen roles was as a “Cigarette Girl” in the movie Laughter In Paradise in which she appeared alongside another famous George… George Cole. That George would go on to become immortalised as Arfur Daley in the TV show Minder, and in 1983, he would release a Christmas single with his co-star Dennis (“write the theme tune, sing the theme tune”) Waterman.”

I wish I could say I didn’t actually already own this. I think this may over-take Sir Cliff in the Worst Record of the Week stakes:

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Dennis Waterman & George Cole – What Are We Gonna Get ‘Er Indoors?

“Their Top of the Pops performance is worth a watch.” It is, just so you can see the dictionary definition of the words “excrutiating” and “embarrassing” acted out:

It is at this point in the Comments section, that Julian and Rol had a bit of a chat, coming up with more suggestions. Nice to see you boys getting along!

Julian: “Back to the movies, in the film ‘New York New York’ Blue Moon is destroyed by Robert De Niro who costarred in ‘What Happened Next’ (2008) with Bruce Willis……..”

Which leads us to what has been argued to be the greatest Christmas movie ever: Die Hard. (It’s not. It’s pretty much Home Alone for grown-ups.)

The end credits have this festive number playing over them:

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Vaughn Monroe & His Orchestra – Let It Snow! Let It Snow! Let It Snow!

Rol: “Blue Moon was also the detective agency where David Addison (Bruce Willis) worked in the aforementioned [last week] ‘Moonlighting'”

Julian: “Nice. Al Jarreau “The Christmas Song” anyone?”

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Al Jarreau – The Christmas Song

And since we’ve landed on some Christmas songs again, here’s another suggestion from Rol:

“Can I add ‘Run With The Fox’ by Chris Squire & Alan White (roughly a quarter of Yes) because it contains a Christmas Moon, which isn’t pink but probably has fairy lights hanging from it. It might keep old proggies like The Swede happy… or not. “

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Alan White & Chris Squire – Run with the Fox

Respect to the guys in the Art Team for the many hours they must have put in coming up with the concept for that sleeve. Money well earned, chaps.

I haven’t used my catch-phrase for ages. It’ll never catch on at this rate. Let’s do it.

Well, if you’re going to suggest that, then I’m going to suggest this, since it’s actually called “Christmas Moon” and because it’s ace:

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Emmy the Great & Tim Wheeler – Christmas Moon

Which I think just leaves us with Badger. Since his comment was one that was lost, I received a summary of both his and SWC’s suggestions. We’ve had SWC’s, here’s Badger’s:

“Nick Drake also recorded ‘Road’ which was covered by scouse punk band Drive on their ‘Out Freakage’ album…”

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Drive – Road

“…Roads lead to nowhere as Talking Heads told us…”

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Talking Heads – Road To Nowhere

“…Or if you want to go festive you drive home on them like Chris fucking Rea….”

Or like Saint Etienne, for that matter (bullet dodged, there, I think):

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Saint Etienne – Driving Home for Christmas

And this is where it gets complicated. For at the end of their summary of the lost comments, posted by which of our fine friends I know not, was this:

“He also said something about Malcolm McLaren but I true to form can’t remember what.”

Later, this, again, author unconfirmed: “It was to do with ‘Duck Rock’.”

I sought clarification: “Was there a song from ‘Duck Rock’ you had in mind? If not, it’s going to be ‘Double Dutch’…”

The response, again author unconfirmed: “Well most of it is rubbish to be honest [Fair point]. I only thought of it because I saw a copy in a charity shop. Double Dutch is fine.”

But I felt a bit bad about…erm…badgering them into letting me play the track I like the most, so I persevered:

“Yeh, it’s that or ‘Buffalo Girls’ really isn’t? Your call, I have them both lined up ready to go. Which did you suggest in your original lost comment? We should go with that one, really.. “

No response, but to be fair, the boys have probably been swamped with comments and nice things being said about their frankly phenomenal final post (for now…?) over at When You Can’t Remember Anything. If you haven’t read it yet, do your self a favour: click that link and read something incredible. Advanced warning: you will undoubtedly shed a tear.

The reason I was trying to check whether or not one of them had suggested ‘Buffalo Gals’ (as I have subsequenty realised it’s actually called) was this. I never look at what the next record in the Official Chain is until I’ve finished sourcing all the tunes you suggested and thought of a few myself. Seems only fair that we have an even playing field, where I don’t know what the next record in The Chain is any more than you do. Besides, it’d just look plain fishy if I “guessed” right every week.

But when I did look to see what the next record in The Official Chain was, this is what I found:

“From Nick Drake to the following (which is on the ‘Duck Rock’ album)..”:


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34. Malcolm McLaren – Buffalo Gals

So, SWC, Badger, jointly as I have no idea which of you suggested Malcolm McLaren, and in honour of your bloody marvellous (please keep going, you’re too good at this to stop) blog, have some bonus points. Merry Christmas.

Okay. So. This is the last edition of The Chain for 2016. I’ll be taking next week off, bar a couple of pre-planned posts I have lined up. Due to the nature of it, I can’t really write The Chain in advance, obviously.

So, you have two weeks to get your suggestions to me, via the Comments section below, for songs which link to “Buffalo Gals” by Malcom McLaren, along with the usual explanation about how you got from record A to record B.

Oh and one more thing. I love doing this, and I’ve said it before and I really mean it – I just host it, the majority of the work is down to you lot and your quite brilliant suggestions. I’ve followed blogs for over ten years now, and I don’t think I’ve ever come across a blog that does what we do here at The Chain. Not me, we.

I  cannot think of a single other blog where requests are invited and all are posted; where all is good-natured, pleasant and friendly and everyone accepts they may get a bit of a ribbing every now and then, and nobody objects, nobody trolls, nobody flounces off in a strop because I’ve said their record choice was terrible; where I’ve been introduced to God knows how many songs and artists that I would probably never have heard were we not doing this (and where I hope I’ve returned the favour a few times); and where we get the most incredibly diverse range of artists – just look at that Tag list underneath this!! 46 songs!! Where else would you get that?

What I’m trying to say is this: if you’ve ever made a suggestion here, thank you. You have helped make this place what it is.

Have a very Merry Christmas, and a Happy New Year.

More power to your elbows.

Oh. And More soon, obviously.

Late Night Stargazing

Okay, with just seven days to go until the Big Day, we’re going to crank up the Christmas round these parts.

Not that Late Night Stargazing is the sort of place where things get cranked up, of course.

But here’s a few of tunes which fit the mood of this corner.

First, from the simply wonderful “A Glimpse of Stocking” Christmas album they released a couple of years ago, here’s Saint Etienne:

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Saint Etienne – Snow

Sticking with female vocalists for now, here, from another Christmas album from 2012, is Tracey Thorn, her of Everything But The Girl fame, with the title track from said album:

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Tracey Thorn – Tinsel and Lights

One for all the pagans out there now. Here’s Ultrasound, with a tune to celebrate Winter Solstice:

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Ultrasound – Modranicht

Moving forward slightly from 8th Century Pagan to 16th Century Medieval with a Christmas carol performed all in Latin. You are not necessarily expected to sing a long with this one:

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Steeleye Span – Gaudete

“Gaudete” is not only one of only three songs performed entirely in Latin to be hit in the UK, it’s also one of the few to be performed a capella. Two more were Christmas Number Ones, “Only You” by The Flying Pickets, which I’m not going to post, and this, which, well, I am, obviously:

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The Housemartins – Caravan Of Love

Last one for tonight, then I think we’re about as cranked up as we get round these parts.

Back to female vocalists, and one from a band that, had my phone been working a couple of months ago when I was sent a text asking me if I fancied going, I would have seen play at my favourite venue, Union Chapel in Islington, at the start of the month. The invite was from my mate Neil, the only one from my little bunch of buddies that I haven’t been able to catch up with pre-Christmas, so Neil, this one’s for you:

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Low – Blue Christmas

More soon.

The Chain #31

Okay, okay, I’m a little later than usual. My apologies. I seem to have developed some kind of Chain Tourette’s Syndrome this week, incapable of resisting posting an additional link or splurging out another suggestion. You’ll see.

Last week we ended with “Live Forever” by Oasis, and it’s fair to say the Mancunian siblings caused quite the difference in opinions between you, with some voicing “By and large and on the whole, all things considered… Oasis can piss off” and others “Can I start by saying that I bloody love Oasis?”

As usual, suggestions came from one of several broad categories, but where to start?

At the beginning, seems as good a place as any. Here’s Swiss Adam from Bagging Area to kick things off:

“Johnny Marr springs to mind (shared manager, guitar given by Johnny to Noel on which he wrote that song I think). Johnny Marr’s solo song ‘Upstarts’ from a couple of years ago was splendid, a comeback. And even though I don’t much like ’em, Oasis were upstarts for a while.”

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Johnny Marr – Upstarts

You can add the fact that Noel Gallagher joined Johnny on stage when I saw him at the Brixton Academy last year to that list of connections too, if you like.

Let’s use collaborations as the starting point to kick on with, and a second suggestion from Swiss Adam:

“Oasis recorded a song with another Johnny. Johnny Depp. Who was attached to Vanessa Paradis who had a hit with the strangely alright ‘Joe Le Taxi’.”

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Vanessa Paradis – Joe Le Taxi

Those of you who read the Comments section will know that prompted a big fat “Did they??” from Yours Truly. In fact, it turns out everyone’s favourite begrudgingly apologetic dog smuggler recorded with them twice, on “Fade In-Out” from “Be Here Now”, and on “Fade Away (Warchild Version)” from the 1995 “Help!” compilation album. In fact, anything with the word “Fade” in the title, and Depp was all over it like a tramp on chips.

He also, of course, plays guitar on this:

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Shane MacGowan & the Popes – That Woman’s Got Me Drinking

But I digress; back to Swiss Adam for his hat-trick of collaboration suggestions (even though his first one wasn’t really one):

“John Squire played with the Burnage numpties at Knebworth. And John Squire was in the Stone Roses without whom Oasis would never have existed. They could also never have written anything as trippy and light as Elephant Stone.”

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The Stone Roses – Elephant Stone

Continuing the theme, let’s shift from people who have played with Oasis, to acts that have featured one of the band (okay, let’s face it, Liam or Noel). Over to Badger from When You Can’t Remember Anything:

“Live Forever is considered by many as Liam’s greatest vocal recording. Although that’s harsh on ‘Little James’. Anyway Liam also contributes vocals to Echo and the Bunnymen’s wonderful comeback single ‘Nothing Lasts Forever’. The irony of that was probably lost in him.”

Wonderful is damning this record with faint praise; I often dread a band I love reforming and releasing their new material, but Echo & The Bunnymen proved the exception to the rule with this:

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Echo & The Bunnymen – Nothing Lasts Forever

And of course, with “Forever” in the title, we have a double-linker! We’ll come back to more with a similar (okay, identical) link later on.

The mere mention of Liam gives me the opportunity to post this, from the “Live Forever” Britpop documentary, my favourite ever interview clip involving him, where he is asked if he feels he has an androgynous quality about him:

Anyway, another suggestion from me, this time featuring the other one-eyebrowed wonder. Noel Gallagher teamed up with The Lemonheads’ Evan Dando to record – but never officially release (hence the absence of a proper sleeve and the somewhat shonky sound quality) – this:

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Noel Gallagher & Evan Dando – Purple Parallelogram

What? There were people in Oasis other than Liam and Noel you say? Over to Rigid Digit from Stuff and Nonsense:

“Oasis’ bass player Paul McGuigan co-authored (with Paolo Hewitt) a book called ‘The Greatest Footballer You Never Saw’ about ex Reading and Cardiff City player Robin Friday.

A picture of Robin Friday “flicking the V” at the Luton Town goalkeeper was used on the cover of the Super Furry Animals ‘The Man Don’t Give A F**k'”

He certainly was:

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Super Furry Animals – The Man Don’t Give A Fuck

And, since I’m going to see them next Friday at The Roundhouse perform not only their brilliant debut album “Fuzzy Logic” but also their even better follow-up album “Radiator”, here’s a bonus, a tune I’ve posted before, their epic 22:30 minute long live version from the Hammersmith Apollo, complete with Cian Ciaran’s techno wig out section:

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Super Furry Animals – The Man Don’t Give a Fuck (Live Hammersmith Apollo)

Before I start posting nothing but Super Furry Animals records, it’s time for The Beard to perform an intervention:

“Oasis’ touring keyboardist was Jay Darlington from Britpop no-marks Kula Shaker [Don’t worry folks, he’s not going there]. Their lead singer Crispin Mills was the son of actress Hayley Mills. She starred in the film ‘Tiger Bay’ (alongside, I think, Sir John Mills?) [Correct!]. ‘Tiger Bay’ is also the name of Saint Etienne’s third album. ‘Like A Motorway’ from this album, please.”

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Saint Etienne – Like A Motorway

As usual, competition has been hot this week to come up with the Worst Record of the Week, and here’s The Great Gog with the first, which not only links to the Gallagher brothers, but also to the football team mentioned in The Official Chain link which led us here:

“…the brothers Gallagher support a certain team who are still in the Champions League (sorry, couldn’t resist!)…[*cough* 2-0, 2nd October 2016]…so, the ditty supposedly sung by the early ’70’s City squad, “The Boys In Blue” – although I can’t imagine that the likes of Franny Lee would have been that good at holding a tune.”

No need to imagine, GG, here they are, and let’s just say Franny was no Ossie Ardiles, either on the pitch or in the studio:

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Manchester City FC – Boys in Blue

I’ll be honest, I only posted that so I could bring your attention to the song-writing credits, which will probably seem familiar to many of you. Yes, Godley, Crème and Gouldman – three fifths of 10cc. The muso-nerds amongst you will know that 10cc get their name from the average male ejaculate. 10cc formed in 1972, the same year as “Boys in Blue” was released. There’s a joke in there somewhere, but you don’t need me to do it, you can fill in the wanks blanks.

Anyway, back to you GG:

“Also, there is of course, “Blue Moon” – of which there have been many versions, but as an early contender for Worst Song Of The Week, I’ll plump for Showaddywaddy’s version.”

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Showaddywaddy – Blue Moon

You have to feel a bit sorry for Showaddywaddy, surely the most unintentional casualty of the whole Operation Yew tree thing, for who amongst us didn’t used  to enjoy saying their name in the voice of a certain, dead, disgraced, BBC DJ, TV presenter and paedophile? And now even that simple joy has been taken away from us. I bet Eric Bristow does that impression still. (See, I’m nothing if not topical!)

Something a little more straight forward and less contentious next: here’s Charity Chic from Charity Chic Music:

“Until I come up with something obscure I’ll go for an obvious one: ‘Midnight at the Oasis by Maria Mulduar’.”

As it happens, CC wasn’t the only one to suggest this record; step forward Kuttowski from A few good times in my life:

“The first thing that came on my mind was a song by Maria Muldaur. Midnight At The Oasis is one of these songs that accompanied me during the last decades. I really can’t explain why I can’t get this little folk/jazz tune out of my mind. Probably because it is just a good song.”

And here it is:

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Maria Muldaur – Midnight At The Oasis

Now, the more astute among you will have noticed a couple of references to Liam and Noel Gallagher so far. Here’s George to explain the link between these two fine gentlemen with the same surname:

“Oasis had the Gallagher brothers in them. And there are a plethora of bands that have brothers , so I will suggest Creedence Clearwater Revival (who featured two Fogertys) and ‘Born On The Bayou’.”

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Creedence Clearwater Revival – Born on the Bayou

Oooh- bands with siblings in them, can I play? Please pwetty please?

It seems to me that Scotland has more than its’ fair share of bloody marvellous musical talent, and quite a few music bloggers too, many of whom visit these pages, so this one’s for you, a much overlooked (until that bloody awful musical came out a few years ago; other than featuring the music of The Proclaimers, it has little to recommend it) and rather lovely tune:

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The Proclaimers – Sunshine on Leith

And, well, if we’re going to have one Scottish band with a couple of brothers called Reid, we’d better have the other one too (PS. Neil Reid was not one of them):

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The Jesus & Mary Chain – Cherry Came Too

Okay. Brace yourself. Here’s George with the winner of this week’s Worst Record of the Week award.

“Going from the Gallagher Brother to two sisters, those two in the Cheeky Girls (one of them married Lembit Opik) and, having consulted with my partner, their most famous song is called Cheeky Song, which I’ve just played. It’s rubbish.”

I do love the way that George always pretends not to know anything about his suggestions for Worst Record of The Week and tries to shift the blame over to his other half. We all know the truth, George, you’re fooling nobody.

Thank god neither of you have heard of Jedward, s’all I can say.

Oh, and a slight correction; Lembit Opik didn’t marry one of the Cheeky Girls, they were engaged but split up in 2008 after a “difficult period” in the relationship, which I think we can interpret as meaning “when he slept with the wrong sister”.

So, here’s what I’m sure will be the least clicked link of the week. I, on the other hand have had to listen to that more times when writing this blog than I had ever had the misfortune to hear it before (Twice).

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The Cheeky Girls – Cheeky Song (Touch My Bum)

Look! There’s a Christmas Remix!! If you’re all very good boys and girls, I’ll see if I can find that and post it nearer the 25th. I bet it has some sleigh bells and probably a joke about pulling a Christmas Cracker.

Let’s get out of here, and have some simple songs which link to the word “Live”, the word “Forever”, or some derivative of either.

Time, then, to give the customary very warm Chain Gang welcome to first time contributor Martin from New Amusements (is that a Gene reference I espy, Martin…?):

“I’m going with living forever… having tinkered with synonyms (eternal and immortal) and come to unsatisfactory dead ends (anything by, er, Eternal, and Immortals by Fall Out Boy), I have instead decided to opt for the words “Electric word, life. It means forever, and that’s a mighty long time.”

In other words, Let’s Go Crazy by Prince. Doubly fitting, as those Gallagher boys have been known to go crazy on the odd occasion…”

A classy suggestion, and just what the Doctor order after George let those pesky cheeky-ettes in:

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Prince & The Revolution – Let’s Go Crazy

Whilst we’re on lyrical references, here’s Alex G from We Will Have Salad:

“Oasis claim they’re gonna live forever. Irene Cara claimed likewise on “Fame”. To be fair to all involved, they’re not wrong *yet*.”

There’s still another month left of 2016, Alex. Plenty of time yet.

On the day or so before I write The Chain, I upload all of the songs onto a playlist on my iPod, and give them a listen as I commute to and from work, the idea being that a) I can check all of the mp3s sound okay, b) can get a rough idea of the running order, and c) hope I can think of something interesting or amusing to write about each tune. As I got to off the bus and walked to the office this morning, this tune came on:

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Irene Cara – Fame

I have to say, it put me in a really good mood for the start of the day. You should try it. The only disappointing thing about it was that when I got to the office, not one person was wearing a leotard or leggings, Doris wasn’t squawking “Hi Fidelity” by the water cooler, nor was Bruno attempting to play the photocopier like a piano. Still, can’t have everything.

Back, now, to The Great Gog, who before he started regaling us with Manchester City related awfulness, did actually suggest this:

“My first thought was to suggest another song with the words ‘live’ and ‘forever’ in the title: OMD – ‘(Forever) Live And Die’.”

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Orchestral Manoeuvres in the Dark – Forever Live and Die

Next, as Mark Morrison almost once said, it’s the Return of the Badger:

“But having gone down the forever route…other things can be forever as well. Like Polymers according to Future of the Left….”

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Future of the Left – Polymers Are Forever

“…and fucking if you listen to Babyshambles.” Which I don’t as a rule, but then I’ve listened to The Cheeky Girls twice, I may as well give Babyshambles a whirl:

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Babyshambles – Fuck Forever

Remember earlier we were talking about Oasis records that Johnny Depp had played on? Well here’s fun: that Warchild version of “Fade Away” also featured one time Pete Doherty muse Kate Moss giving it the full Linda McCartey on tambourine. What are the odds, eh?

Here’s George, who doesn’t seem even remotely apologetic for making me/us listen to The Cheeky Girls:

“…on the forever link, what about ‘Forever Came Today’ by Diana Ross and The Supremes?”

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Diana Ross & The Supremes – Forever Came Today

Time for some input from the fairer sex: here’s Alyson from What’s It All About, Alfie?:

“Ok so The Cheeky Girls song may get the prize for the worst record of the week [there’s no “may” about it, it does] but here is another contender. “Forever and Ever” by that hirsute Greek, Demis Roussos. I always thought Neil Diamond (my choice from last week) was a very hirsute man back in the day with all that exposed chest hair, but nothing on Mr Roussos. Come to think of it the Gallagher Brothers are quite hirsute in the eyebrow department, them having only one an’ all. A double-link and a pattern forming here for me relating to hairy men!”

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Demis Roussos – Forever and Ever

Next to return for a second, and indeed a third, suggestion is kuttowski:

“‘Live Forever’ is the name of a live album by Bob Marley from back in 1980. So I suggest Burnin’ and Lootin’”

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Bob Marley & The Wailers – Burnin’ and Lootin’

More from Kuttowski:

“‘Live Forever’ is the name of a documentary about the rise and fall of Brit Pop from the mid 90’s to their end. Pulp’s Common People with it’s wonderful lyrics became a signature to Brit Pop.”

Indeed, to my mind the anthem of Britpop, and a song kept from reaching Number One by Robson and Jerome, who also kept Oasis’s “Wonderwall” from the top slot.

Here’s the full length version from “Different Class”:

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Pulp – Common People

Time to hand over to Rol from My Top Ten for his musings of the week:

“First thought: Queen – Who Wants To Live Forever?

Which, if the question referred to the Oasis song, would lead to a resounding “Not me!” I appreciate that some people might feel the same about Queen, but quite frankly they would be, at best, misguided.”

I told you Oasis divided opinions, didn’t I?

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Queen – Who Wants To Live Forever

I’m not sure if it’s distasteful, ironic or entirely appropriate that this is posted just as we pass the 25th anniversary of Freddie Mercury’s death, but since I know Rol is a big fan of Queen (as opposed to a fan of big queens) I’ll go with the latter.

“‘Who Wants To Live Forever?’ comes from the soundtrack of the movie Highlander, which leads me naturally to a lovely early Billy Joel song called ‘Summer, Highland Falls.’ Hey, if we can show Neil Diamond love, Billy must get his too.”

A debate for another day, I think, but certainly one I’ll be backing you up on (up to a point):

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Billy Joel – Summer, Highland Falls

Now, amongst that, you mentioned Neil Diamond, didn’t you? Over to Charity Chic again:

“The by now obligatory Neil Diamond moment – ‘Forever in Blue Jeans'”:

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Neil Diamond – Forever in Blue Jeans

Phenomenal bit of work there, artist responsible for the design of the single sleeve.

“What’s next on the list?”

“Something called “Forever in Blue Jeans” by Neil Diamond. Any ideas?”

“How about we just stick his face on some denim?”

“Perfect. Fancy a pint?”

Now this song reminds me of someone, a former flatmate of mine and Hel’s. This was his favourite record by Diamond. I mean, it’s okay but it’s no “I Am…I Said”, is it? Hell, it’s not even “Cracklin’ Rosie” or “Beautiful Noise”. This is one of the perils of house-sharing these days; you can interview them as much as you like, but you never know what people are really like until they move in. This guy was priceless.

He survived on a diet of pizza and pasta on alternating days, then tried to take the piss out of me for eating liking foreign food because I was eating Mexican one evening. His idea of eating pasta was to boil some water, add pasta, drain then add nothing but tomato ketchup. Once, he realised he had put too much water in the saucepan, so decided to empty some out – into the kitchen bin, rather than into the sink. He would eat packets of crisps and just drop the empty packets on the floor. We once found a half devoured bag of Doritos next to the toilet. A toilet which he refused to lift the seat of when he peed, and which he refused to flush before he left to go to work (after we had) of a morning, leaving a gorgeous odour to greet the first person home. He made several unwelcome passes at Hel, and made up an entirely fictitious girlfriend who he claimed worked on a leading TV soap opera, even though we did know someone who worked on the same show who categorically told us the girl didn’t exist. Oh, and he did a runner from the house in the middle of the day when we were at work, leaving me and Hel to cover his share of the household bills, and I suspect, liberating a large chunk of my vinyl – including all of The Smiths original Rough Trade album releases – as he went.

All of which might just about be forgivable were it not for one thing: he liked Kasabian.

Every possible opportunity he had, he would bang on about how awesome they were, and when one of their albums, I forget which, the one where they try and sound like Oasis meets the Stones meets “Rocks”-era Primal Scream probably, like that narrows it down, was voted Album of the Year by Q magazine, he bought a copy (of the magazine), and kept leaving it around the house, open at the relevant page, like we were going to go “Oh, well if Q says it’s the Album of the Year….”

And if it wasn’t Kasabian, it was bloody Mumford & Sons. I rest my case.

I mention all of this now, because one day he burst into the house, breathless with excitement, gushing “Jez…Jez…have you heard of Longpigs? Best…Britpop band…ever!”

Now don’t get me wrong. There’s nothing wrong with Longpigs first album, “The Sun is Often Out”. And they gave us Richard Hawley, so for that we are of course grateful In fact, I can’t believe I’ve never posted anything by him – I’ll rectify that over the weekend.

But best Britpop band ever? C’mon…

Anyway, that leads me, in a very roundabout way indeed, to what I think is their finest moment. For if you do Live Forever, then surely it could be said that you go on and on…

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Longpigs – On and On

Ahem. Where were we?

Ah yes, back to Rol, I think:

“Final thought, on the subject of living forever (unless I have another thought)…

Ryan Adams (no B) – ‘Note To Self: Don’t Die’ …would be good advice for any budding immortals.”

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Ryan Adams – Note to Self Don’t Die

Another inadvertent double-linker there, as Mr B-less Adams also once covered Oasis’s “Wonderwall”, as did this lot:

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The Mike Flowers Pops – Wonderwall

Remember when Worst Record of the Week used to be about posting the Cheesiest Record of the Week? Well, that would win, even if it’s deliberately so.

And, just take a look at that Radio 1 sticker that proudly adorns the front. It reads: “As First Heard on the Kevin Greening Show”. Surely I’m not alone in furrowing my brow and saying, “Sorry, who??” Perhaps his career was cut short precisely because it was his show that first played that.

Hang on, Rol’s thought of something else. Having convinced himself not to suggest something by Gallagher and Lyle, he came back with this:

“Oh, I just had a thought about the Gallagher & Lyle route that would lead to a semi-respectable song.

Gallagher & Lyle reminds me of Tate & Lyle.

Tate & Lyle make sugar.

So… Sugar – ‘If I Can’t Change Your Mind'”

“Semi-respectable”?? That’s a fine record, and no mistake:

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Sugar – If I Can’t Change Your Mind

“Please post the video so everyone can laugh at Bob Mould’s cardigan,” Rol concludes.

Okay, but I’m rather a partial to a nice cardy, so no sniggering:

Now, who haven’t we heard from yet? Ah yes, SWC from When You Can’t Remember Anything:

The B Side to ‘Live Forever’ was ‘Up in the Sky’ which is where according to Sugar you would find the City of Armenia.”

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Sugar – Armenia City in the Sky

…which is a cover of The Who track from “The Who Sell Out” of course. And Oasis covered The Who’s “My Generation” on their live album “Lord Don’t Slow Me Down”. This week, more than any, we seem to be going round in circles and finding additional links.

“Alternatively,” SWC continues, “the complete opposite of live forever would be dying young so we could have ‘All Die Young’ by much missed Smith Westerns.”

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Smith Westerns – All Die Young

Or, for that matter, this, from the second Blondie album I ever bought as a kid (after I got “Best of Blondie”, but before “Parallel Lines”):

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Blondie – Die Young Stay Pretty

And one more from SWC:

“Live Forever was apparently inspired by ‘Shine a Light’ by The Rolling Stones so we could have that.”

Sure could:

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The Rolling Stones – Shine a Light

Next up, its The Swede from Unthought of, though, somehow:

“I’ll make a simple jump from Oasis to fellow Creation recording artists Swervedriver – ‘Rave Down’ please!”

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Swervedriver – Rave Down

I had totally forgotten how good that is, like a cross between My Bloody Valentine and Doves.

Last suggestion of the week, and I’ve deliberately kept this one back til last. I’ll leave you in the capable hands of The Robster from Is This the Life? to wrap things up:

“Pre-Oasis, Noel Gallagher was a roadie for Inspiral Carpets. Post-Oasis, he formed the High Flying Birds. Therefore I offer ‘Flying Like A Bird’ from Inspiral Carpets’ self-titled comeback album from 2014. I’d also like to dedicate it to their drummer Craig Gill who passed away last week.”

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Inspiral Carpets – Flying Like a Bird

On which poignant note, all that is left for me to do is the admin bit. Here’s the link to the next record in The Official Chain, an underwhelming link as is so often the case, but a great record:

“Oasis used a leisure centre in Swindon as inspiration for their band name. Also from Swindon were…”

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31. XTC – The Ballad of Peter Pumpkinhead

You know the drill by now; your suggestions for records that link to “The Ballad of Peter Pumpkinhead” by XTC, along with a brief description as to how you got from one to the other, via the Comments section below.

See you next week, Chain Gang!

(More soon).

The Chain #30

This week seems to have flown by; Wednesday evening and I find myself woefully unprepared for this week’s edition of The Chain. I blame Teenage Fanclub for being so bloody good last night, and for taking up one of my evenings usually spent getting this ready.

Also, my efforts to track down one of your suggestions led me to download the entire album as a single mp4, then edit it down to the one song I needed, then convert it to an mp3. I’ll not say which one, I’ll wait and see whether my new found tech skills are detected!

In short, this may be a little briefer than usual. Sorry.

So, last week, after being inundated with suggestions which linked to The Band’s “Up on Cripple Creek” which involved songs which mentioned creeks, various other bodies of water, and…erm…cripples, I rather thought that I might have it easy this week when the next track in The Official Chain turned out to be Neil Young’s “Cripple Creek Ferry”.

No such luck.

So let’s crack on, shall we? And where better to start that with babylotti:

“I don’t care how obvious it is, I’m getting Saint Etienne’s version of ‘Only Love Can Break Your Heart’ in first!”

There are plenty of mixes of this to choose from; my own personal favourite is Andrew Weatherall’s “A Mix in Two Halves”, but tonight, Matthew, I’m plumping for the better known version from Saint Etienne’s classic “Foxbase Alpha”:

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Saint Etienne – Only Love Can Break Your Heart

He’s not done there, though, nosireebob:

“Also, Elkie Brooks had a hit in 1978 with the aforementioned song, from the same album came the one single I remember her for:”

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Elkie Brooks – Pearl’s a Singer

And he’s still not done:

“And I now also have to link to ‘Pearl’s Girl’ from Underworld.”

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Underworld – Pearl’s Girl

“Elkie Brooks did a lot of good songs in the early 70’s,” chips in Kuttowski of A Few Good Times in my Life. “She was formerly the singer together with Robert Palmer in Vinegar Joe. I well remember them with their ‘Proud To Be A Honky Woman’.”

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Vinegar Joe – Proud To Be (A Honky Woman)

Well, having allowed “Pearl’s Girl” it’d be pretty churlish of me to refuse to post that, wouldn’t it?

That’s a pretty rollicking start to this week’s usual eclectic mix of the good, the bad, and the ugly, I’m sure you’ll agree.

Time for a seamless link, I think.

Here’s Badger from When You Can’t Remember Anything:

“Cripple Creek was also the name of a Western made in 1952 directed by Ray Nazarro and if we are talking Westerns then there is only one place to go and that is with “The Good, The Bad and the Ugly” or possibly from the soundtrack of the same name “The Ecstasy of Gold” which brings it back to the Gold thing”

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Ennio Morricone – The Ecstasy of Gold

“Gold thing? What gold thing?”, I hear you ask. That’s the problem with me jiggling the running order in a vain attempt to build some sort of narrative to appease you all; sometimes the links may be seamless but sometimes there’s a mention of a link that I haven’t covered yet. I’ll let Badger clarify:

“Cripple Creek is a town in Colorado and used to be very big in gold mining. This instantly allows a link to “Gold Mine Gutted” by Bright Eyes, that they are also signed to Saddle Creek, means you get a double link, all I need is a ferry and you have the whole shebang.”

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Bright Eyes – Gold Mine Gutted

Badger wasn’t the only person to mention the gold link. Step forward and take a bow Alex G from We Will Have Salad:

“’Cripple Creek Ferry’ is from the album ‘After The Gold Rush’. One of the most (in)famous gold rushes was the California gold rush which started in 1848 but exploded in 1849, and whose prospectors were thus dubbed ’49ers’, which naturally leads to the Italo-house outfit 49ers and their classic hit “Touch Me”.

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49ers – Touch Me (12″ Sexual Mix)

NB – there is very little that is “sexual” about that mix.

Which leads me on to the first of my suggestions this week. 49ers are mentioned in the American folk song, so beloved of Huckleberry Hound, “Oh My Darling Clementine” which leads me on to this little lot:

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My Darling Clementine – She Is Still My Weakness

…which in turn very nearly led me on to “My Weakness is None of Your Business” by Embrace, but you’ll be pleased to learn I showed some self-constraint.

Anyway, back to Badger:

“Or if you want contenders for the worst suggestion ‘Going For Gold’ by Shed Seven.”

I have a bit of a soft spot for Shed Seven, as it goes. They always seemed to be trying quite hard to make records which exceeded their limited capabilities. That said, ‘Going for Gold’ is not one of their finer moments. It’s also not even close to being the worst suggestion of the week, I’m afraid.

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Shed Seven – Going For Gold

Now then. Awful records. I appear to have created a monster here. For this week you were all tripping over yourselves to suggest them.

“I’m going to win the prize for Worst Record On The Chain this week” says George.

Go on then. Do your worst.

“Neil Young was also the name of a Manchester City forward of the 1960s. And one of his team-mates was Colin Bell. And Colin Bell’s birthday is February 26th. As is Michael Bolton’s. And amongst Mr Bolton’s songs is a cover of ‘Yesterday’, which is so bad I’m not sure you should post it. Mr Bolton also covered ‘Ain’t No Sunshine’ which is catastrophically poor as well. All of which is quite a shame because he seems like a genuinely nice and amusing bloke. By the way, for the sake of your well-being never play his cover of ‘So Tired Of Being Alone’. It’s really shit.”

What you seem to have done there is name three records which you don’t want me to play. You lot are lucky enough to be able to choose whether or not to click play, but me? I’ve had to listen to all of them to decide which one to post, so I’m tempted to post all three, but I’m not that cruel. So here’s the first one you mentioned:

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Michael Bolton – Yesterday

Think that’s the worst record of the week? Think again.

Getting my hopes up for something…well…a bit less shit, or failing that, somebody with a credible haircut at least, by starting his first suggestion with the word “Heh” before launching into a bit of Greek mythology, here’s Rol of My Top Ten:

“Heh.

Charon is the Ferryman in Greek mythology. He carries your soul on his boat down the river…

Yes…

Styx.

“It’s you, babe, whenever I get weary or I’ve had enough… feel like giving up, you know it’s YOUUU, babe…”

Etc.”

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Styx – Babe

Will you just take a look at some of those barnets? Yes, it was 1980, but that’s no excuse. Anyway, what are the odds of them having turned up here, as well as being the models in the display pictures that first caught the eye of Michael Bolton in the window of his local barber’s shop?

“Alternatively,” Rol continues, “if you want something a little bit cooler…

Half Man Half Biscuit – Styx Gig (Seen By My Mates Coming Out Of A)

There.

Cred restored.

Just.

(Not that I care about such things.)”

Shan’t post it, then.

Yeh, right. Like I’m ever going to pass up the opportunity to post something by Half Man Half Biscuit:

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Half Man Half Biscuit – Styx Gig (Seen By My Mates Coming Out of A)

Also intent on restoring his reputation after his earlier Michael Bolton aberration, is George, although when George has a theme, he sure as heck sticks with it:

“To make up for that, you can have some Fats Domino (The Fat Man I suggest) as Mr Domino shares his birthday with Colin Bell.”

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Fats Domino – The Fat Man

And why stop there, when you’re on a hat-trick?:

“And a Johnny Cash track, as he too shares the same birthday as Colin Bell, what about Personal Jesus?”

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Johnny Cash – Personal Jesus

Now Rol’s and George’s reputations are restored, let’s see if Charity Chic of Charity Chic Music fame fancies ruining his:

“Neil Young is from Canada and has never won Opportunity Knocks. Neil Reid from Glasgow has, with the truly awful ‘Mother of Mine'”

Brace yourselves, folks.

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Neil Reid – Mother of Mine

This, and a subsequent comment by Alyson, led me to do a little digging to see what nuggets I could find out about him. Here’s some factoids, one of which I might need to double-check:

  1. As Alyson quite rightly points out, he is now a financial advisor, in Blackpool
  2. Reid’s self-titled album went to number one in 1972, making him the youngest person to reach the pinnacle of the UK Album Charts, at the age of 12 years 9 months
  3. Said album is one of the very few Number 1 selling albums which has never had an official CD release. I think we all know why that is.
  4. In 2008, he was interviewed by Amanda Holden for ITV’s ‘When Britain First Had Talent’, which pretty much serves him right
  5. In between the end of his solo career and starting his life in the giddy world of finance, he was the third Reid brother in The Jesus & Mary Chain

Please, God, someone suggest something decent.

Rigid Digit, what have you got for us this week?

“Neil Young – intrinsically linked with Crazy Horse (although they’re only on a couple of tracks on After The Goldrush).

 Therefore – Crazy Horse => Crazy Horses (aka The Osmonds “go” Heavy Rock)”

Some of you may not think posting something by The Osmonds is necessarily an improvement, but I beg to differ: when you compare it to the majority of the rest of their turgid output you realise what a surprisingly bloody great record “Crazy Horses”:

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The Osmonds – Crazy Horses

“Crazy Horses” was, as Rigid Digit continues: “later covered by Tank (featuring Algy Ward, previously of The Saints and The Damned)”

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Tank – Crazy Horses

Oh Rigid: you already had me at The Osmonds.

Crazy Horse though – some of you must have some suggestions in that area, surely?

Well, yes, as it goes. Here’s The Great Gog:

“Going for a double link here. Neil Young has made a number of records with Crazy Horse. Ian McNabb has also made a record with members of Crazy Horse. Ian McNabb has also recorded a song that mentions a river that has a famous ferry. That song is of course, “Merseybeast”. Sadly this was the title track of the album after the one he did with Crazy Horse, but perhaps that would have been too perfect a link.

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Ian McNabb – Merseybeast

Nor have there been enough songs to link to Neil Young himself, so here’s a couple of mine. Firstly, a pre-fame daughter of a former Blue Peter presenter, fronting a band who never had much critical acclaim or commercial success, I think mostly down to the wanky way they insisted on spelling their name:

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Theaudience – If You Can’t Do It When You’re Young When Can You Do It?

Time for another seamless link. One of the things you can do when you’re (Neil) Young, is rock up on stage and make an already majestic song just that little bit more majestic:

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R.E.M. (feat. Neil Young) – Country Feedback

We’ll be popping back to some more live stuff in a moment, but first, over to Alyson from What’s It All About, Alfie? with a suggestion and a question which has sparked some great posts by some of our fellow Chain Gangers (go on, treat yourself and click on a few of the links to their blogs if you don’t already visit them regularly):

“From one Neil to another Neil – Diamond to be precise.

Now I have become aware over the weeks that there are people who are just not “cool” to like around these parts and as for Mr Bolton and his very unusual cropped-top/long at the back mullet haircut, I totally agree. Have still to work out where Neil D sits on the scale but personally I have always liked him, (most of) his songs, and his recent stuff. He did also have quite odd hair back in the day but hey, didn’t they all – oh and some very tight trousers.

Anyway Cripple Creek sounds as if it would have been quite a rocky place so if Mr Diamond had been there with the girl of his dreams there would have been “Love On The Rocks”.”

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Neil Diamond – Love on the Rocks

More Neil based fun now – and who can honestly put their hand on their heart and say they haven’t at some time or another had fun whilst Neil-ing? – from The Beard:

“From Neil Young to Neil from The Young Ones. He scored a number two hit in 1984 with his cover of Hole In My Shoe by Traffic.”

I’m assuming from the rest of your suggestion that you want the Neil version, rather than the Traffic jam, right? Excellent!

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Neil – Hole In My Shoe

“It was kept off the top spot”, the Beard continues, “by Frankie Goes To Hollywood’s Two Tribes. The spectre of nuclear war was the theme of that track. The same topic also formed the basis of The Young Ones episode Bomb. Dexy’s Midnight Runners were the musical guests in the episode, playing Jackie Wilson Said (I’m In Heaven When You Smile) which is not, sadly, about a darts player.”

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Dexys Midnight Runners –  Jackie Wilson Said (I’m in Heaven when You Smile)

By the way, does anyone else remember that as being released as Kevin Rowland & Dexys Midnight Runners, as opposed to just Dexys Midnight Runners…? Nope, me neither.

As promised, another live track now, courtesy of kuttowski:

“On ‘After The Goldrush’, Nils Lofgren, a 19 year old guitar player appeared on the scene. In his later career he played with Crazy Horse, Grin and Bruce Springsteen and I suggest his No Mercy.”

This is the version from his pithily-titled “Acoustic Live” album:

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Nils Lofgren – No Mercy

That’s enough Neil-ing, time for some Ferry-ing. Time for two from The Robster from Is This the Life:

“First up [Hey! That’s MY line! – Ed]– taking Neil YOUNG and Cripple Creek FERRY, Young’s Ferry was a historical ferry crossing of the Merced River, located in present day Merced County, California. One of Merced’s famous sons was ‘The King of the Western Swing’ Bob Wills who, along with His Texas Playboys, became one of the top chart acts of the 1930s and 40s. In 1945, they had a #1 country hit with a cover of Zeke Clements’ Smoke On The Water (definitely NOT the same song that Deep Purple recorded two and a half decades later.) This also links water/creek.”

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Bob Wills and His Texas Playboys – Smoke on the Water

“Alternatively, continuing the water theme and linking with the artist name, how about ‘Current Of The River’ by the Young Knives from 2008’s ‘Superabundance’?”

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It’s only after I posted that, that I remembered it’s the closing track on Superabundance, and comes complete with one of those pesky hidden tracks, which is also included in that link. Suffice it to say, this isn’t the one I edited.

Some more restoration of reputations now, as we welcome Charity Chic back:

“I would suggest the gorgeous Ferryman from the lovely Rachel Sermanni”

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Rachel Sermanni – Ferryman

Here’s Dirk from Sexyloser:

“I think I’ll go down the ferry-route, too. Problem is that I can’t really decide between Holly Johnson’s version of ‘Ferry ‘Cross The Mersey’, Ferry Boat Bill’s ‘Sally Goes Downtown’ (I should add that I only have this one on tape, not on vinyl/mp3, does that also count?) and Toy Dolls’ ‘You Won’t Be Merry On A North Sea Ferry’: I think I’ll go for the latter because it’s ace … and I’d like to hear it again!”

Well, that’s pretty lucky because, other than appearing on that single to raise money for the Hillsborough disaster fund back in 1989, I’m not sure Holly Johnson ever recorded a solo version of it, although of course there’s the version on Frankie Goes to Hollywood’s “Welcome to the Pleasuredome” album (I’m open to correction on that, as always), and  I’ve not been able to locate the Ferry Boat Bill track anywhere, so…well…here you go:

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Toy Dolls – You Wont Be Merry on a North Sea Ferry

Over to SWC from When You Can’t Remember Anything:

“The Edmund Fitzgerald was a ferry that sank in Lake Superior in 1975 and was then made subject of a song by one Gordon Lightfoot, a Canadian folk singer.”

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Gordon Lightfoot – The Wreck Of The Edmund Fitzgerald

If I may just interrupt for a moment there, before you suggest something we’re all going to regret: if we’re going to start posting songs about boats which sank when carrying large amounts of cargo (Five million hogs, six million dogs, and so on), then surely this has to get an honourable mention:

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The Pogues & The Dubliners – The Irish Rover

Sorry ’bout that, SWC. Do carry on, old chap:

“‘Wreck of the Edmund Fitzgerald’ was however kept off Number one in the US of A by a certain Rod Stewart and ‘Tonight’s the Night’.”

Insert your own joke about Americans making terrible decisions here, if you like.

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Rod Stewart – Tonight’s The Night

I’d never noticed the vaguely “Je T’Aime…”-esque French lady vocal at the end of that before. Possibly because I’ve never listened to the bloody thing all the way through before.

Time for a fairly straight-forward link from Swiss Adam over at Bagging Area:

“‘The Ferryman (Zeebrugge)’ by Billy Childish and the Singing Loins is my fairly straight-forward link”.

See? Told you it was straight-forward:

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Billy Childish and the Singing Loins – The Ferry Man (Zeebrugge)

Over the past few weeks, you’ll have noticed I’ve tried to include a few video clips into proceedings, but not this week, for I knew that The Swede from Unthought of, Though, Somehow had posted one as part of his suggestion:

“Bugger – kuttowski beat me to it! [with the Nils Lofgren tune] So instead I’ll give a shout out to our local ferry, which crosses the River Yare at Reedham:

By pure coincidence, it’s a chain ferry! So ‘Back on the Chain Gang’ by The Pretenders is my suggestion.”

It’s a record that’s come up before, of course, but since it’s our theme tune here (and since your video clip has brought back memories of many happy family holidays on the Norfolk Broads), it seems a pretty perfect way to round things off this week:

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The Pretenders – Back on the Chain Gang

Which just leaves me to reveal the next record in The Official Chain, and the link that gets us there. And one of you will be kicking yourselves at how close you were:

“Another Neil Young of Manchester City scored the winning goal in the 1969 FA Cup Final. Oasis are well-known Man City fans, hence…”:

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30. Oasis – Live Forever

Bad luck, George.

So, your suggestions for songs (let’s face it, it’ll be plural, won’t it?) which you can link to “Live Forever” by Oasis, via the Comments section below, along with your usual brief descriptions as to what links the two, three, four, however many, records together, in plenty of time for next week’s post.

More soon.

Name That Tune

You remember this thread, right? Where I post a song which mentions the name of a famous person in the title? Course you do.

Manic Street Preachers are currently embarking on their tour to Make Jez Feel Really Old mark the 20th anniversary of the release of their “Everything Must Go” album. I would imagine there are very few of you who don’t know that this was their first release after the disappearance of founder member, rhythm guitarist, lyricist and shareholder in Rimmel mascara, Richie Edwards.

When he went missing, I can’t have been alone in thinking it spelled the end of the band, such an important component was he in their creative output and, perhaps even more importantly, in their image.

But the release of “Everything Must Go”, I’m happy to concede, proved me utterly wrong.

The Manics had always positioned themselves as outsiders, battling the odds, railing against the system, but with the release of “Everything Must Go”, and the disappearance of Edwards, it was as if the remaining members (James Dean Bradfield, Nicky Wire and Sean Moore) were galvanised into producing their most defiant, polished, grown-up and above all popular album yet.

And commercially successful it was too, reaching Number 2 in the UK album charts and racking up sales in the UK alone in excess of 900,000 (that’s triple platinum, shiny disc fans!) whilst spawning hit singles “A Design For Life” (a #2 hit in the UK), “Everything Must Go” (#5), “Kevin Carter” (#9) and “Australia” (#7).

Since it was the last time that Richie featured on a Manics record (he’s there, contributing rhythm guitar on “No Surface All Feeling”) and the last time (until the release of 2009’s “Journal for Plague Lovers”) that his lyrics would feature, it is easy to consider the album and it’s success as Richie’s farewell gift to his former school friends and bandmates.

So to the tunes, and having mentioned it already, it would be remiss of me not to post the aforementioned Kevin Carter:

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Manic Street Preachers – Kevin Carter

The lyrics to this one were actually written by bassist Nicky Wire, and the eponymous lead was the 1994 Pulitzer Prize winning photographer, who was always troubled by his professional responsibilities being weighed up against his moral considerations. He was the first to photograph a public execution by ‘necklacing’ – a practice where a rubber tyre, filled with petrol or some other inflammable is forced around the victim’s chest and arms, and setting it on fire – in South Africa in the mid-1980s. Carter later said: “The question that still haunts me is ‘would those people have been necklaced, if there was no media coverage?”

Just weeks after winning the Pulitzer, Carter committed suicide in 1994.

Richie Edwards’ body has never been found and he was declared ‘presumed deceased’ in November 2008.

Cheerful this, innit?

But wait; Edwards’ parting gift can’t have been the lyrics and rhythm guitar that he contributed to “Everything Must Go”, for that honour surely must go to a folder with the word “Opulence” and a drawing of Bugs Bunny on the front cover which he handed to Wire days before his disappearance, and which contained songs, haikus, collages and drawings which in 2009 became the Manics’s ninth studio album “Journal for Plague Lovers”, which featured exclusively lyrics lifted from the Rymills folder Edwards presented to his old school friend.

It contained, amongst many others, this piece of Edwards brilliance:

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Manic Street Preachers – Jackie Collins Existential Question Time

Seriously, nobody writes titles (or lyrics) like Richie could write titles (or lyrics).

To round things off for now, in January 2010 the band released a limited edition, two-disc vinyl, version of the album, entitled “Cooking, Cleaning, Flower Arranging: Journal For Plague Lovers Remixes”. If you’ve never heard it, seek out a copy, for it features each song from “Journal…”remixed by a clutch of renowned producers and musicians (that is the collective noun for renowned producers and musicians, isn’t it?), such as British Sea Power, Four Tet, Andrew Weatherall (of course), Fuck Buttons and this, which claims to be a remix by Saint Etienne, but in truth is their cover version of it:

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Manic Street Preachers – Jackie Collins Existential Question Time (Saint Etienne Remix)

More soon.

Oh, okay, I’ll ‘fess up.

Whist I’ve been meaning to resurrect this thread for a while, I must admit I was prompted to do so now by a visit to Charity Chic’s place where I see he has started a thread where he talks about songs which name-check other recording artists in either the title or the lyrics.

As with pretty much everything Charity Chic posts, it’s well worth a look. Please do, here.

Now Charity Chic is one of my favourite blogs, and CC a much valued commenter and visitor to these shores, and its such a long time since I posted on this thread I can’t, and won’t, moan. (Hoisted by my own idleness.) Especially as CC will doubtless make a far better job of it than I.

So I figured I’d ditch the songs I had intended to post here which involve anything that would qualify for CC’s thread, and focus on the songs which involve non-musical folks. That’s fair enough, right? Right…..?

So CC: I doubt you’ll need them, but if you want any suggestions for songs for your thread, give me a shout. More than happy to give you the few I’d thought of which you’re welcome to use if you want them.

Friday Night Music Club

Evening all. Hope you’ve all had a good week.

Let’s crack straight on with the next part of the snappily-titled “Songs With The Same Name As Television Programmes, But Which Are Not The Actual Theme Tune, Or A Cover Version Of The Theme Tune Of The Programme In Question” theme.

First up, as I was flicking through the channels the other night, I saw an advert for a new show on E4, not a channel I visit often, which, according to IMDb is a spin-off from a movie franchise I’ve never seen nor, having read the synopsis, do I ever intend to see. Still it gives me the excuse to play this belter from 1988:

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239. Jane Wiedlin – Rush Hour

This was lifted from Wiedlin’s second solo album after The Go-Go’s split (the first time), and was her only solo UK Top 40 hit, making an appearance in BBC1’s Peter Kay’s Car Share. She’s also an actor, appearing as Joan of Arc in Bill & Ted’s Excellent Adventure amongst other things.

But it’s as the main song-writer in The Go-Go’s, along with Belinda Carlisle, that’s she’s best known, although they remain a very much under-valued band on this side of the pond. They only ever cracked the UK Top 40 once, and that was when they reformed in 2004, when “Has The Whole World Lost It’s Head?” crept up to Number 29. Here’s them performing it on The Late Show:

I’ve touched on The Go-Go’s before when discussing albums my brother brought back from his trip to stay with family in the United States in the early 1980s, and they will feature again here very soon, so I’ll move on.

HAIM are a band who have recently made the breakthrough over here; I say recently, their debut album “Days Are Gone” came out in 2013 and the next track was the fourth single to be lifted from it.

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240. HAIM – The Wire

A few years ago, my brother leant me the box-set of The Wire TV show, a US show which many had touted as being the greatest TV show ever at the time of its airing. In case you’ve never seen it, here’s Charlie Brooker to explain:

This was my first experience of binge-watching, spending many nights checking the time and thinking I could squeeze one more episode in before bed.

There were five seasons of the show (I’ll concede to referring to them as seasons rather than series as it’s a US show), and the opening theme tune was “Way Down in the Hole”, a track written by Tom Waits and lifted from his 1987 album Franks Wild Years (not to be confused with the song “Frank’s Wild Years” on Wait’s 1983 album “Swordfishtrombones”. Each season uses a different recording and a different opening sequence, with the theme being performed by The Blind Boys of Alabama, The Neville Brothers, DoMaje, Steve Earle and Tom Waits himself.

And here they all are:

Moving on: Banderas are one of those bands that I always thought were called The Banderas. That is, until their name popped into my head when thinking of songs to post here and I tried to do some research on them.

Here’s what I found out: they were a female music due from the 1990s (which I knew); they were an off-shoot from The Communards (which I didn’t know, although it kind of rings a bell from somewhere), featuring Communards backing singer Sally Herbert and shaven headed Caroline Buckley (which I partly knew: I remembered the shaved head part. You know, the important detail. This was the early 1990s, tough, and by now we had all seen Sinead O’Connor and such things no longer shocked us); and they are best well-known for this:

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241. Banderas – This Is Your Life (Original Mix)

This shares a name with the long-running UK TV show which featured a celebrity (affectionately referred to as “the victim”) being surprised by the host, invited into a TV studio to be taken through the contents of The Big Red Book, and reintroduced to significant people from their past who would drop in, share a generally rather dull anecdote about the celebrity subject, before taking a seat alongside them if they were family, or opposite them if they weren’t. I often imagined that after they had recounted their uninteresting story from the past, the guest would sit in the chairs opposite, glowering at the celebrity, who probably owed them money, and that after the end credits it all kicked off, family against non-family.

Largely the show was broadcast live, which meant that the newspapers weren’t able to advertise who the “victim” was. Oddly, this seemed to only add to the excitement, millions tuning in for at least the first couple of minutes to see who was going to be on. Non-celebrities were often the subject too, but nobody ever watched them.  (“Who is it this week, Ron?” “Some bloke who was the youngest serving group captain in the RAF.” “Oh. Have you got the remote control?”)

The shows stopped being shown live in 1983 after boxer Alan Minter, surely the Shaun Ryder of the 1980s, couldn’t stop swearing during his episode.

Here’s the iconic, very 60s, theme tune:

Next up, some more Britpop era tunes, and a song which could quite easily have featured in my “How To Do a Cover Version” thread.

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242. Saint Etienne – Who Do You Think You Are?

Nope, I had no idea it was a cover version either. But, whilst scouring t’internet trying to think of smart-arse things to say, I find that it’s actually the fourth version to see the light of day. (In all honesty, the other three are a bit samey, so you could spare yourself a lot of time and just listen to one of them then agree with me that the Saint Etienne version is head and shoulders above them all.)

Written by Des Dyer and Chris Scott, it first saw the light of day in December 1973 when it was released by Candlewick Green (presumably there were copyright issues with being called Camberwick Green):

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Candlewick Green – Who Do You Think You Are?

Then in 1974, Dyer and Scott released it themselves under the name Jigsaw on their album “I’ve Seen The Film, I’ve Read The Book” (there was no T-Shirt for them to buy):

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Jigsaw – Who Do You Think You Are?

Also in 1974, Bo Donaldson & The Heywoods, deciding the Who Do You Think You Are? market wasn’t quite saturated enough, released their own version, which itself was a follow-up to their cover version of Paper Lace’s “Billy Don’t Be A Hero”:

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Bo Donaldson & The Heywoods – Who Do You Think You Are?

But I digress. Who Do You Think You Are? is, of course, also a British genealogy documentary series which has aired on the BBC (initially on BBC2, but on BBC1 from series 3 onwards) since 2004, and in which a celebrity tries to make it look as if they are tracing their family tree themselves rather than just going where the programme makers tell them to, talking to whomever they are told to, whilst blowing fake dust from thick weighty tomes on cue.

Keeping with the Britpop bands asking question subtheme, a song by a band that I think are truly under-rated, many declaring them to be Smiths-lite, a comparison I always thought most unfair. JC wrote about this single a little while ago over on his blog, here, so I won’t dwell on how majestic this song is. Here, just to give you something a little different, is a live version, recorded at the Royal Albert Hall:

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243. Gene – Where Are They Now? (Live At The Royal Albert Hall)

Trying to research the TV show of the same name has driven me a little bit crackers. My recollection is that it was a show in the late 1970/early 1980s, hosted by former Juke Box Jury presenter and BBC stalwart David Jacobs, where he interviewed someone who had once been in the limelight and found out, well, what they were doing now. He also used to pop up on The Kenny Everett Show, mournfully state the name of the show whilst looking straight into camera, before disappearing again. But can I find any evidence of these things anywhere? Nope. The only mention I can find of either is in this on the BBC website. So, you’ll just have to trust me on this one.

One I can provide you with evidence of, however, is Razzmatazz, a music based children’s television programme which ran on ITV between 1981 and 1987. I suppose you could say it was a kid’s version of Top of the Pops, or perhaps more accurately as ITV’s version of Cheggers Plays Pop, but, crucially, without Keith Chegwin.

Here’s the theme tune (although it will probably try and tell you the link has expired; it’s still there you just have to look around for it a bit), and more interestingly, here’s a very young Kirsty MacColl appearing on it:

And, quick, before I start getting all miserable about Kirsty not being around anymore, here’s a just-before-they-went-massive Pulp:

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244. Pulp – Razzmatazz

Released in February 1993, this was their final release on Gift Records, and it reached the giddy heights of number 80 in the UK charts. But it was very much laying the foundations for what was about to come: follow-up single “Lipgloss” made number 50; “Do You Remember the First Time?” got to number 33 the following year, closely followed by “The Sisters EP” (number 19) and then…well, the rest is history.

So, to the last one for tonight, and to make things circular, a song with the same name as a TV series penned by Charlie Brooker, released by Canadian collective (they’re all collectives in Canada, have you noticed? Never bands, all collectives) Arcade Fire:

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245. Arcade Fire – Black Mirror

If you like your TV drama dark and a little disturbing, then I urge you to track some of Brooker’s TV shows down. The only one currently available on Channel 4’s On Demand Service, All 4, is the last one produced for the channel, “White Christmas”, which you can watch here. Sadly, there’s no sign of the first and most infamous episode, “The National Anthem” which first aired in 2011, and telling the story of the kidnap of a (fictional) princess, and the subsequent ransom demand being that (fictional) Prime Minister Michael Callow must have sexual intercourse with a pig on live national television. The episode gained notoriety in 2015 when…well, I’ll let Brooker himself explain:

That’ll do you.

More soon.

Friday Night Music Club

Evening all.

Just so you know, this week’s selection comes with one of those Parental Guidance stickers right across it.

Also, I’m writing this with the Wales v France match on the TV in the background, so if this is posted a little later than usual, you’ll know why.

Let’s get straight to it; we’ll pick up where we left off last week and a song that in all honesty should be the theme tune to this thread:

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132. St Etienne – Join Our Club

Released in 1992, as you can see as a double A-side with “People get Real”, which the band had wanted to release as a single in its own right, but met opposition from their record label, Heavenly. So, they set about creating the most commercial record they could, and “Join Our Club” was the result. This was the second single to feature Sarah Cracknell, after founder members Bob Stanley and Pete Wiggs had ditched the idea of using a variety of lead singers – a concept which features (and works, but very little that St Etienne produces doesn’t) heavily on their debut album “Foxbase Alpha”, but which the duo decided against once they had worked with La Cracknell.

Next, to New Young Pony Cub (or NYPC as they are apparently now known), and this oft-over-looked single from their second album:

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133. New Young Pony Club – We Want To

New Young Pony Club are one of those bands that don’t really ever seem to have quite broken through, despite supporting Lily Allen on an early tour, and also claiming a spot on the 2007 NME Indie Rave Tour, along with the likes of CSS, The Sunshine Underground, and Klaxons. I suspect that CSS and Klaxons, indie-press darlings that they were at the time, probably gained most of the attention on that tour.

An ex-flatmate of mine told me once that the next band had won some TV talent show or another – suffice it to say it was The X Factor – but since he also once tried to convince me that every song title on Andrew W.K.’s “I Get Wet” album has the word “Party” in it, and since his favourite groups were Kasabian and Mumford & Sons, and since he once came home telling me he’d just heard the most awesome Britpop band ever (he was talking about Longpigs, who you know, are alright and of course gave us Richard Hawley, but…), and since he used to eat Doritos whilst sitting on the toilet, I am, frankly, sceptical. If he’s right about any of those points (particularly the Doritos bit), I’m sure one of you will enlighten me.

Anyway, here’s:

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134. Fangs – S.I.C.K.O.

And well, that leads me rather nicely onto this:

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135. The Charlatans – Weirdo

When you think about it, it’s a miracle that The Charlatans are still going, let alone that they’ve been one of the most consistent UK singles bands for the past twenty-going-on-thirty years; when they started out they were considered little more than Madchester wannabes (a tag which, I’m pleased to say, they’ve consistently proved wrong on many times since, having outlived all of the main scene protagonists. No need for The Charlatans to reform, nosireebob. And no seven year wait for a second album, either) and they’ve constantly been beset with drama and tragedy. In 1992, original keyboard player Rob Collins managed to get himself mixed up in an armed robbery being committed by a friend, and unwittingly ended up being his getaway driver. He ended up getting a four month stretch at Her Majesty’s Pleasure for that. Rob’s car related bad luck didn’t end there though: he was killed in a car crash in 1996. In 2013, drummer Jon Brookes died from a brain tumour that had been diagnosed in 2010.

But The Charlatans always seem to bounce back, and of all the varied and wonderful singles they’ve released, “Weirdo” is probably my favourite, not least because the 12″ single contains the US version of “Sproston Green” which they always, but always, end their live sets with.

Anyway, since we seem to have drifted into the territory of songs with vaguely insulting titles, we may as well have the king of such things:

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136. Goldie Lookin’ Chain – Your Mother’s Got A Penis

You have to love ’em, don’t ya?

Well, we’re now into Parental Guidance time, so please only continue if you are above the age of 18 and have the bill-payer’s permission. Or something.

Have they all gone? Good, then I’ll continue.

A song now that I mentioned in passing on these pages some time ago:

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137. Fatboy Slim – Star 69

…and which I’m therefore not going to dwell on any further here. It just fits here, okay?

Many years ago, when I was working as a “chef” in a motorway service station restaurant, I bunked off one Sunday to spend the day with my friend Richard, who had invited me and a few others round for a day of roast dinner, drinking and watching films. The only film I can recall that we actually watched that day was “Jumpin’ Jack Flash” starring Whoopi Goldberg. I remember nothing about the plot.

So why am I mentioning this now, I hear you wonder? Well, the only thing that I do remember is Richard commenting that “Nobody swears like Whoopi swears”. That may have been true in 1986, but no longer I fear. I say this not in any kind of “Kids of today, eh?” rhetoric, but because…well…here’s Peaches:

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138. Peaches – Fuck The Pain Away

Saucy.

And speaking of sauce, no selection of rudeness would be complete without a nod in the direction of the Purple One:

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139. Prince – Sexy M.F.

Much as Fatboy knew that releasing a single with the words “What the Fuck” repeated quite a few times was unlikely to attract much airplay and so tucked it away as a AA-side, Prince knew to abbreviate his title and provide an edited version for radio use.

A change of pace now. Just as bands often punctuate their live sets with slower songs to give the audience a chance to get their breath back, so does Friday Night Music Club, and the moment has arrived where I get to do one of the things I love to do most these days: have a good sit down.

Still room for some abbreviated swears though.

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140. John Grant – GMF

And whilst we’re having a few moments of quiet cursing, here’s eels, who aren’t afraid to dispense with the abbreviations:

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141. eels – It’s A Motherfucker

Many years ago, I had a (now ex) friend round at my place once when I happened to play “Gorecki” by Lamb. If you don’t know the song, it’s a quite, quite beautiful, fragile thing, not a million miles away from Massive Attack’s “Teardrop”, neither of which would be out of place in my “Late Night Stargazing” thread (and which will feature there soonish, once I stop thinking of songs I’d rather post there). Anyway, she had never heard it before, and made me play it another two or three times. As she loved it so much, I did what I often do when someone tells me they like a song I’ve played them: I made her a mix CD with it on.

She was very grateful. Or rather, she would have been had I not, in her words, “totally ruined it” by placing this song immediately afterwards:

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142. Tenacious D – Fuck Her Gently

I am 46 and single. That may go some way to explaining why.

It seems appropriate, then, that I post this next: a band that I’m quite simply staggered to see I’ve not posted anything by here before. This is something I shall have to rectify immediately:

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143. Teenage Fanclub – Some People Try to Fuck With You

I went to see The Fannies (see? even their nickname is rude) in Bristol about ten years ago, when they were promoting their greatest hits album “Four Thousand Seven Hundred and Sixty-Six Seconds – A Short Cut to Teenage Fanclub”, and I took the opportunity to purchase some official merchandise, namely a t-shirt bearing the band’s moniker upon on it. I have subsequently learned that wearing such a t-shirt gains you some disapproving looks from people who are unaware of the band’s existence. I no longer wear it outside.

It’s not often that I post a Number One single on these pages, but here is one such occasion:

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144. Cee Lo Green – Fuck You

Of course, Cee Lo had to change the lyrics to “Forget You” in order that the single might attract any airplay, but we’re having none of that cleaned-up-version nonsense here tonight.

Now to something a lot less well known, which is a shame as it’s rather fine:

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145. The Bird and The Bee – Fucking Boyfriend

(Apologies if I seem to be rattling through these now. It’s because I am. Got a bit too engrossed in the rugby, see).

So, finally, the closing track from their first album “Life’s Too Good”, an album which properly introduced us to the wonderfully bonkers Bjork (though the Festive Fifty-topping “Birthday” had seriously whetted our appetites). This is one of the few songs in their canon not to include Einar butting in with an incoherent rant, a practice which always came perilously close to spoiling their songs in my book. Almost, but not close enough.

I was once discussing Welsh popsters The Automatic with a work colleague, who bemoaned the presence of Alex Pennie on their early records (Y’know, when they were kinda famous); he hated his vocal style and found him intrusive.

“Ah,” I said, nodding sagely “like Einar from The Sugarcubes.”

He looked at me blankly.

“I have no idea what you’re talking about.”

I have rarely felt older.

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146. The Sugarcubes – Fucking In Rhythm And Sorrow

That’ll do you for tonight.

More soon.