Friday Night Music Club Vol 50

So, here we are, Volume 50. I’m not sure I believe I’ve done so many of these, especially when you take into account the Christmas, Easter and Halloween editions which haven’t gone towards the total, and that I split the first six playlists (apart from Vol 3, which has been forever wiped from the annals of history, unless any of you downloaded it) into 22 more palatable hour-long chunks.

What follows is, as I mentioned previously, essentially a Friday Night Music Club Greatest Hits compilation, with a few others thrown in just to keep it…well, interesting, I hope. In reality, it’s just a load of my favourite records, many of which just happen to have featured in this series before. And no, not all of them are in anyway cool, but then neither am I. They do, however, make grear sin-a-long records should you elect to take drink when listening to this (which is recommended). Anyway, if I just featured the achingly-hip here, I’d be betraying the No Such Thing as a Guilty Pleasure tagline I cling to.

My thanks to my old buddy Richie, who I bombarded with the first and second goes at this, to seek his opinion and feedback. His response? “Genuinely, really good…even the dance stuff I’d never heard before”. I’m sticking that on the promo posters.

I should add that I’ve had at least another two goes at it since then. New songs added, some dismissed. The thing is, I kept haring songs and thinking: “Well, that should be on there!” I’ve had to just stop, and add those that I’ve missed to future volumes.

Let’s crack on, shall we?

Friday Night Music Club Vol 50

Here’s your track-listing with, as promised/threatened (delete as applicable), sleeve notes:

1, Saint Etienne – Join Our Club

No, I don’t know how I’ve managed to avoid including this appropriate little beauty for so long either!

2. The Cardigans – My Favourite Game

Just to hammer home the favourite records theme, here’s a couple of tunes with Favourite in the title.

I will always remember a conversation with an old mate, following the release of the Manic Street Preachers’ Your Love Alone is Not Enough, which featured lead Cardigan Nina Persson, when they revealed they hated that single becaue they hated Nina’s voice. Now, I totally get that some people’s voices just grate (see Ed Sheeran as a good example of someone who can make me turn the radio off whenever one of his dreary yet bafflingly succesful tunes is aired). But Nina Persson’s????? I haven’t spoken to this old mate in at least 20 years, and proximity is only part of the reason for that.

3. The Wedding Present – My Favourite Dress

Favourite tune #2. You didn’t really think I’d get through this without Mr Gedge making an appearance, did you?

4. PJ Harvey – Dress

I’ve said it before and I’ll say it again: I don’t post anywhere near enough Peej on here. Consider that partially rectified.

5. Buzzcocks – What Do I Get?

Back at college, I was in a band. Not a very good band, but a band nonethless. We mostly did covers of punk and new wave records: they were short, recognisable to the masses who flocked to our gigs (sense the tone), and most importantly, with barely more than three chords between them, piss-easy to learn. This was one of them: I even persuaded our lead singer to shout “Tricky guitar solo!” just as I’d seen Pete Shelley do on some old footage of the Buzzers (the Cocks?) do as that instrumental break hoved into view.

6. Super Furry Animals – God! Show Me Magic

You didn’t really think I’d get through this without Gruff and the boys making an appearance, did you? If this isn’t the greatest record ever to mention the lead singer’s hamster, then it has to be in the Top Ten at least.

7. Manic Street Preachers – Motown Junk

Just an absolute belter, with what would become standard Manic’s sloganeering (standard until Richie went missing. Did I ever mention I shared a cheese salad with him…? Yes I did.)

8. Half Man Half Biscuit – Joy Division Oven Gloves

Thanks to my brother, I own a pair. Best Christmas present ever. Apart from maybe the fake NME Brat Award he gave me for one of these mixes (true story).

9. Generation X – Dancing With Myself

Unlike the debunked theory that The Vapors’ Turning Japanese is about the joys of ononism, this probably is about exactly that. When I was in the aforementioned band, I wrote a song which referenced it – less subtly, it was called The Lonely Dance – and we used to dedicate it to someone we knew was in attendance whenever we played it. They felt cool because we’d name-checked them, everyone else would know we’d just called them a wanker.

10. Underworld – Cowgirl (Bedrock Mix)

You’ll have guessed from previous posts that I adore Underwold, so it’s a rare event when I hammer my flag to the mast and say: this is Underword’s finest moment and this is the finest mix of it.

11. LCD Soundsystem – All My Friends

Some years ago, my friend Matt and I were invited to provide the music for a mate’s 40th birthday, held in a little basement bar somewhere in That London. I went down the traditional route of preparing a mix, burning it on to a CD (I know? Imagine that!! So old fashioned…!) and handing it to the bar staff to play; Matt, who is much cooler than I am (I’m sure you’ll find that hard to believe) simply paired his phone to the speakers and DJ’d as he chatted, ate, drank and danced. He dropped this one, and the dancefloor emptied, leaving just me and him looking quizzically at each other as we continued to cut a mean rug between us. Where had everyone gone? Why weren’t they dancing?

Then someone approached Matt and, pointing upwards as if the speakers were in the sky, asked “What’s this? It’s ace!” (or words to that effect). And so, whilst we were baffled as to how nobody knew this absolute banger, we came to the conclusion: people around the 40 mark don’t like to dance in public to things they don’t know.

It is ace, mind.

12. Dizzee Rascal & Calvin Harris – Dance Wiv Me

I wish I could recall what Matt played next, but whatever it was it got everybody back on the dancefloor. I’ll say it was this. If not, Deee-Lite’s Groove is in the Heart (not featured here) is my go-to floorfiller.

13. Double Trouble & Rebel MC – Street Tuff (Scar Mix)

I’ve dropped this bon mot before I think, but many years ago I attended a house party in North London. Music was supposed to be provided by some DJ friends, but they had to drop out when they got an actual paid gig on the same night, the selfish sods. I was asked to help out and so I prepared 13 CDs, each an hour-or-so-long, numbered and to be played in numerical order, left them in a stack next to the CD player, so that if you were closest to the music box when one ended, you could just pop the next in the sequence in. They went from intro/welcome tunes to indie bangers to the-pills-should-be-kicking-in-by-now to comedown chillout tunes. This one featured somewhere in the middle, and a bloke I’d never met before or since approached me, hugged me, and thanked me for including it in my musical selection, before treating me to his break-dancing efforts, Which I really appreciated, obviously.

14. Lizzo – Juice

Shush! A rarity: something released in the last 10 years!

15. Girls Aloud – Love Machine

You didn’t really think I’d get through this without Sarah (RIP) and the girls making an appearance, did you? A song which will forever remind me of Llŷr, from when we played it in our guest DJ spot at a friend’s wedding, those attending went wild. Miss you bro, always.

16. Le Tigre – Hot Topic

At work team meetings, we now have a Hot Topic to discuss each month. I’ve suggested this as the theme tune to announce the start of the discussion. My suggestion has not yet been agreed.

17. Los Campesinos! – You! Me! Dancing!

Had any of them actually been Welsh, as opposed to having merely met and formed in Cardiff, then this would’ve featured in last week’s St David’s Day mix. But they aren’t, so it didn’t.

One of the many things I love about this record, is that bit towards the end, about it being a good idea to go paddling in a fountain on the way home from a night out. I know exactly which fountain they mean, and, as it was on my way home, the thought crossed my mind many times as I wobbled my way back home at 3am. And that’s because it really is a good idea. I was never brave/drunk/off my tits enough though. I feel like I’ve missed out, somehow.

18. Arctic Monkeys – I Bet You Look Good On The Dancefloor

Just wonderful. A piece to accompany the Dizzie Rascal tune which featured earlier, only with more Shakespeare references and much more sardonic intent.

19. Status Quo – Mystery Song

You didn’t really think I’d get through this without Francis and the boys making an appearance, did you?

This, from way back in 1976, just before they tipped over into cliche and parody of themselves, is unquestionably my favourite Quo song. It’s (RIP) Parfitt’s ode to a sex worker, set to a literally amphetimine-fuelled background. There’s a notorious story about how, one day in the studio, Rossi put a spoonful of speed into Parfitt’s tea, not expecting (he now says) him to drink it. But he did, and they left him in the studio, messing around with a riff – dink-dink-dink, dink-dink-de-dur-de-dink – and returned the next day to find Parfitt sitting exactly where they left him, playing the same riff – dink-dink-dink, dink-dink-de-dur-de-dink. Phew, rock’n’roll, eh?

20. Milltown Brothers – Janice Is Gone

An under-rated and generally unknown classic. The Janice in question is the much-missed DJ Janice Long, and you can read what I wrote when she passed away here, and here’s a post about an adventure I had with the band themselves, way back when (the download links are all dead on that one, let me know via the Comments if you want anything uploading again).

The only thing to add to that is a year or so later, the Milltown Brothers came round on the college circuit again. I said hello to them all post-gig, and one of them asked if we’d met before. I recounted the story about our last meeting, and, memories jogged, they plied me with booze and suspiciously constructed rollies. I passed out in the toilets, waking up after everyone had left the building, staggered home through the Welsh snow. I think I missed my train back home as a result; lawd knows what excuse I gave my parents (doubtless they will remind me if they’ve read this far).

21. Linda Rondstadt/The Stone Poneys – Different Drum

There are so many versions of this classic written by former Monkee Mike Nesmith out there – many of which have featured on these pages – but for my money this is the best, the absolute beauty, peerless.

22. Clout – Substitute

If ever there was one record that explained the “No Such Thing as a Guilty Pleasure” moniker under which this blog sits, it’s this one. I bought a compilation album called Guilty Pleasures Rides Again; this was on it and I couldn’t understand why anyone would feel guilty about liking it. I mean, it’s a stone cold banger, right? (Right!)

23. Billy Bragg – The Saturday Boy

In one of the first goes I had at doing this mix, Billy featured, but it wasn’t this tune, it was Sexuality, because it was much poppier than this. But that didn’t feel right, so I swapped it for this, Billy’s finest moment in my book. I’ve often said that, whilst his politics broadly chime with mine, it’s his love songs – or in this case, his unrequited love songs – which mostly hit the mark with me. I can never thank my old buddy Richie enough for pointing me in the direction of these songs from Billy’s back catalogue – albeit he played me The Man in the Iron Mask, and I was smitten – and since then, when I’ve wanted to persuade a mate of Billy’s relevance, this is my go-to song, because everyone has experienced the adolescent amourous rejection this song highlights.

24. The Go-Go’s – Our Lips Are Sealed

I’ve said it before and I’ll say it again: quite possibly the greatest pop song ever written…

25. The Waltones – She Looks Right Through Me

…although this pushes it pretty close. Pretty much the happiest night of my life was when, a few years ago, Richie and I saw The Waltones support The Chesterfields at the 100 Club in That London. After they’d played, I found myself standing next to lead singer James Knox; we discussed our ever burgeoning waistlines and our choice of t-shirt to either disguise or embrace it. He was wearing a shape-concealing black tee, I was wearing this:

…which, for the uninitiated is a reference to one of these bad boys:

26. The Chesterfields – Kiss Me Stupid

Since I’ve mentioned them, it seems somewhat churlish of me to not include something by them.

27. The Soup Dragons – Hang Ten!

Indie Banger. That is all.

28. The Smiths – William, It Was Really Nothing

Remember way back when we didn’t know Morrissey was a racist twat and could just enjoy the beauty of The Smiths’ records without feeling any guilt? Forget the current, live in the past for a few moments.

29. Kirsty MacColl – Free World

This is from 1989. You’d think things might have improved since then, wouldn’t you? But, nope: just as relevant now as it was 35 (yikes) years ago.

30. Johnny Boy – You Are The Generation That Bought More Shoes And You Get What You Deserve

Possibly the greatest song title ever. And the song’s not far off being one of the greatest anti-capitalist records ever.

31. Denim – Middle Of The Road

For my money, the song that properly kick-started the Britpop scene, and probably never bettered by any Union Jack wafting indie-kid underling. Surely, when it comes to unrecognised musical geniuses, Lawrence has to be at the front of the queue, right…?

32. Belinda Carlisle – Leave A Light On

Turns out the title of that Denim tune was an indicator to how we wrap things up here.

Apart from Johnny Marr (who I think appears on the Kirsty tune), Belinda is the only one to feature twice on this one. She was, of course, lead singer of The Go-Go’s, but it wasn’t until the band split and she went solo that Belinda became succesful on this side of the pond. I bloody love this song.

33. Dionne Warwick – Heartbreaker

Written by the Bee Gee boys, this seemingly effortless beauty is just one of the finest records ever.

34. Chas’n’Dave – Ain’t No Pleasing You

And to bring things to a close, this beauty.

Given their close association with Tottenham, I feel sorry for Arsenal fans, joyless vagrants that they are, for they can never admit to liking this.

And that’s your lot.

More soon.

Friday Night Music Club Vol 35

Well, whaddya know, it’s only Friday night again.

You’ll remember when I returned from my illness-enforced hiatus I mentioned I’d done a whole load of these hour long mixes. Well, that was true at the time, but the more I listened back to them, the more I found fault. A mix didn’t quite work out, the running order wasn’t right, always something. So most of those have been chopped around, joined together. Fiddled with, basically.

Except tonight’s mix, which has stayed very much as is since I first knocked it together. It’s taken this long to get round to posting it because…well, familiarity breeds contempt, and I found I much preferred the newer, shinier mixes I’d done in the meantime.

That’s not say it’s no good – I wouldn’t post it if I thought it was rubbish, or that nobody out there would like it. As mentioned in a recent post, there is some quality control on here, even if it isn’t always that obvious.

So what have I got for you this week? Well, a couple of remixes by The Avalanches kick things off, then we’re firmly in Indie territory, with a couple of ‘I remember this lots’, a few ‘I really loved this when it came outs’, a sprinkling of ‘I wonder what happened to them?’ and maybe more than one “Who??” There’s moments of intelligent articulacy, the finest use of a comedy car horn ever commited to vinyl (in a pop song), Marc Bolan gallantly joining in but forgetting what day it is, before we go camp with a capital C, A, M & P to bring things to a suitably proud climax.

Sounds good, right?

So, let’s crack on shall we?

Friday Night Music Club Vol 35

And here’s what you get:

  1. Manic Street Preachers – So Why So Sad [Avalanches Remix]
  2. Badly Drawn Boy – The Shining [The Avalanches Good Word For The Weekend Remix]
  3. Tiger – Shining in the Wood
  4. The Icicle Works – Love Is A Wonderful Colour
  5. The Crookes – Backstreet Lovers
  6. Gene – Truth, Rest Your Head
  7. Elvis Costello & The Attractions – New Amsterdam
  8. The Vaselines – Molly’s Lips
  9. Lloyd Cole & The Commotions – Rattlesnakes
  10. The Thrills – Big Sur
  11. The Upper Room – Black and White
  12. The Wedding Present – Everyone Thinks He Looks Daft!
  13. T. Rex – I Love To Boogie
  14. Leif Garrett – I Was Made For Dancing
  15. Tiga – Hot in Herre
  16. Patrick Hernandez – Born to Be Alive
  17. Pet Shop Boys – Go West

More soon.

Friday Night Music Club Vol 30

Here we go again, with the 30th instalment of our Friday Night shenanigans (actually, if you take out all of the early long ones, and instead count all of the shorter mixes I split them down into, this is the 46th volume).

Minor technical details aside, had I thought of it at the time then this would have opened with Happy Mondays’ Kinky Afro for its gloriously grubby “Son, I’m 30/I only went with your mother ’cause she’s dirty” opening gambit. But I didn’t think of it in time, so it’s not in here at all. I have admonished myself with a wet slipper across the buttocks and employed a young person to stand outside my window at night holding a sign which reads “Must Try Harder”. They should be along any moment now…

Ah yes, here they are:

Anyhoo, on to tonight’s selection, which sounds not just a little, but a lot like this:

Friday Night Music Club Vol 30

(I see that WordPress have been fannying around with their formatting again, and it no longer gives me the option when posting that link to set it to open in a new window, as I usually do, so you’ll just have to manage that yourselves, I’m afraid.)

Here’s your track-listing, but no sleeve notes this week, I’ve simply not had time (and yet I did have time to write all that tosh in the intro, what of it?). All I would say is that I was going to subtitle this one “There Really Will Be Salad” and provide a link to great blog, but it seems to have disappeared from t’internet completely – anyone know what happened?

Also, assuming I’ve not omitted to tag them properly in previous posts, this one includes three acts that have never appeared on these pages before (and yes, I’ve just wasted even more time checking that). See if you can guess which three (who says I don’t know how to have fun?):

  1. Gene – You’ll Never Walk Again
  2. Fleetwood Mac – Dreams
  3. The Cranberries – Dreams
  4. Jamie T – Zombie
  5. Boys Town Gang – Can’t Take My My Eyes Off You
  6. Sly & The Family Stone – Dance To The Music
  7. Mary J. Blige – Family Affair
  8. Malcolm McClaren – Double Dutch
  9. Neneh Cherry – Buffalo Stance
  10. Toots & The Maytals – Monkey Man
  11. Buffalo Tom – Tree House
  12. Salad – Motorbike To Heaven
  13. Manic Street Preachers vs Apollo 440 – Motorcycle Emptiness (Stealth Sonic Orchestra Remix)
  14. Embrace – All You Good Good People (Orchestral Mix)

By the way, you’ll doubtless have noted a bit of an animal theme in there; entirely coincidentally, over at the ever wonderful No Badger Required blog, SWC is running a typically wonderful “Month of Beasts, Bugs, and Birds”, the latest installment of which you can find here.

Anyway, that’s yer lot for another week.

More soon.

Friday Night Music Club Vol 5.3

Well, we seem to have made it to Friday Night again, which means it’s time for the next session of Music Club mixes, and speifically, Volume 5.3.

And you’ll be surprised to learn that, despite that dancing Darth gif up there, I haven’t included Can You Feel The Force? or any other Star Wars related tunes, nor anything by The Beautiful Sith in this one. Trust me though, had I stumbled across the gif earlier than I did, I would probably have redone the mix to include any and all of them.

“So what have I got lined up for you this time?” I sense you yawn.

Oh you know, just the usual mish-mash carefully crafted mix of house classics, unforgiveable Europop, a bunch of truly great 60s and 70s cover versions by 60s and 70s artists, followed by a veritable deluge of indie classics before rounding things off with an utterly filthy (even by their standards) tune by GLC which definitely deserves one of these:

Sounds good, no? No? What do you mean “no”?

*Sits in the corner, arms folded, glowering*

Right, let’s crack on then shall we? Off we pop with 19 songs and 2 guest vocalists in 62 minutes:

Friday Night Music Club Vol 5.3

And here’s your track-listing and sleeve notes:

  1. Farley ‘Jackmaster’ Funk feat. Darryl Pandy – Love Can’t Turn Around

Eschewing my usual slow-burner start for this House classic, and part of a two-header of songs with guest vocalists. I hated this when I first heard it, on an edition of Top of the Pops back in 1986, which is no surprise given my aversion to any record which didn’t feature guitars. At the time I considered it just a fat sweaty bloke bellowing over some synths. How wrong is it possible to be?

2. Bran Van 3000 – Astounded

And that’s none other than Curtis Mayfield providing the vocals. OK, strictly speaking it’s a sample, but it’s not quite as straight-forwards as that; this explanation from wiki: “Bran Van 3000 member James Di Salvio approached Curtis Mayfield with the idea of collaborating months before his death in 1999. Mayfield was too ill to contribute a vocal, but weeks before his death, he gave Di Salvio permission to pull through his archives, which is where he discovered an unused vocal Mayfield recorded in the 1980s. With Mayfield’s permission, that vocal was incorporated into “Astounded.”

3. Moony – Dove [I’ll Be Loving You] (T&F vs Moltosugo Radio Mix)

Cheesy Europop ahoy! Actually, I really like this one, especially this mix, which is the bestest of all the mixes, with the possible exception of the Almighty Records remix, which I definitely didn’t try and blag a free copy of from Hel when she used to work there.

4. DB Boulevard – Point of View

Ok, you could argue that this is a tad on the Europop side too, but it contains a sample from ultra-cool French band Phoenix’s Heatwave, which lifts it above other songs which fall into that category.

5. Stevie Wonder – We Can Work It Out

On to some cover versions, and a bit of class. This is from Wonder’s wonderful 1970 Signed, Sealed, Delivered album, which also contains a song called Never Had a Dream Come True, which is definitely not the same song as the one S Club 7 had a hit with in 2000.

6. Nancy Sinatra – Day Tripper

Nancy turned 83 this week. And this sassy, parping version of The Beatles tune is just fabulous. So there.

7. Yvonne Elliman – I Can’t Explain

If ever a singer needed to have her career written about, then it’s Elliman. Born in Honalulu, she moved to London and began singing in bars and clubs in 1969. She was discovered by Tim Rice and Andrew Lloyd Webber, who asked her to sing Mary Magdalene’s part for the original audio recording of Jesus Christ Superstar which featured Deep Purple frontman Ian Gillan singing as Jesus. She later joined the stage show’s traveling cast, and moved to New York in 1971 for the Broadway production of Jesus Christ, Superstar, and sang backing vocals on Eric Clapton’s version of Bob Marley’s I Shot the Sheriff, went on to tour as part of Clapton’s band and appears on four of his albums. In 1977, the Bee Gees wrote How Deep is Your Love for her, but they were over-ruled by record boss Robert Stigwood who wanted the Gibb brothers to record it. Instead, she was given If I Can’t Have You; both songs appear on the soundtrack to Saturday Night Fever, and her song went to #1.

This cover of The Who song features on her 1973 album Food of Love, and you can spot the influence of living in early 70s New York; Fatboy Slim certainly could, sampling it on his single Going Out of My Head, which was the third and final single from his ruddy-brilliant debut album Better Living Through Chemistry.

8. Clout – Substitute

I bloody love this record so much. And it’s a cover of a song by The Righteous Brothers. No, really.

9. Erasure – Stop!

What were/are Erasure, the fourth or fifth stage (after Depeche Mode, Yazoo, The Assembly…did I miss anything from his highly prolific career…?) in Vince Clarke’s plan for world domination? Of course, his most succesful and enduring collaboration came when he paired up with flamboyant son of Peterborough Andy Bell (not to be confused with the Ride/Oasis/Hurricane #1 guitarist of the same name, of course). I did a search to see how many other famous people come from Peterborough, and namaged to track down about 15 of them. My name was not included (yet).

10. The Flaming Lips – The Yeah Yeah Yeah Song

American psyche-rock group in political song shocker! The main thrust of this seems to be: you think politicians are all corrupt, power-mad warmongers? How well would you do in their position?

11. Violent Femmes – Blister in the Sun

Opening track from an actually perfect debut album. But you knew that already, right? Gawd knows I’ve mentioned it enought times on these pages.

12. Idlewild – You Held The World In Your Arms

The biggest hit from these Scottish indie scallywags (not that it’s up against much competition…)

13. Pixies – Allison

You don’t need me to tell you why this is ace, do you? (Part 1)

14. Primal Scream – Ivy Ivy Ivy

Should you ever need confirming just how influential Andrew Weatherall was on the Scream’s 1991 classic Screamadelica, then just cock an ear in the direction of the albums they released before it, like their eponymously-titled second album, relesed two years earlier, from wnce this is lifted.

15. The Jesus & Mary Chain – Taste of Cindy

You don’t need me to tell you why this is ace, do you? (Part 2)

16. Manic Street Preachers – Faster

When they burst onto the scene with their feather-boas and eyeliner back in 1992, they announced their debut album Generation Terrorists would be their only record. The idea of making one great record and then disappearing completely seemed impossibly cool. Thank goodness they resisted the temptation, or we would never have got the utterly brilliant in-your-face The Holy Bible two years later, and by extension, this.

17. The Smiths – What Difference Does It Make

Still gives me goose-bumps and makes me want to whirl my cardigan around the room all these years later, irrespective of what a twat he is these days.

18. Echo & The Bunnymen – The Cutter

Ditto, only substitue whirling my cardigan for standing in a raincoat looking dour.

19. Goldie Lookin Chain – Sister

Utter filth. You’ve been warned.

That’s yer lot for another week. Next time, I’ll be polishing off the admin that is posting these split down Volume 5’s, and we can get back to normal again.

    By which I mean: more soon.

    It Was 30 Years Ago Today…

    For some reason, 2022 is throwing up all sorts of milestone anniversaries.

    I say “for some reason”, it’s not really that complicated: time passes, things that happened in the past happened on certain days, sometimes those days coincide, if not in days, then in years.

    For example: we all recall the celebrity death cull that was 2016. Six years ago. OK, it’s not a nice round figure this year, like, for example something that happened thirty years ago, but all those deaths have an anniversary this year. And every year.

    I try not to focus too much on the sad times, but when the anniversary of a special record comes around, then I’m more than interested.

    And that’s where we are today, for it was thirty years ago today that this got released as a single:

    Manic Street Preachers – Motorcycle Emptiness

    To this day, I still think this is their finest moment (although often Motown Junk runs it pretty close), never equalled, never bettered.

    And then I learn that this came out 30 years ago, and I suddenly feel very old indeed.

    They’re still going, are the Manics, despite their pledge back in the day that they would make one album and then disappear. I can’t honestly say I’ve listened to, let alone bought, any of their records for quite some time now; they seemed to be treading water in a way that they probably wouldn’t be were Richie still around and contributing his amazing lyrics.

    Back then, they weren’t the stadium rock outfit they are now: they were simply not like anything else on offer at the time. They dressed in pink feather boas and big plastic sunglasses, spray-painted slogans on white jeans and tee-shirts, and back in 1992, just as Madchester was dying a death, there was nobody else doing that, or going: “More guitars and songs about eating disorders is what’s needed!”. Plus, live Nicky Wire and Riche looked like they were having so much fun, strutting and swirling and preening whilst singer/lead guitarist James and drummer Sean held it all together, it’s no wonder the first time I saw them I thought they must be miming.

    Anyway, as a special anniversary treat, here are the extra tracks that featured on a the CD single, one of which is a particularly punchy Alice Cooper cover, another a live version of track from their Generation Terrorists album:

    Manic Street Preachers – Bored Out Of My Mind

    Manic Street Preachers – Under My Wheels

    Manic Street Preachers – Crucifix Kiss (Live 1992)

    God, I feel old.

    More soon.

    R.I.P. CC

    It’s been a pretty shitty week for celebrity deaths, as it goes.

    For not only did we lose Andy Fletcher of Depeche Mode and Ray Liotta, a fine actor best know for his starring role in Goodfellas – one of the greatest gangster movies ever made – we also lost Cathal Coughlan.

    Cathal is best known for a) having an often mis-pronounced name, and b) being the lead singer of both Microdisney and Fatima Mansions.

    Microdisney’s Crooked Mile album, whilst disliked by their hard-core fans as being a bit too light and accessible, is a keystone record in my musical development. When my old buddy Richie first played me The Smiths, Billy Bragg and The Chesterfields, said Microdisney album was also popped onto the turntable.

    I see what the die-hard fans mean, because I find their earlier stuff impenetrable, and by comparison the songs on Crooked Mile a near-perfect mix of pop sensibilities and challenging lyrics.

    A couple (well, three actually) of examples:

    Microdisney – Armadillo Man

    Microdisney – Big Sleeping House

    Microdisney – People Just Want To Dream

    Having just discovered them, I was sad when Microdisney split up, but delighted when one day, watching the much missed SNUB TV, this popped up:

    As I said on Twitter when I read of his passing, nobody did righteous fury and anger better than Cathal, and here’s a prime example, a record I *coughs* acquired on white label back when I was a DJ at college, and which has never left my collection since. Whoever nicked all my Smiths albums and 12″s (amongst other things) didn’t know what they left behind; with it’s description handwritten in pencil it’s priceless to me:

    Fatima Mansions – Blues for Ceausescu

    And it shouldn’t be forgotten that Fatima Mansions had a top ten hit (in the same way as Billy Bragg had a #1, riding on the coat-tails of Wet Wet Wet), acting as the flip on the double A-side of the Manics cover of the M.A.S.H. theme tune, with their irreverently fucked-up version of a record which massively outstayed its welcome in the #1 slot:

    Fatima Mansions – Everything I Do [I Do It For You]

    Manic Street Preachers – Theme From M.A.S.H (Suicide Is Painless)

    And we shouldn’t over look his similarly scathing version of R.E.M.’s horrible Shiny Happy People:

    Fatima Mansions – Shiny Happy People

    Goodbye, demented genius. Rest easy.

    More soon.

    Meaty, Beaty, Dead and Buried

    So, for the second week running, I find myself having to write about the passing of a legend. Last week I dodged the sadness of Ronnie Spector’s death by passing it to a fellow blogger who had already written a beautiful piece which said all that I wanted to say, but I suspect the love from the blogging community at the news that Michael Lee Aday aka Meat Loaf has died may be a little thinner on the ground.

    So here’s the first thing I want to say: Bat Out of Hell is a great record. Just because it’s one of the most commercially successful records ever does not make it a bad record. You know that phrase: 50,000,000 Elvis Fans Can’t Be Wrong? Well, yes they can, but in the case of Bat Out of Hell (and, fair dues, Elvis too) they’re not.

    I’ve written about my love for that album before, here, should you wish to check it out.

    Although he hasn’t made a record I liked for 40 years or so, and anything he did release which didn’t involve Jim Steinman should really be avoided, I loved Meat Loaf for he was the soundtrack to a part of my youth.

    There was a really good documentary on BBC4 last night about him, called Meat Loaf: In and Out of Hell which I can thoroughly recommend. If you’re in the UK it’s currently available to stream on the BBC iPlayer.

    But I’ve noticed a worrying trend starting with these two most recent celebrity deaths. Is there a link? Or is this just a way for me to shoehorn a loads of great songs into one post?

    Well, the latter, obviously.

    I speak of course of the By My Baby drums.

    Listen to this:

    The Ronettes – Be My Baby

    That there drum fill at the start of the record, echoed throughout, is an iconic pop sound, often lifted, appropriated, referenced, stolen, call it what you will by acts that followed.

    For example, here’s a song by Meat Loaf which has it all the way through:

    Meat Loaf – You Took The Word Right Out Of My Mouth

    So if the curse of the Be My Baby drums is true (which it isn’t) then this lot need to start worrying:

    Bat For Lashes – What’s a Girl To Do

    and:

    The Jesus & Mary Chain – Just Like Honey

    and:

    Manic Street Preachers – Everything Must Go

    and:

    Camera Obscura – Eighties Fan

    and:

    Car Seat Headrest – My Boy (Twin Fantasy)

    and:

    Lana Del Ray (feat. The Weeknd) – Lust for Life

    (Tempting fate a bit with that title, Lana…)

    and finally:

    Amy Winehouse – Back to Black

    Ah. Fair point. Bit late to warn her, I suppose.

    Still, this just proves my point (which I’m obviously not seriously making).

    Anyway…

    More soon.

    Friday Night Music Club

    For quite some time now, I’ve been pondering what it is that is preventing me from posting with the same regularity as I was last year.

    I’ve worked it out.

    Regular readers will know that I generally sit on a Friday night, have a few drinks and write posts for the next week. But for a while now, I’ve become preoccupied on doing a new mix.

    Warning: artist at work excuse incoming.

    See, whilst they seem remarkably unpopular, I really enjoy piecing together a long playlist/mix/call it what you will, and that inevitably means a few drafts which don’t quite, to quote Echo & The Bunnymen, cut the mustard.

    So, I’ve been working on this mix for some time now, but somehow something always seemed to prevent me from finishing it, be it me tinkering with the running order, or thinking of new tunes to toss in, or some kind of technical calamity, or (more often) listening to it and realising I’ve utterly messed up a mix and I simply can’t bear to have anyone else listen to it.

    I’m not going to pretend all of the mixes between tunes here are perfect – there’s at least one which I know isn’t – but I’ve reached the point where it’s close enough to let it go and move on to something else, before I drive myself mad searching for perfection.

    So here’s my latest mix, imperfect though it may be; frustrating as it has been, I really like this one, which starts off in the usual way – slowly – before getting into a groove which includes Kings of Leon from before they went stadium and knew how to use a cowbell, a new(ish) track by The Chemical Brothers, an obligatory Soulwax remix, two of the finest female pop stars going: Miley Cyrus & Dua Lipa (not on the same tune, sadly), the occasional hidden ‘joke’ (by which I mean it seemed funny when I first put the songs together, less so now), via Madonna having a short chat with Johnny Cash.

    It’s the usual mix of songs you love, songs you’ve forgotten about, and songs which make you think “What the hell has he put this on here for??”. Some might say eclectic, but I couldn’t possibly comment. Think mainly Indie guitar stuff, with a few dance tunes, 80s pop songs and a couple of timeless classics – at least one of which you probably won’t have heard before – thrown in.

    As always, no track-listing – I like to imagine your faces when the next song kicks in – but there’s a list of featured artists on the right hand side in case you want to see what you’re letting yourself in for. Which is a treat, obviously. If you desperately need to know what a track is, either Shazam it or, if you’d like to feed my ego, ask me via the Comments at the bottom of this post.

    Usual disclaimer: any skips and jumps are down to the mixing software; any mis-timed mixes (and, as I say, there is at least one) is down to me. Either way: Sorry!

    One more thing: you may recall that last time out I mentioned that my brother had said he managed to predict what I was going to play next, which annoyed me greatly. No such criticism of the last mix, although he told me he listened to it whilst out on his morning run, so some of the sudden gear changes weren’t helpful. I’ve tried to rectify that this time, with a relatively steady beat and tempo maintained throughout (after you’ve got past the traditional slow start) for those of you who listen to this whilst doing your exercises (not that I really understand what that means). The danger was that it would denigrate into either a Ministry of Sound pumping dance mix or a Top Gear/Best Driving Songs…in the World…Ever! playlist, but I think the song choices just about keep us on the right side of that happening.

    Let’s say it starts slowly, gets into a groove, and then has more false endings than a Status Quo single.

    I’m a bit annoyed that since I first decided to include it, at least on song here has popped up in an advert – and you know how I feel about them – for burgers, of all things. Rest assured, the advert in question was not the inspiration for the song’s inclusion. You’ll know it when you hear it, I think.

    Oh and there are several songs which feature effing and jeffings – “sexual swear words” as Simon Bates used to say at the start of videos – so please avoid if you are easily offended by unfettered vulgarity and sauciness. Look, there’s a Goldie Lookin’ Chain tune which is probably the rudest and most inappropriate (but funny) thing I’ll ever post, so beware.

    For a limited time (until I do another one, so y’know, could be months), you can stream or download it via Soundcloud here.

    More soon.

    Late Night Stargazing

    In case you were wondering about the somewhat erratic nature of my recent posts, I’m in the middle (hopefully) of a bout of insomnia.

    I simply cannot sleep at night, but as soon as I’ve finished work and my arse has hit the settee, I’m out for a couple of hours, which of course means I can’t sleep that night, and so on and so forth ad infinitum.

    What this means is that I end up laying on the sofa at ouch o’clock, trying to find something mind-numbingly dull enough to send me to sleep.

    It hasn’t worked yet.

    What has evolved is a routine of programmes I end up watching: Premiership Years on Sky Sports (“I’ll go back to bed as soon as Spurs are mentioned…wait, which year is this? Who was managing us then…?”), any episode of Police Interceptors, or something of it’s ilk, hopefully one of the episodes set in rural Wales where PC Paddy Duwayne is the hero, snuffling out bail absconders from underneath beds or behind doors; and if I’m still awake at 4:30 (which I am) then The £100K Drop with squawking Davina (“I love these guys!”) kills an hour, and then it’s time for a repeat of Countdown followed by a couple of episodes of Cheers (which is just as brilliantly written and acted as I remember; I imagine you can stream them on All4 and if you can I’d heartily recommend you do) and then…oh, time for work,

    But the other night, I caught a large chunk of a Manic Street Preachers gig, filmed in Manchester to promote the launch of their Everything Must Go album. Billed as their “comeback concert”, it was the first time they had performed since guitarist, lyricist and cheese salad sharer Richey Edward had gone missing several months earlier.

    I flicked on to the channel just as they were launching into a rousing version of Motown Junk, my favourite Manics tune, much posted on these pages before. What I don’t know if they played – but given it features a harp, I somewhat doubt it – is this absolute beauty from the same album, one of those rare moments when lead singer James Dean Bradfield actually sings, rather than shouts (not a criticism, by the way – just my way of saying he’s actually got rather a nice singing voice which doesn’t get trotted out enough):

    Manic Street Preachers – Small Black Flowers That Grow In The Sky

    More soon.

    The Chain #46

    I got quite excited the other day, when I went into my Drafts folder and saw this title.

    “Zut alors!” I exclaimed, thinking that I must have at the very least started writing the next installment of The Chain. And that I was French or German or whatever that language is.

    But no, my laziness and ineptitude was laid out there before me, for all I had done was write the title, and that was it. Classic me, if my deadline nightmares are anything to go by.

    Anyway, hello, and welcome back to the latest in what is turning out to be an increasingly infuriating occasional series: The Chain.

    But at least it’s here, right? We all need distractions and things to think about at the moment, things to fill the time, and surely there’s no finer way to spend some time than reading what folks from all around the world can link to one particular song. It’s what Covid-19 was invented for, surely.

    A brief reminder for those new to the shnizz we get up to here: we’re working our way through the songs played on The Chain section of Radcliffe & Maconie’s 6Music show, coming up with alternative suggestions, and listening to them all instead of just the one (Mrs Wembley). 80s sitcom gag, there, to help you acclimatise to the level of writing you can expect should you venture further.

    I used to write these once a week, but then couldn’t be arsed lacked inspiration for a year or so, brought it back and suddenly find myself wondering where the days/weeks have gone and how it’s got to the point where I really should have written it by now has arrived.

    Anyway, blah blah blah poor old me….let’s be off.

    This episode, just to be different, we’re not going to start with the source record from last time. Well not quite, anyway.

    No, instead, we’re going start with the first part of one of Rol from My Top Ten‘s suggestions:

    The album version of Tubthumping opens with an inspirational quote from the great Pete Postlethwaite, taken from the movie ‘Brassed Off’…

    Dammit, it’s done my head in for years trying to remember where I recognised that from! Cheers, Rol!

    Chumbawamba – Tubthumping (Album Version)

    Before we go any further with Rol’s suggestion, I’ll hand you over to one of the two people who insist on emailing me (which is fine, by the way) their suggestions rather than popping them in the Comments section:

    You may recall that last time out The Great Gog got a little obsessed with the county of Hampshire. And rightly so: if Hampshire had a church steeple with a 123-metre spire, then them pesky Ruskies would be queuing up to smear Novochok all over it and any corporate Italian restaurant chain in the immediate vicinity (I’m nothing if not topical).

    Anyway, things don’t appear to have changed much in the Land of the Gog:

    The album containing Tubthumping is Tubthumper.

    Thumper is a rabbit in the animated film Bambi.

    There are lots of cartoon rabbits in the animated film Watership Down.

    Watership Down is set in some Hampshire fields – which could take us all the way back…

    Art Garfunkel – Bright Eyes

    Is it too early to be handing out points for Comments Showboating? I think not: POINTS!

    By the way, I’m not going to post the Points Table every time I write one of these, as nothing much will change from one post to another. It’d be like looking at any sports league table over the past four weeks. I’ll update things and do it every couple of posts or so.

    Or…The Great Gog continues…stretching the link to breaking point (You’re by no means the worst cuplrit, fill your boots)…given my ramblings above…[this] would seem appropriate:

    Bright Eyes – Down in a Rabbit Hole

    Which gives me an unexpectedly early opportinty to to dust off my catchprase (he says, as he dons a spangly suit).

    *Ahem*

    Well, if you’re having that, then [all together now] I’m having this:

    Chas & Dave – Rabbit

    Sorry, Rol, where were we?

    The soundtrack to Brassed Off was performed by the Grimethorpe Colliery Band, Rol continues. The Grimethorpe Colliery Band also played on this famous John Peel favourite:

    Roy Harper – When An Old Cricketer Leaves The Crease

    Next up, over to The Robster from the annoyingly still dormant Is This the Life blog who offers this:

    All I could come up with is Get Up by R.E.M. but I’m sure I can come up with something else given time. Probably got, what, 18 months before the next installment? which is a bit rich, coming from the man who only posts anything at the end of the year. Go on click that link to his blog, let’s see if we can’t get him back in action. Your country needs you, Rob!

    I posted the album version of this song not so long ago in my I’m Not Too Keen on Mondays series, so here’s a slightly different version, a live one, which pops up as one of the bonus tracks on the Collector’s Edition of the Shiny Happy People CD single.

    But since the band themselves have practically disowned that single (guitarist Peter Buck once described it as “relentlessly upbeat” and also said “If we did one of those per record, I could see how it could get a little embarrassing”) maybe we should too; it’s notable for it’s absence from many of the Greatest Hits compilations, despite it being their =4th biggest hit in the UK (after, in reverse order: Leaving New York (#5), E-Bow The Letter (#4) and The Great Beyond (#3))

    They weren’t so embarrased by it that they declined to do this, though (and who could blame them: would you turn down the chance to appear with the Muppets on Sesame Street???)

    I love that the female vocalist is a Muppet who looks like Kate Pierson from The B-52s who, as you all know, provided the additional vocals on the single.

    But I digress: this version is neither the album version nor the tucked-away-on-a-limited-edition-CD single version, but one I *coughs* obtained from a long gone and much missed blog called (I think…) The Independence of Tractors (long-time bloggers and blog followers may be able to jog my memory….I’m thinking of featuring this soon and would like to accredit, so if anyone has any info….y’know….), who once posted the whole of the band’s Tourfilm DVD as a series of mp3s:

    R.E.M. – Get Up (Tourfilm Version)

    Onwards, then, to the next suggestion, and to Alyson from What’s It All About? who proffers this:

    I got a bit worried when you mentioned Jarvis and his controversial stunt at the Brits as I remember whose expense it was at. But no, it was our friendly water boys who if I remember correctly soaked Two Jags Prescott. Sticking to my Scottish band theme I’m therefore going to go with The Waterboys for the next link and sticking with my “water” theme in this comments box, the song….

    The Waterboys – Fisherman’s Blues

    I think I should step in and clarify that, according to their Wikipedia page, they’re a Scottish-Irish band..

    Anyway, nice of you to bring up the subject of Chumbawamba’s dust up with John Precott at The Brits, as this gives us licence to go off at a bit of a tangent.

    To start things off, here’s George:

    A Chumbawumba was involved in an altercation with then deputy PM John Prescott, who was the MP for Hull. Also from Hull was Mick Ronson, who played guitar on:

    Lulu – The Man Who Sold the World

    It’s not really a surprise that Ronson was involved, given who wrote the song and who – keen-eared listeners will have noticed – also provides backing vocals on that: one Mr D Bowie Esq.

    George adds: I was going to go from John “Two Jags” Prescott to The Jags and Back of my Hand, but changed my mind.

    What, and you think that’s going to stop me posting it? Of course you don’t, you know I won’t be able to resist:

    The Jags – Back Of My Hand

    Since we’re on Prescott, indulge me for a moment with my two favourite clips involving him. The first isn’t really about him, but it is from a documentary he made back in 2008 called Prescott – The Class System And Me:

    I guarantee you, she voted Brexit.

    And then there’s this notorious clip:

    In his defence: a) what would you do if someone chucked an egg at you? and b) later (admittedly when he’d had time to get someone else to write a witty response think of something clever to say, he came up with this: “Well, Tony Blair asked me to go out and connect with the electorate….”

    Anyway, that leads me to my next suggestion of the week:

    The Chemical Brothers (feat. Tim Burgess) – The Boxer

    Over now to Martin from New Amusements who proffers this Prescott related…um… jewel, I guess:

    Like George, I’m going with a John Prescott connection, but hope to craft mine into a Double Linker. Yes, Danbert Nobacon once up-ended an ice-bucket over John Prescott at the Brits, but John Prescott was also memorably once replaced on ‘Have I Got News For You’ with a tub of lard, so I can surely claim a double link to Tubthumping for anything lard-related, so I’ll pitch:

    The Shirehorses – If You Tolerate This Piss

    He’s not done yet: …which, lest we forget, featured Marc “Lard” Riley. Since this is also about drinking, much like Chumbawumba’s chorus, could this be a Triple Linker? And maybe a point for worst suggestion of the week?

    I don’t think I can refuse, can I, dear reader? It’s unquestionably the worst record of the week (POINT!) and he has managed to get a triple link out of this, the first time this has happened as far as I can recall (Ermmmm…points, I guess….).

    I think we need to cleanse our palate a little, and remind ourselves that Martin could easily have dodged the sub-Barron Knights tosh that is The Shirehorses by referencing it and then directing us to this:

    Manic Street Preachers – If You Tolerate This Your Children Will Be Next

    Which brings me back to Rol, whose first suggestion was this:

    The Manic Street Preachers must be guilty of Tubthumping, since that’s what Street Preachers do.

    Alice Nutter was in Chumbawamba. The Manics once covered an Alice Cooper song. So…

    Manic Street Preachers – Under My Wheels

    If that’s not a double-linker, than I don’t know what is.

    Well, yes, Yes it is. POINTS!

    Anyway, for continuity purposes, take a step back. If You Tolerate This… was the band’s first #1 single in the UK (I’m sure this can all be traced back to a shared cheese salad…) and it contains the line “Well, if I can shoot rabbits, then I can shoot fascists”, which leads me to another draft post of mine which I never got round to finishing. And neither Chas nor Dave are anywhere in sight.

    This one even had a semi-clever title: “You’re Not The One For Me, Fascist”.

    I’ll hand over to the ever wonderful Charity Chic to explain:

    Chumbawumba recorded a song with Credit to the Nation called ‘The Day the Nazi Died’…

    Chumbawamba & Credit to the Nation – The Day The Nazi Died (1993 Mix)

    Ordinarily, I wouldn’t allow a suggestion which was simply “X recorded the source record, and they also recorded this”, but since this was a collaboration with the frankly quite marvellous Credit to the Nation, I’ll let it slide.

    Plus: Charity Chic has a point to make:

    ….Morrissey (who may or may not be a Nazi) – he continues (“Not my words, the words of Top Gear car magazine!”) had a song called:

    Morrissey – First of the Gang to Die

    …And he is a bit of a tub these days who could probably do with a good thumping…Charity Chic signs off.

    Just in case you’re not sure what CC is banging on about, or on which side of the fence you should be sitting when it comes to the whole “Is Morrissey a racist?” question, well I’ll leave you to make your own mind up.

    And here to help you is a picture of him performing live on The Jimmy Fallon Show in May 2019:

    And here’s a close-up of the badge he’s wearing on his lapel:

    In case you’re not familiar with it, and I hope you’re not, that is a For Britain badge.

    For Britain are not nice people.

    Oh my, indeed.

    Here’s my rule of thumb when it comes to Morrissey, which you are welcome to adopt: yes, when he was in The Smiths he made some inflammatory comments in interviews, but none of them leaked into his lyrics. Since The Smiths split and he went solo, they have. Regularly.

    So: The Smiths – fine to still express love and admiration; Morrissey solo – tread carefully.

    Which leads me to a suggestion from Jules of Music From Magazines fame, which *checks notes* I’m disqualifying becuase *checks notes*…well, I’m not sure why to be honest, but I am and that’s that:

    Carrying on with the high five, Mel Brooks ‘Hitler Rap’

    Ah now, I remember; in response to Charity Chic’s anti-Moz post, Jules responded: A high five for that and I don’t think that’s enough to allow it.

    Yes, I am a strict Taskmaster, and yes, Greg Davies, watch your back!

    What else have you got, Jules?

    As I am a tad partial to a cider drink or eight anything I suggest at closing time will make sense….

    I beg to differ, but nonetheless:

    Tom Waits – Closing Time

    Please allow me to interject with something more cheerful but less good:

    Semisonic – Closing Time

    And then with something less good and less cheerful:

    Leonard Cohen – Closing Time

    Ok, who’s left?

    Well, long time readers of The Chain will know that certain things crop up repeatedly. For sure is eggs is eggs, someone will suggest either a record by The Clash or Bruce Springsteen just to annoy George, and Jules will suggest something by Lambchop.

    No, not that Lambchop….

    So let’s unclasp the shackles and let Jules free; I have to say that I almost rejected all that you are about to enjoy, until I thought about his first suggestion a little harder:

    Any crossword fan would see the anagram “wham bam Cuba” and the country’s name was nailed by the Gibson Brothers:

    Gibson Brothers – Cuba

    Don’t think Debbie Gibson was related but her role in the film “Mega Python vs. Gatoroid” was ably supported by Tiffany...

    Tiffany – I Think We’re Alone Now

    Whoa there! You can’t mention Debbie Gibson and expect me not to slide this in, for no other reason than to direct you away from the schmaltz:

    Mojo Nixon & Skip Roper – Debbie Gibson Is Pregnant With My Two Headed Love Child

    Well, that hasn’t lost any of it’s charm, has it?

    Right, where were we? Ah yes, with Jules. Off you go, feller. Pretend I said nothing. I promise not to interupt again.

    Ah yes “Breakfast At Tiffany’s”, not that song

    What, this song….? (I lied)

    Deep Blue Something – Breakfast At Tiffany’s

    Jesus, I’d forgotten how much I hate that record.

    …not that song, but the film that featured Moon River...

    This..?

    Audrey Hepburn – Moon River

    At last! A bit of class is introduced around these parts!

    Oh wait, he’s not done yet.

    …but more importantly was based on a novella by Truman Capote. Harry S. Truman was the 33rd U.S. president, the 37th was Richard Nixon….

    Lambchop – The Old Gold Shoe

    There it is! Normality restored.

    Where next? Step up to the plate, if you will, Rigid Digit:

    Tubthumping – a synonym for drumming (or it is in my world anyway).

    Drummers doing solo singles? Not a rare thing. Plenty of stuff from Ringo…

    Ringo Starr – It Don’t Come Easy

    ….and Phil Collins

    Phil Collins – In The Air Tonight

    Now, let’s be honest: every time we’re unlucky enough to hear that, all we can really think of is this:

    …Dave Grohl left the drum stool, strapped on a guitar and became Mr Foo…which sounds like a George Formby record (“Oh Mr Foo, what shall I do…? A niche joke, I know), but I’ve gone off at enough tangents, so we’ll leave that.

    Foo Fighters – The Pretender

    Even Keith Moon managed a solo album (word of advice: approach with caution).

    I have to draw the line somewhere…

    But I’m choosing the drummer who was invited to join the reformed ELP in the mid-80s for two reasons:

    1) He was a great drummer

    2) His surname began with P

    Cozy Powell – Dance With The Devil

    Let’s hand the baton on to Walter from A Few Good Times In My Life:

    The main thing of Tubthumping is keep your head up whatever will be. This leads me to:

    Curtis Mayfield – Keep on Keeping On

     …otherwise by…

    The Redskins – Keep On Keepin’ On!

    If I could award points for Best Record of The Week, that would win, hands down.

    Back then to some email submissions I received, and I’ll hand over to Pat from phonicpat for a bit:

    “….a couple of suggestions – a link to a thumping:

    Earl Vince & The Valiants – Somebody’s Gonna Get Their Head Kicked In Tonite

    This song has featured in The Chain before so strictly speaking should be disqualified, but looking back I see that both this and The Rezillos version were suggsted at the same time, and, unable to choose between the two, I posted both. So I’ll let this slide too…but only so I can post my favourite record about somebody getting their head kicked in:

    The Jam – Down In The Tube Station At Midnight

    What else have you got, Pat?

    Elvis Presley – Heartbreak Hotel

    …link being Chumbawamba covered this on the “Fuck EMI” compilation.

    Which leads me back to The Robster, who hasn’t quite had the eighteen months he ribbed me with earlier to think things over, but nonetheless has returned with this:

    I remember when Tubthumping came out, it was released on EMI *shock-horror* a filthy major label. The band was deluged with accusations of selling out and going back on its DIY ethos. But one of the reasons they signed to EMI was because previous label One Little Indian rejected the ‘Tubthumper’ album as they didn’t like its sound. The band subsequently signed to EMI as “…experience had taught us that in a capitalist environment almost every record company operates on capitalist principles. Our previous record label One Little Indian didn’t have the evil symbolic significance of EMI but they were completely motivated by profit. Our position was that whoever we signed with would want us not for our ideas but for the potential profit, so we’d battle for a contract where we still had autonomy.”

    So to that end, I’m offering up…a song about the music industry’s obsession with making moolah with little regard for the art:

    The Kinks – The Money Go Round

    Hang on a minute: that’s two mentions of the same record company in as many messages. It’s almost like somebody has manipulated it so the suggestions fell this way…

    Sex Pistols – E.M.I.

    We’re on the home stretch now, I promise. And with the finish line in sight, the baton is thrust into Alex G’s hand:

    Of course, a song about a man who drinks a whiskey drink, a cider drink, a lager drink AND a vodka drink naturally leads us to Shane MacGowan. I suppose any song would do, but just to keep the theme going, it may as well be

    Shane MacGowan and the Popes – That Woman’s Got Me Drinking

    What Alex G omits to mention is that That Woman’s Got Me Drinking features the guitar work of one Mr Johnny Depp. When he’s not acting in the latest Tim Burton movie, or appearing in an advert for something smelly, or getting stopped at the border of an antipodean country trying to smuggle dogs across and subsequently being forced to make an apologetic if half-arsed video rather than go to jail, or defending himself against allegations of domestic abuse for that matter, there’s nothing Mr Depp likes more than to pop up in unexpected places:

    Where were we?

    Ah yes, booze related songs. I’m surprised there wasn’t more of these. Let me chuck one into the mix:

    The Wurzels – I Am A Cider Drinker

    And yes, The Shirehorses song is worse than that.

    Hold up, Pat’s got another one:

    Several booze songs come to mind but I’ll go for…

    Pulp – Whiskey in the Jar

    …on the bonus cd of Different Class, Jarvis trying very hard to keep his own accent rather than channelling Phil Lynott.

    Pat has a point; I much prefer it when Jarvis sounds like Jarvis, rather than trying to sound like a drug-addicted partner of gameshow host Leslie Crowther’s daughter.

    Hey Dirk! Dirk! DIRK! Fancy suggesting something mate?

    Two famous song titles are more or less quoted in the lyrics of ‘Tubthumping’ – the first one being ‘Danny Boy’, which, as we all know, is the Anthem of Northern Ireland. And what is the finest thing Northern Ireland ever produced, apart from ships (minus the Titanic. Obviously)?

    Oh blimey, there’s a can of worms opened…

    It’s of course:

    The Undertones – Teenage Kicks

    Phew!

    …which could well be the link here. (It isn’t.)

    Alas it’s not [I know] (although, Jez, nevertheless this should be a good excuse to include said tune in your essay straightaway), because, as I said, another song is being mentioned and that is ‘Don’t Cry For Me Argentina’. Yes, I have noticed that Chumbawamba omit the ‘Argentina’ – bit (and replace it by ‘next door neighbour’). But this is purely for copyright infringement reasons, I’m sure.

    Now, ‘Don’t Cry For Me Argentina’ is a song done by Julie Covington back in 1976. But only (freaks like) you and me know this. And Wikipedia. To the wider public another version is much better known, and that’s the one by Madonna from 1997.

    So the link, no question about that, is, to my great dismay (because I would have LOVED to see my other option), Madonna’s version of ‘Don’t Cry For Me Argentina’.

    I mean, love ya for trying and all that, but it isn’t the link, and frankly Covington’s version pisses all over Madonna’s attempt, so Dirk: you shall (metaphorically) go to the (metaphorical) ball!

    Julie Covington – Don’t Cry For Me Argentina

    I always thought that ended rather abruptly, like the whole orchestra had spotted that David Essex had the microphone again, and downed tools to wrestle it from his sweaty palms.

    Last one, now (sort of), for inspired by Dirk’s moving words, Walter has something else to offer:

    …as Dirk said ‘Danny Boy is is the North Irish anthem and House of Pain celebrated the Irish style on their first album. Therefore I suggest:

    House of Pain – Jump Around

    (We may have to explain the difference between Northern and Southern Ireland to our overseas friends one day. But not today.)

    I say sort of, because of course I have something else to offer.

    Dirk also mentions Danny Boy, and you’ll recall that, several hours ago when you first started reading this, Rol mentioned the film Brassed Off and The Grimethorpe Colliery Band.

    Which, just to make this all nice and circular (you know, like I know what I’m doing) makes right here a pretty good point to jump off:

    The Grimethorpe Colliery Band – Danny Boy

    Brassed Off was on Film 4 the other night. It remains a thing of beauty. If you haven’t seen it, or even if you have, and have a couple of hours to kill (which, I think I’m safe in saying we all do at the moment) then you could do a lot worse than spend them watching this: it’s up to stream on the C4 app All4.

    And that leaves just one thing: the unveiling of the next link in The Chain, and trust me, had anybody got this I would have been suspicious.

    Here’s the official link from Tubthumping to the next record:

    [Tubthumping] was once sung by Homer Simpson of cartoon fame. He also sang:

    Donovan – Mellow Yellow

    Your suggestions then, please, along with your explanation of how your suggestion links to Mellow Yellow by Donovan, via the Comments section below or, if you must, by email to dubioustaste26@gmail.com.

    Minus points to anyone who suggests Coldplay. You’ve been warned.

    More soon.