As alluded to in yesterday’s post, had I been able to come up with an hour’s worth of anti-establishmentarian tosh then tonight’s mix would have been very different.
But I couldn’t, so here we are: Jubilee Night and part 3 of the completely unrelated and unpatriotic, non-flag-waving, Volume 4 which was super-long, nobody listened to, so I’ve broken it down into hour-long parts instead.
Volume 4 clocked in at 4:41 minutes, so to make it to a round hour, I either had to add 20 minutes or lose 41. You can guess which of the two won, I think.
So, if you happened to be one the people who listened to this mix in it’s full glory when I first posted it, you’ll note some changes to this one – to the running order, and there’s three tunes dropped and one added – the one added is making a point, which I’m sure you’ll get when you listen to this.
Brace yourself: next week sees the addition of the missing twenty minutes. You have been warned.
Here comes the admin: any skips or jumps are down to the mixing software; any mis-timed mixes are down to me; all record selections are, of course, mine.
And there’s a couple of tunes towards the end of this one which contain a bit of effing and jeffing so:
Firstly, I wanted to do a mix unlike the Not Christmas one, which I thought strayed a bit too far into the territories of cheese or chart music. Whilst it served a purpose, it wasn’t really indicative of the sort of tunes which usually feature here.
This one, though is a corker, even if I do say so myself.
Regular readers may recall that way back in the late 1980s, I started DJ’ing at college because I was fed up with being able to guess what song the indie DJs would play next. So imagine my annoyance when my own brother told me that on a previous mix he’d been able to predict my next choice a couple of times. Grrr.
But this mix has proved to be such a pain to complete; when I came to do it today, it tells me that some of the tunes have been played 22 times, which gives you an idea of how many times I’ve tried to get this one right. Pretty much once a week, since Christmas.
What’s gone wrong all those times? Well, on more than one occasion professional pride kicked in: I’ve messed up a mix between tunes, so have elected to start again.
On more than one occasion, preoccupied with playing Solitaire or Candy Crush just to have something to do whilst recording the mix, there’s a sudden, irretrievable silence where the next record should be. Oops!
Once I forgot to stop recording until an hour later, and, triumphant at how the mixes had worked out, I couldn’t understand why the mix lasted over 5 hours, until I listened to it.
The other problem is booze. More than once, I’ve taken drink to such an extent that I’ve forgotten I was doing a mix until the silence after one record has finished hits home and startled me awake.
Last weekend, I got to the third record from the end, and suddenly woke up to silence and realised I’d messed up again. That’s not an indictment of the standard of the mix, by the way, more an example of how drunk I’d gotten.
Even last night, when I finally nailed it, it was my second attempt of the night, having got through most of the mix when I had a drink-spillage event, which I thought I’d sorted, until, four records from the end, suddenly the sound cut out whilst the tunes kept playing and I had no idea if it was still recording the sound or the sound of silence.
Anyway, we’ve got here, and this has been a real pain, so if you could take a listen, that would be great.
I will confess that I have broken the golden rule of not featuring the same act more than once in this mix; this wasn’t intentional, but as the various run-throughs progressed, I simply forgot said acts already appeared as “featuring” acts. One is deliberate. Sue me (Please don’t).
Time for the usual disclaimer: any glitches, skips or jumps are down to the software or the uploading/downloading process, and nothing to do with my limited mixing skills.
Oh, and the usual “effing and jeffing” warning applies; it seems I’m incapable of doing a mix which doesn’t include more than the occasional swear.
I’m not posting a link to download here, other than the one to Soundcloud, where you can either download or stream it.
I couldn’t be bothered with the last ones, but I’ve done it this time: you’ll see a list of all the acts featured in this mix at the bottom of the page, so you can check whether this one’s likely to be your cup of tea before going to the hassle of actually listening to it. If you’re particularly short of things to do, you can try to guess which song I’ve picked by which artist. There’s fun.
But by way of a description: pretty much all life is here, from indie rock to 60s California hippy-shtick, some Old Skool dance classics, some hip-hop and some soul classics via some Northern Soul belters via some TV show theme tunes (sort of); there’s some hoary old rock and some psychobilly, and a couple of tracks which should have featured in a New post by now, but the bands in question played the 6Music festival last weekend so you’ll probably know them intimately by now. And, of course, there’s The Fall.
Easy on the cheese this time, there’s even some poetry so we can all pretend we’re intellectual. You’ll have chance to dance, sit and recover for a few moments, before getting back on it again.
Available for a limited time (i.e. until I do the next one), you can download or stream this on Soundcloud here:
“Sunday, Sunday here again in tidy attire You read the colour supplement, the TV guide…”
Well, you can now add “The Chain” to the list of things to read on a Sunday, although events have rather caught up with me, meaning that it will be a race against the clock for me to get this finished by the end of the day.
We ended The Chain #36 with “Hyperactive!” by Thomas Dolby and the usual request for your suggestions for songs that can be linked to that tune. Let’s see what you came up with.
First, a batch of songs which link to “Hyperactive!” the song, and “Hyperactive!” the physical state, first amongst them being submitted by Rol from My Top Ten:
“‘Hyperactive!’ begins with a psychiatrist asking Dolby to “Tell me about your childhood.” So my first choice is…”
A few weeks ago, Babylotti got in touch to put me on notice that he was looking to suggest a song which he thought it would be impossible for me to locate a copy of. This week is the week he put that into practice:
“Okay so starting off with the Hyperactive link, it reminds me of another 80s songster, Alexei Sayle. He had a hit with ‘Ullo John! Gotta New Motor?’ (not the link yet) [which is lucky, as it’s featured before, so I’d have had to disqualify it] in the charts at the exact same time as ‘Hyperactive!’, [I’ve checked this, and it is correct: 26/02/84, ‘Hyperactive!’ was at #29 on it’s way down from #17, whilst ‘Ullo John! Gotta New Motor?’ was at #35 on it’s way to the giddy heights of #15] but in 1982 he released a single as the Albanian World Cup Squad, ‘Albania! Albania!’ (as threatened/promised!). With a chorus quite reminiscent of the Blackadder theme tune, I first heard it on the Anne Nightingale show back then, had been after it ever since.”
One of the rules here at The Chain is that if you suggest a song then you must be able to supply a copy of it in the event that I don’t already own it, or am unable to source it. This has happened 4 or 5 times since we started, and you won’t be surprised to learn than I couldn’t find this one. I had been prepared for this, as Babylotti previously advised me that as far as he was aware, it was only available on one website.
That website, he revealed, was his Soundcloud page. Should be easy enough to find, I thought, typing the words “babylotti” and “soundcloud” into Google. Did it find babylotti’s Soundcloud page? Did it heck. But what it did reveal is that some chap called Rick Shide has been reposting The Chain verbatim for a few months now on something called ‘Inoreader’.
Let’s all give Rick a wave, shall we?
I’m sure you’re all as flattered as I am.
Anyway, to babylotti’s suggestion, which he ended up adding to his own blog, Livin’ Out Rock’n’Roll in order that you can all hear it today. I have to admit, it is pretty funny:
Babylotti then goes off at a bit of tangent, which is fine, as long as it’s justifiable, and his next two suggestions are, linking to “Hyperactive!” via the aforementioned Alexei Sayle record:
“I’ll then stay with the football theme and choose the song from when New Order ruled the world, World in Motion. The greatest football song ever, and that’s coming from a Republic of Ireland supporter…”
Of course, one of the highlights of that record is the rap performed by John Barnes, and let’s be honest, other than that goal against Brazil, it was probably the most impressive thing he ever did in an England shirt.
Caught up on the tube in August last year, Barnes was kind enough to treat his fellow travellers with an impromptu rendition:
“And my last one,” babylotti rounds off, “which always reminds me of Goal of the Month:”
It wasn’t just the song title “Hyperactive!” that was linked to; many others linked to Hyperactive the condition.
Over now to Jules from Music From Magazines. In case you have any issues deciphering Jules’ contributions, as I did this week, please note something he said in a Comments Conversation we had yesterday:
“Please check the time I posted this , music from mags rules are only post in pubs…”
A fine rule, which I may have to bring in as mandatory…
Anyway, here’s Jules’ first suggestion:
“A Hyperactive Thomas can cause many problems, so let’s get it out the system and try Ivor Biggun and….”
Stop right there. Let me just slap one of these labels on this one:
Although, it’s hardly needed, you can pretty much get the gist from the sleeve, the artist (I use that term most misguidedly) and song title:
Ivor Biggun is a the “comic” creation of Doc Cox, who some of you may remember from his stint as one of the co-hosts of consumer show “That’s Life!”, a show spoofed here by the “Not The Nine O’Clock News” team (albeit, in pre-Cox days):
If you ever need to investigate whether there was a link between increased illegal drug use (non-contraceptive) and teenage pregnancies in the 1980s, then you could probably cite this record, for gleefully announcing over a summery, steel drum tune that the lead singer is “drowning in amphetamines” and, even more irresponsibly, that “I don’t care if you get me into trouble”. Yours faithfully, Outraged, Tunbridge Wells.
Finally in this first batch, here’s Alyson from What’s It All About, Alfie? who, like me, went to see ‘T2 Trainspotting’ this week and, like me, bloody loved it. That’s a recommendation, by the way.
“Ian Watkins from the group Steps was always called “H” which was short for Hyperactive – If you’ve ever seen him being interviewed on telly (no I wouldn’t admit to it either) you will know why. The song of theirs that I’m going to choose is…”
That’s not quite what I first thought the “H” stood for, if I’m honest…
Regular visitors to these pages will know that each week one suggestion is crowned “Worst Record of the Week”. Unbelievably, this week that record is not by Steps.
Moving on, and several of you provided links to Mr Dolby himself; here’s Rigid Digit from Stuff & Nonsense with one of them:
“Thomas Dolby was in The Camera Club (a band, not a photographic society) with Bruce Woolley. Bruce Woolley was co-writer (with Trevor Horn and Geoff Downes) of ‘Video Killed The Radio Star’, the song which epitomises all things 80s (even though it was released in 1979).
Many earholes have agreed that the Bruce Woolley and The Camera Club version is superior.”
The first suggestion we received this week was from The Great Gog, whose nominated track leads us rather nicely into the next batch of similarly-themed-suggestions:
“A fairly straightforward double-link springs to mind immediately. Thomas Dolby was involved in the production of Prefab Sprout’s ‘From Langley Park To Memphis’ album (although duties were shared out on that one). That album just happens to include another song with an exclamation mark at the end of the titles, so “Hey Manhattan!” it is.”
Next up, it’s Martin from New Amusements, who suggests a song by a band who are very dear to me indeed:
“Hyperactive has an exclamation mark at the end. Mid-80s twee-merchants The Chesterfields used to use an inverted exclamation mark as the “i” in their name, so how about ‘Ask Johnny Dee’ by The Chesterfields? Or maybe that should be The Chesterf¡elds…”
Taken from their jingly-jangly guitar lost classic “Kettle”, an album which came out in 1987 on the oft-overlooked Subway Records label; I recently placed it in a “Top 1o albums which have stayed with me” Facebook round-robin thing.
I’d completely forgotten about the ! in their name, and I have to say I’m bloody delighted to have the chance to post a song by them, even if they are very much “of their time”.
Oh but before I do, a clarification from Martin:
“On closer inspection, the exclamation mark in The Chesterfields wasn’t inverted, just normal i.e. The Chesterf!elds.”
Last of the Exclamation Marks now, and another of my suggestions. In all honesty, when the first song linked by the exclamantion mark came in, I thought there would be no way that somebody wouldn’t suggest something by this lot.
If you don’t know this band, but like “House of Jealous Lovers”-era The Rapture, then I’d heartily recommend you give this a spin, if for no other reason than it’s prowling Slits “I Heard It Through the Grapevine”-esque bass line:
Okay, on to other Thomas’s now, and back to The Great Gog:
“Around the time that Mr. Dolby was first active musically, there was another keyboard player called Thomas releasing records, albeit with less commercial success – Thomas Leer. Mr. Leer later went on to be part of Act, who had a minor hit with ‘Snobbery & Decay’.”
“My second choice,” continues Badger, “is ‘Thomas the Fib’ by much missed dancey jazz pioneers Red Snapper from their excellent ‘Prince Blimey’ album. Prince Blimey being the bastard son of Prince William and Katie Price from their ill advised affair of 2001. That was exposed by the Daily Mirror after Wills was seen leaving a kebab shop at 3 in the morning and letting himself into the back door of Price’s Penge Maisonette.” [Can we insert the word ‘allegedly’ in that at least once and preferably several times please? – Legal Ed]
Right, you know who this week’s instalment of The Chain is missing? George, that’s who. Up you step, George:
“From Thomas (Dolby) to the diminutive Tommy, which could lead to any number of tracks from a double by The Who, but won’t, but does lead to Eric Clapton who performed Eyesight to the Blind in the film Tommy (I went with my mum to see that film).. Sonny Boy Williams (the second one) does the original”
I’m assuming it’s the original version that you want:
Now, remember earlier that Jules revealed that he only ever posts when in the pub? Here’s another one from him, which he submitted after I had asked what on earth he was dribbling on about in two of his other suggestions (one of which i still don’t understand):
“St Thomas supported Lambchop at the Wedgewood Rooms in Portsmouth some years back, as the encore started we had to go to get the last ferry home. And the song a cover of The Stranglers “(Get a) Grip (of Yourself)’.”
Some admin, from me: the St Thomas referred to does not imply that Thomas Dolby has received some kind ecclesiastical sanctity; it is the performing name of one Thomas Hansen. Also, the cover isn’t by St Thomas, it’s by Lambchop, a live version of which appears on their “Rainer on my Parade” album, but I’m posting the studio version.
Some admin from Jules: “This [choice] is not a reference to my previous ‘I’m a Wanker’ suggestion.”
Two more categories to go now, and unsurprisingly, many of you linked to Thomas Dolby’s surname, and the technical side of sound reproduction.
I’ll let Martin explain:
“Dolby, as anyone of a certain vintage (i.e. all of us) knows, is the de facto tape hiss reduction technology. Dolby-B was most common. Dolby-C less so – better hiss reduction but too much loss of treble. Dolby-S came knocking just as tape succumbed to burning your own CDs instead, but it was brilliant! Especially if recording on a good quality metal tape (TDK MA90 or, better still, Sony Metal-XR)… sorry, turning into a hi-fi geek. The suggestion. So for me, Dolby makes me think “S” and hence, unfortunately, S-Express and ‘Theme From S-Express’. Not something I’m desperate to hear again…”
Long-term readers will know that some time ago I ran a very short-lived thread about the samples used on certain records, and ran one post which looked at exactly this tune. You can read it again here (not sure if the links are still active, let me know if not).
Before we go any further, a suggestion of a different sort. As mentioned earlier, one of the rules here is that we don’t play the same tune twice (unless the first time it was played it was because it featuring in The Official Chain, rather than being suggested by one of us). When you leave your Comment/Suggestion, you should have the option of ticking a little box which lets you know if anyone replies to your Comment – please tick this, for in the event of me being unable to source the song, or in case I need you to clarify your suggestion, or, as happened here, you suggested something that had already featured, it makes it a lot easier for me to get in touch with you. Thanks.
So, back to Rigid Digit:
“Spinal Tap reference time:
When discussing the failure of their new album (‘Smell The Glove’), Jeanine Pettibone (David St Hubbins’ girlfriend) stated that the problem with the album was that “You can’t do Heavy Metal in DOBLY”
Suggested track: ‘Stonehenge’.”
Which we’ve had before (#32). So, in the absence of a response from Rigid to my request for an alternative suggestion, I’ve, er, plumped for this one:
A joint suggestion now, for The Swede of Unthought of, though, somehow nominated a tune that was on my not-so-shortlist, which he very graciously said he’d step aside and let me nominate. However, a better idea, I think is if we jointly suggest this and then both have another go at a snake related tune.
Over to you then, Swede:
“As George so rightly pointed out the Dolby system was developed in part to reduce tape hiss. Another thing that hisses is of course a snake, so let’s have ‘The Snake’ by Al Wilson.”
Nope, that’s not the worst record of the week either.
Some of you knew that Thomas Dolby was heavily involved in the development of ringtones; Rigid Digit says that he “…invented the Nokia Ring Tone (cue oversized mobile phone a la Trigger Happy TV: “HELLO!, I’m on the Internet. It’s very boring (mostly, but there are some places worth visiting – honest!)”
In case the reference to oversized mobile phones means nothing to you, Rigid refers to this:
..which prompted babylotti to pipe up:
“You’d almost want to go with Mario Piu’s Library there, it samples Dom Joly’s favourite phrase.”
Quite an uninspring bit of cover art, that, isn’t it. Let me see if I can find a more appropriate library related picture…
Ah yes, this seems about right:
Anyway, where were we? Ringtones, that’s where. And here’s Alex G from We Will Have Salad with, without even the merest shadow of a doubt, the Worst Recod of the Week, by a country mile:
“Thomas Dolby went on to basically invent polyphonic ringtones. I therefore suggest this week’s worst record, ‘Axel F’ by Crazy Frog, on the grounds that it’s Thomas Dolby’s fault. I dimly recall there were some further, possibly even worse, follow-ups, but I think Axel F will suffice to remind us of the evil that Thomas Dolby has visited upon the world. His crimes must never be forgotten.”
It’s alright for you lot, you don’t have to listen to it, like I do when I check the copy I *ahem* aquired is clear and has uploaded okay.
Crazy Frog – Axel F
I once berated a guy I worked with for having that as his ringtone.
As I mentioned when Alex posted that, the one redeeming feature of that record is, if my memory serves, that it stopped Coldplay from getting their first ever number one single.
“Thomas Dolby had the look of a mad scientist and indeed did ‘She Blinded Me With Science’. So, ‘The Scientist’ please – not the Coldplay original but rather the Willie Nelson cover. If you can only find the original please don’t bother.”
Always a pleasure to deny Coldplay twice in one post.
Just two more suggestions to go now; penultimately, back to The Robster:
“The quirky scientist Dr Magnus Pyke guested on another of Thomas Dolby’s hits ‘She Blinded Me With Science’. In his Wikipedia entry, it claims one of the many books he’s written is ‘Tricky and Portishead and Other Stonehead Bristol Sounds of the Future.’ I have seen references of this come up occasionally in other places, but have never actually managed to track down any credible suggestion that such a book even exists. However, it’s a fantastic thought that Dr Pyke would have written such a thing, so I’m also going to suggest some things links with my other suggestion: Tricky’s cover of XTC’s ‘Dear God’.”
Which would be where we’d leave it, but one last peek into the pub to see what Jules has been up to leads to something about him being too old to be in a fight, about Donald Trump, an admission that the one suggestion I still don’t follow “…still makes not a lot sense…”, that I should “…ignore previous drunken ramblings…” and most pertinently that “…I needed some Billy Bragg…”
So, as a one off, while I’m not at all sure how this links to the source record, I’ll assume that somewhere there is a link buried deep in Jules inner psyche, play it, and leave it at that. It is rather fine, as relevant today as when Woody Guthrie first penned the lyrics:
Here’s some Bonus Points for The Great Gog for proving Meat Loaf right when he sang “Two Out of Three Ain’t Bad”.
And here’s a request for your suggestions for songs which link to “Bonny” by Prefab Sprout, along with a brief description of the link, via the Comments Section down below, in time for next Sunday’s edition (by which I mean, by Saturday night, please!)