Friday Night Music Club Vol 56 (Be Llŷrious edition)

Well, here’s funny. For some reason, WordPress decided not to save and publish the final, finished post yesterday, and instead farmed out an old, initial draft, with different words and songs in a different order. Sorry about that. Below is what should have been published yesterday. (Llŷr would have pretended to be mildly offended at this cock-up, but would actually have been pissing himself at me messing up on what is potentially a global stage. Laugh it up, dude)

Today would’ve been Llŷr’s birthday, and, given our shared love of compiling mix tapes and CDs, and the oh-so-many he prepared for me, it seems only right and appropriate that tonight’s mix is dedicated to him. It’s what he would have wanted.

No sleeve notes this week, as I’ve written about all of these songs before, with a couple of exceptions. I should stress that Llŷr did not like all of tonight’s tracks (only, maybe, 98.9% of them), but all of them remind me of him in one way or another, and have featured before on these pages. If you want to understand why I’ve included a particular song, then you can scroll through the Be Llŷrious series via the drop down to the left and find the back story.

The only two exceptions are the obligatory Super Furry Animals track; I’ve included one which hasn’t featured before, but, if memory serves, Llŷr told me was his favourite tune by them, in a field of many, so lawd only knows how I’ve managed to swerve posting it before.

The second is the Gene song which kicks things off; shortly after he passed I referenced this tune in my eulogy to Llŷr, but posted a different song, for reasons which I hope will become obvious. Now, five years on, it seems right to post it. Llŷr’s younger sister and uber-Gene fan Siân will know them both, of course.

As for the running order: it amuses me to stick songs next to each other which have no right to be neighbours. Hence Cliff Richard living next door to Surfer Rosa-era Pixies just tickled me.

One last bit of admin: you’ll spot that Track 16 is by Goldie Lookin’ Chain. It not only contains a huge amount of effing and jeffing, it is also incredibly filthy, so I need to slap one of these on here:

Ok, let’s go: 90 minutes of Llŷriousness. By the time you all read this, I’ll have raised several glasses (Jez-measures, of course), in his memory. Feel free to join me, whenever you read/listen to this:

Friday Night Music Club Vol 56 (Be Llŷrious edition)

  1. Gene – For The Dead
  2. The Postal Service – Such Great Heights
  3. Cliff Richard – Wired for Sound
  4. Pixies – Bone Machine
  5. Queens of the Stone Age – No One Knows
  6. Status Quo – Mean Girl
  7. R.E.M. – These Days
  8. Graham Coxon – Freakin’ Out
  9. Jimmy Eat World – The Middle
  10. Kelly Clarkson – Since U Been Gone
  11. Sisqo – Thong Song
  12. Girls Aloud – Love Machine
  13. Phil Collins – Sussudio
  14. Ralph McTell – Streets Of London
  15. Big Train – Ralph McTell sings…
  16. Goldie Lookin’ Chain – Nan Rita
  17. Cud – Purple Love Balloon
  18. Art Brut – Formed A Band
  19. Huey Lewis & The News – Hip To Be Square
  20. Mental As Anything – Live It Up
  21. Maxïmo Park – Apply Some Pressure
  22. Arcade Fire – Rebellion (Lies)
  23. Super Furry Animals – Hometown Unicorn
  24. Energy 52 – Café Del Mar (Three ‘n One Remix)

Happy birthday dude. Love ya, miss ya, always.

More soon.

Friday Night Music Club Vol 50

So, here we are, Volume 50. I’m not sure I believe I’ve done so many of these, especially when you take into account the Christmas, Easter and Halloween editions which haven’t gone towards the total, and that I split the first six playlists (apart from Vol 3, which has been forever wiped from the annals of history, unless any of you downloaded it) into 22 more palatable hour-long chunks.

What follows is, as I mentioned previously, essentially a Friday Night Music Club Greatest Hits compilation, with a few others thrown in just to keep it…well, interesting, I hope. In reality, it’s just a load of my favourite records, many of which just happen to have featured in this series before. And no, not all of them are in anyway cool, but then neither am I. They do, however, make grear sin-a-long records should you elect to take drink when listening to this (which is recommended). Anyway, if I just featured the achingly-hip here, I’d be betraying the No Such Thing as a Guilty Pleasure tagline I cling to.

My thanks to my old buddy Richie, who I bombarded with the first and second goes at this, to seek his opinion and feedback. His response? “Genuinely, really good…even the dance stuff I’d never heard before”. I’m sticking that on the promo posters.

I should add that I’ve had at least another two goes at it since then. New songs added, some dismissed. The thing is, I kept haring songs and thinking: “Well, that should be on there!” I’ve had to just stop, and add those that I’ve missed to future volumes.

Let’s crack on, shall we?

Friday Night Music Club Vol 50

Here’s your track-listing with, as promised/threatened (delete as applicable), sleeve notes:

1, Saint Etienne – Join Our Club

No, I don’t know how I’ve managed to avoid including this appropriate little beauty for so long either!

2. The Cardigans – My Favourite Game

Just to hammer home the favourite records theme, here’s a couple of tunes with Favourite in the title.

I will always remember a conversation with an old mate, following the release of the Manic Street Preachers’ Your Love Alone is Not Enough, which featured lead Cardigan Nina Persson, when they revealed they hated that single becaue they hated Nina’s voice. Now, I totally get that some people’s voices just grate (see Ed Sheeran as a good example of someone who can make me turn the radio off whenever one of his dreary yet bafflingly succesful tunes is aired). But Nina Persson’s????? I haven’t spoken to this old mate in at least 20 years, and proximity is only part of the reason for that.

3. The Wedding Present – My Favourite Dress

Favourite tune #2. You didn’t really think I’d get through this without Mr Gedge making an appearance, did you?

4. PJ Harvey – Dress

I’ve said it before and I’ll say it again: I don’t post anywhere near enough Peej on here. Consider that partially rectified.

5. Buzzcocks – What Do I Get?

Back at college, I was in a band. Not a very good band, but a band nonethless. We mostly did covers of punk and new wave records: they were short, recognisable to the masses who flocked to our gigs (sense the tone), and most importantly, with barely more than three chords between them, piss-easy to learn. This was one of them: I even persuaded our lead singer to shout “Tricky guitar solo!” just as I’d seen Pete Shelley do on some old footage of the Buzzers (the Cocks?) do as that instrumental break hoved into view.

6. Super Furry Animals – God! Show Me Magic

You didn’t really think I’d get through this without Gruff and the boys making an appearance, did you? If this isn’t the greatest record ever to mention the lead singer’s hamster, then it has to be in the Top Ten at least.

7. Manic Street Preachers – Motown Junk

Just an absolute belter, with what would become standard Manic’s sloganeering (standard until Richie went missing. Did I ever mention I shared a cheese salad with him…? Yes I did.)

8. Half Man Half Biscuit – Joy Division Oven Gloves

Thanks to my brother, I own a pair. Best Christmas present ever. Apart from maybe the fake NME Brat Award he gave me for one of these mixes (true story).

9. Generation X – Dancing With Myself

Unlike the debunked theory that The Vapors’ Turning Japanese is about the joys of ononism, this probably is about exactly that. When I was in the aforementioned band, I wrote a song which referenced it – less subtly, it was called The Lonely Dance – and we used to dedicate it to someone we knew was in attendance whenever we played it. They felt cool because we’d name-checked them, everyone else would know we’d just called them a wanker.

10. Underworld – Cowgirl (Bedrock Mix)

You’ll have guessed from previous posts that I adore Underwold, so it’s a rare event when I hammer my flag to the mast and say: this is Underword’s finest moment and this is the finest mix of it.

11. LCD Soundsystem – All My Friends

Some years ago, my friend Matt and I were invited to provide the music for a mate’s 40th birthday, held in a little basement bar somewhere in That London. I went down the traditional route of preparing a mix, burning it on to a CD (I know? Imagine that!! So old fashioned…!) and handing it to the bar staff to play; Matt, who is much cooler than I am (I’m sure you’ll find that hard to believe) simply paired his phone to the speakers and DJ’d as he chatted, ate, drank and danced. He dropped this one, and the dancefloor emptied, leaving just me and him looking quizzically at each other as we continued to cut a mean rug between us. Where had everyone gone? Why weren’t they dancing?

Then someone approached Matt and, pointing upwards as if the speakers were in the sky, asked “What’s this? It’s ace!” (or words to that effect). And so, whilst we were baffled as to how nobody knew this absolute banger, we came to the conclusion: people around the 40 mark don’t like to dance in public to things they don’t know.

It is ace, mind.

12. Dizzee Rascal & Calvin Harris – Dance Wiv Me

I wish I could recall what Matt played next, but whatever it was it got everybody back on the dancefloor. I’ll say it was this. If not, Deee-Lite’s Groove is in the Heart (not featured here) is my go-to floorfiller.

13. Double Trouble & Rebel MC – Street Tuff (Scar Mix)

I’ve dropped this bon mot before I think, but many years ago I attended a house party in North London. Music was supposed to be provided by some DJ friends, but they had to drop out when they got an actual paid gig on the same night, the selfish sods. I was asked to help out and so I prepared 13 CDs, each an hour-or-so-long, numbered and to be played in numerical order, left them in a stack next to the CD player, so that if you were closest to the music box when one ended, you could just pop the next in the sequence in. They went from intro/welcome tunes to indie bangers to the-pills-should-be-kicking-in-by-now to comedown chillout tunes. This one featured somewhere in the middle, and a bloke I’d never met before or since approached me, hugged me, and thanked me for including it in my musical selection, before treating me to his break-dancing efforts, Which I really appreciated, obviously.

14. Lizzo – Juice

Shush! A rarity: something released in the last 10 years!

15. Girls Aloud – Love Machine

You didn’t really think I’d get through this without Sarah (RIP) and the girls making an appearance, did you? A song which will forever remind me of Llŷr, from when we played it in our guest DJ spot at a friend’s wedding, those attending went wild. Miss you bro, always.

16. Le Tigre – Hot Topic

At work team meetings, we now have a Hot Topic to discuss each month. I’ve suggested this as the theme tune to announce the start of the discussion. My suggestion has not yet been agreed.

17. Los Campesinos! – You! Me! Dancing!

Had any of them actually been Welsh, as opposed to having merely met and formed in Cardiff, then this would’ve featured in last week’s St David’s Day mix. But they aren’t, so it didn’t.

One of the many things I love about this record, is that bit towards the end, about it being a good idea to go paddling in a fountain on the way home from a night out. I know exactly which fountain they mean, and, as it was on my way home, the thought crossed my mind many times as I wobbled my way back home at 3am. And that’s because it really is a good idea. I was never brave/drunk/off my tits enough though. I feel like I’ve missed out, somehow.

18. Arctic Monkeys – I Bet You Look Good On The Dancefloor

Just wonderful. A piece to accompany the Dizzie Rascal tune which featured earlier, only with more Shakespeare references and much more sardonic intent.

19. Status Quo – Mystery Song

You didn’t really think I’d get through this without Francis and the boys making an appearance, did you?

This, from way back in 1976, just before they tipped over into cliche and parody of themselves, is unquestionably my favourite Quo song. It’s (RIP) Parfitt’s ode to a sex worker, set to a literally amphetimine-fuelled background. There’s a notorious story about how, one day in the studio, Rossi put a spoonful of speed into Parfitt’s tea, not expecting (he now says) him to drink it. But he did, and they left him in the studio, messing around with a riff – dink-dink-dink, dink-dink-de-dur-de-dink – and returned the next day to find Parfitt sitting exactly where they left him, playing the same riff – dink-dink-dink, dink-dink-de-dur-de-dink. Phew, rock’n’roll, eh?

20. Milltown Brothers – Janice Is Gone

An under-rated and generally unknown classic. The Janice in question is the much-missed DJ Janice Long, and you can read what I wrote when she passed away here, and here’s a post about an adventure I had with the band themselves, way back when (the download links are all dead on that one, let me know via the Comments if you want anything uploading again).

The only thing to add to that is a year or so later, the Milltown Brothers came round on the college circuit again. I said hello to them all post-gig, and one of them asked if we’d met before. I recounted the story about our last meeting, and, memories jogged, they plied me with booze and suspiciously constructed rollies. I passed out in the toilets, waking up after everyone had left the building, staggered home through the Welsh snow. I think I missed my train back home as a result; lawd knows what excuse I gave my parents (doubtless they will remind me if they’ve read this far).

21. Linda Rondstadt/The Stone Poneys – Different Drum

There are so many versions of this classic written by former Monkee Mike Nesmith out there – many of which have featured on these pages – but for my money this is the best, the absolute beauty, peerless.

22. Clout – Substitute

If ever there was one record that explained the “No Such Thing as a Guilty Pleasure” moniker under which this blog sits, it’s this one. I bought a compilation album called Guilty Pleasures Rides Again; this was on it and I couldn’t understand why anyone would feel guilty about liking it. I mean, it’s a stone cold banger, right? (Right!)

23. Billy Bragg – The Saturday Boy

In one of the first goes I had at doing this mix, Billy featured, but it wasn’t this tune, it was Sexuality, because it was much poppier than this. But that didn’t feel right, so I swapped it for this, Billy’s finest moment in my book. I’ve often said that, whilst his politics broadly chime with mine, it’s his love songs – or in this case, his unrequited love songs – which mostly hit the mark with me. I can never thank my old buddy Richie enough for pointing me in the direction of these songs from Billy’s back catalogue – albeit he played me The Man in the Iron Mask, and I was smitten – and since then, when I’ve wanted to persuade a mate of Billy’s relevance, this is my go-to song, because everyone has experienced the adolescent amourous rejection this song highlights.

24. The Go-Go’s – Our Lips Are Sealed

I’ve said it before and I’ll say it again: quite possibly the greatest pop song ever written…

25. The Waltones – She Looks Right Through Me

…although this pushes it pretty close. Pretty much the happiest night of my life was when, a few years ago, Richie and I saw The Waltones support The Chesterfields at the 100 Club in That London. After they’d played, I found myself standing next to lead singer James Knox; we discussed our ever burgeoning waistlines and our choice of t-shirt to either disguise or embrace it. He was wearing a shape-concealing black tee, I was wearing this:

…which, for the uninitiated is a reference to one of these bad boys:

26. The Chesterfields – Kiss Me Stupid

Since I’ve mentioned them, it seems somewhat churlish of me to not include something by them.

27. The Soup Dragons – Hang Ten!

Indie Banger. That is all.

28. The Smiths – William, It Was Really Nothing

Remember way back when we didn’t know Morrissey was a racist twat and could just enjoy the beauty of The Smiths’ records without feeling any guilt? Forget the current, live in the past for a few moments.

29. Kirsty MacColl – Free World

This is from 1989. You’d think things might have improved since then, wouldn’t you? But, nope: just as relevant now as it was 35 (yikes) years ago.

30. Johnny Boy – You Are The Generation That Bought More Shoes And You Get What You Deserve

Possibly the greatest song title ever. And the song’s not far off being one of the greatest anti-capitalist records ever.

31. Denim – Middle Of The Road

For my money, the song that properly kick-started the Britpop scene, and probably never bettered by any Union Jack wafting indie-kid underling. Surely, when it comes to unrecognised musical geniuses, Lawrence has to be at the front of the queue, right…?

32. Belinda Carlisle – Leave A Light On

Turns out the title of that Denim tune was an indicator to how we wrap things up here.

Apart from Johnny Marr (who I think appears on the Kirsty tune), Belinda is the only one to feature twice on this one. She was, of course, lead singer of The Go-Go’s, but it wasn’t until the band split and she went solo that Belinda became succesful on this side of the pond. I bloody love this song.

33. Dionne Warwick – Heartbreaker

Written by the Bee Gee boys, this seemingly effortless beauty is just one of the finest records ever.

34. Chas’n’Dave – Ain’t No Pleasing You

And to bring things to a close, this beauty.

Given their close association with Tottenham, I feel sorry for Arsenal fans, joyless vagrants that they are, for they can never admit to liking this.

And that’s your lot.

More soon.

Friday Night Music Club Vol 39

You. Yes, you.

Well done on succesfully navigating another week! Yay, it’s Friday! And you know what that means, right?

Right!

Another 60 minute (or so) mix of utter tunes, put together for your delectation by Yours Truly.

And this week, since I had a bit of time on my hands (as you may have noticed by the appearance of mid-week posts), I’ve even bothered to do sleeve notes for you. I know, I know, I’m too kind.

Which means I don’t need to waffle on with this introduction any more, let’s get going!

Friday Night Music Club Vol 39

  1. The White Stripes – We’re Going to Be Friends

I don’t write about him as much these days, limiting my mentions of him to the anniversary of his passing and of his birthday, not because the memory of him has faded – it hasn’t, I still think of him every day – but on the night that Channel 4 are doing their annual Stand Up To Cancer fundraiser, it seemed appropriate to include a couple of songs which remind me of my dear, departed buddy Llŷr in tonight’s mix.

This song makes me think of when we first met. Introduced by a mutual acquantaince (who then omitted to invite either of us to his wedding, the bastard), I knew instantly we were going to hit it off, although I had no idea that it would be to the extent it turned out.

2. Super Furry Animals – Slow Life

You’ll have noticed that pretty much every mix I do has either something by the Super Furries or The Wedding Present, because I adore them both. But SFA were very much mine and Llŷr’s band; we saw them countless times together. and, when he passed back in 2019, I wrote this about our relationship with this particular tune:

“Never again will we go to a Super Furry Animals gig together, as we did countless times, and laugh with each other as we basked in our self-perceived glory when we air-drummed the fill after the bridge on this tune, which we did every time, without fail, much to the bemusement and confusement of anyone who was with us.”

(Should you wish to, you can read the whole post here)

(But come back when you’ve read it, ok?)

I still do that, by the way. Every time, without fail. Actually, on the rare occasion I miss it, I’ll go back to the start and listen to it again, and make damned sure I remember this time, tipping a wink in Llŷr’s direction (or at least, where I imagine him to be, which needless to say is up rather than down). I got some very strange looks when I listened to it, and performed the air-drum fill and wink on the train on the way to work earlier this week. Miss you, dude.

3. Razorlight – Stumble & Fall

When I lived in Cardiff, some friends (Llŷr, his sister Hel and her flat-mate Jo, the two Matts, probably Dum-Dum too) and I went to see Foo Fighters play. The odd thing was that, although internationally succesful and famous, they were the support act to some band called Oasis, whoever they might be. Also on the bill: Razorlight, and when lead singer Johnny Borell took his shirt off to reveal his pasty. boney torso mid-set, I will forever remember Jo, unironically, shouting “Phwooooooaaaaaaarrrrr!”, to disbelieving looks from all of our group, and quite a few people we didn’t know in our vicinity.

Anyway, I appreciate they blotted their indie-credentials with the utterly turgid America, but I do still rather like their debut album, Up All Night (the rebels! I’m reminded of The Young Ones and Cliff Richard’s Comic Relief single Livin’ Doll, where Rik says: “”Hey kids, stop snogging and pay attention to me. ‘Cause if you’re a wild-eyed loner standing at the gates of Oblivion, hitch a ride with us. ‘Cause we’re on the last freedom moped out of Nowhere City, and we haven’t even told our parents what time we’ll be back!”) from which this is lifted.

Oh go on then, here you go:

4. Duran Duran – Notorious

I wasn’t particularly fond of this when it came out. I mean, it’s no Planet Earth, Girls on Film or Hungry Like the Wolf, is it? But it popped up on shuffle the other day, and I’ve re-evaluated it. It’s not that bad, is it? Sure, it’s from when their popularity was perhaps on the wane a little, but at least it’s not one of those bloody awful cover versions they released a whole album of.

5. The Power Station – Some Like It Hot

Or double Duran, Duran Duran Duran Duran if you prefer. For whilst Duran took a hiatus in the mid-80s, and Simon le Bon and Nick Rhodes went off to release some not very memorable stuff under the name Arcadia,  John Taylor and Andy Taylor went off and formed a supergroup with singer Robert Palmer and former Chic drummer Tony Thompson. And this was the result, and rather good it is too in my opinion.

Dedicated to Llŷr’s older sister and my former flat-mate and bezzy mate (who I’m appalled to realise I’ve not seen for a year, mostly due to my heath issues preventing me from getting out and about), and whose birthday it was a couple of weeks ago. She used to refer to herself as “The Future Mrs John Taylor”; I’m not sure how her current husband feels about that. Unthreatened, I’d imagine.

6. Franz Ferdinand – This Fire

Don’t worry, I’m not about to go off on a “things that are hot” theme.

7. The Rakes – 22 Grand Job

See? Nothing to do with hot things, fire, or burning, unless you happen to be one of The KLF, which you’re probably not.

8. Let’s Wrestle – We Are the Men You’ll Grow To Love Soon

This has featured on these pages before, but it’s worth a revist, because it’s truly great. How can you not love a song which contains the line: “We are the most reliable guys in the world/But we’ve got enough money to buy some G&T’s for the girls”? You can’t can you, go on admit it.

9. Supergrass – Moving

Many years ago, back in Cardiff, one night after clubbing and seeking…er…’refuge’ in The Flat of Filty, Dum-Dum asked me, apropos of nothing it seemed, who sang this. It was an unusual question, as indie pop wasn’t really his bag, but it transpired that he was doing a DJ/mixing course, and he wanted to do a dance mix of this. I furnished him with the necessary information, can’t remember if I lent or even offered to lend him my copy or not (probably not) and have no idea if he ever did the mix or what it sounded like. Dum-Dum, if you’re reading this, let me know? I’m intrigued.

10. E-Zee Posse Feat MC Kinky – Everything Starts With An ‘E’

Well, yes it does, doesn’t it? Some people would have it that this song is about drugs. Nonsense. They’ll be saying Ebeneezer Goode is about drugs next too, rather than being a perfectly innocent song about a Victorian gentleman cursed with looking like Jerry Sadowitz, as we all know it to be.

11. Basement Jaxx – Red Alert

This song will forever be etched in my brain when it made an appearance at a friend’s wedding many years ago. For entertainment, they had booked a karaoke, and I remember Hel and our friend Vicky bouncing about the tiny stage performing this.

Actually, thinking about it, maybe it was Rendez-vous. I don’t know, my memory….It’s almost like I’d had a few drinks that night (not enough to get up and sing, mind).

The wedded couple divorced a rather short time later. Nothing to do with Hel and Vicky’s performance, I’m (fairly) sure.

12. Timo Maas (featuring MC Chickaboo) – Shifter

The one that isn’t Get Down, or that jaw-dropping Muse remix he did once (I’ll dig it out sometime). Still ruddy brilliant though.

13. Billie Ray Martin – Your Loving Arms

Not to be confused with old line-dancing mullet chops Billy Ray Cyrus. This, from the former Electribe 101 frontwoman, is pure class.

14. Moby – We Are All Made Of Stars (DJ Tiesto’s Full Vocal Remix)

I’ve never been a massive fan of Moby – sure, I own a copy of Play, but it was practically against the law not to back in the late 1990s/early 2000s, when Moby and The Lightning Seeds battled it out to see who’s music could feature in the most adverts for the latest model of the Renault Espace. And perhaps he should be cancelled because of his “very disturbing” account of his relationship with Natalie Portman a few years ago (he claimed in his memoir that the two had dated, she described as being “… a much older man being creepy with me“).. But I bloody love this utterly trance-trousers banger. It contains a breakdown that is sooooooo trance, and so wonderful, it should rightly feature in my series about exactly that sort of thing, a series the total number of posts currrently stands at *checks notes* one. Ahh.

15. Faithless – We Come 1

Let’s be honest, the world seems an utterly nasty place right now. And whilst I don’t wish to get into commenting on the whole situation (C’mon Keir. How hard can it be to say you want a ceasefire?), I’ll leave it to the much missed pacifist Faithless frontman Maxi Jazz to comment from beyond the grave thus: “Would it not be madness to fight?”

More soon.

Friday Night Music Club Vol 34

It’s Friday. I’ve done you some tunes. What more do you want me to say? Nobody ever reads this bit anyway, do they?

Oh, go on, then. If I must.

This week we kick off with a clutch of brilliant B-sides (or extra tracks on a CD single, if you prefer), we have some furry animals behaving badly, Prince being reliably filthy, one of those records which will make you wonder “Whatever happened to this lot and why weren’t they huge?”, a record by a man the President of the United States of America (and not the dumb, soon to be in prison (fingers crossed!) one) once mistook a previous Chancellor of the Exchequer for, and includes – I feel I should make sure you’re ready for this relevation; are you sitting down? – two tunes which were released in the last 12 months (or so): both by female British artists, one of whom attracts one of these for what will become fairly obvious reasons:

Enough, already. Here’s the thirty-fourth volume of your Friday Night fun:

Friday Night Music Club Vol 34

Suppose you want to know what’s on it, don’t you? Fair enough. Here you go:

  1. Suede – My Insatiable One
  2. The Sundays – Don’t Tell Mother
  3. The Wedding Present – Corduroy (Three Songs EP version)
  4. Shane MacGowan & The Popes – The Church of the Holy Spook
  5. XTC – Sgt. Rock (Is Going to Help Me)
  6. Shed 7 – She Left Me On Friday
  7. Super Furry Animals – Bad Behaviour
  8. Two Door Cinema Club – Undercover Martyn
  9. Self Esteem – Fucking Wizardry (Block Them Edit)
  10. Jessie Ware – That! Feels Good!
  11. Prince & The New Power Generation – Cream
  12. Jeffrey Osborne – Stay With Me Tonight
  13. The Crusaders feat. Randy Crawford – Street Life
  14. LCD Soundsystem – Time To Get Away
  15. Mason vs Princess Superstar – Perfect (Exceeder)
  16. Delphic – Counterpoint

Til next week folks!

(More soon.)

Halloween Night Music Club

So much for my “no more themed mixes” rule – you didn’t really expect I’d be able to resist doing one for Halloween, did you?

See, there’s so many Halloweur/scary/monsters linked songs (and there’s a clue right there as to the identity o)f one that features this week), I could have made this one at least three times as long, had I been so inclined. But I managed to resist temptaion, and kept it to (just over) an hour – the trimmed ones can make their appearances next year. Or the year after. Or the year after that.

Truth be told, I’m not really a fan of Halloween. The only good thing about it, as far as I can see, is that I can legitimately keep my curtains closed and refuse to answer the door all weekend.

Anyway, here we go with what I hope is not an entirely predictable mix for you all to enjoy whilst stuffing your faces full of the candy you decided not to give to Trick or Treaters, or whilst you’re cleaning the smashed eggs off your front door having ignored them.

I’d recommend turning the lights off, drawing the curtains, lighting some candles and turning it up loud:

Halloween Night Music Club

And here’s your track-listing and sleeve notes. Look away now if you like surprises!

  1. John Murphy – In The House – In A Heartbeat

Or, the super spooky music from one of the best British horror movies from the last 20 years: Danny Boyle’s 28 Days Later. It beautifully encaspulates the peace and silence which pre-empts all the blood and gore and zombies in a loudQUIETloud kinda way. I don’t profess to be an expert of either band, but it does make me think of Mogwai and Godspeed You! Black Emperor.

In case you’ve never seen it, a) what on earth have you been doing? and b) here’s the trailer, which includes some of those iconic deserted London scenes which were breath-taking at the time (and still are):

The thing I love most about 28 Days Later is that for the first 2/3 of the film, you think it’s just another zombie movie, albeit majesticaly and creatively filmed. But when the last 1/3 kicks in, you realise that’s not what the film is about at all,,,

2. Bauhaus – Bela Lugosi’s Dead

From John to Pete Murphy. I could have filled this mix with goth classics, but in the end plumped for just the one. And if I’m lucky, I’ll have squeezed this in just before SWC completes his wonderfully entertaining countdown of the Top 20 Goth records over at No Badger Required and, since it hasn’t featured yet, I assume crowns this as #1.

This is as intense and moody as hell, slowly building from the intricate drum patterns which sound like flapping bats’ wings, through to the booming darkness of the lyrics: it’s one heck of a record.

Mr Lugosi was unavailable for comment. Because he’s dead.

3. David Bowie – Scary Monsters (And Super Creeps)

From the album with the same name, the first after his notoriously influential, but commercially unsuccesful, Berlin trilogy. Apparently, this return to a more commerical sound (!) was inspired by his loathing of Gary Numan, who was viewed as a Bowie rip-off.

4. The Automatic – Monster

A remix of this almost appeared in a recent Friday Night mix, but got dropped at the last minute. Which is lucky, because it’s ideal for this one.

I’ve never actually read an interview with this Cardiff based band to confirm it – Wiki says the lyrics were “…a metaphor for the monster that comes out when people are intoxicated…” – but I definitely heard that it was about when all the boys from the Valleys would descend on the capital city of a Saturday night and cause absolute mayhem.

5. Peaches – Trick or Treat

Extraordinarily for a record by Peaches, I don’t think this contains any actual swears. Sure, there’s innuendo a-plenty – at least that’s what I assume her mention of never going to bed without a piece of raw meat is, anyway. Probably best I slap one of these on it anyway, to be on the safe side:

6. Radiohead – Bodysnatchers

Included for two reasons: i) when I was a kid, the movie Invasion of the Bodysnatchers (the remake, with Donald Sutherland) absolutely scared the crap out of me, and ii) because it’s one of the many tunes where Thom Yorke sounds in tortured pain, which seems appropriate somehow.

7. Miley Cyrus – I Get So Scared

If you’ve not yet succumbed to the charms of Miss Cyrus, then may I direct you to the album this is lifted from, Мiley Cyrus And Her Dead Petz, described in various quarters as experimental, psychedelic, psychedelic pop and space pop, which will come as less of a surprise when you learn that Wayne Coyne and the boys from The Flaming Lips were massive influences on the creative process and feature on the record too. Seriously: check it out. It absolutely changed my perception of her.

Anyway, there’s no need to be scared, Miley; here’s….

8. Bobby ”Boris” Picket & The Crypt Kickers – Monster Mash

Predictable? You betcha. It’s still great though, 50 years since it was first released.

9. Bloc Party – Hunting for Witches

I don’t have much to say about this one, other than it’s obvious why it’s here and it sounds like…well, like Bloc Party.

Actually, I would say that hunting for witches sounds like a very bad idea indeed. I mean, what are you going to do if you catch one? End up in a disappointing sitcom?

Yes, you.

10. Queens Of The Stone Age – Burn The Witch

Ah yes, that’s always an option, I guess.

11. Spinnerette – All Babes Are Wolves

The placing of this, by the former Mrs Josh Homme, is entirely coincidental. Honest. It does provide a rather nice segue into tunes about wolves, mind. Plus, it’s a terrific record, in a quite-a-bit-like-Hole kinda way; a record which was largely and unjustly mostly overlooked when it was released in 2009 and deserves to be revisited.

12. TV On The Radio – Wolf Like Me

Neil! Neil! I remembered it all by myself!

13. Ozzy Osbourne – Bark At The Moon

Another from the ‘entirely predictable/I couldn’t resist’ pile.

Included for two reasons: i) I don’t think, and I’m open to correction, any other single to make the UK chart has the word spewing in it; I’m certain no others have He finds his heaven spewing from the mouth of hell, and ii) these are preceded by perhaps the most ludicrously misplaced Ooh yeah baby! ever committed to vinyl.

Genius, in a bat-biting, ant-snorting kind of way.

14. Super Furry Animals – Let the Wolves Howl at the Moon

Time for a breather before the glorious finale, and it seemed appropriate to follow up a record where the lead singer dressed up as a werewolf (a furry animal, no less) on the cover of Bark at the Moon, with a song by the Super Furry Animals, who aren’t adverse to dressing up as big furry animals themselves, singing about how we should just let Ozzy get on with it. Sort of.

15. Echo & The Bunnymen – The Killing Moon

Not just the last record from the ‘entirely predictable/I couldn’t resist’ pile, but the last record in this mix.

And I need say no more about it than this: magnificent.

Oh, and: more soon.

Friday Night Music Club

A little later than usual this week, not that I think anyone actually listens to these on a Friday Night.

My apologies for that, and for the lack of much preamble or sleeve-notes this week. I will explain why at some point over the weekend.

All I will say is that this week, it’s guitars all the way, with some 70s, 80s and 90s classics, a couple of jokes in the running order, and a few tunes you’ll either have never heard before or will have not heard for so long you’ve forgotten all about. With good reason, some might say.

And no need for my usual admin disclaimer about any mixing gaffes, since this week the cross-fader stayed resolutely here again:

(I’ll be honest, I’ve not had chance to listen to this one; if there’s loads of skips and jumps I’ll redo it, and remove this sentence).

So, we’ll dive straight in – here’s this week’s mix for you:

Friday Night Music Club Vol 16

Track-listing:

  1. The Jam – Down In The Tube Station At Midnight
  2. Elvis Costello & The Attractions – Pump It Up
  3. The Boomtown Rats – Rat Trap
  4. The Beat – Mirror In The Bathroom
  5. The Look – I Am The Beat
  6. Idlewild – When I Argue I See Shapes
  7. Symposium – Farewell To Twilight
  8. Shed 7 – She Left Me On Friday
  9. The Rezillos – Top Of The Pops
  10. Buzzcocks – I Don’t Mind
  11. The Undertones – My Perfect Cousin
  12. King Kurt – Destination Zululand
  13. Tenpole Tudor – Swords of a Thousand Men
  14. Salad – Drink The Elixir
  15. Shocking Blue – Send Me A Postcard Darling
  16. Orange Juice – Felicity
  17. My Life Story – Strumpet
  18. Super Furry Animals – Play It Cool
  19. Belly – Now They’ll Sleep

More soon.

Get Off My Playlist! #5

It’s very easy to explain today’s tunes deselection from the batch of tunes I had first come up with for the summery play list I prepared for JC’s place recently.

For to include it would have been a direct breach of #1 in The Rules of Making a Playlist: Thou shalt not include the same artiste more than once in the same mix.

Having dug out two records by Super Furry Animals which met the original “must have the word sun in the title” criteria, it was a straight choice between today’s tune and Hello Sunshine.

Whilst I wanted to champion the fine city I used to live in – Rhod Gilbert and Rob Bryden have both had the Visit Wales advertising campaign gig, surely I’m next in line? – Cardiff in the Sun is a huge sprawling psychedelic groove full of sha-la-la-la’s and Beach Boys harmonies and, crucially, is over eight minutes long; Hello Sunshine, on the other hand, is a concise, catchy and cool way to start the mix off and, crucially, isn’t. Time and space were rearing their ugly heads again.

And so today’s tune got kicked into touch, only to reappear here today for your delectation:

Super Furry Animals – Cardiff in the Sun

More soon.

Friday Night Music Club

It’s Friday yet again (crowd: Hooray!), which means it’s time for your weekly hastily tossed together carefully constructed playlist once again (crowd: shrugs of indifference), and this week we’re back to me splitting down a previous multi-hour playlist into several, easier to digest, hour-long composite parts.

Those of you who rejoiced when it became clear that Vol 2 would only be two playlists long, and those who danced with far more joy than when I post any playlist at the news that I wasn’t going to bother with Vol 3 because I hated it so much, prepared under the extremes of a lockdown Christmas as it was, will be disappointed to learn that this week we start on Vol 4, and this was 4h 41m long when it first saw light of day back in April 2021.

Here’s what I wrote about the full mix last time out:

“…pretty much all life is here, from indie rock to 60s California hippy-shtick, some Old Skool dance classics, some hip-hop and some soul classics via some Northern Soul belters via some TV show theme tunes (sort of); there’s some hoary old rock and some psychobilly, and a couple of tracks which should have featured in a New post by now, but the bands in question played the 6Music festival last weekend so you’ll probably know them intimately by now. And, of course, there’s The Fall.

Easy on the cheese this time, there’s even some poetry so we can all pretend we’re intellectual. You’ll have chance to dance, sit and recover for a few moments, before getting back on it again.”

NB: not all of these selling points feature in this week’s mix.

But fear not the two of you who listened to the full mix last time out: I’ve tinkered with the running order a little, and ditched a song or two which didn’t seem to fit, so it should be sufficiently different should you decided to give it another whirl.

Not before the usual disclaimer: any skips or jumps are down to the mixing software (touch wood, I didn’t notice any when I listened back to it); any mis-timed mixes are down to me (there’s not much actual ‘mixing’ to be done here, but even then I’m not 100% happy with one that I did), all record selections are, of course, mine. Who else do you think would do this and admit it?

Oh, and unlike the first time around, there’s an actual track-listing for you:

Friday Night Music Club Vol 4.1

  1. BMX Bandits – Serious Drugs
  2. The Kills – The Good Ones
  3. Queens of the Stone Age – Feel Good Hit of the Summer
  4. Super Furry Animals – Something For The Weekend
  5. Primal Scream – Rocks
  6. The Cramps – Bop Pills
  7. The Fall – White Lightning
  8. Bob Dylan – Subterranean Homesick Blues
  9. The Mamas & The Papas – Creeque Alley
  10. Marlena Shaw – California Soul
  11. Shirley Ellis – Soul Time
  12. The Go! Team – Bottle Rocket
  13. The Phenomenal Handclap Band – 15 to 20 [Den Hann Remix]
  14. Justice – D.A.N.C.E.
  15. The Shamen – Move Any Mountain (Beat Edit)
  16. iio – Rapture [John Creamer & Stephane K Remix]
  17. Kosheen – Hide U [John Creamer & Stephane K Remix]

Enjoy!

More soon.

Friday Night Music Club

Regular visitors to my Friday night slot (stop it….!) will probably have noticed a few things that I like to do with the mixes I put together and post here (I’m talking the self-contained, meant-to-be-listened-to-as-a-whole mixes, not one of the ones I’ve recently split down into hour-long mixes).

Firstly, I like the first tune to be a definite opener; not necessarily one which sets the tone and style for the rest of the mix, but one which can easily be recognised as a curtain-raiser. See Tonight You Belong To Me by Patience and Prudence from Vol 1; I Dig Rock’n’Roll Music by Peter, Paul & Mary from Vol 2; Rudy, A Message To You by The Specials from Vol 3; Serious Drugs by BMX Bandits from Vol 4; R.E.M.’s Daysleeper from Vol 5…you get the idea.

Secondly, I love placing songs next to each other which shouldn’t really be there, songs which you would never have thought to play alongside each other but which somehow work (I think/hope).

Thirdly, I do love to slip in a tune which makes the listener think: ‘Blimey, I’ve not heard this for ages’ or ‘Cor, I’d forgotten all about this!’ (Not that anyone really says ‘Cor’ or ‘Blimey’ outside of a Carry On film anymore.)

Fourthly, end on something magnificent, just like you would want any gig or DJ set you went to in real life to do. Go out on a high, always leave ’em wanting more etc etc.

You’ll find examples of all four of these character traits on tonight’s brand new shiny mix, so let’s get the admin out of the way and crack right on, shall we?

Admin Part 1: any skips or jumps are down to the mixing software (I counted two when I listened back to this one); any mis-timed mixes are down to me (there’s one that’s a bit clunky here, I’m afraid; all record selections are mine (you’d better believe it, baby).

Admin Part 2: two of the tunes featuring this week contain some effin’ and jeffin’. One of those two contains a lot. Therefore this warning is most definitely required this week:

Friday Night Music Club Vol 8

And here’s your track listing. Look away now if you like it to be a surprise:

  • Death In Vegas – Dirge
  • Marilyn – Calling Your Name
  • Dexys Midnight Runners – Geno
  • The Pogues – The Sick Bed Of Cuchulainn
  • Pixies – Nimrod’s Son
  • Super Furry Animals – Golden Retriever
  • New Order – Regret
  • Missy Elliott featuring Ludacris – Gossip Folks [Fatboy Slim remix]
  • Miike Snow – Animal [Crookers Remix]
  • Fatboy Slim – Everybody Needs a 303
  • The Beloved – Your Love Takes Me Higher [7″ mix]
  • Bentley Rhythm Ace – Bentleys Gonna Sort You Out
  • The Police – Every Little Thing She Does Is Magic
  • Belle & Sebastian – Seeing Other People
  • Beck – Deadweight
  • The Primitives – Spacehead
  • Ride – Twisterella

That’ll do.

More soon. I may even post something else before next Friday, you never know.

Friday Night Music Club

And we’re back, with the latest part of the first of the way too long mixes I did at the start of the series, and which I’m in the process of splitting down into much more easy to swallow hour-long chunks.

This one was an absolute joy to revisit, although I jiggled around with the running order a little and ditched one track from the initial mix for another, it was enormous fun to put together this 58 1/2 minute long mix of 16 songs, ranging from spiky indie guitar tunes to some skater punk to the 1970s New York punk scene and then to some Emo and some Goth – all absolute bangers in my humble opinion:

Friday Night Music Club Vol 1.3

Track-list:

  • Gang Of Four – I Found That Essence Rare
  • The Fall – Dead Beat Descendant
  • Maxïmo Park – Our Velocity
  • Super Furry Animals – God! Show Me Magic
  • Sports Team – Here’s The Thing
  • Elastica – Stutter
  • Sum 41 – In Too Deep
  • Good Charlotte – Girls & Boys
  • My Chemical Romance – Teenagers
  • Ramones – Beat On The Brat
  • Iggy Pop – The Passenger
  • Blondie – (I’m Always Touched By Your) Presence Dear
  • Siouxsie & The Banshees – Hong Kong Garden
  • The Sisters Of Mercy – This Corrosion
  • The Rapture – House of Jealous Lovers
  • Interpol – Mammoth (Erol Alkan Rework)

A quick reminder: any skips or jumps are down to the mixing software; any mis-timed mixes are down to me; all record selections are mine.

Hope you enjoy, see you back here this time next week.

(More soon.)