Surely no explanation is needed here, this is just a perfect late night tune:
Surely no explanation is needed here, this is just a perfect late night tune:
Back in 2001, The Cure released a Greatest Hits album, which came with a bonus CD featuring all 18 songs performed acoustically.
Obviously, that means there’s quite a few to choose from, so we’ll be returning here again at some point.
But for now, here’s one of my favourite of the re-workings, a song title which is not said to me on a daily basis with anything like sufficient regularity:
Inevitably, more soon.
Never let it be said I’m not a man of my word.
For here we are, a week later, and The Chain is back! Back!! Back!!! (again) for another instalment.
Truth be told, I was totally blown away by the response I received to last week’s edition, so blown away that I almost went full on Sally Field. So y’know, cheers.
I’m also delighted that not only have a couple of old Chain Gang friends chipped in this week, but we also have three new members to welcome aboard.
Before we go any further though, some admin, and I need to add a new rule to the ten I posted last week, namely this:
11. The same artist can feature twice in the same week, but only if suggested by different people. In other words, if you suggest two songs by the same act, I’ll ask you to just pick one of them; if you don’t reply, I’ll pick for one for you.
Actually, this is an old rule that I forgot to include last week. One of you nearly came a cropper with this one, but just about managed to dodge the bullet. You’ll see what I mean.
Ok, so we have 49 new songs (count ’em!) and over three and a half hours worth of tunes to get through this week, and there’s some real treats, including a couple of acts I was surprised to find featuring in The Chain for the first time, some commercially unreleased live stuff, a couple of songs which have featured here before under different guises, a couple of real rarities (I think), a contender for Worst Record In The History of Everything Ever, and – and I mention this now to introduce some totally unneccessary tension and excitement into proceedings – one of you correctly guessed the next record in the Official Chain.
So let’s kick things off with a reminder of the last source song, that is the song that you were all providing suggestions to this week:
And where better to start than with a new member of The Chain Gang? Ladies and Gentleman, please rattle your manacles and give a warm welcome to GMFree:
“The most obvious songs that I thought of first were ‘God Only Knows’ by James…”
Now, in the same way that I think if you’re going to cover a song you should try and do something interesting with it, by the same token I think that if you’re going to write a song and give it the same name as universally loved classic, then it is undoubtedly going to be compared to said song, so you’d better make sure yours is good….
“…and….” Whoa there, GM! We’ve not finished with the songs also called “God Only Knows”.
Over to you The Swede (of Unthought of, though, somehow):
“From ‘God Only Knows’ by The Beach Boys to…..’God Only Knows’ by Joe Henry – same title, different song, fortunately a quite lovely one.”
He’s not wrong, you know:
Now to the first of my oh so many suggestions this week. Imagine Yoda is reciting the name of the source song, he’d probably refer to it like this:
Time for Dirk of sexyloser fame to contribute:
“‘God Only Knows’? So what does he know? Well, he knows it’s true, obviously … so I’ll go for Teenage Fanclub”
Now, strictly speaking, I should be disallowing this suggestion, because this song has featured on The Chain before, back in edition #32, to be precise. However, I’m going to allow it this week for three reasons: firstly, it ws me who suggested it last time; secondly, I posted a Peel Sessions version last time and this time I’m posting the original, and thirdly, because last time it featured I had changed one word in the title from “God” to “Gourd” so that it linked to the source record (XTC’s “The Ballad of Peter Pumpkinhead”, in case you’re interested).
In other words, this is totally fine:
What else does God know? Let’s ask David Bowie, who has probably found out whether he was right by now:
That song title in no way references my Gourd pun earlier, by the way.
Next up, it’s Martin from New Amusements, and he’s going all deep and meaningful on us:
“‘God Only Knows’ has one of the most honest first lines in songwriting history, I’ll throw in ‘Honesty’ by Billy Joel.”
Ok GM, the floor’s yours again:
“…and ‘Lord Only Knows’ by Beck, there is a great version from his Union Chapel show in 2003 which includes harmonica and merges into Hot In Here (Herre !?) in a way only Beck can do.”
You mean this, I presume:
We’re into not commercially released stuff with that one, as far as I know. Any chance to feature Beck, and moreover Union Chapel, my favourite venue in London, will be gratefully seized.
Next up, it’s over to The Beard, who provides one of his usual interesting links:
“God Only Knows is featured in the film Boogie Nights. The film centres around the supremely endowed Dirk Diggler, played by Mark Wahlberg. He also starred in ‘Four Brothers’ which is pretty much a remake of the John Wayne driven western ‘The Sons Of Katie Elder’. John Wayne? Motherfuck him as said Public Enemy on Fight The Power.”
Speaking of John Wayne, he also starred in the original release of ‘True Grit’ along with the next artist. Over to you, Alyson (of What’s It All About?):
“In light of [last] Tuesday’s sad news of the death of Glen Campbell, and the fact he stood in for Brian Wilson in 1964 as a Beach Boy, I am reminded of his song ‘Galveston’ which always makes me think of a beach because of the following lines:
‘I still hear your sea waves crashing
While I watch the cannons flashing
I clean my gun
And dream of Galveston.’
I know we’ll all have heard it a lot over the last couple of days but I never tire of these songs of his.”
To be fair, Galveston is one of a clutch of Campbell’s records that I don’t think many of us will get tired of hearing:
And so we seem to have made the seamless move from songs which reference ‘God Only Knows’, to songs which link to members, full or part time, of The Beach Boys. So what next?
George has the answer:
“Can I propose a third song that is really, really shit?” he asks.
Yes, I know you haven’t heard his first two suggestions yet. I choose the order the songs feature in, and I want to post his third (really, really shit) suggestion first.
As I pointed out to George in the Comments to last week’s edition, he doesn’t normally ask permission.
“It’s by Wilson Phillips…….one of whom is a relation of a Beach Boy…….and the song is ‘Hold On’. But feel free to disqualify it because it is simply too dreadful.”
George is fully aware that a record being dreadful, or shit, or shittily dreadful, is not enough to preclude it from The Chain. For here, we embrace the dreadfully shit (by which I categorically do not mean Donald J Trump, who we try to keep at arms length at the very least).
And besides, I’ve listened to this – and all of the suggestions – a lot over the last week, and I’ve grown to quite like this:
Actually, two of Wilson Phillips are the daughters of Brian Wilson; I expected someone would suggest a record by the parents of the third member, but nobody did, so I may as well:
“God Only Knows”, of course, features on The Beach Boys album “Pet Sounds”, so how about a couple of suggestions which link to that? Step forwards The Great Gog, who I see has now got as far as starting his own blog, but hasn’t yet got round to writing anything on it just yet. He’s probably got far more important things to be getting on with, like suggesting this kind of thing:
“I’ll go with the fact that ‘God Only Knows’ features on the album Pet Sounds. This album also features a track called ‘Caroline, No’. Whenever I spot this on the album, I always think of the similarly titled Talk Talk track, ‘Does Caroline Know?’ – not surprising really as I owned the ‘It’s My Life’ album some time before I acquired Pet Sounds.”
‘Pet Sounds’ is one of those albums, I think – or at least it is to me – that I knew what a great album it is long before I actually got round to listening to it, let alone owning a copy. I don’t think I actually heard ‘Pet Sounds’ until I was in my late twenties, but I remember in my early twenties having a very long discussion in the pub one night with one of my friend’s younger brother’s friends about how amazing it is, without him realising I’d never heard it. Hold the front page: Jez is a complete bullshitter shocker!
Anyway, here’s your suggestion:
Mention ‘Caroline, No’ and I can’t resist posting this:
Bet you all thought I was going to post some Quo then, didn’t you?
Oh wait, what’s this?
God Only Knows how utterly predictable I am.
Although it does mean I can post this….
A change of pace now, and here’s Jules from Music From Magazines who I think now feels obliged to suggest something by Lambchop every time:
“‘The Book I Haven’t Read’ (Live Version) from a tour CD titled Pet Sounds suck” by Lambchop.”
This, then, would be one them there rarities I mentioned earlier:
Next up is BabyLotti:
“I’ve got to link to the best cover of one of The Beach Boys’ songs I’ve ever heard, Don’t worry baby by Ronnie Spector from the She Talks To Rainbows EP. Produced by no less than Joey Ramone”
It’s pretty hard to top that, to be fair, so let’s move on to a new batch of songs, and here’s all the God-bothering suggestions you came up with.
First out of the bag is Alex G from We Will Have Salad:
“So many gods to choose from… luckily I don’t own anything by Hermes House Band, so you’re spared that. Instead, let’s go for the god to whom I am most frequently compared (admittedly in the form “you’re no…”) and some proper old-school house: ‘No Way Back’ by Adonis.”
Shame about the Hermes House Band; I’ve got loads of gags about the Hermes parcel delivery service all lined up and ready to go.
The rest of you stick to referencing songs with ‘God’ in the title, so let’s work our way through them.
“Going the God route, with ‘Dear God’ by XTC…”
“…and…” Whoa there, Martin! We’ve not finished with the songs that have God in the title.
First, we’re going back to The Swede for his second suggestion of the week, “…another divine link of a slightly more irreverent nature…” as he quite rightly puts it:
If any of our overseas readers would like to know who any of the people mentioned in that song are, feel free to email me, or, preferably, Google them.
Time to welcome aboard the latest member of The Chain Gang now, so Ladies and Gentleman, please click your pickaxes together and give a warm welcome to C from Sun Dried Sparrows:
“‘God Only Knows’ made me think of God, not something I do very often, for I am faithless. And then I thought of….”:
Who else haven’t we heard from yet? Ah yes, The Robster from Is This The Life?, I wonder what he’s got to offer?
“If we’re going down the God route though, and with God supposedly living in Heaven or some such mythical place, I offer Godspeed You! Black Emperor and the title track of their seminal second album ‘Lift Yr. Skinny Fists, Like Antennas to Heaven…’.”
Remember when I said there was over three and a half hours worth of tunes this week? Well that’s almost twenty minutes of them, right there. I’d pop the kettle on if I were you.
Ok, so if we’re on songs that feature God in the title and feature an exclamation mark somewhere, then it would be terribly remiss of me not to post this:
I’ll tell you who else hasn’t chipped in yet: Charity Chic from Charity Chic Music, that’s who:
“Sorry to disappoint you but there is no God,” he blasphemes, “so…”
Hold up, what did you just say?
“Sorry to disappoint you but there is no God…”
Pray, do continue.
‘No Gods (and Precious Few Heroes)’ by Dick Gaughan, please. JC recently posted a goose-bump inducing live version which is the one to feature”
And it’s JC’s legendary place that I visited to find the specific version CC was after, so it would be rude of me not to attribute credit where credit’s due and provide a link to his site The (New) Vinyl Villain (although if you visit me here, then I’d be really surprised if you didn’t already visit JC).
Here’s the tune:
Quite some time ago, or so it seems, I left GMFree hanging with their second suggestion, so it’s probably about time we went back and checked on them.
“I wanted to include The God Machine with the KLF cover ‘What Time is Love” but I don’t own a copy…”
You do now:
Although, admittedly, it’s not the best quality recording, and you kind of didn’t really suggest that one anyway, so for one time only I’m going to allow you to suggest a different song by the same artist:
“…so will offer the equally heavy ‘She Said'”:
And we’ll stay with GMFree for a moment longer, if we may:
“I had a habit on the much missed When You Can’t Remember Anything series to mention the great Stephen Jones almost every time, here are two from him…”
Wait a minute, what did I just say about ‘for one time only’…?
But this is the bullet-dodging suggestion I mentioned earlier, for the first of these two suggestions is by Stephen Jones recording under the name TrUcKeR and the other one…erm…isn’t (that one will be along in a bit, if you care to hang around long enough):
Is it okay if I like the sleeve of that more than I like the actual track….?
Now when I posted the Public Enemy track earlier, I deliberately avoided commenting on how sad it is that a record released in 1989 about black oppression felt as relevant today as it did back then. And that’s because I knew that one of you was going to make precisely that point about a record released a lot earlier than that. So, abramson60, the stage is yours:
“I’ve been listening to a lot of Nina Simone of late so taking the God road ‘Mississippi Goddam’, a song that is sadly still relevant today when we see what happened in Charlottesville [at the weekend] and it was only last week the UK police released the appalling hate crime figures.”
So, no jokes here. Just Miss Nina Simone.
Now, here we are, linking to songs about God, and not one of you has suggested anything by the Reverend Cliff Richard yet. The closest we get is this, from Rol of My Top Ten:
“OK, my two suggestions will be as follows…
1. A song with the following lyrics…
No it’s never too late to change your mind
Don’t step on snails, don’t climb in trees,
Love Cliff Richard but please don’t tease
It’s never too late to change your mind
Thereby giving you your Cliff Richard fix even if nobody suggests him this time. Cliff and God go together, after all.
“…the original version…actually prefer the Kiss version, but they don’t sing the verse about Cliff. Dunno why.”
I would imagine it’s because most of Kiss’ fanbase would have no idea who Cliff is, the heathens.
Anyway, I agree with you about preferring the Kiss version, but I do really like the Argent version too, although every time I’ve heard it my little ears have pricked up as I thought something by Focus had come up on shuffle for me.
We’ll come back to Rol’s second suggestion in a bit.
That’s all the God suggestions done. Next we have a song about Jesus, but I think we need some sort of bridging song, just to reinforce the link here. This’ll do the trick:
And so to Jesus, and, more specifically, to Martin of New Amusements again. Martin’s not the Messiah, but he knows another Martin who thinks they must be.
“And the son of God route with…”
“…because it’s ace.”
He’s right, you know.
For the uninitiated, Mr Rossiter was the lead singer of Gene (who I adore) and I cannot recommend the album that track comes from (‘The Defenestration of Saint Martin’, in case you can’t make it out from the image above) highly enough. An over-looked gem, in my opinion. Seek, and ye shall find.
Which leads us on to God’s greatest adversary, and we’re heading back to GMFree’s seemingly never-ending list of suggestions, which is for this:
Now GMFree mentioned the much missed When You Can’t Remember Anything blog a little earlier, and regular visitors to these shores will know that the writers of that now deceased blog, SWC and Badger, often contributed here. So I was delighted when SWC got in touch to make some suggestions again this week, although the first one he doesn’t really suggest, more wonders out loud about it, which he knows full well is too much for me to resist:
“I need to decide whether to go down the beach route the boy route or the God route. I thinking if ‘God Only Knows’ then perhaps ‘Better the Devil You Know’ but I may change my mind.”
Too late! And count yourself lucky I picked this one and not the song of the same name by professional Scouser Sonia:
Which leads us nicely on to our third new member of the Chain Gang. Ladies and Gentlemen, will you please be upstanding and straighten out your natty suits with arrows on them for KC:
“I’d like to suggest ‘The Lord’s Favorite’ by Danish wunderkind iceage and I’ll apologise for the use of the word wunderkind, that was how SWC described them to me.”
That’s the way to do things: if in doubt, blame SWC.
Now many of you will recognise KC from her posts on SWC and Badger’s site; she was, if I recall correctly, a relative newcomer to writing and her posts were really rather excellent, so it’s a shame she no longer has a platform to show off her talents. So KC: if you want to continue to write, and haven’t had any other offers to do so elsewhere, drop me an email, you’d be more than welcome to contribute here. Just until the boys get bored and resurrect WYCRA, of course.
God…Lord…Jesus…Lucifer…all suggestions of Biblical proportions. Which leads me back to Rol for his second suggestion, which is this “…because it’s ace.” Have you and Martin been copying each other’s superlatives? You have, haven’t you? You’ve both let me down, you’ve let the class down, but most all you’ve let yourselves down.
Good job both of your ace suggestions really are ace:
Okay, so having covered the ‘God’ aspect of ‘God Only Knows’, perhaps it’s time to focus on links to one of the other two words in the title, namely ‘Knows’. Here’s Rigid Digit from Stuff & Nonsense
“The Beach Boys tell us that ‘God Only Know’s, but Robert Plant asserts that ‘Heaven Knows’ (which is arguably the same thing?)”
Arguably, but it’s getting late.
Now as a die-hard fan of The Smiths, mention of a song title that starts with the words “Heaven Knows” sets by clogged up heart beating a little bit faster, for it gives me an excuse to post this:
Ha ha, fooled you!
Sorry, Rigid, you were saying?
“Marillion then confirm the original statement by saying…”
Time to dust off my Chain Catchphrase. Well, if you’re suggesting that, then – altogether now – I’m suggesting this:
Moving swiftly on, a couple of you, taking the Boys from The Beach Boys, decided to flip it over to the fairer sex. Here’s George:
“I was going to suggest ‘Girls Girls Girls’ by Sailor but I changed my mind….”
Good job you did, for I’d definitely have to disqualify that one, as it featured in The Chain #35
So, have another go: “…going from Boys to Girls, and The Moments song ‘Girls'”.
Now, every version of that song that I could find credits it to The Moments & The Whatnauts, so I’m hoping this is the tune you were after:
And here’s SWC with an actual, proper suggestion, and it’s no coincidence that I first heard this song because of a post on When You Can’t Remember Anything:
And as you can see, that features on an album called ‘Father, Son, Holy Ghost’ which makes that a Double-Linker. Points!
So, having exhausted those suggestions too, let’s have a look at some Boys. And one of you got very excited at the prospect. Hello Kay, who shortly after posting her suggestions, sent me a text to say she was worried it made her sound like, and I quote “a right creepy perv”.
See what you think, readers:
“I’m going for the theme boys – so many to choose from. Maybe….”
“…(I am of a certain age)…”
Nothing pervy about a woman of a certain age liking her boys wild and bad. And from the 1980s.
“…but I suppose I should go with the first song I thought of which linked to the Beach Boys and that’s…”
Brace yourself everybody. It’s Worst Record of the Week time, and if this isn’t one of the Worst Records in the History of Everything Ever, then I’d like to know what is. No scrub that, I really wouldn’t.
Quick, somebody else suggest something. GMFree, you must have a few hundred more up your sleeve, surely?
“Thinking about a link to Beach and Boys lead me to ‘Boys Don’t Cry’ by The Cure included on Standing On a Beach comp, along with the b-side ‘The Exploding Boy’.”
I’ve warned you about this already….
I’ll pick the more unknown one of those two, which featured on the B-Side of the band’s wonderful “In Between Days” single:
Which leads us nicely on to our last cluster of tunes, which relate to the Beach in The Beach Boys. Here’s George for his final suggestion:
“…from Beach to Sand, and…”
In case you’re interested, that’s the other song which has featured on The Chain before, but then it was performed by Ronnie Spector and came from the very same EP as the one BabyLotti suggested earlier.
Let’s have GMFree’s last suggestion, the other one by Stephen Jones, which you’ll recall I’m allowing because he released it under his Baby Bird moniker, as opposed to the TrUcKeR of the earlier suggestion:
Over to SWC for his second suggestion now:
“For the beach link I’m going to say ‘Pure Shores’ by All Saints as it’s on the soundtrack to the film ‘The Beach’.”
And because it’s ace, as Rol and Martin might say. (Because it is.)
Let’s see what else Alyson has conjured up on the beach theme next:
“The other song that came to mind straight away was this one, pure cheese…from back in the early ’70s when this kind of thing was all over the airwaves!”
Which, cheese or not, is also ace. And it gives me the chance to post this, my final suggestion of the week. And it may seem an odd one to go to, but some of you will have spotted the reason for the link when listening to that last tune:
Did you spot it, readers?
Anyway, where were we? Ah yes, beaches.
This, then, The Robster’s final suggestion:
Isn’t that ace too? We went through a phase a while ago of having a record by Kirsty pretty much every week on the Chain, but that’s the first time she’s featured in ages. Sort it out folks.
And from an artist who used to feature regularly to the band I was surprised has never featured before, so many thanks to abramson60 for rectifying that with this absolute belter:
Seriously, think of how many albums the Ramones have released, and how many songs of about two minutes that means they’ve recorded. This is the 41st edition of The Chain. How did we get this far without them cropping up?
Which leads me to the final suggestion of the week. Which just so happens to be next song in the Official Chain.
Here’s their link:
“From the Boys on the Beach to…”
And here’s ours, as penned by KC in this Sunshine Strand:
“If Badger was here he would agree that the greatest song to feature beaches either in the band title or the song title is…”
Congratulations, KC! Points to the New Girl! The rest of you: hang your heads in shame, she’s tucked you all right up there.
So, all that leaves me to do is to thank you all again for the love you’ve shown The Chain, for your awesome (and ace) suggestions, and to ask you to do it all over again.
Your suggestions, please, for songs which link to “Echo Beach” by Martha and The Muffins, along with a brief description of the link, via the Comments Section down below, in time for the next edition.
I’m around a month early for posting something (else) about John Peel, but on yesterday’s The Chain post, Swiss Adam nominated and justified the inclusion of Dinosaur Jr’s “Freak Scene”, by mentioning their cover of The Cure’s “Just Like Heaven”, which in turn led me to this: a most out of character Thursday night post.
When The Cure’s version came out, I was just finding my feet in the world of what was then called Indie music, and they, like my other heroes of the time The Smiths, perfectly bridged that gap between chart music and a whole world which was becoming much more interesting and alluring.
For my money, The Cure were at their Indie pop best around that time, with some of their singles being the most chart-friendly songs they would release, but still managing to retain that quirky weirdness that had marked them out previously to people far wiser and on-the-ball than me.
By the time I first heard Dinosaur Jr’s version of “Just Like Heaven” they had already crossed my radar, for I’d seen the video for “Freak Scene” on BBC2’s weekday alternative music show “SNUB TV”, had dug a little deeper, and so I pretty much knew roughly what to expect.
“SNUB TV”, which seemed to kind of morph into “Rapido” before our very eyes, was essential viewing for me and a few of my mates during my first two terms at college, when we were all living on campus in the halls or residence. I was the only one who had a colour TV, and we would all pile into my box-room and fight for a bit of arse-space on my single bed to watch it. (It was the most action my bed ever saw.) For the year or so that it aired, “SNUB TV” was one of my two main sources for discovering new music.
The other was of course John Peel.
Demi-God that he was to us, Peel also had a bit of a reputation for accidentally playing songs at the wrong speed, to such an extent that there was a posthumous compilation album featuring some of his favourite tracks entitled “John Peel – Right Time Wrong Speed”. It was this that just made him all the more endearing, I think.
It was on one of his shows that I first heard Dinosaur Jr.’s version, my ears perking up as he announced it. But it was not the speed of the record which perplexed him on this occasion – it was the brevity of it, and specifically, the way it unexpectedly crashes to an end. The record was followed by about ten seconds of dead air, followed by Peel emitting one of those little snorts he used to do when embarrased or amused, and saying something along the lines of “Well, that finished rather abruptly”.
He has a point. When I started DJing, I used to love playing this version, because I coud sense the crowd expecting me to make the same mistake and mess it up. But I would already have the next tune ready and cued, my finger hovering over the Start button on the Technics decks, ready to kick in the next tune at exactly the right moment, in exactly the way that Peel had so bumblingly not managed to do.
And everytime I timed it right, I’d hear Peel’s voice saying “Well, that finished rather abruptly”. And I still do everytime I hear it now, almost thirty years later.
Well, that finished rather abruptly.
A warm welcome to all the Chain Gang for the latest instalment in…erm…well, The Chain, obviously.
It seems you’ve decided to take it easy on me this week, with, at the time I’m starting to write this, just the 16 suggestions (plus mine) received. So far. Can’t rule out the occasional late arrival though.
So to recap: we ended last week with The Smiths “Rusholme Ruffians/His Latest Flame (Medley)”, and of course we were looking for your suggestions for records which can be linked to that.
Now you know the score by now: at this point I would normally simply go through the list of suggestions, in the order that I received them, until we get to the end, I suggest mine, reveal what the actual link from the official BBC The Chain is, and invite your links to that ready for next week.
This week, however, I’m going to mix it up a little bit, because, well frankly, the last suggestion I received simply has to be first.
Here’s George to explain:
“I’ve got a link to Ant and Dec………..”
Is it just me, or has it suddenly got very cold in here?
“In The Smiths the drummer was Andy Rourke. PJ O’Rourke is an American journalist……..and PJ and Duncan were in Byker Grove (not actually filmed in Byker) and they released a few singles, for example ‘Lets Get Ready to Rumble’ And PJ and Duncan are better known (according to my partner) as Ant and Dec!”
I love the double disclaimer in George’s suggestion, not just the “according to my partner” bit, but also spelling Rumble in the way he has, instead of the way that we all know it was actually spelt on that legendary single. Like this:
Fear not. That’s not the last we’ve heard of from George this week. And I should stress, his suggestions get better, not worse.
So, to The Swede, of Unthought of, though, somehow with a short, but sweet, suggestion:
“From Smith to Jones – Meilyr Jones with the terrific ‘How to Recognise a Work of Art’.”
If you don’t know that record – as I didn’t until The Swede suggested it and I went a-huntin’ – I would heartily recommend you give it a go. It reminds me of My Life Story crossed with Johnny Boy’s “You Are The Generation That Bought More Shoes”, and if that doesn’t tempt you, then I don’t know what will. In fact, if I can go all Victor Kiam for a moment, I liked it so much I’ve gone and got me the album, 2013, too. So, y’know, cheers Swede!
Anyway, back to business. Here’s babylotti:
“Mint Royale released a single called ‘From Rusholme with Love’, one of their most well known tracks is ‘Sexiest man in Jamaica’, not many know the sample was lifted from a live Selecter album with Prince Buster introducing the song in his own humble way, so I suggest that song: The Selecter ft Prince Buster, Rough Rider”
I just confess, I’d often wondered where that sample was lifted from. Cheers for enlightening me.
In case you don’t know the Mint Royale tune babylotti refers to, it’s this:
And before we go any further, it would be improper not to doff a cap, raise a glass, or show respect in whatever way you think is appropriate, to the now late, always great Prince Buster who passed away last week.
Look out, here come George again.
“I’ve got a link involving Mick Hucknall………..”
No, it’s definitely got colder again.
“Johnny Marr of The Smiths was born in Manchester as was Mick Hucknall….(wait, it gets better) and Mick Hucknall recorded a trbute album of songs of Bobby “Blue” Bland (I promise you it gets better very soon……), for which Mr Hucknall was fortunate not to be sent to prison, and amongst the many fine songs recorded by Bobby “Blue” Bland is one from his R&B era, ‘Little Boy Blue’ (which is my favourite of all his songs).”
Judge for yourselves, Chain Gangers.
Better than his first suggestion, no? And at least it isn’t an actual record by the Tiffany-from-EastEnders’ vomit covered singer (look it up).
Ok, here’s SWC from When You Can’t Remember Anything:
“So Rusholme, Google tells me, is in Manchester. The Smiths also famously put Strangeways on their album sleeves which is also in Manchester. The Mull Historical Society also sang about Strangeways in their minor classic ‘Strangeways Inside’”
That’s an album I’ve owned for ages but have never really got into. You’d think having seen them, albeit on the main stage at Glastonbury, on a gloriously sunny Saturday afternoon, when I was too mashed to move having over-done the space cakes would endear them to me, wouldn’t you?
“Or just post Sackville by the Carpets” continues SWC.
That’s more like it!
We are now about to go fully Manc.
I’ll hand you over to Badger (also of When You Can’t Remember Anything) for the next link:
“Taking the Manchester thing that my esteemed colleague SWC mentioned and twisting it slightly by introducing ‘Shadows of Salford’ by Doves”
“But…” Badger continues, “Manchester is linked to Liverpool via a motorway. If you turn off that motorway near the end you end up near ‘New brighton’. Which has a promenade famously sung about by The Boo Radleys.“
Well, it certainly has a promenade The Boo Radleys sang about. Famously, though….?:
You’ll recall that last week Swiss Adam from baggingarea managed to correctly guess the next song in the official chain. Let’s see if he can manage it again this week, shall we?
“To jump on Badger’s suggestion, Doves also had M62 Song which handily links Manchester and Liverpool westwards”.
No, he can’t, is the short answer.
“I love all this talk of the M62” proffers The Great Gog. “It’s Immaterial started off in Liverpool and hypothesised about heading out to Manchester on Driving Away From Home (Jim’s Tune). – “it’s only 39 miles and 45 minutes…and that’s my birthplace you know”. Mine too!”
One of my favourite records ever, that. I remember seeing them perform it on Top of The Pops back in 1986 and incredulously thinking: “What on earth is that??”
It’s a cracking anecdote, that, isn’t it?
“An alternative would be that in Rusholme Ruffians,” The Great Gog continues, “Morrissey makes reference to a speedway operator. The word speedway to me and many other Mancunians of my age evokes memories of the great Belle Vue Aces team of the 1970s, so perhaps a spot of Kathleen Edwards and “12 Bellevue” would be in order.”
This is where I piggy-back on The Great Gog’s idea. I made two semi-suggestions myself, both of which stem from his. The first was “Speedway” by Morrissey, but it seems a bit lame to link a record by The Smiths to a record by Morrissey, so I’ll scrub that.
However, I’m sticking with this absolute corker:
Now then. We have an announcement. Regular Chain Ganger What’s It All About, Alfie? isn’t a spy at all, as we’d all suspected from her reluctance to divulge her name. No: it transpires that she has a name, and lo! It is Alyson.
Here’s her suggestion:
“Coming from the far north I get my English place names a bit muddled and in my head I got Rusholme and Rushden mixed up. I seem to remember when listening to football results being read out on a Saturday that there was a team called Rushden & Diamonds. Got me, in a very round about way, to thinking about the sadly missed Prince and one of my favourite songs from him – Diamonds & Pearls.”
Now, on to my remaining suggestions. I have to admit I was struggling a bit this week, figuring that most of you would go with links to The Smiths, to Rusholme, to Rank, but that very few of you would come up with anything linked to Ruffians. So, I flicked through my thesaurus (which I really should refer to again to come up with some alternatives for the word “suggestions”) which proffered the word “Barbarian”. Which leads me to this:
And I was going to leave it there, but I happened to notice for the first time that that was co-written by 1980s grebo Zodiac Mindwarp, which leads me to this:
Look out, George is back, and he’s taking the starting point for his third and final suggestion (which was actually his first…confusing doing this in a random order, innit?) as the album that The Smiths “Rusholme Ruffians/His Latest Flame (Medley)” is lifted from, Rank, and links it:
“…to J Arthur Rank (the British film producer) then using rhyming slang (“I’m just off for a “J Arthur” – a spot of one-handed lovemaking) to end with The Vapors song Turning Japanese, a song allegedly about Onanism – but the writer says that this is wrong.”
I have to say I’m rather disappointed if that’s the case. I’ve lost count of how many people I’ve told that is what the song’s about. Gah! Egg all over my face!
Here comes Charity Chic:
“Staying on the ranking theme can I have the greatest one hit wonder of all time and a song which I think has featured on this series before (It hasn’t, or rather if it did, I forgot to tag it, although it has featured on this blog fairly recently – Ed.): Uptown Top Ranking by Althea and Donna.”
“If there is a rule about songs not featuring twice,” CC continues – there isn’t but I think we should perhaps introduce that rule now. Don’t want to make things too easy for me, now do you? – “Ranking Full Stop by The Beat please.”
Time for the last of the suggestions, and I’ll hand over to Alex G from We Will Have Salad, who, rather annoyingly from my perspective, has a good memory:
“Well, you did lay down the challenge, so… The Smiths obviously links to Will Smith, who was half of DJ Jazzy Jeff and The Fresh Prince, and thereby had a hit with “Summertime”. You really should listen to your friends when they tell you it’s one of the two greatest records with “summer” in the title.”
I remain unbowed. I’m not saying it’s a bad record (although I have probably said that at one time or another). I’m just saying that if I have to pick my favourite two songs with the word “summer” in the title, I’m going for “Hot Fun in the Summertime” by Sly & The Family Stone and “Here Comes The Summer” by The Undertones every time. But each to his/her own, and all that.
And that’s the end of that, and you probably will have noticed that normality has been restored, and there’s been no correct guesses as to the official link this week. As usual, that’s because your suggestions are all really good, and as usual, the official one is ever so slightly underwhelming:
“Another famous ‘Smith’ is Cure frontman Robert…”
The song, on the other hand, is terrific. But you already knew that, right?
And that’s it for another week. I would think most of you know what to do now, but we’re having a few more visitors to these shores recently, so I’ll recap: send me your suggestions for songs that you can link to The Cure’s “In Between Days”, along with a description of how you have got to your suggestion, via the Comments section below. All suggestions welcome.
See you all same time, same place, next week.
Oh, and more soon, obviously.
Hello, good evening and welcome to what is for us lucky folks in the UK is that rarest and most beautiful of things: a bank holiday weekend.
For those of you outside the UK, that means we have Monday off.
And for what I think is the first time in my working life, I have been astute enough to book today off too, giving me a glorious 4 days off on the trot.
And how will I be spending it, I hear you ask? Predominantly, perched in front of my laptop writing guff for you all to
enjoy read, interspersed with the occasional missive to the agency who manage the flat I live in about where they can stick the £150.00 “administration fee” they want to charge me to renew my tenancy agreement.
So before, I get all grizzly about that, let’s get going with a non-themed, just tunes Friday Night Music Club.
But first some admin: inspired by The Robster over at “Is This The Life?” I’m using a different file-sharing service this week. I’ve grown a little tired of people telling me they can’t use the Zippyshare link to songs on their phones, and even more so about the pop-ups that Zippyshare seem to generate, and the content of some of the ads they insert, which I definitely do not approve of, and which I hope none of you have clicked. I’ve road-tested the new one and it seems to be waaaaaay better, but I’d be grateful for your feedback (Cath, Llyr, Kay) as to whether it’s an improvement or not.
When I was in my final year at college, I would often spend a Friday night round at my mate Daints’ flat. Daints was the singer in the band that I attempted to play lead guitar in, and I would often seek sanctuary round at his. Occasionally we would rehearse or, heaven forbid, write a song; more often we would sink a few beers, smoke a few fags (USA folks: that doesn’t mean what you think), play a little Tetris (this does nothing to negate any nerd thoughts you may have had about me, does it?) and indulge in what today is annoyingly termed “banter” but back then was just some mates having a laugh.
On one such occasion, Daints was ribbing (again, not what you USA folks might think) one of his flat-mates (a nice enough girl called Paula, who my friends and I all referred to, rather unkindly I can see with the benefit of hindsight, as “Baked Potato” because of her resemblance to one) about her love of The Cure, by pointing out that there out-put at the time (i.e. when this came out) was nothing more than “chart music”. He spat the phrase out with such distaste that she had no chance of recovery.
Still, it’s perfect Friday Night fodder, and let’s be honest, whilst I have no clue about what bothers the charts these days, there’s nothing wrong with our favourite bands being successful, right? Hence it’s inclusion here.
Next, an oft-overlooked single from what I think is one of the greatest debut albums in recent history:
Now, the closest you will get to a theme this week, and a man who apparently had no “G” on his keyboard :
Let’s just examine some of the lyrics for a second:
“You’re A Vegetable (You’re A Vegetable)
Still They Hate You (You’re A Vegetable)
You’re Just A Buffet (You’re A Vegetable)
They Eat Off Of You (You’re A Vegetable)”
Erm, okay Michael.
Who knew he had so much in common with Thatcher?
Or the Child Catcher from Chitty Chitty Bang Bang for that matter (Let’s not go there – Legal Ed.)
Ma Ma Se, Ma Ma Sa, Ma Ma Coo Sa indeed.
Ok, moving on to my favourite type of record to play when DJ’ing.: long ones.
The benefit of dropping long record are threefold:
That’s just shy of 12 minutes worth of funky grooviness right there, and if you can’t make it to the Gents and back in that time, then I’d suggest you contact your GP.
Next up, a song you will all know, but a remix of it that I first came across when I picked it up on a compilation CD in a Virgin megastore sale, and which has such a fantastically 80s bass-line it almost makes me want to be the next Mrs John Taylor:
And for all you lonely people (by which here’s the original video, directed by 10cc’s Godley and Crème and banned by the BBC for what will become fairly obvious reasons if you watch it (by which I mean Dad, do not watch this when Mum’s around):
Moving swiftly on….and following on from my recent Kate Bush posts, here’s a remix of a 1992 tune by Utah Saints, which samples La Madame Bush, this version released in 2008:
…and which had a simply splendid video to accompany it:
Terrible gag at the end, mind, but as a former Cardiffian, I can’t help but love it.
Next up, a tune that simply sounds good played next to that one:
I first came across the next record when I was DJ’ing at college; originally called “Pro>Gen”, it got it’s first release when the band’s sort-of original line-up was still intact, by which I mean before Will Sinn had tragically drowned off the coast of Tenerife.
Truth be told, it did little to bother the charts on it’s first release, but post-Sinn, in that way that records tend to do when someone involved with creating them dies, like the general public rubber-necking a car crash, it was much more successful when it got re-released as “Move Any Mountain”.
Here’s the original:
I worked with The Shamen once. *CLANG* Name-dropping alert!!
We booked them on the Synergy Tour when I was at college and one of my many duties was to ensure their rider demands were met. On this occasion, one of them was that all of the performers were provided with a hot meal.
No problem, I thought: they can have something from the college refectory, same as every other band that had come through our doors. If it’s good enough for the Manic Street Preachers, The Blue Aeroplanes and Carter USM (CLANG! CLANG! CLANG!), it’s good enough for this lot, reasoned I.
So, they were provided with menus of the day’s delicious offerings, from which they all ordered, and I dispatched a couple of members of my team to go and collect their chosen sustenance.
Mr C. was, I recall, not happy about the standard of the slop that he was given, ranting off about how he hadn’t eaten properly for days and how he couldn’t eat what he had been given.
I stood up and looked him in the eye.
“We have to eat this shit every fucking day, mate” I said.
Mr C sat down again.
I still love his rap in this though.
After the gig, I ventured into the dressing room. Now I’m not saying that they weren’t all diabetics, but there were an awful lot of syringes laying around in there.
I once played “Pro>Gen” at a house party, and the now ex-girlfriend of one of my best mates started singing “E’s are Good” when it got to the chorus, not in any ironic “they all sound the same” kinda way, but in a genuine “that’s what this record is, right?” kinda way.
Lucky escape, mate.
At the same house party (shout out to the Hilldrop Massive!!), I played this, and a man I’d never met before, or since, practically exploded with excitement, came and hugged me, and then would not shut up about the fact I’d played it for the rest of the night. So, in his honour:
Two more songs for tonight. Firstly, the song which they invariably use to mark the end of one of their gigs; this is essentially the sound of The Charlatans flicking the lights on and off, stacking chairs and starting to mop the floor around you:
But it’s not our end of night tune. That honour goes to another act that needs no introduction, and which, if you timed listening/reading to all of this just right, will be pretty much perfect:
The video is rather fun/disturbing (delete as applicable):
That should do you for this week.
Call it a pre-emptive strike if you like.
No, I’m not going to explain.
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