This Is Pop #7

Over the years, Sugababes, with their ever-changing line-up, which now consists of precisely none of the original members, have become the source of many a joke for precisely that reason. Since the line up has changed, Sugababes should no longer be called Sugababes, goes the argument.

I think that’s rather unfair. Nobody says Arsenal shouldn’t be called Arsenal anymore, just because it hasn’t got the same players as it had in 1886, do they? They might win more games if they did, mind (I know, I know: unwise words when the North London derby is on the horizon). No, any right minded football fan insists they should be called Woolwich, where the club was formed.

Anyway, formed in 1998, founder members Siobhan Donaghy and Mutya Buena – both aged 13 – had been signed by All Saints manager Ron Tom as solo acts, but met at a showcase and decided to work together. Buena invited her friend Keisha Buchanan to watch them rehearse one day, and Tom invited her to join the band, comparing the three of them to the United Colours of Benetton advertising campaign which was causing as much controversy as it could at the time.

Originally named the Sugarbabies, this was changed to Sugababes when they signed to London Records, to give them a more mature image. They had their first hit in 2000. Which makes them 15. I wonder: is it appropriate to foist the moniker “babes” on 15 year old girls?

I’m reminded of a routine by comedian Ed Byrne, who, believe it or not, has done jokes which are not about Alanis Morissette’s “Ironic”:

In 2001, Donaghy quit the band, and was replaced by former member of Atomic Kitten, Heidi Range. Of course, when looking for a new band member, your first port of call would naturally be someone who used to work with Kerry Katona.

To be fair, it seemed to work, for in 2002 the band enjoyed their first Number One single in the UK with the Gary Numan/Tubeway Army sampling cover of American R&B singer Adina Howard’s “Freak Like Me”, and their second with the follow-up “Round, Round”. There’s a cracking Soulwax remix of that which I posted some time last year, so the link’s probably dead by now. I’ll dig it out again sometime.

The next single was “Stronger”, written by the band along with a chap called Jony Rockstar. I suspect this may not be his real name.

A year later, they were back, with their third album, entitled “Three” (see what they did there…?), but not before they had released “Shape”, which sampled Sting’s “Shape of My Heart”. Critics were sneery about the sample, yet I don’t recall anyone complaining that 1994 classic movie Léon was spoiled by having the Sting song played in its entirety over the closing credits.

Buena left the band in 2005 and was replaced by Amelle Berrabah (you are keeping up with all of this, aren’t you?) leaving just Buchanan as the sole original member. Four years later, and with the band’s selling powers on the wane, she followed suit, being replaced by Jade Ewen who had represented the UK in the Eurovision Song Contest earlier that year (we’ve been here before, I think…). She performed the Andrew Lloyd Webber penned “It’s My Time”, which it clearly wasn’t as she came fifth.

Sugababes, I’m surprised to learn, have not officially split up, although they haven’t released anything new since 2010. For some time the remaining members occasionally announced that they were either in the studio or working on new material, as if it were the sort of announcement that should be immediately followed by a ticker-tape parade and the announcement of a public holiday.

But band members old and new have kept themselves busy: Mutya Buena appeared in, and walked out of, Celebrity Big Brother 6. She now owns the rights to use the Sugababes name on paper, cardboard, stationery and gift wrapping products, but crucially, not on any records. But you can’t move for Sugababes embossed paper, cardboard, stationery and gift wrapping products can you, so it sounds to me like she got a pretty sweet deal.

Keisha Buchanan recorded 50 songs for a solo album which never saw the light of day; in an interview she explained “there is no particular musical direction” which might explain why she wrote that many songs. Either that or she mistakenly thought she had joined The Magnetic Fields.

In 2012, it was reported that Range was going to join the Spice Girls, replacing Victoria Beckham, a rumour quickly scotched by Emma Bunton. Instead, she turned her attention to television, where she was to be a team captain on ITV1’s “Totally Senseless”, along with Brian Dowling and host Steve Jones. Ever heard of it? Me neither. Probably because ITV ultimately declined to pick the show up.

Just let that sink in for a moment: a show so bad that even ITV won’t air it.

I’m shocked – how could a show with such a glittering line-up of talent fail?

In 2013, she was first to be eliminated from the 8th series of Celebrity Masterchef, when she presented Greg Wallace with a Pop Tart.

In 2013, Jade Ewen was one of the celebrity contestants on ITV1’s godawful diving show “Splash!”; she was the first to leave the show and revealed afterwards that she only did the show for the money. No shit, really?

Just let that sink in for a moment: “Totally Senseless” was considered by the powers that be at ITV to be worse than “Splash!”

In November 2015 Ewen announced that she had won the coveted role of Princess Jasmine in “Aladdin”, which is definitely a musical and definitely not a pantomime.

In 2006, British Hit Singles & Albums named the Sugababes as the most successful female act of the 21st century. Yes, you read that correctly: the most successful female act in a century that was a whole six years old.

But enough of this sniping. Sugababes genuinely did make some bloody great pop records, and today’s choice is where it all began, back in 2000,with this, which has the greasy paw-prints of one Mr Rockstar all over, it if I’m not mistaken:

51uY2lSBvhL__SS500

Sugababes – Overload

More soon.

Claps, Clicks & Whistles #6

Just as I was heading to bed the other night, I performed my obligatory sweep of the TV channels to see if there was anything worth staying up for; I stumbled across “A Taste of Honey”, the film adaptation of Shelagh Delaney’s play, starring Rita Tushingham and Dora Bryant. I wisely decided staying up to watch it all was not a good idea, so hit record closely followed by the sack.

As I drifted off into sleepy bye byes, at that annoying moment when your body is all ready to drift off but your brain suddenly thinks of something liable to keep you awake for some considerable time if not dealt with properly, I recalled that Delaney had featured as the cover star of a single by a band I adore. In fact, she also featured on the sleeve of an imported double compilation album by them too.

I would expect approximately 99.9% of you will know where I’m going with this already. The other 00.1%, listen up.

Today’s song formed part of a release which, it seems, led to the end of one of the greatest bands not just of the 1980s, but ever; a band whose legacy as an influence was not really appreciated by many until some 10-15 years after they split.

I speak, of course, of The Smiths.

August 1987, and The Smiths were about to release what would be their last album of original, studio-recorded material, “Strangeways, Here We Come”. But first, the lead single, “Girlfriend in a Coma”; the 12″ and, lest we forget, the cass-single formats heralded two tracks which were not to be included on the album.

The three tracks, “Girlfriend…”, “I Keep Mine Hidden” and “Work is a Four Letter Word” almost seem to compete against each other to see which can be over quickest, weighing in with timings of 2:04, 1:59 and 2:48 respectively. I don’t mean that they seem rushed, far from it. They just seem, well, short.

Brevity of course was a feature the band understood very well. Take “Please, Please, Please Let Me Get What I Wanted” which is just 1:53 long. That song is, simply, perfection. Anyone who thinks that “Please, Please…” suffers because of its duration fails to understand that the finest moments in life don’t last for long; you must cherish them, savour them, for soon they will be gone.

But I digress. One of those extra tracks, “Work is a Four Letter Word”, is often cited as being the reason The Smiths split. In an interview with Record Collector in 1992, Johnny Marr said: “‘Work Is A Four Letter Word’ I hated. That was the last straw, really. I didn’t form a group to perform Cilla Black songs. That was it, really.”

The final two singles the band released (“I Started Something I Couldn’t Finish” and “Last Night I Dreamt That Somebody Loved Me”)  soon followed, and it has just occurred to me that the additional tracks on those releases were all different versions of already established favourites: the Troy Tate produced version of “Pretty Girls Make Graves”, Peel Sessions of “Rusholme Ruffians”, “Nowhere Fast” and “William, It Was Really Nothing”, a live version of “Some Girls Are Bigger Than Others” (containing an extra verse, axed from the album version) , a live cover of “What’s The World”, a song by James.

That’s because, I now realise, “Work is a Four Letter Word” was recorded in the same session as “I Keep Mine Hidden” and as such today’s choice is the last ever original composition recorded by The Smiths:

the_smiths__girlfriend_in_a_coma_by_wedopix-d5dqj0v

The Smiths – I Keep Mine Hidden

The same 99.9% of you will know that the original vinyl releases of all (or if not all, most) of The Smiths records had a message etched into the run-out groove. The message on the B-Side of “Girlfriend in a Coma” reads: “And never more shall be so”.

In other words: Goodbye.

More soon.

I Am The Mouth

All the links on yesterday’s long-overdue Chain to all things Blur made me realise they were yet to feature in this section.

Well, that makes today’s choice of record a no-brainer, since there is one early Blur single which is so overlooked that the band didn’t even bother to include it on their “Best of…” album.

Let me get something straight: “The Best of Blur” was not a “Best of..”, it was a Greatest Hits album, the title chosen because of it’s alliteration.

And how do I know it’s a Greatest Hits album? Because every track on it was a hit single, that’s how.

If it was a “Best of…” album then it would contain a smattering of album tracks. It would have “Tracy Jacks” on it for a start.

But no, today’s track was bumped in preference to the extremely shonky “Music is My Radar”, one of those “Exclusive New Tracks!” which have absolutely no right appearing on a “Best of…” compilation at all, especially not when it’s at the expense of one of the brighter highlights among many highlights of a band.

I’m thinking, of course, of their fourth single, the one that bridges the gap between debut album “Leisure” and follow-up “Modern Life is Rubbish” whilst appearing on neither; of a single which criminally only peaked at number 32 in the UK charts in 1992.

I’m thinking, of course, of “Popscene”:

39541

Blur – Popscene

I don’t need to say anymore, do I?

Thought not.

More soon.

The Chain #39

Scene: an empty warehouse, in darkness.

FX: A door creaks opens, a switch clicks.

The lights flicker into life.

Delivery Man 1 [poking his head through the door]: Yes, this looks like it.

Delivery Man 1 backs into view, clipboard under arm, guiding a large object covered in a sheet, which is being pushed by Delivery Man 2 with considerably more effort than Delivery Man 1 is expending.

FX: The door slams shut.

Delivery Man 2: Whereabouts does it need to go? What does the order say?

Delivery Man 1 consults the clipboard.

Delivery Man 1: It says “Leave in the middle of the floor, covered, as if it’s been here for ages.”

Delivery Man 2 [with a shrug]: Bit weird, but if that’s what it says.

Job done, they exit, leaving the light on.

FX: the door opens and closes. Pause. Repeat.

An incredibly handsome, if fat and bald, man enters the room. He surveys the object before removing the sheet.

Incredibly handsome, if fat and bald, man: And we’re back in the room!

Hello, and welcome to The Chain. Where’ve you been? I’ve been waiting for you.

Prompted by a question about whether one of this week’s suggestions qualified under the rules, and nothing whatsoever to do with the amount of time since one of these posts appeared, nosireebob, I thought it might be best if I go over them again here, with a brief explanation of what we do here.

So, The Chain is a feature on BBC 6Music’s Radcliffe and Maconie show (and prior to that, their show on BBC Radio 2), where a record is played and they invite suggestions as to what record could be played next, which must link in some way to the one just played.

The difference here is that whilst they choose just one record to play, we try to post all of the suggestions which you submit.

The only rules are:

  1. No suggested record can feature twice (unless it has only featured as part of The Official Chain). If you’re not sure – ask!
  2. The only exception to this rule is “Back on the Chain Gang” by The Pretenders, which has been adopted as our theme tune
  3. When making your suggestion, you must provide an explanation of the link between the two songs
  4. You must already own a copy of it, and be willing to provide it (in case I don’t already own it or am unable to source it)
  5. Suggestions must be more than just naming a different song by the same artist.
  6. You can make as many suggestions as you like, but please, go easy on me, won’t you?

That’s about it. I award points every now and again, for Worst Record of the Week, Cheesiest Record of the Week, Comment Showboat of the Week, and of course, for anyone who happens to guess either the song or act (or both) that is the next record in the Official Chain, which becomes the source record for the following week. Nobody’s keeping score (well, I’m not anyway), the points are just a bit of fun.

Okay, that’s the admin done. Last time out, the source record was “The Universal” by Blur; personally, I found this a really tricky one to link to, especially as I have to wait and see what’s left after you guys have nominated all the good ones. Ho hum, such is life.

So, here we go then, and as usual, we’ll bracket them into several fairly broad categories and, as usual, we’ll probably wander off on a couple of tangents along the way.

First out of the traps last time was Charity Chic from Charity Chic Music who wrote:

“It has to be something off ‘Universal Audio’, the final album by The Delgados. I Fought the Angels would do rather nicely I feel”

773ef479

The Delgados – I Fought The Angels

Of course, CC was not alone in suggesting a link to something of Universal appeal; Dirk from sexyloser proffered thusly:

“…because not enough good German music is being featured on these pages, I’d like to  link to Die Sterne – ‘Universal Tellerwäscher’ from 1994 …. which in fact is a mighty record indeed!”

I was going to make a rather unkind joke about the phrase “good German music” being an oxymoron, but then I listened to Dirk’s suggestion and have to agree, it is mighty fine (even if I have not one clue as to what it’s about, although Google Translate, which is never wrong, obviously, tells me that a Tellerwäscher is a dishwasher ):

51qqWZO3nGL__SX355_

Die Sterne – Universal Tellerwäscher

Sticking with the Universal theme, SWC from When You Can’t Remember Anything suggested this:

R-498707-1125438628_jpeg

Universal Being – Size of an Elephant

whilst The Great Gog wrote:

“…seeing as we’re all commenting on The Universal, Red Hot Chilli Peppers’ Universally Speaking would seem apt.”

51bs5s+XRtL

Red Hot Chili Peppers – Universally Speaking

And The Beard quoted a completely different song which contains the word “Universal”:

“Universal, unique untouched, unadulterated, the raw uncut”

He is, of course, referring to this:

display

Blackalicious – Alphabet Aerobics

Time for the first interlude of the day; I stumbled along this clip the other day, which I’m sure you’ll agree contains some quite wizardly rapping:

Anyway, where were we?

Ah yes. Blur’s ‘The Universal’. Take it away Julian of Music from Magazines fame:

“Blur did a song “Beetlebum”
The Beatles did a song “Across The Universe”
Laibach did a version of “Across The Universe”
Laibach nailed “Sympathy For The Devil”

(The 7.52 version please)”

As you wish:

LAIBACH_SYMPATHY+FOR+THE+DEVIL-450525

Laibach – Sympathy For The Devil

Time for a big Chain welcome for the first of two new contributors to The Chain this week, here’s Telefrank:

“The video for ‘The Universal’ references the Korova Milk Bar, so something by Wendy Carlos natch.”

Just to join up the dots: the Korova Milk Bar features in ‘A Clockwork Orange’, so this seemed like as good a tune as any:

A_Clockwork_Orange-626456890-large

Wendy Carlos – Title Music From ‘A Clockwork Orange’

Walter from A Few Good Times in My Life pointed out that “…the opposite of universe might be the underground. So…”

Going Undergound Front

The Jam – Going Underground

It’s scary how that song is so relevant now, 35 years after it came out. “Times have changed”, some people say. I’d play them that and respectfully disagree.

Anyway, before I start going off on one, more Universal shenanigans. Here’s Alex G from We Will Have Salad:

“A nice easy link from ‘Universal’ to another well-known film studio: Columbia.”

ec282d5f

Oasis – Columbia

Walter continues the theme: “Universal is also a music label distributing music of various and different artists. So I suggest:”

tom-petty-you-dont-know-hoe-it-feels-album-version-warner-bros

Tom Petty – You Don’t Know How It Feels

From the Universal links, it’s one small step to the universe, and space in general, and to our second new member of The Chain Gang of the week, abramson60, the 60th from the very noble Abramson family, as Adam Buxton would say:

Anyway, abramson60 has certainly got the hang of how to make sure you get lots of tunes played here: list of a load of songs he’d considered before finally plumping for a completely different one. I, of course, cannot resist:

“Universe would automatically take me down the space road, so you could have….”

lizphair_supernova

 Liz Phair – Supernova

“…or another of my pet favorites…”

Saint_Julian_1360779917_crop_499x499

Julian Cope – Spacehopper

“…not forgetting that he went on to become the nation’s favourite spaced out artist.”

But, “…sticking with universe, The Rocky Horror Picture Show had long lasting and profound influence on the somewhat naive 16 year old me who first saw the film at the tail end of the 70’s. So my pick is ‘I’m Going Home’, not quite sure where to but somewhere in the outer reaches of space.”  I’m not sure I quite follow the link there, but as it’s your first visit, I’ll let it slide this time:

untitled

Dr. Frank N. Furter – I’m Going Home

Over to The Swede from Unthought of, though, somehow next, who says:

“I’ll keep things cosmic and suggest ‘Space is Deep’ by Hawkwind – the studio version from ‘Doremi Fasol Latido’ please.”

Very well.

hawkwind_-_doremi_fasol_latido_a

Hawkwind – Space Is Deep

A couple of you suggested links from lyrics withing ‘The Universal’, which is fair enough and fine by me. For example, Rigid Digit from Stuff & Nonsense suggested:

“‘The Universal’ includes the lines:
“And to karaoke songs,
We like to sing along,
Although the words are wrong”

So .. mondegreens (misheard lyrics) and possibly the most well known: ‘Scuse me while I kiss this guy'”

coverfront

The Jimi Hendrix Experience – Purple Haze

Next up, Martin from New Amusements, who takes the “list a load of songs then pick a completely different one as their choice” approach adopted by abramson60 and combines it with Rigid Digit’s focus on the song’s lyrics:

“The Universal includes a line about ‘satellites in every home’ so we could go with that, enabling…”

hooters

The Hooters – Satellite

“…or…”

bec3a61beb0fca1da4964ae3c2ef29de

Lou Reed – Satellite Of Love

“…or…”

Sleeping-Satellite-Single-cover

Tasmin Archer – Sleeping Satellite

“…or, I guess…”

telstar-tornadoes

The Tornados – Telstar

If I could just butt in for a moment, I can’t hear that record without thinking of this record (and vice versa) since I can’t help but think that while it’s not a straight-out sample, the synth melody line, owes more than a little debto the old instrumental Martin suggests:

R-329365-1308236993_jpeg

Saint Etienne – You’re In A Bad Way

Martin’s actual choice will follow in a moment, but props where props are due, the category it falls into was first suggested by The Robster from Is This The Life? (well, actually, it was first mentioned by Rigid Digit last week time)

“My link comes in the form of British Gas adverts. The Universal was, as you point out, used in an ad campaign for British Gas. So was ‘More Than A Feeling’ by Boston, which despite ticking all the middle-of-the-road 70s AOR boxes, is a damn fine tune and one I always find myself playing air guitar to. True!”

It may well be, but unfortunately that’s featured in The Chain before, so, as per the rules above, I can’t allow it this week. Sorry!

Tell you what, have another go:

“Another gem from the British Gas archive is the wonderful ‘Rescue Me’ by Fontella Bass which cannot fail to give everyone a lift on a Monday morning.”

Much better.

fontella-bass-rescue-me-barclay

Fontella Bass – Rescue Me

Back to Martin again: “…let’s go down the route of the Blur track’s British Gas-based ubiquity, all the excuse we need to have ‘Jumpin’ Jack Flash’ by The Rolling Stones, since that tells us ‘it’s a gas, gas, gas.'”

the-rolling-stones-jumpin-jack-flash-1968-7

The Rolling Stones –  Jumpin’ Jack Flash

He’s still not done yet, mind:

“But I’d rather suggest a song I really like, so the gas connection allows me to pitch the much-less-played ‘It’s A Gas’ by The Wedding Present. Any excuse to get the Gedge out, after all.”

I could not agree more.

THE_WEDDING_PRESENT_ITS+A+GAS-452522

The Wedding Present – It’s A Gas

Catchphrase time! If you’re suggesting that, then I’m suggesting this:

t-rex-jeepster-cbs

T. Rex – Life’s A Gas

And as a special treat, here’s Marc Bolan performing ‘Life’s A Gas’ with Cilla Black, of all people:

The less said about that the better, I think.

But whilst we’re on adverts, here’s Snuff from their ace “Flibbiddydibbiddydob” album (these are so short, you may as well have two):

a3873636485_10

Snuff – Bran Flakes

Snuff – Shake ‘n’ Vac

After those words from our sponsors, back to The Great Gog:

“‘The Great Escape album’ from which The Universal is taken also includes a song called ‘Top Man’. When I was younger (and a little less Great) I used to venture into Manchester and frequent a store of that name, and occasionally even buy something. Having done this, my then-significant other would drag me to where she wanted to buy stuff – Chelsea Girl. Obviously the title of a song by Simple Minds…”

SIMPLE_MINDS_CHELSEA+GIRL-8426

Simple Minds – Chelsea Girl

Well, if you’re suggesting that, then I’m suggesting this:

rideep1

Ride – Chelsea Girl

Sorry GG, I interupted, do carry on:

“…[Chelsea Girls is] also referenced on Mighty Mighty’s ‘Is There Anyone Out There?’ Which sort of links back to matters universal.”

MIGHTY_MIGHTY_IS+THERE+ANYONE+OUT+THERE_-316772

Mighty Mighty – Is There Anyone Out There?

Right, where next? Since we seem to have exhausted all of the possibilities of links to “The Universal”, how about links to Blur? Seems like a plan.

Over to Birthday Boy Rol (45 today!) from My Top Ten, then, with two and a half suggestions:

“Suggestion that needs no explanation: ‘Mr. Blur’ by Tom Verlaine.”

MI0000835662

Tom Verlaine – Mr. Blur

He continues: “Suggestion that leads a little more explanation: Blur used to be called Seymour. I’m sure someone will link to the obvious song from that (the one about a record company boss…”

You mean this one, I assume?

large

Belle & Sebastian – Seymour Stein

“…so,” Rol continues, “I’ll point us towards the character of Seymour in the movie ‘The Little Shop of Horrors’ and suggest the song ‘Feed Me, Seymour’ as sung by the killer plant Audrey II (aka Levi Stubbs from The Four Tops).”

7816c6b0049d1d4629773633b30cbd53

Audrey II – Feed Me (Git It)

The Great Gog’s back:

As Rol has mentioned Seymour, the track that I always think of when I hear Blur’s previous name is ‘Read About Seymour’ by Swell Maps.”

b

Swell Maps – Read About Seymour

Now, before he started listing spacey songs, abramson60 also proffered up a few relating to the name of Blur:

“Blur taken as unclear leads me to…”

 Lindisfarne

Lindisfarne – Fog On The Tyne

You can all count yourself lucky that I decided not to post the version with Gazza on it. Actually, that might have been quite appropriate, since writing and indeed reading The Chain often has the air of a hostage situation about it, so maybe we should expect him to rock up with a bucket of fried chicken and a fishing rod.

Anyway, back to you abramson60:

“…or maybe when everything clears…”

artworks-000086093375-o25q50-t500x500

Jimmy Cliff – I Can See Clearly Now

I’ve got Snuff covering that too somewhere, but let’s not overdo it, eh? That would take us over the 2 minutes of Snuff records mark, which would never do.

Any more, abramson60?

“Having said all of that I would much prefer to offer up Dr Phibes and the House of Wax Equations (any brownie points for extra long band names?) [Nope – Ed] and Hazy Lazy Hologram, link being obvious and in hazy, and everyone loves drug induced music, don’t they?”

DR_PHIBES_&_THE_HOUSE_OF_WAX_EQUATIONS_HAZY+EP-405468

Dr Phibes & The House Of Wax Equations – Hazy Lazy Hologram

Back to Julian for his obligatory weekly suggestion of a record by Lambchop:

“A Blur is what the world is when ones had too many HIC!!

Where was I ?

Who fucking knows?

Oh yes its all coming back to me…..”

AlbumArt

Lambchop – The Man Who Loved Beer

And what of the individual members of Blur, there must be some links there, right?

Guess what, here’s abramson60. Again.

“Blur’s singer is Damon Albarn who is the son of Keith Albarn, who once managed Soft Machine, whose drummer Robert Wyatt went onto have a solo career, recording ‘Shipbuilding’ which as we all know was written by Elvis Costello, who took part in the Red Wedge tours along side Billy Bragg. So my suggestion has to be ‘Valentine’s Day Is Over’.”

MI0001690515

Billy Bragg – Valentine’s Day Is Over

I have two things to say about this. Firstly, I had no idea of the Albarn connection to Soft Machine, and secondly, abramson60 did suggest this back on February 15th, which makes his choice of Billy track a little more understandable.

But frankly, you had me at “Shipbuilding”:

320px-PTC_album_cover_large

Elvis Costello & The Attractions – Shipbuilding

SWC’s back:

“Damon Albarn was the boyfriend of Justine Frischmann of Elastica. So let’s have ‘Stutter’ from them.”

The first record I ever bought by Elastica this, albeit on an NME compilation album of their Singles of the Week from 1993, and without doubt one of the finest ever songs about erectile disfunction.

Stutter

Elastica – Stutter

Charity Chic’s back, with the obligatory Clash record of the week. Don’t worry George, there’s a finite number of them that can be suggested:

“Damon Albarn was in The Good,The Bad and the Queen, as was Paul Simonon who wrote and sung ‘Guns of Brixton'”

the-clash-the-guns-of-brixton-epic

The Clash – The Guns of Brixton

Speaking of George, he’s been rather quiet so far this week, so here’s the first of his suggestions:

“Damon Albarn was/is also in a band called Gorillaz, and gorillas are in a branch of primates, as are monkeys, leading to ‘Monkey On My Back’ by The Triffids (from the Field of Glass EP). I think the song is not actually about monkeys.”

cover_jpeg

The Triffids – Monkey on My Back

Well, if you’re suggesting that, then I’m suggesting this:

5016025650088

Inspiral Carpets – Monkey On My Back

In fact, given his involvement with Gorillaz, you could describe Albarn as a…

toots and the maytals Monkey Man

 The Maytals – Monkey Man

(My apologies, by the way: I realised I’ve misnamed the mp3 as Toots and The Maytals, rather than just The Maytals, but I really can’t be arsed with changing it.)

The Great Gog’s back again:

“I did have one more up my sleeve, but left it in case anyone else came up with it – they haven’t , so here goes. Blur’s lead singer is D. Albarn. Shuffling one of those letters to the left a bit allows me to type Dr. Alban, the early 90’s hitmaker who made such a lasting impression on me that I can only recall one of his tunes…”

R-1480393-1324870832_jpeg

Dr Alban – It’s My Life

Hands down winner of the “Worst Record of the Week” award, there.

“Used in a Tampax advert at some point in the nineties too,” pipes up The Beard. Now, let’s not lower ourselves by making any jokes about that particualr subject. That’s it. None. End of. Period.

Instead, let’s move onto the other members of Blur, and focus for a moment on bass player Alex James. Over to you, George:

“Another Alex is Alex Harvey, so the song is from the first Sensational Alex Harvey Band album ‘Framed’, and ‘The Hammer Song’.”

Alex_Harvey_Band_-_Framed-front

The Sensational Alex Harvey Band – The Hammer Song

Another from SWC next, I think:

“When he is not doing that [being in Blur] he schmoozes up to his famous neighbours David Cameron and Jeremy Clarkson. He also pretends to make cheese which gives us a lovely link to ‘Gorgonzola’ by Leslie Sarony.”

51YojictEvL__SX258_BO1,204,203,200_

Leslie Sarony – Gorgonzola

Mention any of the old music hall acts such as Leslie, and I’m afraid I can’t help thinking of this chap:

Back over to Rol, who might just see this post before his birthday’s finished:

“All this talk of Alex James’s cheese behooves me to suggest Copy Cats by The Humdrum Express, which features the lines…

“I read a Jamie Oliver’s Feastival review
Where ex-Top Gear presenters jumped the queue
To a sign publicising ageing sleaze
But it was Alex James’s aptly named new cheese”

(It also features the line “More Betty Than Swervedriver”, which I’m half thinking of stealing to rename my blog.)”

Bagsy and first dibs duly note.

0005054175_200

The Humdrum Express – Copy Cats

I may aswell chuck one in to the Alex-mix. When he isn’t making cheese, or being in Blur, he’s also popped up in some questionable novelty acts, most famously with Fat Les, but also in Wig Wam, a truly awful project that I’m not going to offend your ears by playing. His partner-in-crime there, though, was one Alison Clarkson aka Betty Boo:

Betty_Boo_-_Where_Are_You_Baby_(CD)

Betty Boo – Where Are You Baby?

Two band members left, and absolutely nobody suggested anything Graham Coxon-related so I had a quick shufty round and found that according to wikipedia, he appeared on Blue Peter twice as a child.

ButtonMakers Pattern Template

Mike Oldfield – Blue Peter

But since all the rest of the band are getting at least two songs, we may as well have one of his singles. Friends of mine will attest that every time we’ve heard thisplayed out, I always point out that the intro sounds a lot like “Into the Valley” by Skids (Since nobody has ever agreed with me on this point, I’d post it so you could compare, but as it’s already featured on The Chain once before, I can’t. Who made these stupid rules up anyway??):

graham_freakin_7vinyl_cover_big

Graham Coxon – Freakin’ Out

Which just leaves drummer Dave Rowntree, and a suggestion by The Beard:

“He shares his surname with the confectioners Rowntree. They are based in York and created the KitKat. York City’s Bootham Crescent ground was for a period renamed KitKat Crescent. ‘Crystal Crescent’ is a track by Primal Scream amd nothing to do with chocolate or the city of York.”

PRIMAL_SCREAM_CRYSTAL+CRESCENT-542583

Primal Scream – Crystal Crescent

Times may not change, by Primal Sceam certainly have over the years, haven’t they?

Finally, Rowntree has stood for election three times on behalf of the Labour party, losing on each occasion. Which leads me to this:

MI0003962716

Radiohead – Electioneering

Which just leaves us to reveal what the next record in the Official Chain is, and many of you will have noticed the absence of one particular song from the start of this post, when we looked at songs with the word “Universal” in the title. Many people wanted to suggest this, but Swiss Adam from baggingarea was the first out of the traps so the kudos and points are his this week:

“The Small Faces have their own ‘Universal’ which is a lovely song.”

Ain’t that the truth:

Small-Faces-Ogdens-Nut-Gone-Flake-album-cover-960x950

Small Faces – The Universal

So, all that laves me to do is to ask for your suggestions, please, for songs which link to “The Universal” by Small Faces, along with a brief description of the link, via the Comments Section down below, in time for the next edition.

Let’s say that will be next week, and see what happens, eh?

More soon.

Sunday Morning Coming Down

I received a really lovely couple of emails from long-time viewer George this week.

George and I have been in touch for many months now, since I was first unable to source a track for The Chain which he helped me out with. Since then, we’ve exchanged emails every now and then, often talking about politics or current affairs, but more often than not, about music.

The first email I got from him this week advised me that he had ordered a copy of an album I’ve featured a couple of times before here; the second was telling me it had arrived, he was listening to it and loving it, and thanking me for bringing it to his attention.

I replied that since I knew of the record because my dad owned a copy when I was a kid, it should be him George thanked, and that I’d pass on his thanks to him.

Which I did yesterday, and he seemed pretty chuffed that someone else had bought an album as an indirect result of him purchasing it forty-odd years ago.

So I figured it would be appropriate to post something else from the album in question. Perhaps the most well-known version of today’s track is performed by The Whites and appears on the soundtrack of the Coen brothers’ 2000 movie “O Brother, Where Art Thou?”, and is a song recorded many times by the Carter family dynasty – in fact, it’s practically The Carter Family’s theme tune. A.P. Carter’s tombstone even has a gold record of the song embedded in it.

Here’s the version from The Nitty Gritty Dirt Band’s “Will The Circle Be Unbroken” triple album, complete with explanatory introduction by none other than Mother Maybelle Carter:

Will-The-Circle-Be-Unbroken

The Nitty Gritty Dirt Band – Keep on the Sunny Side

If that doesn’t put a smile on your face, then I don’t know what will.

More soon.

Late Night Stargazing

Mention of The Jesus & Mary Chain in the post yesterday, drew me to their much maligned 1993 almost-acoustic album “Stoned & Dethroned”.

It’s an album that I’ve always really liked, and have never really understood those who sneer or turn their nose up at it. Granted, it’s no “Psychocandy”, in fact it’s no “Darklands” either. But it definitely has its moments.

Like this, for example:

3edbe30921b94a50c0fd2eb7aa050936_1000x1000x1

The Jesus & Mary Chain – Everybody I Know

More soon.

Bye, Bye, Bye, Bye

I’ve just heard the sad news that Chuck Berry has died.

As a teenager, when I was learning to play guitar, I figured I should look to some of the greats to pick up some tips from, so I bought a Berry best of, and this has always been one of my favourite tunes of his:

chuck-berry-no-particular-place-to-go-funckler

Chuck Berry – No Particular Place To Go

Pub-quizzers will know that an often-asked question is what his only UK Number One was. Answer: “My Ding-A-Ling”. It would be a shame if that’s how he’s remembered. Up until 1994, that was looking likely. Luckily, in that year, one of his songs was featured in an iconic scene from an iconic movie:

For me though, there was a cover version of one of his songs which I’ve loved ever since I bought the album it features on, and pretty much every time I saw them play live, they ended with this:

ArticleSharedImage-60218

Status Quo – Bye Bye Johnny

I could go on picking great rock’n’roll records that Chuck wrote or performed – the list is almost endless – but I’ll leave it at those three, in the hope that others out there will post more.

Suffice to say, we lost another legend today.

More soon.