Regular readers may recall that my very lovely and generous group of friends gave me a whole hunka credits at Ticketmaster for my birthday, and I’m pleased to announce I’m slowly, steadily, chipping away at that monumental total.
So far, I’ve bought tickets for two gigs, and annoyingly missed out on one: The Pretenders are supporting Suede at a one-off gig at the Shepherd’s Bush Empire in November, which is a dream line-up for me – but I wasn’t quick enough out of the blocks to get a ticket.
Instead, I have bought tickets for two gigs: one – and I know this will irk at least one of my blogging buddies – is for The Wonder Stuff, at the same venue, in December.
Now, I’ll be honest, under normal circumstances I would not consider going to see them, since they haven’t released anything of any worth since 1993, but they’re peforming both their debut album The Eight Legged Groove Machine (which I love and holds many happy memories for me) and the follow-up Hup (which I’m less fond of, but it’s not as bad as their next album, Never Loved Elvis, which I actively dislike and which thankfully is not getting an airing at said gig.) As long as they don’t start putting violins all over the performance of the first album, then I’m sure to have a great night.
But why am I wanging on about The Wonder Stuff here, where a Country record traditionally lives, I hear you yawn.
Well, because the other gig I’ve bought a ticket for is to go see Nick Cave & The Bad Seeds at the O2 next May, which I’m sure you’ll agree is much cooler.
So, to mark that, here’s one man in black – Johnny Cash – covering another – Nick Cave – on the third of his peerless American Recordings albums.
It was Llŷr who first played this to me, part of a DJ set by Erol Alkan – I think (I’m pretty sure, but I’ve never tracked a copy down, and when I asked Alkan via Twitter his response was an equally vague “I think I did….”). At the time I wasn’t familiar with the Cave version, and the lyrical content stunned and blew me away. It was my first step on the road to discovering the immense body of work that Nick Cave has created, some of which will be cropping up on these pages again pretty soon.
Johnny Cash – The Mercy Seat