The Chain #39

Scene: an empty warehouse, in darkness.

FX: A door creaks opens, a switch clicks.

The lights flicker into life.

Delivery Man 1 [poking his head through the door]: Yes, this looks like it.

Delivery Man 1 backs into view, clipboard under arm, guiding a large object covered in a sheet, which is being pushed by Delivery Man 2 with considerably more effort than Delivery Man 1 is expending.

FX: The door slams shut.

Delivery Man 2: Whereabouts does it need to go? What does the order say?

Delivery Man 1 consults the clipboard.

Delivery Man 1: It says “Leave in the middle of the floor, covered, as if it’s been here for ages.”

Delivery Man 2 [with a shrug]: Bit weird, but if that’s what it says.

Job done, they exit, leaving the light on.

FX: the door opens and closes. Pause. Repeat.

An incredibly handsome, if fat and bald, man enters the room. He surveys the object before removing the sheet.

Incredibly handsome, if fat and bald, man: And we’re back in the room!

Hello, and welcome to The Chain. Where’ve you been? I’ve been waiting for you.

Prompted by a question about whether one of this week’s suggestions qualified under the rules, and nothing whatsoever to do with the amount of time since one of these posts appeared, nosireebob, I thought it might be best if I go over them again here, with a brief explanation of what we do here.

So, The Chain is a feature on BBC 6Music’s Radcliffe and Maconie show (and prior to that, their show on BBC Radio 2), where a record is played and they invite suggestions as to what record could be played next, which must link in some way to the one just played.

The difference here is that whilst they choose just one record to play, we try to post all of the suggestions which you submit.

The only rules are:

  1. No suggested record can feature twice (unless it has only featured as part of The Official Chain). If you’re not sure – ask!
  2. The only exception to this rule is “Back on the Chain Gang” by The Pretenders, which has been adopted as our theme tune
  3. When making your suggestion, you must provide an explanation of the link between the two songs
  4. You must already own a copy of it, and be willing to provide it (in case I don’t already own it or am unable to source it)
  5. Suggestions must be more than just naming a different song by the same artist.
  6. You can make as many suggestions as you like, but please, go easy on me, won’t you?

That’s about it. I award points every now and again, for Worst Record of the Week, Cheesiest Record of the Week, Comment Showboat of the Week, and of course, for anyone who happens to guess either the song or act (or both) that is the next record in the Official Chain, which becomes the source record for the following week. Nobody’s keeping score (well, I’m not anyway), the points are just a bit of fun.

Okay, that’s the admin done. Last time out, the source record was “The Universal” by Blur; personally, I found this a really tricky one to link to, especially as I have to wait and see what’s left after you guys have nominated all the good ones. Ho hum, such is life.

So, here we go then, and as usual, we’ll bracket them into several fairly broad categories and, as usual, we’ll probably wander off on a couple of tangents along the way.

First out of the traps last time was Charity Chic from Charity Chic Music who wrote:

“It has to be something off ‘Universal Audio’, the final album by The Delgados. I Fought the Angels would do rather nicely I feel”

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The Delgados – I Fought The Angels

Of course, CC was not alone in suggesting a link to something of Universal appeal; Dirk from sexyloser proffered thusly:

“…because not enough good German music is being featured on these pages, I’d like to  link to Die Sterne – ‘Universal Tellerwäscher’ from 1994 …. which in fact is a mighty record indeed!”

I was going to make a rather unkind joke about the phrase “good German music” being an oxymoron, but then I listened to Dirk’s suggestion and have to agree, it is mighty fine (even if I have not one clue as to what it’s about, although Google Translate, which is never wrong, obviously, tells me that a Tellerwäscher is a dishwasher ):

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Die Sterne – Universal Tellerwäscher

Sticking with the Universal theme, SWC from When You Can’t Remember Anything suggested this:

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Universal Being – Size of an Elephant

whilst The Great Gog wrote:

“…seeing as we’re all commenting on The Universal, Red Hot Chilli Peppers’ Universally Speaking would seem apt.”

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Red Hot Chili Peppers – Universally Speaking

And The Beard quoted a completely different song which contains the word “Universal”:

“Universal, unique untouched, unadulterated, the raw uncut”

He is, of course, referring to this:

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Blackalicious – Alphabet Aerobics

Time for the first interlude of the day; I stumbled along this clip the other day, which I’m sure you’ll agree contains some quite wizardly rapping:

Anyway, where were we?

Ah yes. Blur’s ‘The Universal’. Take it away Julian of Music from Magazines fame:

“Blur did a song “Beetlebum”
The Beatles did a song “Across The Universe”
Laibach did a version of “Across The Universe”
Laibach nailed “Sympathy For The Devil”

(The 7.52 version please)”

As you wish:

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Laibach – Sympathy For The Devil

Time for a big Chain welcome for the first of two new contributors to The Chain this week, here’s Telefrank:

“The video for ‘The Universal’ references the Korova Milk Bar, so something by Wendy Carlos natch.”

Just to join up the dots: the Korova Milk Bar features in ‘A Clockwork Orange’, so this seemed like as good a tune as any:

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Wendy Carlos – Title Music From ‘A Clockwork Orange’

Walter from A Few Good Times in My Life pointed out that “…the opposite of universe might be the underground. So…”

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The Jam – Going Underground

It’s scary how that song is so relevant now, 35 years after it came out. “Times have changed”, some people say. I’d play them that and respectfully disagree.

Anyway, before I start going off on one, more Universal shenanigans. Here’s Alex G from We Will Have Salad:

“A nice easy link from ‘Universal’ to another well-known film studio: Columbia.”

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Oasis – Columbia

Walter continues the theme: “Universal is also a music label distributing music of various and different artists. So I suggest:”

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Tom Petty – You Don’t Know How It Feels

From the Universal links, it’s one small step to the universe, and space in general, and to our second new member of The Chain Gang of the week, abramson60, the 60th from the very noble Abramson family, as Adam Buxton would say:

Anyway, abramson60 has certainly got the hang of how to make sure you get lots of tunes played here: list of a load of songs he’d considered before finally plumping for a completely different one. I, of course, cannot resist:

“Universe would automatically take me down the space road, so you could have….”

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 Liz Phair – Supernova

“…or another of my pet favorites…”

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Julian Cope – Spacehopper

“…not forgetting that he went on to become the nation’s favourite spaced out artist.”

But, “…sticking with universe, The Rocky Horror Picture Show had long lasting and profound influence on the somewhat naive 16 year old me who first saw the film at the tail end of the 70’s. So my pick is ‘I’m Going Home’, not quite sure where to but somewhere in the outer reaches of space.”  I’m not sure I quite follow the link there, but as it’s your first visit, I’ll let it slide this time:

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Dr. Frank N. Furter – I’m Going Home

Over to The Swede from Unthought of, though, somehow next, who says:

“I’ll keep things cosmic and suggest ‘Space is Deep’ by Hawkwind – the studio version from ‘Doremi Fasol Latido’ please.”

Very well.

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Hawkwind – Space Is Deep

A couple of you suggested links from lyrics withing ‘The Universal’, which is fair enough and fine by me. For example, Rigid Digit from Stuff & Nonsense suggested:

“‘The Universal’ includes the lines:
“And to karaoke songs,
We like to sing along,
Although the words are wrong”

So .. mondegreens (misheard lyrics) and possibly the most well known: ‘Scuse me while I kiss this guy'”

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The Jimi Hendrix Experience – Purple Haze

Next up, Martin from New Amusements, who takes the “list a load of songs then pick a completely different one as their choice” approach adopted by abramson60 and combines it with Rigid Digit’s focus on the song’s lyrics:

“The Universal includes a line about ‘satellites in every home’ so we could go with that, enabling…”

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The Hooters – Satellite

“…or…”

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Lou Reed – Satellite Of Love

“…or…”

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Tasmin Archer – Sleeping Satellite

“…or, I guess…”

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The Tornados – Telstar

If I could just butt in for a moment, I can’t hear that record without thinking of this record (and vice versa) since I can’t help but think that while it’s not a straight-out sample, the synth melody line, owes more than a little debto the old instrumental Martin suggests:

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Saint Etienne – You’re In A Bad Way

Martin’s actual choice will follow in a moment, but props where props are due, the category it falls into was first suggested by The Robster from Is This The Life? (well, actually, it was first mentioned by Rigid Digit last week time)

“My link comes in the form of British Gas adverts. The Universal was, as you point out, used in an ad campaign for British Gas. So was ‘More Than A Feeling’ by Boston, which despite ticking all the middle-of-the-road 70s AOR boxes, is a damn fine tune and one I always find myself playing air guitar to. True!”

It may well be, but unfortunately that’s featured in The Chain before, so, as per the rules above, I can’t allow it this week. Sorry!

Tell you what, have another go:

“Another gem from the British Gas archive is the wonderful ‘Rescue Me’ by Fontella Bass which cannot fail to give everyone a lift on a Monday morning.”

Much better.

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Fontella Bass – Rescue Me

Back to Martin again: “…let’s go down the route of the Blur track’s British Gas-based ubiquity, all the excuse we need to have ‘Jumpin’ Jack Flash’ by The Rolling Stones, since that tells us ‘it’s a gas, gas, gas.'”

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The Rolling Stones –  Jumpin’ Jack Flash

He’s still not done yet, mind:

“But I’d rather suggest a song I really like, so the gas connection allows me to pitch the much-less-played ‘It’s A Gas’ by The Wedding Present. Any excuse to get the Gedge out, after all.”

I could not agree more.

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The Wedding Present – It’s A Gas

Catchphrase time! If you’re suggesting that, then I’m suggesting this:

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T. Rex – Life’s A Gas

And as a special treat, here’s Marc Bolan performing ‘Life’s A Gas’ with Cilla Black, of all people:

The less said about that the better, I think.

But whilst we’re on adverts, here’s Snuff from their ace “Flibbiddydibbiddydob” album (these are so short, you may as well have two):

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Snuff – Bran Flakes

Snuff – Shake ‘n’ Vac

After those words from our sponsors, back to The Great Gog:

“‘The Great Escape album’ from which The Universal is taken also includes a song called ‘Top Man’. When I was younger (and a little less Great) I used to venture into Manchester and frequent a store of that name, and occasionally even buy something. Having done this, my then-significant other would drag me to where she wanted to buy stuff – Chelsea Girl. Obviously the title of a song by Simple Minds…”

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Simple Minds – Chelsea Girl

Well, if you’re suggesting that, then I’m suggesting this:

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Ride – Chelsea Girl

Sorry GG, I interupted, do carry on:

“…[Chelsea Girls is] also referenced on Mighty Mighty’s ‘Is There Anyone Out There?’ Which sort of links back to matters universal.”

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Mighty Mighty – Is There Anyone Out There?

Right, where next? Since we seem to have exhausted all of the possibilities of links to “The Universal”, how about links to Blur? Seems like a plan.

Over to Birthday Boy Rol (45 today!) from My Top Ten, then, with two and a half suggestions:

“Suggestion that needs no explanation: ‘Mr. Blur’ by Tom Verlaine.”

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Tom Verlaine – Mr. Blur

He continues: “Suggestion that leads a little more explanation: Blur used to be called Seymour. I’m sure someone will link to the obvious song from that (the one about a record company boss…”

You mean this one, I assume?

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Belle & Sebastian – Seymour Stein

“…so,” Rol continues, “I’ll point us towards the character of Seymour in the movie ‘The Little Shop of Horrors’ and suggest the song ‘Feed Me, Seymour’ as sung by the killer plant Audrey II (aka Levi Stubbs from The Four Tops).”

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Audrey II – Feed Me (Git It)

The Great Gog’s back:

As Rol has mentioned Seymour, the track that I always think of when I hear Blur’s previous name is ‘Read About Seymour’ by Swell Maps.”

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Swell Maps – Read About Seymour

Now, before he started listing spacey songs, abramson60 also proffered up a few relating to the name of Blur:

“Blur taken as unclear leads me to…”

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Lindisfarne – Fog On The Tyne

You can all count yourself lucky that I decided not to post the version with Gazza on it. Actually, that might have been quite appropriate, since writing and indeed reading The Chain often has the air of a hostage situation about it, so maybe we should expect him to rock up with a bucket of fried chicken and a fishing rod.

Anyway, back to you abramson60:

“…or maybe when everything clears…”

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Jimmy Cliff – I Can See Clearly Now

I’ve got Snuff covering that too somewhere, but let’s not overdo it, eh? That would take us over the 2 minutes of Snuff records mark, which would never do.

Any more, abramson60?

“Having said all of that I would much prefer to offer up Dr Phibes and the House of Wax Equations (any brownie points for extra long band names?) [Nope – Ed] and Hazy Lazy Hologram, link being obvious and in hazy, and everyone loves drug induced music, don’t they?”

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Dr Phibes & The House Of Wax Equations – Hazy Lazy Hologram

Back to Julian for his obligatory weekly suggestion of a record by Lambchop:

“A Blur is what the world is when ones had too many HIC!!

Where was I ?

Who fucking knows?

Oh yes its all coming back to me…..”

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Lambchop – The Man Who Loved Beer

And what of the individual members of Blur, there must be some links there, right?

Guess what, here’s abramson60. Again.

“Blur’s singer is Damon Albarn who is the son of Keith Albarn, who once managed Soft Machine, whose drummer Robert Wyatt went onto have a solo career, recording ‘Shipbuilding’ which as we all know was written by Elvis Costello, who took part in the Red Wedge tours along side Billy Bragg. So my suggestion has to be ‘Valentine’s Day Is Over’.”

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Billy Bragg – Valentine’s Day Is Over

I have two things to say about this. Firstly, I had no idea of the Albarn connection to Soft Machine, and secondly, abramson60 did suggest this back on February 15th, which makes his choice of Billy track a little more understandable.

But frankly, you had me at “Shipbuilding”:

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Elvis Costello & The Attractions – Shipbuilding

SWC’s back:

“Damon Albarn was the boyfriend of Justine Frischmann of Elastica. So let’s have ‘Stutter’ from them.”

The first record I ever bought by Elastica this, albeit on an NME compilation album of their Singles of the Week from 1993, and without doubt one of the finest ever songs about erectile disfunction.

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Elastica – Stutter

Charity Chic’s back, with the obligatory Clash record of the week. Don’t worry George, there’s a finite number of them that can be suggested:

“Damon Albarn was in The Good,The Bad and the Queen, as was Paul Simonon who wrote and sung ‘Guns of Brixton'”

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The Clash – The Guns of Brixton

Speaking of George, he’s been rather quiet so far this week, so here’s the first of his suggestions:

“Damon Albarn was/is also in a band called Gorillaz, and gorillas are in a branch of primates, as are monkeys, leading to ‘Monkey On My Back’ by The Triffids (from the Field of Glass EP). I think the song is not actually about monkeys.”

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The Triffids – Monkey on My Back

Well, if you’re suggesting that, then I’m suggesting this:

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Inspiral Carpets – Monkey On My Back

In fact, given his involvement with Gorillaz, you could describe Albarn as a…

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 The Maytals – Monkey Man

(My apologies, by the way: I realised I’ve misnamed the mp3 as Toots and The Maytals, rather than just The Maytals, but I really can’t be arsed with changing it.)

The Great Gog’s back again:

“I did have one more up my sleeve, but left it in case anyone else came up with it – they haven’t , so here goes. Blur’s lead singer is D. Albarn. Shuffling one of those letters to the left a bit allows me to type Dr. Alban, the early 90’s hitmaker who made such a lasting impression on me that I can only recall one of his tunes…”

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Dr Alban – It’s My Life

Hands down winner of the “Worst Record of the Week” award, there.

“Used in a Tampax advert at some point in the nineties too,” pipes up The Beard. Now, let’s not lower ourselves by making any jokes about that particualr subject. That’s it. None. End of. Period.

Instead, let’s move onto the other members of Blur, and focus for a moment on bass player Alex James. Over to you, George:

“Another Alex is Alex Harvey, so the song is from the first Sensational Alex Harvey Band album ‘Framed’, and ‘The Hammer Song’.”

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The Sensational Alex Harvey Band – The Hammer Song

Another from SWC next, I think:

“When he is not doing that [being in Blur] he schmoozes up to his famous neighbours David Cameron and Jeremy Clarkson. He also pretends to make cheese which gives us a lovely link to ‘Gorgonzola’ by Leslie Sarony.”

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Leslie Sarony – Gorgonzola

Mention any of the old music hall acts such as Leslie, and I’m afraid I can’t help thinking of this chap:

Back over to Rol, who might just see this post before his birthday’s finished:

“All this talk of Alex James’s cheese behooves me to suggest Copy Cats by The Humdrum Express, which features the lines…

“I read a Jamie Oliver’s Feastival review
Where ex-Top Gear presenters jumped the queue
To a sign publicising ageing sleaze
But it was Alex James’s aptly named new cheese”

(It also features the line “More Betty Than Swervedriver”, which I’m half thinking of stealing to rename my blog.)”

Bagsy and first dibs duly note.

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The Humdrum Express – Copy Cats

I may aswell chuck one in to the Alex-mix. When he isn’t making cheese, or being in Blur, he’s also popped up in some questionable novelty acts, most famously with Fat Les, but also in Wig Wam, a truly awful project that I’m not going to offend your ears by playing. His partner-in-crime there, though, was one Alison Clarkson aka Betty Boo:

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Betty Boo – Where Are You Baby?

Two band members left, and absolutely nobody suggested anything Graham Coxon-related so I had a quick shufty round and found that according to wikipedia, he appeared on Blue Peter twice as a child.

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Mike Oldfield – Blue Peter

But since all the rest of the band are getting at least two songs, we may as well have one of his singles. Friends of mine will attest that every time we’ve heard thisplayed out, I always point out that the intro sounds a lot like “Into the Valley” by Skids (Since nobody has ever agreed with me on this point, I’d post it so you could compare, but as it’s already featured on The Chain once before, I can’t. Who made these stupid rules up anyway??):

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Graham Coxon – Freakin’ Out

Which just leaves drummer Dave Rowntree, and a suggestion by The Beard:

“He shares his surname with the confectioners Rowntree. They are based in York and created the KitKat. York City’s Bootham Crescent ground was for a period renamed KitKat Crescent. ‘Crystal Crescent’ is a track by Primal Scream amd nothing to do with chocolate or the city of York.”

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Primal Scream – Crystal Crescent

Times may not change, by Primal Sceam certainly have over the years, haven’t they?

Finally, Rowntree has stood for election three times on behalf of the Labour party, losing on each occasion. Which leads me to this:

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Radiohead – Electioneering

Which just leaves us to reveal what the next record in the Official Chain is, and many of you will have noticed the absence of one particular song from the start of this post, when we looked at songs with the word “Universal” in the title. Many people wanted to suggest this, but Swiss Adam from baggingarea was the first out of the traps so the kudos and points are his this week:

“The Small Faces have their own ‘Universal’ which is a lovely song.”

Ain’t that the truth:

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Small Faces – The Universal

So, all that laves me to do is to ask for your suggestions, please, for songs which link to “The Universal” by Small Faces, along with a brief description of the link, via the Comments Section down below, in time for the next edition.

Let’s say that will be next week, and see what happens, eh?

More soon.

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The Chain #33

So this is what Thursday looks like, is it? I’m not sure I care for it much. It’s no Wednesday, is it?

We ended last week with the 32nd record in The Official Chain, “Valley Girl” by Frank Zappa, and my usual open invitation for suggestions for songs which can be linked to that.

And, as usual, the usual diverse range of songs came in, linking a numerous amount of clever, corny, obscure, obvious, tenuous or terrific ways. This week, for a change (and because it’s a lot easier) we’re going to look at them in the order they came in.

Also this week, as I was struggling for ideas for my own suggestions, I seem to have developed a new catch-phrase.

First out of the traps this week was Charity Chic from Charity Chic Music, with a suggestion which truly fulfils the remit of the name of this here blog:

“‘Frank Zappa and the Mamas were at the best place around’ according to Deep Purple on Smoke on the Water”

Altogether now: Der-der-der, der-der-de-der, der-der-der-der-der…..

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Deep Purple – Smoke on the Water

That’s taken from their 1972 album “Machine Head”, an album which my brother owned when we were kids, on gatefold vinyl. When opened, this was the collage which greeted you:

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As you may be able to see, each of the band member has their photo with their name on the right hand side – there’s Gillan, Blackmore, Glover, Lord, Paice, and then on the left, just one photo bears a name, a name which my brother and I found hilarious when we were kids: Claude Nobs.

This sounded to us like one of those comedy innuendo names, like Ivor Biggun or Hugh G. Rection. But actually, Nobs is there for a reason. He does not appear on the record. He is not one of the sound technicians. During Zappa’s concert, when the fire that the song tells the story of broke out in the Montreux Casino, started by a fan firing a flare into the ceiling, Nobs was a hero, saving several young people who had hidden in the casino, thinking they would be sheltered from the flames.

He still has a funny name, mind.

Anyway, if you’re going to suggest that, then I’m going to suggest this version, just in case you think that what that song needs is less guitar riffs, and more salsa brass:

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Senor Coconut – Smoke On The Water

If that version isn’t on Strictly Come Dancing some day, then…well, I won’t have the faintest idea, as I never watch it.

Over to the Great Gog now:

“Frank Zappa’s band were the Mothers Of Invention which set me thinking about anything referring to invention / inventiveness or whatever, and inevitably our old friends, Manic Street Preachers cropped up with ‘Another Invented Disease’.”

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Manic Street Preachers – Another Invented Disease

I think sooner or later I’m going to have to draw up a league table of the acts who have featured the most in The Chain. The Manics have to be right up there, along with Kirsty MacColl and maybe The Bluetones.

“Also springing to mind on a separate train of thought,” continues the Great Gog, “was a band who I’m guessing didn’t name themselves purely to be next to Zappa in the record store racks, but achieved that anyway. That will be Zapp and the only song I can recall of theirs is ‘It Doesn’t Really Matter’ – and it didn’t to the Great British record-buying public at least, because it wasn’t much of a hit.”

And here’s why I think that was: because we just weren’t ready for someone trying to sound like Prince after he’d had a vocoder forcibly inserted:

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Zapp – It Doesn’t Really Matter

Here’s Rol from My Top Ten, with the first of many “Frank” links:

“Tom Waits – Frank’s Wild Years. I won’t come up with a better song than that this week.

Although I might come up with a few worse ones.”

Time will tell, eh, readers?

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Tom Waits – Frank’s Wild Years

And since we’re on Frank’s, well if you’re going to suggest that, then I’m going to suggest this:

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The Frank and Walters – After All

Time to welcome back Dirk from Sexyloser, conspicuous by his absence the past week or so, and, from the length of his suggestion, keen to make up for lost time:

“That’s an easy one and one that links to one of my favourite tunes in the history of the whole wide world ever: how cool is that? Now, Zappa had this song on the album “Ship Arriving Too Late To Save A Drowning Witch”, which was released in 1982. Now, if you have a closer look at the lyrics of “Valley Girl”, you start wondering who stole from whom when you take into consideration that The Valley Girls’ “Marina Men” (a m.i.g.h.t.y. tune, friends!) was ALSO released in 1982: if some expert now told me that the Valley Girls’ 12″ came out first, my life would be complete, believe me!”

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Valley Girls – Marina Men

“Plus,” Dirk continues, “in order to show you that I’m a friend of the stars: one of the first comments I received when I started sexyloser years and years ago came from Pamy out of The Valley Girls: she thought it was cool to see the record being brought up again some 25 years after its release. Had I already known about the Zappa – tune then, I would have asked her for the exact release date straightaway! So Pamy, if you’re reading this, who was first: you or Zappa? Also, as a kind reminder: I’m still waiting for this lyric sheet, alright?!”

I don’t think she reads this, Dirk. Not unless one of you is about to suddenly rip a mask away from your face to reveal your true identity, like the owner of the run-down, reputedly haunted, circus in every episode of Scooby Doo ever.

Charity Chic is back, with two more suggestions now, one absolute belter, and one…er…less so. I wonder if you can guess which one is which?

“The Skids who recorded the mighty ‘Into the Valley’ were from Dumfermline…..”

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Skids – Into The Valley

“So too is Barbara Dickson who recorded the not so mighty ‘Answer Me’.”

Don’t you go bad-mouthing Dickson on my watch, CC! For me, Dixon epitomises Saturday night TV in the 1970s, since she seemed to be the guest singer on every episode of “The Two Ronnies” ever:

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Barbara Dickson – Answer Me

Over now to The Robster from Is This the Life?:

“What immediately sprang to mind was Our Frank by Morrissey, but you had a Moz tune on the previous episode, so…”

Yes, so? That’s not a reason not to have another one by him this week:

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Morrissey – Our Frank

“…Fresh from seeing Pixies in Cardiff last night, and with my body still recovering from a full TWO HOUR onslaught in the mosh-pit, my mind turns to lead singer Black Francis. Now he has released records under the alternative name Frank Black. In 2000, with his backing band The Catholics, he recorded an album called ‘Sunday Sunny Mill Valley Groove Day’, the title track of which was a cover of the Sir Douglas Quintet track. The album was never officially released, although Frank did distribute some copies at gigs. He re-recorded the track for his 2005 album ‘Honeycomb’ while other tracks ended up as b-sides or on compilations. It also provides a double-link for The Chain!”

Frank + Valley = double- linker!

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Frank Black – Sunday Sunny Mill Valley Groove Day

Well, if you’re going to suggest that, then I’m going to suggest this, my own double-linker, one of the greatest Northern Soul tunes ever, and frankly (see what I did there), I can’t believe nobody else suggested it this week:

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Frankie Valli & The Four Seasons – The Night

Now if anyone was ever going to rip their mask off and reveal themselves to be Pamy from the Valley Girls, then surely it’s George:

“Frank Zappa’s middle name was Vincent. Which leads to Vincent Eugene Craddock, who was better known as Gene Vincent. So the song is Baby Blue.”

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Gene Vincent – Baby Blue

Here’s Rol, back again, with a suggestion which may, or may not, be worse than his earlier one. You decide:

“That would lead me on to Vincent Furnier, aka Alice Cooper. ‘School’s Out’ is too obvious, so how about ‘Teenage Lament ’74’?”

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Alice Cooper – Teenage Lament ’74

Time for something circular from Rigid Digit from Stuff & Nonsense now:

“Alice Cooper released two albums on Frank Zappa’s Record Label Straight. Ian Dury and The Blockheads sang ‘I Want To Be Straight’, and to complete the circle (back to Frank’s middle name) [and back to George’s suggestion, for that matter] he also recorded ‘Sweet Gene Vincent’.”

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Ian Dury & The Blockheads – Sweet Gene Vincent

Back now for his third suggestion, it’s Rol time again:

“…it just occurred to me that a Zappa is a good way of killing flies… as is Flyswatter by Eels.”

I do not recommend you using the song Flyswatter by Eels to kill flies, it’ll take you ages. You’d be much better off trying an actual flyswatter.

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Eels – Flyswatter

Before we’re completely over-run with Rol’s interjections, here’s a few suggestions by Martin from New Amusements:

“So many roads to take from this one, doubtless many cul-de-sacs…

The ‘valley’ connection: Generation X, Valley of the Dolls’…”

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Generation X – Valley Of The Dolls

“A ‘moon’ connection (since Frank co-wrote Valley Girl with his daughter, Moon Unit) – Moon Unit implies moon base, hence the ‘Space 1999 Theme’…”

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Barry Gray – Space:1999 (Series One Theme Tune)

(You did mean the Series One Theme Tune, right Martin? Pah, of course you did. Nobody would pick the Series Two Theme Tune. The Series One Theme Tune is the best Space:1999 Theme Tune ever, everybody knows that).

“A better ‘moon’ connection – Keith wrote, sang and drummed on the excellent ‘I Need You’ from ‘A Quick One’ by The Who…”

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The Who – I Need You

“…Another ‘valley’ connection: The Monkees, ‘Pleasant Valley Sunday’…But ultimately, I will revert to type. Yes, I want to pitch Pleasant Valley Sunday to you, because it’s utterly brilliant, Gerry Goffin and Carole King at their 60’s song-writing zenith. But, to maintain my indie boy credentials, can I hesitantly suggest The Wedding Present’s 1992 cover of same….?”

Oh, Martin. Never be hesitant round these parts when suggesting The Wedding Present. Besides, when they released a limited edition 7″ single at the start of the month, every month, throughout all of 1992, with an original song as the ‘A’ side and a cover version on the ‘B’ side, I bought the lot, and still have them all. And their version of Pleasant Valley Sunday was on the flip-side of May’s “Come Play With Me”:

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The Wedding Present – Pleasant Valley Sunday

Time to welcome back Julian Badenoch for a second week on the trot, and after I’d spent a few days scratching my head and trying to work out where I knew his name from after he kindly dropped by last week, I was reminded – admittedly by him – that he writes, as he calls it the “unreliable music blog”: Music from Magazines (“unreliable” seems a little overly self-deprecating, Julian. I think “sporadic” is more appropriate):

“This may be wrong for the girls but …Valley sounds like valet which leads to valet parking, and Grace Jones’ instruction to ‘Pull Up To The Bumper’…”

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Grace Jones – Pull Up To The Bumper

Now I’m not the biggest fan of Ms Jones generally – we got off to a bad start when she battered Russell Harty about the head – but that’s an absolute stone cold classic (I’ve not said that for ages, I don’t think…)

Anyway, Julian proceeds: “…which could be paired with ‘Relax’ [I’m skipping that one, as I’m not quite sure I follow what the link is; doubtless I’ll get it the second I press Publish] or even ‘If It Don’t Fit Don’t Force It’…”

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Parliament – If It Don’t Fit (Don’t Force It)

Next! Over to Alyson from What’s It All About Alfie?, permanently scuppered in her efforts to get her suggestions by a combination of a) being in work and b) those fast-fingered blogging boys:

“…as I have absolutely no indie boy credentials whatsoever to maintain, I can go in a totally different direction. One of the first songs I can think of that links to the word Moon, is by Al Jarreau and it’s his theme from the TV Show ‘Moonlighting’. I mention this only because a certain Chain Ganger, who shall not be named, recently revealed a first album purchase which did kind of link to that show!”

I’m not going to mock. I bought a single from the same album. It most definitely wasn’t my first single, so I cannot even afford myself the luxury of that excuse.

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Al Jarreau – Moonlighting

Here’s a little know factoid for you: Al’s surname is actually spelt Jarrow. His parents adopted this as their family name after they took part in the 1936 Jarrow March. However, when he started earning his corn as a soul singer, young Al decided to change the spelling from ‘Jarrow’ to ‘Jarreau’ because he didn’t think being associated with the Tyneside town with the same name made him sound “suave” enough.

100% true, that. Except for the bits that aren’t. Which is all of it, obviously.

“Other than that all my Moon suggestions come from way back, Moon River, Blue Moon, Moonlight Serenade etc. or are by Showaddywaddy (and we won’t go there). Slightly more recently there is ‘Dancing In The Moonlight’ by Toploader (this millennium anyway, just) [DON’T YOU BLOODY DARE SUGGEST THAT!!]. The one I’ll go with as my actual suggestion [Phew! Crisis averted]however is going to be ‘Moonlight Shadow’ by Mike Oldfield (featuring the vocals of Maggie Reilly). As ever I don’t know if its cool or uncool to like Mike Oldfield around these parts but not averse to hearing a bit of ‘In Dulce Jubilo’ at this time of year.”

Also a single I bought when I was a kid, so it’s a thumbs-up from me:

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Mike Oldfield – Moonlight Shadow

Hands up who needs a bit of Badger in their life?

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Thought so. Off you snuffle, Badge:

“Now valleys. They are found in the country as are girls which leads us to ‘Country Girl’ by Primal Scream…”

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Primal Scream – Country Girl

(Is it just me, or is that sleeve strangely reminiscent of The Wannadies’ “Bagsy Me” album, released in 1997, almost 10 years earlier…..?

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I’m not playing anything from it, jus’ sayin’ like.)

Sorry, Badger. Floor’s all yours again.

“Or if we want to go a bit seventies doll is another word for girl which takes us to ‘Valley of the Dolls’ by strangely absent Scottish dance guru Mylo.”

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Mylo – Valley of the Dolls

That’s a fair point, what has happened to Mylo?

“SWC will be along later with his suggestions,” wraps up Badger, in what looks suspiciously like an audition for hosting duties on some interactive music blog, like that’s an idea that would ever take off, “I think he was going down the Frank route. Or something to do with Lithuanians.”

Huh? Lithuanians?

And here is he, right on cue. Badger and SWC both write When You Can’t Remember Anything, so it’s quite nice that their suggestions have come in next to each other, not least because I only have to type their blog name once.

Anyway, SWC, what’s all this about Lithuanians?

“So…in the city of Vilnius in Lithuania there is a statue of Frank Vincent Zappa. There is a reason it is there, but I can’t remember what it is. [You can read it here, if you so wish to do – Helpful Ed] As I’ve stated Vilnius is in Lithuania which gives us a lovely link to ‘Lithuania’ by Jaga Jazzist.”

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Jaga Jazzist – Lithuania

“In addition there is a street in Berlin named Frank Zappa Strasse (its in Marzahn, check it out…) which gives us two options – the brilliant ‘Berlin Got Blurry’ by Parquet Courts …”

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Parquet Courts – Berlin Got Blurry

“…or the godawful ‘Take My Breath Away’ from homoerotic classic ‘Top Gun’. Your choice….”

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Berlin – Take My Breath Away

In case any of you are unsure as to why SWC refers to Top Gun as being homoerotic, then watch this, written and performed by Quentin Tarantino from early 90s indie-flick “Sleep With Me” (which, by the way, is definitely Not Safe for Work, containing, as you would probably expect from anything written and performed by Tarantino, a fair degree of effing and jeffing)

Now, I’ve noticed a scarcity of records vying for the title of “Worst Record of the Week” this week, so, time for me to wheel out my new catchphrase.

If you’re going to suggest that, then I’m going to suggest this:

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Infernal – From Paris To Berlin

Europop at it’s most….erm…most distinguished there.

As an aside, do you remember when in 2006 they re-recorded that for the football World Cup, which was being held in Germany? No? Have a listen to this (not the official video, needless to say – all traces of that seem to have been wiped from all corners of the internet):

England got to the last eight that year, going out on penalties to Portugal. I think they deliberately lost so that we didn’t have to hear that rubbish ever again. Until today.

Here’s Rigid Digit, back to inject some class back into proceedings:

“Frank: Frank Bough presented BBCs Grandstand – all the big sporting events, mainly Football, Rugby League, Horse Racing and Snooker were covered every Saturday Afternoon. ITV offered an alternative with World Of Sport fronted by Dickie Davies which focused on Wrestling, Darts and Stock Car Racing.

Which leads to:”

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Half Man Half Biscuit – Dickie Davies Eyes

There’s another band who must feature in the “Most Suggested” list. Not that I’m complaining. I’ve written before how that contains one of my favourite rhyming couplets ever.

Hold up, old Goalhanger Rol’s back, hovering ready to pounce should another suggestion leave a gaping goal, which as we all know by now, is what I do.

“Frank Bough would lead me either to ‘Make It Right’ by Tim Buckley …”

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Tim Buckley – Make It Right

“…or ‘Spank’ by Jimmy “Bo” Horne. Both, for the same reason.”

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Jimmy “Bo” Horne – Spank

Well, if you’re suggesting that….altogether now……then I’m suggesting this (see, catchy, innit?):

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Spanky Wilson – Sunshine of Your Love

And just in case you don’t know what Rol and I are referring to, it’s to the broadcasting career ending expose of Bough, when it was revealed he enjoyed attending S&M dens, dressed in stockings and suspenders, and indulging in a little light flagellation.

Over to George again now, and you may recall that last week George suggested a tune by Emerson Lake & Palmer, and the next day Greg Lake dropped dead. Let’s see who he has in the cross-hairs this week:

“I can get a link to the Clash, but I’m not going to [regulars will know why – Semi-Helpful Ed]. Frank Zappa was made a special ambassador for Czechoslovakia by then President Vaclav Havel. Vaclav Havel was a founder of Charter 77 (formed in 1977, and isn’t that the title of Clash song…?) so I am of course suggesting a track from Talking Heads’ first album, 77, namely ‘Don’t Worry About The Government'”

So tune in tomorrow for tributes to one of the late founding members of Talking Heads:

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Talking Heads – Don’t Worry About The Government

Here’s The Beard with his usual clutch of contributions:

“Valley Parade is the home of Bradford City FC. The dreadful nineties outfit Terrorvision hailed from Bradford. I stood next to their lead singer at a Supergrass gig at Leeds Town & County Club in 1996. He was wearing, if memory serves me right, awful trainers. I can’t remember what made them so particularly awful but since I always associate Terrorvision with bad footwear. As awful as his trainers were they were nowhere near their single Tequila in the scale of awfulness. Bile inducingly bad. Tequila is of course a type of alcoholic drink. Better songs loosely linked to alcohol, to name just a few, are:”

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Rupert Holmes – Escape (The Pina Colada Song)

(I have genuinely never heard that record as being described as “better” than any other, so fair play for buying in to the ethos of this place, trying to justify those records traditionally considered “guilty pleasures”, which we all know don’t exist. Well, not in the land of music, anyway)

He’s not done yet though:

“‘Velocity Girl’ by Primal Scream (“here she comes again, with vodka in her veins”)”

If I hadn’t posted it yesterday, this would undoubtedly have featured today. We’ll call it an honorary mention this time, and we’ll try to think of a reason to post it some other time. Sorry!

“Or…”

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Nouvelle Vague – Too Drunk To Fuck

Well, if you’re suggesting louche cover versions of alcohol based beverages, then I’m going to suggest this louche cover version of an alcohol based beverage (Wasn’t quite as catchy that time, was it? Mental note to self: new catch-phrase needs some polishing):

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Dexys Midnight Runners – Marguerita Time

No, I didn’t quite believe it existed until I heard it either.

Oh, wait. The Beard’s thought of another one:

“And ‘I Got Loaded’ by Peppermint Harris. I think that’s his name anyway.”

It was indeed, so-called because of his world-renowned minty fresh…erm…”Aris” (look it up):

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Peppermint Harris – I Got Loaded

To round things off this week, I’ll hand you over to babylotti:

“Going to go all Antipodean on you here:  Valley makes me think of ‘In the Valley’ by Midnight Oil…”

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Midnight Oil – In the Valley

“…The Oil’s Rob Hirst filled in for Crowded House live when Hessie was ill, so my favourite from them, ‘Fall at Your Feet’…”

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Crowded House – Fall at Your Feet

I’d forgotten how many songs I know by them.

“…and Nick Seymour from Crowded House [if Midnight Oil are ‘The Oil’, are Crowded House not ‘The House…? – Facetious Ed] is the brother of Mark Seymour from Hunters & Collectors, so I’ll go for the oft covered ‘Throw Your Arms Around Me’ by them…”

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Hunters & Collectors – Throw Your Arms Around Me

Well, if you’re going to suggest that, then I’m going to suggest…no, enough already.

Here’s the next song in The Official Chain, and there’s a few “close, but no cigars” being handed out this week, goes like this:

“…Frank Zappa’s daughter, Moon Unit sang on ‘Valley Girl’. So from Moon Unit to…”

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33.Nick Drake – Pink Moon

So, your suggestions please, via the Comments section below, for records that you can link, and explain the link in your suggestion, to Nick Drake’s “Pink Moon”.

We’ll be back to Wednesday next week again, so you have one day less than usual. Also, as it’ll be Christmas week, any festive suggestions would go down a treat.

See you next week!

More soon.

1983 Polished Off

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Back to 1983 it is then, which is where I left off talking about the records I bought as I was growing up.

I turned 14 in September 1983, and earlier that year, spurred on by my Quo obsession, and sick of either playing air-guitar or pretending to play a tennis racquet, I’d got my first two guitars; one an acoustic I’d persuaded my parents to buy me, the other a red electric Gibson Flying V copy (by which I mean cheap, £55.00 if memory serves me right) not unlike the one above. Mine, of course, did not bear the Gibson insignia, it was called something like Ribson or Gibton. Shortly afterwards, my great grandmother passed away (not from the shock of me buying such a ludicrously shaped electric guitar, I hasten to add), and she left me a modest amount of money in her will: enough to buy a Fender amp, which I considered was decent compensation for the sudden loss of the Crunchie bar she gave me every Saturday when we went to visit her.

And so I proceeded to attempt to learn to play the damned things. Soon I had those three chords learned (the Quo-umverate, as I believe they’re known), and started to look around for some new things to try and learn.

Around the same time, I had started going to the Dance, actually just a disco, which was held once a month in the hall of the secondary school I attended. These were open to the public, although it was predominantly attended by school kids, had a licensed bar which was manned by one teacher and a couple of civilians. The teacher was there solely to make sure none of the school kids got served.

Our task each month time was to try and get served at the bar, which meant queuing at the opposite end of the bar to the one the teacher was serving at. I got lucky here, for I didn’t have any lessons with the teacher in question (he taught Maths to the brainy kids, which counted me…er..right out), so he had no idea who I was and regularly served me, despite the fact I looked nowhere near 18. (I say I got lucky; what this invariably meant was that it was I who was sent to the bar by my mates who did have him as their teacher).

Apart from my missions to the bar, I was your typical adolescent wall-flower, spending the entire night sitting to the side of the dance-floor, only venturing on to head-bang (that’s right ladies, form an orderly queue!) when they played the same three rock songs they played every month: “Paranoid” by Black Sabbath, “Whole Lotta Rosie” by AC/DC (by the way, isn’t that the least AC/DC audience you’ve ever seen…?), “Down Down” by Status Quo. That was generally enough, and I was ready to stop by the end of the third song, often believing I had felt my brain move inside my head and bash against the side of my skull. Which would explain a lot.

Occasionally, they would play a fourth one, usually “Layla” by Derek & The Dominoes, although not the long version. (A year or so earlier, we had been on a school holiday for a fortnight to the Butlins holiday camp in sunny Barry Island, South Wales. At a disco there, this was the only song my mates and I ventured onto the dance floor for, only to be told off by a redcoat for head-banging to it. Apparently such activity was banned. We sloped off in a strop to the cinema to watch Pete’s Dragon instead.)

Then one night, the DJ played a record I’d never heard before, and which, these days, is viewed as a cheesy party record. I was blissfully unaware of its reputation, loved it so much I went into town the next day and found myself a copy on 7″. I don’t think I’ve heard this for about 25 years or so, and gave it a spin for the first time in all those years when I was writing this. It’s nowhere near as bad as it’s commonly perceived to be, or as I remembered, for that matter. Judge for yourself:

jeff-beck-hi-ho-silver-lining-emielectrola-columbia Jeff Beck – Hi Ho Silver Lining

Soon this was added to my guitar repertoire. I decided that maybe learning some other older songs would serve me well – all the Teach Yourself to Play Guitar books I’d bought (anyone who has heard me play, will not be in the slightest bit surprised to learn I’m entirely self taught) were crammed with songs by The Beatles and The Stones and many, many more (as the adverts used to say) – and so I scouted around for some more.

Quite how I ended up buying the next single, is, therefore totally beyond me.

10cc – I’m Not In Love is not exactly a record known for being choc-a-bloc full of chunky guitar riffs for me to get my teeth into. But this was the next record to find it’s way onto my turntable, nonetheless. What it is known for is being is a wonderful study of a broken heart and of denial, which may well be why it struck a chord with this thirteen/fourteen year old who found himself utterly ignored by members of the opposite sex.

The other clue as to how it ended up in my possession is the label the copy I bought it on: Old Gold. Sadly, I can’t find any pictures of the actual copy on said label, but here’s one of The Crazy World of Arthur Brown’s “Fire” which might jog a few memories:

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Look familiar?

In the late 70s/early 80s, branches of Woolworths and W H Smiths had rack upon rack of these, and thinking about it, I suppose it was our version of finding songs on the internet. Need to find a certain record, but don’t want to shell out for a whole album? Then the song could be yours on Old Gold, for the price of a bus fare into town, followed by a good hour or so’s solid rummaging through the racks, and then the cost of the single itself (£1.99, I think).

Flicking through those racks of re-issued songs on the Old Gold label was my practice ground, where I learned the correct stance for vinyl perusal (legs apart, back bent, fingers working the top of each record, eyes focused on the disc label, for the sleeves themselves were uniform, and the exposed label was the only way to identity the song contained on the grooves within.)

The next record I bought was also on the Old Gold label, and I found out some years later that it was actually the UK’s Number One single on the day I was born. It was Creedence Clearwater Revival’s “Bad Moon Rising”

The reason I bought this was down to one film, a film I still love to this day, and which as I write this I find myself suddenly filled with the urge to dig out my DVD copy of and give it another watch.

Yes, I’m talking ’bout “An American Werewolf in London”.

Now I could’ve sworn that “Bad Moon Rising” accompanied the first transformation scene in it, but I guess not: that honour goes to some song adopted by a football team whose supporters turn their back on the pitch when their team scores, just as I turned my back on them two years earlier.

You don’t need me to tell you that John Landis, who directed the movie, subsequently, and as a direct result, was hired to make possibly the most famous pop video in history: Thriller. (PS – assuming you get the same advert at the start, Now 91 looks shit, doesn’t it?)

You also don’t need me to tell you the other reason why “American Werewolf…”  had such a profound effect on this virginal thirteen year old. I give you two words: Jenny. Agutter.

When I was a younger man, the presence of Ms Agutter in the credits meant two things: firstly, it would probably (but not always) be a sign of quality; secondly, it would definitely have at least one scene I would get embarrassed watching in the presence of my parents. (see also: “Walkabout” and “Logan’s Run”, which I rather Freudianly mis-spelled as “Logan’s Rub” when I first wrote this part).

By the way, American Werewolf’s scene to make me blush in front of my parents but engage in a very different activity when alone with just me, the video recorder and the pause button, was accompanied by this.

Nowadays, of course, spotting Ms Agutter’s names in the credits means you’ve fallen asleep on the settee, dribbled all over the cushions but managed to dodge having to sit through “Call The Midwife” when visiting your parents. Oh, how the times have changed.

So: chords for two new songs learned. Next up was a single which was actually in the charts at the time. Featuring Maggie Reilly, who I had always assumed was famous for being in Steeleye Span or the like, but who it seems is most famous for appearing on

Moonlight_Shadow_(Mike_Oldfield) Mike Oldfield’s Moonlight Shadow.

Oldfield was famous for a few things: for his Tubular Bells album which, I’m sure you know, was the first ever release on the Virgin label and which set Richard Branson up for a life-time of twatting around in hot-air balloons, running rubbish railway services and paying Usain Bolt and David Tennant to pretend to be his friends in TV adverts; for his Christmas hit “In Dulce Jubilo”, and for “Portsmouth” – not one that might tickle your memory glands, that, but one which has been burned onto my psyche ever since we did Country Dancing at Junior School and I made a complete arse of myself attempting to do-si-do with Vanessa Simpson, who I had a massive crush on, crush turning out to be quite literally the appropriate phrase, as I trod on her feet countless times until she asked to be allowed to change partner.

Ahem. But I’m over that now.

Oldfield had also re-recorded the Blue Peter theme tune (it’s not a great quality that link, but it’s worth a watch, if only to see the masterful interview techniques on display from Simon Groom, who is probably more famous for a possibly unintentional live innuendo and for corpsing live on-air, which I can’t find a link for). (NB – Any mention of Blue Peter reminds me of this, and no, it’s not an elephant having a shit in the studio.)

So that’s a few riffers and one fiddly guitar solo learned, what next?

Amongst the singles I still have, are two by the same band, with very battered sleeves. They are:

Gimme_All_Your_Lovin Gimme All Your Lovin’

and

ZZ-Top-Sharp-Dressed-Man-546769 Sharp Dressed Man by ZZ Top.

Ha ha! There’s three of them, and two have really long beards, and the one who doesn’t is called Frank Beard!! Brilliant!!! Hands up who’s utterly tired of that factoid being wheeled out whenever ZZ Top are mentioned?

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Thought so.

And hands up, who likes me? You utter, utter bastards.

I’d like to say that my purchase of the these two ZZ Top records was because I thought they were fine examples of Texan-boogie rock (I did, and still do really like them; no Guilty Pleasures, remember?), but in reality, it was because their videos contained what I believe the red-tops refer to as “bikini-clad lovelies”. I was 13, shallow and untouched downstairs, gimme a break. To show how I’ve grown up, I’m not going to post a link to them here. Plus I did resist the urge to buy the other single from the album, “Legs” which threw any pretension of not being about a bunch of middle-aged men ogling younger women out of the window.

Which kind of neatly leads me on to my first female popstar crush, albeit with ages reversed, who I think I mentioned in passing quite a while ago: Debbie Harry.

For it was in 1983 that I bought “The Best of Blondie”, an album that I still own on vinyl to this day (and on CD for that matter. And MP3.) I’ve mentioned before how I used to buy Best of albums as a way into a band (I realise I am not unique in this, I don’t think I’ve done anything particularly smart there) and such was the case with this purchase.

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My vinyl copy came with the above as a poster; I had no idea who Andy Warhol was at this point, or why he was BAD, but I still dutifully stuck the poster to my wall (no, with blu-tac, don’t be disgusting). The album remained on my turntable almost non-stop for several months, even after I’d learned to play as many as I could on my guitar.

Here’s one song which I wasn’t all that fussed on originally, but which I think now is probably my favourite Blondie song, and which probably explains my love of a good bracket (as you’ve probably noticed):

Blondie_-_The_Best_Of_Blondie  “(I’m Always Touched By Your) Presence Dear”

I suppose I should do one of those Like It? But It here things, right? Okay then.

In the words of Columbo: “Just one more thing before I go.” I recently bought myself a new turntable, and I’m going through the laborious process of a) trying to track down copies of all the vinyl I used to own and buying them again, and b) buying some other stuff on vinyl too. As well as this, I’ve decided to buy a few of the albums my one-year-older-than-he-was-a-week-ago-brother owned and which I used to borrow whenever I had chance. My vinyl purchases may yet develop into a new series here (once I’ve stopped buying all the old Quo albums. Again.), but in the meantime, here’s one from an album he bought (a Best Of album, you’ll note. Must be a family trait) and which, as far as I know, has never been released on CD, so I feel less bad about posting this:

910rcMvWnrL__SX425_ “19th Nervous Breakdown”

More soon.