For quite some time now, I’ve been pondering what it is that is preventing me from posting with the same regularity as I was last year.
I’ve worked it out.
Regular readers will know that I generally sit on a Friday night, have a few drinks and write posts for the next week. But for a while now, I’ve become preoccupied on doing a new mix.
Warning: artist at work excuse incoming.
See, whilst they seem remarkably unpopular, I really enjoy piecing together a long playlist/mix/call it what you will, and that inevitably means a few drafts which don’t quite, to quote Echo & The Bunnymen, cut the mustard.
So, I’ve been working on this mix for some time now, but somehow something always seemed to prevent me from finishing it, be it me tinkering with the running order, or thinking of new tunes to toss in, or some kind of technical calamity, or (more often) listening to it and realising I’ve utterly messed up a mix and I simply can’t bear to have anyone else listen to it.
I’m not going to pretend all of the mixes between tunes here are perfect – there’s at least one which I know isn’t – but I’ve reached the point where it’s close enough to let it go and move on to something else, before I drive myself mad searching for perfection.
So here’s my latest mix, imperfect though it may be; frustrating as it has been, I really like this one, which starts off in the usual way – slowly – before getting into a groove which includes Kings of Leon from before they went stadium and knew how to use a cowbell, a new(ish) track by The Chemical Brothers, an obligatory Soulwax remix, two of the finest female pop stars going: Miley Cyrus & Dua Lipa (not on the same tune, sadly), the occasional hidden ‘joke’ (by which I mean it seemed funny when I first put the songs together, less so now), via Madonna having a short chat with Johnny Cash.
It’s the usual mix of songs you love, songs you’ve forgotten about, and songs which make you think “What the hell has he put this on here for??”. Some might say eclectic, but I couldn’t possibly comment. Think mainly Indie guitar stuff, with a few dance tunes, 80s pop songs and a couple of timeless classics – at least one of which you probably won’t have heard before – thrown in.
As always, no track-listing – I like to imagine your faces when the next song kicks in – but there’s a list of featured artists on the right hand side in case you want to see what you’re letting yourself in for. Which is a treat, obviously. If you desperately need to know what a track is, either Shazam it or, if you’d like to feed my ego, ask me via the Comments at the bottom of this post.
Usual disclaimer: any skips and jumps are down to the mixing software; any mis-timed mixes (and, as I say, there is at least one) is down to me. Either way: Sorry!
One more thing: you may recall that last time out I mentioned that my brother had said he managed to predict what I was going to play next, which annoyed me greatly. No such criticism of the last mix, although he told me he listened to it whilst out on his morning run, so some of the sudden gear changes weren’t helpful. I’ve tried to rectify that this time, with a relatively steady beat and tempo maintained throughout (after you’ve got past the traditional slow start) for those of you who listen to this whilst doing your exercises (not that I really understand what that means). The danger was that it would denigrate into either a Ministry of Sound pumping dance mix or a Top Gear/Best Driving Songs…in the World…Ever! playlist, but I think the song choices just about keep us on the right side of that happening.
Let’s say it starts slowly, gets into a groove, and then has more false endings than a Status Quo single.
I’m a bit annoyed that since I first decided to include it, at least on song here has popped up in an advert – and you know how I feel about them – for burgers, of all things. Rest assured, the advert in question was not the inspiration for the song’s inclusion. You’ll know it when you hear it, I think.
Oh and there are several songs which feature effing and jeffings – “sexual swear words” as Simon Bates used to say at the start of videos – so please avoid if you are easily offended by unfettered vulgarity and sauciness. Look, there’s a Goldie Lookin’ Chain tune which is probably the rudest and most inappropriate (but funny) thing I’ll ever post, so beware.
For a limited time (until I do another one, so y’know, could be months), you can stream or download it via Soundcloud here.
Once upon a time, in a galaxy far, far away, I used to write a series here called Friday Night Music Club.
Here is what I wrote way back in March 2015 to explain:
“Friends of mine will tell you I love a themed mix tape or CD.
In my old flat, we used to have what we (ok, I) liked to call The Friday Night Music Club. This would involve us a) getting very drunk b) me shaving my head at some point c) listening to the latest CD mix I’d made (later, when I bought a sound system that allowed me to just plug my iPod in (other mp3 playing devices are available) these mixes got waaaay longer, and probably waaaaay more tedious for the listener) and d) ideally having a bit of a dance.
I’ve done mix tapes and CDs for friends and family all my life (but you already knew that, right?) but the idea here was to make a series of mix CDs which, when played in sequence, you could play at a house party and which would keep the night bubbling along nicely.
Actually, this is something I’d already tried a few years earlier. Friends of mine used to have the most excellent parties at their flat on Hilldrop Road, usually with a DJ playing, but on one occasion the DJ – and for that matter, their decks – couldn’t make it. In their absence I prepared a set of 11 CDs – about 15 hours – which, when played in sequence, took you from aperitifs and welcomers, to “go on have a bit of a dance”, through to off your nut party anthems, and then back down to sitting round talking nonsense about radishes until 6am.
Anyway, back to the Friday Night Music Club. Occasionally I’d make a theme out of the whole thing (hey, if Bob Dylan can do a radio show using the same format, I can do a mix CD, okay?) or do more than one CD and spread the theme out (there was once a 4 CD opus to a former flat mate which deserves a mention in passing) but more often than not the theme would occur to me in the middle of preparing it, and that’d be it…I’d be off….“
As an aside, I appear to have missed some fairly significant landmarks in the history of this place: my first ever post was in September 2013, and if you think my posts are sporadic now, bear in mind that my second post didn’t happen until a year later in 2014. Whatever, a belated 5th anniversary to me!
Anyway, it was when I became rather fixated on the theme rather than with just posting some songs which sound good when played together that I knocked the Friday Night Music Club series on the head.
Since there are now more of us are spending our Friday Nights at home, many of us getting drunk, I figured I would bring the series back for at least a one-off for you to use as your sountrack to your Zoom/Houseparty chats. There might be more, I’ve not decided yet.
Also, this, right here what you’re reading now, is my 1500th post, so I’d like to mark at least one of my landmark posts in a timely manner.
Ahem.
That’s better.
I figured we’d go back to where it all began, to the first few episodes of Friday Night Music Club, but now with fewer attempts to be clever/funny and just more songs to rock your end of the working (from home) week/kids are in bed celebrations.
Actually, I’d hoped to bring this to you last weekend, in time for the Bank Holiday, but time simply caught up with me, the bastard.
The initial intention was simply to repost those early “mixes”, with a few new songs thrown in here and there (and some brutally culled). But as I was working on it, it metemporphasised into something different, perhaps better described as a completely new mix of tunes, very loosely hung on the framework of the old ones, in an effort to reinvigorate them, poncey as that may sound.
If you’d prefer to just listen to this on Spotify, you can do here:
…although a word of warning: Spotify doesn’t have all of the songs in the playlist, so the only real way to enjoy this in it’s full…erm…glory is by ploughing through the links below.
Oh, and a second word of warning: there’s a fair bit of effin’ and jeffin’ on some of these, so perhaps not for those with young ears.
Hopefully, there will be something for everyone in here (there’s seventy tunes in just over five hours, so I bloody hope so!), so push back the sofa, get yourself a pint of White Russian (or whatever your weapon of choice is), dim the lights and turn up the volume. Let there be grooves. Let there be guitars. Let there be cheese. Let there be some surprises, some forgotten tunes and some old favourites. Let there be singing. Let there be dancing.
Tell you what: I’ll play a song or two by way of a little intro whilst you’re getting yourself sorted:
This is the story of me and the dude up there that I have affectionately referred to as ‘my little brother’ for years now. When I finally publish this, I’ll have lost track of how many drafts I’ll have written, hated and discarded.
What I hope is that what follows does my best friend Llŷr justice.
What I know is that I will have been a howling mess of snot and tears on several points through it.
It’s a story that I wish I’d written ages ago, after he gave me his blessing to write about him, and while he was still around to actually read it.
Whilst I’ve mentioned Llŷr many times, until my last post I’d never mentioned his actual illness, because I knew he didn’t want it to define him, and I wanted to respect that.
I want to remember him how he was too, not how he was at the end.
I got his consent two years ago, when we shared a hotel room at a friend’s wedding. He’d want me to tell you it was twin beds, not a double, but it wasn’t. He’d definitely want me to stress there were no shenanigans though, no “those aren’t pillows!” moments:
The wedding just happened to fall on the same weekend as his 40th birthday. Typically Llŷr refused to let us properly celebrate his milestone birthday as he didn’t want to steal the limelight from the happy couple.
But him reaching forty was something to celebrate, more so than anyone else I knew, and so I started writing this post.
But much as I tried to, I couldn’t find the right words.
Nothing seemed appropriate, didn’t do him justice, just didn’t seem right. So I put it on the back burner, resolving to return to it once I’d had chance to mull things over some more.
And now it’s too late for him to read it.
On Friday I went to his memorial service and then the reception. Note: not a wake. As you might expect, there were many tears, hugs and embraces, but also many smiles and laughs amid much swapping of stories and memories; there was singing, there was dancing, there was a lot of drinking, oh-so-many glasses clinked together in his name.
He would have loved it.
*****
So I thought I’d explain how Llŷr and I became such good friends. Truth be told, we were thrown together by circumstance.
I had been living with a bloke I knew from college days, who found he was about to be a father and decided that my bedroom would be much better deployed as a nursery, which definitely did not require a sponging, chain-smoking lodger residing in it.
Hint taken, I promptly moved out, and found myself a flat in the Grangetown area of Cardiff. It was the first time I’d ever lived alone, and I greatly enjoyed being able to eat what I wanted when I wanted without disapproving looks from housemates, or watch whatever I liked on TV. And if I wanted to watch TV in just my underwear, I could, without anyone either judging me or dry-wretching at the sight in the same way as you are at the image now in your mind.
Around the same time, Llŷr found himself in a similar situation; he had been lodging with Richie, a chap who I had worked with years earlier in the video shop, who now worked at the same insurance company as we did, and who also suddenly found fathership was impending. Llŷr moved out and got himself a flat on the same side of the river as me and which just so happened to be about five minutes walk from my flat.
We knew nobody else who lived in this area of Cardiff, and so consequently, united in our ostricisation, we started spending more and more time in each other’s company, usually at his flat, partly because it had central heating (a fact I had failed to consider when moving into mine), partly because Llŷr didn’t live under the permanent shadow of the electricity going off as I did (as I had to pre-pay via a meter which only accepted discontinued fifty pence pieces which I had to purchase from my landlord), but mostly because Llŷr had an absolute treasure trove of a collection of popular culture for us to feast on.
Firstly, a mountain of vinyl, some of the most ludicrous but still somehow cool, records you’ve ever seen. A gatefold Bay City Rollers album, you say? Ordinarily, not fussed. But somehow, imbued with Llŷr’s consent, such things seemed cool.
Secondly, an absolute wall of video tapes, all crammed with stuff he had taped off the TV. This was manna from heaven for me, and most nights I was there I would just sit back, drink beer and smoke whilst he fast forwarded through another VHS to find the next good bit he had captured.
Now, I’ve always been a bit of a hoarder myself when it comes to popular culture, but my VHS taped-from-TV collection pretty much ends at a load of clips from Top of the Pops or any other music show. Llŷr, however, took it to another level.
I will never forget the night that we drunkenly watched – several times – footage from The Big Breakfast he had taped, where some blokes from shouty-not-very-good-indie band Reef played that game where you place your forehead on a broom, run round it several times then try to run a short obstacle course, inevitably falling over in a dizzy mess. The night ended with both of us taking it in turns to lay on our back in his living room, trying (with an impressive degree of success) to light our own beery farts.
I had just turned thirty and I felt like a teenager again.
Llŷr suggested us sharing a place and initially I was resistant. I was thirty, and had finally got a flat of my own. To start sharing again felt like a step backwards.
And then the bills at my flat started becoming a bit much, and suddenly it felt like a good idea to be splitting them with someone.
We went to visit a couple of female friends of ours, who rented a ground-floor flat back in Cathays, the cooler studenty-area of Cardiff. They just happened to be moving out and were looking for someone to take the flat off their hands. Llŷr floated the idea of us sharing a flat again, and this time I jumped at it.
We became inseparable. On the rare occasions that he went out without me, he would come home telling me everyone had been asking where I was, and I found the reverse to be true. We very briefly discussed that perhaps everyone thought we were “a couple”, dismissed the idea, and decided that we didn’t really care what anyone else thought anyway.
The flat, pristine and beautiful when we moved in, fell into decay because we behaved exactly as you would expect two lazy blokes to behave. Shall we do a bit of housekeeping, or watch some more utter tat on the telly? Telly it is!
I’ll never forget the night a couple of female friends came back to ours for a drink; one went to the bathroom, and when she hadn’t returned some twenty minutes later and we went to check she was okay, we found her scrubbing our bath with bleach because it was so grim. Llŷr’s reaction: “Oh, have we got bleach?”, which pretty much sums up our distant relationship with keeping the flat clean.
Initially we just had the sofa in the living room – part of the features and fittings when we moved in – to sit on, but at some point we added to the furniture by retrieving a knackered old armchair somebody had thrown out onto the street. Under cover of darkness, we dragged it into the flat one night only to find that the springs had all gone; still, stick an upturned washing-up bowl (it wasn’t required for any other purpose in the flat of filth) underneath it and it worked just fine. But Llŷr made it very clear: this had been my idea, so the scuzzy armchair was mine, the sofa was his. Fair enough.
While we lived together, my re-education really began.
It was Llŷr who reminded me, in my early thirties, that it’s absolutely fine to like pop records, and there’s nothing to be embarrassed about in doing so.
See that “There’s No Such Thing As A Guilty Pleasure” tagline? It simply wouldn’t be there were it not for Llŷr.
I’ll go further. Without that little seed sown, I wouldn’t be writing this and you wouldn’t be reading it. He told me many times that he really loved that I do this, regularly left grateful comments or sent me encouraging messages about something I’d posted, and once told me that he wanted to start writing something himself: you know, like younger brothers often do, to impress their older sibling.
It may seem glib or inappropriate to post tunes now, but everyone who knew him would agree that Llŷr was all about the music. There’s a multitude of songs I could post which will always remind me of him. It’s impossible to choose just one.
OK. Here’s one. To start.
One night in a bar in Cardiff, Llŷr got into an argument with a friend who dared to be dismissive of Kelly Clarkson, of all people. Llŷr wasn’t having that: just because she’d won American Idol did not automatically mean that her songs were awful. He was right, of course. This is a belter:
And then there’s the night, in a different bar, when he defended his love for Energy 52‘s ‘Cafe Del Mar‘ to another long-standing friend by pointing out that it really didn’t matter if a tune had no words, as long it sounded great and didn’t sound like whoever the friend’s favourite song was by. If ever there was a tune which makes me think of Llŷr, that’s it – and I know I’m not alone: when I posted that tune back in June 2018, after hearing that Llŷr’s time was limited, I was contacted by our friend Jon, a true friend. He had understood the bat-signal, and wanted to know what was happening.
Anyway. All of that makes Llŷr sound a right argumentative bugger, but he really wasn’t. Passionate, yes. Persuasive, yes. And generally right.
Llŷr and I lived together for four or five years, and I can only think of one occasion that we argued in all that time. The disputed subject was telling: the BBC had announced the winner of American Idol before ITV had shown the final; he couldn’t believe the Beeb had broken that bond of trust, whilst I couldn’t believe he thought the BBC wouldn’t do whatever it deemed necessary to prevent their audience from watching a rival channel, even if it was only ITV2. I still think I was right, but I wish I hadn’t been.
We were once asked to DJ for an hour or so at a friend’s wedding. Suffering a crisis of confidence, I suggested that he did the actual DJ’ing bit and I’d just pass him the records he wanted. Llŷr was having none of it: he might play the records, but we would jointly decide what was played.
The actual DJ for the night gave us his business card and asked us to call him if we ever wanted any work. We never did. We didn’t need him.
Then there’s the night my parents visited Cardiff, and stayed at our flat. We all went out to eat, came back to the flat, and after my Mum had gone to bed, Llŷr and my Dad bonded over obscure records by none other than (who else?) Edward Woodward. Llŷr had something by him on vinyl. Of course he did.
About a week later, I received a parcel through the post. It was a load of Max Boyce records my Dad owned on vinyl, burnt off onto CDs. The post-it note attached made it very clear that they were not meant for me, but for Llŷr. They’d discussed him at length, apparently.
That was the effect he had on people: they immediately wanted to share things with him and be part of his story.
He was perfectly happy to admit when he liked something that you really wouldn’t have expected him to. The term “eclectic music taste” was probably devised to describe him. Which also meant that if you told him you liked a band that he didn’t like, or knew little about, he would want to understand the appeal, and would go off and investigate for himself.
We never quite saw eye-to-eye on R.E.M., who I love but he was generally indifferent to. They played Cardiff’s Millenium Stadium on their tour to promote their not-very-good Around The Sun album. We went to see them, me as the uber-fan, he as the curious outsider. He’d done his research of the band’s discography in advance, which had led him to one tune by them that he really loved.
Llŷr (at the gig, in between songs): Do you reckon they’ll play it, Jez?
Me: Nah, they won’t play that one. They never do.
Llŷr: Are you sure, Jez?
Me: Yup. Won’t happen.
Llŷr: A tenner says they do.
Me: Deal.
Llŷr: (as the band crashed into the opening chords of the song in question): Shall we stop at a cash machine on the way home?
I later found out that in advance of the gig, he had checked the set-list for all of the gigs the band had already done on the tour, and knew bloody well they’d be playing it.
(I learned at the memorial service on Friday that he’d played a very similar prank on his younger sister, Sian, when they were kids, this time tricking her out of her pocket-money by getting her to bet on a horse in the Grand National, a race where he miraculously managed to pick the winner. Unbeknownst to Sian, the race had happened hours earlier, he already knew the result, whilst she was betting on the highlights.)
Another case in point: he and Hel (his older sister, also often mentioned on these pages) went to Glastonbury in 2009, a year I didn’t manage to get a ticket for.
2009 just happened to be the year that my much beloved Status Quo played on the Sunday morning. The two of them went to watch them (because they knew I’d be really annoyed with them if they didn’t), and I got a text from Llŷr at some point that day telling me that they’d played Mean Girl, a song that, whilst he wasn’t at all bothered about anything else they’d ever done, he had found for himself and loved.
My response, articulately put and spread over a number of texts, was along the lines of:
“They never play that! They never played that. Did they play that? Tell me you’re joking. No. They didn’t play that.”
Come the edited highlights on BBC4 later that day, I had to eat my proverbial hat.
You think I’d learn, wouldn’t you? Still, at least no money changed hands this time.
He never let me forget that. Ever. You know, like smart ass little brothers don’t let you forget stuff like that.
Sorry, I have to post this while I have a little cry:
Just to be clear: I’m not claiming that as a result of knowing me he suddenly loved R.E.M. and Status Quo. Far from it: he saw I loved them, gave them a listen, and decided he liked precisely one song by each.
Then there was the time that I won two tickets to go and see Gene play at Clwb Ifor Bach; initially he was dismissive as Sian had been a member of their fan club when she was much younger (so he told me, citation needed) and he had – as older brothers are supposed to – mercilessly ripped the piss out of her for it.
But he came with me anyway, and left the gig buzzing, telling me that his opinion had changed, asking to borrow all of my Gene records, but making me swear I’d never tell Sian, of his conversion. Well, I managed it until now…
There’s one song by Gene the title of which would be sadly, horribly appropriate for me to post here, but I can’t bear to listen to it, so instead a song the opening lines of which we both felt a great affinity with
“Please don’t stop me from drinking, it’s my only joy.
Please don’t stop me from smoking, this my reward.
For all the things I’ve spoken, and all the times I fell
One Sunday, when Sian – who had been sofa-surfing at ours for a couple of weeks and, moving into her own flat the next day, had offered to take us out for a Sunday lunch somewhere as a “thank you” for letting her stay – suddenly, scarily, started banging on my bedroom door, imploring that I come help quickly.
Something was happening to Llŷr.
He had gone to the bathroom to clean his teeth, and had started having some kind of fit. I emerged to find him on his back on the bathroom floor, seemingly unconscious, frothing at the mouth.
I sent Sian off to the front of the house, partly so that she didn’t have to see Llŷr like this, partly because the phone reception was better to call an ambulance there.
But now what to do? Having taken control of the situation, I had to do something. Remembering films I’d seen, where this sort of thing happened, I threw water on Llŷr, foolishly thinking that would snap him out of it.
It didn’t, of course, but by the time the paramedics arrived, his fit had ended. They asked why his hair and T-shirt was all wet, a question which Llŷr himself asked as he was lifted into the ambulance.
I looked sheepish. “Threw some water on you. Thought it might work. Sorry.”
I kicked my heels and felt stupid.
I love the NHS. But that Sunday in Cardiff they were completely overwhelmed. We spent hours waiting to be seen and then, when he finally was, as I recall, the seizures having stopped hours earlier, they gave him a quick once over, resolved all was okay, and sent him home with an instruction to take a day or two off work.
Back at the flat, we ordered Chinese food and Llŷr made us both promise not to tell his parents. Neither Sian nor I were happy about it, but we respected his wish. Okay, we can convince ourselves that was a one-off.
I took the next day off work as a precaution too. Llŷr’s dad was due to visit to collect Sian, and since we didn’t want him to know what a shit-hole we lived in, or that Sian had stayed in, we pledged to clean the flat before he arrived.
Llŷr went off to clean the bathroom, and since this was where his last incident had happened, I was wary. Just take it easy, I said, and if you get into difficulties, just holler.
Ten minutes, later there was a crashing noise from the bathroom. I, stupidly, assumed he was having a laugh at my expense.
“Llŷr, are you okay?” I called.
No answer.
“Llŷr..?”
Still nothing.
“Okay, I’m coming, but you’d better be properly ill and not winding me up or I’m going to fucking kill you myself”.
Funny how words said in jest can come back to haunt you.
I found Llŷr laying on his side, having fortuitously landed in something approaching the recovery position, having another fit.
Reassuring words spoken. Ambulance called, again.
And this time, a much-needed stay in hospital.
When he was discharged, I hated leaving him at home alone for fear of anything happening whilst I was out, but he was insistent. Before he became ill, Llŷr and I often went clubbing together, and he was adamant that I should carry on even though he no longer could. Unsaid, I think he wanted to live vicariously through me, for whenever I went out clubbing he would be waiting up when I got home, eager to hear who had been out, and more importantly, what tunes had been played. I could remember the former, rarely the latter.
And so we devised a system that both freed us and kept things in check: if I was out, he just had to text me a code word which he would have saved on his phone, and I would come home.
Fast forward a few weeks. I met some friends in a bar in Cardiff, heading club-wards. They offered me some coke, which I declined. Seconds later my phone rang, and it was Llŷr. I answered, but could just hear a gurgling noise from the other end.
Fuck.
I ran home, passing people I knew through clubbing who were very surprised to see me run, and found Llŷr laying on the living room floor, in the final throes of another fit.
Nerves calmed – “I’m here, it’s going to be okay” – ambulance called.
Shortly afterwards, Llŷr was diagnosed with a brain tumour which was causing the seizures. He was given medication to stop them happening, but tragically the tumour was inoperable.
And that was fourteen years ago.
Fourteen years. Fourteen years where he has struggled and coped and fought and never once did I ever hear him complain. He knew the cards he had been dealt, accepted it but refused to let it define him, refused to let it stop him from doing whatever he wanted to do for as long as he could. He would still go to gigs, would still go to Glastonbury, and no annoying thing living in his head was going to stop him.
I wish I could say I’d react the same. I can’t say that I would. Who knows. But what I do know is that despite his restricted capabilities, Llŷr carried on regardless. Like he knew his time was limited and he was going to make sure he continued enjoying every second he had left.
Much as I may try here, I can’t properly express my admiration for him and the way he insisted on conducting himself.
And now Llŷr has left us, and there’s a gaping hole in my life where he used to be which nobody can ever fill.
Never again will we go to an indie club and do our little joke to each other where we would sing along to a record but take a swig of our drink when it gets to a lyric we don’t quite know (which we found so much funnier than I just made that sound).
Never again will we get to play “French, or Student?”, a game we devised – and even made up a theme tune to, nicked from Raw Sex’s musical enunciation of French & Saunders. The game was that when out at an indie club, one of us would stand behind someone who was dressed like they could be French or could be a Student, and the other had to guess which they were. Again, you probably had to be there.
Never again will I be able to text him the word “Pennoes!” and know he would be watching the same football match as me.
Never again will I have to worry about him spilling the beans on some of the more embarrassing moments that happened when we lived together. Never again will I be able to buy his silence with the threat of an equally unsavoury tale.
Never again will we go to a Super Furry Animals gig together, as we did countless times, and laugh with each other as we basked in our self-perceived glory when we air-drummed the fill after the bridge on this tune, which we did every time, without fail, much to the bemusement and confusement of anyone who was with us:
All of these records – and so, so many more – will always make me think of Llŷr.
They are ours.
Not past tense.
Are.
Not were.
For whilst he may be gone, they’re here with me now, as he will be whenever I hear them, for as long as I’m still breathing through these knackered old lungs of mine.
I’ve felt him at my shoulder as I’ve written every word of this: “Oh Jeremy, don’t tell that story…and pick that tune…no, not that one, that one.”
He’s gone, but he’s not, because I, and every person who ever met him, remember him as the most joyous, loveable, force of life you could ever hope to meet.
I’m honoured to have known Llŷr, to be able to call him my friend, my best friend, my little brother, and to know that would be reciprocated.
Dude, I miss you already. I always will.
There’s so many things I feel sad about. Selfishly, that my own recent illness robbed me of a couple of visits to see him, that I didn’t get chance to say goodbye to him properly.
Unselfishly, for you, my friend; for the battle you had, for all of the normal things one expects a life to deliver that you were robbed of, for the opportunities and experiences you’ll never have.
And angry at how terribly, terribly unfair it is that you’ve been taken from us.
Sleep easy, dude, you deserve a rest.
We’ll all love you forever.
We’ll never forget you.
And I will forever try to be the man you should still be.
*****
The final hymn at the memorial service on Friday was this, a song I have heard many times before, usually in the build-up to a Welsh rugby match. It never fails to make the hairs on the back of my neck stand up. But never before had I heard it sung so beautifully, so passionately, as it was on Friday:
Sian is running the London Marathon this year, raising funds for The Brain Tumor Charity. As I write this, she has smashed her target of £5000.00 – but that’s not a cut-off point. It would please me, and Llŷr’s family and friends, immensely if you could see your way to contributing, no matter how large or small an amount, so that one day, maybe, a family doesn’t have to go through what Llŷr and his family have had to.
If you’ve read this far a) well done, b) thank you, and c) please click the link below and read Sian’s words about Llŷr. They were written before he passed, but she says it way better – and, crucially, more concisely – than I have. But be warned, I’ve just read it again and I’m bawling my eyes out. Again.
Not only am I not too keen on Mondays, there’s another day which, when I was a kid, I also was less than enamoured with: the day I had to pull my blazer back on, throw my satchel over my shoulder and head back to school. The end of the summer holidays.
Thankfully, it’s not something I have to endure any more, nor do I have any little darlings of my own that I’m currently breathing a huge sigh of relief about seeing the back of as they return to school this week (in most places).
So to mark Back to School week, I figured I’d dig out some sort of school related tunes for the rest of the week.
I wasn’t exactly a model pupil when I was at school, more interested with mucking about and making people laugh than I was in knuckling down and making teacher graphs (to appropriate a Belle & Sebastian lyric).
When my folks attended a school parents evening at the end of what was Year 3 back then, my Biology teacher told them how surprised she was that I had opted to take her class for the final two years, give how little interest I had shown in the previous three.
But I think that had this sultry fivesome been serenading me about the virtues of Biology, I may have paid a teensy bit more attention in class:
The more astute amongst you will have noticed that usually by this time of year, the last weekend in July, I’ve posted a whole load of summery songs over what turned out to be a brief summer.
This year, it seems the weather has managed perfectly well without my help, thank you very much, so I’ve stayed out of the way.
Until now.
Two songs, one which isn’t really about summer, but has the word in summer in the title, and evokes that whole Young Rascals/Isley Brothers summer groove, the other which is unashamedly about summer, unabashedly pop, and, as those of us who refuse to look down our noses at them know, unapologetically brilliant:
Girls Aloud: who knew that not only were they responsible for some of the best pop records of the 21st century, but that they were also responsible for managing the work diary of that fat old bearded bloke whose one job is to visit all of the kids on Christmas Eve.
And so here’s the girls telling Santa he has arrived prematurely. I’m pretty sure that’s what it’s about, anyway….
Oh, and in case you were wondering about the choice of sleeve, this is lifted from a Bonus CD of Christmas songs which came with their Chemistry album:
When I first started writing this sporadic thread, I featured a record by Girls Aloud, and mentioned that others by them would feature again at some point.
And so here we are.
I don’t have anything else to say about Girls Aloud that I haven’t already said, other than to reiterate they made some bloody great pop records.
And this, which almost has a rockabilly feel to it in places, is an absolute corker:
Second of my new threads for the week now, and here is where I want to expand on the whole “there’s no such thing as a guilty pleasure” ethos which is supposed to pervade this palace that I have built. It’s also the thread which is most likely to shatter what little is left of my credibility.
But first, I want to draw on a couple of things my blogging peers have written. Firstly, to Rol at My Top Ten‘s tagline: “Irk the Musos!”, and secondly to something Alyson said recently over at What’s It All About, Alfie?: “It seems you should never be dismissive of any genre of music as one day you may suddenly just “get it” and you have a great new world to explore.”
This is a life-long philosophy of mine. I always hate it when I meet someone for the first time and as an ice-breaker they ask “What kind of music do you like?” because I always want to answer “Don’t try to pigeon-hole me, I like music. Not all musics, but lots of musics,” but figure I’ll sound like a bit of an idiot, so end up saying something even more excruciating, like “Oh you know, I guess I’d be called an Indie kid if I was 30 years younger.”
An example: I don’t really like reggae music. It’s fine, I can listen to it, it’s not a race thing, I understand the importance of it, it just doesn’t float my boat, doesn’t grease my wheels or whatever analogy you might choose. I still post reggae tunes when suggested in The Chain, because whilst broadly I’m not a fan of the genre, every now and then I’ll hear a tune and think: “Actually, that’s bloody brilliant.” (N.B. none of the tunes that have made me think that were by cod-white Brummies UB40)
And the same applies to any genre: there’s some songs I, we, you, like, and some that I, we you, don’t. Don’t ever dismiss, because undoubtedly you will be the one to miss out.
Which brings me here, to this second new thread of the week, where I unashamedly nail my colours to the mast and say: this is a pop record, and I really like it.
The thing with pop music is that it’s not supposed to remain popular, fashionable, or current, it is, by its very definition, transient, here today and gone tomorrow. And there’s nothing wrong with finding glee in a pop record that a few weeks later is no longer the flavour of the month.
And so, to Girls Aloud. I like some Girls Aloud records. Actually, I like quite a lot of Girls Aloud records. There. I’ve said it.
And I like them because they are brilliant pop records.
Many of you will disagree, and you’re not wrong to, but I’m not wrong to like them either. Subjectivity, that’s where we are.
This is the second Girls Aloud single, and the first thing I ever bought by them. Lyrically, tt’s a mighty, anti-authoritarian “Don’t tell me what to do!”; musically, it obviously references “My Sharona” by The Knack, which just makes it even better in my opinion.
And don’t get me wrong, I’m not about to start extolling the virtues of Saturday Night ITV scheduling, but when they get it right, as they did here, with Girls Aloud (and I’m struggling to think of another “product” from that particular farm this applies to) it can be magnificent.
Girls Aloud will feature again in this thread, because like it or not, they made more than one ace pop record, so I’d suggest you either get used to it, or just don’t come visit on a Thursday.
