I fancy posting something by New Order, but given that this is a series where I try to avert your attention away from just how gruesome Mondays are, that rules out Blue Monday, brilliant record that it is. (I appreciate I’m not exactly going out on a limb with that statement.)
So here, if I’m honest, is one of the last singles they released that I truly love:
Now. When I’m about to make a statement along the lines of “New Order haven’t released a single that I truly love since 1993” my wise old brain tells me that I’d better check that, just in case.
I mention this because as I was checking I hadn’t forgotten a single somewhere (I hadn’t, but for the record, and ignoring the remixes of Blue Monday and True Faith that routinely pop up, sure, there have been singles since then that I’ve liked – Crystal, Here To Stay, Krafty at a push. But loved? Nope.), I stumbled across this factoid:
In 1993, New Order filmed a live performance of the song for Top of the Pops in Venice Beach California as part of an episode of the hit series Baywatch, featuring David Hasselhoff and various background actors and bikini-clad actresses dancing and playing on the beach.
Now, believe it or not, I have never seen an episode of Baywatch. I know what the basic premise of the show is, of course, but that’s information I picked up from watching another show:
And so, I found it hard to believe that a credible band like New Order could possibly have appeared on something like Baywatch.
Look out for the Hasselhoff/Hook link-up in the next Farm Foods advertising campaign.
Right, you can all stop checking the time, here it is, three weeks late, but that’s better than another super-long hiatus, surely?
More mega than a fleet of MegaBuses, yes! It’s time to check the buffering capabilities of your hardware and internet provider as we launch into the latest instalment of The Chain.
And what a selection we have for you this week!
But before we get started, some admin. The more observant of you will have spotted a new page link over there on the left entitled “The Chain – The Rules”. You’ll never guess what you see if you click that!
I mention this because there would have been a couple of disqualifications this week for (unintentional) breaches of the rules; luckily one of the transgressors realised and suggested an alternative link.
The easiest rule to break is suggesting a song which has already featured, and I appreciate with around 1000 songs having featured so far this can be somewhat tricky to keep up with. As I’ve mentioned before, I’m in the process of writing up a definitive list of every song which has featured so far, but until I’ve got round to finishing that (and writing The actual Chain takes up a fair bit of time when I could be doing that), if you want to check your options are:
1) Read every previous edition of The Chain (bit time consuming that one)
2) Check the Tags down the left-hand side; if the act you wish to suggest is not listed there, then you’re fine (assuming I remembered to add them, of course). If it is listed, click their name and you’ll be taken to every page that a song by them has featured on and you can check that way.
3) Email me at firstname.lastname@example.org and I’ll check and get back to you.
OK, admin over, let’s remind ourselves of the source record for this week:
The biggest source of linkage this week was the “Echo” part of the song title, so let’s get cracking with one of mine. Since an echo is something happening again, this seems to be an appropriate place to start:
So, who else provided echo-based suggestions? Well, here’s Alex G of the temporarily (I hope) dormant We Will Have Salad to provide not just a suggestion, but also a definition of “echo”, which saves me the bother of having to copy and paste something from an online dictionary to justify some of the other suggestions I’ve come up with:
“… an echo is an acoustic phenomenon caused by sound bouncing off walls. And ceilings. And other things. But it’s the first one which concerns us here, because it leads me to suggest….”
Unsurprisingly, several of you (well, five actually) proposed records by Echo & The Bunnymen, so we may as well get one of those out of the way next, and it’s over to Swiss Adam of Bagging Area fame, with his second suggestion. (No, you haven’t blinked and missed his first, that’s coming in a while. It’s called editing.)
“Echo and the Bunnymen…sang ‘Silver (Tidal Wave)’, a beach connection there too.”
Yes indeed, that’s your first – of many, it has to be said – double linkers of the week right there. Points!
Next to one of several songs this week that I had never heard of before the suggestions came flooding in, this one courtesy of The Swede from Unthought of, though, somehow who proposed this by Cavern of Anti-Matter who, for the uninitiated (i.e. me), are Joe Dilworth and Tim Gane, formerly of Stereolab, possibly one of the most missed and most under-rated (if that’s not a contradiction, and if it is, I’m sure it’s one which would please them immensely) bands of the last twenty years or so:
I like that. A lot. Thanks for nudging it under my nose, Swede.
Which leads us quite nicely onto another suggestion by Alex G:
“When they recorded ‘Echo Beach’, Martha And The Muffins’ drummer was one Tim Gane. Another Tim Gane was more famously (not *much* more famously, I admit) the lead guitarist of McCarthy and Stereolab. [I just told them that – Ed] So I’ll go for….”
“…double link there if I’m not mistaken…” pleads Alyson. Hmmm…Echo, yes…Seas -> Beach…what do you reckon, Chain Gangers? Oh go on then: Points!
I first posted that song way back in August 2015, accompanied by a retelling of one of the many faux pas I’ve committed over the years. Since some of you may not have frequented these pages that long ago, indulge me for a moment whilst I relate this one, which took place circa 1984, as I waited for the school bus and found myself chatting to one of the “cool kids” at school. He liked cool music (i.e. not Quo) and during this conversation he extolled the virtues of ‘Seven Seas’. My response, a rather pathetic and, as it transpired, ill-judged, attempt to ingratiate myself, was to talk at length about the lead singer fire-eating on Top of the Pops and how impressive he was. I realised mid-flow that my conversation piece was attracting some quizzical looks. And that was because I had completely mis-heard him. When he had said ‘Seven Seas’, I had thought he had said this song title:
Not cool, just…not.
Anyway, moving swiftly on, here’s Walter from A Few Good Times in My Life with the scecond song this week that I’ve never heard before. Over to you Walter:
“They might be forgotten but this song is still worth to listen to sometimes…”
Actually, that was Walter’s second suggestion. His first was for an Echo & The Bunnymen track, and I think enough time has passed since the last one to allow me to post his, which needs no introduction:
Which leads us on to a very brief sub-category, those of song titles which repeat, or, you might say, echo themselves. This is by far my favourite category of the week. You’ll see why. Julian from Music from Magazines suggested this, which probably doesn’t need any further explanation:
The Quo, there, demonstrating on the record sleeve their renowned empathy for the Black Power movement.
And that brings to an end that sub-category of song titles which repeat, or, you might say, echo themselves.
You know what I haven’t said for a while? I haven’t said the words: “And here’s the next suggestion of an Echo & the Bunnymen song, this time by *insert name of Chain Gang member here*“. I feel an overwhelming need to say it again. But not just yet. I’ll wait til I’m asked.
And here’s the next suggestion of an Echo & the Bunnymen song, this time by Dirk from sexyloser with the closest we’ve had to a Showboating Suggestion so far:
“Nominated to be one of the world’s most beautiful beaches back in 2012, 2014 and 2015 was Burundi’s coast fronting Lake Tanganyika: if you’ve never been there, you really have missed a treat, I can tell you!
So obviously the correct link can only be Echo & The Burundimen (yes, it’s the Bunnymen in disguise, but still I haven’t made that [name] up, just listen to McCulloch’s intro!) and ‘Zimbo’, the 1982 Shepton Mallet live version though!”
And that does bring us to the end of the Echo section. Except…
Except, you’ll recall that I mentioned five of you had suggested songs by Echo & The Bunnymen, and so far we’ve only had four. Well, GMFree suggested their rather wonderful comeback single ‘Nothing Lasts Forever’ but then ploughed through the entire history of suggestions in The Chain and retracted that on the grounds that it had featured back in #31 so I wouldn’t have been able to allow it. (Oh, and whilst I’m on songs I couldn’t allow – Lynchiefromab, if you check the Comments in the last Chain, you’ll see that I wasn’t sure if yours were suggestions or just recommendations; if the latter then, thank you, and you’re right, but if the former than I couldn’t allow either of them as they contravene rule No. 6: “Suggestions must be more than just naming a different song by the same artist. You’re cleverer than that.” And I know that you are. Sorry!) However, GMFree did propose a different Echo & The Bunnymen track, a cover version, but suggested that I might post the original instead, since the performers have never featured in The Chain before.
In case you’ve no idea what Jules is blethering on about, Bonnie ‘Prince’ Billy is the best known stage name of Will Oldham, but he has also recorded under variations of the Palace name, including the Palace Brothers, Palace Songs, and Palace Music. As you know, I prefer it if there’s only one suggestion per person for the same band, but since these two versions are so different, and since they were recorded under different monikers, and since I allowed GMFree to suggest more than one tune by Steven Jones last week for the same reason, I guess I’ll have to let it slide this time.
Speaking of GMFree and Steven Jones:
“Mentioning Mr Jones is too easy on this occasion as Babybird was signed to the Echo label, instead I’ll just suggest one track from his 27th (!) album as Black Reindeer…available through Bandcamp.”
Now, I wouldn’t normally buy a track specifically for The Chain, preferring the suggester to provide me with a copy, but I was intrigued by that title so I downloaded that song from the band’s Bandcamp page, as recommended. And shortly afterwards, I got an email from Steven Jones which read: “Ooh a bit topical that purchase Sx”. Which was nice. So I’ll not complain about being out of pocket. This time.
You’d have to have had your head buried in the (beach) sand to not understand what he was referring to, and as it happens, this was not the only track which referenced the forthcoming apocalypse.
“‘Echo Beach’ puts me in mind of the 1959 film ‘On the Beach’, which depicts the aftermath of a devastating nuclear war. (Not a surprising image, considering the current state of affairs, I suppose.) The film stars Gregory Peck, Ava Gardner, Fred Astaire and Anthony Perkins and is based on Nevil Shute’s 1957 novel. Anyway, as I’ll use any excuse to post some black gospel quartet music, my selection is the 1950 ‘a capella’ version of…”
Well, bar that last little excursion, we appear to not only be in nuclear war related territory – cheerful! – but also Beach related, so let’s have some more of those. And since that last song contains the lyric “Hello New Order!”, it seems appropriate for us to go back and find out what Swiss Adam’s other suggestion was:
“‘Echo Beach’ takes me to the remixed version of Blue Monday from its b-side in ’83…”
So, having exhausted all of the suggestions about echoes, beaches and, of course, Nazis and impending nuclear doom, we’ll move onto something a lot nicer. Back to Martin who suggests this as a double linker:
Which leads me onto this, a track lifted from one of those typically patchy tribute albums that were all the rage once upon a time one of those tribute albums, which were all the rage once upon a time, and which could (typically) be a little on the patchy side (and this one really is patchy).
In case you’re wondering what that’s doing there, give it a listen partly as there’s an extra verse, not in the original, which links to Martin’s last choice, but mostly because it’s an utterly wigged-out mental cover version.
And whilst we’re still on chocolate cake, it’s about time I posted another clip:
Right, that’s Muffins pretty much covered, right?
Well, actually, not quite. Here’s Rol from My Top Ten:
“Muffin was a Mule and a Mule is sort of like an Ass… though very slightly different.” Which brings us to, rather rudely:
Let’s have some Echo Beach/Martha and the Muffins facts to raise the tone a little.
Fact One: Martha and the Muffins are Canadian.
“Plenty of Canadian bands/artist to choose from,” chips in Rigid Digit of Stuff & Nonsense, “including: Rush (but who has time to listen to the whole of Side 1 of ‘2112’?), Neil Young, Joni Mitchell, Bryan Adams and Bachman-Turner Overdrive. All too obvious, but this bunch of Canadian one-hit wonders…:”
“Did you know,” pipes up George, inadvertently providing Fact Two, “that Echo Beach has been voted the 35th greatest Canadian song of all time? The greatest song is the execrable song ‘Four Strong Winds’ by Ian and Sylvia, which must surely get the Worst Song vote.”
Well, I’ll happily do that George, although you realise that would mean you’d have to agree the Chas & Dave record is better…? Along with two other songs yet to feature that we all know you’ll hate….?
Four strong winds, you say? Here’s four in varying levels of strength.
The ease and squeeze:
2. The Pant Ripper (a classic):
3. The Preposterously Executed:
and 4. The Accidental Decongestant:
Right, that’s…erm…got that out of my system. More factoids please!
Fact Three, courtesy of babylotti:
“‘Echo Beach’ was released in 1980 on DinDisc records, another record that was released in 1980 on Dindisc records, and one that I still have (okay, it was a re-release in 1980, but that’s the one I have) is…:
Before we get on to the final category, time for those two songs which George won’t like, the first of which is suggested by Alyson, and I think this one wins the award for Comment Showboat of the week (or have I already awarded that? I don’t know, I’m tired…). George, sorry, I was going to leave these two till last to make it easier for you to ignore them, but thematically they kind of need to be posted earlier.
Anyway, here’s Alyson’s suggestion:
“Martha’s Vineyard is actually a small island off the State of Massachusetts. It faces out onto the Atlantic and it’s where they filmed ‘Jaws’. The fake shark they used for the movie was given the name Bruce.” Which leads us to:
And so on to the final category, songs which link to Martha. And we’ll start off with my own double-linker for the week.
There’s a well known phrase in certain communities: “Is he Arthur or Martha?”. Well, here’s an Arthur, Arthur Lee to be precise, and he and his band are going to sing a Love-Lee song which has an Echo/Repeat/Again link too. Points please!
“First thought – got Martha on my mind now so I’d like to offer one of those songs that surely everybody knows and surely everybody likes? What better time for an office clerk with a very boring job to go down to Echo Beach than during a heatwave, too?”
Next up on the oche is The Robster from Is This The Life? Now, a few weeks ago, Rob announced that he was thinking about stopping writing his blog as he was feeling devoid of inspiration and was just going through the motions. I’ve often felt the same about this place, and I know others in our little blogging community have too. You may not know that Rob lives not a million miles away from where I used to in South Wales, and I love his blog for it keeps me in touch with what’s going on down in and around my old stomping ground so I’m delighted that he’s decided – for now – to keep going, albeit with less frequent posts.
I mention all this not to put any unintentional pressure on him to carry on, but because having cut back on his posts he seems to have gone a bit stir crazy, suggesting “I’m a Man” by The Spencer Davis Group on the basis that Martha & The Muffins were an all-male band. Getting confused by that whole “Arthur or Martha” issue there, I think.
To be fair, Rob did correct himself almost immediately (with a little help from Alex G, who I can confirm is not a qualified doctor, but is a very keen enthusiast), and redeemed himself by suggesting this, another of the records I’d never heard before, and which I’m really quite pleased that I have now. And it’s a double pointer, featuring as it does a Martha and “two items you might see at a beach”:
Time for Abramson60 next, who…erm…echoes some of the sentiments raised earlier:
“Looks like things are getting worse and worse US of A side, can it really get any worse? My suggestion this week could well be aimed at that excuse for a human being, Trump. No need to explain the link?”
Nope, but this young lady certainly needs to wash her potty-mouth out with soap and water:
Another from Alex G now, who suggests “…a lovely song which is never played on the radio because if it was, everybody would stop what they were doing to listen, at a cost to the UK economy of several squillion pounds.”
I agree, it is a lovely song, although I suspect were it played more often, people would stop what they were doing to remember when – and I’m sorry to bring it up again (I’m not in the least bit sorry, as it goes) – this happened:
More from Rol next, who suggests this next song on the grounds that a) it has the word “Martha” in the title, b) it doesn’t have any other words in the title, and c) he “…can’t believe nobody’s suggested it yet…”
And the presidential links don’t end there, for there was also of course Martha Jefferson, wife to Thomas, who became 3rd President of The United States in 1801. Martha would have been the third First Lady, had she not rather inconveniently died in 1782. Anyway, this Martha leads me to this ground-breaking house record from 1986:
And the other is…well, Mrs GMFree was not alone in suggesting it, for it was also proposed by Rigid Digit (and I thought one other person too, but I’m buggered if I can spot who it was now. If you suggested it and I have omitted to credit you, make yourself known and I’ll amend this bit).
Which means that for the first time ever, we have two people correctly guessing the next record in The Official Chain, which, with the simple explanation of “From one Martha to another…” is this:
So to wrap things up, your suggestions, please, for songs which link to “Martha My Dear” by The Beatles, along with a brief description of the link, via the Comments Section down below, in time for the next edition. Whenever that might be.
“Sunday, Sunday here again in tidy attire You read the colour supplement, the TV guide…”
Well, you can now add “The Chain” to the list of things to read on a Sunday, although events have rather caught up with me, meaning that it will be a race against the clock for me to get this finished by the end of the day.
We ended The Chain #36 with “Hyperactive!” by Thomas Dolby and the usual request for your suggestions for songs that can be linked to that tune. Let’s see what you came up with.
First, a batch of songs which link to “Hyperactive!” the song, and “Hyperactive!” the physical state, first amongst them being submitted by Rol from My Top Ten:
“‘Hyperactive!’ begins with a psychiatrist asking Dolby to “Tell me about your childhood.” So my first choice is…”
A few weeks ago, Babylotti got in touch to put me on notice that he was looking to suggest a song which he thought it would be impossible for me to locate a copy of. This week is the week he put that into practice:
“Okay so starting off with the Hyperactive link, it reminds me of another 80s songster, Alexei Sayle. He had a hit with ‘Ullo John! Gotta New Motor?’ (not the link yet) [which is lucky, as it’s featured before, so I’d have had to disqualify it] in the charts at the exact same time as ‘Hyperactive!’, [I’ve checked this, and it is correct: 26/02/84, ‘Hyperactive!’ was at #29 on it’s way down from #17, whilst ‘Ullo John! Gotta New Motor?’ was at #35 on it’s way to the giddy heights of #15] but in 1982 he released a single as the Albanian World Cup Squad, ‘Albania! Albania!’ (as threatened/promised!). With a chorus quite reminiscent of the Blackadder theme tune, I first heard it on the Anne Nightingale show back then, had been after it ever since.”
One of the rules here at The Chain is that if you suggest a song then you must be able to supply a copy of it in the event that I don’t already own it, or am unable to source it. This has happened 4 or 5 times since we started, and you won’t be surprised to learn than I couldn’t find this one. I had been prepared for this, as Babylotti previously advised me that as far as he was aware, it was only available on one website.
That website, he revealed, was his Soundcloud page. Should be easy enough to find, I thought, typing the words “babylotti” and “soundcloud” into Google. Did it find babylotti’s Soundcloud page? Did it heck. But what it did reveal is that some chap called Rick Shide has been reposting The Chain verbatim for a few months now on something called ‘Inoreader’.
Let’s all give Rick a wave, shall we?
I’m sure you’re all as flattered as I am.
Anyway, to babylotti’s suggestion, which he ended up adding to his own blog, Livin’ Out Rock’n’Roll in order that you can all hear it today. I have to admit, it is pretty funny:
Babylotti then goes off at a bit of tangent, which is fine, as long as it’s justifiable, and his next two suggestions are, linking to “Hyperactive!” via the aforementioned Alexei Sayle record:
“I’ll then stay with the football theme and choose the song from when New Order ruled the world, World in Motion. The greatest football song ever, and that’s coming from a Republic of Ireland supporter…”
Of course, one of the highlights of that record is the rap performed by John Barnes, and let’s be honest, other than that goal against Brazil, it was probably the most impressive thing he ever did in an England shirt.
Caught up on the tube in August last year, Barnes was kind enough to treat his fellow travellers with an impromptu rendition:
“And my last one,” babylotti rounds off, “which always reminds me of Goal of the Month:”
It wasn’t just the song title “Hyperactive!” that was linked to; many others linked to Hyperactive the condition.
Over now to Jules from Music From Magazines. In case you have any issues deciphering Jules’ contributions, as I did this week, please note something he said in a Comments Conversation we had yesterday:
“Please check the time I posted this , music from mags rules are only post in pubs…”
A fine rule, which I may have to bring in as mandatory…
Anyway, here’s Jules’ first suggestion:
“A Hyperactive Thomas can cause many problems, so let’s get it out the system and try Ivor Biggun and….”
Stop right there. Let me just slap one of these labels on this one:
Although, it’s hardly needed, you can pretty much get the gist from the sleeve, the artist (I use that term most misguidedly) and song title:
Ivor Biggun is a the “comic” creation of Doc Cox, who some of you may remember from his stint as one of the co-hosts of consumer show “That’s Life!”, a show spoofed here by the “Not The Nine O’Clock News” team (albeit, in pre-Cox days):
If you ever need to investigate whether there was a link between increased illegal drug use (non-contraceptive) and teenage pregnancies in the 1980s, then you could probably cite this record, for gleefully announcing over a summery, steel drum tune that the lead singer is “drowning in amphetamines” and, even more irresponsibly, that “I don’t care if you get me into trouble”. Yours faithfully, Outraged, Tunbridge Wells.
Finally in this first batch, here’s Alyson from What’s It All About, Alfie? who, like me, went to see ‘T2 Trainspotting’ this week and, like me, bloody loved it. That’s a recommendation, by the way.
“Ian Watkins from the group Steps was always called “H” which was short for Hyperactive – If you’ve ever seen him being interviewed on telly (no I wouldn’t admit to it either) you will know why. The song of theirs that I’m going to choose is…”
That’s not quite what I first thought the “H” stood for, if I’m honest…
Regular visitors to these pages will know that each week one suggestion is crowned “Worst Record of the Week”. Unbelievably, this week that record is not by Steps.
Moving on, and several of you provided links to Mr Dolby himself; here’s Rigid Digit from Stuff & Nonsense with one of them:
“Thomas Dolby was in The Camera Club (a band, not a photographic society) with Bruce Woolley. Bruce Woolley was co-writer (with Trevor Horn and Geoff Downes) of ‘Video Killed The Radio Star’, the song which epitomises all things 80s (even though it was released in 1979).
Many earholes have agreed that the Bruce Woolley and The Camera Club version is superior.”
The first suggestion we received this week was from The Great Gog, whose nominated track leads us rather nicely into the next batch of similarly-themed-suggestions:
“A fairly straightforward double-link springs to mind immediately. Thomas Dolby was involved in the production of Prefab Sprout’s ‘From Langley Park To Memphis’ album (although duties were shared out on that one). That album just happens to include another song with an exclamation mark at the end of the titles, so “Hey Manhattan!” it is.”
Next up, it’s Martin from New Amusements, who suggests a song by a band who are very dear to me indeed:
“Hyperactive has an exclamation mark at the end. Mid-80s twee-merchants The Chesterfields used to use an inverted exclamation mark as the “i” in their name, so how about ‘Ask Johnny Dee’ by The Chesterfields? Or maybe that should be The Chesterf¡elds…”
Taken from their jingly-jangly guitar lost classic “Kettle”, an album which came out in 1987 on the oft-overlooked Subway Records label; I recently placed it in a “Top 1o albums which have stayed with me” Facebook round-robin thing.
I’d completely forgotten about the ! in their name, and I have to say I’m bloody delighted to have the chance to post a song by them, even if they are very much “of their time”.
Oh but before I do, a clarification from Martin:
“On closer inspection, the exclamation mark in The Chesterfields wasn’t inverted, just normal i.e. The Chesterf!elds.”
Last of the Exclamation Marks now, and another of my suggestions. In all honesty, when the first song linked by the exclamantion mark came in, I thought there would be no way that somebody wouldn’t suggest something by this lot.
If you don’t know this band, but like “House of Jealous Lovers”-era The Rapture, then I’d heartily recommend you give this a spin, if for no other reason than it’s prowling Slits “I Heard It Through the Grapevine”-esque bass line:
Okay, on to other Thomas’s now, and back to The Great Gog:
“Around the time that Mr. Dolby was first active musically, there was another keyboard player called Thomas releasing records, albeit with less commercial success – Thomas Leer. Mr. Leer later went on to be part of Act, who had a minor hit with ‘Snobbery & Decay’.”
“My second choice,” continues Badger, “is ‘Thomas the Fib’ by much missed dancey jazz pioneers Red Snapper from their excellent ‘Prince Blimey’ album. Prince Blimey being the bastard son of Prince William and Katie Price from their ill advised affair of 2001. That was exposed by the Daily Mirror after Wills was seen leaving a kebab shop at 3 in the morning and letting himself into the back door of Price’s Penge Maisonette.” [Can we insert the word ‘allegedly’ in that at least once and preferably several times please? – Legal Ed]
Right, you know who this week’s instalment of The Chain is missing? George, that’s who. Up you step, George:
“From Thomas (Dolby) to the diminutive Tommy, which could lead to any number of tracks from a double by The Who, but won’t, but does lead to Eric Clapton who performed Eyesight to the Blind in the film Tommy (I went with my mum to see that film).. Sonny Boy Williams (the second one) does the original”
I’m assuming it’s the original version that you want:
Now, remember earlier that Jules revealed that he only ever posts when in the pub? Here’s another one from him, which he submitted after I had asked what on earth he was dribbling on about in two of his other suggestions (one of which i still don’t understand):
“St Thomas supported Lambchop at the Wedgewood Rooms in Portsmouth some years back, as the encore started we had to go to get the last ferry home. And the song a cover of The Stranglers “(Get a) Grip (of Yourself)’.”
Some admin, from me: the St Thomas referred to does not imply that Thomas Dolby has received some kind ecclesiastical sanctity; it is the performing name of one Thomas Hansen. Also, the cover isn’t by St Thomas, it’s by Lambchop, a live version of which appears on their “Rainer on my Parade” album, but I’m posting the studio version.
Some admin from Jules: “This [choice] is not a reference to my previous ‘I’m a Wanker’ suggestion.”
Two more categories to go now, and unsurprisingly, many of you linked to Thomas Dolby’s surname, and the technical side of sound reproduction.
I’ll let Martin explain:
“Dolby, as anyone of a certain vintage (i.e. all of us) knows, is the de facto tape hiss reduction technology. Dolby-B was most common. Dolby-C less so – better hiss reduction but too much loss of treble. Dolby-S came knocking just as tape succumbed to burning your own CDs instead, but it was brilliant! Especially if recording on a good quality metal tape (TDK MA90 or, better still, Sony Metal-XR)… sorry, turning into a hi-fi geek. The suggestion. So for me, Dolby makes me think “S” and hence, unfortunately, S-Express and ‘Theme From S-Express’. Not something I’m desperate to hear again…”
Long-term readers will know that some time ago I ran a very short-lived thread about the samples used on certain records, and ran one post which looked at exactly this tune. You can read it again here (not sure if the links are still active, let me know if not).
Before we go any further, a suggestion of a different sort. As mentioned earlier, one of the rules here is that we don’t play the same tune twice (unless the first time it was played it was because it featuring in The Official Chain, rather than being suggested by one of us). When you leave your Comment/Suggestion, you should have the option of ticking a little box which lets you know if anyone replies to your Comment – please tick this, for in the event of me being unable to source the song, or in case I need you to clarify your suggestion, or, as happened here, you suggested something that had already featured, it makes it a lot easier for me to get in touch with you. Thanks.
So, back to Rigid Digit:
“Spinal Tap reference time:
When discussing the failure of their new album (‘Smell The Glove’), Jeanine Pettibone (David St Hubbins’ girlfriend) stated that the problem with the album was that “You can’t do Heavy Metal in DOBLY”
Suggested track: ‘Stonehenge’.”
Which we’ve had before (#32). So, in the absence of a response from Rigid to my request for an alternative suggestion, I’ve, er, plumped for this one:
A joint suggestion now, for The Swede of Unthought of, though, somehow nominated a tune that was on my not-so-shortlist, which he very graciously said he’d step aside and let me nominate. However, a better idea, I think is if we jointly suggest this and then both have another go at a snake related tune.
Over to you then, Swede:
“As George so rightly pointed out the Dolby system was developed in part to reduce tape hiss. Another thing that hisses is of course a snake, so let’s have ‘The Snake’ by Al Wilson.”
Nope, that’s not the worst record of the week either.
Some of you knew that Thomas Dolby was heavily involved in the development of ringtones; Rigid Digit says that he “…invented the Nokia Ring Tone (cue oversized mobile phone a la Trigger Happy TV: “HELLO!, I’m on the Internet. It’s very boring (mostly, but there are some places worth visiting – honest!)”
In case the reference to oversized mobile phones means nothing to you, Rigid refers to this:
..which prompted babylotti to pipe up:
“You’d almost want to go with Mario Piu’s Library there, it samples Dom Joly’s favourite phrase.”
Quite an uninspring bit of cover art, that, isn’t it. Let me see if I can find a more appropriate library related picture…
Ah yes, this seems about right:
Anyway, where were we? Ringtones, that’s where. And here’s Alex G from We Will Have Salad with, without even the merest shadow of a doubt, the Worst Recod of the Week, by a country mile:
“Thomas Dolby went on to basically invent polyphonic ringtones. I therefore suggest this week’s worst record, ‘Axel F’ by Crazy Frog, on the grounds that it’s Thomas Dolby’s fault. I dimly recall there were some further, possibly even worse, follow-ups, but I think Axel F will suffice to remind us of the evil that Thomas Dolby has visited upon the world. His crimes must never be forgotten.”
It’s alright for you lot, you don’t have to listen to it, like I do when I check the copy I *ahem* aquired is clear and has uploaded okay.
Crazy Frog – Axel F
I once berated a guy I worked with for having that as his ringtone.
As I mentioned when Alex posted that, the one redeeming feature of that record is, if my memory serves, that it stopped Coldplay from getting their first ever number one single.
“Thomas Dolby had the look of a mad scientist and indeed did ‘She Blinded Me With Science’. So, ‘The Scientist’ please – not the Coldplay original but rather the Willie Nelson cover. If you can only find the original please don’t bother.”
Always a pleasure to deny Coldplay twice in one post.
Just two more suggestions to go now; penultimately, back to The Robster:
“The quirky scientist Dr Magnus Pyke guested on another of Thomas Dolby’s hits ‘She Blinded Me With Science’. In his Wikipedia entry, it claims one of the many books he’s written is ‘Tricky and Portishead and Other Stonehead Bristol Sounds of the Future.’ I have seen references of this come up occasionally in other places, but have never actually managed to track down any credible suggestion that such a book even exists. However, it’s a fantastic thought that Dr Pyke would have written such a thing, so I’m also going to suggest some things links with my other suggestion: Tricky’s cover of XTC’s ‘Dear God’.”
Which would be where we’d leave it, but one last peek into the pub to see what Jules has been up to leads to something about him being too old to be in a fight, about Donald Trump, an admission that the one suggestion I still don’t follow “…still makes not a lot sense…”, that I should “…ignore previous drunken ramblings…” and most pertinently that “…I needed some Billy Bragg…”
So, as a one off, while I’m not at all sure how this links to the source record, I’ll assume that somewhere there is a link buried deep in Jules inner psyche, play it, and leave it at that. It is rather fine, as relevant today as when Woody Guthrie first penned the lyrics:
Here’s some Bonus Points for The Great Gog for proving Meat Loaf right when he sang “Two Out of Three Ain’t Bad”.
And here’s a request for your suggestions for songs which link to “Bonny” by Prefab Sprout, along with a brief description of the link, via the Comments Section down below, in time for next Sunday’s edition (by which I mean, by Saturday night, please!)
And we’re back! Back! BACK!! (obligatory Smash Hits reference for you there.)
Here we go with another dose of interactive blogging; you all know how this works by now, so we’ll crack straight on.
Last…erm…time, we left you with “C30 C60 C90” by Bow Wow Wow and the usual plea for your suggestions for songs that can be linked to that tune.
Younger readers may not know what the C30 etc in that title stands for, so allow me to explain in a slightly patronising tone.
Many years ago, music as we know it today did not exist. MP3s was the name of a robot from Star Wars (probably); the term “streaming” meant that water, or some other liquid, was flooding out of something.
Back in those dark days, us old timers listened to music via the radio, (sometimes referred to as the wireless, but let’s not go there or things will get really complicated), or cassette tapes. These could either be purchased pre-recorded, or blank, onto which we would record the vinyl records (some naughty people recorded songs from the radio, which is definitely not okay, as we will find out), and these cassette tapes were then played on cassette players or, later, on portable devices called a Walkman. The length of the blank tape varied, and the 30 signified you could record thirty minutes of music onto it, the 60 held sixty minutes, and so on.
I mention all of this to save any puzzled looks when we start going through the suggestions, for many of them refer to that medium of music presentation.
“C30 C60 C90 refers to taped music [okay, you’ve put that a lot more succinctly than I just did…] – you can tape to tape and in days gone by this would be in the form to reel to reel tapes. So Reel to Reel by Simple Minds from when they were good please.”
“From when they were good”, eh? Well, that certainly narrows things down quite a bit:
That Mad Stuntman, he really was quite mad, wasn’t he? Textbook lunacy, there. Lovely stuff.
Over to Rigid Digit from Stuff & Nonsense who ventures: “Can I get away with 3 suggestions in one comment?” You can, but I will of course break them up into three separate suggestions and post them all out of sequence and context.
“1) C30, C60, C90 – all variants of the most portable music delivery method [Can you all stop putting that more succinctly than I did please?] Now all you need is something to play them on whilst on the move. Aah .. the Walkman – which leads (in my mind) to a roller-skating Cliff Richard in the video for Wired For Sound.”
It’s the stuff of dreams, if you’ve eaten far too much cheese before bedtime, that video:
That bit when he’s driving…does it remind you of anyone….?
May not make the midnight deadline now, as I have literally just watched that about ten times.
Anyway here, for anyone who may want to listen to it and be reminded of all that lycra again, is the single:
“I remember well dancing to Go Wild In The Country by Bow Wow Wow back in the day (Mr WIAA,A?’s predecessor and I used to do a bit of show-dancing to that one) but another song about being In The Country (but not being wild) was by Sir Cliff & The Shadows back in 1966. Sir Cliff is also a great tennis fan and although this is tenuous, Annabel Croft was our British female no. 1 for a while and the lead singer with Bow Wow Wow was also called Annabel(la) so a double link.”
They’re a band that have managed to pretty much pass me by, are Tapes ‘n Tapes. I remember reading about them, but never actually hearing anything by them. I think I was put off by the missing apostrophe from the other side of ‘n. Time for me to investigate some more, I think.
“C30, C60 & C90 were all commercially available cassette tape lengths [Ahem…! What did I just say….?] (as was C120, but who used those?) [Erm….] and the Bow Wow Wow song in question was the first ever cassette single. Pete Murphy of Bauhaus famously appeared in a TV advert for Maxell cassette tapes, so I’ll go for ‘Bela Lugosi’s Dead’”
Brace yourself now, as we are about to step into the nerdy world of which cassette tape was our weapon of choice back in the day. Welcome back, Alyson:
“The tapes of choice for me were usually made by Philips which was a Dutch company and 2 Unlimited were Dutch…… Oh no, did that link last week time.
Include another L in Philips and you have the surname of half of the members of The Mamas & the Papas and I don’t know about you but “All the leaves are brown and the sky is grey, I’ve been for a walk on a winter’s day, I’d be safe and warm if I was in L.A., California dreamin’ on such a winter’s day.” Yes it’s a bit of California Dreamin’ from me.”
And here’s Dirk from Sexyloser to chuck his thoughts on the matter in:
“For me it always had to be BASF cassettes, they really were the best. Although, somehow, they smelled rather disgusting, strangely enough ….”
They say the olfactory sense is the most powerful in terms of invoking childhood memories, so let’s see what that little sniff and scratch session has brought back to Dirk’s mind:
“I was thinking about other famous people with a nice mohawk (‘cos that’s what always impressed me mightily when looking at Annabella [of Bow Wow Wow] back then … that and her figure, of course … I always thought she was smoking hot! Still admire her today, to be brutally honest! Perhaps I should be careful these days when saying such things, bearing in mind she was only 13 or 14 when the first singles came out, and I don’t want to end up being the one with the paedophiliac stamp in future posts of The Chain! Then again she’s two years older than me, but does this fact legalize my continiuing adoration? Interesting subject, once you think about it …”
You do realise you’re talking out loud, don’t you Dirk? Reign it in, old chap.
But before you do, here’s Martin to add a little background to Dirk’s ramblings:
“Annabella Lwin of Bow Wow Wow was famously photographed for the album sleeve art with not too many clothes on, despite being a minor. Cue tabloid frenzy and a visit from Scotland Yard for Malcolm McLaren. And on that basis, I’ll make my suggestion, an ode to being sure she’s old enough…”
Back to Dirk, who hopefully has had time to have a cold shower. Dirk, fancy picking up where you left off, and maybe coming up with something which not only links to the subject record, but also to Martin’s suggestion?
“Famous people with a mohawk are Mr. T out of the A-Team of course, but also Robert de Niro as Travis Bickle in ‘Taxi Driver’, which gives me a fine opportunity to annoy George (again) and link to The Clash and ‘Red Angel Dragnet’ [because it features several lines of dialogue lifted from the film]“
Back to SWC now, with his second choice, and his second choice by someone who has passed me by, mostly because I’ve always viewed him as a Billy Bragg wannabe, which isn’t necessarily a bad thing, but we’ve already got one Billy Bragg, so…
Anyway, having listened to this, I may have to reassess.
We’re almost at the end of the Tape links, here’s Dirk with one more, no build-up, no pre-amble, just introduced by the words: “Clever, eh? But this happens when you remember every old shit no-one else knew all along!):
“One of the best uses of tape in a promo video was of course in “America What Time Is Love?” By The KLF.”
It took me ages to work out what he meant. See if you can spot the reference:
Jules will be back shortly with some actual suggestions. Some of which I may even allow.
I haven’t suggested anything for a while. Feeling a bit left out actually. So how about I wrap up the Tape section with one of mine?
Every now and then, post The Chain, I get an email from George, telling me how much he loves a song that I’ve posted. They are always the songs that I least expect him to like, which is a mark of the man. George, I mention this because, going off some of the previous ones you’ve told me you enjoyed, you’ll love this, if you don’t know it already (though I would imagine you do).
Tidying off the tape section with another Reel song, here’s The Chemical Brothers:
Oh and George: next time you email me, there’s no need to attach the video clip of you dancing round your kitchen. But if you must, please can you be wearing some trousers next time? Or at least some underwear. Thank you.
Okay, before we move on to the next batch of links, a couple of random ones. First up, is Alex G from We Will Have Salad:
“Let’s play Chain Letters! Take Bow Wow Wow, change a letter, and you get Bow Wow Now, which is a song by Dubstar”
Quite a short game, really, that, wasn’t it? I suggest you work on a second draft before submitting it to one of the major TV channels. Although, stick the word ‘Celebrity’ at the start of it, and Channel 5 would probably be interested in it right now:
One of the other recurring themes that came up after last week’s time’s source record, was home taping, the hobby/habit/thriftiness/call it what you will that so many of us of a certain age indulged in in our youth, sitting hunched and “hovering over the Pause & Record buttons on your knackered old tape recorder when the Top 40 was on a Sunday evening…cursing when you accidentally taped even the briefest snippet of Bruno Brookes…” as I once described it elsewhere on these pages.
This was known as piracy, which led two of the Chain Gang to come up with suggestions.
“One thing immediately comes to mind, and it’s a double-linker! C30, C60, C90 Go! was a song about taping music off the radio – music piracy. The pirate skull and crossbones flag was called the Jolly Roger. Bow Wow Wow consisted of ex-members of Adam And The Ants, also formerly managed by McLaren. Adam banded together a new bunch of Ants and modelled himself as some kind of glam-punk pirate, recording a song called ‘Jolly Roger’ on the album ‘Kings of The Wild Frontier’.”
And then came The Great Gog, who I am used to receiving a suggestion from at around 3am the morning after I post The Chain. This time, he has a rather unique way of coming up with a suggestion:
“Like Robster, I started thinking of piracy, in particular the old cassette and crossbones logo that used to adorn many an album cover back in the early eighties. “Home Taping Is Killing Music – And It’s Illegal”, that one. This set me wondering how quickly I’d find one of these if I were to randomly pull out a few records from my vinyl collection. Around a minute or so as it turned out. The Psychedelic Furs’ eponymous debut LP was the album in question. Did any particular track lend itself to The Chain? Well, much home taping was done from the good old wireless, so a case could be made for “Blacks/Radio”. Of course, I’m now wide awake listening to said album through headphones when I should be sleeping like the more sensible members of my family…”
Mention of the ‘Home Taping is Killing Music’ campaign reminded me of this alternate logo, which always made me chuckle, and which at least one other blogger used to use on their website. Can’t remember who, suspect it may have been Dirk, but wouldn’t want to swear to it:
I had that made up into a couple of t-shirts (for myself), so I probably owe somebody something for that blatant copyright breach. Ah well. Join the queue.
Anyway, where was I? Ah yes, the Home Taping is Killing Music thing. Here’s Rigid Digit with the second of his suggestions:
“2) Fuelling the Home Taping Is Killing Music campaign, the cassette single of C30, C60, C90 … Go had a blank side – this also led to the band parting company with EMI. The logo was used in the back of Venom’s Black Metal album with the words ‘Home Taping Is Killing Music… So are Venom’…Venom have a place in my ears, but if I’m honest, they really aren’t that great…”
Don’t start backing down before we’ve even played it, Rigid!
So, here’s some words I never thought I’d type. Ladies and Gentleman, I give you Venom:
It won’t have escaped your attention that musically that’s based on this:
My two favourite bits on that song are when Cyndi Lauper comes on and kicks some ass (vocally), and (long term readers and friends, forgive me for making this joke yet again), the bit where Bob Dylan does his impression of Cartman from South Park.
But I digress, yet again.
Having allowed Rigid’s three suggestions to appear almost uninterrupted and in sequence, I’m going to break with tradition and allow the same thing to happen with babylotti’s.
But first, round our way, whenever someone name drops, we tend to shout the word “Clang!” It is often bawled at me when I start regaling people with stories of all the bands and comedians, some on the way up, some on the way down, some going absolutely no further, that I worked with, albeit usually only for one night, back at the end of the 1980s/start of the 1990s. I mention this now, apropos of nothing.
Over to you, babylotti:
“Being from Coventry the thought of bootleg tapes immediately brings to mind my first serious music love, Ska. Or Two Tone Ska as it’s become known as. So my first suggestion is Gangsters by The Specials with the line ‘Why must you record all my phone calls…’ [I’ve had the privilege of playing as drummer with several members of the band since]…”
“…My next suggestion is staying with the same scene & to suggest The Selecter & On my radio, the 1991 version is better IMO. And I’m proud to say I actually deputised as their keyboard player for one gig, a very happy moment!”
To the dogs! And one from me, from an album that I’ve had for a while, but never really given it much of a chance; not sure why, probably partly because I’d not been fussed about their last one, partly because with Hooky gone I didn’t think they’d sound anywhere near as good, despite the decent reviews the album got.
But then the other night, the Iggy Pop growled his way out of my speakers on a tune I didn’t recognise. This one:
When we were kids, although I have no recollection of my brother going to stay in Germany (and I know I definitely didn’t, I tend to remember that kind of stuff), we played host for a couple of weeks to a German exchange student by the name of Ralph. And of course, part of the task of having a foreign exchange student is to teach them about the British way of life, sample our culture, teach a little history even.
It was only years later that it occurred to me that perhaps there were less inappropriate, more tactful places of interest that we could have taken a young German lad, away from his family for the first time, than the Duxford Imperial War Museum, which has, amongst many other things, a permanent Battle of Britain exhibition.
Second Ralph story isn’t really a story, but everyone who knows me knows that having featured a song by Ralph McTell, I simply cannot resist posting this:
Over to Jules, again, who is now in full on pun mood:
“Been feeling a bit ruff lately so I thought I was barking up the wrong tree with the cassette link until I did my sums
I don’t know if this particular story crossed your radar a couple of years ago, but it’s a prime example of why television interviewers, like barristers, should never ask a question that they don’t already know the answer to. Especially when you’re interviewing a Welsh farmer who has recently met Mr Dogg, and who drops da bomb at around 01:18 on this clip:
Here’s Jules with…a less successful suggestion:
“Oh! As mentioned many times Bow Wow Wow lead’s to dogs which are canine….. Sounds like K9 to me the robot dog in Dr Who
Put all the ingredients [including the earlier KLF reference] into the blender and simmer for a while and one gets
The Timelords’ ‘Doctorin’ The House’.”
Apologies Jules, but I can’t allow that one as it’s featured on The Chain before (The Chain #28, to be precise, before you started frequenting these pages, I think), and is therefore now off limits.
When I get time, I’ll set up a page listing everything we’ve posted here so far. Might take me a little while as we’re fast approaching the 800 mark, mind, but it will happen sooner or later, as I do hate having to disqualify a perfectly good suggestion on these grounds.
So, we’ve done dogs, but what about dog noises?
“Bow Wow Wow is the noise a dog makes, as described by a child… who might describe said dog as a doggy… hence:
“Twee but terrible,” he continues, before going on to suggest what is unquestionably the Worst Record of The Week. “So how about the noise that dog makes? In which case, “Ruff Mix” by Wonderdog, in which sampled barks are used for lyrics?
“Fascinating (debatable) fact,” Martin adds, “the human voice of Wonderdog, in promo appearances, was none other than Simon Cowell in a dog suit – mindboggling and depressing in equal measure. Also twee but terrible.”
If only he’d stayed there, eh readers?
Two songs to go, and it’s at this point that I suddenly realise I haven’t sorted out the next song in The Official Chain which we’re all trying to either guess, or better. Bit of an oversight by me that.
I’ll leave you in Rol’s capable hands whilst I sort that out. Rol, it’s all yours, and try to pad it out a bit, will you?
“If you want a link that requires (a little) explanation, then…Bow Wow Wow is the sound of a dog barking, so…”
Before we have the final record, can I just say that all that up there that you’ve just read, that’s why I love doing this, and that’s why I don’t want to introduce any maximum suggestions per person. For where else would you hear Bauhaus, Snoop Dogg, The Pooh Sticks, Wonder Dog and King Crimson in the same post, other than here at The Chain?
Apart from on Charles Manson’s record player, of course.
So, to the official tune, and some of you got within a whisker of the link, if not the actual tune:
“C30/C60/C90 – types of cassettes. Cassettes were made by Dolby…”
So, your suggestions please, via the Comments section below, for records that you can link to Thomas Dolby’s “Hyperactive!”, along with your explanation on the links you propose.
And don’t forget, we’re moving to Sunday as of next post, so the next edition of The Chain will be with you the first weekend in February. Feel free to make your submissions as early as you like though.
Is it Wednesday again already? Where did that week go?
Right, we’ve got the biggest number of suggestions to get through that we’ve ever had this week, and that’s without any from a couple of regular Chain Gangers, so there’s no time for pleasantries this week, bar a courteous “Hello!” (Also, I’m feeling a little under the weather today, so please excuse me if there are less attempts at jokes than usual this week…)
Still, the show must go on, and all that.
We signed off last week with “The Ballad of Peter Pumpkinhead” by XTC, inviting your usual wide-ranging nominations for tunes that link to it, and I can’t think of a batter way to kick things off this week than with one of The Beard’s suggestions:
“The Ballad of Peter Pumpkinhead was released in 1992. Also released in 1992 was the album Connected by Stereo MCs. That year they supported Happy Mondays on their Yes Please! tour. Yes Please! is a genuinely appalling album and one that appeared to mark the end of Shaun Ryder as a lyricist and a poet comparable to Yeats (in the mind of Anthony H. Wilson, anyway). That was until he came back with Black Grape and the single Reverend Black Grape a few years later.”
“My first thought was that the XTC sleeve looked familiar, but I know that I didn’t buy ‘Peter Pumpkinhead’ as a single, only acquiring later on a compilation. A quick look through the vinyl singles revealed another XTC sleeve in that style for The Disappointed, which I presume was on the same album [it was, on “Nonsuch”]. This immediately brought to mind a couple of other singles I possess called Disappointed – one by Public Image Limited…”
Now, when I say the Morrissey song leads us nicely to Bob the Builder, it’s because Bob is of course voiced by actor Neil Morrissey, and not because anyone other than the aforementioned Spud has a head shaped like a pumpkin.
“Frank Sidebottom didn’t have a pumpkinhead, but it was the size of a pumpkin. His cover of Panic is always worth a spin, but as it’s that time of year, you may want to consider something from the Christmas Is Really Fantastic EP which came out 30 whole years ago! Blimey…”
By the way, apologies for the absolute bobbins way that mp3 ends; I didn’t notice until earlier today that it cuts out mid-conversation between Frank and Little Frank, and, erm, frankly I haven’t had time to re-edit it.
Anyway, we seem to be in the middle of some pumpkin related shenanigans, so here to add to the mix is a couple of suggestions from SWC, also of When You Can’t Remember Anything:
“If you need a Pumpkin reference [as it happens, I thought we would, but we’ve done alright, ta!], then we could go towards ‘Pumpkin’ by Tricky…”
And here’s another. Remember Kate Nash? You know, her with that really annoying voice that sounded like she was affecting an Essex accent, had a massive hit with “Foundations” a few years back? Yeh, you do. Well, anyway, here’s one of her follow-up singles:
I have no idea why that song is so named. I can’t help but suspect it’s one of those “Yesterday/Scrambled Eggs” scenarios, except she didn’t bother changing it.
Time for a big Chain Gang welcome to a new (I think…) contributor, and here with a couple of belters is Julian, the first of which is a double-linker, since it mentions not only pumpkins but also ballads:
“Murder Ballads by Nick Cave & The Bad Seedshas the song The Curse Of Millhaven, a line in which refers to two dog killers as ‘Stinky Bohoon and his friend with the pumpkin sized head’…”
Sorry, George, I had no idea he was going to do that, honest….
Anyway, since we seemed to have strayed into Ballad territory, we may as well have some more. Welcome, then, Charity Chic from Charity Chic Music:
“I shall redeem myself with my second thought – ‘The Ballad of El Goodo’ by Big Star.”
Yes, I know I haven’t posted his first suggestion yet, do I need to post the whole Dr Who, Timey-Wimey clip again? I’ll get to it. Besides, this now adds a whole element as to whether or not CC’s second suggestion really is going to be better than his first, don’t ya think?
“I remembered My Top Ten Ballads Of… which I did ages ago (I can’t be bothered looking for a link, I’m not after a cheap plug this week!) Ahead of the aforementioned Peter Pumpkinhead [and another one which will be along in a minute or two] was ‘The Ballad of Barry Allen’ by Jim’s Big Ego, which is about the fleet-footed superhero The Flash and, curiously enough, written and performed by Jim Infantino, the nephew of comic book artist Carmine Infantino who used to draw said superhero quite a lot back in the comics I read when I was a younger, more affluent person.”
“I tend to submit only one suggestion per week as realise you must be pretty overloaded nowadays [yeh, a little, but I’ll survive!] …but three that came to mind immediately – if any of them seem worthy of including, or have a gag in them, take your pick.”
This, then was the third: “…Marianne Faithful, who tends to be remembered less for her music as for “other things” but there you go”:
Gags? I have no idea what you mean. Nor do I have any idea what those “other things are” that you refer to.
Oh, I see.
Moving swiftly on, here’s Martin from New Amusements, back for his second week of Chain Gangery:
“My first reaction was to pick up on the ballad, and go with ‘The Ballad of Tom Jones’, by Space and Cerys Matthews. However, much as I sometimes love Cerys, I felt determined to come up with a better song than this….”
Back over to Rol, who’s still banging on about the Ballad Top 10 he did over at his place, but which he definitely isn’t after a cheap plug for, nosireebob. (It’s right here if you want to have a look. Needless to say, there’s some belters)
“At #2 was Martin’s Tom Jones.
#1 was something really rather special.
‘The Ballad of the Kingsmen’ by Todd Snider. It’s Louie Louie-tastic.”
babylotti continues: “The video (apart from having several ladies in a state of undress) is one of those ones which stops the song halfway through, which leads me onto my next suggestion, the magnificent Bizarre Love Triangle by New Order (You’re a real ‘up’ person..) surely the best song they ever wrote?”
I’m not arguing.
babylotti is right, The Bloodhound Gang video does stop halfway through (as their bass player wanders off stage, his eye caught by one of these ladies). I have watched it, so that you don’t have to, just to check the link is valid. You know, purely for research purposes. Seven times.
In case you’re not sure what babylotti is talking about re:Bizarre Love Triangle, this from wiki:
“The music video, which was released in November 1986, was directed by American artist Robert Longo. It prominently featured shots of a man and a woman in business suits flying through the air as though propelled by trampolines; this is based directly on Longo’s “Men in the Cities” series of lithographs. The video also features a black and white cut-scene where Jodi Long and E. Max Frye are arguing about reincarnation, in which Long emphatically declares “I don’t believe in reincarnation because I refuse to come back as a bug or as a rabbit!” Frye responds, “You know, you’re a real ‘up’ person,” before the song resumes.”
Some of you, and I won’t be asking for a show of hands, will perhaps not be familiar with Chasey Lain, so I’ll let babylotti wrap things up, as he seems to know who she is:
“My last suggestion, as Chasey Lain is a porn star, I would like to suggest another porn star who went on to make a record (no, not Paris Hilton, though surely that would have made worst single of the week….), ‘Fallen Angel’ by Traci Lords”
Now, a few moments ago, babylotti made reference to the Worst Record of the Week, and surprisingly, in a week where we’ve already mentioned Bob the Builder, there were very few of these this week. Few, but not none.
Step forwards SWC:
“The Ballad of Peter Pumpkinhead takes us to A recent poll in a magazine in which ‘More Than Words’ by impossibly awful hair bear band Xtreme was voted as the ‘worst ballad of all time’. This was a song that was my sisters first dance at her wedding and a song on a cassette that I once reversed my car over around 19 times.”
A small admin point here: I’m taking the link to be bands whose names start with an X? In which case, sorry to break the news, but they were called Extreme, not Xtreme. But, under the weather as I may be, Spurs have just managed to finally win a game in the Champions League (better late than never, eh?), so I’m feeling magnanimous and I’ll let it slide this time:
Of course, it’d be sacrilege for me to post that and not also post this:
And whilst we’re on out-dated sounding bands from the 70s, here’s a suggestion from George:
“Right. Worst record of the week. Here goes. Also from Swindon was Diana Dors, who was married to Alan Lake, leading to Emerson Lake and Palmer and a record I bought for a pound (and was described to me in the record shop as a terrible record, and they were right) Pictures At An Exhibition, and side 1 track 2 The Gnome. Complete and utter tripe.”
Over to Kuttowski from A Few Good Times in My Life. As you will see shortly – and this is my introducing yet another element of suspense – I have had to disqualify his first suggestion. Until the moment of that big reveal, though:
“Far back in time, when punk ruled my life for a bit I was addicted to Peter and the Test Tube Babies. Fast, mean and straight was the main things they gave me at these times. So I would like to suggest their ‘Banned From The Pubs’.”
I’m not surprised they were banned from pubs. Test Tube Babies are way under age, even if they are accompanied by a consenting adult.
Time to head over to Muso Corner and see what some of our regulars have rustled up for us this week.
Here’s Martin again: “Andy Partridge of XTC was originally going to produce Blur’s ‘Modern Life Is Rubbish’ but, at the label’s insistence, was subbed, and Stephen Street was drafted in like an indie supply teacher. Cue career-redefining album and the salvation of the band. All of which is my excuse for pitching Colin Zeal by Blur, from ‘Modern Life’ …”
Well pitched sir. You’ll be on the creative team on The Apprentice in no time!
“‘Peter Pumpkinhead’ was produced by the late Gus Dudgeon, most famous for twiddling the knobs on many of Sir Reginald of Pinner’s greatest hits, though also among his credits are two albums by The Bonzo Dog Band (post Doo-Dah). From the second of these, ‘Tadpoles’, I’d like to suggest ‘Canyons of Your Mind’.”
“(There’s a rather splendid TV performance of the song on YouTube if you’re looking for a video to post this week.)” The Swede rather helpfully suggests. Well, I wasn’t, but since I think the clip you’re referring to is actually where I know the song from, it would be churlish of me not to:
Back now to SWC, with “a proper suggestion”. And when he says, “a proper suggestion” he means “a proper suggestion”:
“If I remember this song correctly it had a dodgy reference in it to crucifixion – something about being nailed to a chunk of wood…?”
You do remember correctly; in fact it goes:
“Peter Pumpkinhead was too good
Had him nailed to a chunk of wood
He died grinning on live TV
Hanging there he looked a lot like you
And an awful lot like me!”
“So the obvious link to that is ‘Reverence’ by the Jesus and Mary Chain.”
“I’m only hoping,” winds up SWC, “that the real link is nothing to do with Crash Test Dummies.”
I’m not sure I understand that reference. Still, with a bit of luck, someone will explain it to me soon enough.
Here’s Alex G again:
“‘The Ballad Of Peter Pumpkinhead’ was later a minor hit for Crash Test Dummies via the soundtrack of ‘Dumb and Dumber’ [Oh, I see! Thanks!]. So going with the link of “original recordings of songs subjected to ‘quirky’ cover versions on the Dumb and Dumber soundtrack”, I would like to suggest “Get Ready” by The Temptations.”
Penned by Smokey Robinson when he was still called William, and covered by The Proclaimers of all people on the above named soundtrack, I think that may be my favourite record of the week. It’s certainly my “Best Dressed for a Single Sleeve” winner of the week.
Time for more Dumb and Dumber relayed madness from Rigid Digit of Stuff & Nonsense:
“As mentioned above, covered by Crash Test Dummies for the ‘Dumb and Dumber’ soundtrack, Crash Test Dummies are best known for going “Mmm!” a lot. That single was a huge seller (and after a while hugely annoying). The parent album (God Shuffled His Feet) is worth a listen, as is the follow-up single ‘Afternoons and Coffeespoons'”
Maybe time has dulled it’s ability to irritate, but I listened to “Mmm Mmm Mmm Mmm” after you mentioned it, first time I’d heard it in years, and it wasn’t as bad as I recalled. It’s his voice that’s really annoying, I think. Still, I don’t know anything else by them, so let’s have a listen and see if he’s always like that:
That was the B-side to their smash “Unbelievable” single, and I remember there being quite the furore in some of the red-tops when they flipped the record over and found out what EMF stands for. Other interesting facts: one of the band (Derry…?) used to have a party trick where he inserted a whole orange under his foreskin. That’s not the sort of party I ever want to be invited to, thank you very much.
Still, more fine E related skull-doggery is afoot, with this suggestion from Swiss Adam from Bagging Area, which wins my “Oh, Is That What That Tune’s Called!!” Award of the Week:
“XTC, as several people have pointed out, is also a name of a popular rave drug. It is chanted throughout Joey Beltram’s monstrously good Energy Flash.”
Now, earlier on, I mentioned that I had to disqualify a suggestion by Kuttowski, this one to be precise:
“XTC were an art-rock band from Swindon and were much more as the average in these days. So it would great to listen to their Making Plans For Nigel once again.”
I don’t disagree, but here at The Chain we need a link to be more than just “X band also did X song”, the suggestion needs to be more than that.
But, I’ll tell you what, how about I give you a tune which has the music from “Making Plans” but something else over the top if it? I’m talking, of course, about one of them there “mash-ups”; as a whole I’m not a great fan of the genre – yes, they’re often very clever but equally often the producer over eggs it, assumes the listener needs it explaining, and includes the vocal from the backing track when it really isn’t required, spoiling it.
This is one of the better ones, mixing Tweet featuring Missy Elliott’s “Oops (Oh My)” with the aforementioned XTC tune. Give it a listen:
You thought we’d finished with the pumpkin related tunes a while ago, didn’t you? Well, as it happens, we haven’t, I was saving a couple back.
Here’s George again:
“A pumpkin is a member of the squash family, and in the 1970s there was a squash player called Jonah Barrington (who stormed out of Superstars for some reason ,but I might be wrong there), and Barrington Levy is a reggae artist, so I suggest his diddly-diddly-wah-hoo song ‘Here I Come’.”
Time to tie up one more loose end now, and it’s back to Charity Chic, who you will recall is due to post a record worse than Big Star’s “The Ballad of El Goodo”, which really shouldn’t prove too difficult:
“XTC to Andy Partridge to the Partridge Family to David Cassidy and Daydreamer.”
Since we’re on Partridges – and I know you’re expecting me to post a video clip to a bit of Alan Partridge, but I’m not going to -here’s something seasonal from The Great Gog:
“Now it’s December, there is a well-known song that features the word partridge rather a lot. My favourite version of this tune actually DOESN’T contain the word partridge, and despite many listens over the years, I do still find it mildly amusing – The Twelve Days Of Christmas by Bill Barclay.”
Ok then, to round things up, here’s a wee message from Andy Partridge himself, which I picked up on one of those “Late Night Tales” compilations a few years ago, this one compiled by Helmut, and it seems rather apt:
It’s a very special Friday Night Music Club this week for two reasons: firstly, in the UK it’s Easter Weekend, so a long weekend (No work til Tuesday!); secondly, as I mentioned in last week’s post, I’m going to see Underworld tonight.
In my younger days, I was always quite resistant to dance music. If a tune didn’t have guitars on it, I wasn’t interested.
But over the years, my resistance got chipped away, and so I thought tonight I’d play you a selection of dance tunes which were milestones for me.
So, first up is a stone-cold classic, the biggest selling 12″ of all time:
Now I wish I could say that I bought this when it first came out. Well, I could say that, but it’d be a big fat whopping lie. In 1983, I had no idea who Joy Division were, or that New Order had risen from their ashes, but I did see the now legendary appearance on Top of The Pops where they insisted on playing Blue Monday live, and after which, famously, the single went down in the charts.
In 1988 I went away to college, and by 1989 I was DJing the Indie Night every other Tuesday. The night was, frankly, dieing on its arse. Some weeks we were lucky to get 20 people through the door. And then three things happened:
Rave culture kicked in
Closely followed by “Madchester”
A load of Indie bands that I liked suddenly started messing around with dance beats and getting their records remixed by respected DJs.
And so suddenly, we were able to play all of these great records (not the rave ones, though) at our little Indie Night and so for a very short while these records moved centre stage and we had our finger right on the pulse.
Did you manage to get the “Oh Yeah!” bit in the right place? I always feel so chuffed when I do. The simple pleasures that life brings, eh? Pathetic really.
One Tuesday night, a couple of lads from Nottingham, decked out in hooded tops and flared jeans, pressed their faces up against the shatterproof glass which surrounded the DJ booth in the Students Union and mouthed “Got any Mondays?” at me. I hadn’t (my finger wasn’t quite on the pulse at this point, more tapping to see if I could find a good vein) but said if they wanted to bring some in I’d be happy to play it. 10 minutes later, after they had bombed back to their flat to collect, I had the next record held in my hands. The title intrigued me. I played it. The dance floor didn’t exactly fill, but quite a few joined the two lads Daints and Peetey (the former of which I would form a band with shortly afterwards) as they started to frug away in what I learned sooner after was a fair approximation of Bez:
Many years later, when I had finally started going to club nights, we went to see Jon Carter play in The Emporium in Cardiff. I remember I was just leaving the dancefloor when the vocal part of “24 Hour Party People” kicked in and I found myself scrabbling to get back to the dance floor sharpish. One of the biggest, non-checmically induced, rushes I ever had.
There was another band who ditched their early sound to start producing records which were neither Rave nor Madchester, a band I loved when they were Grebo, and loved even more when they started messing around with loops and samples. This is one of their last singles, probably one of my favourites, which always takes me back to a basement indie club in Cardiff called G.W.’s that Daints and I often frequented after we’d left college:
The success in reviving the Indie Night, for which I naturally took all the credit, led to me being asked to co-DJ the Saturday night slot with a lad who we nick-named Dave Doubledecks on account of him running his own mobile DJ outfit, but whose name was actually Phil. This night exposed me to a great many other dance records which were by now, circa 1990, the main staple of the UK Charts, and there were some that, much as I absolutely no way on earth would have admitted to liking at the time, I secretly did, and love to this day. I make no apologies for their inclusion here. So there.
The first time I heard the next record, I was at the club night at the Students Union, in all honesty cribbing up on what I could play the following Saturday night. The DJ dropped this and I was stunned. Not because of the saucy “Je T’aime”-ness of the vocal track, but because a record that slows down that much in the middle just shouldn’t work. It did though; the place went fucking apeshit for it.
Much as you might hate this next record, deride it for pinching the vocals from Loleatta Holloway’s “Love Sensation” and then getting a model to mime to it, in 1989 (and surprisingly often these days) if you wanted to get everyone in a Students Union chart night to dance, this was your weapon of choice:
I say travesties because this record only ever got to Number 2 in the UK Charts. It had sold exactly the same amount of copies to be the joint number-one , along with “The Joker” by The Steve Miller Band, a record which had been re-released due to its use in a Levi Jeans ad. “Groove…”‘s placing second was due to a rule instituted in the 1980s, which stated that in the event of a tie, the single with sales that had increased most from the previous week would reside above the other. The week before, “The Joker” had been one position lower in the chart the previous week than “Groove Is in The Heart”, and thus “The Joker” was therefore deemed to be the bigger-selling of the two.
This was the first and only time the rule was ever implemented, and it’s since been ditched. Not that anyone pays attention to the Charts anymore.
Right, I could literally sit here and post hundreds of these until well into the wee small hours, but if I don’t get moving soon I’ll be missing the gig tonight.
So I’m going to sign off by breaking the golden rule of any mix-tape, CD compilation, or playlist: by playing three records by the same artiste.
So, from the first Underworld album I ever bought at the time it was released, “Beaucoup Fish”, their third with Darren Emerson having joined their ranks (but fifth overall), and which swiftly led to me going out and buying the previous two:
When this came out, dunderhead that I am, I never noticed that all the slapping of faces is perfectly in time with the rhythm of the record.
Videos where the visuals are synced to the music, but otherwise seem to bear no relation to it, reminds me of one of the greatest videos ever made, directed by Michel Gondry, he of “Eternal Sunshine of the Spotless Mind” fame.
A few years ago I was unemployed and living in Cheltenham. My brother, God love him, rang me at some unseemly hour for a chat and to try and bolster my battered spirits. But I was distracted, watching a countdown on TV of the greatest music videos ever (! probably) and this came on. As he’d never had the pleasure of seeing it, I tried, unsuccessfully I think, to describe it to him.
Well, here you go bruv, consider that rectified.
There isn’t a train journey that I’ve been on since I first saw this that I haven’t put my earphones in, pressed play, and gazed out of the window, willing the world to fall into time with whatever I’m listening to. It never happens. Which just makes this even more magnificent.