Sunday Morning Coming Down

Okay so this thread has maybe been a little top-heavy on the Kristofferson recently.

So this morning, let’s have some George Jones.

Covering Kristofferson, obviously.

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George Jones – Why Me Lord?

Now, George Jones is a legend, but he’s not the only legend to have covered that song:

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Johnny Cash – Why Me Lord?

Oh go on then. If you insist. The original.

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Kris Kristofferson – Why Me

More soon.

How to Do a Cover Version

Many, many months ago, one of my longest serving readers and friends sent me a message about this thread that I used to occasionally do.

The message went something along the lines of: “Do you just do cover versions in English? If not, I have one for you….”

To my eternal shame, it was her birthday yesterday, and like the totally disorganised schmuck I am, I missed it.

So, in a pathetically shallow attempt to make up for it, Happy (belated) Birthday Cat, these three (count ’em!) are for you:

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Gianni Morandi – Se Perdo Anche Te

And here’s a slightly more famous, much more stripped down version:

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Johnny Cash – Solitary Man

And here’s the original, which sort of sits between the two:

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Neil Diamond – Solitary Man

Much as I love Cash and Diamond, I have to say the Morandi version is rather fine.

Raising a (okay, several) drinks to you tonight Cat.

More soon.

The Chain #30

This week seems to have flown by; Wednesday evening and I find myself woefully unprepared for this week’s edition of The Chain. I blame Teenage Fanclub for being so bloody good last night, and for taking up one of my evenings usually spent getting this ready.

Also, my efforts to track down one of your suggestions led me to download the entire album as a single mp4, then edit it down to the one song I needed, then convert it to an mp3. I’ll not say which one, I’ll wait and see whether my new found tech skills are detected!

In short, this may be a little briefer than usual. Sorry.

So, last week, after being inundated with suggestions which linked to The Band’s “Up on Cripple Creek” which involved songs which mentioned creeks, various other bodies of water, and…erm…cripples, I rather thought that I might have it easy this week when the next track in The Official Chain turned out to be Neil Young’s “Cripple Creek Ferry”.

No such luck.

So let’s crack on, shall we? And where better to start that with babylotti:

“I don’t care how obvious it is, I’m getting Saint Etienne’s version of ‘Only Love Can Break Your Heart’ in first!”

There are plenty of mixes of this to choose from; my own personal favourite is Andrew Weatherall’s “A Mix in Two Halves”, but tonight, Matthew, I’m plumping for the better known version from Saint Etienne’s classic “Foxbase Alpha”:

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Saint Etienne – Only Love Can Break Your Heart

He’s not done there, though, nosireebob:

“Also, Elkie Brooks had a hit in 1978 with the aforementioned song, from the same album came the one single I remember her for:”

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Elkie Brooks – Pearl’s a Singer

And he’s still not done:

“And I now also have to link to ‘Pearl’s Girl’ from Underworld.”

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Underworld – Pearl’s Girl

“Elkie Brooks did a lot of good songs in the early 70’s,” chips in Kuttowski of A Few Good Times in my Life. “She was formerly the singer together with Robert Palmer in Vinegar Joe. I well remember them with their ‘Proud To Be A Honky Woman’.”

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Vinegar Joe – Proud To Be (A Honky Woman)

Well, having allowed “Pearl’s Girl” it’d be pretty churlish of me to refuse to post that, wouldn’t it?

That’s a pretty rollicking start to this week’s usual eclectic mix of the good, the bad, and the ugly, I’m sure you’ll agree.

Time for a seamless link, I think.

Here’s Badger from When You Can’t Remember Anything:

“Cripple Creek was also the name of a Western made in 1952 directed by Ray Nazarro and if we are talking Westerns then there is only one place to go and that is with “The Good, The Bad and the Ugly” or possibly from the soundtrack of the same name “The Ecstasy of Gold” which brings it back to the Gold thing”

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Ennio Morricone – The Ecstasy of Gold

“Gold thing? What gold thing?”, I hear you ask. That’s the problem with me jiggling the running order in a vain attempt to build some sort of narrative to appease you all; sometimes the links may be seamless but sometimes there’s a mention of a link that I haven’t covered yet. I’ll let Badger clarify:

“Cripple Creek is a town in Colorado and used to be very big in gold mining. This instantly allows a link to “Gold Mine Gutted” by Bright Eyes, that they are also signed to Saddle Creek, means you get a double link, all I need is a ferry and you have the whole shebang.”

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Bright Eyes – Gold Mine Gutted

Badger wasn’t the only person to mention the gold link. Step forward and take a bow Alex G from We Will Have Salad:

“’Cripple Creek Ferry’ is from the album ‘After The Gold Rush’. One of the most (in)famous gold rushes was the California gold rush which started in 1848 but exploded in 1849, and whose prospectors were thus dubbed ’49ers’, which naturally leads to the Italo-house outfit 49ers and their classic hit “Touch Me”.

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49ers – Touch Me (12″ Sexual Mix)

NB – there is very little that is “sexual” about that mix.

Which leads me on to the first of my suggestions this week. 49ers are mentioned in the American folk song, so beloved of Huckleberry Hound, “Oh My Darling Clementine” which leads me on to this little lot:

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My Darling Clementine – She Is Still My Weakness

…which in turn very nearly led me on to “My Weakness is None of Your Business” by Embrace, but you’ll be pleased to learn I showed some self-constraint.

Anyway, back to Badger:

“Or if you want contenders for the worst suggestion ‘Going For Gold’ by Shed Seven.”

I have a bit of a soft spot for Shed Seven, as it goes. They always seemed to be trying quite hard to make records which exceeded their limited capabilities. That said, ‘Going for Gold’ is not one of their finer moments. It’s also not even close to being the worst suggestion of the week, I’m afraid.

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Shed Seven – Going For Gold

Now then. Awful records. I appear to have created a monster here. For this week you were all tripping over yourselves to suggest them.

“I’m going to win the prize for Worst Record On The Chain this week” says George.

Go on then. Do your worst.

“Neil Young was also the name of a Manchester City forward of the 1960s. And one of his team-mates was Colin Bell. And Colin Bell’s birthday is February 26th. As is Michael Bolton’s. And amongst Mr Bolton’s songs is a cover of ‘Yesterday’, which is so bad I’m not sure you should post it. Mr Bolton also covered ‘Ain’t No Sunshine’ which is catastrophically poor as well. All of which is quite a shame because he seems like a genuinely nice and amusing bloke. By the way, for the sake of your well-being never play his cover of ‘So Tired Of Being Alone’. It’s really shit.”

What you seem to have done there is name three records which you don’t want me to play. You lot are lucky enough to be able to choose whether or not to click play, but me? I’ve had to listen to all of them to decide which one to post, so I’m tempted to post all three, but I’m not that cruel. So here’s the first one you mentioned:

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Michael Bolton – Yesterday

Think that’s the worst record of the week? Think again.

Getting my hopes up for something…well…a bit less shit, or failing that, somebody with a credible haircut at least, by starting his first suggestion with the word “Heh” before launching into a bit of Greek mythology, here’s Rol of My Top Ten:

“Heh.

Charon is the Ferryman in Greek mythology. He carries your soul on his boat down the river…

Yes…

Styx.

“It’s you, babe, whenever I get weary or I’ve had enough… feel like giving up, you know it’s YOUUU, babe…”

Etc.”

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Styx – Babe

Will you just take a look at some of those barnets? Yes, it was 1980, but that’s no excuse. Anyway, what are the odds of them having turned up here, as well as being the models in the display pictures that first caught the eye of Michael Bolton in the window of his local barber’s shop?

“Alternatively,” Rol continues, “if you want something a little bit cooler…

Half Man Half Biscuit – Styx Gig (Seen By My Mates Coming Out Of A)

There.

Cred restored.

Just.

(Not that I care about such things.)”

Shan’t post it, then.

Yeh, right. Like I’m ever going to pass up the opportunity to post something by Half Man Half Biscuit:

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Half Man Half Biscuit – Styx Gig (Seen By My Mates Coming Out of A)

Also intent on restoring his reputation after his earlier Michael Bolton aberration, is George, although when George has a theme, he sure as heck sticks with it:

“To make up for that, you can have some Fats Domino (The Fat Man I suggest) as Mr Domino shares his birthday with Colin Bell.”

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Fats Domino – The Fat Man

And why stop there, when you’re on a hat-trick?:

“And a Johnny Cash track, as he too shares the same birthday as Colin Bell, what about Personal Jesus?”

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Johnny Cash – Personal Jesus

Now Rol’s and George’s reputations are restored, let’s see if Charity Chic of Charity Chic Music fame fancies ruining his:

“Neil Young is from Canada and has never won Opportunity Knocks. Neil Reid from Glasgow has, with the truly awful ‘Mother of Mine'”

Brace yourselves, folks.

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Neil Reid – Mother of Mine

This, and a subsequent comment by Alyson, led me to do a little digging to see what nuggets I could find out about him. Here’s some factoids, one of which I might need to double-check:

  1. As Alyson quite rightly points out, he is now a financial advisor, in Blackpool
  2. Reid’s self-titled album went to number one in 1972, making him the youngest person to reach the pinnacle of the UK Album Charts, at the age of 12 years 9 months
  3. Said album is one of the very few Number 1 selling albums which has never had an official CD release. I think we all know why that is.
  4. In 2008, he was interviewed by Amanda Holden for ITV’s ‘When Britain First Had Talent’, which pretty much serves him right
  5. In between the end of his solo career and starting his life in the giddy world of finance, he was the third Reid brother in The Jesus & Mary Chain

Please, God, someone suggest something decent.

Rigid Digit, what have you got for us this week?

“Neil Young – intrinsically linked with Crazy Horse (although they’re only on a couple of tracks on After The Goldrush).

 Therefore – Crazy Horse => Crazy Horses (aka The Osmonds “go” Heavy Rock)”

Some of you may not think posting something by The Osmonds is necessarily an improvement, but I beg to differ: when you compare it to the majority of the rest of their turgid output you realise what a surprisingly bloody great record “Crazy Horses”:

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The Osmonds – Crazy Horses

“Crazy Horses” was, as Rigid Digit continues: “later covered by Tank (featuring Algy Ward, previously of The Saints and The Damned)”

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Tank – Crazy Horses

Oh Rigid: you already had me at The Osmonds.

Crazy Horse though – some of you must have some suggestions in that area, surely?

Well, yes, as it goes. Here’s The Great Gog:

“Going for a double link here. Neil Young has made a number of records with Crazy Horse. Ian McNabb has also made a record with members of Crazy Horse. Ian McNabb has also recorded a song that mentions a river that has a famous ferry. That song is of course, “Merseybeast”. Sadly this was the title track of the album after the one he did with Crazy Horse, but perhaps that would have been too perfect a link.

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Ian McNabb – Merseybeast

Nor have there been enough songs to link to Neil Young himself, so here’s a couple of mine. Firstly, a pre-fame daughter of a former Blue Peter presenter, fronting a band who never had much critical acclaim or commercial success, I think mostly down to the wanky way they insisted on spelling their name:

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Theaudience – If You Can’t Do It When You’re Young When Can You Do It?

Time for another seamless link. One of the things you can do when you’re (Neil) Young, is rock up on stage and make an already majestic song just that little bit more majestic:

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R.E.M. (feat. Neil Young) – Country Feedback

We’ll be popping back to some more live stuff in a moment, but first, over to Alyson from What’s It All About, Alfie? with a suggestion and a question which has sparked some great posts by some of our fellow Chain Gangers (go on, treat yourself and click on a few of the links to their blogs if you don’t already visit them regularly):

“From one Neil to another Neil – Diamond to be precise.

Now I have become aware over the weeks that there are people who are just not “cool” to like around these parts and as for Mr Bolton and his very unusual cropped-top/long at the back mullet haircut, I totally agree. Have still to work out where Neil D sits on the scale but personally I have always liked him, (most of) his songs, and his recent stuff. He did also have quite odd hair back in the day but hey, didn’t they all – oh and some very tight trousers.

Anyway Cripple Creek sounds as if it would have been quite a rocky place so if Mr Diamond had been there with the girl of his dreams there would have been “Love On The Rocks”.”

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Neil Diamond – Love on the Rocks

More Neil based fun now – and who can honestly put their hand on their heart and say they haven’t at some time or another had fun whilst Neil-ing? – from The Beard:

“From Neil Young to Neil from The Young Ones. He scored a number two hit in 1984 with his cover of Hole In My Shoe by Traffic.”

I’m assuming from the rest of your suggestion that you want the Neil version, rather than the Traffic jam, right? Excellent!

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Neil – Hole In My Shoe

“It was kept off the top spot”, the Beard continues, “by Frankie Goes To Hollywood’s Two Tribes. The spectre of nuclear war was the theme of that track. The same topic also formed the basis of The Young Ones episode Bomb. Dexy’s Midnight Runners were the musical guests in the episode, playing Jackie Wilson Said (I’m In Heaven When You Smile) which is not, sadly, about a darts player.”

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Dexys Midnight Runners –  Jackie Wilson Said (I’m in Heaven when You Smile)

By the way, does anyone else remember that as being released as Kevin Rowland & Dexys Midnight Runners, as opposed to just Dexys Midnight Runners…? Nope, me neither.

As promised, another live track now, courtesy of kuttowski:

“On ‘After The Goldrush’, Nils Lofgren, a 19 year old guitar player appeared on the scene. In his later career he played with Crazy Horse, Grin and Bruce Springsteen and I suggest his No Mercy.”

This is the version from his pithily-titled “Acoustic Live” album:

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Nils Lofgren – No Mercy

That’s enough Neil-ing, time for some Ferry-ing. Time for two from The Robster from Is This the Life:

“First up [Hey! That’s MY line! – Ed]– taking Neil YOUNG and Cripple Creek FERRY, Young’s Ferry was a historical ferry crossing of the Merced River, located in present day Merced County, California. One of Merced’s famous sons was ‘The King of the Western Swing’ Bob Wills who, along with His Texas Playboys, became one of the top chart acts of the 1930s and 40s. In 1945, they had a #1 country hit with a cover of Zeke Clements’ Smoke On The Water (definitely NOT the same song that Deep Purple recorded two and a half decades later.) This also links water/creek.”

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Bob Wills and His Texas Playboys – Smoke on the Water

“Alternatively, continuing the water theme and linking with the artist name, how about ‘Current Of The River’ by the Young Knives from 2008’s ‘Superabundance’?”

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It’s only after I posted that, that I remembered it’s the closing track on Superabundance, and comes complete with one of those pesky hidden tracks, which is also included in that link. Suffice it to say, this isn’t the one I edited.

Some more restoration of reputations now, as we welcome Charity Chic back:

“I would suggest the gorgeous Ferryman from the lovely Rachel Sermanni”

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Rachel Sermanni – Ferryman

Here’s Dirk from Sexyloser:

“I think I’ll go down the ferry-route, too. Problem is that I can’t really decide between Holly Johnson’s version of ‘Ferry ‘Cross The Mersey’, Ferry Boat Bill’s ‘Sally Goes Downtown’ (I should add that I only have this one on tape, not on vinyl/mp3, does that also count?) and Toy Dolls’ ‘You Won’t Be Merry On A North Sea Ferry’: I think I’ll go for the latter because it’s ace … and I’d like to hear it again!”

Well, that’s pretty lucky because, other than appearing on that single to raise money for the Hillsborough disaster fund back in 1989, I’m not sure Holly Johnson ever recorded a solo version of it, although of course there’s the version on Frankie Goes to Hollywood’s “Welcome to the Pleasuredome” album (I’m open to correction on that, as always), and  I’ve not been able to locate the Ferry Boat Bill track anywhere, so…well…here you go:

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Toy Dolls – You Wont Be Merry on a North Sea Ferry

Over to SWC from When You Can’t Remember Anything:

“The Edmund Fitzgerald was a ferry that sank in Lake Superior in 1975 and was then made subject of a song by one Gordon Lightfoot, a Canadian folk singer.”

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Gordon Lightfoot – The Wreck Of The Edmund Fitzgerald

If I may just interrupt for a moment there, before you suggest something we’re all going to regret: if we’re going to start posting songs about boats which sank when carrying large amounts of cargo (Five million hogs, six million dogs, and so on), then surely this has to get an honourable mention:

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The Pogues & The Dubliners – The Irish Rover

Sorry ’bout that, SWC. Do carry on, old chap:

“‘Wreck of the Edmund Fitzgerald’ was however kept off Number one in the US of A by a certain Rod Stewart and ‘Tonight’s the Night’.”

Insert your own joke about Americans making terrible decisions here, if you like.

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Rod Stewart – Tonight’s The Night

I’d never noticed the vaguely “Je T’Aime…”-esque French lady vocal at the end of that before. Possibly because I’ve never listened to the bloody thing all the way through before.

Time for a fairly straight-forward link from Swiss Adam over at Bagging Area:

“‘The Ferryman (Zeebrugge)’ by Billy Childish and the Singing Loins is my fairly straight-forward link”.

See? Told you it was straight-forward:

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Billy Childish and the Singing Loins – The Ferry Man (Zeebrugge)

Over the past few weeks, you’ll have noticed I’ve tried to include a few video clips into proceedings, but not this week, for I knew that The Swede from Unthought of, Though, Somehow had posted one as part of his suggestion:

“Bugger – kuttowski beat me to it! [with the Nils Lofgren tune] So instead I’ll give a shout out to our local ferry, which crosses the River Yare at Reedham:

By pure coincidence, it’s a chain ferry! So ‘Back on the Chain Gang’ by The Pretenders is my suggestion.”

It’s a record that’s come up before, of course, but since it’s our theme tune here (and since your video clip has brought back memories of many happy family holidays on the Norfolk Broads), it seems a pretty perfect way to round things off this week:

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The Pretenders – Back on the Chain Gang

Which just leaves me to reveal the next record in The Official Chain, and the link that gets us there. And one of you will be kicking yourselves at how close you were:

“Another Neil Young of Manchester City scored the winning goal in the 1969 FA Cup Final. Oasis are well-known Man City fans, hence…”:

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30. Oasis – Live Forever

Bad luck, George.

So, your suggestions for songs (let’s face it, it’ll be plural, won’t it?) which you can link to “Live Forever” by Oasis, via the Comments section below, along with your usual brief descriptions as to what links the two, three, four, however many, records together, in plenty of time for next week’s post.

More soon.

Happy Together

Today is my Mum and Dad’s Golden Wedding Anniversary.

In an era when divorce seems to be the norm rather than a rarity, I can’t really let this pass without comment. Granted, sometimes it’s seemed that they’ve managed to stay together through sheer bloody-mindedness and a begrudging tolerance of each other, but there they still are, still together, fifty years later.

My folks both read this blog, and have both been very encouraging about what I do here – Dad has even posted the occasional comment – telling me that I shouldn’t let the fact that they read it have any effect on what I write about or how I write it.

I had been a bit reluctant to tell them about this place, as I wasn’t sure how they would react to some of the content. Two examples: every now and then, I’ll use a swear word. I’ve never sworn in front of my parents. My Dad’s response: “Do you think I don’t know any swear words?” And then, after a discussion about the use of the C-word (which I generally have no problem with using, but am very aware that some people do, hence me not using it just then), he said “There was a bloke I used to work with who was a total one of those.”

Also, I thought they may not approve of some of the more autobiographical content, in particular some of the times I have written about, and will write about again, my past recreational drug use. When I talked to my mother to warn her that some of the posts talked about me having taken drugs, her response was an unfazed “Well, we’d always assumed you had. In fact, we’d have been more surprised to find out you hadn’t.” I’m still not sure how to take that.

So, here’s some songs which seem appropriate:

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The Turtles – Happy Together

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Huey Lewis & The News – Stuck With You

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First Aid Kit – Emmylou

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Johnny Cash – I Walk The Line

Happy Wedding Anniversary Den and Jean. See you tomorrow.

More soon.

Won’t Back Down

Just when you think 2016 couldn’t get any worse, the events in Nice last night happened.

I’m not sure it’s at all appropriate for me to do my usual, glib Friday Night Music Club post this week, so instead I thought I’d post something which is appropriate, but which doesn’t trivialise those awful, awful events.

I’ve been racking my brains for something all day, and this is what I came up with:

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Johnny Cash – I Won’t Back Down

Yes, it’s a cover of a Tom Petty song, but nobody sings with such gravitas as Cash.

More soon.

Sunday Morning Coming Down

Here in the UK, today is Father’s Day.

A couple of months ago, my brother and I got phenomenally pissed and told my Dad about this place. The more astute, comment reading folks, amongst you may have spotted a little comment from him a couple of weeks ago, accepting the props for turning my ear to the record which shares a name with this thread.

Saturday nights in our house when I was a kid were generally spent playing records and having a bit of a sing song where possible. It was through these nights that I learned about not only Kris Kristofferson, but also Lonnie Donegan, Fats Waller, Roberta Flack, The Rolling Stones (Dad used to do a great Jagger impression that he now denies all knowledge of), some amazing jazz records by Count Basie, Benny Goodman and Dave Brubeck that I still don’t know the names of, and of course Johnny Cash.

This seems appropriate:

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Johnny Cash – Daddy Sang Bass

The title of the song, and the “Me and Little Brother…” line are provided by another Country act that Dad had a couple of albums by: The Statler Brothers.

Back in the 1990s, I was in Spillers Records in Cardiff one day when I was surprised to hear them playing a track I recognised as being by The Statler Brothers. Spillers is a cool little independent record store; more than that it is officially the oldest record store in the world, having opened its doors for the first time in 1894. It’s a haven for great records, with enthusiastic, helpful and knowledgeable staff, and it’s one of the main things I miss about not living in Cardiff anymore. It’s not the sort of place I was used to hearing The Statler Brothers being played, though. (I took Mum and Dad there once when they came down to visit. I picked up a copy of The Mighty Wah!’s “A Word to the Wise Guy” that day; Dad bought something by Emmylou Harris, I think. Mum waited patiently, as she does.)

Having not seen the film at that point, I had no idea the song in question was on the soundtrack of one of the greatest films not just of the 90s, but ever: Quentin Tarantino’s masterpiece, “Pulp Fiction”.

You know the song I mean. Bruce Willis is singing it just before he runs Ving Rhames over and they jointly…erm…”encounter” Zed and The Gimp.

This one:

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The Statler Brothers – Flowers on the Wall

I defy anyone not to try and do the baritone “Kangaroo” line in that.

Anyway, Happy Father’s Day.

More soon.

Name That Tune

Following on from last night’s Country wig-out, comes this little beauty from First Aid Kit.

For a lot of people in the UK – myself included – my first encounter with First Aid Kit came as I sat jealously watching the live-ish coverage of the Sunday afternoon shenanigans from Glastonbury in 2013.

If memory serves, the BBC had just finished showing Kenny Rogers’ Legends slot on the Pyramid Stage, and then, with no word of an introduction, the camera faded to the view over the Park Stage area, before pulling back to reveal sisters Klara and Johanna Söderberg. A bit like this. Well, a lot like this actually. In fact, exactly like this:

Like so many others, judging by the comments under clip, I was stopped dead in my tracks. I’d never heard anything so beautiful; shortly afterwards my phone started buzzing as I got text after text from similarly smitten friends asking if I’d seen them.

So here then is the bar set high, not just in terms of gorgeous Swedish folk music, but in terms of the amount of famous people (four! count ’em!) to get a name-check in the song (for that’s why we’re here, remember?)

For those who don’t know who those named are, the titular Emmylou is Emmylou Harris, one of the most influential female country artists of all time. I had always thought that she and the Gram from the song – Gram Parsons, that is, formerly of The Byrds and alt-country forefathers The Flying Burrito Brothers – had been lovers, but on researching this post I find that may not actually be the case. Instead, it seems that their relationships may be one of the great unrequited love stories in music history.

The two recorded together, most famously their version of Everly Brothers classic “Love Hurts”:

Their chemistry was undeniable , but Parsons was married and Emmylou was a respectable Southern girl. Then Parsons filed for divorce, but not, it seems, as I had thought, to be with Emmylou. Instead, he had his eye on Margaret Fisher, a high-school sweetheart of his with whom he had rekindled a relationship. Emmylou, however, seemed to be blissfully unaware of this.

Parsons was due to head out on tour with Emmylou and the band in September 1973, but before he did so he headed out to the Joshua Tree National Park (or Monument as it was then known) with Fisher, personal assistant Michael Martin, and Dale McElroy, Martin’s girlfriend.

Two days later, he was found dead in his bedroom, killed by an unintentional overdose of morphine and alcohol. He was just 26. I say it was unintentional as the autopsy revelealed that Parsons had consumed enough morphine to kill three regular users, and so with a new leaf starting in his life it seems unlikely that his death was intentional. More likely is that he had overestimated his tolerance considering his experience with opiates. In the 2004 documentary “Fallen Angel” Keith Richards, perhaps a little unsympathetically, said that Parsons understood the danger of combining opiates and alcohol, and should have known better. But then I guess it’s easy to be dismissive when you’ve done as many drugs as Keef has.

Anyway, I say that Emmylou was unaware of his taking up with Fisher because in an interview after his death she said: “A couple of weeks before, I’d finally accepted the fact that I was in love with him. But, you know, why even tell him? I was going to see him in a few weeks. I had all the time in the world . . . I was savouring the moment. I didn’t want to say it to him over the phone. I wanted to say it to him in person. But I never got the chance.”

If only, eh?

To cheerier matters. Or maybe not. The other two name-checkees in the song are John and June, who of course are Johnny Cash and June Carter Cash, and I imagine you don’t need me to fill in quite so many blanks with them.

They first met in 1955 backstage at the Grand Ole Oprey and were married in 1968. The couple continued to work and tour together for 35 years – in fact June co-wrote Cash’s biggest hit “Ring of Fire” with Merle Kilgore (“Ring of Fire” is one of those songs which is so synonymous with one particular artiste that many assume Cash himself had some hand in writing it, but no).

In March 2003, Cash released the now legendary cover version of Nine Inch Nails’ “Hurt” and the video that accompanied it is also the stuff of legend,  featuring images from Cash’s life interspersed with footage of – well, let’s just say he doesn’t look well – Cash performing the track as best he can.

Similarities can, of course, be drawn with the recent passing of Bowie, and his video for “Lazarus” (although as someone far wiser than I commented on Twitter “We were so pleased to have him back, we didn’t realise he was saying goodbye”). But with Johnny, well this was undeniably his farewell, and we knew it.

For what it’s worth, the promo was named the best video of the year by the Grammy Awards and Country Music Association Awards, and in July 2011 the NME voted it the best video of all time by NME in July 2011.

I can’t not show it now, can I?

The bit that gets me every time I watch that is not the frail state that Cash is in, distressing and uncomfortable as it is, nor the reliving of past glories – it’s the moment at around 02:35 when you suddenly see June standing on the staircase, adoringly watching over him.

And the reason it gets me every time is this: June died in May 2003. Cash, as if he could see no reason to carry on without her, died four months later.

Jesus, was that thirteen years ago??

Well, this has all got rather gloomy, hasn’t it? I think it must be the hangover from the far too many rock star deaths in Black January, a trend which sadly seems to be continuing into February too.

So let’s bring this back to the original song I came here to write about:

First_Aid_Kit_Emmylou

First Aid Kit – Emmylou

More soon. And something more cheery, I promise.