Long time readers may recall what me posting this song means, but for those newbies amongst you, this was #1 in the UK on the day I was born, 52 years ago today:
Creedence Clearwater Revival – Bad Moon Rising
I still think it’s a cool record to have as my introduction to the world. Imagine having Ed Sheeran or Clean Bandit or somebody else so utterly bland trumpeting your way into the world.
*Shudders*
More soon.
A couple of months ago, I wrote a post with this title after I had discovered an old C90 cassette I had made during my student days, featuring pop songs with political messages. The plan was that I would post all of the songs from the tape, and see whether, thirty years later, they held any current relevance.
That was in July, and here we are, three months later, and not a single additional post has appeared in the series.
Until today, and even this post isn’t going to include anything from said outdated mode of musical storage. (It will return again, but you’ll just have to remain on the edge of your seats a little longer, I’m afraid.)
The subject crossed my radar again a couple of times recently, watching coverage of the US Election trail, and I was reminded that American politicians – make that American Republican politicians – have a proud history in using songs without the artistes’ permission, and, more often than not, using the song quite wrongly.
King of the unendorsed usage has to be Bruce Springsteen, and specifically Born in the USA. Ronald Reagan, Bob Dole and Pat Buchanan all used it at election rallies, and all received “cease and desist” notifications from Bruce.
To the untrained eye and ear, Born in the USA does sound like the sort of song a right wing politician should use to brighten up their campaign: it has a gloriously patriotic title, which is also the whole of the chorus; the iconic album cover depicts what appears to be a jean-wearing blue-collar worker, baseball cap stuffed in back pocket, standing in front of the good ol’ stars and stripes.
But when I say “to the untrained eye and ear” I actually mean anyone who has only ever seen that picture, had only ever heard what appears to be a triumphant fanfare at the start of the record which develops into the musical motif running throughout the song, and had never listened to any of the lyrics other than the title/the chorus. A pro-American record it most definitely is not:
It’s not just Springsteen who has a whole line of Republicans mistakenly using his tunes. John Mellencamp has had run-ins with as many of them as he has had own name changes. Just like glamour model and *ahem* best selling author Katie Price now insists on not being called Jordan anymore, and footballer Andy Cole asked everyone to start calling him Andrew, both because they had ‘matured’, so Mellencamp has been variously known as John Cougar, John ‘Cougar’ Mellencamp, and now just plain John Mellencamp.
On this side of the pond, he’s simply known as ‘the bloke who sang that song which introduced us to a foodstuff we have not embraced with quite the same vigour as our trans-Atlantic friends’ (by which I mean our friends from across the Atlantic, not our friends from across the Atlantic who are also trans – and that’s one open can I’m not going anywhere near): the ‘chilli dog’.
Sorry, I seem to have digressed: that’s not one of the songs appropriated by politicians, I’ve just included it because it’s ruddy great.
No, Mellencamp has locked horns with Reagan for using Pink Houses in 1984, John McCain for using the same song as well as Our Country in 2008, and with George W Bush in 2000 over the use of R.O.C.K. in the U.S.A.
I’m not familiar with Pink Houses or Our Country, but I am very familiar with R.O.C.K. in the U.S.A. as I bought it on 7″ single when I was a kid. And I’m here to tell you, it’s a little cracker:
Quite what lead the Bush campaign to land on that song is a bit of a mystery to me; I can see how it works in terms of The American Dream, for it’s a song about the early days of rock’n’roll, of Tamla Motown and Stax, a song which describes people from all walks of life – but usually ones from poor backgrounds – setting off to make music, doing what they want to do, in the self-proclaimed Land of the Free.
But it includes a list of successful black artists (“…there was…Frankie Lymon…Jackie Wilson, Shangri-La’s, Young Rascals…Martha Reeve….James Brown”) and let’s be honest, ensuring young black Americans achieve success in whatever field they choose (unless it’s in an actual field) has been shown (again) to be not exactly high on the list of Republican priorities over the past few months.
The song seems to have been picked solely for including the phrase “U.S.A.”, which can be shouted loudly along to it. Although I don’t think we can exclude the possibility that it’s usage also helped Dubya with his spelling lessons.
“Today’s letter, Georgie, is R. Ruh. R. And what does R stand for?”
“Rocket?”
“That’s good, Georgie,but it’s not quite what I was looking for. Rock. Ruh stands for Rock. Now what does O stands for….?”
“Oil?”
“Very good, Georgie, well done. Have a pretzel, you clever thing. Careful, don’t eat it all at once!”
Another American rocker not shy of issuing “cease and desist” notices was Tom Petty, who clashed with George W Bush when he used this song:
And this, which was appropriated by Republican/Tea Party/Lunatic candidate Michele Bachmann in 2011, and there’s no real mystery why she would select this absolute pearler:
Ahhh, 2011. It’s weird getting nostalgic for a time such a short while ago, but wasn’t it wonderful when all we had to worry about was the Tea Party nut-jobs on the fringes of the Republican party, as opposed to the actual nut-job occupying the White House now?
Actually, to digress for a moment, that song takes me back to the early 1990s, when I was, far too briefly for my liking, working in the Virgin Megastore in Cardiff. Lowlight of my time there: serving one of my college lecturers, who didn’t recognise me at all, and when I explained who I was and how he knew me, just looked at me as if to say: “Yes, I thought this might be where you’d end up working”.
Highlights of my time there: selling the entire Echo & The Bunnymen back catalogue to Nicky Wire of the Manic Street Preachers and, one evening, after the doors were closed and we were cashing up and tidying up, somebody put American Girl on the in-store sound system, and you could palpably feel the mood lift: everyone was singing along and dancing and twirling and hand-clapping as they completed their chores, like some choreographed moment from a high school musical. Happy times.
Also in 2008, John McCain used Foo Fighters’ My Hero:
Anyway. I could go on about all these improper uses of songs all day as there’s a whole list of them, but it’s a list that includes Nickelback and if you think I’m posting a song by them you are very mistaken, my friend.
So here’s why the subject cropped up on my radar the other week: because I read that Trump had been using this song at his rallies:
Now that, you have to concede, is a bold choice for Trump to use, for so many reasons.
Firstly: it’s called Fortunate Son, which can only serve to remind us that Trump didn’t make all of the money he has amassed (apart from the stuff that the Russians have given him, I mean), as that was all inherited from his father, Fred, who, lest we forget was a German immigrant – but a white one, so not one DJT would have an issue with now, natch – who made his own fortune (American Dream: tick!) in the thoroughly reputable world of real estate. In 1997, when his worth exceeded a billion dollars, he transferred the majority of his buildings to his surviving children, who sold them in 2004 for over 16 times their previously declared worth, effectively dodging hundreds of millions of dollars in taxes. Fortunate, indeed.
Speaking of tax, the song even mentions the taxman (“…But when the taxman comes to the door, Lord, the house looks like a rummage sale…”) which given the recent revelation that in 2017 Trump paid just $750.00 in Federal Income Taxes, seems remarkably apt.
The song, itself is, broadly, about how the sons of wealthy, powerful politicians and businessmen managed to avoid the draft to the Vietnam War because of daddy’s status. Trump, famously, didn’t have to go fight because of his “bone spurs” which are bony lumps that grow on the bones of the spine or around the joints, or, in Trump’s case, his feet. In 2019, his former lawyer Michael Cohen testified that Trump had invented the condition so that he didn’t have to do his national duty.
You have to conclude that whoever picked Fortunate Son to soundtrack his rallies knew exactly what they were doing, for it perfectly highlights all of the reasons you shouldn’t vote for Trump.
And this was a theory which Armando Iannucci floated on Frankie Boyle’s New World Order this week: that there is a Democrat working within the Trump campaign who has been given the responsibility of choosing appropriate records to play at the rallies. And given this remit, boy have they run with it, selecting not just Fortunate Son but also the music used in this clip, which I promise you has not been added after the rally, this actually happened:
Some excellent “working-the-crowd” gestures there from the Wotsit-coloured Wonder. Be afraid, Bono. He’s a pair of leather trousers, one foot-on-a-monitor, and a pair of redundant sunglasses behind you.
In case you’re not familiar with the record that soundtracks that clip, it’s YMCA by Village People, a song which, pretty much, promotes the idea of gay sex in Christian hostels. Here’s a picture of Village People from their hey-day:
Exactly the sort of fine, upstanding young men one would expect to find amongst Trump’s core voters.
Village People, you will not be even slightly surprised to learn, have asked Trump to stop playing the song at his rallies. I’m hoping instead they have permitted him to use their follow up hit:
There’s a joke about that submarine being full of seamen somewhere in there, but I’ll leave you to make it at your own leisure.
More soon.
Today, as Björk once sang, Is My Birthday, and as is traditional round these parts, as Björk didn’t sing (or if she did, she sang it on one of her later albums I’ve not bothered with), I’ll begin by posting the song which was #1 in the UK singles chart on the day I was born, because I think it’s a super cool, if prophetic, record to have such an association with:
But inspired by Martin over at New Amusements recent run of posts where he featured every song which had been #1 on his birthday, I thought I’d do something similar. Well, ok, almost exactly the same. Except starting this year, I’ll post one a year, the one from fifty years earlier. So, yeh, totally different. (Oh ok, Martin: I’ll buy you a pint at the Martin Rossiter gig, if it ever happens)
Turns out I’m quite pleased to be associated with this one too, a real pub quiz question of a record, which was #1 on this day back in 1970;
I wonder how many years I’ll get through before I hit a record I genuinely dislike…?
Also: I really hope Gary Glitter didn’t have any #1’s in September…
More soon.
You can insert your own joke about that being a better score than most of the England Cricket Team managed over the summer here, if you like, but I’m not going there.
No.
For when I was a young man at college, so monumental was my nicotine and Snakebite consumption, a fellow student bet me that I would be dead by the age of 30.
Well, open up your wallet Paul, wherever you are, and cough up some dosh, for I’ve only gone and smashed that. For today I reach the grand old age of 50.
And what am I doing to mark this momentous occasion? Well, celebrations began last Saturday when my old mate Richie and I went to a gig together – more of this later.
Tomorrow, I’ll be heading off to Destination Unknown to a holiday home booked by some of my chums for a long weekend of…well, drinking, probably. I know nothing about what lies in store for me – I only had the town revealed to me last weekend – but I have received some texts making subtle enquiries such as “What’s your favourite type of crisp?”, and “If you could only drink one kind of cider, what would it be?” and, perhaps most worryingly, “In your opinion, what are the best Status Quo/Chas’n’Dave songs to sing-a-long to?”
I know I’ve made that sound like I’m not looking forward to it, but I really am. I don’t get to see my bunch of buddies anywhere near as often as I like, and I know they’ll be pulling out all the stops to make sure the weekend goes with a bang.
As for the big day itself, well, I’ll be going to work and trying to cover up as many of the corners I’ve cut recently and hope that nobody notices or complains before I’m back in work next week.
I’m writing this on Thursday night, but I’m pretty sure that my transition from late-40s to early-50s will go pretty much like this:
Heck, that’s how I feel most Monday mornings.
I’m sure you don’t need telling that clip is from 1981’s still-brilliant-after-all-these-years An American Werewolf in London. I mean, even if you’ve never seen the film you could probably work it out because it’s written right there for you.
But don’t trust your eyes too much, because it also claims that the legendary first transformation scene is soundtracked by Creedence Clearwater Revival’s Bad Moon Rising, which it isn’t.
Regular readers will know that particular song has a special meaning for me, because that was the record that UK Pop Picers put at No 1 in the Hit Parade on the day I was born, 50 years ago today. And they will know this, because I’ve posted it pretty much every year on this day since I started writing this blog.
Still, managed to pad it out a bit this time, eh?
Creedence Clearwater Revival – Bad Moon Rising
By the way, I’ve never really decided whether I should consider it ironic or prophetic that was the best selling single in the UK on the day I made my first appearance. Perhaps it’s not for me to comment.
Anyway, as I’ll be away this weekend, there probably won’t be much in the way of activity on here until I get home, unless I manage to get my shizz together and write some things in advance. Don’t hold your breath though.
There will be more, soon, however.
Adverts.
I hate them.
The first thing I need to say is that the other day I went onto my blog to see if I had posted a song before, and I was shocked to find lots of adverts popping up within the text of whatever I had written.
Please, don’t ever click on to those adverts. They’re nothing to do with me.
But also: have you noticed that thing they now do on Channel 4? (Maybe on ITV and 5 too, but I never record anything on those channels so I can’t say for sure.)
Okay, so picture the scene: you have recorded a programme on Channel 4. There is an ad break, so you fast forward through them. You look for the signal that the show you’vee recorded is about to start again. And that signal is this: a Channel 4 advert for an upcoming Channel 4 show.
You press play.
But they’ve started putting these in the middle of the ad break, so that you press play thinking your recorded programme is about to start again. But it isn’t, it’s just a way of getting you to watch the second batch of adverts.
Cunning bastards.
Anyway, much as I hate adverts, and their appropriation of songs I like, sometimes I do have to concede that at least the song in question has been chosen well.
For example: I love this song, and initially bristled when, having pressed play too soon, I found it had been hijacked for an advert.
It’s in an advert for a range of mattresses, so through very gritted teeth, I had to admit it was at the very least an apt choice. (And as someone whose very stock is based around choosing a vaguely fitting songs to illustrate a point, it would be somewhat churlish of me to object anyone else doing the same.)
Anyway, here’s the song in question:
As an aside: is it just me, or has the amount of companies trying to sell us artisan mattresses massively increased over the past year or so? And for each of them, the USP is the same:
Have you ever tried to pack away one of those pop-up tents? They’re utter, utter bastards, steadfastly refusing to be packed away again, so God knows how difficult it is to try and cram a mattress back into a box.
If you listen to podcasts regularly, you’ll have become familiar with these sorts of products some time ago, for they are one of a select band to have adopted popular podcasts as their weapon of choice.
You’ll have noticed the same companies popping up on a carousel between them. The main cuplrits are: mattress companies, Harry’s (the razor company), Beer52 and The Economist, all of whom proffer a special offer or discount if you go to their website and enter a special code…and I find myself thinking: it can’t be that special, it was on No Such Thing as a Fish last week.
But I digress.
As I was saying, much as it boils my piss to have songs I love inserted into an advert to sell something, occasionally I have to tip my hat and concede they have chosen well (And then find another way to slag them off, as you have just witnessed).
But then sometimes I find myself thinking: what the flipping flip is this song doing here?
For example: what is it about The Connells really quite lovely 74-75 that made some advertising smarty-pants think it was an appropriate record to soundtrack the bathroom section of DIY hardware store B&Q?
If you’re looking for a tune to soundtrack the sale of bathroom features and fittings, then surely this would be a better choice?:
Creedence Clearwater Revival – Up Around The Bend
Actually, now I think about it perhaps not: when selling bathroom fixtures the very last thing you want to advertise is that things might come back up and around the (U-)bend, post-flush…
Ewwwww……
*hastily rewrites CV*
More soon.
Sigh.
It was 49 years ago today that this was #1 in the UK.
Regular readers will know why I know that.
Just one more year to go until I can get me that free pen from a life insurance company that I’ve always dreamed of.
Creedence Clearwater Revival – Bad Moon Rising
More soon.
Another week started. Another Monday over and done with.
Another year gone. Another anniversary. Another Birthday. Mine.
On the 26th September 19*cough*, little me came into the world. And, as revealed this time last year, this was number one in the UK at the time:
Creedence Clearwater Revival – Bad Moon Rising
The song, much as I love it, has had no real effect on me. For example, here’s a picture of me as a perfectly normal, fully rounded youngster:
Not really. Far too much hair.
Friends will note that the belly-to-rest-of-body ratio has remained pretty much constant over the past 48 years. Fully rounded, sure enough.
Yeh go on, laugh it up.
More soon.
Okay, okay, I’m a little later than usual. My apologies. I seem to have developed some kind of Chain Tourette’s Syndrome this week, incapable of resisting posting an additional link or splurging out another suggestion. You’ll see.
Last week we ended with “Live Forever” by Oasis, and it’s fair to say the Mancunian siblings caused quite the difference in opinions between you, with some voicing “By and large and on the whole, all things considered… Oasis can piss off” and others “Can I start by saying that I bloody love Oasis?”
As usual, suggestions came from one of several broad categories, but where to start?
At the beginning, seems as good a place as any. Here’s Swiss Adam from Bagging Area to kick things off:
“Johnny Marr springs to mind (shared manager, guitar given by Johnny to Noel on which he wrote that song I think). Johnny Marr’s solo song ‘Upstarts’ from a couple of years ago was splendid, a comeback. And even though I don’t much like ’em, Oasis were upstarts for a while.”
You can add the fact that Noel Gallagher joined Johnny on stage when I saw him at the Brixton Academy last year to that list of connections too, if you like.
Let’s use collaborations as the starting point to kick on with, and a second suggestion from Swiss Adam:
“Oasis recorded a song with another Johnny. Johnny Depp. Who was attached to Vanessa Paradis who had a hit with the strangely alright ‘Joe Le Taxi’.”
Those of you who read the Comments section will know that prompted a big fat “Did they??” from Yours Truly. In fact, it turns out everyone’s favourite begrudgingly apologetic dog smuggler recorded with them twice, on “Fade In-Out” from “Be Here Now”, and on “Fade Away (Warchild Version)” from the 1995 “Help!” compilation album. In fact, anything with the word “Fade” in the title, and Depp was all over it like a tramp on chips.
He also, of course, plays guitar on this:
Shane MacGowan & the Popes – That Woman’s Got Me Drinking
But I digress; back to Swiss Adam for his hat-trick of collaboration suggestions (even though his first one wasn’t really one):
“John Squire played with the Burnage numpties at Knebworth. And John Squire was in the Stone Roses without whom Oasis would never have existed. They could also never have written anything as trippy and light as Elephant Stone.”
The Stone Roses – Elephant Stone
Continuing the theme, let’s shift from people who have played with Oasis, to acts that have featured one of the band (okay, let’s face it, Liam or Noel). Over to Badger from When You Can’t Remember Anything:
“Live Forever is considered by many as Liam’s greatest vocal recording. Although that’s harsh on ‘Little James’. Anyway Liam also contributes vocals to Echo and the Bunnymen’s wonderful comeback single ‘Nothing Lasts Forever’. The irony of that was probably lost in him.”
Wonderful is damning this record with faint praise; I often dread a band I love reforming and releasing their new material, but Echo & The Bunnymen proved the exception to the rule with this:
Echo & The Bunnymen – Nothing Lasts Forever
And of course, with “Forever” in the title, we have a double-linker! We’ll come back to more with a similar (okay, identical) link later on.
The mere mention of Liam gives me the opportunity to post this, from the “Live Forever” Britpop documentary, my favourite ever interview clip involving him, where he is asked if he feels he has an androgynous quality about him:
Anyway, another suggestion from me, this time featuring the other one-eyebrowed wonder. Noel Gallagher teamed up with The Lemonheads’ Evan Dando to record – but never officially release (hence the absence of a proper sleeve and the somewhat shonky sound quality) – this:
Noel Gallagher & Evan Dando – Purple Parallelogram
What? There were people in Oasis other than Liam and Noel you say? Over to Rigid Digit from Stuff and Nonsense:
“Oasis’ bass player Paul McGuigan co-authored (with Paolo Hewitt) a book called ‘The Greatest Footballer You Never Saw’ about ex Reading and Cardiff City player Robin Friday.
A picture of Robin Friday “flicking the V” at the Luton Town goalkeeper was used on the cover of the Super Furry Animals ‘The Man Don’t Give A F**k'”
He certainly was:
Super Furry Animals – The Man Don’t Give A Fuck
And, since I’m going to see them next Friday at The Roundhouse perform not only their brilliant debut album “Fuzzy Logic” but also their even better follow-up album “Radiator”, here’s a bonus, a tune I’ve posted before, their epic 22:30 minute long live version from the Hammersmith Apollo, complete with Cian Ciaran’s techno wig out section:
Super Furry Animals – The Man Don’t Give a Fuck (Live Hammersmith Apollo)
Before I start posting nothing but Super Furry Animals records, it’s time for The Beard to perform an intervention:
“Oasis’ touring keyboardist was Jay Darlington from Britpop no-marks Kula Shaker [Don’t worry folks, he’s not going there]. Their lead singer Crispin Mills was the son of actress Hayley Mills. She starred in the film ‘Tiger Bay’ (alongside, I think, Sir John Mills?) [Correct!]. ‘Tiger Bay’ is also the name of Saint Etienne’s third album. ‘Like A Motorway’ from this album, please.”
Saint Etienne – Like A Motorway
As usual, competition has been hot this week to come up with the Worst Record of the Week, and here’s The Great Gog with the first, which not only links to the Gallagher brothers, but also to the football team mentioned in The Official Chain link which led us here:
“…the brothers Gallagher support a certain team who are still in the Champions League (sorry, couldn’t resist!)…[*cough* 2-0, 2nd October 2016]…so, the ditty supposedly sung by the early ’70’s City squad, “The Boys In Blue” – although I can’t imagine that the likes of Franny Lee would have been that good at holding a tune.”
No need to imagine, GG, here they are, and let’s just say Franny was no Ossie Ardiles, either on the pitch or in the studio:
Manchester City FC – Boys in Blue
I’ll be honest, I only posted that so I could bring your attention to the song-writing credits, which will probably seem familiar to many of you. Yes, Godley, Crème and Gouldman – three fifths of 10cc. The muso-nerds amongst you will know that 10cc get their name from the average male ejaculate. 10cc formed in 1972, the same year as “Boys in Blue” was released. There’s a joke in there somewhere, but you don’t need me to do it, you can fill in the wanks blanks.
Anyway, back to you GG:
“Also, there is of course, “Blue Moon” – of which there have been many versions, but as an early contender for Worst Song Of The Week, I’ll plump for Showaddywaddy’s version.”
You have to feel a bit sorry for Showaddywaddy, surely the most unintentional casualty of the whole Operation Yew tree thing, for who amongst us didn’t used to enjoy saying their name in the voice of a certain, dead, disgraced, BBC DJ, TV presenter and paedophile? And now even that simple joy has been taken away from us. I bet Eric Bristow does that impression still. (See, I’m nothing if not topical!)
Something a little more straight forward and less contentious next: here’s Charity Chic from Charity Chic Music:
“Until I come up with something obscure I’ll go for an obvious one: ‘Midnight at the Oasis by Maria Mulduar’.”
As it happens, CC wasn’t the only one to suggest this record; step forward Kuttowski from A few good times in my life:
“The first thing that came on my mind was a song by Maria Muldaur. Midnight At The Oasis is one of these songs that accompanied me during the last decades. I really can’t explain why I can’t get this little folk/jazz tune out of my mind. Probably because it is just a good song.”
And here it is:
Maria Muldaur – Midnight At The Oasis
Now, the more astute among you will have noticed a couple of references to Liam and Noel Gallagher so far. Here’s George to explain the link between these two fine gentlemen with the same surname:
“Oasis had the Gallagher brothers in them. And there are a plethora of bands that have brothers , so I will suggest Creedence Clearwater Revival (who featured two Fogertys) and ‘Born On The Bayou’.”
Creedence Clearwater Revival – Born on the Bayou
Oooh- bands with siblings in them, can I play? Please pwetty please?
It seems to me that Scotland has more than its’ fair share of bloody marvellous musical talent, and quite a few music bloggers too, many of whom visit these pages, so this one’s for you, a much overlooked (until that bloody awful musical came out a few years ago; other than featuring the music of The Proclaimers, it has little to recommend it) and rather lovely tune:
The Proclaimers – Sunshine on Leith
And, well, if we’re going to have one Scottish band with a couple of brothers called Reid, we’d better have the other one too (PS. Neil Reid was not one of them):
The Jesus & Mary Chain – Cherry Came Too
Okay. Brace yourself. Here’s George with the winner of this week’s Worst Record of the Week award.
“Going from the Gallagher Brother to two sisters, those two in the Cheeky Girls (one of them married Lembit Opik) and, having consulted with my partner, their most famous song is called Cheeky Song, which I’ve just played. It’s rubbish.”
I do love the way that George always pretends not to know anything about his suggestions for Worst Record of The Week and tries to shift the blame over to his other half. We all know the truth, George, you’re fooling nobody.
Thank god neither of you have heard of Jedward, s’all I can say.
Oh, and a slight correction; Lembit Opik didn’t marry one of the Cheeky Girls, they were engaged but split up in 2008 after a “difficult period” in the relationship, which I think we can interpret as meaning “when he slept with the wrong sister”.
So, here’s what I’m sure will be the least clicked link of the week. I, on the other hand have had to listen to that more times when writing this blog than I had ever had the misfortune to hear it before (Twice).
The Cheeky Girls – Cheeky Song (Touch My Bum)
Look! There’s a Christmas Remix!! If you’re all very good boys and girls, I’ll see if I can find that and post it nearer the 25th. I bet it has some sleigh bells and probably a joke about pulling a Christmas Cracker.
Let’s get out of here, and have some simple songs which link to the word “Live”, the word “Forever”, or some derivative of either.
Time, then, to give the customary very warm Chain Gang welcome to first time contributor Martin from New Amusements (is that a Gene reference I espy, Martin…?):
“I’m going with living forever… having tinkered with synonyms (eternal and immortal) and come to unsatisfactory dead ends (anything by, er, Eternal, and Immortals by Fall Out Boy), I have instead decided to opt for the words “Electric word, life. It means forever, and that’s a mighty long time.”
In other words, Let’s Go Crazy by Prince. Doubly fitting, as those Gallagher boys have been known to go crazy on the odd occasion…”
A classy suggestion, and just what the Doctor order after George let those pesky cheeky-ettes in:
Prince & The Revolution – Let’s Go Crazy
Whilst we’re on lyrical references, here’s Alex G from We Will Have Salad:
“Oasis claim they’re gonna live forever. Irene Cara claimed likewise on “Fame”. To be fair to all involved, they’re not wrong *yet*.”
There’s still another month left of 2016, Alex. Plenty of time yet.
On the day or so before I write The Chain, I upload all of the songs onto a playlist on my iPod, and give them a listen as I commute to and from work, the idea being that a) I can check all of the mp3s sound okay, b) can get a rough idea of the running order, and c) hope I can think of something interesting or amusing to write about each tune. As I got to off the bus and walked to the office this morning, this tune came on:
I have to say, it put me in a really good mood for the start of the day. You should try it. The only disappointing thing about it was that when I got to the office, not one person was wearing a leotard or leggings, Doris wasn’t squawking “Hi Fidelity” by the water cooler, nor was Bruno attempting to play the photocopier like a piano. Still, can’t have everything.
Back, now, to The Great Gog, who before he started regaling us with Manchester City related awfulness, did actually suggest this:
“My first thought was to suggest another song with the words ‘live’ and ‘forever’ in the title: OMD – ‘(Forever) Live And Die’.”
Orchestral Manoeuvres in the Dark – Forever Live and Die
Next, as Mark Morrison almost once said, it’s the Return of the Badger:
“But having gone down the forever route…other things can be forever as well. Like Polymers according to Future of the Left….”
Future of the Left – Polymers Are Forever
“…and fucking if you listen to Babyshambles.” Which I don’t as a rule, but then I’ve listened to The Cheeky Girls twice, I may as well give Babyshambles a whirl:
Remember earlier we were talking about Oasis records that Johnny Depp had played on? Well here’s fun: that Warchild version of “Fade Away” also featured one time Pete Doherty muse Kate Moss giving it the full Linda McCartey on tambourine. What are the odds, eh?
Here’s George, who doesn’t seem even remotely apologetic for making me/us listen to The Cheeky Girls:
“…on the forever link, what about ‘Forever Came Today’ by Diana Ross and The Supremes?”
Diana Ross & The Supremes – Forever Came Today
Time for some input from the fairer sex: here’s Alyson from What’s It All About, Alfie?:
“Ok so The Cheeky Girls song may get the prize for the worst record of the week [there’s no “may” about it, it does] but here is another contender. “Forever and Ever” by that hirsute Greek, Demis Roussos. I always thought Neil Diamond (my choice from last week) was a very hirsute man back in the day with all that exposed chest hair, but nothing on Mr Roussos. Come to think of it the Gallagher Brothers are quite hirsute in the eyebrow department, them having only one an’ all. A double-link and a pattern forming here for me relating to hairy men!”
Demis Roussos – Forever and Ever
Next to return for a second, and indeed a third, suggestion is kuttowski:
“‘Live Forever’ is the name of a live album by Bob Marley from back in 1980. So I suggest Burnin’ and Lootin’”
Bob Marley & The Wailers – Burnin’ and Lootin’
More from Kuttowski:
“‘Live Forever’ is the name of a documentary about the rise and fall of Brit Pop from the mid 90’s to their end. Pulp’s Common People with it’s wonderful lyrics became a signature to Brit Pop.”
Indeed, to my mind the anthem of Britpop, and a song kept from reaching Number One by Robson and Jerome, who also kept Oasis’s “Wonderwall” from the top slot.
Here’s the full length version from “Different Class”:
Time to hand over to Rol from My Top Ten for his musings of the week:
“First thought: Queen – Who Wants To Live Forever?
Which, if the question referred to the Oasis song, would lead to a resounding “Not me!” I appreciate that some people might feel the same about Queen, but quite frankly they would be, at best, misguided.”
I told you Oasis divided opinions, didn’t I?
Queen – Who Wants To Live Forever
I’m not sure if it’s distasteful, ironic or entirely appropriate that this is posted just as we pass the 25th anniversary of Freddie Mercury’s death, but since I know Rol is a big fan of Queen (as opposed to a fan of big queens) I’ll go with the latter.
“‘Who Wants To Live Forever?’ comes from the soundtrack of the movie Highlander, which leads me naturally to a lovely early Billy Joel song called ‘Summer, Highland Falls.’ Hey, if we can show Neil Diamond love, Billy must get his too.”
A debate for another day, I think, but certainly one I’ll be backing you up on (up to a point):
Billy Joel – Summer, Highland Falls
Now, amongst that, you mentioned Neil Diamond, didn’t you? Over to Charity Chic again:
“The by now obligatory Neil Diamond moment – ‘Forever in Blue Jeans'”:
Neil Diamond – Forever in Blue Jeans
Phenomenal bit of work there, artist responsible for the design of the single sleeve.
“What’s next on the list?”
“Something called “Forever in Blue Jeans” by Neil Diamond. Any ideas?”
“How about we just stick his face on some denim?”
“Perfect. Fancy a pint?”
Now this song reminds me of someone, a former flatmate of mine and Hel’s. This was his favourite record by Diamond. I mean, it’s okay but it’s no “I Am…I Said”, is it? Hell, it’s not even “Cracklin’ Rosie” or “Beautiful Noise”. This is one of the perils of house-sharing these days; you can interview them as much as you like, but you never know what people are really like until they move in. This guy was priceless.
He survived on a diet of pizza and pasta on alternating days, then tried to take the piss out of me for eating liking foreign food because I was eating Mexican one evening. His idea of eating pasta was to boil some water, add pasta, drain then add nothing but tomato ketchup. Once, he realised he had put too much water in the saucepan, so decided to empty some out – into the kitchen bin, rather than into the sink. He would eat packets of crisps and just drop the empty packets on the floor. We once found a half devoured bag of Doritos next to the toilet. A toilet which he refused to lift the seat of when he peed, and which he refused to flush before he left to go to work (after we had) of a morning, leaving a gorgeous odour to greet the first person home. He made several unwelcome passes at Hel, and made up an entirely fictitious girlfriend who he claimed worked on a leading TV soap opera, even though we did know someone who worked on the same show who categorically told us the girl didn’t exist. Oh, and he did a runner from the house in the middle of the day when we were at work, leaving me and Hel to cover his share of the household bills, and I suspect, liberating a large chunk of my vinyl – including all of The Smiths original Rough Trade album releases – as he went.
All of which might just about be forgivable were it not for one thing: he liked Kasabian.
Every possible opportunity he had, he would bang on about how awesome they were, and when one of their albums, I forget which, the one where they try and sound like Oasis meets the Stones meets “Rocks”-era Primal Scream probably, like that narrows it down, was voted Album of the Year by Q magazine, he bought a copy (of the magazine), and kept leaving it around the house, open at the relevant page, like we were going to go “Oh, well if Q says it’s the Album of the Year….”
And if it wasn’t Kasabian, it was bloody Mumford & Sons. I rest my case.
I mention all of this now, because one day he burst into the house, breathless with excitement, gushing “Jez…Jez…have you heard of Longpigs? Best…Britpop band…ever!”
Now don’t get me wrong. There’s nothing wrong with Longpigs first album, “The Sun is Often Out”. And they gave us Richard Hawley, so for that we are of course grateful In fact, I can’t believe I’ve never posted anything by him – I’ll rectify that over the weekend.
But best Britpop band ever? C’mon…
Anyway, that leads me, in a very roundabout way indeed, to what I think is their finest moment. For if you do Live Forever, then surely it could be said that you go on and on…
Ahem. Where were we?
Ah yes, back to Rol, I think:
“Final thought, on the subject of living forever (unless I have another thought)…
Ryan Adams (no B) – ‘Note To Self: Don’t Die’ …would be good advice for any budding immortals.”
Ryan Adams – Note to Self Don’t Die
Another inadvertent double-linker there, as Mr B-less Adams also once covered Oasis’s “Wonderwall”, as did this lot:
The Mike Flowers Pops – Wonderwall
Remember when Worst Record of the Week used to be about posting the Cheesiest Record of the Week? Well, that would win, even if it’s deliberately so.
And, just take a look at that Radio 1 sticker that proudly adorns the front. It reads: “As First Heard on the Kevin Greening Show”. Surely I’m not alone in furrowing my brow and saying, “Sorry, who??” Perhaps his career was cut short precisely because it was his show that first played that.
Hang on, Rol’s thought of something else. Having convinced himself not to suggest something by Gallagher and Lyle, he came back with this:
“Oh, I just had a thought about the Gallagher & Lyle route that would lead to a semi-respectable song.
Gallagher & Lyle reminds me of Tate & Lyle.
Tate & Lyle make sugar.
So… Sugar – ‘If I Can’t Change Your Mind'”
“Semi-respectable”?? That’s a fine record, and no mistake:
Sugar – If I Can’t Change Your Mind
“Please post the video so everyone can laugh at Bob Mould’s cardigan,” Rol concludes.
Okay, but I’m rather a partial to a nice cardy, so no sniggering:
Now, who haven’t we heard from yet? Ah yes, SWC from When You Can’t Remember Anything:
“The B Side to ‘Live Forever’ was ‘Up in the Sky’ which is where according to Sugar you would find the City of Armenia.”
Sugar – Armenia City in the Sky
…which is a cover of The Who track from “The Who Sell Out” of course. And Oasis covered The Who’s “My Generation” on their live album “Lord Don’t Slow Me Down”. This week, more than any, we seem to be going round in circles and finding additional links.
“Alternatively,” SWC continues, “the complete opposite of live forever would be dying young so we could have ‘All Die Young’ by much missed Smith Westerns.”
Smith Westerns – All Die Young
Or, for that matter, this, from the second Blondie album I ever bought as a kid (after I got “Best of Blondie”, but before “Parallel Lines”):
Blondie – Die Young Stay Pretty
And one more from SWC:
“Live Forever was apparently inspired by ‘Shine a Light’ by The Rolling Stones so we could have that.”
Sure could:
The Rolling Stones – Shine a Light
Next up, its The Swede from Unthought of, though, somehow:
“I’ll make a simple jump from Oasis to fellow Creation recording artists Swervedriver – ‘Rave Down’ please!”
I had totally forgotten how good that is, like a cross between My Bloody Valentine and Doves.
Last suggestion of the week, and I’ve deliberately kept this one back til last. I’ll leave you in the capable hands of The Robster from Is This the Life? to wrap things up:
“Pre-Oasis, Noel Gallagher was a roadie for Inspiral Carpets. Post-Oasis, he formed the High Flying Birds. Therefore I offer ‘Flying Like A Bird’ from Inspiral Carpets’ self-titled comeback album from 2014. I’d also like to dedicate it to their drummer Craig Gill who passed away last week.”
Inspiral Carpets – Flying Like a Bird
On which poignant note, all that is left for me to do is the admin bit. Here’s the link to the next record in The Official Chain, an underwhelming link as is so often the case, but a great record:
“Oasis used a leisure centre in Swindon as inspiration for their band name. Also from Swindon were…”
31. XTC – The Ballad of Peter Pumpkinhead
You know the drill by now; your suggestions for records that link to “The Ballad of Peter Pumpkinhead” by XTC, along with a brief description as to how you got from one to the other, via the Comments section below.
See you next week, Chain Gang!
(More soon).
It’s my birthday today.
When you’re birthday is a) on a Monday, and b) two days before pay-day, it’s hard to work up much enthusiasm.
And, let’s not go into the whole “how old I am” shebang, please.
If you really want to know, then I’ll let you do the donkey work, by just saying that this was the No. 1 single in the UK when I was born:
Creedence Clearwater Revival – Bad Moon Rising
Read into that what you will.
More soon.
I need to think of a new way to open these posts other than saying “So I left you last week with *insert name here* record and asked you to suggest songs that linked to it”.
But until I do, you’ll have to make do with this:
So, I left you last week with “The River” by Bruce Springsteen and asked you to suggest songs that linked to it. This week, I’m simply going to post them in the order that I received them.
So, as with most weeks, first out of the traps was George who said:
“The Springsteen album The River has a track called Fade Away. And Buddy Holly wrote and sang Not Fade Away.”
Next up, The Swede, with a typically classy link:
“I was born (and spent the first 15 years of my life) in Walthamstow. When I was a young lad, Dad would often take me for a Sunday afternoon stroll along the nearby River Lea. In my memory it was always a glorious adventure, but a few recently rediscovered photos taken at the time tell a different story – the river and the old buildings along the bank were in a pretty sorry state back then, though I believe there has been a massive regeneration of the area in recent years.
But I digress. I’d like to go from ‘The River’ to the River Lea to Jim Lea and ‘When the Lights Are Out’ from ‘Old New Borrowed and Blue’, which was his first ever lead vocal on a Slade track.”
Slade – When The Lights Are Out
I don’t know about you, but I can no longer hear a Slade tune without thinking of this:
Slade in Flame, indeed.
Next up, Charity Chic:
“Not sure I can top the Swede but The River to River Deep Mountain High to the Mountain by Steve Earle and the Del McCoury Band to Duke of Earl by Darts to Darts of Pleasure by Franz Ferdinand.”
Franz Ferdinand – Darts of Pleasure
I can’t really ignore the mention of “River Deep Mountain High”, now can I? But since I very much enjoyed watching Ronnie Spector’s set at Glastonbury over the weekend (if you have access to the BBC iPlayer, seek it out), I’m going to plump for the Phil Spector produced version by Ike & Tina Turner:
Ike & Tina Turner – River Deep, Mountain High
Which leads me rather nicely on to a suggestion I received that wasn’t via the Comments at the bottom of last week’s post. My boss, Kay, was talking to me at the start of the week, and suggested something called “Rolling on the River”, by which it transpires she meant this (although I think she wanted the Tina Turner version):
Creedence Clearwater Revival – Proud Mary
Which, it turns out is a double link, referencing not just the river, but also Mary.
Final suggestion time, and this week, it’s from The Great Gog, who also goes with name of the heroine in Springsteen’s track as the link:
“‘The River’ was released in 1980 and mentions a girl called Mary. Another song released in 1980, mentioning someone of that name is Robert Palmer’s ‘Johnny And Mary’.”
Which just leaves my choice, and, since you know I have no shame, I’m going to post a song which references both a river, and Mary, who, it would seem comes to a somewhat stickier end than any of the other Marys mentioned so far. Oh, and there’s also the fact that the story told takes place in Nebraska, which was of course the name of a Springsteen album.
You might ask: What’s so shameless about that?
Well, my suggestion this week is by Richard Marx:
(Go on, admit it. That’s alright really, isn’t it?)
Oh, and great though all of the other suggestions were this week, I win, with an unprecedented triple link choice.
And so to the admin task of posting the song that BBC Radio 2 listeners suggested to link to Springsteen’s song, and I imagine many of you will know what the link between the two songs was:
The Rembrandts – I’ll Be There For You
(And if you don’t know the link between Springsteen and The Rembrandts’ “I’ll Be There For You”, there’s a bit of a clue in that picture).
So, as usual, your suggestions please for what we can play next week that links to The Rembrandts’ “I’ll Be There For You”; you can either leave them in the Comments below, or just shout across the desk at work.
More soon.
**NEWS JUST IN**
It’s not often (okay, it’s the first time) I get a late submission, but this just came through from Marie who said:
“I probably have this game all wrong, but “The River” led me to “One More River To Cross” by The Soul Stirrers (featuring Sam Cooke.)”
Well, you have the game pretty much right, just a week late. But since it’s a ladies prerogative to be late (and since it would be churlish of me to decline the chance to post some sweet, sweet Sam Cooke) I’ll let it slide:
Sam Cooke with The Soul Stirrers – One More River to Cross
More soon.
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