Friday Night Music Club

For quite some time now, I’ve been pondering what it is that is preventing me from posting with the same regularity as I was last year.

I’ve worked it out.

Regular readers will know that I generally sit on a Friday night, have a few drinks and write posts for the next week. But for a while now, I’ve become preoccupied on doing a new mix.

Warning: artist at work excuse incoming.

See, whilst they seem remarkably unpopular, I really enjoy piecing together a long playlist/mix/call it what you will, and that inevitably means a few drafts which don’t quite, to quote Echo & The Bunnymen, cut the mustard.

So, I’ve been working on this mix for some time now, but somehow something always seemed to prevent me from finishing it, be it me tinkering with the running order, or thinking of new tunes to toss in, or some kind of technical calamity, or (more often) listening to it and realising I’ve utterly messed up a mix and I simply can’t bear to have anyone else listen to it.

I’m not going to pretend all of the mixes between tunes here are perfect – there’s at least one which I know isn’t – but I’ve reached the point where it’s close enough to let it go and move on to something else, before I drive myself mad searching for perfection.

So here’s my latest mix, imperfect though it may be; frustrating as it has been, I really like this one, which starts off in the usual way – slowly – before getting into a groove which includes Kings of Leon from before they went stadium and knew how to use a cowbell, a new(ish) track by The Chemical Brothers, an obligatory Soulwax remix, two of the finest female pop stars going: Miley Cyrus & Dua Lipa (not on the same tune, sadly), the occasional hidden ‘joke’ (by which I mean it seemed funny when I first put the songs together, less so now), via Madonna having a short chat with Johnny Cash.

It’s the usual mix of songs you love, songs you’ve forgotten about, and songs which make you think “What the hell has he put this on here for??”. Some might say eclectic, but I couldn’t possibly comment. Think mainly Indie guitar stuff, with a few dance tunes, 80s pop songs and a couple of timeless classics – at least one of which you probably won’t have heard before – thrown in.

As always, no track-listing – I like to imagine your faces when the next song kicks in – but there’s a list of featured artists on the right hand side in case you want to see what you’re letting yourself in for. Which is a treat, obviously. If you desperately need to know what a track is, either Shazam it or, if you’d like to feed my ego, ask me via the Comments at the bottom of this post.

Usual disclaimer: any skips and jumps are down to the mixing software; any mis-timed mixes (and, as I say, there is at least one) is down to me. Either way: Sorry!

One more thing: you may recall that last time out I mentioned that my brother had said he managed to predict what I was going to play next, which annoyed me greatly. No such criticism of the last mix, although he told me he listened to it whilst out on his morning run, so some of the sudden gear changes weren’t helpful. I’ve tried to rectify that this time, with a relatively steady beat and tempo maintained throughout (after you’ve got past the traditional slow start) for those of you who listen to this whilst doing your exercises (not that I really understand what that means). The danger was that it would denigrate into either a Ministry of Sound pumping dance mix or a Top Gear/Best Driving Songs…in the World…Ever! playlist, but I think the song choices just about keep us on the right side of that happening.

Let’s say it starts slowly, gets into a groove, and then has more false endings than a Status Quo single.

I’m a bit annoyed that since I first decided to include it, at least on song here has popped up in an advert – and you know how I feel about them – for burgers, of all things. Rest assured, the advert in question was not the inspiration for the song’s inclusion. You’ll know it when you hear it, I think.

Oh and there are several songs which feature effing and jeffings – “sexual swear words” as Simon Bates used to say at the start of videos – so please avoid if you are easily offended by unfettered vulgarity and sauciness. Look, there’s a Goldie Lookin’ Chain tune which is probably the rudest and most inappropriate (but funny) thing I’ll ever post, so beware.

For a limited time (until I do another one, so y’know, could be months), you can stream or download it via Soundcloud here.

More soon.

How Not To Do a Cover Version

Writing yesterday’s post, it occurred to me that I used to write a counter-weight series, where I featured bloody awful versions of great records. Checking back, it transpires that I haven’t posted one since December 2017, which at least shows that I’ve been faithful to my mother’s advice that if you can’t say anything nice, then don’t say anything at all.

Time to rectify that.

In 1972, Nancy Sinatra and Lee Hazlewood released their Did You Ever? album, and this was the title track:

A bona fide classic, I’m sure you’ll agree.

Which leads me here, and may the Good Lord have mercy on my soul for what I am about to post.

Linda Martin, says Wiki, is “…a singer and television presenter from Northern Ireland…best known in Europe as the winner of the 1992 Eurovision Song Contest with the song “Why Me?”, and in Ireland as a member of the 1970s/1980s band Chips.”

Mick McCarthy, on the other hand, is an ex-footballer who played for Barnsley, Manchester City, Celtic, Lyon and finally Millwall between the late 70s and the early 90s. He went on to manage Millwall and then, as is the natural progression for men born in Yorkshire, the Republic of Ireland.

He’s probably best known for having a spat with RoI captain Roy Keane on the eve of the 2002 World Cup finals which ended up with Keane and McCarthy squaring up to each other, Keane allegedly shouting (apologies in advance for the effing and jeffing): “You’re a fucking wanker. I didn’t rate you as a player, I don’t rate you as a manager and I don’t rate you as a person. You’re a fucking wanker and you can stick your World Cup up your arse. I’ve got no respect for you. The only reason I have any dealings with you is that somehow you are the manager of my country! You can stick it up your bollocks.” before either walking out of, or being expelled from, the squad, depending on whose account of events you wish to believe. Classic Keano.

That, and for being startled by, as Young Disciples sang (though I expect it wasn’t about Big Mick), apparently nothin’:

Anyway, in 1991, the stars aligned and Mick & Linda joined forces to cover Did You Ever? and, just like Jonathan and Jennifer Hart, when they met, it was murder:

My ears! My ears!!!

Sorry (I’m not sorry).

More soon.

Sunday Morning Coming Down

It was Nancy Sinatra’s 78th birthday on Friday, which makes this morning’s choice a remarkably simple one.

There’ve been many different versions of this over the years, but if I had to pick a favourite, it’d be Nancy & Lee’s version I’d have to plump for.

Yes, even above Johnny & June’s.

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Nancy Sinatra & Lee Hazlewood – Jackson

More soon.

The Chain #16

Evening Link Fans!

You know how I said I had a lot to get through last week? Well this week, even more so.

But before we get cracking, and to kill off any semblance of suspense, I’ll tell you that none of you – including me – picked the official record in The Chain. In fact none of you – including me – went down the same route as the person who picked the official one, which when you read it, will have you slapping yourself in the face and saying “Of course!!! Why didn’t I think of that!!”

First out of the traps, so to speak, this week was Charity Chic, proving once and for all why the name of this blog is very appropriate indeed, for I must admit, it was a song which I owned, albeit on a 90s compilation CD I’d picked up for something else entirely, but which also contained his suggestion:

“Dundee Unite fans despairingly sing “You’ve only got one shoe” to the socially deprived fans of Glaswegian clubs. When Gordon Strachan was manager of Celtic he was known as Chesney after a small red headed boy on the soap opera Coronation Street.  So The One and Only by Chesney Hawkes please Jez.  It’s bound to be the winner.”

Yes, folks. This is really happening:

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Chesney Hawkes – The One and Only

It’s okay. It’s safe to come out now. The be-moled one has gone.

But hot on his heels, here’s S-WC from When You Can’t Remember Anything, who not content with giving us two suggestions in his first week, goes two better by giving us four this week. So, deep breath, here we go:

Shoes were made for walking which immediately gives you ‘Fools Gold’….”

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The Stone Roses – Fools Gold

(and yes, the full 09:53 version. Of course, the full 09:53 version. Why would anyone want to listen to the short version..??)

“…But it also gives you Nancy Sinatra as well…”

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Nancy Sinatra – These Boots Are Made For Walkin’

“…As you walk in shoes you may well gaze down at them. Which is called Shoegaze. So perhaps ‘Sight of You’ by the Pale Saints.

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Pale Saints – Sight of You

“…Although ultimately if you have Kirsty singing about one pair of shoes you really need another point of view so you have to go with Fucked Up and ‘The Other Shoe’. Argument over.”

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Fucked Up – The Other Shoe

Moving swiftly on before I make really bad joke about that, here’s bagging area with more multiple suggestion mullarky, the third of which is my favourite link of the week:

“The Charlatans walked with no shoes on ‘Tellin’ Stories’…”

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The Charlatans – With No Shoes

“…Run DMC’s shoes were their Adidas…”

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Run DMC – My Adidas

“…Keith Richards once said ‘I don’t remember much about making Exile On Main Street but I do remember I had this really cool pair of snakeskin shoes’. “Happy” off that album is a blast.”

Yes. Yes, it is:

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The Rolling Stones – Happy

Here’s George:

“I was thinking of suggesting this: the Kirsty MacColl track comes from the album Tropical Brainstorm, and Typically Tropical did that single Barbados in 1975.”

This one..?

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Typically Tropical – Barbados

But before George has chance to flood me with multiple suggestions, can we give a warm Chain welcome to The Badger, who co-authors the When You Can’t Remember Anything blog with S-WC, who…erm…floods me with multiple suggestions:

Whilst my esteemed colleague S-WC is probably right about Fucked Up, he should consider this: Kirsty MacColl famously covered ‘A New England’ by Sir Billy Bragg. Billy Bragg also sang about Shoeburyness in the classic A13. So you could go there…”

And we will, for I once got Janice Long to play that for me on her late night Radio 2 show, kicking off – and I know you’ll find it hard to believe I could be behind such a thing – an hour of themed songs about roads:

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Billy Bragg – A13, Trunk Road To The Sea

“…Kirsty also sang on The Wonder Stuff’s ‘Welcome to the Cheap Seats’ from the ‘Never Loved Elvis’ album….”

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The Wonder Stuff – Welcome To The Cheap Seats

“…Elvis also featured in the title of a Cud album ‘Elvis Belt’. Which contained the classic ‘Only a Prawn in Whitby’.”

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Cud – Only (A Prawn in Whitby)

Moving on…no, wait…George hadn’t finished it seems…

“Then I thought of this: one of the other tracks from the Tropical Brainstorm album is “Não Esperando” which is Portuguese for No Waiting (and I didn’t have to look that up!), and the “waiting” bit leads to, yes, one of the 5 best songs ever recorded, Jesus Is Waiting by Al Green, the last track on the Call Me album, and 5-and-a-half-minutes of absolute genius.”

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Al Green – Jesus Is Waiting

Next up is Alex G, author of the rather fantastic We Will Have Salad who is kind enough to give my Copy and Paste skills a bit of a break by just suggesting the one song:

“What would you find “In These Shoes?”. If you were a shoemaker, probably a last. And Bob Last was the man behind the legendary late-70s indie label Fast Product, which in its brief existence gave us the debut singles by The Human League (the only reason I know the word “sericulture”), The Mekons, Dead Kennedys and Gang Of Four. Nice one, Bob. My pick: the original Fast Product version of “Damaged Goods” by Gang of Four, which Mr Last also produced. And which is great.”

Yes.Yes, it is:

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Gang of Four – Damaged Goods

And here’s Marie, who rather wonderfully adds an element of creative writing into her suggestion:

“I imagined the title of Kirsty’s “In These Shoes?” as a response to an invite to a Northern Soul All-Nighter. When asked, “What’s wrong with them?”, she might have answered, “Ain’t No Soul (In These Old Shoes) (by Major Lance.)”

One of the things I love about running this post (I can’t really claim to write it), is that often I’ll be introduced to a record I’ve never heard before, and which I instantly love. There’s a couple of tunes up there I was unfamiliar with, but my favourite of those this week goes to:

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Major Lance – Ain’t No Soul (In These Old Shoes)

Next, the return of another who I think we can now safely call a regular contributor round these parts. Here’s What’s It All About Alfie?

“This Chain could grow arms and legs, but it’s feet we’re interested in this week as feet live in shoes. A pair of shoes has two soles and following Marie’s thinking, how about Soul ll Soul with Keep On Movin’ (in these shoes) – a bit of a “lady” choice but gives The Chain balance perhaps?”

When this came out in 1989, my girlfriend at the time bloody loved it (in fact, we met because of it; she asked me to play it when I was DJ’ing one night, which I did, despite not being all that fond of it myself (No guitars, see..) The following week, I kept an eye out for her arrival, waited for her to get herself a drink and take up a spot kind of near the dancefloor, and then proceeded to play it for her again. Bingo! The oldest trick in the DJ’s Handbook.) but it wasn’t until a good few years later that the penny finally dropped with me about Soul II Soul and what an amazing record Club Classics Vol. One is:

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Soul II Soul (feat. Caron Wheeler) – Keep On Movin’

Three more to go, and here’s The Great Gog:

“I shall ignore all this talk of shoes and go with the fact that there is a chain of newsagents called McColl’s (yes, I know the spelling is ever so slightly different). Therefore I think that a song about a newsagent would be appropriate. I can think of no better such ditty (indeed I can think of no other, either) than In The Middle Of The Night from the debut album from Madness.” (Nope, me neither. The Jam’s “Man in a Corner Shop” is about the best I can come up with).

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Madness – In the Middle of the Night

Here’s The Swede, who picks up where George left off, linking to the title of the album from which “In These Shoes?” is taken:

“…‘Tropical Brainstorm’, which was co-produced by Dave Ruffy, drummer with The Ruts, one of the few groups of their time with the potential to rival The Clash in terms of passion and musical versatility. Certainly they were the only ‘punk’ band who got anywhere near The Clash when it came to reggae. ‘Give Youth a Chance’ is a good case in point.”

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The Ruts – Give Youth a Chance

Which brings us to the last of the suggestions from you guys and girls, and, since we started with a slice of cheese from Chesney, ending with another slice of cheese seems appropriate. I’ll let Kay explain:

“My suggestion is Footloose by Kenny Loggins. Just the thought of Kevin Bacon dancing angrily in a warehouse brings a smile to my face. Can’t remember if he’s dancing to footloose or some other gem in the warehouse – but what a scene!”

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Kenny Loggins – Footloose

Ok, cheese is a little unkind. I went to see that in the cinema when it came out in 1984, bloody loved it then, and bloody loved hearing it again now.

And, so to my choice. And mine is nowhere near as clever as all of yours (give yourselves a hearty pat on the back for another excellent week of suggestions, by the way). I’m giving you some breathy camp electro-clash-iness:

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Tiga – Shoes

All that’s left for me to do then is spark off a load of face-palms with the big reveal as to the identity of the official link:

“The late Kirsty MacColl’s former husband Steve Lillywhite produced Peter Gabriel’s third eponymous album…”

Grrr. How did none of us think of that??

Anyway, here’s the record they chose from said album:

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16. Peter Gabriel – I Don’t Remember

So, your suggestions please, via the Comments box below, for songs that link to Peter Gabriel’s “I Don’t Remember”, along with an explanation as to how you got there too please!

See y’all same time next week.

By which I mean: more soon.