The Chain #47

Finished!!!!

Yes, like a toddler who has just finished doing his business but doesn’t know how to wipe his own bottom yet, I stand before you, poking my arse in your general direction, innocent eyes pleading for assistance (I must say, this analogy works loads more than I expected it to), and announcing: The Chain is back!

Yes, I thought I’d have been a bit more prolific in writing these during “lockdown” too. What do you want me to say? I’m not Cher, I can’t turn back time.

Truth be told I’ve got a little too involved with two things recently: firstly, trimming down duplicate songs on my iTunes which prevent me from updating my iPod with anything I’ve acquired in the last twelve months or so; and secondly a DJ-mixing app which I’m determined to get to grips with so you can have some proper mixes by yours truly (which I’m sure you’re absolutely crying out for).

That aside, I’ll start with a recap: last time out, we were left with this as our source record:

Donovan – Mellow Yellow

Ordinarily, the easiest way to come up with a suggestion is to link to any of the words in the title or the artiste (this isn’t a criticism, it’s how I come up with about 90% of my own suggestions), but when you’ve only got three words to work with, it makes things tricky, and some serious creativity (by which I mean showboating) is needed.

So, in terms of a running order this time around, I thought I’d work through the suggestions which link to Donovan, then to Mellow, then to Yellow, and then we’ll all crash back onto our beds as we climax with those that have drilled down a little deeper, so to speak.

But first: a spoiler. Well, two actually. Firstly, nobody suggested the next record in the actual Chain this time around, and secondly there is no Showboater of the Week award this time. Don’t get me wrong, there’s some great records about to cross your path, ingeneously reached, but nothing quite point-worthy (Does anyone know where George, the Undisputed King of Showboating, is, by the way?).

There is most definitely a Worst Record of the Week award. In fact, it’s arguably the worst record I’ve ever posted, and I’ve posted The Wurzels before now (and will do again!).

OK, so let’s kick off with the Donovan related stuff. And where better to start than with something from Rol of My Top Ten fame who seems to have become my standard person to start with, even if his first suggestion this time around was somewhat confrontational:

“Do we also lose points if we mention Jason Donovan? Surely history has been kinder to him that Coldplay?”

I should explain. I signed off the last edition of The Chain with the words: “Minus points to anyone who suggests Coldplay. You’ve been warned.” This was intended not so much as a slur against the band, even though I do think they’re absolute dog-shit (through-gritted teeth: with a couple of admittedly decent songs in their back catalogue that they’ve inadvertently stumbled upon).

Besides, I was rather surprised at Rol’s reticence to suggest a bit of Jason Donovan, given that many years ago, noting my “There’s no such thing as a guilty pleasure” tagline, he had reached out to me for a bit of support in justifying…I won’t say his love of, nor admiration, but…the fact that he quite liked some records by Erinsborough’s second finest pop star (and no, Stefan Dennis is not the first). I duly responded with a post explaining why liking Jason Donovan records is perfectly acceptable, which, since I seem to be a little short of clips and funnies this time out, included this:

Anyway, after much to-ing and fro-ing, Rol was placated by me saying I’d happily post something by the definitely-not-lemon-juice-haired-Aussie wonder, so here we go. And a further explanatory word from Rol:

“I do remember thinking Too Many Broken Hearts was a half decent pop song, even at the time (and I generally hated everything SAW did). Plus, I saw Jason in the War of the Worlds stage show a few years ago and he was much better than Marti Pellow.

Yeah, I know. That’s not saying much.”

It’s a banger, mate. Don’t fret. Chill out. You’re amongst friends here.

And if I may interject with a quote from comedian Kevin Bridges: ““Marti Pellow: the only man who had to leave Glasgow to become a heroin addict”.

Anyway, here you go:

Jason Donovan – Too Many Broken Hearts

And before you ask: no, that’s not the worst record of the week. Not by a long chalk. (Is that a phrase? ‘Tis now.)

So, who else came up with a suggestion to the word Donovan? Well, now’s the time for the fevered mind that is Rigid Digit (the man responsible for all that appears on Stuff & Nonsense), to step up to the plate with his first suggestion, which whilst it links to the Donovan name, gives us a good steer as to the waters we may well find ourselves paddling in later:

“Donovan could’ve become Father-in-Law to a Mr S Ryder from Manchester.

His daughter Oriole shacked up with Shaun, and gave birth to one of his (many) daughters.

And if it wasn’t Shaun, then Donovan’s other daughter was knocking about with Paul Ryder.

The Happy Mondays had the song “Donovan” on Pills n Thrills & Bellyaches (which also samples a bit of Sunshine Superman).

And here it is:

Happy Mondays – Donovan

That would’ve earned points had it ended with “…(which also samples a bit of Mellow Yellow)…” but as it didn’t my shiny points will remain in my silk points purse.

Whilst there were several other suggestions which linked to Donovan the person, there was only one other which linked to Donovan the name. And that was **checks notes**…erm…me:

Cornershop – Jason Donovan/Tessa Sanderson (Version)

Ok, that’ll do for Donovan/Jason Donovan links. Let’s move on to links to the word Mellow. And it’s back to Rol, who, still somewhat reticent and tail between his legs for the Jason Donovan situation, came back with this as a very strong contender:

“Mellow Birds was a particularly rank brand of Instant Coffee that was popular when we were growing up and therefore became my first experience of coffee… which I promptly decided I didn’t like much and stuck to tea. It took me years to try coffee again and see the error of my ways.

Anyway, here are two songs that link vaguely to that….”

Guy Clark – Instant Coffee Blues

Closely followed by:

eels – I Like Birds

Catchphrase time!

Wel if you’re having that, then I’m having this:

Terry Scott – I Like Birds

It was a different time, alright?

Time for a little wander off from the chosen path, I think.

Here is a prime example of a suggestion which goes the extra mile and it’s no surprise to find it’s from Rigid Digit (I promise, other people have suggested stuff):

“Donovan went to India with The Beatles, and whilst there taught Paul McCartney the claw-like finger picking techniques which Macca then adapted (because he was left-handed) and came up with…”

The Beatles – Blackbird

I imagine you will all know that McCartney was due to headline on the Saturday night at Glastonbury this year, until bloody Covid-19 ruined everything. Not that I had a ticket, mind. But as previously mentioned elsewhere on these pages, I was fortunate enough to see him there when he headlined in 2004. He played Blackbird that night, I thought at about the second or third song, but trusty songlist.fm tells me it was tenth in the set. Either way, I remember it as we all sang along, realising what a special set I was watching.

Indulge me for a moment:

Apart from all the deaths and distrust that Covid-19 has brought, I think it’s important that we remember and recognise the cultural impact too.

Anyway, where next?

Well, in case you haven’t been paying attention, we’re still on the section where we’re looking at songs which link to the word Mellow, so what else have we got?

Over to the phoenix from the flames that is The Robster, who I’m sure we can all agree we’re delighted to see has been coaxed out of semi-retirement to start posting again over at Is This The Life which currently has an angry but sad tribute to the man who wrote the song the blog is named after, Tim Smith of Cardiacs. I urge you to read it it, and if you don’t know the music of Cardiacs, follow The Robster’s suggestions. He knows his stuff.

As is more than adequately supported by this:

“Mellow? More tricky….”

Blur – Mellow Song

……is the only one I’m coming up with at the mo.”

As you will see shortly, Rob has done that age-old trick of mentioning but not really suggesting songs, knowing full well that I won’t be able to resist and will end up posting everything he utters. That was at the end of the line of a series of “Well, there’s this…but no…or this…but nah…” mentions which, true to form, will pop up later. (This is not a criticism, by the way.)

Next up is Swiss Adam from bagging area; now to be fair, this is the third of his suggestions (the others will be along shortly), hence it’s brevity:

“Mellow Gold, Beck. He’s a loser baby so why don’t you kill him?”

Beck – Loser

Get crazy with the cheese whizz! (or something similar)

So, on the subject of the word Mellow, who’s next?

** Thumbs through suggestions **

Nope, just me again.

And you can all hang your heads in shame that not one of you suggested this:

Teenage Fanclub – Mellow Doubt (Alternative Version)

Oh, and I have this one too, from an excellent compilation album I picked up a while ago, called Basement Beehive: The Girl Group Underground which I can thoroughly recommend:

The Mellow Dawns – I’m Sorry Baby

And so on to the Yellows, which is thankfully bereft of Coldplay related songs.

Let’s kick off this section with something from Nathan of Nothin’ Sez Somethin’ fame (and yes, I get that yellow is not neccesarily the link Nathan is going for here, but it works so shush!):

“So of course there’s the obvious one: Paul McCartney yelling, clapping, & giggling on Mellow Yellow, playing uncredited bass on the rest of the album…Donovan singing “Sky of blue, sea of green” on…”

The Beatles – Yellow Submarine

There’s another reason I’ve posted that next, and that’s because I figured we could all do with a ruddy good sing-a-long. I’m right, right?

Actually, that’s the first time I’ve listened to that in God knows how many years, and I had a flash-back to singing it at junior school. I, ever desperate to get a laugh out of my friends, would perform the call-back bits in the final verse, paper-and-comb-in-mouth voice and all. I remember our headmaster, face knotted in fury, stalking along the lines of children, trying to locate the source of some unexpected joy, which was not of course permitted. He never caught me (for that). But looking back, what a desperate for attention little squirt I was back then, says the man who writes a music blog in his 50s, as if he’s changed.

Over now to PhonicPat “Here we go, linking the yellow I’ve gone for a a cautionary tale for everybody…”

Frank Zappa – Don’t Eat The Yellow Snow

Next up, the gorgeous C from Sun Dried Sparrows, with another yellow suggestion, but not it’s title, oh no. She’s way too sassy for that.

Keeping it simple: first one that comes to mind is this:

Nirvana – Territorial Pissings

…because ‘if yellow is mellow…’ and it is a great song.

Indeed it is, and one filled with memories for me, for it was a song we used to perform in the band I was in at college. We loved it for it was easy to learn: three chords, a drumfill and lots of thrashing our instruments within an inch of their lives. I tried to explain that most Quo records met at least two of those criteria, but my protestations fell on ironically deaf ears.

I mention this now because there exists some recordings of us playing live, done through the mixing desk and they are, without question, hilarious, for all the wrong, unintended reasons. I’m hopeful that the lead singer can locate said tapes so I can convert them to mp3s to post here, and we can all have a jolly good laugh. Watch this space.

Carrying on with the Yellow theme for now, and I’ll hand you back to Nathan, who has a couple of ideas in this area:

“What about….”:

Yello – Bananas To The Beat

“….a two-fer….?”

Well, no, only if you count a banana as a sex toy, which I don’t, and we haven’t even got onto those sort of smutty suggestions yet. Delete your browser history immediately, young man!

He’s persistent, though, is Nathan:

“How about…”:

Yellow Magic Orchestra – Day Tripper

“…McCartney/Beatles connection…Yellow connection…vague drug reference a la “Mellow Yellow”…a three-fer?

I admire your enthusiasm Nathan, but sorry, no. The source record isn’t by McCartney or The Beatles, and as for the drug reference, well, we’ll come to that soon enough.

In the meantime, you’ll recall I mentioned earlier The Robster’s cunning plan where he names a lot of records that he isn’t suggesting, knowing full well I won’t be able to resist posting all of them. Time to revisit. Brace yourself, for here we go:

“Where do I start with this one? Yellow? Too easy..:”

Throwing Muses – Bright Yellow Gun

“…or…”

Ane Brun – Big Yellow Taxi

I’ve deliberately not picked the original of that one. Click the link and you’ll see why (it’s beautiful). And I don’t just mean because it’s not the Counting Crows version.

Anyway, as you were Robster:

” ‘…Yellow Submarine…’ ” (We’ve had that!) “…I could go on. And on and on…” (I know, I’ve read your blog (just kidding!) received emails from you extolling the virtues of Newport Town FC). “So one that some people might not know is…”

Clap Your Hands Say Yeah – The Skin Of My Yellow Country Teeth

I love that record. It makes me think of David Byrne backed by a teenage wannabe Strokes garage band and it makes me smile whenever I hear it.

If I can just let Swiss Adam squeeze another one in here, that’d be grand.

“The lead rider in the Tour de France wears the yellow jersey, the ‘mailot jeune’, and Kraftwerk did a song and then an entire about the tour:”

Kraftwerk – Tour De France

But The Robster hasn’t finished yet. Oh no. Here he comes with his link to Donovan, which should have featured ages ago but I can’t be bothered with going back and putting it in its rightful place.

Go on then Robbo, fill yer boots:

“I’m going back to brilliant cartoons. Donovan once played himself in an episode of Futurama, which has a character called Fry. The wonderful Stephen Fry (credited as Prof. Joseph Yupik) lent his voice to the title track of (the even more wonderful) Kate Bush’s 50 Words For Snow album.”

Yes, it’s almost August, but here’s a song about snow:

Kate Bush – 50 Words for Snow

Which, fortuitously, leads me nicely onto the final category: all things Donovan-trivia related and associated rudeness.

But before we go there, a couple of the more obtuse suggestions. The Chain Gang may remember that for the past two episodes, The Great Gog has been obsessed with the county of Hampshire. Now, he has a new fixation:

“We move now to Hampstead. The Mellow Yellow album features a track entitled Hampstead Incident. I can think of only two other songs that include this part of North London in their titles:

The Dream Academy – Hampstead Girl

“…and…”

Microdisney – Singer’s Hampstead Home

“(Released in 1987 and 1988 respectively – clearly a time when this area was inspiring Britain’s songwriters)”

Wise words, great mate.

Back then, before the final push, to Swiss Adam from Bagging Area:

“Husker Du, legendary indie punk pioneers covered a Donovan song, Sunshine Superman in 1983. In fairly breakneck style. I’ve just scrolled up and seen another reference to that song but not the Du’s cover. They also covered the theme to the Mary Tyler Moore Showwhich is ace but doesn’t really link to mellow or yellow.

Yeh, but it’s the kind of almost showboating that I mentioned earlier, so I’ll allow it:

Hüsker Dü – Love Is All Around

I think we left Rigid Digit mid-flow a little earlier, so perhaps we should check back in on him:

” ‘…Pills…” is probably the Mondays high point – it’s a bit of a mess after that, and the next album was a bit a a damp squib. They had it, they lost it, and Tony Wilson probably thought it was great art to fail in this manner (and drag his record company down with them). But … Shaun returned with Black Grape proving he still had it (not sure he’s got “it” now – he’s already been on the Help I’m Stuck In The Jungle, Can I Have A Career? thing on ITV, and is probably second or third reserve for a place on The One Show sofa)..”

You haven’t watched him and Bez on Celebrity Gogglabox, I’m guessing. In case there was any doubt, Bez is shown to not be the sharpest tool in the box. Not that there was much debate in this area beforehand. This is a man who is so simple he managed to get himself disqualified for cheating on Celebrity Bargain Hunt. Sadly, we will never know if he’s like he is now because of the vast amount of drugs he took in the (I hate to narrow it down, but let’s say) late 1980s to early/mid 1990s. I think we can hazard a guess. As for Shaun, for a man who claims to have given everything up, his face is a very odd shade of bright pink. It’s almost like he’s self-glazing. Neither know how to complete a sentence without liberal use of the F-word. Not that I object to this, but come on guys, just one phrase without it, please.

But I digress: here’s where Rigid was heading:

Black Grape – Kelly’s Heroes

“…that’s the next link in The Chain, shirley?”

Before we go any further, some background knowledge which you will need to have if what’s to follow is going to make any kind of sense. So have a read of this, which I have pilfered from wiki:

The song was rumoured to be about smoking dried banana skins, which was believed to be a hallucinogenic drug in the 1960s, though this aspect of bananas has since been debunked. According to Donovan’s notes, accompanying the album Donovan’s Greatest Hits, the rumour that one could get high from smoking dried banana skins was started by Country Joe McDonald in 1966, and Donovan heard the rumour three weeks before “Mellow Yellow” was released as a single. According to The Rolling Stone Illustrated Encyclopedia of Rock and Roll, he admitted later the song made reference to a vibrator; an “electrical banana” as mentioned in the lyrics. This definition was re-affirmed in an interview with NME magazine: “it’s about being cool, laid-back, and also the electrical bananas that were appearing on the scene – which were ladies’ vibrators.”

So, to be clear, I have allowed songs which relate to the smoking of illicit substances as that is generally, if inaccurately, assumed to be what the song is about, but none can acquire points. Sadly, since my Mother will be reading this and I’ll have to look her in the eye again at some point, I also have to include any suggestions linked to Lady Love Toys too.

Let’s tantrically wait a while before we submit to the buzzing suggestions which involve items of self pleasure, and we’ll hear from long time-blog faithful, but (I think) first time Chain contributor, Lynchie Fae Enburdeeen:

Donovan’s “Mellow Yellow” includes the verse:

Electrical banana Is gonna be a sudden craze

 Electrical banana Is bound to be the very next phase”

Which leads me on to the greatest marijuana songs ever written – performed by the fabulous twin lead guitar band Man, who would occasionally perform this song with a full Welsh male voice choir.

“I like to eat bananas ‘Cos they got no bones

 I like marijuana ‘Cos it gets me stoned”

Man – Bananas

As Donovan is just mad about Saffron,” pipes exp Alex G, “I’m sure he would appreciate the future Republica vocalist’s contribution to N-Joi’s rave classic ‘Anthem’.”

N-Joi – Anthem

I had, and still have, no idea if it’s true that that’s Saffron or not. It doesn’t sound like her to me. But I’m letting it in with no fact-checking because if it’s not true, then it deserves admission just for the balls-out nerve of making such a claim up.

But whilst we’re on the subject of Saffron, here’s Nathan again:

How about Saffron – singer for Republica…Republica doing…:

Republica – Get Off

And so we land on the Mum-non-friendly bit with another suggestion from Nathan to get..er…our juices going:

“…Electrical Banana – slang for electric vibrator [yes, we know!]…The Vibrators doing…”

The Vibrators – Electricity

Well, if you’re having that then – all together now – then I’m having this:

Suede – Electricity

Next, I’ll hand the reins to Alyson from What’s It All About?:

“During these days of lockdown I’ve been threatening to get my guitar down from the loft and serenade the neighbours. Problem is I only ever got to song number two in my “Teach Yourself Guitar” book, which was (I’ll get to the point trust me) Catch The Wind by Donovan. For years I used to mix up that song and his other one Colours, to come up with Colours Of The Wind which is an entirely different affair from the Disney film Pocahontas, but the next song certainly won’t be that one.

As a follow up I’m going to go for Worst Song suggestion – Donovan also recorded Sunshine Superman. Superman was the name of a novelty record by Black Lace which had been originally recorded by two Italians with the title Gioca Jouer. To quote from wiki: ‘The song featured a number of dance gestures that acted out the lyrics – including sleeping, waving, hitching a ride, sneezing, walking, swimming, skiing, spraying deodorant, sounding a horn, ringing a bell, flexing muscles as a “Macho Man”, making the letters “OK”, blowing kisses, combing and flying like Superman.‘”

Brace yourself. This is unspeakably awful, and fully deserving of the only points I’m dishing out this time for Worst Record:

Black Lace – Superman

Oh God, somebody make it stop, please!

It’s alright for you lot, you can choose not to click the link and listen to it. I had to actively seek that out and listen to it when uploading it.

I may well get bored during the lockdown but not so bored I’m going to resort to the Superman dance (I hope),” Alyson concludes, like that makes what she’s just inflicted on us ok.

“Now that Alyson has taken us down the Superman route,” pipes up Charity Chic, “I’m going for:…”

The Flaming Lips – Waitin’ For A Superman

Turns out, that’s quite the palatte cleanser.

I may as well chuck in another one; this was the weirdest record I’d ever heard when I was a kid:

Laurie Anderson – O Superman

Last couple of suggestions now and since I’ve allowed Alyson and Charity Chic’s suggestions, I may as well let this from PhonicPat in too:

“To follow the Donovan link, The Butthole Surfers did a cracking version of Hurdy Gurdy Man…”

They did indeed, and here it is:

Butthole Surfers – The Hurdy Gurdy Man

And finally, one last one from PhonicPat:

“Picking up on your Coldplay warning how about…”

Mitch Benn & The Distractions – Everything Sounds Like Coldplay Now

Which is pretty much where we came in, I think.

All that leaves is for me to tell you that the next official record in The Chain is this:

U2 – Beautiful Day

…which was selected because Donovan and Bono share a birthday.

I know. Rubbish, right?

Anyway, you know the drill: submit your suggestions for songs that link to Beuatiful Day by U2 via the Comments section below, or by email to dubioustaste26@gmail.com and eventually I’ll get round to writing the next instalment.

More soon.

Friday Night Music Club

Once upon a time, in a galaxy far, far away, I used to write a series here called Friday Night Music Club.

Here is what I wrote way back in March 2015 to explain:

Friends of mine will tell you I love a themed mix tape or CD.

In my old flat, we used to have what we (ok, I) liked to call The Friday Night Music Club. This would involve us a) getting very drunk b) me shaving my head at some point c) listening to the latest CD mix I’d made (later, when I bought a sound system that allowed me to just plug my iPod in (other mp3 playing devices are available) these mixes got waaaay longer, and probably waaaaay more tedious for the listener) and d) ideally having a bit of a dance.

I’ve done mix tapes and CDs for friends and family all my life (but you already knew that, right?) but the idea here was to make a series of mix CDs which, when played in sequence, you could play at a house party and which would keep the night bubbling along nicely.

Actually, this is something I’d already tried a few years earlier. Friends of mine used to have the most excellent parties at their flat on Hilldrop Road, usually with a DJ playing, but on one occasion the DJ – and for that matter, their decks – couldn’t make it. In their absence I prepared a set of 11 CDs – about 15 hours – which, when played in sequence, took you from aperitifs and welcomers, to “go on have a bit of a dance”, through to off your nut party anthems, and then back down to sitting round talking nonsense about radishes until 6am.

Anyway, back to the Friday Night Music Club. Occasionally I’d make a theme out of the whole thing (hey, if Bob Dylan can do a radio show using the same format, I can do a mix CD, okay?) or do more than one CD and spread the theme out (there was once a 4 CD opus to a former flat mate which deserves a mention in passing) but more often than not the theme would occur to me in the middle of preparing it, and that’d be it…I’d be off….

As an aside, I appear to have missed some fairly significant landmarks in the history of this place: my first ever post was in September 2013, and if you think my posts are sporadic now, bear in mind that my second post didn’t happen until a year later in 2014. Whatever, a belated 5th anniversary to me!

Anyway, it was when I became rather fixated on the theme rather than with just posting some songs which sound good when played together that I knocked the Friday Night Music Club series on the head.

Since there are now more of us are spending our Friday Nights at home, many of us getting drunk, I figured I would bring the series back for at least a one-off for you to use as your sountrack to your Zoom/Houseparty chats. There might be more, I’ve not decided yet.

Also, this, right here what you’re reading now, is my 1500th post, so I’d like to mark at least one of my landmark posts in a timely manner.

Ahem.

That’s better.

I figured we’d go back to where it all began, to the first few episodes of Friday Night Music Club, but now with fewer attempts to be clever/funny and just more songs to rock your end of the working (from home) week/kids are in bed celebrations.

Actually, I’d hoped to bring this to you last weekend, in time for the Bank Holiday, but time simply caught up with me, the bastard.

The initial intention was simply to repost those early “mixes”, with a few new songs thrown in here and there (and some brutally culled). But as I was working on it, it metemporphasised into something different, perhaps better described as a completely new mix of tunes, very loosely hung on the framework of the old ones, in an effort to reinvigorate them, poncey as that may sound.

If you’d prefer to just listen to this on Spotify, you can do here:

Friday Night Music Club Vol. 1

…although a word of warning: Spotify doesn’t have all of the songs in the playlist, so the only real way to enjoy this in it’s full…erm…glory is by ploughing through the links below.

Oh, and a second word of warning: there’s a fair bit of effin’ and jeffin’ on some of these, so perhaps not for those with young ears.

Hopefully, there will be something for everyone in here (there’s seventy tunes in just over five hours, so I bloody hope so!), so push back the sofa, get yourself a pint of White Russian (or whatever your weapon of choice is), dim the lights and turn up the volume. Let there be grooves. Let there be guitars. Let there be cheese. Let there be some surprises, some forgotten tunes and some old favourites. Let there be singing. Let there be dancing.

Tell you what: I’ll play a song or two by way of a little intro whilst you’re getting yourself sorted:

Patience & Prudence – Tonight You Belong To Me

The Jesus & Mary Chain – Some Candy Talking

Richard Hawley – Tonight The Streets Are Ours

Frankie Valli & The Four Seasons – The Night

Lykke Li – Get Some

Richie Havens – Going Back To My Roots (Groove Armada Go North Remix)

Grace Jones – Pull Up To The Bumper

Roxy Music – Love Is The Drug

Earth Wind & Fire – Let’s Groove

Jackson Sisters – Miracles

Chic – Good Times (Full-Length Version)

Double Trouble & Rebel MC – Street Tuff (Scar Radio Mix)

Adventures Of Stevie V – Dirty Cash (Sold Out Mix Edit)

Skee-Lo – I Wish

De La Soul – Me, Myself and I

N.W.A. – Express Yourself

Public Enemy – Fight The Power

Clinton – People Power In The Disco Hour

Shed 7 – Disco Down

Los Campesinos! – You! Me! Dancing!

Cee Lo Green – Fuck You!

Janelle Monáe – Dance Apocalyptic

Taylor Swift – Shake It Off

Britney Spears – Toxic (Armand Van Helden Remix)

Girls Aloud – Something Kinda Ooooh

Icona Pop – I Love It [featuring Charli XCX]

Armand Van Helden – Koochy

Spandau Ballet – To Cut A Long Story Short

Orchestral Manoeuvres in the Dark – Enola Gay

Human League – Fascination

Archie Bronson Outfit – Dart For My Sweetheart

Stellastarr* – My Coco

Franz Ferdinand – Do You Want To

Gang of Four – I Found That Essence Rare

The Fall – Dead Beat Descendant

Maxïmo Park – Our Velocity

Sports Team – Here’s The Thing

Super Furry Animals – God! Show Me Magic

Elastica – Stutter

Black Rebel Motorcycle Club – Spread Your Love

Sum 41 – In Too Deep

Good Charlotte – Girls & Boys

My Chemical Romance – Teenagers

Ramones – Beat on the Brat

Iggy Pop – The Passenger

Talking Heads – Girlfriend Is Better

Siouxsie & The Banshees – Hong Kong Garden

The Cult – She Sells Sanctuary

The Sisters of Mercy – This Corrosion

The Rapture – House of Jealous Lovers

Interpol – Mammoth (Erol Alkan Rework)

A Guy Called Gerald – Voodoo Ray (Original Mix)

Mory Kanté – Yeke Yeke (Hardfloor Mix)

Underworld – Cowgirl (Bedrock Mix)

Josh Wink – Higher State of Consciousness (Dex & Jonesey’s Higher Stated Mix)

The Stone Roses – Fools Gold

Flowered Up – Weekender

Happy Mondays – W.F.L. [Think About the Future]

The Charlatans – The Only One I Know

Inspiral Carpets – Find Out Why

The Doors – Touch Me

divinyls – I Touch Myself

Yazoo – Don’t Go

New Order – Bizarre Love Triangle

Dan Le Sac vs Scroobius Pip – Thou Shalt Always Kill

Echo & The Bunnymen – Lips Like Sugar (Way Out West Remix Edit)

LCD Soundsytem – All My Friends

Indeep – Last Night a DJ Saved My Life

Primal Scream – Come Together (Terry Farley Remix)

The Bluetones – If…

More soon.

50 Ways to Prove I’m Rubbish #12

Mention of my DJ’ing days in my last post reminded me of today’s tune.

Long-term readers may recall that back in 2016 I wrote about how I came to start DJ’ing at college, you can read it here (links re-upped, as always).

The event of baggy and Madchester quite literally saved my DJ’ing career and the Indie night I played every other Tuesday night.

For despite mine and my fellow DJ Danny’s grandiose plans to rejuvenate the Indie night – we got it rebranded from the awful Funk Off to the slightly less awful (but only slightly, mind you) Intensity – attendances were dwindling to the point where the night itself was threatened with the axe.

And then Madchester happened, and we were reborn. If you wanted to hear this achingly cool new music, then we were the only DJ’s playing it (in the mid-Glamorgan area).

But, I must confess, we were pretty slow out of the blocks, and owed a huge debt to some of our regulars.

Initially, Danny and I were pretty much oblivious to this new music trend – I blame Danny, he was waaaaaay cooler that I was – and we only played something from the scene when it was dragged into our attention.

Actually, that’s not strictly true: we were playing early tracks by bands like The Charlatans, Inspiral Carpets and The Stone Roses, but to my ears there’s one band who were the real flag-wavers of the scene, and we had not a clue about them.

In a desperate attempt to entice punters in, we made it known that if you brought records in and told us what to play from them we would. If I were to try and spin it, I’d say that we were the first truly interactive DJ’s (but then I remember that DJ’s had been doing this for a long time, as evidenced here, in one of my first ever posts. Links also re-upped, though I don’t anticipate anyone will listen to them. Although, were I to tell you that Bob Stanley (of St Etienne fame) retweeted the link to that post back in 2014 maybe you will be a bit more tempted.

This led to some interesting moments; somebody brought in The Boo Radleys’ Ichabod and I and asked us to play a particular track, which we were happy to do, only to find that the record didn’t tell you which was Side 1 and which was Side 2, so I have no idea whether we played the right tune or not.

But specifically, two young chimps from Nottingham came up to us one night, and introduced themselves as Peaty and Daints – they were both called Andrew so everyone referred to them by their surname to avoid confusion.

And they asked us if we had anything by the Happy Mondays.

Which we didn’t.

So we told them, as we always did, to bring something in by them next time and we’d play it.

And they did.

And so, two weeks later we played a track (Kuff Dam, I think, or maybe Tart Tart) from Squirrel and G-Man Twenty Four Hour Party People Carn’t Smile (White Out). Danny and I looked on bemused as Daints and Peaty performed what we later recognised as Bez impressions on the otherwise deserted dancefloor.

Danny and I caught on fairly soon afterwards, but it’s a massive moment of professional and personal regret that I didn’t spot at the time how immense this record is:

Happy Mondays – Twenty Four Party People

Frankly, you know you’ve made it when Half Man Half Biscuit write a song which references you:

Half Man Half Biscuit – 24 Hour Garage People

I love having Peel pop up on my iPod every now and then, generally introducing HFHB, or more usually, as he does there, utterly messing up.

Recently, I’ve been in touch with Daints, who I haven’t seen since I went to visit him in Nottingham back in 2000. It was lovely to catch up with him, and if all pans out as I hope, there will be something quite unique posted here soon….

By which I mean: more soon.

Saturday Night Coming Up

There’s no drug-related story behind this one, although they were probably involved.

Actually, they were definitely involved in the making of the record.

That London’s Bugged Out night tried a few times to migrate down to Cardiff, but it seemed to be doomed from the start. The first night they had to get local DJs to stand in as the main act (Dave Clarke, I think, but don’t hold me to that…my recollection is, for fairly obvious reasons…let’s say sketchy) was involved in a car accident on the way to the gig.

But John Carter made it a few weeks later.

Me and my legally nameless friends had been on the dancefloor, when a tune we didn’t care for too much came on, and we decided to head back to the area where our gang were located, for a fag and a nice sit down.

But as we left the dancefloor, a drum-fill reverberated out of the sound system which sounded strangely familiar. I cocked an ear. It was followed by these words:

How old are you? Are you old enough?

I grabbed my buddy who was slightly in front of me. Having also recognised it, he was already goggle-eyed with excitement as I shouted: “Holy fuck, he’s playing the Mondays!”

We were back on the dancefloor by the time Shaun William Ryder had finished saying:

Should you be in here, watching that?

Glory days.

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Happy Mondays – 24 Hour Party People (Jon Carter’s Main Vocal)

Happy Mondays – 24 Hour Party People (Jon Carter’s Acid Vocal)

More soon.

I’m Not Too Keen on Mondays

A thing I am regularly asked about this series:

“How comes, since you’re promoting a happy Monday, you’ve never posted anything by the Happy Mondays?”

On Twitter this week, there was a thing going round about the greatest opening line of a song.

Two birds, one stone.

Son. I’m thirty.

I only went with your mother cos she’s dirty

S’poetry, that.

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Happy Mondays – Kinky Afro

Have yourself a Happy Monday.

More soon.

The Chain #38

It’s weird how things pan out. We have various categories here, where I award points for (nobody’s counting, the points mean nothing, apart from giving a warm glow for the recipient) the following:

Worst/Cheesiest Record of the Week

Showboat Comment of the Week

The Next Record in The Official Chain

Well, this week, we have a suggestion for each of the above. All of them will receive points. Yes: one person correctly guessed the next song in The Official Chain. If I could afford Ray Winstone’s head to pop up to ask you to lay your bets “nahhhhh”, this is where he’d be.

To recap: last week, we ended up with “Bonny” by Prefab Sprout, from their “Steve McQueen” album. Plenty of food for thought there, you’d think? Well, we have the most tunes ever to get through this week, although that’s mostly because I kept thinking of new ones.

Oh and by the way, it was rather pleasing to note that absolutely nobody complained about my deliberate mistake last week, which was to omit the link for the Crazy Frog tune. My faith in humanity is almost restored.

But before we go any further, many of you will know that regular Chain Ganger Badger’s better half was Lorna was involved in a car crash last week. Needless to say, our thoughts and best wishes go out to them. Get well soon.

So where better to start than with Badger of When You Can’t Remember Anything‘s suggestions:

“Beans often come from sprouts so how about something by Sunflower Bean? Tame Impala perhaps…”

Yes, that’s Tame Impala by Sunflower Bean, rather that Sunflower Bean by Tame Impala. As it says on their Bandcamp page: “Tame Impala wrote a song called Led Zeppelin and now they have a song named after them.” You can’t fault their logic.

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Sunflower Bean – Tame Impala

“Or,” continues Badger, “cabbages are basically big sprouts so how about ‘Uber Capitalist Death Trade’ by them.”

Coincidentally, an album I picked up earlier this week:

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Cabbage – Uber Capitalist Death Trade

I feel a catchphrase coming on. If Badger’s suggesting that, then I’m suggesting this:

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Teenage Fanclub – The Cabbage

Badger and I weren’t the only ones to go down the vegetable route; here, with the first of several suggestions is Jules from Music from Magazines:

“Joanna Newsome has a fine number called ‘The Sprout and The Bean'”

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Joanna Newsom – Sprout And The Bean

And here’s The Great Gog:

“I feel that this is as good a time as any to mention Jasper Carrott and Funky Moped, although I think that a fair proportion of its sales were down to the inclusion of the non-musical Magic Roundabout on the flip side.”

You’re probably right, GG, so let’s stick with the A-Side which is, by the way, the Worst Record of the Week:

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Jasper Carrott – Funky Moped

There you go, that’s your five portions of vegetables sorted out for today. A reward for finishing off all of your Brussel Sprouts is deserved; here’s Jasper with a classic routine:

Of course, Brussels also leads us to Europe, and to Belgium. Here’s Michael:

“Brussels being the capital of Belgium….Arno is a legend, in Europe often singing in English , ‘Les Yeux de ma Mère’ is a beautiful song , so you could also argue the bonnie link.”

You could, but you really don’t need to:

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Arno – Les Yeux de ma Mère

And since we’re in Belgium, here’s Charity Chic from Charity Chic Music:

“Plastic Bertrand is the only Belgian singer I’m aware of….”

What, you haven’t heard of Arno before, CC…..? Care to nominate a song by the most famous Belgian (after Hercule Poirot and Jan Vertonghen, both of whom would have done better than our actual defence did yesterday).

“I only know the obvious one…”

Me too, as it goes. So here it is:

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Plastic Bertrand – Ça Plane Pour Moi

Unsurprisingly, there was a whole load of suggestions linking to Bonnie. First out of the bag is The Great Gog, again:

“It’s not too much of a leap to Supertramp and their song, Bonnie, which I would imagine will be among the contenders for worst song of the week.”

Nope, but you’ve already won that gong, so no worries:

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Supertramp – Bonnie

In a normal week, the next suggestion, from George, would win the Comment Showboat of the Week. Not this week though, oh no:

“Using the song title, Bonny, to the name Bonnie, which leads to child star of the 70s Bonnie Langford, who appeared on a TV show with Lena Zavaroni, one of Rothesay’s famous exports, and there is no way I’m suggesting ‘Mama He’s Making Eyes At Me’, NO WAY, because I am linking from Bonnie Langford to Jon Langford, founder member of The Mekons, and to the song ‘Prince Of Darkness’, who seems to be having a rare old time at the moment in the UK and the USA. (The Prince of Darkness, that is, not Jon Langford)”

See that? Biting satire as well a great suggestion:

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The Mekons – Prince Of Darkness

Over to SWC from When You Can’t Remember Anything next, who is also “going down the Bonny route” which definitely sounds like a euphemism.

“I’ll start with ‘Anne Bonny’ by Death Grips”

(Warning: contains swears.)

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Death Grips – Anne Bonny

Next up is Martin from New Amusements:

“The obvious temptation with Bonny is to go the Tyler route, but who likes obvious when there’s the Bonnie Raitt route, maybe with ‘Something To Talk About’.”

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Bonnie Raitt – Something To Talk About

Time for The Robster from Is This The Life? with a bit of a history lesson:

“The only thing I’m coming back to is ‘My Bonnie’, the 1961 debut single by Tony Sheridan. He was backed on this by some young upstarts called The Beat Brothers (as the label credited them). Apparently they went on to become quite famous under a slightly different name…”

No points for knowing who that is, of course.

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Tony Sheridan & The Beat Brothers – My Bonnie

A couple of suggestions linking to the same artiste now, once as “featuring…” and once in his own right. Let’s take Jules’ next suggestion first:

“Bonnie Prince Billy ‘We are Unhappy’ (the version from ‘Singers Grave – A Sea Of Tongues’ please)”

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Bonnie ‘Prince’ Billy – We Are Unhappy

…followed by another one from SWC:

“From Bonny to ‘Prince’ Bonnie and Hot Chip’s rather lovely ‘I Feel Bonnie’.”

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Hot Chip feat. Bonnie ‘Prince’ Billy – I Feel Bonnie

Time to welcome back The Beard, who pinches one off my toes:

“Bonnie was one of the Blue Peter dogs. She was a golden retriever. Golden Retriever is a Super Furry Animals number.”

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Super Furry Animals – Golden Retriever

But The Beard isn’t finished just there:

“…and from Bonnie the Blue Peter dog to Roachford’s ‘Cuddly Toy’ via Alan Partridge…”

I’m going to end up posting this every week, aren’t I…?

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Roachford – Cuddly Toy

There was a distinctly outlawish theme to a few of the suggestions; step forward Lynchie:

“Bonny made me think more of one of Billy The Kid’s aliases – William H. Bonney – so I’d like to put in a good word for Joe Ely’s ‘Me and Billy the Kid’.”

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Joe Ely – Me And Billy The Kid

In the movie ‘Pat Garrett & Billy the Kid’, the Kid is played by one Kris Kristofferson, who regular readers will know is a hero of mine, so here’s one by him:

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Kris Kristofferson – Jody And The Kid

Many of you weren’t content at simply linking to Bonnie, plumping for songs which reference, or are just plain about, famous outlaws Bonnie and Clyde. Here’s another one of mine to kick this batch off:

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Georgie Fame & The Blue Flames – The Ballad Of Bonnie & Clyde

Others to link to the dastardly duo were The Robster:

“Just remembered… ‘’97 Bonnie & Clyde’ by Eminem…” 

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Eminem – ’97 Bonnie and Clyde

“Or maybe Tori Amos’ cover of it….”

Or both?

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Tori Amos – ’97 Bonnie & Clyde

Then there’s Walter from A Few Good Times in my Life who offers this:

“I take the gangster road…in 1996 German punk band Die Toten Hosen released a song called ‘Bonnie and Clyde’.”

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Die Toten Hosen – Bonnie & Clyde

But of course, no round up of songs about Bonnie & Clyde would be complete without this one, as suggested by Swiss Adam from Bagging Area:

“Bonny>>> ‘Bonnie and Clyde’ by Serge Gainsbourg.”

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Serge Gainsbourg – Bonnie And Clyde

Serge was, of course, a randy old sod, as Whitney Houston once found out:

At which point, Rol from My Top Ten chips in:

“Two of my three Bonnie & Clyde suggestions have now come up… But where the hell is the third, arguably most obvious, one???”

But before he has chance to clarify, Michael reappears:

“You must be referring to the Steve Wynn and Johnette Napolitano version…”

This one?

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Steve Wynn – Bonnie & Clyde

Anyway, Rol’s suggestion:

“Bruce Springsteen also recorded his own Bonnie & Clyde song… Nebraska.”

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Bruce Springsteen – Nebraska

Okay, are you all sitting comfortably? Good, because I’m about to go off on a bit of a tangent, and hog the limelight for….oooh…the next five songs.

In the movie about the outlaws Bonnie & Clyde, pithily titled “Bonne and Clyde” Bonnie was played by Faye Dunaway, and Clyde was played by Warren Beatty. Beatty may, or may not have been the subject of this record:

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Carly Simon – You’re So Vain

He also played the lead in 1978’s multi-Oscar nominated “Heaven Can Wait”…

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Meat Loaf – Heaven Can Wait

…and 1975’s (not multi-) Oscar nominated “Shampoo

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Shampoo – Trouble

Faye Dunaway used to be married to Peter Wolf, lead singer with the J. Geils Band:

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J. Geils Band – Centerfold

…and she starred in 1968’s “The Thomas Crown Affair”, which won the Oscar for Best Original Song for this:

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Noel Harrison – The Windmills of Your Mind

And, of course, her co-star in The Thomas Crown affair was one Steve McQueen, which is, of the course, the name of the album that this week’s source record comes from.

(If I could award myself the Comment Showboat of the Week for that little lot, I would. Guess I’d better give it to one of you lot instead. Harumph.)

Go on then George, do your stuff:

“From Steve McQueen to Alexander McQueen, the designer, whose partner was George Forsyth, which is also the name of a long dead American General, and also of a Peruvian footballer. And also from Peru was Daniel Alomia Robles, who wrote the song El Condor Pasa, which was made famous by Simon And Garfunkel as ‘El Condor Pasa (If I Could)’.”

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Simon And Garfunkel – El Condor Pasa (If I Could)

Here’s The Beard, back for another go:

“Shaun Ryder cribbed the opening to the Happy Mondays’ ‘Step On’ (“You’re twistin’ my melon, man…”) from a documentary about Steve McQueen. ‘Step On’ is, of course, a cover of a John Kongos number that I believe has featured on these pages before [it hasn’t, so we could have it…] Happy Mondays also covered Kongos’ Tokoloshe Man. So that instead, please.”

Fair enough. This featured on “Rubáiyát”, which was released to mark record label Elektra’s 40th Anniversary:

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Happy Mondays – Tokoloshe Man

Back to Rol now, who reveals he is currently working on a Top ten of songs about, or mentioning, Steve McQueen, and suggests this:

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Gil Scott-Heron -The Revolution Will Not Be Televised

Time to check in on Jules again, who suggest a Lambchop song for the second week running (this is not a criticism, by the way):

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Lambchop – Steve McQueen

Oh, and Jules, sorry but I can’t use your fourth and final suggestion, as it has already featured in a previous Chain post. Sorry!

Anyway, other films starring Steve McQueen include “Bullitt” so here’s Swiss Adam’s other suggestion:

“Steve McQueen takes us to the jazzy soundtrack to ‘Bullitt’ by Lalo Schiffrin”

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Lalo Schifrin – Bullitt (Main Title)

Rigid Digit from Stuff & Nonsense picks up the theme:

“Bullitt features probably the greatest cinematic car chase….”

He means this, of course:

…which leads to his next suggestion:

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Madness – Driving in My Car

…and leads me to suggest this:

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Deep Purple – Speed King

Want other Steve McQueen films? Rigid’s got ’em:

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The Clash – The Magnificent Seven

…which leads me to suggest this, from the 1995 charity compilation album ‘Help: A Charity Project for the Children of Bosnia’:

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One World Orchestra – The Magnificent

In case you don’t know, that’s actually The KLF, who seem to be on the brink of a comeback…

Another McQueen film? The Great Escape. Back to you, Rigid:

“…something from the Blur album perhaps, or a convoluted reference to the Blur/Oasis race for number 1 and the suggestion of Oasis’ ‘Roll With It’…?” 

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Oasis – Roll With It

Okay, where shall we go next? I know, let’s have some suggestions relating to Prefab Sprout themselves, and to kick things off, here’s Alyson from What’s It All About, Alfie?

“I always thought that their ’88 hit ‘King of Rock ‘n’ Roll’ was called ‘Albuquerque’ as the word comes up so often in the lyrics – Whenever watching the TV show Breaking Bad which was set in Albuquerque I thought of the song ‘A Horse With No Name’ by America (from Ruislip) and sure enough it popped up in the third season (and is my suggestion for this week). A tenuous double link is that the America band members back in the early ’70s would have worn the fashionable trouser of the day – loon pants – and Prefab Sprout’s main man was of course Paddy McAloon!”

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America – A Horse With No Name

Next up, here’s The Swede from Unthought of, though, somehow:

“The prefab is a kind of house, so I’ll go with ‘My Head Is My Only House Unless It Rains’ by Captain Beefheart. Such a beautiful song.”

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Captain Beefheart and The Magic Band – My Head Is My Only House Unless It Rains

Remember Michael suggesting Arno right back at the start of this week’s post? Here’s his other suggestion:

“Prefab being an abbreviation for prefabricated makes me think of boys bands so why not something by The Monkees: ‘I’m a Believer’.”

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The Monkees – I’m a Believer

And on the subject of prefabs, here’s Alex G from We Will Have Salad:

“I should go from something by Prefab Sprout to the *original* Prefab Four, i.e. The Rutles, but I’m not actually familiar with their output. ‘Cheese and Onions’ is a mildly infamous song of theirs, though, so I’ll go with that.”

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The Rutles – Cheese And Onions

Now, we’ve had numerous links to Steve McQueen, the album that the source record features on, but what about other albums by Prefab Sprout?

“Prefab Sprout’s next album was ‘From Langley Park to Memphis’ and one of the singles from it was aforementioned ‘King of Rock ‘n’ Roll’. Elvis of course was the KORNR and he lived in Memphis so an alternative suggestion is ‘Walking in Memphis’ by Cher (as she dressed up as Elvis on ‘Top of the Pops’ back in the day).”

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Cher – Walking in Memphis

And what about the album after that….? Over to Martin again:

“‘Protest Songs’ … which is all the excuse I need to pitch ‘The Internationale’ by Billy Bragg, and hope that it scores extra points for being more relevant now than ever.”

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Billy Bragg – The Internationale

No extra points, I’m afraid Martin, but I will take this opportunity to nudge you in the direction of Swiss Adam’s Bagging Area, where he has just finished posting a week of protest songs. Worth a visit, in my opinion.

Anyway, that’s your lot for this week. Except, a little while ago, Rigid Digit mentioned the Steve McQueen film and Blur album “The Great Escape”, but didn’t actually nominate a song from said album. Magnanimous host that I am, I asked him if he had one particular song in mind:

“My choice would be the peerless ‘The Universal’ (despite it’s continuing usage on the British Gas advert)”

Can’t argue with that:

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38. Blur – The Universal

And that, as you will have gathered by the number craftily placed at the start, is the next record in The Official Chain, so congratulations, and bonus points, to Rigid Digit.

So, your suggestions, please, for songs which link to “The Universal” by Blur, along with a brief description of the link, via the Comments Section down below, in time for next Sunday’s edition.

Oh, and more soon, of course.

I Am The Mouth

Bit of an open goal for me this week; having mentioned today’s tune in passing the other week when explaining the concept of this thread, at least two people mentioned they’d gone and listened to this one instead of the tune I’d posted. Cheers.

If “Step On” and “Kinky Afro” give you the opportunity to bless the dancefloor with your best Bez impression…

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…then the darker, moodier, less played (hence it’s inclusion here) “Loose Fit” let’s you break out your louche Shaun Ryder moves:

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Here you go. Enjoy.

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Happy Mondays – Loose Fit

More soon and all that.

The Chain #18

Evening Chainies! Welcome aboard the latest instalment of interactive blogging, where I welcome your suggestions for songs to play next week.

For newcomers, here’s the deal: there’s a feature on 6Music’s Radcliffe & Maconie week-day afternoon show where they play a record, ask their listeners to suggest a record connected to it, they pick the best one, play that, and ask for suggestions for the next song to play.

Where we differ is this: we play the same record as they do, invite your suggestions, play all of them, awarding completely arbitrary bonus points here and there (usually for correctly guessing the next song in the official Chain, occasionally for the cleverest/most impressive explanation as to how the suggested record was reached (or “Comment Showboating”, as it’s become known round these parts), but most often for suggesting something by a band I bloody love), then play the next record in the 6Music list, point out it’s nowhere near as clever/good/witty as any that you have come up with, and ask that you repeat the trick, provide a suggestion that links to the official record, which we play the following week, and so on, and so forth, repeat ad infinitum.

Of course, we’ve only been doing this for three weeks, and they’ve been doing theirs, playing three tracks a day, five times a week, so we’re quite some way behind them, so when I say we play the same record as they do, we do, just about six years later.

Here’s the only three things I ask:

  1. When making your suggestion, provide an explanation as to how you got there. And try to be a little bit more creative than just saying “So and so did a cover of that, please play their version”;
  2. Whilst it’s great to have obscure, cool records suggested, try and mix it up a little. Don’t be embarrassed to suggest a cheesy or downright awful record. Lord knows I’ve suggested enough myself;
  3. If I don’t own, or am unable to track down a copy of the song in question, please make sure that you’re able to supply me with it if need be. (NB – this happens rarely. This may only be week 18, but we’re 130 suggestions in, and only three times have I been stumped so far.)

Before we get started, one more bit of admin to get through.

I have not yet introduced the “Two Suggestions per person” rule that I mentioned last week. Well, not yet, anyway. To be honest, I felt a bit like a stroppy kid, losing at a game of football in the park who threatens to take his ball home unless he wins. So, uncapped numbers of suggestions remain, for now. But please bear in mind that I don’t have an infinite amount of time go trawling for the oh-so-many tunes that I don’t already own.

Okay, so that’s the tedious stuff out of the way. Let’s get cracking.

Last week, I left you with Kate Bush’s “Hounds of Love” and asked you to come up with any ideas as to what we could play this week. And true to form, you’ve come up with some absolute stonkers, and some utterly weird things too.

So, first up this week is Swiss Adam from bagging area who wrote:

“Hounds of Love? Does your pussy do the dog? (asked The Cramps)”

Short and to the point, is our Swiss:

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The Cramps – Can Your Pussy Do the Dog?

Actually, I take that back. For before we can draw breath, Swiss is back with a second suggestion. Which is fine. We can still have a kick-a-round:

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The House of Love – Never

Yup, totally with you on that one Swiss. It’s a single which is often overlooked because of the majesty of the singles that had preceded it, but it’s still a corking little indie-pop record which deserves an airing.

Now for those of you who don’t peruse the Comments section, where the suggestions are left, these next two take a little extra explanation.

See, last week I was asked to post Vampire Weekend’s “A-Punk”, which I duly did, but added that they’re not a band I’m fond off, and that they generally just rub me up the wrong way. Regular contributor George left a message, in an effort to show some solidarity, letting me know that he feels much the same way about The Clash and Bruce Springsteen.

Cue Charity Chic, stepping effortlessly into shit-stirring mode:

“Kate Bush on her return to live performances sold out the Hammersmith Apollo for a 22 night residency between 26th August and 1st October 2014. There used to be another venue in Hammersmith called the Palais. So ‘(White Man) In Hammersmith Palais’ by The Clash, please…and dedicate it to George!”

Sorry George, but this is for you:

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The Clash – (White Man) In Hammersmith Palais

And he isn’t done there either:

“Kate Bush had an album called The Dreaming. Bruce Springsteen had an album called Working on the Dream. The title track please…and dedicate it to George!”

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Bruce Springsteen – Working On a Dream

I have visions of Charity Chic posting the second of those two, saying “Boom!”, dropping his microphone and strutting off stage.

Next up, here’s Badger from When You Can’t Remember Anything:

“Well there is a track by Death Grips called ‘World of Dogs’ but I wouldn’t put up a picture of the album cover.”

Not sure I see what the fuss is about, Badger:

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Death Grips – World of Dogs

I should, of course, point out that isn’t the actual cover Badger refers to. If you want to Google it, I’d strongly recommend that you don’t do it at work.

“As a serious suggestion ‘Hounds of Love’ was covered memorably by The Futureheads which takes us nicely to ‘Decent Days and Nights’ by that lot.”

Badger almost became the first person to have points deducted for providing too obvious a link there, just dodging the bullet by suggesting a record by The Futureheads other than their cover of Madam Bush:

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The Futureheads – Decent Days And Nights

Here’s George, who clearly is not going to rise to Charity Chic’s bait:

“From Hounds to Dogs and Tropical Hot Dog Night by Captain Beefheart (from the Shiny Beast Bat Chain Puller album)”

MI0000642565Captain Beefheart and The Magic Band – Tropical Hot Dog Night

I have to confess, Beefheart are one of those bands I know I’m supposed to like, but I’ve given Trout Mask Replica many opportunities to win me over, and every time I’ve just come away scratching my head (in befuddlement, I don’t have nits).

That said, though, I really like the track George has suggested, so maybe it’s about time I gave it another go.

Here’s The Swede from Unthought of, though, somehow with another suggestion I didn’t know, or rather didn’t know this version of it. I’ll let him explain:

“On the b-side of the ‘Hounds of Love’ 7″ single, Kate Bush covered a traditional seafaring ballad, ‘The Handsome Cabin Boy’. The great Martin Carthy sang an acapella version of the same song on his self-titled debut LP in 1965.”

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Martin Carthy – The Handsome Cabin Boy

Here’s When You Can’t Remember Anything‘s co-writer, S-WC:

“Kate Bush allowed ITV to use her surname for a section of the show I’m a Celebrity… called The Bushtucker Trial [not sure that’s entirely true, but I’ll let it slide – Ed]. Johnny Rotten appeared in one of those and ate a kangaroos anus. So we’d best have Anarchy in the UK.”

And that’s why I’ll let it slide. Still sounding as fresh and as angry today as it did back in 1976 (I imagine, I was a little too young got punk), here’s them Grundy-baiting Sex Pistols:

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Sex Pistols – Anarchy in the U.K

And there’s a good reason why I’ll let that slide, for if I didn’t, I’d have to disqualify a third suggestion from Swiss Adam at bagging area:

“Shaun Ryder too. Wrote for luck?”

Oh, go on then:

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Happy Mondays – Wrote For Luck

Sadly, as long as I waited, not one of you suggested we continue that particular theme by playing something by Peter Andre. Not even “Insania” which he wrote on the show. An opportunity missed, I’m sure you’ll agree. Or, hopefully not.

Coincidentally, those last two suggestions feature bands who are commonly referred to incorrectly as “The Sex Pistols” or “The Happy Mondays”. There is no prefix on either. The next suggestion – by Swiss again with his fourth – yes, fourth – go, features a band with nothing but the word The in their name:

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The The – Dogs Of Lust

Now, right at the top of this post, I mentioned that so far I’ve only needed to be bailed out three times when hosting this thread, and two of them were suggestions made by George. So when he popped up again with this, I felt myself break out into a cold sweat:

“From Kate Bush to The Very Things’ song The Bushes Scream While My Daddy Prunes.”

The other time I couldn’t find a postable copy of a song, it had been suggested by Dirk over at Sexyloser, so when he chipped in by saying: “George, the recommendation of that particular Very Things – tune almost makes me forgive you disliking The Clash so much: excellent choice!”, well, I knew I was in trouble.

Luckily, we’ve just had a Bank Holiday Weekend here, so I had a little extra time to track it down. It’s not the finest quality, and there is a moment or two’ silence at the start that I haven’t had time to trim off, but here in all their glory, are The Very Things:

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The Very Things – The Bushes Scream While My Daddy Prunes

Have to say the jury’s still out on that one here at Dubious Taste Towers. I’d fully expected to award the Oddest Record of the Week gong to the Captain Beefheart track, but I think The Very Things takes that honour. It certainly wins Best Title of the Week. (I need some jingles for these, don’t I?)

Here’s Alex G from We Will Have Salad with an idea for a bit of pre-fame (they were not famous for a lot longer than they were famous, after all) Pulp:

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Pulp – Dogs Are Everywhere

Finally this week, here’s What’s It All About, Alfie?:

“Another female singer with similarly “bushy” dark hair had their biggest chart hit in 1978 and it was Patti Smith with Because The Night so going for that one please.” Which, as Charity Chic gleefully pointed out, was written by one Bruce Springsteen:

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Patti Smith Group – Because The Night

And so we come to the end of your suggestions, and we come onto mine.

Ahem.

There are many types of Hound, other than the ones of Love. There are Basset Hounds, which I couldn’t think of anything for. There’s the Greyhound, but The Swede suggested the only song I know by them back in The Chain #7. There’s the Whippet, a sighthound breed descended from greyhounds, but there’s nothing there…

…wait a minute. Whippet. Whippit. Whip It.

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Devo – Whip It

I’m here all week.

Now, if any one you had suggested that, I would have been awarding bonus points. But I can’t really award them to myself, so I won’t. (*looks pleadingly at you all*)

And so, to the official song in The Chain, where this was the reasoning:

“Kate Bush’s 2005 album Aerial featured the track ‘King of the Mountain’, which referred to Elvis Presley”

..and this was the song:

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18. Elvis Presley – (Marie’s the Name) His Latest Flame

As usual, not a patch on any of your suggestions, but there you have it.

And so that’s my bit done for another week. Please send me your suggestions of records we can play next week, that link to “(Marie’s The Name) His Latest Flame” by Elvis Presley – there should be plenty for you to work with there – along with a brief description as to how you got there, via the Comments section at the bottom of the page.

See you next time!

(More soon).

Friday Night Music Club

It’s a very special Friday Night Music Club this week for two reasons: firstly, in the UK it’s Easter Weekend, so a long weekend (No work til Tuesday!); secondly, as I mentioned in last week’s post, I’m going to see Underworld tonight.

In my younger days, I was always quite resistant to dance music. If a tune didn’t have guitars on it, I wasn’t interested.

But over the years, my resistance got chipped away, and so I thought tonight I’d play you a selection of dance tunes which were milestones for me.

So, first up is a stone-cold classic, the biggest selling 12″ of all time:

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191. New Order – Blue Monday

Now I wish I could say that I bought this when it first came out. Well, I could say that, but it’d be a big fat whopping lie. In 1983, I had no idea who Joy Division were, or that New Order had risen from their ashes, but I did see the now legendary appearance on Top of The Pops where they insisted on playing Blue Monday live, and after which, famously, the single went down in the charts.

In 1988 I went away to college, and by 1989 I was DJing the Indie Night every other Tuesday. The night was, frankly, dieing on its arse. Some weeks we were lucky to get 20 people through the door. And then three things happened:

  1. Rave culture kicked in
  2. Closely followed by “Madchester”
  3. A load of Indie bands that I liked suddenly started messing around with dance beats and getting their records remixed by respected DJs.

And so suddenly, we were able to play all of these great records (not the rave ones, though) at our little Indie Night and so for a very short while these records moved centre stage and we had our finger right on the pulse.

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192. Primal Scream – Loaded (Edit)

Did you manage to get the “Oh Yeah!” bit in the right place? I always feel so chuffed when I do. The simple pleasures that life brings, eh? Pathetic really.

One Tuesday night, a couple of lads from Nottingham, decked out in hooded tops and flared jeans, pressed their faces up against the shatterproof glass which surrounded the DJ booth in the Students Union and mouthed “Got any Mondays?” at me. I hadn’t (my finger wasn’t quite on the pulse at this point, more tapping to see if I could find a good vein) but said if they wanted to bring some in I’d be happy to play it. 10 minutes later, after they had bombed back to their flat to collect, I had the next record held in my hands. The title intrigued me. I played it. The dance floor didn’t exactly fill, but quite a few joined the two lads Daints and Peetey (the former of which I would form a band with shortly afterwards) as they started to frug away in what I learned sooner after was a fair approximation of Bez:

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193. Happy Mondays – 24 Hour Party People

Many years later, when I had finally started going to club nights, we went to see Jon Carter play in The Emporium in Cardiff. I remember I was just leaving the dancefloor when the vocal part of “24 Hour Party People” kicked in and I found myself scrabbling to get back to the dance floor sharpish. One of the biggest, non-checmically induced, rushes I ever had.

There was another band who ditched their early sound to start producing records which were neither Rave nor Madchester, a band I loved when they were Grebo, and loved even more when they started messing around with loops and samples. This is one of their last singles, probably one of my favourites, which always takes me back to a basement indie club in Cardiff called G.W.’s that Daints and I often frequented after we’d left college:

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194. Pop Will Eat Itself – R.S.V.P. (7” Mix)

The success in reviving the Indie Night, for which I naturally took all the credit, led to me being asked to co-DJ the Saturday night slot with a lad who we nick-named Dave Doubledecks on account of him running his own mobile DJ outfit, but whose name was actually Phil. This night exposed me to a great many other dance records which were by now, circa 1990, the main staple of the UK Charts, and there were some that, much as I absolutely no way on earth would have admitted to liking at the time, I secretly did, and love to this day. I make no apologies for their inclusion here. So there.

First up, an early project by one William Orbit:

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195. Bassomatic – Fascinating Rhythm (7′ Mix)

The first time I heard the next record, I was at the club night at the Students Union, in all honesty cribbing up on what I could play the following Saturday night. The DJ dropped this and I was stunned. Not because of the saucy “Je T’aime”-ness of the vocal track, but because a record that slows down that much in the middle just shouldn’t work. It did though; the place went fucking apeshit for it.

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196. Lil Louis – French Kiss (Original Mix)

Much as you might hate this next record, deride it for pinching the vocals from Loleatta Holloway’s “Love Sensation” and then getting a model to mime to it, in 1989 (and surprisingly often these days) if you wanted to get everyone in a Students Union chart night to dance, this was your weapon of choice:

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197. Black Box – Ride On Time

These days better known as producers, remixers, call them what you will, this next lot, appropriately, met at The Hacienda in 1988:

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198. K-Klass – Rhythm Is A Mystery

Not really a “dance” record as such, next is one of the greatest records ever made, a guaranteed floor-filler, and the subject of one of the biggest travesties in UK Chart history:

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200. Deee-Lite – Groove Is In The Heart (Peanut Butter Radio Mix)

I say travesties because this record only ever got to Number 2 in the UK Charts. It had sold exactly the same amount of copies to be the joint number-one , along with “The Joker” by The Steve Miller Band, a record which had been re-released due to its use in a Levi Jeans ad. “Groove…”‘s placing second was due to a rule instituted in the 1980s, which stated that in the event of a tie, the single with sales that had increased most from the previous week would reside above the other. The week before, “The Joker” had been one position lower in the chart the previous week than “Groove Is in The Heart”, and thus “The Joker” was therefore deemed to be the bigger-selling of the two.

This was the first and only time the rule was ever implemented, and it’s since been ditched. Not that anyone pays attention to the Charts anymore.

Right, I could literally sit here and post hundreds of these until well into the wee small hours, but if I don’t get moving soon I’ll be missing the gig tonight.

So I’m going to sign off by breaking the golden rule of any mix-tape, CD compilation, or playlist: by playing three records by the same artiste.

So, from the first Underworld album I ever bought at the time it was released, “Beaucoup Fish”, their third with Darren Emerson having joined their ranks (but fifth overall), and which swiftly led to me going out and buying the previous two:

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201. Underworld – Push Upstairs

And finally, from their “A Hundred Days Off” album, possibly, probably, my favourite track by them:

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202. Underworld – Two Months Off (King Unique Sunspots – Vocal mix)

I say probably, as it’s a pretty bloody close call with this:

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203. Underworld – Cowgirl (Bedrock Mix)

Hopefully, we’ll get some, if not all, of them tonight.

And I’ll leave you with their latest single, the opening track from their “Barbara, Barbara, We Face A Shining Future” album, and which has first song of the night written all over it.

More soon.

How To Do a Cover Version

Some more simple lessons today.

  1. Shorten the title
  2. Be a band that personifies a current musical trend
  3. Add a couple of phrases which mean nothing, but can be repeated to show incredulity (i.e. “You’re twisting my melons, man!” and “Call the cops!”)
  4. Most importantly, have a bloke in the band who contributes nothing musically, but who just dances in a way that every teenager can copy.

Like this, in other words:

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Happy Mondays – Step On

To illustrate point 4, here’s the video and Bez (as if you needed telling):

And here’s the longer titled, less cool, Bez-free original version:

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John Kongos – He’s Gonna Step On You Again

More soon.