The Chain #28

Hello.

I’m not in the best of moods today. I am being held together by vodka, sleepy dust and  a general distrust of people with the ability to vote. Be gentle with me.

Just as we have to try and make Brexit work, idiotic as it may be, and just as we now have to swallow the idea of a racist, misogynistic, idiotic reality TV star being the most important and influential man in the world, idiotic as that may be, so we need to buckle down and get this done. Business as usual.

So (sorry, CC), last week we ended up with Dr. John’s “Such a Night”, from his “In the Right Place” album, and the usual request for your suggestions for songs which link to that, in the hope that someone might suggest the actual next record in the actual BB sponsored chain (rest easy, anti-BBC-ites, I get no sponsorship for this), but without caring too much about that really.

There seems to be only one place to start today. Here’s The Swede:

“‘Such a Night’ was produced by Allen Toussaint , who also wrote (among many other classics) ‘Yes We Can’ by Lee Dorsey. The song was later covered brilliantly by The Pointer Sisters, though Lee’s version is the one for me.”

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Lee Dorsey – Yes We Can

In case you’re wondering why I say that’s the best place to start, much like Bob the Builder, “Yes We Can” was Obama’s slogan back in 2008. I don’t think Hillary had a slogan, did she? Maybe that’s where she went wrong. But then again, “There’s a perfectly legitimate reason why I deleted those emails” was never going to resonate with the US voting public in quite the same way as “I am a vile, groping, orange excuse for a human being” seems to have done.

That’s the last mention of it, I promise.

The remainder of this week’s suggestions can, broadly, be bracketed together. Whilst some went down the New Orleans route, the majority plumped for either links to “Doctor” or links to “John” with a few (okay, more than a few) exceptions that proved the rule. Whatever that means.

So, to the Doctor links. And we’ll start with SWC “outing” Badger as a secret Dr. Hook fan:

“Hurrah a chance for Badger to finally express in words his secret love of Dr Hook.”

As it happens, Badger didn’t take the bait, but I’m going to go out on a limb and say there’s nothing wrong with a bit of Dr. Hook. Anyone else agree?

“I also have a secret love to Dr. Hook. Therefore I suggest ‘You Ain’t Got the Right’ because it meant a lot to me when I had the blues” offers Walter/Kuttowski

Thanks Walter! Hope this doesn’t rake up too many bad memories then:

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Dr. Hook – You Ain’t Got the Right

The next one could fit in either the Doctor or the John category. Prompted by this comment, also from SWC:

“We could obviously go down the Dr John Cooper Clarke route. But I don’t know any of his songs. I do know that he has just released a record with Hugh Cornwell that is supposed to be quite good.”

Charity Chic knows some though, and he suggested thusly:

“Dr John Cooper Clark – You Will Never See a Nipple in the Daily Express”

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John Cooper Clarke – (You Never See a Nipple in the) Daily Express

Plenty of utter tits, though.

Time for birthday boy Badger‘s suggestions:Badger

“I’ll go rather fittingly down the doctor route. And I will steer away from Dr’s Hook, Feelgood and the Medics and suggest again rather aptly: Call the Doctor by Spacemen 3”

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Spacemen 3 – Call the Doctor

But wait! He’s not done there:

“Failing that the Doctor Who thing that The Timelords did.”

This, you mean?:

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The Timelords – Doctorin’ The Tardis

Happy birthday, Badger. We’ll ignore the Gary Glitter sample there, obviously, as it leads me rather smartly on to my first suggestion of the week, which needs no introduction:

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Orbital – Doctor

Okay, so maybe no introduction, but maybe a nerdo explanation. The main sound plug from that is the 1970s Tom Baker Doctor-era’s theme tune, created by the BBC’s Radiophonic Workshop. More than any other TV theme tune, that version makes me want to hide behind the sofa.

Also, Orbital, having mysteriously regenerated into an act who could play live again after they split up ten years or so earlier, performed this at Glastonbury in 2010, with an actual Doctor in the house:

Here with more Doctor-based shenanigans, is Alyson:

“Got a double link but no long drawn out reason for it, just that the band is Dr Feelgood and the song is Back in The Night.”

Sometimes, less is more.

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Dr. Feelgood – Back In The Night

Oh wait, I have another one. Here’s a Doctor-y band, but not the song you most often associate with them:

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Spin Doctors – Little Miss Can’t Be Wrong

And so to the Johns. But first, one of those suggestions that doesn’t really fit anywhere else. Here’s The Great Gog:

“I noticed that this song [the Dr John one, remember?] features on the music video of a film called 3000 Miles To Graceland. This set me thinking about suggesting a certain Proclaimers song six times, a certain Big Country song seven and a half times, or a certain Pretenders song one and a half times. See what erratic sleep patterns do to you?

 Ultimately though the far more obvious suggestion is the rather lovely Graceland from The Bible.”

Thank Gawd for that, for I have no idea which Big Country record you’re referring to (I got the other two!)

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The Bible – Graceland

Ok, so here’s SWC, back again with the first of a series of Johns:

“My favourite John in music is the one mentioned by Alexi Sayle in his quintessentially wonderful Top 20 smash ‘Ullo John! Got a New Motor?’”

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Alexei Sayle – Ullo John! Gotta New Motor?

I wish I could see all my non-UK readers scratching their heads as they listen to that.

Time for a submission from The Robster who actually gives us three suggestions, this is the second:

“…how about something by The Three Johns? Death Of The European, maybe?”

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 The Three Johns – Death of the European

Now, ordinarily, I wouldn’t allow multiple suggestions for the same artiste, but today, well today’s different, for today the first of these is about John Cooper Clarke. It’s not often I get to post a GCSE approved poet, so I’ll let it slide this time.

Here’s Swiss Adam from Bagging Area:

“John Cooper Clarke – it has to be Twat.”

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John Cooper Clarke – Twat

I imagine Dirk will be happy with that suggestion.

And so, to the rest. Over to Charity Chic (again):

“So The Animals and Dr John are by no means the only artists to extol the virtues of New Orleans. So Native American band Redbone pitch in with The Witch Queen of New Orleans.”

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Redbone – The Witch Queen Of New Orleans

He’s not done yet though, oh no:

 “So band members and brothers Pat and Lolly Vegas also contribute on an absolute classic – Harlan County by Jim Ford.”

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Jim Ford – Harlan County

Let’s pop back to hear The Robster’s other two suggestions:

“On the song title – we could have the classic December 1963 (Oh What A Night) by the Four Seasons….”

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The Four Seasons – December, 1963 (Oh, What a Night)

Would have gone for “The Night” myself, but there you go.

“And on the artist himself – Dr. John released a tribute album to Louis Armstrong a couple of years ago. One of the songs he covered was Mack The Knife. I can’t think of anything better to include here than the wonderful original by Satchmo himself.”

Me neither.

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Louis Armstrong – Mack The Knife

Who wants to suggest the worst record of the week?

George does.

“I’ve got the worst song for you this week. The band Racey also recorded a song called Such a Night, but I suspect most of us know them for Lay Your Love On Me. Truly terrible”

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Racey – Lay Your Love On Me

Personally, I remember them for “Some Girls” and for the lead singer’s (third one in on that picture) ability to eat an apple through a tennis racket.

But who knew there were so many links between Dr John and Racey? Here’s Rigid Digit:

“Racey also recorded a track called “Kitty” on their debut album. With a bit of gender re-orientation and a video a featuring Cheerleaders it became the one and only hit for Toni Basil, ‘Hey Mickey'”

Somewhere in the back of my mind this struck a chord, so I checked it out, and scarred though I now am for having listed to four Racey songs on the trot, he’s not wrong. It’s a bit like Scott English’s “Brandy” being changed to Barry Manilow’s “Mandy”, although apparently any rumours about English’s original being about his dog are purely fictional.

Anyway, here’s Toni Basil, in all her cheer-leading, one hit wonderness:

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Toni Basil – Mickey

George is back:

“…and from such truly dreadful stick-pins-in-your-eyes [I’ve told you before George, if you don’t like hearing something, go for the ears every time over the eyes] song to this: The Drifters recorded a song called Such a Night, with the legendary Clyde McPhatter on lead vocal. And as a solo artist Clyde McPhatter recorded “The Treasure Of Love'”

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Clyde McPhatter – Treasure Of Love

And since people are coming back for another go, here’s Alyson:

“…my only real memory of Dr John is when he appeared on the BBC Charity record Perfect Day, where he popped in 2oth and then 26th order in the line-up. Very scarily that was made in 1997, nearly 20 years ago. That does link to Lou Reed and his original version which popped up in the film Trainspotting the year before and I don’t know about you but I feel bombarded today with trailers for Trainspotting 2 (in a good way). Will go with Lou Reed and Perfect Day as well if you have time?”

Have time??? Not only do I have time for this:

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Lou Reed – Perfect Day

…I also have time for this:

I cannot wait for that to land. The first film is one of my favourite films ever, and I was already excited about it, but when I saw that, which has just enough call backs to the first film to intrigue me even further…well, I’ve already started scouring the local cinema listings waiting for it to appear.

Here’s Dirk. Dirk has a different way of dealing the idea of linking records together. Whilst the rest of us ponder the staple tune and think of songs to link to it, Dirk seems to decide on what record he wants to hear then just make up any old stuff to get to it:

“Rumour has it that said Jim in the tune was not only angry about Dr. John trying to steal his woman, in fact he was incandescent with fury, so much so that he nearly was about to explode! A true story, of course, which some time later led Jack White to write “Jimmy The Exploder”, so there you are ….”

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The White Stripes – Jimmy The Exploder

Right, well, if you’re having that, then I’m having this. If Jimmy exploded, then you would need something or someone to clear that Mr Creosote-esque mess up. And who better, then, than Jimmy The Hoover?

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Jimmy The Hoover – Tantalise

Since I allowed two poems by John Cooper Clarke in earlier, I don’t suppose I can get all sniffy about another Dr. Feelgood suggestion, can I? Here’s Walter/Kuttowski, back for seconds, and, as it turns out, those creative juices must be flowing, thirds:

“My first thought was on Dr. Feelgood and Wilco Johnson (his real name is John Wilkinson) a band that was the link between pubrock and early punk. I suggest their Sneaking Suspicion.”

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Dr. Feelgood – Sneakin’ Suspicion

Did I say “thirds”?

“Thinking about ‘night’ Saturday night comes to my mind. Don’t worry but I won’t suggest the Bee Gee’s at this place. I remember The Leyton Buzzards another band that was active in the late 70’s. Therefore I suggest ‘Saturday Night Beneath The Plastic Palm Trees.'”

I was more worried you might suggest Whigfield, to be honest.

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Leyton Buzzards – Saturday Night Beneath The Plastic Palm Trees

Rigid Digit’s back, and thankfully this time he doesn’t come armed with any Racey-based factoids:

“Dr John’s real name is Malcolm John “Mac” Rebennack (thank you wikipedia).
Malcolm is one of those un-Rock n Roll names – there are a few but not many.
Malcolm Young – a choice AC/DC track to follow next?
Malcolm McLaren – sticking with the previous possible Animal link, how about Buffalo Gals?”

As you haven’t actually suggested it, you can have the album version rather than the catchier single version:

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Malcolm McLaren – Buffalo Gals

Or: “Malcolm Owen – lead singer of The Ruts.

From that lot I nominate “Staring At The Rude Boys” – the last Ruts single released before Malcolm Owen’s death (suicide?) in 1980″

RD is right to query the nature of Owen’s death. A heroin overdose, I think, so possibly not suicide.

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The Ruts – Staring At The Rude Boys

Whilst we’re on Malcolms, here’s Rol, who wins this week’s “Most Blatant Plug for his own Blog” Award.

“I thought I’d see how many songs I could come up with that mentioned a Malcolm in the lyrics. I thought there’d be very few; turns out I could easily populate a Top Ten… although a lot of them would be about Malcolm X.”

As it happens, he was going somewhere with this, so I’ll allow this subtle slice of product placement.

“‘Malcolm Solves His Problems With A Chainsaw’ by the Arrogant Worms is worthy of a mention though.”

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The Arrogant Worms – Malcolm Solves His Problems With A Chain Saw

And so to The Beard:

“Dr John’s 2012 album Locked Down was produced by Dan Auerbach from The Black Keys. Dan was also the name of Alan Partridge’s one time best friend (“Dan. Dan. Dan. DAN. DAN…”). Alan Partridge when not presenting Skirmish, a military based general knowledge quiz show on digital cable television channel UK Conquest, could be found behind the wheels at Radio Norwich where, among extolling the virtues of other deep cuts, he implored listeners to “kommen sie bitte und listen to Kraftwerk”. Cue, The Model…”

Actually, if you go on that there YouTube, someone has done a mix of The Model with the Partridge quote to which you allude sampled on it, over and over and over and over and over again, ad nauseum. It’s too annoying to post a link too. I bear no responsibility for you seeking it out yourself this way.

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Kraftwerk – The Model

Now. I was all ready to apologise to Rol for posting ten songs earlier today about how annoyed I am with certain world events, but having just checked his blog, I need not have worried. Turns out, there’s plenty of songs we can use to illustrate what a dick Trump is.

Anyway, here’s Rol, with the last two suggestions of the week:

“1. In the lyrics to Such A Night, Dr. John sings “You came here with my best friend Jim, and here I am, trying to steal you away from him…”

One famous Jim who’s obviously lost his woman to another man (even though he claims it’s nobody else’s fault) is Jimmy Buffet in the song Margaritaville.”

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Jimmy Buffett – Margaritaville

“2. Dr. John performed Such A Night in The Band’s famous Last Waltz concert. One of my favourite waltzes is Margo’s Waltz by Lloyd Cole.”

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Lloyd Cole – Margo’s Waltz

There’s a reason that I’ve left Rol’s final suggestion until last: he came perilously close to suggesting the official record in the official Chain:

“Dr John played at The Last Waltz, which was The Band’s final concert…”

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28. The Band – Up On Cripple Creek

So close….

Anyway, as I pack the cigar away (not a Clinton reference), all that’s left for me to do is invite you to submit your suggestions for songs that link to The Band’s “Up On Cripple Creek”, along with your description of the link which needs to get past my incredibly rigorous vetting process, via the Comments section down below.

And, I guarantee, unless anyone suggests the same record, I have the worst one for next week already down.

See you next week.

More soon.

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Friday Night Music Club

On “Waiting For The Great Leap Forwards”, the closing track of his “Worker’s Playtime” album, Billy Bragg muses:

“Mixing Pop and Politics he asks me what the use is
I offer him embarrassment and my usual excuses”

The question is one which is often brought when musicians make a political record, the inference being that there is no point in doing so, it will have no effect, they are preaching to the converted.

Politicians, however, seem to have a slightly different viewpoint, and try to bandwagon-jump onto whatever seems to be the current musical zeitgeist in an effort to curry favour.

For example: 1984 America. Ronald Reagan attempted to ride on the shirt-tails of Bruce Springsteen’s “Born in The USA”, blissfully unaware that the song is in part a tribute to Springsteen’s friends who had fought in the Vietnam War, some of whom did not return, and also protests about the hardships Vietnam veterans faced when returning home – hardly topics the Republican Reagan would want highlighting, you would think.

More recently, Adele requested that current candidate Donald Trump stop using her songs in his campaign. Trump’s had a bit of a tough week of it, as it goes, with the Pope wading in to tell him some of his suggestions were not particularly Christian. Which is actually one of the kinder things one could say about the weirdly-bouffanted madman.

Our politicians on this side of the pond are no better: remember Gordon Brown trying to claim he was a big fan of Artic Monkeys? Or Johnny Marr telling David Cameron that he isn’t allowed to like The Smiths?

But why do I mention this? Because several of these examples are about permission, or rather permission not being given.

This week’s selection of songs includes several which fall very firmly into what many people would describe as “Guilty Pleasures”, and regular readers will know that this is a term I very much disagree with. Part of my mission statement for this place is to reclaim these songs back, in the same way that the gay community have recaptured the term “Queer”. There should be nothing Guilty about gaining Pleasure from music, much less so from something so inoffensive and transient as pop songs.

So, I give you permission to like all that I post tonight. There. No need for you to feel bad now, okay?

But first, some housekeeping. We need to link last week’s loud choices to this week’s, so first a couple of tracks to bridge the weeks together.

In other words, some more loudness first:

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117. Wolfmother – Woman

Wolfmother are Australian and…er…well that’s literally all that you need to know about them, as after that track they won’t be troubling us any further.

Moving swiftly on, in comparison, here is one of the greatest post-punk/new wave/call-it-what-you-like-it’s-bloody-great singles ever committed to vinyl:

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118. The Only Ones – Another Girl, Another Planet

And I’m not alone in my love of this song; in the millennium edition of his Festive Fifty, where John Peel, rather than cataloguing the best fifty records of the year, widened the scope to best fifty records ever, “Another Girl….” came in at Number 18. Can’t all be wrong, can we?

We’re not into “this is not a Guilty Pleasure” territory yet, by the way. Almost, but not quite.

And have you spotted a theme yet, dear listeners?

This will do it for you if you haven’t. The opening track from their second album, “Hypnotized”, a tongue in cheek opener if ever I heard one, given the lyrical content of much of their eponymous debut album:

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119. The Undertones – More Songs About Chocolate and Girls

The Undertones are touring again, minus Feargal Sharkey unfortunately.

Right. Here we go. The moment when my credibility and musical taste will get called into question. Let me make something very clear: I like all of the records I am about to post. I recognise that many of them are kitsch or cheesy, and almost all of them are not, or have never been, fashionable or cool. I’m with Danny Baker on the concept of cool:

So, yes I like these records, and I’m neither embarrassed nor do I feel guilty to admit it. I am out and I’m proud.

Ready? Prejudices left at the door? Good. Here we go then:

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120. Sailor – Girls, Girls, Girls

I mean, for a start, look at the state of that lot! What’s not to like?

This dates back to 1975 (it reached Number 7 in the UK charts) which explains the…er…somewhat dated view of women.

Think that’s bad? You’re wrong. It’s ace. Cheesy, yes; cringe-worthy, definitely; but ace nonetheless. You will need a mantra such as this to get you through the rest of this post.

So. Get yer laughing gear round this then:

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121. Racey – Some Girls

Relax ladies, they’re married. Actually, since this came out in 1979, they’re probably not anymore.

This reached the giddy heights of Number 2 in the UK, and Number 1 in Australia, New Zealand, and South Africa, all countries renowned for their good taste and modern views on feminism and equality.

Racey’s “Some Girls” actually comes from good stock: it was written by Nicky Chinn and Mike Chapman, a song-writing/production due who reigned supreme in the 1970s and early 1980s, clocking up over fifty Top 40 hits, such as The Sweet’s “Blockbuster!”, “Teenage Rampage” and “Ballroom Blitz”; Suzi Quatro’s “Can The Can”, “48 Drive” and “Devil Gate Drive”; Mud’s “Tiger Feet” and “Lonely This Christmas”; Smokie’s “Living Next Door to Alice”; Toni Basil’s “Mickey”…the list is…well, not endless, but lengthy.

Something slightly, but only ever so, more contemporary now:

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122. Rachel Stevens – Some Girls

Phwwoooaaaar!! That’s more like it, eh, lads? Eh?

Get a grip. No not like that, put it away, you dirty boy.

Okay, part of the reason this is here is because the song title is the same as the Racey tune; but it’s here on its own merits too. This is from 2004, was produced by Richard X (more famous for that Sugababes “Freak Like Me”, Liberty X’s “Being Nobody” and Kelis “Finest Dreams” which all could easily have featured here tonight, and at least two of which will definitely appear on these pages in the future. You have been warned.), but cannot really be considered Miss Stevens’ finest moment.

If not this, then what would that be? Her founder membership of S Club 7? Nope. Her finishing 2nd on “Strictly Come Dancing” in 2008? Nope. Her involvement as a coach on “The Voice of Ireland”, the originally titled Irish version of “The Voice”? Nope. Her appearance in Series 5, Episode 1 of “Dick and Dom in da Bungalow”? Nope. The use of her 2004 version of porn star Andrea True’s “More More More” in a series of television adverts for SCS Sofas? Could be!

Is it just me that suddenly has this going through my mind now?:

Anyway. Back to the pop.

Some Girls has always reminded me of this, also from 2004:

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123. Goldfrapp – Strict Machine (Single Mix)

Released at more or less the same time (I think the Goldfrapp single was marginally earlier), or at least close enough to “Some Girls” to negate any allegations of plagiarism anyway, I wonder what it is that makes Alison Goldfrapp be held up as a much-revered, credible artiste (which she is, and rightly-so) whilst Rachel Stevens is considered…well…less so. I can only think it is because of her earlier S Club career, which doesn’t exactly seem fair to me. Pop snobbery, is the phrase that springs to mind.

But whilst we’re back in what many will consider more acceptable waters (not me, all are equal), I give you this:

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124. Ladytron – Seventeen (Soulwax Mix)

Glacier cool lady kraut-rock-esque vocals? Check. Uber-cool remix by Soulwax? Check. I love this, picking it up on a promo CD single in D’Vinyl Records, an absolute treasure trove of a second hand record store in the Roath area of Cardiff. If ever you’re down that way, pop in. I say pop in – you’ll be there for hours, I guarantee it. And you’ll come out financially poorer but culturally enriched by all of the goodies you’ll have unearthed.

And while we’re on Soulwax remixes, and since I mentioned them in passing earlier, have a go on this:

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125. Sugababes – Round Round (Soulwax Remix)

Another one I picked up in D’Vinyl. They do sell records that Soulwax haven’t got their greasy mitts on, I promise.

When Andy Warhol made that famous quote about everyone being famous for fifteen minutes, I very much doubt he realised that around 70% of them would be famous for being in Sugababes for fifteen minutes.

You may have noticed we’ve gone a bit girly. So, here is one hell of an all girl band, who in their early days were more about having a good time than being particularly proficient on their instruments:

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126. We’ve Got a Fuzzbox and We’re Gonna Use It – Rules & Regulations

This is one of those records that my brother and I both bought; he owned it first, of course, I went and got it after seeing them pop up on the Indie Chart section of The Chart Show, when it used to be on Channel 4 on a Friday evening, before it moved to Saturday lunchtimes on ITV. Now, like most music on British TV, it’s nowhere.

Anyway, what I love most about my version of this record is the fact it’s a 12″ and all 5 tracks are crammed onto one side. On the other side, this:

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Not sure if that comes across well, but those are etched drawings of each of the girls in the band, or as eil.com call it a “1986 UK limited edition autographed and picture etched 5-track 12” ‘.

We’ve Got a Fuzzbox and We’re Gonna Use It resurfaced a few years later, with a truncated name (“Fuzzbox”) and a more glossy, polished sound and image, and frankly the appeal was gone for me by then. As Billy Bragg (yes, him again) said on his version of “Walk Away Renee” that I posted a while ago: “Then one day she cut her hair, and I stopped loving her”.

Moving on to 1991, and to the short-lived riot grrrl scene, and another all-girl band, named after the transport of choice for the heroine in Pedro Almodovar’s movie “Women on the Verge of a Nervous Breakdown”:

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127. Mambo Taxi – Do You Always Dress Like That In Front Of Other People’s Boyfriends?

That’s one of the greatest song titles ever, and quite why I haven’t kept my powder dry and posted it in my “The One and Only” thread instead of here is beyond me.

Now, I have absolutely now idea how I came into possession of this next track. It wasn’t a single, it featured on the artistes only solo album, and even then only as a bonus track on the Japanese release of it.

It is, however, one of my favourite ever out-and-out pop songs, wittily skewing that revolting old sexist comment blokes make about shagging an ugly girl with a paper bag over her head. Here though, the roles are reversed; the singer is in a club having recently split with her ex, and to quote The Suit You salesmen from the Fast Show, she “wants it” – so much so that she pulls a guy with roughly the same build as her former beau, and takes him home on the condition that when they sleep together he wears a paper bag over his head:

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128. Lene – Paper Bag

Thinking about it, I probably like that so much because the lyrics give hope to us painfully ugly dudes.

And yes, that is Lene from Euro-pop act “Aqua”, but that doesn’t make it any less ace. You like Annie (the Norwegian recording artist , not the musical) don’t you? DON’T YOU????

It’s just pop music. Go with it.

Back into so-called more credible territory again now, and here’s Queen of the 6music airwaves Lauren Laverne from back when she was a pop star:

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129. Kenickie – In Your Car

Go on, just you try and listen to that without bouncing round the room and joining in the “Yeh Yeh”s in the chorus. You can’t can you?

Another Brit-poppy tune next, from a band who found their most commercial success around the same time, having previously flirted with the idea of fame and fortune in their shoe-gazey, ethereal phase a few years earlier:

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130. Lush – Ladykillers

Lush announced they would be reforming and playing some dates and releasing some new material in 2016; if they play this live, as they surely must, I’ll be regretting not getting tickets.

Okay, time to wrap things up for another week, and this one’s an absolute doozy. Released in 1983, co-written by Todd Rundgren and Stevie Winwood and featuring Carly Simon on vocals at the chorus, but mostly the brainchild of photographer-turned-singer/performer Lynn Goldsmith, this is a “How To” guide to ensuring your first date ends well:

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131. Will Powers – Kissing With Confidence

And we’re done. See? That wasn’t too painful, now was it?

I will try to restore your faith in my musical tastes over the weekend.

Maybe.

In other words: More Soon.

Oh, and you have spinach in your teeth.