The Chain (Slight Return)

Some of you will recall that until recently, I did a post every Wednesday called “The Chain”, where a song was posted and I would invite readers to suggest songs to link to that record.

At the start of the year, I thought it would be a smart thing to move it to a Sunday. It turns out that really wasn’t a smart move at all, for ever since then the posts have pretty much petered out. It will be returning again shortly (I know, I’ve said that many times before), but, as an explanation/peace offering, here’s one of the reasons why it hasn’t been around much.

One of the rules of The Chain is that we wouldn’t post the same song more than once. Now, I hate having to decline to play a suggestion that someone has taken the time to a) think of, and b) suggest, so I thought before I did the next instalment, I’d compile a list of every song that had been suggested/posted, which you could use as a reference point, and which I’d update every week. You could call it (and I probably will) a Chain Compendium, if you’re a fan of alliteration.

Anyway, since we’d done 39 editions of The Chain, some with 40 or so suggestions (there’s around 850 songs in the playlist I have of all posted songs in that thread) it’s taking me a little longer than I had anticipated.

See, every now and then I would type the name of a song, and think “What the hell is that?”, and of course, I’d have to go and investigate.

Plus, there are songs which, having been reminded of they’re existence, I simply couldn’t avoid listening to again.

There have been many songs that I’ve been introduced to thanks to The Chain, but king amongst those is this, from The Chain #29, a song so beautiful that I have to stop and listen in awe whenever it comes up on my mp3 shuffly device:

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Jesse Winchester – Sham-A-Ling-Dong-Ding

That’s not just one of the finest songs ever to feature on The Chain, but one of the finest songs I’ve ever heard. If you missed it, or ignored it, first time around, then I cannot urge you enough to listen to it this time around.

So, thanks, again to fellow Bloggers Summit absentee The Swede of Unthought of though, somehow fame for bringing that into my life. Someday I hope to post something which brings you as much joy (and tears, if I’m honest) as that does.

More soon.

The Chain #39

Scene: an empty warehouse, in darkness.

FX: A door creaks opens, a switch clicks.

The lights flicker into life.

Delivery Man 1 [poking his head through the door]: Yes, this looks like it.

Delivery Man 1 backs into view, clipboard under arm, guiding a large object covered in a sheet, which is being pushed by Delivery Man 2 with considerably more effort than Delivery Man 1 is expending.

FX: The door slams shut.

Delivery Man 2: Whereabouts does it need to go? What does the order say?

Delivery Man 1 consults the clipboard.

Delivery Man 1: It says “Leave in the middle of the floor, covered, as if it’s been here for ages.”

Delivery Man 2 [with a shrug]: Bit weird, but if that’s what it says.

Job done, they exit, leaving the light on.

FX: the door opens and closes. Pause. Repeat.

An incredibly handsome, if fat and bald, man enters the room. He surveys the object before removing the sheet.

Incredibly handsome, if fat and bald, man: And we’re back in the room!

Hello, and welcome to The Chain. Where’ve you been? I’ve been waiting for you.

Prompted by a question about whether one of this week’s suggestions qualified under the rules, and nothing whatsoever to do with the amount of time since one of these posts appeared, nosireebob, I thought it might be best if I go over them again here, with a brief explanation of what we do here.

So, The Chain is a feature on BBC 6Music’s Radcliffe and Maconie show (and prior to that, their show on BBC Radio 2), where a record is played and they invite suggestions as to what record could be played next, which must link in some way to the one just played.

The difference here is that whilst they choose just one record to play, we try to post all of the suggestions which you submit.

The only rules are:

  1. No suggested record can feature twice (unless it has only featured as part of The Official Chain). If you’re not sure – ask!
  2. The only exception to this rule is “Back on the Chain Gang” by The Pretenders, which has been adopted as our theme tune
  3. When making your suggestion, you must provide an explanation of the link between the two songs
  4. You must already own a copy of it, and be willing to provide it (in case I don’t already own it or am unable to source it)
  5. Suggestions must be more than just naming a different song by the same artist.
  6. You can make as many suggestions as you like, but please, go easy on me, won’t you?

That’s about it. I award points every now and again, for Worst Record of the Week, Cheesiest Record of the Week, Comment Showboat of the Week, and of course, for anyone who happens to guess either the song or act (or both) that is the next record in the Official Chain, which becomes the source record for the following week. Nobody’s keeping score (well, I’m not anyway), the points are just a bit of fun.

Okay, that’s the admin done. Last time out, the source record was “The Universal” by Blur; personally, I found this a really tricky one to link to, especially as I have to wait and see what’s left after you guys have nominated all the good ones. Ho hum, such is life.

So, here we go then, and as usual, we’ll bracket them into several fairly broad categories and, as usual, we’ll probably wander off on a couple of tangents along the way.

First out of the traps last time was Charity Chic from Charity Chic Music who wrote:

“It has to be something off ‘Universal Audio’, the final album by The Delgados. I Fought the Angels would do rather nicely I feel”

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The Delgados – I Fought The Angels

Of course, CC was not alone in suggesting a link to something of Universal appeal; Dirk from sexyloser proffered thusly:

“…because not enough good German music is being featured on these pages, I’d like to  link to Die Sterne – ‘Universal Tellerwäscher’ from 1994 …. which in fact is a mighty record indeed!”

I was going to make a rather unkind joke about the phrase “good German music” being an oxymoron, but then I listened to Dirk’s suggestion and have to agree, it is mighty fine (even if I have not one clue as to what it’s about, although Google Translate, which is never wrong, obviously, tells me that a Tellerwäscher is a dishwasher ):

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Die Sterne – Universal Tellerwäscher

Sticking with the Universal theme, SWC from When You Can’t Remember Anything suggested this:

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Universal Being – Size of an Elephant

whilst The Great Gog wrote:

“…seeing as we’re all commenting on The Universal, Red Hot Chilli Peppers’ Universally Speaking would seem apt.”

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Red Hot Chili Peppers – Universally Speaking

And The Beard quoted a completely different song which contains the word “Universal”:

“Universal, unique untouched, unadulterated, the raw uncut”

He is, of course, referring to this:

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Blackalicious – Alphabet Aerobics

Time for the first interlude of the day; I stumbled along this clip the other day, which I’m sure you’ll agree contains some quite wizardly rapping:

Anyway, where were we?

Ah yes. Blur’s ‘The Universal’. Take it away Julian of Music from Magazines fame:

“Blur did a song “Beetlebum”
The Beatles did a song “Across The Universe”
Laibach did a version of “Across The Universe”
Laibach nailed “Sympathy For The Devil”

(The 7.52 version please)”

As you wish:

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Laibach – Sympathy For The Devil

Time for a big Chain welcome for the first of two new contributors to The Chain this week, here’s Telefrank:

“The video for ‘The Universal’ references the Korova Milk Bar, so something by Wendy Carlos natch.”

Just to join up the dots: the Korova Milk Bar features in ‘A Clockwork Orange’, so this seemed like as good a tune as any:

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Wendy Carlos – Title Music From ‘A Clockwork Orange’

Walter from A Few Good Times in My Life pointed out that “…the opposite of universe might be the underground. So…”

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The Jam – Going Underground

It’s scary how that song is so relevant now, 35 years after it came out. “Times have changed”, some people say. I’d play them that and respectfully disagree.

Anyway, before I start going off on one, more Universal shenanigans. Here’s Alex G from We Will Have Salad:

“A nice easy link from ‘Universal’ to another well-known film studio: Columbia.”

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Oasis – Columbia

Walter continues the theme: “Universal is also a music label distributing music of various and different artists. So I suggest:”

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Tom Petty – You Don’t Know How It Feels

From the Universal links, it’s one small step to the universe, and space in general, and to our second new member of The Chain Gang of the week, abramson60, the 60th from the very noble Abramson family, as Adam Buxton would say:

Anyway, abramson60 has certainly got the hang of how to make sure you get lots of tunes played here: list of a load of songs he’d considered before finally plumping for a completely different one. I, of course, cannot resist:

“Universe would automatically take me down the space road, so you could have….”

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 Liz Phair – Supernova

“…or another of my pet favorites…”

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Julian Cope – Spacehopper

“…not forgetting that he went on to become the nation’s favourite spaced out artist.”

But, “…sticking with universe, The Rocky Horror Picture Show had long lasting and profound influence on the somewhat naive 16 year old me who first saw the film at the tail end of the 70’s. So my pick is ‘I’m Going Home’, not quite sure where to but somewhere in the outer reaches of space.”  I’m not sure I quite follow the link there, but as it’s your first visit, I’ll let it slide this time:

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Dr. Frank N. Furter – I’m Going Home

Over to The Swede from Unthought of, though, somehow next, who says:

“I’ll keep things cosmic and suggest ‘Space is Deep’ by Hawkwind – the studio version from ‘Doremi Fasol Latido’ please.”

Very well.

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Hawkwind – Space Is Deep

A couple of you suggested links from lyrics withing ‘The Universal’, which is fair enough and fine by me. For example, Rigid Digit from Stuff & Nonsense suggested:

“‘The Universal’ includes the lines:
“And to karaoke songs,
We like to sing along,
Although the words are wrong”

So .. mondegreens (misheard lyrics) and possibly the most well known: ‘Scuse me while I kiss this guy'”

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The Jimi Hendrix Experience – Purple Haze

Next up, Martin from New Amusements, who takes the “list a load of songs then pick a completely different one as their choice” approach adopted by abramson60 and combines it with Rigid Digit’s focus on the song’s lyrics:

“The Universal includes a line about ‘satellites in every home’ so we could go with that, enabling…”

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The Hooters – Satellite

“…or…”

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Lou Reed – Satellite Of Love

“…or…”

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Tasmin Archer – Sleeping Satellite

“…or, I guess…”

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The Tornados – Telstar

If I could just butt in for a moment, I can’t hear that record without thinking of this record (and vice versa) since I can’t help but think that while it’s not a straight-out sample, the synth melody line, owes more than a little debto the old instrumental Martin suggests:

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Saint Etienne – You’re In A Bad Way

Martin’s actual choice will follow in a moment, but props where props are due, the category it falls into was first suggested by The Robster from Is This The Life? (well, actually, it was first mentioned by Rigid Digit last week time)

“My link comes in the form of British Gas adverts. The Universal was, as you point out, used in an ad campaign for British Gas. So was ‘More Than A Feeling’ by Boston, which despite ticking all the middle-of-the-road 70s AOR boxes, is a damn fine tune and one I always find myself playing air guitar to. True!”

It may well be, but unfortunately that’s featured in The Chain before, so, as per the rules above, I can’t allow it this week. Sorry!

Tell you what, have another go:

“Another gem from the British Gas archive is the wonderful ‘Rescue Me’ by Fontella Bass which cannot fail to give everyone a lift on a Monday morning.”

Much better.

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Fontella Bass – Rescue Me

Back to Martin again: “…let’s go down the route of the Blur track’s British Gas-based ubiquity, all the excuse we need to have ‘Jumpin’ Jack Flash’ by The Rolling Stones, since that tells us ‘it’s a gas, gas, gas.'”

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The Rolling Stones –  Jumpin’ Jack Flash

He’s still not done yet, mind:

“But I’d rather suggest a song I really like, so the gas connection allows me to pitch the much-less-played ‘It’s A Gas’ by The Wedding Present. Any excuse to get the Gedge out, after all.”

I could not agree more.

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The Wedding Present – It’s A Gas

Catchphrase time! If you’re suggesting that, then I’m suggesting this:

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T. Rex – Life’s A Gas

And as a special treat, here’s Marc Bolan performing ‘Life’s A Gas’ with Cilla Black, of all people:

The less said about that the better, I think.

But whilst we’re on adverts, here’s Snuff from their ace “Flibbiddydibbiddydob” album (these are so short, you may as well have two):

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Snuff – Bran Flakes

Snuff – Shake ‘n’ Vac

After those words from our sponsors, back to The Great Gog:

“‘The Great Escape album’ from which The Universal is taken also includes a song called ‘Top Man’. When I was younger (and a little less Great) I used to venture into Manchester and frequent a store of that name, and occasionally even buy something. Having done this, my then-significant other would drag me to where she wanted to buy stuff – Chelsea Girl. Obviously the title of a song by Simple Minds…”

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Simple Minds – Chelsea Girl

Well, if you’re suggesting that, then I’m suggesting this:

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Ride – Chelsea Girl

Sorry GG, I interupted, do carry on:

“…[Chelsea Girls is] also referenced on Mighty Mighty’s ‘Is There Anyone Out There?’ Which sort of links back to matters universal.”

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Mighty Mighty – Is There Anyone Out There?

Right, where next? Since we seem to have exhausted all of the possibilities of links to “The Universal”, how about links to Blur? Seems like a plan.

Over to Birthday Boy Rol (45 today!) from My Top Ten, then, with two and a half suggestions:

“Suggestion that needs no explanation: ‘Mr. Blur’ by Tom Verlaine.”

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Tom Verlaine – Mr. Blur

He continues: “Suggestion that leads a little more explanation: Blur used to be called Seymour. I’m sure someone will link to the obvious song from that (the one about a record company boss…”

You mean this one, I assume?

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Belle & Sebastian – Seymour Stein

“…so,” Rol continues, “I’ll point us towards the character of Seymour in the movie ‘The Little Shop of Horrors’ and suggest the song ‘Feed Me, Seymour’ as sung by the killer plant Audrey II (aka Levi Stubbs from The Four Tops).”

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Audrey II – Feed Me (Git It)

The Great Gog’s back:

As Rol has mentioned Seymour, the track that I always think of when I hear Blur’s previous name is ‘Read About Seymour’ by Swell Maps.”

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Swell Maps – Read About Seymour

Now, before he started listing spacey songs, abramson60 also proffered up a few relating to the name of Blur:

“Blur taken as unclear leads me to…”

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Lindisfarne – Fog On The Tyne

You can all count yourself lucky that I decided not to post the version with Gazza on it. Actually, that might have been quite appropriate, since writing and indeed reading The Chain often has the air of a hostage situation about it, so maybe we should expect him to rock up with a bucket of fried chicken and a fishing rod.

Anyway, back to you abramson60:

“…or maybe when everything clears…”

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Jimmy Cliff – I Can See Clearly Now

I’ve got Snuff covering that too somewhere, but let’s not overdo it, eh? That would take us over the 2 minutes of Snuff records mark, which would never do.

Any more, abramson60?

“Having said all of that I would much prefer to offer up Dr Phibes and the House of Wax Equations (any brownie points for extra long band names?) [Nope – Ed] and Hazy Lazy Hologram, link being obvious and in hazy, and everyone loves drug induced music, don’t they?”

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Dr Phibes & The House Of Wax Equations – Hazy Lazy Hologram

Back to Julian for his obligatory weekly suggestion of a record by Lambchop:

“A Blur is what the world is when ones had too many HIC!!

Where was I ?

Who fucking knows?

Oh yes its all coming back to me…..”

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Lambchop – The Man Who Loved Beer

And what of the individual members of Blur, there must be some links there, right?

Guess what, here’s abramson60. Again.

“Blur’s singer is Damon Albarn who is the son of Keith Albarn, who once managed Soft Machine, whose drummer Robert Wyatt went onto have a solo career, recording ‘Shipbuilding’ which as we all know was written by Elvis Costello, who took part in the Red Wedge tours along side Billy Bragg. So my suggestion has to be ‘Valentine’s Day Is Over’.”

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Billy Bragg – Valentine’s Day Is Over

I have two things to say about this. Firstly, I had no idea of the Albarn connection to Soft Machine, and secondly, abramson60 did suggest this back on February 15th, which makes his choice of Billy track a little more understandable.

But frankly, you had me at “Shipbuilding”:

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Elvis Costello & The Attractions – Shipbuilding

SWC’s back:

“Damon Albarn was the boyfriend of Justine Frischmann of Elastica. So let’s have ‘Stutter’ from them.”

The first record I ever bought by Elastica this, albeit on an NME compilation album of their Singles of the Week from 1993, and without doubt one of the finest ever songs about erectile disfunction.

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Elastica – Stutter

Charity Chic’s back, with the obligatory Clash record of the week. Don’t worry George, there’s a finite number of them that can be suggested:

“Damon Albarn was in The Good,The Bad and the Queen, as was Paul Simonon who wrote and sung ‘Guns of Brixton'”

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The Clash – The Guns of Brixton

Speaking of George, he’s been rather quiet so far this week, so here’s the first of his suggestions:

“Damon Albarn was/is also in a band called Gorillaz, and gorillas are in a branch of primates, as are monkeys, leading to ‘Monkey On My Back’ by The Triffids (from the Field of Glass EP). I think the song is not actually about monkeys.”

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The Triffids – Monkey on My Back

Well, if you’re suggesting that, then I’m suggesting this:

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Inspiral Carpets – Monkey On My Back

In fact, given his involvement with Gorillaz, you could describe Albarn as a…

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 The Maytals – Monkey Man

(My apologies, by the way: I realised I’ve misnamed the mp3 as Toots and The Maytals, rather than just The Maytals, but I really can’t be arsed with changing it.)

The Great Gog’s back again:

“I did have one more up my sleeve, but left it in case anyone else came up with it – they haven’t , so here goes. Blur’s lead singer is D. Albarn. Shuffling one of those letters to the left a bit allows me to type Dr. Alban, the early 90’s hitmaker who made such a lasting impression on me that I can only recall one of his tunes…”

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Dr Alban – It’s My Life

Hands down winner of the “Worst Record of the Week” award, there.

“Used in a Tampax advert at some point in the nineties too,” pipes up The Beard. Now, let’s not lower ourselves by making any jokes about that particualr subject. That’s it. None. End of. Period.

Instead, let’s move onto the other members of Blur, and focus for a moment on bass player Alex James. Over to you, George:

“Another Alex is Alex Harvey, so the song is from the first Sensational Alex Harvey Band album ‘Framed’, and ‘The Hammer Song’.”

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The Sensational Alex Harvey Band – The Hammer Song

Another from SWC next, I think:

“When he is not doing that [being in Blur] he schmoozes up to his famous neighbours David Cameron and Jeremy Clarkson. He also pretends to make cheese which gives us a lovely link to ‘Gorgonzola’ by Leslie Sarony.”

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Leslie Sarony – Gorgonzola

Mention any of the old music hall acts such as Leslie, and I’m afraid I can’t help thinking of this chap:

Back over to Rol, who might just see this post before his birthday’s finished:

“All this talk of Alex James’s cheese behooves me to suggest Copy Cats by The Humdrum Express, which features the lines…

“I read a Jamie Oliver’s Feastival review
Where ex-Top Gear presenters jumped the queue
To a sign publicising ageing sleaze
But it was Alex James’s aptly named new cheese”

(It also features the line “More Betty Than Swervedriver”, which I’m half thinking of stealing to rename my blog.)”

Bagsy and first dibs duly note.

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The Humdrum Express – Copy Cats

I may aswell chuck one in to the Alex-mix. When he isn’t making cheese, or being in Blur, he’s also popped up in some questionable novelty acts, most famously with Fat Les, but also in Wig Wam, a truly awful project that I’m not going to offend your ears by playing. His partner-in-crime there, though, was one Alison Clarkson aka Betty Boo:

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Betty Boo – Where Are You Baby?

Two band members left, and absolutely nobody suggested anything Graham Coxon-related so I had a quick shufty round and found that according to wikipedia, he appeared on Blue Peter twice as a child.

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Mike Oldfield – Blue Peter

But since all the rest of the band are getting at least two songs, we may as well have one of his singles. Friends of mine will attest that every time we’ve heard thisplayed out, I always point out that the intro sounds a lot like “Into the Valley” by Skids (Since nobody has ever agreed with me on this point, I’d post it so you could compare, but as it’s already featured on The Chain once before, I can’t. Who made these stupid rules up anyway??):

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Graham Coxon – Freakin’ Out

Which just leaves drummer Dave Rowntree, and a suggestion by The Beard:

“He shares his surname with the confectioners Rowntree. They are based in York and created the KitKat. York City’s Bootham Crescent ground was for a period renamed KitKat Crescent. ‘Crystal Crescent’ is a track by Primal Scream amd nothing to do with chocolate or the city of York.”

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Primal Scream – Crystal Crescent

Times may not change, by Primal Sceam certainly have over the years, haven’t they?

Finally, Rowntree has stood for election three times on behalf of the Labour party, losing on each occasion. Which leads me to this:

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Radiohead – Electioneering

Which just leaves us to reveal what the next record in the Official Chain is, and many of you will have noticed the absence of one particular song from the start of this post, when we looked at songs with the word “Universal” in the title. Many people wanted to suggest this, but Swiss Adam from baggingarea was the first out of the traps so the kudos and points are his this week:

“The Small Faces have their own ‘Universal’ which is a lovely song.”

Ain’t that the truth:

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Small Faces – The Universal

So, all that laves me to do is to ask for your suggestions, please, for songs which link to “The Universal” by Small Faces, along with a brief description of the link, via the Comments Section down below, in time for the next edition.

Let’s say that will be next week, and see what happens, eh?

More soon.

The Chain #38

It’s weird how things pan out. We have various categories here, where I award points for (nobody’s counting, the points mean nothing, apart from giving a warm glow for the recipient) the following:

Worst/Cheesiest Record of the Week

Showboat Comment of the Week

The Next Record in The Official Chain

Well, this week, we have a suggestion for each of the above. All of them will receive points. Yes: one person correctly guessed the next song in The Official Chain. If I could afford Ray Winstone’s head to pop up to ask you to lay your bets “nahhhhh”, this is where he’d be.

To recap: last week, we ended up with “Bonny” by Prefab Sprout, from their “Steve McQueen” album. Plenty of food for thought there, you’d think? Well, we have the most tunes ever to get through this week, although that’s mostly because I kept thinking of new ones.

Oh and by the way, it was rather pleasing to note that absolutely nobody complained about my deliberate mistake last week, which was to omit the link for the Crazy Frog tune. My faith in humanity is almost restored.

But before we go any further, many of you will know that regular Chain Ganger Badger’s better half was Lorna was involved in a car crash last week. Needless to say, our thoughts and best wishes go out to them. Get well soon.

So where better to start than with Badger of When You Can’t Remember Anything‘s suggestions:

“Beans often come from sprouts so how about something by Sunflower Bean? Tame Impala perhaps…”

Yes, that’s Tame Impala by Sunflower Bean, rather that Sunflower Bean by Tame Impala. As it says on their Bandcamp page: “Tame Impala wrote a song called Led Zeppelin and now they have a song named after them.” You can’t fault their logic.

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Sunflower Bean – Tame Impala

“Or,” continues Badger, “cabbages are basically big sprouts so how about ‘Uber Capitalist Death Trade’ by them.”

Coincidentally, an album I picked up earlier this week:

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Cabbage – Uber Capitalist Death Trade

I feel a catchphrase coming on. If Badger’s suggesting that, then I’m suggesting this:

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Teenage Fanclub – The Cabbage

Badger and I weren’t the only ones to go down the vegetable route; here, with the first of several suggestions is Jules from Music from Magazines:

“Joanna Newsome has a fine number called ‘The Sprout and The Bean'”

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Joanna Newsom – Sprout And The Bean

And here’s The Great Gog:

“I feel that this is as good a time as any to mention Jasper Carrott and Funky Moped, although I think that a fair proportion of its sales were down to the inclusion of the non-musical Magic Roundabout on the flip side.”

You’re probably right, GG, so let’s stick with the A-Side which is, by the way, the Worst Record of the Week:

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Jasper Carrott – Funky Moped

There you go, that’s your five portions of vegetables sorted out for today. A reward for finishing off all of your Brussel Sprouts is deserved; here’s Jasper with a classic routine:

Of course, Brussels also leads us to Europe, and to Belgium. Here’s Michael:

“Brussels being the capital of Belgium….Arno is a legend, in Europe often singing in English , ‘Les Yeux de ma Mère’ is a beautiful song , so you could also argue the bonnie link.”

You could, but you really don’t need to:

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Arno – Les Yeux de ma Mère

And since we’re in Belgium, here’s Charity Chic from Charity Chic Music:

“Plastic Bertrand is the only Belgian singer I’m aware of….”

What, you haven’t heard of Arno before, CC…..? Care to nominate a song by the most famous Belgian (after Hercule Poirot and Jan Vertonghen, both of whom would have done better than our actual defence did yesterday).

“I only know the obvious one…”

Me too, as it goes. So here it is:

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Plastic Bertrand – Ça Plane Pour Moi

Unsurprisingly, there was a whole load of suggestions linking to Bonnie. First out of the bag is The Great Gog, again:

“It’s not too much of a leap to Supertramp and their song, Bonnie, which I would imagine will be among the contenders for worst song of the week.”

Nope, but you’ve already won that gong, so no worries:

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Supertramp – Bonnie

In a normal week, the next suggestion, from George, would win the Comment Showboat of the Week. Not this week though, oh no:

“Using the song title, Bonny, to the name Bonnie, which leads to child star of the 70s Bonnie Langford, who appeared on a TV show with Lena Zavaroni, one of Rothesay’s famous exports, and there is no way I’m suggesting ‘Mama He’s Making Eyes At Me’, NO WAY, because I am linking from Bonnie Langford to Jon Langford, founder member of The Mekons, and to the song ‘Prince Of Darkness’, who seems to be having a rare old time at the moment in the UK and the USA. (The Prince of Darkness, that is, not Jon Langford)”

See that? Biting satire as well a great suggestion:

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The Mekons – Prince Of Darkness

Over to SWC from When You Can’t Remember Anything next, who is also “going down the Bonny route” which definitely sounds like a euphemism.

“I’ll start with ‘Anne Bonny’ by Death Grips”

(Warning: contains swears.)

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Death Grips – Anne Bonny

Next up is Martin from New Amusements:

“The obvious temptation with Bonny is to go the Tyler route, but who likes obvious when there’s the Bonnie Raitt route, maybe with ‘Something To Talk About’.”

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Bonnie Raitt – Something To Talk About

Time for The Robster from Is This The Life? with a bit of a history lesson:

“The only thing I’m coming back to is ‘My Bonnie’, the 1961 debut single by Tony Sheridan. He was backed on this by some young upstarts called The Beat Brothers (as the label credited them). Apparently they went on to become quite famous under a slightly different name…”

No points for knowing who that is, of course.

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Tony Sheridan & The Beat Brothers – My Bonnie

A couple of suggestions linking to the same artiste now, once as “featuring…” and once in his own right. Let’s take Jules’ next suggestion first:

“Bonnie Prince Billy ‘We are Unhappy’ (the version from ‘Singers Grave – A Sea Of Tongues’ please)”

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Bonnie ‘Prince’ Billy – We Are Unhappy

…followed by another one from SWC:

“From Bonny to ‘Prince’ Bonnie and Hot Chip’s rather lovely ‘I Feel Bonnie’.”

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Hot Chip feat. Bonnie ‘Prince’ Billy – I Feel Bonnie

Time to welcome back The Beard, who pinches one off my toes:

“Bonnie was one of the Blue Peter dogs. She was a golden retriever. Golden Retriever is a Super Furry Animals number.”

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Super Furry Animals – Golden Retriever

But The Beard isn’t finished just there:

“…and from Bonnie the Blue Peter dog to Roachford’s ‘Cuddly Toy’ via Alan Partridge…”

I’m going to end up posting this every week, aren’t I…?

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Roachford – Cuddly Toy

There was a distinctly outlawish theme to a few of the suggestions; step forward Lynchie:

“Bonny made me think more of one of Billy The Kid’s aliases – William H. Bonney – so I’d like to put in a good word for Joe Ely’s ‘Me and Billy the Kid’.”

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Joe Ely – Me And Billy The Kid

In the movie ‘Pat Garrett & Billy the Kid’, the Kid is played by one Kris Kristofferson, who regular readers will know is a hero of mine, so here’s one by him:

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Kris Kristofferson – Jody And The Kid

Many of you weren’t content at simply linking to Bonnie, plumping for songs which reference, or are just plain about, famous outlaws Bonnie and Clyde. Here’s another one of mine to kick this batch off:

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Georgie Fame & The Blue Flames – The Ballad Of Bonnie & Clyde

Others to link to the dastardly duo were The Robster:

“Just remembered… ‘’97 Bonnie & Clyde’ by Eminem…” 

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Eminem – ’97 Bonnie and Clyde

“Or maybe Tori Amos’ cover of it….”

Or both?

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Tori Amos – ’97 Bonnie & Clyde

Then there’s Walter from A Few Good Times in my Life who offers this:

“I take the gangster road…in 1996 German punk band Die Toten Hosen released a song called ‘Bonnie and Clyde’.”

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Die Toten Hosen – Bonnie & Clyde

But of course, no round up of songs about Bonnie & Clyde would be complete without this one, as suggested by Swiss Adam from Bagging Area:

“Bonny>>> ‘Bonnie and Clyde’ by Serge Gainsbourg.”

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Serge Gainsbourg – Bonnie And Clyde

Serge was, of course, a randy old sod, as Whitney Houston once found out:

At which point, Rol from My Top Ten chips in:

“Two of my three Bonnie & Clyde suggestions have now come up… But where the hell is the third, arguably most obvious, one???”

But before he has chance to clarify, Michael reappears:

“You must be referring to the Steve Wynn and Johnette Napolitano version…”

This one?

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Steve Wynn – Bonnie & Clyde

Anyway, Rol’s suggestion:

“Bruce Springsteen also recorded his own Bonnie & Clyde song… Nebraska.”

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Bruce Springsteen – Nebraska

Okay, are you all sitting comfortably? Good, because I’m about to go off on a bit of a tangent, and hog the limelight for….oooh…the next five songs.

In the movie about the outlaws Bonnie & Clyde, pithily titled “Bonne and Clyde” Bonnie was played by Faye Dunaway, and Clyde was played by Warren Beatty. Beatty may, or may not have been the subject of this record:

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Carly Simon – You’re So Vain

He also played the lead in 1978’s multi-Oscar nominated “Heaven Can Wait”…

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Meat Loaf – Heaven Can Wait

…and 1975’s (not multi-) Oscar nominated “Shampoo

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Shampoo – Trouble

Faye Dunaway used to be married to Peter Wolf, lead singer with the J. Geils Band:

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J. Geils Band – Centerfold

…and she starred in 1968’s “The Thomas Crown Affair”, which won the Oscar for Best Original Song for this:

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Noel Harrison – The Windmills of Your Mind

And, of course, her co-star in The Thomas Crown affair was one Steve McQueen, which is, of the course, the name of the album that this week’s source record comes from.

(If I could award myself the Comment Showboat of the Week for that little lot, I would. Guess I’d better give it to one of you lot instead. Harumph.)

Go on then George, do your stuff:

“From Steve McQueen to Alexander McQueen, the designer, whose partner was George Forsyth, which is also the name of a long dead American General, and also of a Peruvian footballer. And also from Peru was Daniel Alomia Robles, who wrote the song El Condor Pasa, which was made famous by Simon And Garfunkel as ‘El Condor Pasa (If I Could)’.”

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Simon And Garfunkel – El Condor Pasa (If I Could)

Here’s The Beard, back for another go:

“Shaun Ryder cribbed the opening to the Happy Mondays’ ‘Step On’ (“You’re twistin’ my melon, man…”) from a documentary about Steve McQueen. ‘Step On’ is, of course, a cover of a John Kongos number that I believe has featured on these pages before [it hasn’t, so we could have it…] Happy Mondays also covered Kongos’ Tokoloshe Man. So that instead, please.”

Fair enough. This featured on “Rubáiyát”, which was released to mark record label Elektra’s 40th Anniversary:

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Happy Mondays – Tokoloshe Man

Back to Rol now, who reveals he is currently working on a Top ten of songs about, or mentioning, Steve McQueen, and suggests this:

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Gil Scott-Heron -The Revolution Will Not Be Televised

Time to check in on Jules again, who suggest a Lambchop song for the second week running (this is not a criticism, by the way):

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Lambchop – Steve McQueen

Oh, and Jules, sorry but I can’t use your fourth and final suggestion, as it has already featured in a previous Chain post. Sorry!

Anyway, other films starring Steve McQueen include “Bullitt” so here’s Swiss Adam’s other suggestion:

“Steve McQueen takes us to the jazzy soundtrack to ‘Bullitt’ by Lalo Schiffrin”

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Lalo Schifrin – Bullitt (Main Title)

Rigid Digit from Stuff & Nonsense picks up the theme:

“Bullitt features probably the greatest cinematic car chase….”

He means this, of course:

…which leads to his next suggestion:

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Madness – Driving in My Car

…and leads me to suggest this:

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Deep Purple – Speed King

Want other Steve McQueen films? Rigid’s got ’em:

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The Clash – The Magnificent Seven

…which leads me to suggest this, from the 1995 charity compilation album ‘Help: A Charity Project for the Children of Bosnia’:

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One World Orchestra – The Magnificent

In case you don’t know, that’s actually The KLF, who seem to be on the brink of a comeback…

Another McQueen film? The Great Escape. Back to you, Rigid:

“…something from the Blur album perhaps, or a convoluted reference to the Blur/Oasis race for number 1 and the suggestion of Oasis’ ‘Roll With It’…?” 

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Oasis – Roll With It

Okay, where shall we go next? I know, let’s have some suggestions relating to Prefab Sprout themselves, and to kick things off, here’s Alyson from What’s It All About, Alfie?

“I always thought that their ’88 hit ‘King of Rock ‘n’ Roll’ was called ‘Albuquerque’ as the word comes up so often in the lyrics – Whenever watching the TV show Breaking Bad which was set in Albuquerque I thought of the song ‘A Horse With No Name’ by America (from Ruislip) and sure enough it popped up in the third season (and is my suggestion for this week). A tenuous double link is that the America band members back in the early ’70s would have worn the fashionable trouser of the day – loon pants – and Prefab Sprout’s main man was of course Paddy McAloon!”

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America – A Horse With No Name

Next up, here’s The Swede from Unthought of, though, somehow:

“The prefab is a kind of house, so I’ll go with ‘My Head Is My Only House Unless It Rains’ by Captain Beefheart. Such a beautiful song.”

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Captain Beefheart and The Magic Band – My Head Is My Only House Unless It Rains

Remember Michael suggesting Arno right back at the start of this week’s post? Here’s his other suggestion:

“Prefab being an abbreviation for prefabricated makes me think of boys bands so why not something by The Monkees: ‘I’m a Believer’.”

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The Monkees – I’m a Believer

And on the subject of prefabs, here’s Alex G from We Will Have Salad:

“I should go from something by Prefab Sprout to the *original* Prefab Four, i.e. The Rutles, but I’m not actually familiar with their output. ‘Cheese and Onions’ is a mildly infamous song of theirs, though, so I’ll go with that.”

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The Rutles – Cheese And Onions

Now, we’ve had numerous links to Steve McQueen, the album that the source record features on, but what about other albums by Prefab Sprout?

“Prefab Sprout’s next album was ‘From Langley Park to Memphis’ and one of the singles from it was aforementioned ‘King of Rock ‘n’ Roll’. Elvis of course was the KORNR and he lived in Memphis so an alternative suggestion is ‘Walking in Memphis’ by Cher (as she dressed up as Elvis on ‘Top of the Pops’ back in the day).”

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Cher – Walking in Memphis

And what about the album after that….? Over to Martin again:

“‘Protest Songs’ … which is all the excuse I need to pitch ‘The Internationale’ by Billy Bragg, and hope that it scores extra points for being more relevant now than ever.”

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Billy Bragg – The Internationale

No extra points, I’m afraid Martin, but I will take this opportunity to nudge you in the direction of Swiss Adam’s Bagging Area, where he has just finished posting a week of protest songs. Worth a visit, in my opinion.

Anyway, that’s your lot for this week. Except, a little while ago, Rigid Digit mentioned the Steve McQueen film and Blur album “The Great Escape”, but didn’t actually nominate a song from said album. Magnanimous host that I am, I asked him if he had one particular song in mind:

“My choice would be the peerless ‘The Universal’ (despite it’s continuing usage on the British Gas advert)”

Can’t argue with that:

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38. Blur – The Universal

And that, as you will have gathered by the number craftily placed at the start, is the next record in The Official Chain, so congratulations, and bonus points, to Rigid Digit.

So, your suggestions, please, for songs which link to “The Universal” by Blur, along with a brief description of the link, via the Comments Section down below, in time for next Sunday’s edition.

Oh, and more soon, of course.

The Chain #37

“Sunday, Sunday here again in tidy attire
You read the colour supplement, the TV guide…”

Well, you can now add “The Chain” to the list of things to read on a Sunday, although events have rather caught up with me, meaning that it will be a race against the clock for me to get this finished by the end of the day.

We ended The Chain #36 with “Hyperactive!” by Thomas Dolby and the usual request for your suggestions for songs that can be linked to that tune. Let’s see what you came up with.

First, a batch of songs which link to “Hyperactive!” the song, and “Hyperactive!” the physical state, first amongst them being submitted by Rol from My Top Ten:

“‘Hyperactive!’ begins with a psychiatrist asking Dolby to “Tell me about your childhood.” So my first choice is…”

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Black Box Recorder – Child Psychology

Which allows me to blow the dust off of my Chain Catchphrase early doors this week. So, if you’re suggesting that, then I’m suggesting this:

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The Avalanches – Frontier Psychiatrist (Radio Edit)

A few weeks ago, Babylotti got in touch to put me on notice that he was looking to suggest a song which he thought it would be impossible for me to locate a copy of. This week is the week he put that into practice:

“Okay so starting off with the Hyperactive link, it reminds me of another 80s songster, Alexei Sayle. He had a hit with ‘Ullo John! Gotta New Motor?’ (not the link yet) [which is lucky, as it’s featured before, so I’d have had to disqualify it] in the charts at the exact same time as ‘Hyperactive!’, [I’ve checked this, and it is correct: 26/02/84, ‘Hyperactive!’ was at #29 on it’s way down from #17, whilst ‘Ullo John! Gotta New Motor?’ was at #35 on it’s way to the giddy heights of #15]  but in 1982 he released a single as the Albanian World Cup Squad, ‘Albania! Albania!’ (as threatened/promised!). With a chorus quite reminiscent of the Blackadder theme tune, I first heard it on the Anne Nightingale show back then, had been after it ever since.”

One of the rules here at The Chain is that if you suggest a song then you must be able to supply a copy of it in the event that I don’t already own it, or am unable to source it. This has happened 4 or 5 times since we started, and you won’t be surprised to learn than I couldn’t find this one. I had been prepared for this, as Babylotti previously advised me that as far as he was aware, it was only available on one website.

That website, he revealed, was his Soundcloud page. Should be easy enough to find, I thought, typing the words “babylotti” and “soundcloud” into Google. Did it find babylotti’s Soundcloud page? Did it heck. But what it did reveal is that some chap called Rick Shide has been reposting The Chain verbatim for a few months now on something called ‘Inoreader’.

Let’s all give Rick a wave, shall we?

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Hi Rick!

I’m sure you’re all as flattered as I am.

Anyway, to babylotti’s suggestion, which he ended up adding to his own blog, Livin’ Out Rock’n’Roll in order that you can all hear it today. I have to admit, it is pretty funny:

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The Albanian World Cup Squad – Albania Albania!

Babylotti then goes off at a bit of tangent, which is fine, as long as it’s justifiable, and his next two suggestions are, linking to “Hyperactive!” via the aforementioned Alexei Sayle record:

“I’ll then stay with the football theme and choose the song from when New Order ruled the world, World in Motion. The greatest football song ever, and that’s coming from a Republic of Ireland supporter…”

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New Order – World In Motion

Of course, one of the highlights of that record is the rap performed by John Barnes, and let’s be honest, other than that goal against Brazil, it was probably the most impressive thing he ever did in an England shirt.

Caught up on the tube in August last year, Barnes was kind enough to treat his fellow travellers with an impromptu rendition:

“And my last one,” babylotti rounds off, “which always reminds me of Goal of the Month:”

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The Lightning Seeds – The Life Of Riley

It wasn’t just the song title “Hyperactive!” that was linked to; many others linked to Hyperactive the condition.

Over now to Jules from Music From Magazines. In case you have any issues deciphering Jules’ contributions, as I did this week, please note something he said in a Comments Conversation we had yesterday:

“Please check the time I posted this , music from mags rules are only post in pubs…”

A fine rule, which I may have to bring in as mandatory…

Anyway, here’s Jules’ first suggestion:

“A Hyperactive Thomas can cause many problems, so let’s get it out the system and try Ivor Biggun and….”

Stop right there. Let me just slap one of these labels on this one:

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Although, it’s hardly needed, you can pretty much get the gist from the sleeve, the artist (I use that term most misguidedly) and song title:

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Ivor Biggun – I’m A Wanker

Ivor Biggun is a the “comic” creation of Doc Cox, who some of you may remember from his stint as one of the co-hosts of consumer show “That’s Life!”, a show spoofed here by the “Not The Nine O’Clock News” team (albeit, in pre-Cox days):

Thankfully, The Robster from Is This The Life? is here to de-smut proceedings:

“If you are hyperactive, some, or all, of your senses are working overtime so at the risk of requesting something that’s been used before….”

I must admit, I thought it had too, but nope!

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XTC – Senses Working Overtime

A couple more suggestions from me now. A quick browse through my thesaurus tells me that synonyms of the word “Hyperactive” are “Over Excited”, so….

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The Housemartins – Five Get Over Excited

…and “Excitable”, so…

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Amazulu – Excitable

If you ever need to investigate whether there was a link between increased illegal drug use (non-contraceptive) and teenage pregnancies in the 1980s, then you could probably cite this record, for gleefully announcing over a summery, steel drum tune that the lead singer is “drowning in amphetamines” and, even more irresponsibly, that “I don’t care if you get me into trouble”. Yours faithfully, Outraged, Tunbridge Wells.

Finally in this first batch, here’s Alyson from What’s It All About, Alfie? who, like me, went to see ‘T2 Trainspotting’ this week and, like me, bloody loved it. That’s a recommendation, by the way.

“Ian Watkins from the group Steps was always called “H” which was short for Hyperactive – If you’ve ever seen him being interviewed on telly (no I wouldn’t admit to it either) you will know why. The song of theirs that I’m going to choose is…”

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Steps – Tragedy

That’s not quite what I first thought the “H” stood for, if I’m honest…

Regular visitors to these pages will know that each week one suggestion is crowned “Worst Record of the Week”. Unbelievably, this week that record is not by Steps.

Moving on, and several of you provided links to Mr Dolby himself; here’s Rigid Digit from Stuff & Nonsense with one of them:

“Thomas Dolby was in The Camera Club (a band, not a photographic society) with Bruce Woolley.  Bruce Woolley was co-writer (with Trevor Horn and Geoff Downes) of ‘Video Killed The Radio Star’, the song which epitomises all things 80s (even though it was released in 1979).

Many earholes have agreed that the Bruce Woolley and The Camera Club version is superior.”

Let’s find out, shall we?

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Bruce Woolley – Video Killed The Radio Star

Over to Walter from a few good times in my life:

“Thomas Dolby wrote ‘New Toy’ by Lene Lovich a song that was played often long long years ago”.

Not be my, it wasn’t: other than her totally ace/bonkers (delete as applicable) Stiff release “Lucky Number” I don’t think I’ve ever heard anything else by her:

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Lene Lovich – New Toy

Okay, now I have.

The first suggestion we received this week was from The Great Gog, whose nominated track leads us rather nicely into the next batch of similarly-themed-suggestions:

“A fairly straightforward double-link springs to mind immediately. Thomas Dolby was involved in the production of Prefab Sprout’s ‘From Langley Park To Memphis’ album (although duties were shared out on that one). That album just happens to include another song with an exclamation mark at the end of the titles, so “Hey Manhattan!” it is.”

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Prefab Sprout – Hey Manhattan!

Yes, The Great Gog was not the only person to suggest a song on the basis that it, or the performing artist, had an exclamation mark in the name somewhere.

Welcome to SWC from When You Can’t Remember Anything with a swift three in a row followed by a mic drop:

“Hyperactive has an ! at the end of it. This I think also adorns the cover of “Enough is Enough” by Chumbawamba…”

It does:

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Chumbawamba & Credit to the Nation – Enough Is Enough

“If it doesn’t then I will go for ‘Hyper Enough’ by Superchunk…”

Well, it does, but I’ll allow this on the basis that, well, because it’s Superchunk:

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Superchunk – Hyper Enough

“Or continuing the ! theme ‘Annihilate Now!’ By Idlewild.”

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Idlewild – Annihilate Now!

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Next up, it’s Martin from New Amusements, who suggests a song by a band who are very dear to me indeed:

“Hyperactive has an exclamation mark at the end. Mid-80s twee-merchants The Chesterfields used to use an inverted exclamation mark as the “i” in their name, so how about ‘Ask Johnny Dee’ by The Chesterfields? Or maybe that should be The Chesterf¡elds…”

Taken from their jingly-jangly guitar lost classic “Kettle”, an album which came out in 1987 on the oft-overlooked Subway Records label; I recently placed it in a “Top 1o albums which have stayed with me” Facebook round-robin thing.

I’d completely forgotten about the ! in their name, and I have to say I’m bloody delighted to have the chance to post a song by them, even if they are very much “of their time”.

Oh but before I do, a clarification from Martin:

“On closer inspection, the exclamation mark in The Chesterfields wasn’t inverted, just normal i.e. The Chesterf!elds.”

It’s still in.

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The Chesterfields – Ask Johnny Dee

Last of the Exclamation Marks now, and another of my suggestions. In all honesty, when the first song linked by the exclamantion mark came in, I thought there would be no way that somebody wouldn’t suggest something by this lot.

If you don’t know this band, but like “House of Jealous Lovers”-era The Rapture, then I’d heartily recommend you give this a spin, if for no other reason than it’s prowling Slits “I Heard It Through the Grapevine”-esque bass line:

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!!! – Me and Giuliani Down by the School Yard (A True Story)

Okay, on to other Thomas’s now, and back to The Great Gog:

“Around the time that Mr. Dolby was first active musically, there was another keyboard player called Thomas releasing records, albeit with less commercial success – Thomas Leer. Mr. Leer later went on to be part of Act, who had a minor hit with ‘Snobbery & Decay’.”

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Act – Snobbery & Decay

Well, if you’re suggesting that, then I’m suggesting this, featuring Claudi Brücken, who was also in Act:

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Propaganda – Duel

Also hailing from the When You Can’t Remember Anything blog, here’s Badger:

“From Thomas Dolby to a Thomas who actually quite good – Thomas Bangalter from Daft Punk and the click tastic ‘Giorgio by Morodor’.”

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Daft Punk – Giorgio by Moroder

“My second choice,” continues Badger, “is ‘Thomas the Fib’ by much missed dancey jazz pioneers Red Snapper from their excellent ‘Prince Blimey’ album. Prince Blimey being the bastard son of Prince William and Katie Price from their ill advised affair of 2001. That was exposed by the Daily Mirror after Wills was seen leaving a kebab shop at 3 in the morning and letting himself into the back door of Price’s Penge Maisonette.” [Can we insert the word ‘allegedly’ in that at least once and preferably several times please? – Legal Ed]

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Red Snapper – Thomas the Fib

Right, you know who this week’s instalment of The Chain is missing? George, that’s who. Up you step, George:

“From Thomas (Dolby) to the diminutive Tommy, which could lead to any number of tracks from a double by The Who, but won’t, but does lead to Eric Clapton who performed Eyesight to the Blind in the film Tommy (I went with my mum to see that film).. Sonny Boy Williams (the second one) does the original”

I’m assuming it’s the original version that you want:

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Sonny Boy Williamson II – Eyesight to the Blind

Now, remember earlier that Jules revealed that he only ever posts when in the pub? Here’s another one from him, which he submitted after I had asked what on earth he was dribbling on about in two of his other suggestions (one of which i still don’t understand):

“St Thomas supported Lambchop at the Wedgewood Rooms in Portsmouth some years back, as the encore started we had to go to get the last ferry home. And the song a cover of The Stranglers “(Get a) Grip (of Yourself)’.”

Some admin, from me: the St Thomas referred to does not imply that Thomas Dolby has received some kind ecclesiastical sanctity; it is the performing name of one Thomas Hansen. Also, the cover isn’t by St Thomas, it’s by Lambchop, a live version of which appears on their “Rainer on my Parade” album, but I’m posting the studio version.

Some admin from Jules: “This [choice] is not a reference to my previous ‘I’m a Wanker’ suggestion.”

If you say so, Jules, if you say so…

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Lambchop – Grip

Two more categories to go now, and unsurprisingly, many of you linked to Thomas Dolby’s surname, and the technical side of sound reproduction.

I’ll let Martin explain:

“Dolby, as anyone of a certain vintage (i.e. all of us) knows, is the de facto tape hiss reduction technology. Dolby-B was most common. Dolby-C less so – better hiss reduction but too much loss of treble. Dolby-S came knocking just as tape succumbed to burning your own CDs instead, but it was brilliant! Especially if recording on a good quality metal tape (TDK MA90 or, better still, Sony Metal-XR)… sorry, turning into a hi-fi geek. The suggestion. So for me, Dolby makes me think “S” and hence, unfortunately, S-Express and ‘Theme From S-Express’. Not something I’m desperate to hear again…”

Long-term readers will know that some time ago I ran a very short-lived thread about the samples used on certain records, and ran one post which looked at exactly this tune. You can read it again here (not sure if the links are still active, let me know if not).

Anyway, here’s S’Express:

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S’Express – Theme From S’Express

Next to chip in is Michael, who suggests the sort of tune that Dirk normally does:

“Thomas Dolby > Alternative TV. Dolby as noise reduction, most TVs today have Dolby. I guess Action Time and Vision kind of sounds hyperactive.”

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Alternative TV – Action Time Vision

Before we go any further, a suggestion of a different sort. As mentioned earlier, one of the rules here is that we don’t play the same tune twice (unless the first time it was played it was because it featuring in The Official Chain, rather than being suggested by one of us). When you leave your Comment/Suggestion, you should have the option of ticking a little box which lets you know if anyone replies to your Comment – please tick this, for in the event of me being unable to source the song, or in case I need you to clarify your suggestion, or, as happened here, you suggested something that had already featured, it makes it a lot easier for me to get in touch with you. Thanks.

So, back to Rigid Digit:

“Spinal Tap reference time:

 When discussing the failure of their new album (‘Smell The Glove’), Jeanine Pettibone (David St Hubbins’ girlfriend) stated that the problem with the album was that “You can’t do Heavy Metal in DOBLY”

Suggested track: ‘Stonehenge’.”

Which we’ve had before (#32). So, in the absence of a response from Rigid to my request for an alternative suggestion, I’ve, er, plumped for this one:

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Spinal Tap – Big Bottom

Back to George now, who picks up the Dolby theme and runs with it, followed, it has to be said, by more than one of us:

“The Dolby system on tapes was to reduce hiss. Something else that makes a hiss is a snake, hence the track ‘Long Snake Moan’ by P J Harvey”

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PJ Harvey – Long Snake Moan

“See how I didn’t choose Union Of The Snake by Duran Duran…?” George signs off.

What, this?

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Duran Duran – Union of the Snake

A joint suggestion now, for The Swede of Unthought of, though, somehow nominated a tune that was on my not-so-shortlist, which he very graciously said he’d step aside and let me nominate. However, a better idea, I think is if we jointly suggest this and then both have another go at a snake related tune.

Over to you then, Swede:

“As George so rightly pointed out the Dolby system was developed in part to reduce tape hiss. Another thing that hisses is of course a snake, so let’s have ‘The Snake’ by Al Wilson.”

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Al Wilson – The Snake

Bloody great, that, isn’t it?

Ok, so The Swede’s extra suggestion goes thusly:

“I’ll suggest ‘Snakes and Snakes’ by Bell X1, an old favourite tune of both me and Mrs S.”

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Bell X1 – Snakes and Snakes

Ah. Well that pretty much beats my alternative snake song, which features a snake, the arch nemesis of the titular character, called Hissing Sid:

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Keith Michell – Captain Beaky

Nope, that’s not the worst record of the week either.

Some of you knew that Thomas Dolby was heavily involved in the development of ringtones; Rigid Digit says that he “…invented the Nokia Ring Tone (cue oversized mobile phone a la Trigger Happy TV: “HELLO!, I’m on the Internet. It’s very boring (mostly, but there are some places worth visiting – honest!)”

In case the reference to oversized mobile phones means nothing to you, Rigid refers to this:

..which prompted babylotti to pipe up:

“You’d almost want to go with Mario Piu’s Library there, it samples Dom Joly’s favourite phrase.”

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Mario Piu – Library

Quite an uninspring bit of cover art, that, isn’t it. Let me see if I can find a more appropriate library related picture…

*rummages around*

Ah yes, this seems about right:

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Anyway, where were we? Ringtones, that’s where. And here’s Alex G from We Will Have Salad with, without even the merest shadow of a doubt, the Worst Recod of the Week, by a country mile:

“Thomas Dolby went on to basically invent polyphonic ringtones. I therefore suggest this week’s worst record, ‘Axel F’ by Crazy Frog, on the grounds that it’s Thomas Dolby’s fault. I dimly recall there were some further, possibly even worse, follow-ups, but I think Axel F will suffice to remind us of the evil that Thomas Dolby has visited upon the world. His crimes must never be forgotten.”

It’s alright for you lot, you don’t have to listen to it, like I do when I check the copy I *ahem* aquired is clear and has uploaded okay.

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Crazy Frog – Axel F

I once berated a guy I worked with for having that as his ringtone.

As I mentioned when Alex posted that, the one redeeming feature of that record is, if my memory serves, that it stopped Coldplay from getting their first ever number one single.

Speaking of Coldplay, a suggestion from Charity Chic of Charity Chic Music fame:

“Thomas Dolby had the look of a mad scientist and indeed did ‘She Blinded Me With Science’. So, ‘The Scientist’ please – not the Coldplay original but rather the Willie Nelson cover.  If you can only find the original please don’t bother.”

Always a pleasure to deny Coldplay twice in one post.

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Willie Nelson – The Scientist

“Failing that, E=MC2”, CC adds.

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Big Audio Dynamite – E=MC2

Just two more suggestions to go now; penultimately, back to The Robster:

“The quirky scientist Dr Magnus Pyke guested on another of Thomas Dolby’s hits ‘She Blinded Me With Science’. In his Wikipedia entry, it claims one of the many books he’s written is ‘Tricky and Portishead and Other Stonehead Bristol Sounds of the Future.’ I have seen references of this come up occasionally in other places, but have never actually managed to track down any credible suggestion that such a book even exists. However, it’s a fantastic thought that Dr Pyke would have written such a thing, so I’m also going to suggest some things links with my other suggestion: Tricky’s cover of XTC’s ‘Dear God’.”

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Tricky – Dear God

Which would be where we’d leave it, but one last peek into the pub to see what Jules has been up to leads to something about him being too old to be in a fight, about Donald Trump, an admission that the one suggestion I still don’t follow “…still makes not a lot sense…”, that I should “…ignore previous drunken ramblings…” and most pertinently that “…I needed some Billy Bragg…”

So, as a one off, while I’m not at all sure how this links to the source record, I’ll assume that somewhere there is a link buried deep in Jules inner psyche, play it, and leave it at that. It is rather fine, as relevant today as when Woody Guthrie first penned the lyrics:

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Billy Bragg & Wilco – All You Fascists

Woody Guthrie died in 1967.

And so to the next song in The Official Chain, and once again, once of you was mightily close, getting the right band, the right link, but the wrong song.

Here’s the link:

“…Thomas Dolby produced an album by Prefab Sprout…”

Here’s the song:

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37. Prefab Sprout – Bonny

Here’s some Bonus Points for The Great Gog for proving Meat Loaf right when he sang “Two Out of Three Ain’t Bad”.

And here’s a request for your suggestions for songs which link to “Bonny” by Prefab Sprout, along with a brief description of the link, via the Comments Section down below, in time for next Sunday’s edition (by which I mean, by Saturday night, please!)

More soon.

The Chain #36

And we’re back! Back! BACK!! (obligatory Smash Hits reference for you there.)

Here we go with another dose of interactive blogging; you all know how this works by now, so we’ll crack straight on.

Last…erm…time, we left you with “C30 C60 C90” by Bow Wow Wow and the usual plea for your suggestions for songs that can be linked to that tune.

Younger readers may not know what the C30 etc in that title stands for, so allow me to explain in a slightly patronising tone.

Many years ago, music as we know it today did not exist. MP3s was the name of a robot from Star Wars (probably); the term “streaming” meant that water, or some other liquid, was flooding out of something.

Back in those dark days, us old timers listened to music via the radio, (sometimes referred to as the wireless, but let’s not go there or things will get really complicated), or cassette tapes. These could either be purchased pre-recorded, or blank, onto which we would record the vinyl records (some naughty people recorded songs from the radio, which is definitely not okay, as we will find out), and these cassette tapes were then played on cassette players or, later, on portable devices called a Walkman. The length of the blank tape varied, and the 30 signified you could record thirty minutes of music onto it, the 60 held sixty minutes, and so on.

I mention all of this to save any puzzled looks when we start going through the suggestions, for many of them refer to that medium of music presentation.

For example, first up, here’s Charity Chic from Charity Chic Music:

“C30 C60 C90 refers to taped music [okay, you’ve put that a lot more succinctly than I just did…] – you can tape to tape and in days gone by this would be in the form to reel to reel tapes. So Reel to Reel by Simple Minds from when they were good please.”

“From when they were good”, eh? Well, that certainly narrows things down quite a bit:

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Simple Minds – Reel To Real

Reel to Real, you say? Well, if you’re going to suggest that, then I’m going to suggest this lot:

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That Mad Stuntman, he really was quite mad, wasn’t he? Textbook lunacy, there. Lovely stuff.

Over to Rigid Digit from Stuff & Nonsense who ventures: “Can I get away with 3 suggestions in one comment?” You can, but I will of course break them up into three separate suggestions and post them all out of sequence and context.

“1) C30, C60, C90 – all variants of the most portable music delivery method [Can you all stop putting that more succinctly than I did please?] Now all you need is something to play them on whilst on the move. Aah .. the Walkman – which leads (in my mind) to a roller-skating Cliff Richard in the video for Wired For Sound.”

It’s the stuff of dreams, if you’ve eaten far too much cheese before bedtime, that video:

That bit when he’s driving…does it remind you of anyone….?

May not make the midnight deadline now, as I have literally just watched that about ten times.

Anyway here, for anyone who may want to listen to it and be reminded of all that lycra again, is the single:

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Cliff Richard – Wired For Sound

Just when you thought we might be all Cliffed out for this week, here’s Alyson from What’s It All About, Alfie?:

“I remember well dancing to Go Wild In The Country by Bow Wow Wow back in the day (Mr WIAA,A?’s predecessor and I used to do a bit of show-dancing to that one) but another song about being In The Country (but not being wild) was by Sir Cliff & The Shadows back in 1966. Sir Cliff is also a great tennis fan and although this is tenuous, Annabel Croft was our British female no. 1 for a while and the lead singer with Bow Wow Wow was also called Annabel(la) so a double link.”

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Cliff Richard & The Shadows – In The Country

Quick! Someone suggest something slightly more credible!!

The Great Gog steps up to the oche.

“I suppose there’s also the very relevant “On Tape” by The Pooh Sticks.”

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The Pooh Sticks – On Tape

Over now to SWC from the very much still alive and kicking When You Can’t Remember Anything:

“I will be heading, like Charity Chic, down the tape route. I will start with the excellent ‘Freak Out’ by Tapes ‘n Tapes”

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Tapes ‘n Tapes – Freakout

They’re a band that have managed to pretty much pass me by, are Tapes ‘n Tapes. I remember reading about them, but never actually hearing anything by them. I think I was put off by the missing apostrophe from the other side of ‘n. Time for me to investigate some more, I think.

Here’s Rol from My Top Ten:

“The Pooh Sticks were my first thought, but I knew I’d be beaten to that, so I offer the far more obscure…..”

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Dan Bern – Tape

And here’s The Swede from Unthought of, though, somehow:

“C30, C60 & C90 were all commercially available cassette tape lengths [Ahem…! What did I just say….?] (as was C120, but who used those?) [Erm….] and the Bow Wow Wow song in question was the first ever cassette single. Pete Murphy of Bauhaus famously appeared in a TV advert for Maxell cassette tapes, so I’ll go for ‘Bela Lugosi’s Dead’”

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Bauhaus – Bela Lugosi’s Dead

Brace yourself now, as we are about to step into the nerdy world of which cassette tape was our weapon of choice back in the day. Welcome back, Alyson:

“The tapes of choice for me were usually made by Philips which was a Dutch company and 2 Unlimited were Dutch…… Oh no, did that link last week time.

Include another L in Philips and you have the surname of half of the members of The Mamas & the Papas and I don’t know about you but “All the leaves are brown and the sky is grey, I’ve been for a walk on a winter’s day, I’d be safe and warm if I was in L.A., California dreamin’ on such a winter’s day.” Yes it’s a bit of California Dreamin’ from me.”

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The Mamas & The Papas – California Dreamin’

And here’s Dirk from Sexyloser to chuck his thoughts on the matter in:

“For me it always had to be BASF cassettes, they really were the best. Although, somehow, they smelled rather disgusting, strangely enough ….”

They say the olfactory sense is the most powerful in terms of invoking childhood memories, so let’s see what that little sniff and scratch session has brought back to Dirk’s mind:

“I was thinking about other famous people with a nice mohawk (‘cos that’s what always impressed me mightily when looking at Annabella [of Bow Wow Wow] back then … that and her figure, of course … I always thought she was smoking hot! Still admire her today, to be brutally honest! Perhaps I should be careful these days when saying such things, bearing in mind she was only 13 or 14 when the first singles came out, and I don’t want to end up being the one with the paedophiliac stamp in future posts of The Chain! Then again she’s two years older than me, but does this fact legalize my continiuing adoration? Interesting subject, once you think about it …”

You do realise you’re talking out loud, don’t you Dirk? Reign it in, old chap.

But before you do, here’s Martin to add a little background to Dirk’s ramblings:

“Annabella Lwin of Bow Wow Wow was famously photographed for the album sleeve art with not too many clothes on, despite being a minor. Cue tabloid frenzy and a visit from Scotland Yard for Malcolm McLaren. And on that basis, I’ll make my suggestion, an ode to being sure she’s old enough…”

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Travis – U16 Girls

Back to Dirk, who hopefully has had time to have a cold shower. Dirk, fancy picking up where you left off, and maybe coming up with something which not only links to the subject record, but also to Martin’s suggestion?

“Famous people with a mohawk are Mr. T out of the A-Team of course, but also Robert de Niro as Travis Bickle in ‘Taxi Driver’, which gives me a fine opportunity to annoy George (again) and link to The Clash and ‘Red Angel Dragnet’ [because it features several lines of dialogue lifted from the film]

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The Clash – Red Angel Dragnet

As is traditional, Rol picks up the mohawk baton (which, surprisingly isn’t a euphemism) and kind of runs with it, as far as this:

“Mohawks lead me to recall Pop Corn & The Mohawks – ‘Custer’s Last Man’.  Worth a spin if you can find it”

Ok..

Two minutes later, Rol posted this:

“P.S. Having listened to it all the way through again now… you must dig it out. It is utterly mental.”

Blimey, Rol, give us a chance!

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Pop Corn & The Mohawks – Custer’s Last Man

We seem to have got a little way away from the subject in hand. Anyone care to drag us back to the whole tape thing?

Oche vacated, here’s Swiss Adam from Bagging Area

“Wild Billy Childish and the MBE’s ‘He’s Making a Tape’ (‘and it’s not for me’ she sings, Billy’s wife, Nurse Julie)”

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Wild Billy Childish and the MBEs – He’s Making A Tape

Continuing the tape theme, Martin’s back:

“Following the C30, C60, etc, into the land of mixtapes, how about ‘Press Play and Record” by Lois Maffeo?”

I could only find the same song credited to just Lois, so I’m hoping this is the song you had in mind:

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Lois – Press Play and Record

Back to SWC now, with his second choice, and his second choice by someone who has passed me by, mostly because I’ve always viewed him as a Billy Bragg wannabe, which isn’t necessarily a bad thing, but we’ve already got one Billy Bragg, so…

Anyway, having listened to this, I may have to reassess.

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Frank Turner – Losing Days

SWC: two shots on target, two goals.

Go on, have another go.

“You could also go down the mixtape route which is regularly used by rappers taking us nicely to the odd future tape and ‘Slow it Down’ by Tyler, The Creator.”

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Tyler, The Creator Ft. Hodgy Beat – Slow It Down

We’re almost at the end of the Tape links, here’s Dirk with one more, no build-up, no pre-amble, just introduced by the words: “Clever, eh? But this happens when you remember every old shit no-one else knew all along!):

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The Membranes – Spike Milligan’s Tape Recorder

First appearance of the week now from Jules of Music from Magazines fame:

“One of the best uses of tape in a promo video was of course in “America What Time Is Love?” By The KLF.”

It took me ages to work out what he meant. See if you can spot the reference:

Jules will be back shortly with some actual suggestions. Some of which I may even allow.

I haven’t suggested anything for a while. Feeling a bit left out actually. So how about I wrap up the Tape section with one of mine?

Every now and then, post The Chain, I get an email from George, telling me how much he loves a song that I’ve posted. They are always the songs that I least expect him to like, which is a mark of the man. George, I mention this because, going off some of the previous ones you’ve told me you enjoyed, you’ll love this, if you don’t know it already (though I would imagine you do).

Tidying off the tape section with another Reel song, here’s The Chemical Brothers:

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The Chemical Brothers – The Private Psychedelic Reel

Oh and George: next time you email me, there’s no need to attach the video clip of you dancing round your kitchen. But if you must, please can you be wearing some trousers next time? Or at least some underwear. Thank you.

Okay, before we move on to the next batch of links, a couple of random ones. First up, is Alex G from We Will Have Salad:

“Let’s play Chain Letters! Take Bow Wow Wow, change a letter, and you get Bow Wow Now, which is a song by Dubstar”

Quite a short game, really, that, wasn’t it? I suggest you work on a second draft before submitting it to one of the major TV channels. Although, stick the word ‘Celebrity’ at the start of it, and Channel 5 would probably be interested in it right now:

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Dubstar – Bow Wow Now

And since we seem to have stumbled into the vague area, here’s the aforementioned George:

“From Bow Wow Wow, to violins (played with a bow) and to some prog rock, namely King Crimson and ‘Larks Tongues in Aspic Part 2’ , which has some violin-ing in a splendid racket of a song.”

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King Crimson – Larks’ Tongues In Aspic, Part Two

One of the other recurring themes that came up after last week’s time’s source record, was home taping, the hobby/habit/thriftiness/call it what you will that so many of us of a certain age indulged in in our youth, sitting hunched and “hovering over the Pause & Record buttons on your knackered old tape recorder when the Top 40 was on a Sunday evening…cursing when you accidentally taped even the briefest snippet of Bruno Brookes…” as I once described it elsewhere on these pages.

This was known as piracy, which led two of the Chain Gang to come up with suggestions.

First, here’s The Robster from Is This The Life?:

“One thing immediately comes to mind, and it’s a double-linker! C30, C60, C90 Go! was a song about taping music off the radio – music piracy. The pirate skull and crossbones flag was called the Jolly Roger. Bow Wow Wow consisted of ex-members of Adam And The Ants, also formerly managed by McLaren. Adam banded together a new bunch of Ants and modelled himself as some kind of glam-punk pirate, recording a song called ‘Jolly Roger’ on the album ‘Kings of The Wild Frontier’.”

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Adam & The Ants – Jolly Roger

And then came The Great Gog, who I am used to receiving a suggestion from at around 3am the morning after I post The Chain. This time, he has a rather unique way of coming up with a suggestion:

“Like Robster, I started thinking of piracy, in particular the old cassette and crossbones logo that used to adorn many an album cover back in the early eighties. “Home Taping Is Killing Music – And It’s Illegal”, that one. This set me wondering how quickly I’d find one of these if I were to randomly pull out a few records from my vinyl collection. Around a minute or so as it turned out. The Psychedelic Furs’ eponymous debut LP was the album in question. Did any particular track lend itself to The Chain? Well, much home taping was done from the good old wireless, so a case could be made for “Blacks/Radio”. Of course, I’m now wide awake listening to said album through headphones when I should be sleeping like the more sensible members of my family…”

And I suppose that’s my fault, is it…?

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The Psychedelic Furs – Blacks/Radio

Mention of the ‘Home Taping is Killing Music’ campaign reminded me of this alternate logo, which always made me chuckle, and which at least one other blogger used to use on their website. Can’t remember who, suspect it may have been Dirk, but wouldn’t want to swear to it:

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I had that made up into a couple of t-shirts (for myself), so I probably owe somebody something for that blatant copyright breach. Ah well. Join the queue.

Anyway, where was I? Ah yes, the Home Taping is Killing Music thing. Here’s Rigid Digit with the second of his suggestions:

“2) Fuelling the Home Taping Is Killing Music campaign, the cassette single of C30, C60, C90 … Go had a blank side – this also led to the band parting company with EMI.
The logo was used in the back of Venom’s Black Metal album with the words ‘Home Taping Is Killing Music… So are Venom’…Venom have a place in my ears, but if I’m honest, they really aren’t that great…”

Don’t start backing down before we’ve even played it, Rigid!

So, here’s some words I never thought I’d type. Ladies and Gentleman, I give you Venom:

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Venom – Black Metal

Now I know I mentioned in jest that I wouldn’t post Rigid’s three suggestions in order, but truth be told, they do pretty much work in that order, fair play. So, here’s his third:

“3) The 21st Century equivalent of home-taping is downloading, so no pre-ambling explanation: Weird Al Yankovic – ‘Don’t Download This Song’.”

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Weird Al Yankovic – Don’t Download This Song

It won’t have escaped your attention that musically that’s based on this:

My two favourite bits on that song are when Cyndi Lauper comes on and kicks some ass (vocally), and (long term readers and friends, forgive me for making this joke yet again), the bit where Bob Dylan does his impression of Cartman from South Park.

But I digress, yet again.

Having allowed Rigid’s  three suggestions to appear almost uninterrupted and in sequence, I’m going to break with tradition and allow the same thing to happen with babylotti’s.

But first, round our way, whenever someone name drops, we tend to shout the word “Clang!” It is often bawled at me when I start regaling people with stories of all the bands and comedians, some on the way up, some on the way down, some going absolutely no further, that I worked with, albeit usually only for one night, back at the end of the 1980s/start of the 1990s. I mention this now, apropos of nothing.

Over to you, babylotti:

“Being from Coventry the thought of bootleg tapes immediately brings to mind my first serious music love, Ska. Or Two Tone Ska as it’s become known as.  So my first suggestion is Gangsters by The Specials with the line ‘Why must you record all my phone calls…’ [I’ve had the privilege of playing as drummer with several members of the band since]…”

Clang!

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The Specials – Gangsters

“…My next suggestion is staying with the same scene & to suggest The Selecter & On my radio, the 1991 version is better IMO. And I’m proud to say I actually deputised as their keyboard player for one gig, a very happy moment!”

CLANG!

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The Selecter – On My Radio (1991)

“…And lastly I’m going to link to Tom Robinson’s ‘Atmospherics: Listen To The Radio” for the radio link. And lets face it, we all used to tape stuff off the radio, didn’t we?”

CLA – oh. Sorry.

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Tom Robinson – Atmospherics: Listen To The Radio

Two more categories to go now until the big reveal, and unsurprisingly, we’re going to the dogs now. But before we do, a quickie from Jules:

“Songs with numbers in title, how about Culture’s ‘Two Sevens Clash’..?”

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Culture – Two Sevens Clash

To the dogs! And one from me, from an album that I’ve had for a while, but never really given it much of a chance; not sure why, probably partly because I’d not been fussed about their last one, partly because with Hooky gone I didn’t think they’d sound anywhere near as good, despite the decent reviews the album got.

But then the other night, the Iggy Pop growled his way out of my speakers on a tune I didn’t recognise. This one:

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New Order – Stray Dog

A change of pace now, and here’s Badger from When You Can’t Remember Anything, or rather, Mrs Badger on his behalf, as he had much more important things to sort out at the time:

“Greetings from the mountains. Mrs Badger here.
Tim wishes to link to ‘Old Brown Dog’ by Ralph McTell.
He’d tell you himself but he’s at the bar getting me a mojito.”

I had to check twice to make sure she hadn’t put us all to shame by submitting that in the form of a haiku.

Here’s Ralph:

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Ralph McTell – Old Brown Dog

Two Ralph stories.

When we were kids, although I have no recollection of my brother going to stay in Germany (and I know I definitely didn’t, I tend to remember that kind of stuff), we played host for a couple of weeks to a German exchange student by the name of Ralph. And of course, part of the task of having a foreign exchange student is to teach them about the British way of life, sample our culture, teach a little history even.

It was only years later that it occurred to me that perhaps there were less inappropriate,  more tactful places of interest that we could have taken a young German lad, away from his family for the first time, than the Duxford Imperial War Museum, which has, amongst many other things, a permanent Battle of Britain exhibition.

Ooopsies.

Second Ralph story isn’t really a story, but everyone who knows me knows that having featured a song by Ralph McTell, I simply cannot resist posting this:

Over to Jules, again, who is now in full on pun mood:

“Been feeling a bit ruff lately so I thought I was barking up the wrong tree with the cassette link until I did my sums

30+60+90=180 degrees, a complete turn around

Of course the link is Bow Wow Wow

And what do you do with dogs (quiet at the back)?

Run with them”

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Pet Shop Boys – Suburbia

Of course, any mention of Dogs, and there’s one person who we just have to mention:

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Snoop Doggy Dogg –  Gin and Juice

I don’t know if this particular story crossed your radar a couple of years ago, but it’s a prime example of why television interviewers, like barristers, should never ask a question that they don’t already know the answer to. Especially when you’re interviewing a Welsh farmer who has recently met Mr Dogg, and who drops da bomb at around 01:18 on this clip:

Here’s Jules with…a less successful suggestion:

“Oh! As mentioned many times Bow Wow Wow lead’s to dogs which are canine….. Sounds like K9 to me the robot dog in Dr Who

Put all the ingredients [including the earlier KLF reference] into the blender and simmer for a while and one gets

The Timelords’ ‘Doctorin’ The House’.”

Apologies Jules, but I can’t allow that one as it’s featured on The Chain before (The Chain #28, to be precise, before you started frequenting these pages, I think), and is therefore now off limits.

When I get time, I’ll set up a page listing everything we’ve posted here so far. Might take me a little while as we’re fast approaching the 800 mark, mind, but it will happen sooner or later, as I do hate having to disqualify a perfectly good suggestion on these grounds.

So, we’ve done dogs, but what about dog noises?

Here’s Martin:

“Bow Wow Wow is the noise a dog makes, as described by a child… who might describe said dog as a doggy… hence:

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Patti Page – (How Much Is) That Doggie In The Window?

“Twee but terrible,” he continues, before going on to suggest what is unquestionably the Worst Record of The Week. “So how about the noise that dog makes? In which case, “Ruff Mix” by Wonderdog, in which sampled barks are used for lyrics?

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Wonder Dog – Ruff Mix

“Fascinating (debatable) fact,” Martin adds, “the human voice of Wonderdog, in promo appearances, was none other than Simon Cowell in a dog suit – mindboggling and depressing in equal measure. Also twee but terrible.”

If only he’d stayed there, eh readers?

Two songs to go, and it’s at this point that I suddenly realise I haven’t sorted out the next song in The Official Chain which we’re all trying to either guess, or better. Bit of an oversight by me that.

I’ll leave you in Rol’s capable hands whilst I sort that out. Rol, it’s all yours, and try to pad it out a bit, will you?

“If you want a link that requires (a little) explanation, then…Bow Wow Wow is the sound of a dog barking, so…”

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I, Ludicrous – Trevor Barker

“(Actually, that didn’t take much explaining at all, did it? Must try harder.)”

That’s it, is it mate? Cheers.

Okay, last one, and last one from me. Following on from that, here’s Underworld’s “Diamond Jigsaw”. The link? It’s from their album “Barking”. I thank you.

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Underworld – Diamond Jigsaw

Before we have the final record, can I just say that all that up there that you’ve just read, that’s why I love doing this, and that’s why I don’t want to introduce any maximum suggestions per person. For where else would you hear Bauhaus, Snoop Dogg, The Pooh Sticks, Wonder Dog and King Crimson in the same post, other than here at The Chain?

Apart from on Charles Manson’s record player, of course.

So, to the official tune, and some of you got within a whisker of the link, if not the actual tune:

“C30/C60/C90 – types of cassettes. Cassettes were made by Dolby…”

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36. Thomas Dolby – Hyperactive!

Can’t really argue with that, can we?

So, your suggestions please, via the Comments section below, for records that you can link to Thomas Dolby’s “Hyperactive!”, along with your explanation on the links you propose.

And don’t forget, we’re moving to Sunday as of next post, so the next edition of The Chain will be with you the first weekend in February. Feel free to make your submissions as early as you like though.

Thanks for your time.

More soon.

A Message to The Chain Gang

Hello.

I owe you all an apology.

Here we are, in the last full week of January 2017, and so far we’ve only had one edition of “the best thing on the internet” ™ (not my words, the words of Top Gear magazine more than one you kind folks) so far this year: The Chain.

Truth be told, I’ve been finding it quite hard to get myself motivated to write it. I’m not sure if this is a case of the January blues. I think not.

I think it’s to do with the amount of work it takes (and yes, I know I always say that I just host The Chain, but since most of you write or have written blogs yourselves, I think a lot of you recognised that as utter bullshit false modesty.)

Maybe if I talk you through the process of how it is (normally) created, you’ll get the idea.

Wednesday: between 23:30 and midnight, post the latest instalment.

Thursday & Friday: erm, not a lot happens here, move on.

Saturday, Sunday & Monday: start sourcing all of the songs suggested so far that I don’t already own.

Tuesday: source all of the cover art, and any outstanding suggestions. Try and make some sort of narrative sense out of the songs, so that it’s not just “SWC suggested this:” and “George came up with this:” Try to think of some clips to include, as well as my own suggestions. Place all the songs on a playlist on my iPod.

Wednesday: listen to the playlist on the way to and from work, trying desperately to think of something, hopefully something funny or at least mildly amusing, to say about some of them. Get home. Start writing. Finish sometime between 23:30 and midnight, publish, eat.

Now I don’t want to sound all ungrateful, because I’m deeply touched that you all stop by here, read what I have written, leave kind comments and superb suggestions for the next edition. But frankly, last week I found myself approaching Monday night with a certain amount of…not dread, more apathy. The same on Tuesday. And again on Wednesday.

See, I spend my entire working day, as I’m sure many of you do, sitting in front of a computer screen and sometimes the last thing I feel like doing when I get home is to spend another five or six hours in front of another one.

I’m not having a pop here, by the way; lawd knows that I encourage you all to make multiple suggestions, sometimes posting the ones you mention in passing even if you have specifically stated it’s not your actual suggestion. I’ve always wanted this place to be an interactive blog, so I’m certainly not complaining now that The Chain is exactly that.

But, in short, something had to give, and unfortunately for the past couple of weeks, that’s been The Chain. And for the last couple of weeks, I’ve been mulling over what to do about it.

Here’s the options as I see them:

  1. Limit the amount of suggestions to two per person. I’m not doing this. Apart from what I’ve just written, I genuinely love seeing the stepping stones of your thought processes as you skip from one tune to another. So we can rule that out.
  2. For fairly obvious reasons, I can’t actually start writing The Chain until all the suggestions are in, so perhaps instead of giving you seven days, we could make it five. I’m not doing this, as I think it would exclude some of you who, having posted something earlier in the week, suddenly come up with an absolute blinder at the nth hour. So we can rule that out.
  3. Make The Chain a fortnightly post. Nah, I don’t like that either, as it just means I’ll have two week’s worth of tunes to write come Wednesday night. Next.
  4. I can knock it on the head now, quit while I’m ahead.

Hmm. I have always said that once writing not just The Chain but this blog in general becomes a chore, then it’s time to stop doing it.

So, fellow Chain Gangers, it is with a very heavy heart that I announce that tomorrow’s edition of The Chain, the 36th edition, will be the last.

…To be posted on a Wednesday.

Instead, after tomorrow we’ll be moving to a Sunday. This will give me the whole weekend (assuming my hectic playboy lifestyle allows it) to tinker around writing it, rather than trying to cram it all into a five hour space I don’t really have spare. Also, it means I should have more time to write about other stuff during the week, and read some of your excellent blogs, which I am very, very behind on.

Hope that all meets with your agreement?

And just in case it does turn out that it’s just a case of the January blues, I intend to listen to this anytime I can’t be arsed with writing:

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R.E.M. – Get Up

More soon. Like, tomorrow. Or later today, depending on when you read this.

The Chain #35

Blimey is that the time?

Alright, alright, alright, already, we’re back, a week later than intended, but restored back to our rightful place on a Wednesday night. This was of course always the plan come 2017, and has absolutely nothing to do with Spurs getting knocked out of the Champions League and into the UEFA Europa League, where they’ll be playing their games on Thursday nights.

So those of you with exceptionally long memories will recall that at the end of The Chain #34,we were left with Malcom McLaren’s “Buffalo Gals” as the record to link to, and as usual the suggestions were many, varied and fell into on of a couple of different categories. They also include a veritable menagerie of different animals; not just buffalos, but cows, crawfish, ducklings, swans, an elk, a moose (and probably a mouse), an ostrich, and cartoon cats, canaries and flying squirrels. We’ll hear from (or mention in passing) all of these, whilst also visiting a sex shop and engaging in some Morris Dancing. Now that’s what I call fulfilling my diversity quota.

And before we go any further, I should point out that one of you gets very close indeed to guessing what the next record in The Chain – right act, wrong song, as is (apparently) so often muttered from the judges’ chairs on The X Factor.

So let’s kick things off by working through the more obvious bunch first – those that linked to “Buffalo”, and even these can be split down into two further sub-categories: those that link to Buffalo (the animal) and those that link to Buffalo (the place).

First up, is Jules from Music From Magazines who, bless him, doesn’t seem to want to let the Christmas feeling go just yet:

“…just one last go at a Christmas/NYE drunk sing along…”

Jules, you sent me this on January 3rd, mate.

“…’Go Buffalo’ is a cracking number by Like Swimming…”

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Like Swimming – Go Buffalo

“Someone who doesn’t like swimming is Sir Nose D’Voidoffunk as featured in ‘Aqua Boogie’ by Parliament, the 12″ version of which was only pressed on one side (no B side to enjoy once and then ignore ).”

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Parliament – Aqua Boogie (12″ Version)

Hold on, he’s not done yet:

“Now this is memory based, but a famous artist, entrepreneur and kiddy fiddler (hell he tried to entice my kid brother into his Roller on the Kings Road I later found out) wanted to release only single sided 45s on his UK label.”

It’s usually at about this point that I would start glancing round the bus to see if I have any chance of escape from the conversation.

“Jonathan King discovered Genesis with Peter Gabriel as a member which can only go to one place…”

I dunno about you lot, but the suspense is killing me.

“The The’s ‘Angel Of Deception’

Only joking.”

I do the jokes. And I love the album that’s from, although some of the songs haven’t really aged all that well:

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The The – Angels of Deception

So where’s the one other place that we can go to……?

“Robbie Williams – ‘Angels'”

Oh. Goodie.

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Robbie Williams – Angels

I can’t really scoff at this. Sitting in the bar at a family wedding around twenty years ago, I led the gathering in a heart-felt rendition of this. About seven times. What little hair I have left still bristles at the memory.

My favourite Robbie moment, however, was this, when he made a guest appearance in the BBC studios at the football World Cup 1998, and was ceremoniously taken down a peg or two by Martin O’Neill:

Anyway, let’s rewind, and start back at the beginning. Here, providing not only the first suggestion I received, but getting us going with a Double Linker, it’s The Great Gog:

“Buffalo is an animal that is farmed for its milk, as is a cow. The Wonder Stuff had a sizeable hit with ‘Size Of A Cow’. It just so happens that their lead singer is [popular rhyming slang] Miles Hunt who shares a surname with a racing driver who (rather tidily for this link) won the F1 Drivers Championship driving for McLaren in 1976.”

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The Wonder Stuff – The Size of a Cow

Next up is The Robster from Is This The Life? who suggests:

“I’m going for a very easy (and slightly obvious) one – ‘Guilty Girls’ by Buffalo Tom. No cryptic, convoluted link needed. They’re one of my favourite bands and that’s good enough for me!”

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Buffalo Tom – Guilty Girls

Mine too, Rob, though I have to admit to kinda losing track of them after the double-whammy of “Let Me Come Over” and “Big Red Letter Day”, so a nod towards some of their later stuff is much appreciated. (It’s as I add their name to the Tags and find their name doesn’t auto-enter that I find myself thinking: how the hell have I never featured anything from them before? I know I was going to post “Tailights Fade” a couple of months ago, but was beaten to it by the When You Can’t Remember Anything boys nicking in first. They’ll nick anything those two; you watch, they’ll be starting up a thread where they invite people to suggest records next.) (Psst! – you know I’m kidding, right chaps? And you know that because I’ve already suggested a couple over at your place.)

Speaking of obvious choices, as The Robster was, and since I mentioned When You Can’t Remember Anything, here’s Badger from the very same blog, with one of the three suggestions that I suspected we’d get this week:

“The obvious route is to ‘Buffalo Stance’ by Neneh Cherry.”

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Neneh Cherry – Buffalo Stance

And here’s the second one that I expected, from Alyson over at What’s It All About, Alfie?

“From Buffalo Gals to…. “

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Bob Marley & The Wailers – Buffalo Soldier

The third other one that I was expecting to get mentioned, wasn’t, although babylotti came pretty close, as you’ll see in the fullness of time. So I guess, I’d better suggest it:

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Buffalo Springfield – For What It’s Worth

That song has had various segments of it lifted, quoted, or sampled on many different records over the years, one of my favourites is this, which I seem to associate with a break-dancing Transformer and I’m not sure why: was it in the video? Or used in an advert? Or did I eat far too much cheese before bed one night….?

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Les Rythmes Digitales – (Hey You) What’s That Sound?

A change of pace now. No great explanation from Rol of My Top Ten this week:

“Just two suggestions this week. I was going to try for just one, but I can’t decide between the two below:”

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Kathleen Edwards – Buffalo

and

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The Dead Weather – I Cut Like A Buffalo

In fact, many of the suggestions were pretty brief, once you take out all of the most welcome Christmas and New Year messages, along with all of the very kind things many of you said about this place which I’m far too modest to post here. For example, here’s Swiss Adam from Bagging Area:

“In ‘Burning Lights’, Joe Strummer sings ‘…you are the last of the buffalo…’ and it’s a wilderness years highlight so I’ll nominate that please.”

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Joe Strummer – Burning Lights

Over to George now, with a suggestion which comes pretty close to winning the Comment Showboat Award of the week:

“Buffalos have horns, a bony structure on the top of their heads. Another animal with a bony structure on its head is the elk (although they have antlers, but they are still bony), and the elk is also known as a moose. And from my childhood I can recall a lyric featuring the word “moose”, namely “there’s a moose loose aboot this hoose”, which is one of the few lyrics in a song by Lord Rockingham ‘s X1. I think the song is called ‘Hoots Mon’. And I bet everyone will recognise the tune once they play it.”

There’s only one way to find out:

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Lord Rockingham’s XI – Hoots Mon!

Could I ask my friends North of the Border to clarify something for us, he’s actually saying ‘mouse’ isn’t he….? Not that I’m going to disqualify George’s suggestion, because it definitely sounds like ‘moose’.

George included a link to a video clip to his suggestion, something which made him smile. You know where to go to find that. Instead, in case any of you in the UK were wondering quite where you recognise that song from, I would think it’s maybe from this:

Look out. Jules is back:

“Thanks George for the moose link! Casting my mind back to the cartoon series ‘Rocky and Bullwinkle’ about a flying squirrel and a moose (yes, I know) takes one inevitability to ROCKY with some great tunes. Let’s move on to the star Sylvester Stallone.

Sylvester’s work makes me feel mighty real but I preferred his work with Tweety Pie.”

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Mel Blanc – I Taut I Taw A Puddy Tat

Over now to Martin, who I think has posted here before, but forgive me Martin, I’m a little rusty. If this is your first time, then we’d all like to offer you a warm Chain Gang welcome, if not, then we’d all like to offer you a warm Chain Gang welcome back.

Anyway, here’s Martin’s suggestion:

“…On the basis that ‘Buffalo Gals’ is a perfect anagram of ‘Bagful of Las’ [and it is, I’ve checked], can I pitch for the ‘There She Goes’ by The La’s, please? Especially if I promise not to resort to anagrams to often…”

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The La’s – There She Goes

Just one more obvious-ish Buffalo link, and it’s another from me. I was about to write that this was one of my favourite records from the past couple of years, until I checked and found out it was released in 2010, and so now I just feel very, very old indeed:

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Avi Buffalo – What’s In It For

Okay, here comes Dirk from Sexyloser and he’s gonna get all geographic on your asses:

“Loads of great musicians come from Buffalo in the state of New York, located on the eastern shores of Lake Erie at the head of the Niagara River: I trust it’s a fantastic place to go … I mean, I’ve never been there and certainly don’t want to go, but either way …! Where was I? Ah yes, musicians include John Lombardo and Mary Ramsey out of 10,000 Maniacs, so their ‘Anthem For Doomed Youth’ should be fitting, right?”

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10,000 Maniacs – Anthem For Doomed Youth

“Also Buffalo is a twin town to Dortmund, Germany and I’m sure you all know that Phillip Boa out of Phillip Boa and The Voodoo Club come from Dortmund. If memory serves correctly, he was featured before, but not with ‘Ostrich’, my favourite song of theirs: does that count? I hope it does….”

He has featured here before, Dirk, but you’re right, not with that song, so here you go:

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Phillip Boa & The Voodoo Club – Ostrich (Love is Not The Same)

Okay, something a little more…erm…traditional next. This suggestion comes from Jonny, who is definitely a first time poster here, so please all offer him a warm Chain Gang welcome.

The reason I know this is Jonny’s first time posting here, is because he’s an old mate of mine; we went to the same school although, inevitably, I’m a few years older than him so we didn’t know each other then, but we used to work together in the kitchen of a greasy motorway café masquerading as a family restaurant back in the late 1980s/early 1990s. I worked there every holiday throughout college, and ultimately for a year after I graduated, and it Jonny and I forged a great friendship. He was into photography and I enjoyed writing; together we cobbled together a spoof corporate newsletter called “The Crappy Eater” (which gives you a pretty good clue as to the identity of the place we worked in), where we basically took the piss out of and made up shit about our work colleagues. We “accidentally” left it laying around in the staff room one day and…well, some people found it funny, but some of the old dears who worked there were definitely not impressed. Somewhere, buried in a box, somewhere in my flat, I think I have a couple of the articles we wrote. I doubt many of you will be interested as you won’t know the people we’re winding up, but Jonny: if I can find them, I’ll email you copies.

Anyway, one of the reasons that Jonny and I got on so well, apart from the fact that we were amazingly cool gods of the burger griddle, was that we both shared similar music tastes of an indie-ish nature, and it was with Jonny that I ventured to London’s Brixton Academy back in 1992 to see Sonic Youth play promoting their “Dirty” album, ably supported by Pavement and Huggy Bear. Long term readers may recall me writing about it here a long time ago.

So when Jonny sent me a suggestion, I was expecting it would be a really cool blast from the past. I was half right: it was definitely a blast from the past, but also most definitely not really cool.

Over to you Jonny (and I should add, I have had to edit this because I’m not all that familiar with the libel laws so I thought it best I erred on the side of caution):

“So ‘Buffalo Gals’ takes me here (I know the connection is loose and somewhat obscure, but hear me out)” [S’okay, Jonny, I like my connections like I like my women: loose and obscure]

“…back to being a 13 year old, purple legged, lanky piece of shit who was forced on a yearly basis to take part in the school’s Country Dancing display…” [He was quite lanky. I suspect he may have played the part of the Maypole]

“Those Buffalo Gals going round the outside, for me, conjured up images of a scantily clad maths teacher I quite liked the look of prancing round my bed wooing me in for my first sexual experience. Sadly for me, that never happened.

My brief day/wet dream would then be shattered by my then form tutor kicking out the jams with his ‘Molly Dance’. Terrible song. Terrible timing.

But somehow that fucking ‘Molly Dance’ found its way into my record collection and remained there for many a year until in a moment of skint madness I flogged the entire collection of over 700 pieces of carefully chosen vinyl masterpieces for about the amount of a gas bill.”

Anyway, crowbar that in your chain and pull it.”

700 pieces of carefully chosen vinyl masterpieces…and this:

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Ramblin’ Rod & His New Morris Van – (I Can Do The) Molly Dance

If I may fill in a couple of the blanks: the eponymous Ramblin’ Rod was in fact the Morris Dancing alter-ego of Jonny’s form tutor. And the Morris Van bit is “…a joke, that’s short for ‘vanguard'”, said Ramblin’ Rod in what was probably his only ever interview, which apparently took place at a party where “where Rod and friends were wassailing by dipping buttered toast in cider, then sticking the resulting “soldiers” in every tree trunk they could find.” Sounds like one hell of a party, right?

Before we get into the other big category – links to Malcom McLaren – let’s round up the other suggestions.

Here’s Rigid Digit from Stuff & Nonsense:

“Taking the ‘Girls’ theme [actually, it’s Gals, but since I made the same error in The Chain #34 I’ll let it slide] – a celebration of Girls everywhere; a wonderful piece of late 70s, possibly un-PC, Music Hall-esque nonsense:”

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Sailor – Girls, Girls, Girls

Yeh, it’s definitely not PC, but it’s no (previously featured) “Some Girls” by Racey is it?

There, that didn’t take long, did it?

Time for some Malcolm McLaren links, I think. Here’s Alyson, back for another go:

“Malcolm McLaren also released Double Dutch from the same album and that led me to think of Ray and Anita, that Dutch duo who were ’90s dance outfit 2 Unlimited. How about a bit of ‘No Limit’…?”

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2 Unlimited – No Limit

Given how many times the word “No” features in that song, I’ve always found it a little weird that it begins with Ray (I assume it’s not Anita) pleading to hear us say “Yeah!”.

Always reminds me of Jim Trott, that song. You know, Jim Trott, right?

Hold on, I feel a catchphrase coming on. Cue fanfare.

Well, if you’re going to suggest that (a record which features the word “No” many, many times), then I’m going to suggest this lot, back for a second airing this week:

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The Wonder Stuff – No, For The 13th Time

Back to McLaren links, and back to George:

“From Malcolm McLaren to Malcolm McDowell, he of Clockwork Orange, to The Fall and their 6 min 20 second masterpiece ‘Kurious Oranj'”

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The Fall – Kurious Oranj

Readers of a certain age will remember (a different) Curious Orange from Lee and Herring’s “This Morning with Richard Not Judy” show; this was the best (quality, if not necessarily the funniest) clip I could find:

Anyway. Where were we? Ah yes: McLaren and his numerous links. Here to add to them is The Swede from Unthought of, though, somehow:

“I know that for a while Malcolm McLaren managed quite a famous band, though for the life of me I can’t remember their name 🙂 Instead I’ll go down the producer route. Trevor Horn produced ‘Buffalo Gals’ and among his many (and varied) other credits is Belle and Sebastian’s ‘Dear Catastrophe Waitress’, from which I’d like to suggest ‘ Step Into My Office, Baby’.”

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Belle & Sebastian – Step Into My Office, Baby

Tailgating on the back of that suggestion, here’s Charity Chic from Charity Chic Music with another short but sweet entry:

“The band that The Swede was referring to was clearly Bow Wow Wow so ‘I Want Candy’ please”

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Bow Wow Wow – I Want Candy

Much as I love that version (and I really do), this – the original, I think – shades it for me:

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The Strangeloves – I Want Candy

As I’m writing this on Wednesday evening, after Trump’s first speech, and after a load of new salacious rumours began circulating about him, I wondered if I’d be able to get through this post without making reference to it. I reckon if I can get passed a band called The Strangeloves without making a joke, I’ll have done well.

Ah well. Guess I blew it.

Back to McLaren, and here’s babylotti, who’s taking us on a trip over to New York:

“From Malcolm Mclaren, manager of New York Dolls for a minimal time, leads me to David Johansen. I’ll suggest Wreckless Crazy from him…”

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David Johansen – Wreckless Crazy

“…which links me to Johnny Thunders. I’m going to suggest his version of Crawfish with Patti Palladin…”

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Johnny Thunders & Patti Palladin – Crawfish

“…and my last link, after the disastrous year for celebrity deaths I feel I have to go for ‘You Can’t Put Your Arms Around a Memory’ by Ronnie Spector with Joey Ramone.”

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Ronnie Spector (feat Joey Ramone) – You Can’t Put Your Arms Around a Memory

Of course, the McLaren-managed band that you’ve all done exceptionally well not to mention, but which my brother would never speak to me again if I didn’t, are the Sex Pistols, so here’s one which is by no means one of their finest moments, but it’s one which we’ve both got a bit of a soft spot for:

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Sex Pistols – Silly Thing

But undoubtedly, the best suggestion of the week, the Comment Showboat of choice, came from Alex G from We Will Have Salad:

“About ten years ago, there was an ITV reality show called “The Baron”, the premise being that three celebrities attempted to curry favour in a little coastal village in Aberdeenshire in order to be elected as the new Baron of Troup. The show was a complete damp squib and buried in a late night slot, so there’s no reason for anyone to recall it, really. The only reason *I* remember it is that I happen to live close to the village where it was filmed, and a few of my friends appeared in it.

Getting to the point, the three celebrities flown in were Mike “Runaround” Reid (who won, and then almost immediately snuffed it), Suzanne Shaw from Hear’Say, and… Malcolm McLaren. See, there was some relevance to all of this. On those grounds I would have suggested Mike Reid’s reading (or reiding) of “The Ugly Duckling”, but I think that should really have linked to the last record in the chain rather than the current on, so…”

Whoa there cowboy! That’s a good enough reason for me to post what is not only the Comment Showboat of the Week, but is also the Cheesiest Record of the Week (and since we’ve already featured 2 Unlimited, that’s no mean feat):

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Mike Reid – The Ugly Duckling

That bit in brackets on the record label is a bit harsh, isn’t it?

Anyway, as you were Alex; you were about to proffer your actual suggestion:

“… so bearing in mind there’s no such thing as a guilty pleasure [there isn’t, there really isn’t, though sometimes you lot really test that theory], let’s have Hear’Say’s Betty Boo-penned signature hit ‘Pure And Simple’ instead.”

Otherwise known as “The song where it looks like someone’s lighting their farts in the video”:

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Hear’Say – Pure & Simple

And in case you think that’s the cheesiest record of the week, you’re wrong: as Alex G says, it was written by Betty Boo which automatically makes it one of the best records of the week. So there.

Anyway, the aforementioned Miss Shaw was at one time the latest squeeze of serial philanderer and chicken in a basket entertainer Darren Day, which leads me to this:

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Hazel O’Connor – D-Days

Uh oh. Jules has climbed back on board. Quick everybody, avoid eye contact, stare at your copy of the Metro, pretend to make a phone call:

“Malcolm McLaren used to run a boutique on the King’s Road with Vivienne Westwood it was called SEX, most of the sex shops I used to frequent [Jules – have you ever heard the term “over-sharing”…?] mostly sold gentlemen’s magazines and ‘marital aids’ aka vibrators. Not the punk band but the American slang for a vibrator Steely Dan…”Deacon Blues”:

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Steely Dan – Deacon Blues

“…which as it happens contains the line ‘they call Alabama the crimson tide’. Crimson Tide of course is a fine film about a Russian/USA standoff… [no comparisons to be made with anything going on in world news there then…] …so:”

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The Clash – Ivan Meets G.I. Joe

Mention of Vivienne got me thinking of other famous Westwood’s, and the first one that sprang to mind was former Radio 1 and 1Xtra hip-hop DJ and host of the UK version of Pimp My Ride, Tim Westwood, who happens to be the son of the former Bishop of Peterborough, the Right Reverend Bill Westwood. And since I grew up in and around that fine cathedral city, this seems appropriate:

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The Long Blondes – Peterborough

Which should be the end, but George suggested this which, following a year of so many celebrity deaths, seemed an apt way to finish things off this week:

“Buffalo Gals was released in 1982. As was ‘Wham Rap!’ by Wham. (I find myself very ,very sad at George Michael’s death). I bought this in 1982, still have it, and still think it’s a toptastic pop song, it’s impossible to sit still when this plays.”

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Wham – Wham Rap!

Time to wrap things up then, and let’s find out what the next record in The Official Chain was:

“Produced by Malcolm McLaren were…”

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35. Bow Wow Wow – C30 C60 C90

Oh go on then, half a bonus point to Charity Chic for guessing the band, if not the song.

So, your suggestions please, via the Comments section below, for records that you can link to Bow Wow Wow’s “C30 C60 C90”, and don’t forget to explain the link in your suggestion.

See you next week (more soon).