Friday Night Music Club Vol 56 (Be Llŷrious edition)

Well, here’s funny. For some reason, WordPress decided not to save and publish the final, finished post yesterday, and instead farmed out an old, initial draft, with different words and songs in a different order. Sorry about that. Below is what should have been published yesterday. (Llŷr would have pretended to be mildly offended at this cock-up, but would actually have been pissing himself at me messing up on what is potentially a global stage. Laugh it up, dude)

Today would’ve been Llŷr’s birthday, and, given our shared love of compiling mix tapes and CDs, and the oh-so-many he prepared for me, it seems only right and appropriate that tonight’s mix is dedicated to him. It’s what he would have wanted.

No sleeve notes this week, as I’ve written about all of these songs before, with a couple of exceptions. I should stress that Llŷr did not like all of tonight’s tracks (only, maybe, 98.9% of them), but all of them remind me of him in one way or another, and have featured before on these pages. If you want to understand why I’ve included a particular song, then you can scroll through the Be Llŷrious series via the drop down to the left and find the back story.

The only two exceptions are the obligatory Super Furry Animals track; I’ve included one which hasn’t featured before, but, if memory serves, Llŷr told me was his favourite tune by them, in a field of many, so lawd only knows how I’ve managed to swerve posting it before.

The second is the Gene song which kicks things off; shortly after he passed I referenced this tune in my eulogy to Llŷr, but posted a different song, for reasons which I hope will become obvious. Now, five years on, it seems right to post it. Llŷr’s younger sister and uber-Gene fan Siân will know them both, of course.

As for the running order: it amuses me to stick songs next to each other which have no right to be neighbours. Hence Cliff Richard living next door to Surfer Rosa-era Pixies just tickled me.

One last bit of admin: you’ll spot that Track 16 is by Goldie Lookin’ Chain. It not only contains a huge amount of effing and jeffing, it is also incredibly filthy, so I need to slap one of these on here:

Ok, let’s go: 90 minutes of Llŷriousness. By the time you all read this, I’ll have raised several glasses (Jez-measures, of course), in his memory. Feel free to join me, whenever you read/listen to this:

Friday Night Music Club Vol 56 (Be Llŷrious edition)

  1. Gene – For The Dead
  2. The Postal Service – Such Great Heights
  3. Cliff Richard – Wired for Sound
  4. Pixies – Bone Machine
  5. Queens of the Stone Age – No One Knows
  6. Status Quo – Mean Girl
  7. R.E.M. – These Days
  8. Graham Coxon – Freakin’ Out
  9. Jimmy Eat World – The Middle
  10. Kelly Clarkson – Since U Been Gone
  11. Sisqo – Thong Song
  12. Girls Aloud – Love Machine
  13. Phil Collins – Sussudio
  14. Ralph McTell – Streets Of London
  15. Big Train – Ralph McTell sings…
  16. Goldie Lookin’ Chain – Nan Rita
  17. Cud – Purple Love Balloon
  18. Art Brut – Formed A Band
  19. Huey Lewis & The News – Hip To Be Square
  20. Mental As Anything – Live It Up
  21. Maxïmo Park – Apply Some Pressure
  22. Arcade Fire – Rebellion (Lies)
  23. Super Furry Animals – Hometown Unicorn
  24. Energy 52 – Café Del Mar (Three ‘n One Remix)

Happy birthday dude. Love ya, miss ya, always.

More soon.

Friday Night Music Club Vol 50

So, here we are, Volume 50. I’m not sure I believe I’ve done so many of these, especially when you take into account the Christmas, Easter and Halloween editions which haven’t gone towards the total, and that I split the first six playlists (apart from Vol 3, which has been forever wiped from the annals of history, unless any of you downloaded it) into 22 more palatable hour-long chunks.

What follows is, as I mentioned previously, essentially a Friday Night Music Club Greatest Hits compilation, with a few others thrown in just to keep it…well, interesting, I hope. In reality, it’s just a load of my favourite records, many of which just happen to have featured in this series before. And no, not all of them are in anyway cool, but then neither am I. They do, however, make grear sin-a-long records should you elect to take drink when listening to this (which is recommended). Anyway, if I just featured the achingly-hip here, I’d be betraying the No Such Thing as a Guilty Pleasure tagline I cling to.

My thanks to my old buddy Richie, who I bombarded with the first and second goes at this, to seek his opinion and feedback. His response? “Genuinely, really good…even the dance stuff I’d never heard before”. I’m sticking that on the promo posters.

I should add that I’ve had at least another two goes at it since then. New songs added, some dismissed. The thing is, I kept haring songs and thinking: “Well, that should be on there!” I’ve had to just stop, and add those that I’ve missed to future volumes.

Let’s crack on, shall we?

Friday Night Music Club Vol 50

Here’s your track-listing with, as promised/threatened (delete as applicable), sleeve notes:

1, Saint Etienne – Join Our Club

No, I don’t know how I’ve managed to avoid including this appropriate little beauty for so long either!

2. The Cardigans – My Favourite Game

Just to hammer home the favourite records theme, here’s a couple of tunes with Favourite in the title.

I will always remember a conversation with an old mate, following the release of the Manic Street Preachers’ Your Love Alone is Not Enough, which featured lead Cardigan Nina Persson, when they revealed they hated that single becaue they hated Nina’s voice. Now, I totally get that some people’s voices just grate (see Ed Sheeran as a good example of someone who can make me turn the radio off whenever one of his dreary yet bafflingly succesful tunes is aired). But Nina Persson’s????? I haven’t spoken to this old mate in at least 20 years, and proximity is only part of the reason for that.

3. The Wedding Present – My Favourite Dress

Favourite tune #2. You didn’t really think I’d get through this without Mr Gedge making an appearance, did you?

4. PJ Harvey – Dress

I’ve said it before and I’ll say it again: I don’t post anywhere near enough Peej on here. Consider that partially rectified.

5. Buzzcocks – What Do I Get?

Back at college, I was in a band. Not a very good band, but a band nonethless. We mostly did covers of punk and new wave records: they were short, recognisable to the masses who flocked to our gigs (sense the tone), and most importantly, with barely more than three chords between them, piss-easy to learn. This was one of them: I even persuaded our lead singer to shout “Tricky guitar solo!” just as I’d seen Pete Shelley do on some old footage of the Buzzers (the Cocks?) do as that instrumental break hoved into view.

6. Super Furry Animals – God! Show Me Magic

You didn’t really think I’d get through this without Gruff and the boys making an appearance, did you? If this isn’t the greatest record ever to mention the lead singer’s hamster, then it has to be in the Top Ten at least.

7. Manic Street Preachers – Motown Junk

Just an absolute belter, with what would become standard Manic’s sloganeering (standard until Richie went missing. Did I ever mention I shared a cheese salad with him…? Yes I did.)

8. Half Man Half Biscuit – Joy Division Oven Gloves

Thanks to my brother, I own a pair. Best Christmas present ever. Apart from maybe the fake NME Brat Award he gave me for one of these mixes (true story).

9. Generation X – Dancing With Myself

Unlike the debunked theory that The Vapors’ Turning Japanese is about the joys of ononism, this probably is about exactly that. When I was in the aforementioned band, I wrote a song which referenced it – less subtly, it was called The Lonely Dance – and we used to dedicate it to someone we knew was in attendance whenever we played it. They felt cool because we’d name-checked them, everyone else would know we’d just called them a wanker.

10. Underworld – Cowgirl (Bedrock Mix)

You’ll have guessed from previous posts that I adore Underwold, so it’s a rare event when I hammer my flag to the mast and say: this is Underword’s finest moment and this is the finest mix of it.

11. LCD Soundsystem – All My Friends

Some years ago, my friend Matt and I were invited to provide the music for a mate’s 40th birthday, held in a little basement bar somewhere in That London. I went down the traditional route of preparing a mix, burning it on to a CD (I know? Imagine that!! So old fashioned…!) and handing it to the bar staff to play; Matt, who is much cooler than I am (I’m sure you’ll find that hard to believe) simply paired his phone to the speakers and DJ’d as he chatted, ate, drank and danced. He dropped this one, and the dancefloor emptied, leaving just me and him looking quizzically at each other as we continued to cut a mean rug between us. Where had everyone gone? Why weren’t they dancing?

Then someone approached Matt and, pointing upwards as if the speakers were in the sky, asked “What’s this? It’s ace!” (or words to that effect). And so, whilst we were baffled as to how nobody knew this absolute banger, we came to the conclusion: people around the 40 mark don’t like to dance in public to things they don’t know.

It is ace, mind.

12. Dizzee Rascal & Calvin Harris – Dance Wiv Me

I wish I could recall what Matt played next, but whatever it was it got everybody back on the dancefloor. I’ll say it was this. If not, Deee-Lite’s Groove is in the Heart (not featured here) is my go-to floorfiller.

13. Double Trouble & Rebel MC – Street Tuff (Scar Mix)

I’ve dropped this bon mot before I think, but many years ago I attended a house party in North London. Music was supposed to be provided by some DJ friends, but they had to drop out when they got an actual paid gig on the same night, the selfish sods. I was asked to help out and so I prepared 13 CDs, each an hour-or-so-long, numbered and to be played in numerical order, left them in a stack next to the CD player, so that if you were closest to the music box when one ended, you could just pop the next in the sequence in. They went from intro/welcome tunes to indie bangers to the-pills-should-be-kicking-in-by-now to comedown chillout tunes. This one featured somewhere in the middle, and a bloke I’d never met before or since approached me, hugged me, and thanked me for including it in my musical selection, before treating me to his break-dancing efforts, Which I really appreciated, obviously.

14. Lizzo – Juice

Shush! A rarity: something released in the last 10 years!

15. Girls Aloud – Love Machine

You didn’t really think I’d get through this without Sarah (RIP) and the girls making an appearance, did you? A song which will forever remind me of Llŷr, from when we played it in our guest DJ spot at a friend’s wedding, those attending went wild. Miss you bro, always.

16. Le Tigre – Hot Topic

At work team meetings, we now have a Hot Topic to discuss each month. I’ve suggested this as the theme tune to announce the start of the discussion. My suggestion has not yet been agreed.

17. Los Campesinos! – You! Me! Dancing!

Had any of them actually been Welsh, as opposed to having merely met and formed in Cardiff, then this would’ve featured in last week’s St David’s Day mix. But they aren’t, so it didn’t.

One of the many things I love about this record, is that bit towards the end, about it being a good idea to go paddling in a fountain on the way home from a night out. I know exactly which fountain they mean, and, as it was on my way home, the thought crossed my mind many times as I wobbled my way back home at 3am. And that’s because it really is a good idea. I was never brave/drunk/off my tits enough though. I feel like I’ve missed out, somehow.

18. Arctic Monkeys – I Bet You Look Good On The Dancefloor

Just wonderful. A piece to accompany the Dizzie Rascal tune which featured earlier, only with more Shakespeare references and much more sardonic intent.

19. Status Quo – Mystery Song

You didn’t really think I’d get through this without Francis and the boys making an appearance, did you?

This, from way back in 1976, just before they tipped over into cliche and parody of themselves, is unquestionably my favourite Quo song. It’s (RIP) Parfitt’s ode to a sex worker, set to a literally amphetimine-fuelled background. There’s a notorious story about how, one day in the studio, Rossi put a spoonful of speed into Parfitt’s tea, not expecting (he now says) him to drink it. But he did, and they left him in the studio, messing around with a riff – dink-dink-dink, dink-dink-de-dur-de-dink – and returned the next day to find Parfitt sitting exactly where they left him, playing the same riff – dink-dink-dink, dink-dink-de-dur-de-dink. Phew, rock’n’roll, eh?

20. Milltown Brothers – Janice Is Gone

An under-rated and generally unknown classic. The Janice in question is the much-missed DJ Janice Long, and you can read what I wrote when she passed away here, and here’s a post about an adventure I had with the band themselves, way back when (the download links are all dead on that one, let me know via the Comments if you want anything uploading again).

The only thing to add to that is a year or so later, the Milltown Brothers came round on the college circuit again. I said hello to them all post-gig, and one of them asked if we’d met before. I recounted the story about our last meeting, and, memories jogged, they plied me with booze and suspiciously constructed rollies. I passed out in the toilets, waking up after everyone had left the building, staggered home through the Welsh snow. I think I missed my train back home as a result; lawd knows what excuse I gave my parents (doubtless they will remind me if they’ve read this far).

21. Linda Rondstadt/The Stone Poneys – Different Drum

There are so many versions of this classic written by former Monkee Mike Nesmith out there – many of which have featured on these pages – but for my money this is the best, the absolute beauty, peerless.

22. Clout – Substitute

If ever there was one record that explained the “No Such Thing as a Guilty Pleasure” moniker under which this blog sits, it’s this one. I bought a compilation album called Guilty Pleasures Rides Again; this was on it and I couldn’t understand why anyone would feel guilty about liking it. I mean, it’s a stone cold banger, right? (Right!)

23. Billy Bragg – The Saturday Boy

In one of the first goes I had at doing this mix, Billy featured, but it wasn’t this tune, it was Sexuality, because it was much poppier than this. But that didn’t feel right, so I swapped it for this, Billy’s finest moment in my book. I’ve often said that, whilst his politics broadly chime with mine, it’s his love songs – or in this case, his unrequited love songs – which mostly hit the mark with me. I can never thank my old buddy Richie enough for pointing me in the direction of these songs from Billy’s back catalogue – albeit he played me The Man in the Iron Mask, and I was smitten – and since then, when I’ve wanted to persuade a mate of Billy’s relevance, this is my go-to song, because everyone has experienced the adolescent amourous rejection this song highlights.

24. The Go-Go’s – Our Lips Are Sealed

I’ve said it before and I’ll say it again: quite possibly the greatest pop song ever written…

25. The Waltones – She Looks Right Through Me

…although this pushes it pretty close. Pretty much the happiest night of my life was when, a few years ago, Richie and I saw The Waltones support The Chesterfields at the 100 Club in That London. After they’d played, I found myself standing next to lead singer James Knox; we discussed our ever burgeoning waistlines and our choice of t-shirt to either disguise or embrace it. He was wearing a shape-concealing black tee, I was wearing this:

…which, for the uninitiated is a reference to one of these bad boys:

26. The Chesterfields – Kiss Me Stupid

Since I’ve mentioned them, it seems somewhat churlish of me to not include something by them.

27. The Soup Dragons – Hang Ten!

Indie Banger. That is all.

28. The Smiths – William, It Was Really Nothing

Remember way back when we didn’t know Morrissey was a racist twat and could just enjoy the beauty of The Smiths’ records without feeling any guilt? Forget the current, live in the past for a few moments.

29. Kirsty MacColl – Free World

This is from 1989. You’d think things might have improved since then, wouldn’t you? But, nope: just as relevant now as it was 35 (yikes) years ago.

30. Johnny Boy – You Are The Generation That Bought More Shoes And You Get What You Deserve

Possibly the greatest song title ever. And the song’s not far off being one of the greatest anti-capitalist records ever.

31. Denim – Middle Of The Road

For my money, the song that properly kick-started the Britpop scene, and probably never bettered by any Union Jack wafting indie-kid underling. Surely, when it comes to unrecognised musical geniuses, Lawrence has to be at the front of the queue, right…?

32. Belinda Carlisle – Leave A Light On

Turns out the title of that Denim tune was an indicator to how we wrap things up here.

Apart from Johnny Marr (who I think appears on the Kirsty tune), Belinda is the only one to feature twice on this one. She was, of course, lead singer of The Go-Go’s, but it wasn’t until the band split and she went solo that Belinda became succesful on this side of the pond. I bloody love this song.

33. Dionne Warwick – Heartbreaker

Written by the Bee Gee boys, this seemingly effortless beauty is just one of the finest records ever.

34. Chas’n’Dave – Ain’t No Pleasing You

And to bring things to a close, this beauty.

Given their close association with Tottenham, I feel sorry for Arsenal fans, joyless vagrants that they are, for they can never admit to liking this.

And that’s your lot.

More soon.

Friday Night Music Club

Right. Time for an explanation.

Tonight’s mix is not the one I had planned to post.

The one I had prepared was a little too upbeat for such a momentous weekend; whilst I personally won’t be joining in the nation’s mouring, I didn’t want to disrespect those that are.

And so I decided to create a mix “on the fly”; I decided what the first and last track would be, and then started recording as I journeyed from one to the other.

I tell you this instead of offering sleeve notes, as there will doubtless be those who think some of my selections are….disrespectful. That wasn’t the intention. The intention was simply to pick tunes which sounded good next to each other – any which may seem to have been chosen as some sort of comment on any recent high profile passings are entirely coincidental.

Honest.

So let’s crack on, shall we?

(By the way, because this mix is just shy of 2 hours, Google Drive can’t cope and won’t let me upload it, so the link below takes you to my old Soundcloud account. Hope it works ok!)

Friday Night Music Club Vol 18

  1. Beastie Boys featuring Miho Hatori – Start
  2. Cilla Black – Something Tells Me (Something’s Gonna Happen Tonight)
  3. Luther Vandross – Never Too Much
  4. Womack & Womack – Teardrops
  5. Gary Byrd & The G.B. Experience – The Crown
  6. Catatonia – Karaoke Queen
  7. Marilyn Monroe – Diamonds Are A Girl’s Best Friend
  8. Madonna – Material Girl
  9. Annie – I Know UR Girlfriend Hates Me
  10. Avril Lavigne – Girlfriend
  11. The B-52’s – Wig
  12. David Bowie – Queen Bitch
  13. Carole King – I Feel The Earth Move
  14. Eddy Arnold – I’m Throwing Rice (At The Girl I Love)
  15. Half Man Half Biscuit – Paintballs Coming Home (Andy Kershaw Session)
  16. The Ukrainians – Koroleva Ne Polerma
  17. Status Quo – Gentleman Joe’s Sidewalk Cafe
  18. Beyond the Wizard’s Sleeve – Midas Reversed
  19. Barry Adamson – Set The Controls For The Heart Of The Pelvis
  20. Pulp – Mis-Shapes
  21. China Crisis – King in a Catholic Style
  22. Doves – Kingdom of Rust
  23. Black Grape – Tramazi Parti
  24. Beck – E-Pro
  25. Nirvana – Lithium
  26. PJ Harvey – 50ft Queenie
  27. Pixies – Planet of Sound
  28. Supergrass – Richard III
  29. Gene – We Could Be Kings (Single Edit)
  30. The Teardrop Explodes – Treason
  31. The Stranglers – Everybody Loves You When You’re Dead
  32. ? & The Mysterians – 96 Tears
  33. Inspiral Carpets – Dragging Me Down
  34. The Jam – Town Called Malice

That should keep you occupied for a while.

More soon.

Get Off My Playlist! #6

Last one of these, until I next get it together to do another mix for JC. There’s no point in my continuing the series with reference to the Friday Night Music Club mixes, as invariably if something doesn’t make the cut in one it will turn up sooner or later in another (with the notable exception of a couple of tunes which have been dropped on at least three occasions each now).

Sometimes when you bump one tune from a playlist, there’s a domino effect. Suddenly, the song which would have been next to it seems out of place, an island cut off from the mainland.

And so it is with today’s record, which, once I had decided against including yesterday’s psychedelic swirl by Super Furry Animals, now had no companion piece to anchor it to.

In other words, it stood out like sore thumb, and therefore had to go, which is shame because it’s an absolute beauty:

Beyond the Wizard’s Sleeve – Sunday Morning Sun-g

I tried to retrieve the situation, but all I could come up with which both fitted the theme of the mix and sounded good next to it was a record I figured I would be accused of building the playlist around, even if it did come from a time when the band in question sounded very different to the way they sound now, a time before they had ditched the The from their name, when actually the opposite was true: it was considered purely on the basis of thematic and sonic appropriateness.

And so I ditched both.

I still think they make pretty good bed-fellows, mind:

The Status Quo – Ice In The Sun

Yup. All these posts, building up to that.

More soon.

Friday Night Music Club

Here we are again, and this week, as ‘promised’ a completely new mix for your Friday Night enjoyment.

Not much to say about this one (man alive, I know how to pitch!), except to say that after the first track, it goes a little bit Radio 2 for a few songs (which is no bad thing in my book), before diving head-long into a right old Indie disco, starting off over in the USA (and mostly New York) before switching to some tunes which are unmistakeably British, along with a rip-roaring final track to bring matters to a close.

Here comes the disclaimer: any skips or jumps are down to the mixing software (there’s one biggie in the first tune, but other than that it seems to have behaved itself this time); any mis-timed mixes are down to me; all record selections are mine.

Friday Night Music Club Vol 9

And here’s your track-listing:

  1. The Jesus & Mary Chain – Darklands
  2. Eagle-Eye Cherry – Save Tonight
  3. The Pretenders – Back on the Chain Gang
  4. Electric Light Orchestra – Sweet Talkin’ Woman
  5. Eagles – Take It Easy
  6. The Lemonheads – You Can Take It With You
  7. The Wedding Present – Go-Go Dancer
  8. Redd Kross – How Much More
  9. The Go-Go’s – Beatnik Beach
  10. Ramones – Rockaway Beach
  11. Kings of Leon – The Bucket
  12. Weezer – Hash Pipe
  13. Interpol – Slow Hands
  14. The Strokes – Reptilia
  15. Fountains of Wayne – Radiation Vibe
  16. David Devant & His Spirit Wife – Ginger
  17. Cud – One Giant Love
  18. Status Quo – Mystery Song (album version)

Long-term readers should not read anything into the inclusion of the third tune. It’s not coming back.

More soon.

Good Friday Night Music Club

By which I mean, a Friday Night Music Club mix for Good Friday, as opposed to “At last! A good Friday Night Music Club!”

I’ve “ummed & ahhed” about posting this one to be honest; whilst I am not in the least bit religious – I’m firmly in the “religion is the opium of the people” camp – I do think it’s important to respect those who do have faith, no matter in which God, and I didn’t want this to come across as me taking the mick.

Besides, if I’m going to happily accept some extra days off work at Christmas and Easter, it would be rude to bite The Hand that feeds me.

That said, when you’re trying to find pop songs which in some way relate to the biggest Christian festival of the year, of which there are few, and whilst also trying to stay away from obviously religious songs, of which there are many, one does worry that what I’ve prepared may see disrespectful. Genuinely, it’s not meant to be, and I hope it isn’t.

See, I think I’ve dodged that particular pitfall by trying to make this mix so that it roughly follows the events of Easter weekend (as far as I can remember from junior school), starting a little earlier with Judas’s betrayal of Jesus, through Peter’s repeated denials, the crucifixion and resurrection, with some stuff about chocolate and bunnies thrown in to cover the Saturday, when nothing much happened. Apologies if I have misremembered the ‘true’ sequence. If only someone had written it down in some kind of, I dunno, good book that I could have referred to…

I also wanted to avoid including anything from obvious film or theatre portrayals, so there’s nothing from Andrew Lloyd-Webber and Tim Rice’s Jesus Christ Superstar or from Monty Python’s Life of Brian. Oh ok, there is a teensy bit of Life of Brian in there, but don’t fret, it’s not Always Look on the Bright Side of Life.

For those of you pondering Dylan’s inclusion, he’s in there for two reasons: firstly, the song title seemed pretty apt, and secondly, because of the infamous moment when someone shouted “Judas” at him at a gig after he dared to start playing an electric guitar. This of course only makes him the third worst Judas that I’m aware of: there’s the obvious Iscariot chap at #1, and of course Sol Campbell at #2, for leaving Tottenham on a free transfer to go to play for Arsenal. (See, if I was religious, I’d have forgiven him by now.)

Anyway, as I say, I’m honestly not trying to offend with this mix (so there’s no need for an ‘effing and jeffing’ warning this week), rather the idea is to offer up a way that non-Christians can enjoy the weekend’s activities from a musical perspective, and who knows, perhaps even engage in a way they haven’t done for a long time.

Here we go then:

Good Friday Night Music Club

Here’s your track-listing:

  • !!! – Even Judas Gave Jesus A Kiss
  • Cowboy Junkies – Good Friday
  • Bob Dylan – Knocking on Heaven’s Door
  • Prince – The Cross
  • The Beatles – Carry That Weight
  • That Petrol Emotion – Creeping to the Cross
  • Monty Python – Not So Bad Once You’re Up
  • Army Of Lovers – Crucified
  • Shanks & Bigfoot – Sweet Like Chocolate
  • Kylie Minogue – Chocolate
  • Ash – Return Of White Rabbit
  • The Undertones – More Songs About Chocolate and Girls
  • The White Stripes – The Denial Twist
  • Mott the Hoople – Roll Away the Stone
  • Status Quo – Resurrection
  • Gabrielle – Rise
  • The Cardigans – Rise And Shine

Here comes the disclaimer: any skips or jumps are down to the mixing software; any mis-timed mixes are down to me; all record selections are mine.

Oh, and for those of you rolling your eyes at the inclusion of yet another Quo tune, you’d best avoid BBC4 tonight, for it’s Quo night, making today not just a Good Friday but a great one!

More soon.

A Fine Party

In 1982, entering the third year of her first term as UK Prime Minister, with unemployment reaching the highest figures for years, and with riots breaking out across the country, Margaret Thatcher was doubtless glad of the distraction of the Falklands War. It galvanised the country against an outside enemy and very much took the attention away from all that was wrong at home.

40 years later, you could almost hear the sighs of relief from 10 Downing Street when Russia started its current campaign against Ukraine: at last, something to stop people talking about all those lock-down parties.

Even though we’re not directly involved at this point, some think that our #CrimeMinister Johnson has had a good war so far, and they’d be right, if by good you mean making it almost impossible for the millions of refugees fleeing their pummelled homeland to come here, however temporarily.

Rest of The World: Yes, of course you can come in. Yes, as many of you as need to. No, it doesn’t matter if you haven’t already got family here.

The UK: Form a queue, will you chaps? No not here, in a completely different country. No, not that one, THAT one. Yes, at the desk with one chap sat at it. He’ll give you nice 48-page document to complete which, once you’ve filled it in, we’ll have a think about whether we want to let you in or not. It’s very simple to complete; look Question 1: how would you describe your ethnicity? Question 2: can you pick fruit?

And then last week, the news many of us had been waiting for: the Metropolitan Police began to issue fines to those who had attended any of the parties at No 10 which Johnson had once tried to claim didn’t happen, and if they did, he didn’t know anything about them, and he definitely didn’t attend any of them, even though they were held in his house.

That’s right: finally it was fine time:

New Order – Fine Time

The first round of fines were, to be honest, a little disappointing, with 20 fines being issued, the only real rib-tickler being Helen MacNamara, who, ironically, had been the government’s director general for propriety and ethics until 2020.

Hang on? 20?? Is that all?? There were more people in that infamous photo that got leaked:

Incidentally, when the Partygate controversy was unravelling, much was made of the inaction of the police officers positioned on the door of No 10. What were they doing during all of this? Why didn’t they intervene? And, truth be told, I felt a little sorry for them. What were they supposed to do? Leave their post, go into No 10 and shout hands up? This would at best have merely prompted this lot to start doing the YMCA dance.

Anyway, yesterday the big news, a whole load more fines had been issued….

Status Quo – Fine Fine Fine

…and this time, some big fish had been hooked, with PM Johnson and Chancellor of the Exchequer Rishi Sunak both being issued with fines.

Both were quick to issue grovelling apologies and to declare they had accepted and paid the fines. The apologies were so heartfelt, that Johnson was clearly reading from a script during his TV appearance, although to be fair he did manage to stick to it without getting lost, or starting to bang on about Peppa Pig, or trying to roger the lectern.

Frankly, I don’t know why he’s pretending to be sorry (I mean, we all know that when he says he’s sorry, he means he sorry he got caught – just ask any of his ex-wives, marriages which ended because Boffing Boris couldn’t keep his de Pfeffel in his trousers): he has always wanted to make history as Prime Minister, and he’s done that now. He’s the first ever sitting Prime Minister to commit – and be caught committing – a criminal offence whilst in office. Congratulations!

Poor chap, he wanted to emulate his idol, Winston Churchill, but this just makes him the Richard Nixon of British politics. Although Nixon at least had the decency to resign after he got caught out.

It’s been a tricky couple of weeks for Rishi too; a while ago, I mentioned how his wife, Akhshata Murty, was a major shareholder in Infosys, a technology company who had, until very recently (and not until it had been ignored when the UK government was issuing sanctions against companies with links to Russia and Putin) an office in Russia.

It transpires that since 2016, Infosys is among companies that shared £100m in public sector contracts between 2015 and 2021. It was also one of nine partners in a £10m contract with Tory-run Westminster City Council last year, secured a £25m IT contract from the Tory-run East Sussex County Council.

In entirely unrelated news, I’m sure, it has now been revealed that Murty holds non-dom tax status, which means she is not required by law to pay UK taxes on her overseas income. Her wealth is estimated at around £500m, the majority of this coming from her shares in Infosys.

So, at a time when we are all expected to be paying more through increased VAT, higher National Insurance contributions, increasing fuel and food bills, how can it be right that the spouse of the man largely responsible for all these things can get away without contributing to the public purse themselves?

Nothing to see here, move on.

Back to Sunak himself, then, who launched another impassioned defence of his wife, giving an interview to The Sun where he said: “To smear my wife to get at me is awful…She loves her country like I love mine. I would never dream of giving up my British citizenship.” 

Except: it has also come to light that he held a green card, allowing him to live and work in the United States, for 19 months after he became Chancellor. This effectively meant he was declaring himself a permanent resident of the United States for tax purposes, long after he became a member of Parliament. Coincidentally, he gave up the card before making his first visit to the United States as chancellor last October.

Although it features on my favourite Beatles album, this has always been my least favourite song on it, mostly because it seemed to be pop stars moaning about having to pay tax, and by association an endorsement of that ghastly habit pop stars used to do: spending a year abroad “for tax reasons.” I see it in a slightly different way now….

The Beatles – Taxman

There were rumours that, before he hit rocky waters, Sunak was briefing against and leaking about Johnson, with one eye on taking over as PM when Johnson could finally hang on no longer. It strikes me that if he really wants to deliver a killer blow to Johnson, whilst restoring some of his battered own reputation, then perhaps Sunak’s next move should be to resign from his position as Chancellor of the Exchequer, thereby demonstrating what an honourable politician should do when found guilty of breaking the law when in office.

Probably wishful thinking on my part (not that I wish Sunak were PM, I should stress, just that Johnson wasn’t), but you never know. Watch this space…

China Crisis – Wishful Thinking

Anyway, to return to Partygate, it seems more fines are to follow, and surely more of those must be heading in the direction of some of our more prominent government ministers. If there was a game of Pin-The-Tail-On-The-Donkey at any of the parties, then Gavin Williamson or Dominic Raaaaaaaaab will be in trouble. Priti Patel, though, she’s probably safe, as nobody’s going to invite her to a party, because as yet there is no party game which involves turning milk sour just by looking at it.

Much as Johnson and his cronies may wish it would all go away, I think it’s safe to say the party isn’t over yet:

Status Quo – The Party Ain’t Over Yet

That’s right. 2 Quo songs in one post, I really do spoil you lot sometimes.

More soon.

Christmas Eve Music Club

A couple of weeks ago, I had the dubious distinction of co-hosting this year’s Christmas Party at work.

This involved me and three others planning and then hosting the event, which got moved to an online virtual party a little more than a week before it was scheduled for, due to the latest Covid strain and the advice to avoid face-to-face meetings unless they were absolutely necessary. This meant a lot of frantic rewriting, but it all went well in the end, with remarkably few technical issues. I’ll maybe write some more about this later.

You won’t be surprised to learn that my main contribution with regards to content was a pop quiz, in the form of a Spot the Intro round. The organisers last year had done one about Christmas Number Ones, so I had planned to do one about Christmas Number Twos, mostly so that I could make a particularly lavatorial joke.

However, you’d be surprised how many records which were #2 in the UK charts on Christmas Day are not particularly Christmassy at all, so it got changed to The Not The Christmas Number One Quiz, which isn’t a particularly snappy title, I must confess.

I prepared 20 intros of Christmas records and invited the attendees to name the song, the artist, the year it was originally a hit, and what was actually #1 that Christmas.

This allowed we to slip in a few gags when delivering the answers: “That was Coldplay with Christmas Lights, setting the template for the soundtrack to every M&S advert since” and, my favourite, “From 2008, that’s It’s Christmas Time by Status Quo, which was kept off the #1 slot by Alexandra Burke’s Hallelujah. That, and 38 other records.”

Anyway, that put me in the mood for doing a Christmas mix, remembering that this time last year Christmas was cancelled and I posted a very long and defiantly un-Christmassy mix.

My brother is picking me up to go to be with our parents later today, so this mix is intended to be played on the journey over there (you’ve been warned, bruv!), and then when we arrive too. As such it’s geared towards Christmas Eve, travelling home, Santa visiting (and what the randy old dog gets up to when he does) and the hope that this Christmas is better than last year. It’s full of slightly obscure tunes and the occasional cover of a Christmas favourite. And you’ll be relieved to hear that, unlike most of my mixes, it’s only about an hour and a quarter long. There’s only so many jingling bells one can take.

The length doesn’t seem to have effected the occasional skip or jump (my usual disclaimer) but having listened to it through that shouldn’t spoil your enjoyment too much.

And yes, of course The Wedding Present and Status Quo (R.I.P. Rick) make appearances.

I’m having fun guessing at which song my father will try to work out how to turn the volume down a little, and when exactly my mother will ask just what on earth we’re listening to. I reckon if it’s not when Helen Love is covering Merry Christmas (I Don’t Wanna Fight) then it will certainly be when Mr. Hankey the Christmas Poo makes his annual appearance. And so we’re back to Christmas #2s.

Here you go:

Xmas Eve Music Club

And here’s the tracklisting:

  1. Saint Etienne – Driving Home For Christmas
  2. Summer Camp – Christmas Wrapping
  3. Low – Just Like Christmas
  4. Cuckooland – Silver Bells
  5. Charley Pride – Christmas In My Home Town
  6. Bruce Springsteen – Santa Claus Is Coming To Town
  7. George Jones – My Mom And Santa Claus
  8. John Prine – I Saw Mommy Kissing Santa Claus
  9. Bob Dylan – Must Be Santa
  10. Girls Aloud – Not Tonight Santa
  11. Eels – Everything’s Gonna Be Cool This Christmas
  12. The Ronettes – Sleigh Ride
  13. Sharon Jones & the Dap-Kings – White Christmas
  14. Joey Ramone – Christmas (Baby Please Come Home)
  15. Helen Love – Merry Christmas (I Don’t Wanna Fight)
  16. The Housemartins – Caravan of Love
  17. Cocteau Twins – Frosty The Snowman
  18. South Park – Mr. Hankey the Christmas Poo
  19. The Wedding Present – Step into Christmas
  20. Fountains Of Wayne – I Want An Alien For Christmas
  21. Shonen Knife – Space Christmas
  22. Ash – I Wish It Could Be Christmas Everyday
  23. Julian Casablancas – I Wish It Was Christmas Today
  24. Status Quo – It’s Christmas Time
  25. Darlene Love – Marshmallow World
  26. Weezer – We Wish You A Merry Christmas

I haven’t had time to prepare anything else to post over the Christmas weekend, but I’ll probably be back before the New Year, so for now I’ll just wish you all a very Merry Christmas.

More soon.

R.I.P. Rick

Long time readers will know that Christmas Eve is the day I usually mark the passing of Status Quo’s Rick Parfitt by posting the only Quo Christmas record.

But since I’m ignoring Christmas this year, 2020 is a little different. There will be no Christmas records here.

Instead, long-time reader of this, and since he stopped blogging himself, everyone else’s music blog, George, got in touch with me recently to tell me that a Quo record I posted in a recent edition of The Chain was now his second favourite Quo tune.

Prior to that, he didn’t have a second favourite Quo tune. High praise indeed. I mean, my work here truly is done.

If memory serves me correctly from previous conversations with George, this is (the album version) of his favourite, written by Parfitt under…um….let’s say difficult circumstances (read: spoonful of amphetamine put in his tea as “a joke”, consumed).

I’m not going to condone drug use, obviously, but if that’s how they arrived at this belter, then perhaps they should have tried it more often.

Double/Triple denim ahoy!

Merry Christmas George (and to all of you that are actually having one).

More soon.

The Chain #50

It’s Saturday morning, and that can mean only one thing round Dubious Towers: Rant or Chain?

Any hope of building suspense is already ruined by the title of course. But believe me, after the humiliation of the press shots of Shagger Johnson looking at his most bumblingly unkempt on Thursday evening, and what his utter failure means for all of us here in the UK, it was by no means a foregone conclusion as to what would appear here this morning. Anyway, we’ve got all weekend until the announcement we’re all now expecting, so there’s plenty of time for me to cobble something together.

So. The Chain. We ended last time with this as the source record:

We were a little thinner on the ground than usual this time around, which I wasn’t especially surprised about, because there’s not a lot to work with there, is there? So hats off to all of you that contributed.

As you know, what I try to do with these is to bring your suggestions together into, if not an actual narrative, then some sort of cohesive whole, so that it’s not just me going “And here’s so-and-so’s suggestions”. And that’s what I’m going to try to do this time, but as many of the songs were related to other songs with years in the title, I figured I’d slip those in every now and then, in their true chronological order.

But first, a little tune, the title of which perfectly describes that Pumpkins source song title:

Look, I know I say this quite a lot, but not all Quo records are of the chugga-chugga three chord boogie variety. A Year is taken from their Piledriver album where they had almost permanently settled on their winning formula, but this is a far more bluesy affair, with a bridge which nods back to their psychedelic days. Seriously, give it a listen.

I’ll be using any songs which simply link to the word “year” as an alarm to warn you it’s about time we went time travelling. If you think about it, it’s a really clever way for me to crowbar all of the ones I thought of into the narrative, and isn’t a bit crap at all.

Ok, so it’s time for some time travel, and we’ll head back to the earliest of the yearly-titled suggestions. Care to hop aboard?

And we’re heading back to 1959 for this bit of flamboyant gothness, which, just as A Year doesn’t sound like Quo, so this doesn’t sound like a Sister of Mercy record, it sounds more like a Jim Steinman composition (checks this: it isn’t, but I had no idea that Sisters mega-hit This Corrosion is a Steinman song, and he has a co-writing credit on Dominion/Mother Russia. Seems he rubbed off on Andrew Eldritch. (Not like that, you mucky lot!)):

Anyway, that was suggested by…erm…me, too. (Note: not #MeToo). I suppose I’d better let some of you lot play, hadn’t I?

Ok, so let’s kick off proper with songs which can be linked to the band name, and for a starter, here’s Rol from My Top Ten:

“Pumpkins are gourds.

So I’ll go with The Gourds and their cover of Gin n Juice by Snoop Dogg. (Or Lion. Or whatever he’s calling himself this week.)”

Takeaway salesman?

“You could also have Cucumber Castle by The Bee Gees,” Rol continues, “although it is pretty awful (and I like the Bee Gees).”

Rol is right, of course. I like the Bee Gees too. And that really is not good.

As an aside, for those of you old enough to remember them, was it just me that thought Barry Gibb looked like the blue one (a lion?) from 1970s kids TV show Animal Kwackers?

And you never saw them together, did you? (as I believe it is customary to say when making this kind of joke.)

Anyway, sorry Rol. You were saying?

“Melons are also gourds. Apparently. Which might explain why The Smashing Pumpkins came up with one of the worst pun album titles ever created.”

He is referring, of course, to the album from which our source record is lifted, Mellon Collie and the Infinite Sadness. But watch yourself Rol, now you’ve mentioned puns, I have a nasty feeling about where you’re going with all this, since way back in The Chain #32 this very topic came up and I ventured The Beach Boys’ Gourd Only Knows and Teenage Fanclub’s Gourd Knows It’s True and absolutely nobody noticed.

“And then there is…” Rol innocently continues:

Phew. No puns then.

Whilst we’re on all matters gourd-related, here’s the ever reliable Stevie from Charity Chic Music:

“Getting in early with The Ballad of Peter Pumpkinhead by XTC a song I once heard played at a funeral.”

This, I think, deserves some further explanation. Was the coffin much bigger at the top than the bottom? Did the cremation take ages and start from a single, strategically placed candle? I think the world needs to know.

God, I love a good harmonica. I sense a new idea for a (probably quite brief) series.

And since Rol mentioned the album name from whence our source was ripped, here’s The Great Gog:

“I’ll go with the fact that 1979 is taken from the album Mellon Collie And The Infinite Sadness, and linger on the last word albeit with a different adjective. So that will be The Saw Doctors and Exhilarating Sadness.”

Whoa! What was that and where did it come from?

That, good people, was the sound of young people making music. I know, seems a bit out of place round here, doesn’t it? It was also an artiste which links to the word “year”, which means it’s time to hop in our time travelling machine which looks remarkably like a more famous fictional one but which, for legal reasons, is called something completely different. I don’t know. Haven’t given it much thought.

How about: This Is Travelling in Time and Space? That’ll do.

Hop into TITTS and we’ll be off.

(I am 51 years old.)

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And we’re landing back in 1966, for the first of several suggestions from Pat from PhonicPat who gives us our obligatory Half Man Half Biscuit song of the month (and a bit):

Since we’re already in Pat’s charming company, he’s given us another couple of songs which link to the source band’s name, thankfully devoid of gourd-related puns:

…and…

Allow me to squeeze another couple in. Firstly, here’s legendary jazz pianist Fats Waller:

The really rather ace:

The considerably less ace:

And if I’m chucking a load of Smash references in, I may as well throw a Pump in too:

…which leads me to this piece of genius:

**TIME TRAVEL KLAXON ALERT **

Here we go:

And here we are in 1969, the year when all the cool people were born, and I’ll leave you in the hands of babylotti for a while:

“Immediately, I don’t know why, but 1979 made me think of 1969 by The Stooges…”

“…then 1970 by them too….”

Whoa there cowboy! Let’s finish off 1969 before we go gallivanting across the years.

And here’s Pat (who also suggested The Stooges) with another suggestion:

When I was feverishly searching t’internet to try and find some more tunes, I stumbled across this rather surprising entry:

And I don’t suppose we can really leave 1969 without giving this an airing, even if it is rather well known that the digits in the title don’t actually refer to a year, but to something altogether much ruder:

And since we’re on the edge of the 1970s, we may as well let babylotti finish what he started with his Stooges talk and drag us into a slightly more recent age:

“…then 1970 by them too….”

“…then I remembered the great cover version of that song by Flesh for Lulu.”

This one?

Here’s a thing. About fifteen years ago, Rocco from Flesh For Lulu was in a fly-on-the-wall property documentary called A Place in Spain: Costa Chaos. It turned out to be one of those excruciating, uncomfortable shows that should go down in legend, but it seems only me, and me good mate Val who I was living with at the time and who watched this with me, remember it.

Actually, not quite us two. For fortuitously, someone has posted most of the episodes on YouTube (I think one is missing), but if you have time to spare, then I’d thoroughly recommend you spend it watching this (first episode only included here):

Seriously, when the commentary says things like “But neither of them seems to have considered how they’re going to pay for it”, you know you’re watching car crash telly. Quite how I’ve managed to get writing this finished with such a distraction, I’m not sure.

Over now to a couple of suggestions linked to Smashing Pumpkins main man Billy Corgan, and first off the boat is Hal:

“Billy reputedly had a fairly healthy self-regard, which reminded me of the opening couplet to ‘San Francisco Fat’ by personae non gratae NOFX

And in a similar vein, here’s Swiss Adam from baggingarea:

“Smashing Pumpkins singer and professional misery Billy Corgan played on New Order’s 2001 comeback album, on the song Turn My Way- which as songs go on that album is pretty good and better than anything on the follow up Waiting For The Siren’s Call.”

He’s not wrong:

He also co-wrote this (Billy Corgan, not Swiss Adam):

Let’s shift ever so briefly to 1973, just so I can post this, which is ruddy magnificent:

And just as I thought I was running out of suggestions, here Devonian with three on the bounce:

“Remember how Smashing Pumpkins had to add a “The” to make sure we all understood that they were referring to the excellence of said squashes, rather than the act of setting about them with hammers? That made me think of songs by other bands with similarly enthusiastic names, such as… da-da-da-DAH…”:

…and….

“…and…”

Here’s Pat, back with another related suggestion:

“The Sonic Youth version of The Simpsons theme with the link The Smashing Pumpkins, The Homeralooza episode which included the following conversation

Billy Corgan: Billy Corgan, Smashing Pumpkins.

Homer: Homer Simpson, smiling politely.”

And so on we march to 1979, and I’ll hand over the reins to Rigid Digit:

“1979 could be a very broad subject. Arguably, I could offer a list of the best songs of 1979 (and there were many – it was a fine fine year in the world of Pop).

A personal memory – 1979 is the first year I really started taking note of pop music, and on an episode of Top Of The Pops saw Dave Edmunds performing Girls Talk – that says more to me about 1979 than Alan Sunderland scoring a last minute winner for Arsenal.”

Sorry, you lost me with that last bit. But here’s Dave anyway:

“Written in 1978, Tom Robinson had a go at guessing the state of the nation 18 months into the future. Not all (any?) of his predictions came true – and certainly not the one about Spurs beating Arsenal (they lost 5 Nil).”

Times have changed, matey, what happened last weekend…? Oh, yes, this:

Just saying.

The Beard doesn’t know when to stop using an analogy, so I’ll let it slide:

“Alan Sunderland scored the winning goal for Arsenal in the 1979 FA Cup Final.”

Don’t make me post that football clip again….

“Field Music are the best band from Sunderland.”

Better.

“The Noisy Days Are Over by, erm, Field Music.”

And here’s C from Sun Dried Sparrows:

“There’s the band Death From Above 1979, although I believe they often drop the 1979 bit from their moniker, it is a bit of a mouthful after all… anyway, this leads me to think of ‘Let’s Make Love And Listen To Death From Above’ by CSS, fronted by the marvellously named Lovefoxxx.”

I thought Lovefoxxx was your dating profile name?

It would be rude at this point not to feature some actual Death From Above 1979, so you can decide whether or not you wish to make love to them:

Poor old Willie, having to churn out albums of covers to pay that tax debt back.

But wait: that’s a **TIME TRAVEL KLAXON ALERT **

Which takes us to our last few records, all suggested by yours truly:

…and this odd little thing I stumbled across:

..and this, from Pat:

…and finally, this, which I was very surprised that Swiss Adam didn’t suggest:

I say “and finally”, but what I actually mean is “and finally from the past”, because what’s the point in having a saucily-named time travelling machine if we can’t go into the future as well as the past?

Off we pop:

To here:

Which just about wraps it up.

Oh wait. Here’s Rol again:

“And then there’s Little Red Courgette, obviously.”

Obviously.

Which just leaves me to announce what the actual next record in the real Chain is, and it’s this:

“The pumpkin patch featured in the cartoon strip ‘Peanuts’ which featured Charlie Brown, so…:”

Which just leaves me to ask for your suggestions for songs which link to Charlie Brown by The Coasters, to be submitted via either the Comments function on this page, along with a brief explanation of your link, or if you prefer anonymity that you ultimately won’t be afforded, by email to dubioustaste26@gmail.com

More soon.