Well, hello. Nice of you to drop by. It’s Friday Night, fancy some tunes? Yes? Good stuff, I knew you wouldn’t let me down.
This week: the second week of the split down of the far too long, Volume 5. Running order tweaked a bit, a couple of songs which weren’t in the first one make an appearance, and there’s a definite 80s vibe about this one (once you get past the first five tunes, which are, in order: 70s, 60s, 70s, 90s, 00s.
I listened to this whilst waiting for a much delayed bus back from the hospital a few weeks ago, and, at the risk of appearing immodest, I bloody loved it. And I think you will too.
And, as is tradition, here’s your track-listing, and yes, this time I’ve even bothered to write some sleevenotes for you to tut over:
The Stylistics – Sing Baby Sing
I’ve become a tad obsessed with The Stylistics recently. I’ve been trying to work out why. Is it the natty suits? The dance moves? That incomparible male falsetto? Could be. More likely is that this is just one of many Philly Soul records they put out that are just irresistable to these ears.
2. Sandie Shaw – Girl Don’t Come
Ah, Gawd bless Sandie. As it was Eurovision a couple of weeks ago, it seemed appropriate to slip one of her less-remembered tunes in. And you’ll find no smutty jokes about that song title here, you’ll have to make your own up, which I’m sure you’re more than capable of.
3. Blondie – Picture This
Suprisingly, given the ones which were to follow – like it was an aperitif, designed to whet the palate in anticipation of what was to come – this was the lead single from Blondie’s incredible Parallel Lines album. Anyone who heard this when it was released in August 1978 probably had no idea they were being lubed up for the pounding that was to follow. And anyone who doesn’t love that long-player must be dead – or, given that last analogy, at least a little sore – inside, I reckon. But what else is there to be said that hasn’t already been said about Blondie? Not much, so I’ll simply repeat some well-versed facts: Blondie were probably (as in “I haven’t checked”) the most commercially succcesful band to emerge from the New York punk/new wave scene, and that was in no small part due to Debbie Harry (before she insisted on being called Deborah) being sexy, coquettish and just downright cool. Girls wanted to be her, guys wanted to be with her.
4. Echobelly – I Can’t Imagine The World Without Me
This is just ruddy great. The band’s first of too few Top 40 hits, this scraped in at #39 in June 1994, which is criminal. And here we are, almost 30 years later and it still makes me want to bounce around the room and proclaim my undying love for Sonya Madan.
5. Girls Aloud – Wake Me Up
You can keep your Little Mix, your Saturdays and any other all-girl pop band that came after them: Girls Aloud may not have written their own tunes, but they sure as hell had some bangers in their repertiore. This one is not as well known as some of their others mega-hits, but damn right it’s worth revisiting.
6 Kim Wilde – Chequered Love
Nothing wiill shake me from my opinion that this, and not Kids in America, is her finest moment, I had the pleasure of meeting her once (CLANG!); she and her entourage came into the motorway restaurant I worked in when she was touring supporting some bloke called Michael Jacksonon his Bad tour of the UK. Not sure what happened to him. She had a burger and chips and an ice cream float. She was nice (swoons).
7. Animotion – Obsession
Yes, it’s a bit euro-pop. Actually, it’s a lot euro-pop. But that doesn’t necessarily mean it’s no good. Because it isn’t, it’s the opposite of no good, which I believe is commonly referred to as good. In fact, it’s better than just good, it’s a terrific tale of unrequited lust. Still with me? An over-looked 80s classic in my book. Mind you, there’s quite a few entries in that book.
8. Colonel Abrams – Trapped
Speaking of over-looked 80s classics…
9. Gorillaz – Dare
It’s hard to believe that Shaun William Ryder is now probably better known as “that sweary bloke from Celebrity Gogglebox” or “that sweary bloke from I’m a Celebrity…” than he is as one of the most pioneering lyricists and shambolic, shuffling lead singer of Happy Mondays and Black Grape fame. I think this record had a lot to do with his reinvention, projecting him into the psyche of a new group of fans, especially because, so the story goes, it was supposed to be called There but whenever Ryder tried to say the word, it came out as Dare, so the title was changed. I mean, how can somebody be as famous as he is without being able to pronounce such a basic word? And then I realise that Bez is almost, if not more, famous, and it all starts to make sense.
10. Hercules And Love Affair – Blind
Now let me make something perfectly clear: I did not enjoy the musical output of Antony and The Johnsons. Each to their own and all that, but Antony’s voice just wound me up, like fingernails down a chalkboard, made worse when I read reviews describing his vocal performances as innovative, ground-breaking blahblahblahblahblah. So, suffice it to say I did not have high expectations for this tune, on which he, just like Ryder in the last tune, provided guest vocals. Blimey, was I surprised. I love this, I think despite rather than because of Antony’s presence. It’s a total banger, right kids?
11. Van She – Kelly (Cut Copy Remix)
The original of this is a bit yacht rock but this 80s-upped remix definitely isn’t. It’s the second best (that I can think of, off the top of my head) Kelly in pop, and no, Kelly Jones from Stereoploddingphonics is not the best (Kelly Watch the Stars by Air is, of course). And this isn’t a million miles way from the uber-cool French duo, it’s just a bit more upbeat and contains more obvious retro synth-stabs. You’ll like it. No really, you will.
12. The Human League – Love Action (I Believe In Love)
Since we’ve gone all 80s-esque, we may as well have the real deal, so you can see just how well these all slot together. Philip, Susan and Joanne: national treasures in all but name.
13. Beth Ditto – Open Heart Surgery
Back to the 80s-homage gang, and I’ve included this one because there’s something about the bassline which reminds me of The Human League’s Don’t You Want Me. Can you spot it too?
14. Simian Mobile Disco – Audacity of Huge
Here’s some reviews of this, which I lifted from wiki:
Pitchfork called it “a limber, name-dropping, ear-catching body-mover, sleek and uncluttered and populist”.
Consequence of Sound stated that the lyrics were “hopelessly catchy non sequiturs”
NME (remember them?) felt that said “hopelessly catchy non sequiturs” were the only thing that made the song “listenable” (instead of “as annoying as stubbing your toe”)
The Quietus praised it as “amusingly bizarre” and “a pitch-perfect satire of the bling-bejewelled breast-beating so prevalent on [Kanye’s] 808s and Heartbreaks“
This is why I would never have made it as a music journalist, as I wanted to be when I was in my late-teens: I have no idea whether any of those reviewers actually liked it or not (admittedly, I’ve not read the whole review, which usually gives a score at the end, which is a bit of a clue).
I’d never hit my required word target if all my reviews simply read: “An absolute beast of a record.” which this clearly is. And it features Chris Keating of Yeasayer on guest vocals, which I gather should be considered another point in its favour.
15. The Gossip – Standing In The Way Of Control (Soulwax Nite Version)
Yes, I know that there’s a strict “the same artiste shall not appear twice on the same playlist” rule in place. I haven’t broken the rule by including this. Yes, Beth Ditto was the lead signer with The Gossip, but that’s a very different beast to her flying solo. Anyway, I’ve not featured any of Soulwax’s awesome remixes for a while, so it seemed fitting to bring this week’s shenanigans to a close with one of theirs this week.
For quite some time now, I’ve been pondering what it is that is preventing me from posting with the same regularity as I was last year.
I’ve worked it out.
Regular readers will know that I generally sit on a Friday night, have a few drinks and write posts for the next week. But for a while now, I’ve become preoccupied on doing a new mix.
Warning: artist at work excuse incoming.
See, whilst they seem remarkably unpopular, I really enjoy piecing together a long playlist/mix/call it what you will, and that inevitably means a few drafts which don’t quite, to quote Echo & The Bunnymen, cut the mustard.
So, I’ve been working on this mix for some time now, but somehow something always seemed to prevent me from finishing it, be it me tinkering with the running order, or thinking of new tunes to toss in, or some kind of technical calamity, or (more often) listening to it and realising I’ve utterly messed up a mix and I simply can’t bear to have anyone else listen to it.
I’m not going to pretend all of the mixes between tunes here are perfect – there’s at least one which I know isn’t – but I’ve reached the point where it’s close enough to let it go and move on to something else, before I drive myself mad searching for perfection.
So here’s my latest mix, imperfect though it may be; frustrating as it has been, I really like this one, which starts off in the usual way – slowly – before getting into a groove which includes Kings of Leon from before they went stadium and knew how to use a cowbell, a new(ish) track by The Chemical Brothers, an obligatory Soulwax remix, two of the finest female pop stars going: Miley Cyrus & Dua Lipa (not on the same tune, sadly), the occasional hidden ‘joke’ (by which I mean it seemed funny when I first put the songs together, less so now), via Madonna having a short chat with Johnny Cash.
It’s the usual mix of songs you love, songs you’ve forgotten about, and songs which make you think “What the hell has he put this on here for??”. Some might say eclectic, but I couldn’t possibly comment. Think mainly Indie guitar stuff, with a few dance tunes, 80s pop songs and a couple of timeless classics – at least one of which you probably won’t have heard before – thrown in.
As always, no track-listing – I like to imagine your faces when the next song kicks in – but there’s a list of featured artists on the right hand side in case you want to see what you’re letting yourself in for. Which is a treat, obviously. If you desperately need to know what a track is, either Shazam it or, if you’d like to feed my ego, ask me via the Comments at the bottom of this post.
Usual disclaimer: any skips and jumps are down to the mixing software; any mis-timed mixes (and, as I say, there is at least one) is down to me. Either way: Sorry!
One more thing: you may recall that last time out I mentioned that my brother had said he managed to predict what I was going to play next, which annoyed me greatly. No such criticism of the last mix, although he told me he listened to it whilst out on his morning run, so some of the sudden gear changes weren’t helpful. I’ve tried to rectify that this time, with a relatively steady beat and tempo maintained throughout (after you’ve got past the traditional slow start) for those of you who listen to this whilst doing your exercises (not that I really understand what that means). The danger was that it would denigrate into either a Ministry of Sound pumping dance mix or a Top Gear/Best Driving Songs…in the World…Ever! playlist, but I think the song choices just about keep us on the right side of that happening.
Let’s say it starts slowly, gets into a groove, and then has more false endings than a Status Quo single.
I’m a bit annoyed that since I first decided to include it, at least on song here has popped up in an advert – and you know how I feel about them – for burgers, of all things. Rest assured, the advert in question was not the inspiration for the song’s inclusion. You’ll know it when you hear it, I think.
Oh and there are several songs which feature effing and jeffings – “sexual swear words” as Simon Bates used to say at the start of videos – so please avoid if you are easily offended by unfettered vulgarity and sauciness. Look, there’s a Goldie Lookin’ Chain tune which is probably the rudest and most inappropriate (but funny) thing I’ll ever post, so beware.
For a limited time (until I do another one, so y’know, could be months), you can stream or download it via Soundcloud here.
Right, you can all stop checking the time, here it is, three weeks late, but that’s better than another super-long hiatus, surely?
More mega than a fleet of MegaBuses, yes! It’s time to check the buffering capabilities of your hardware and internet provider as we launch into the latest instalment of The Chain.
And what a selection we have for you this week!
But before we get started, some admin. The more observant of you will have spotted a new page link over there on the left entitled “The Chain – The Rules”. You’ll never guess what you see if you click that!
I mention this because there would have been a couple of disqualifications this week for (unintentional) breaches of the rules; luckily one of the transgressors realised and suggested an alternative link.
The easiest rule to break is suggesting a song which has already featured, and I appreciate with around 1000 songs having featured so far this can be somewhat tricky to keep up with. As I’ve mentioned before, I’m in the process of writing up a definitive list of every song which has featured so far, but until I’ve got round to finishing that (and writing The actual Chain takes up a fair bit of time when I could be doing that), if you want to check your options are:
1) Read every previous edition of The Chain (bit time consuming that one)
2) Check the Tags down the left-hand side; if the act you wish to suggest is not listed there, then you’re fine (assuming I remembered to add them, of course). If it is listed, click their name and you’ll be taken to every page that a song by them has featured on and you can check that way.
3) Email me at dubioustaste26@gmail.com and I’ll check and get back to you.
OK, admin over, let’s remind ourselves of the source record for this week:
The biggest source of linkage this week was the “Echo” part of the song title, so let’s get cracking with one of mine. Since an echo is something happening again, this seems to be an appropriate place to start:
So, who else provided echo-based suggestions? Well, here’s Alex G of the temporarily (I hope) dormant We Will Have Salad to provide not just a suggestion, but also a definition of “echo”, which saves me the bother of having to copy and paste something from an online dictionary to justify some of the other suggestions I’ve come up with:
“… an echo is an acoustic phenomenon caused by sound bouncing off walls. And ceilings. And other things. But it’s the first one which concerns us here, because it leads me to suggest….”
Unsurprisingly, several of you (well, five actually) proposed records by Echo & The Bunnymen, so we may as well get one of those out of the way next, and it’s over to Swiss Adam of Bagging Area fame, with his second suggestion. (No, you haven’t blinked and missed his first, that’s coming in a while. It’s called editing.)
“Echo and the Bunnymen…sang ‘Silver (Tidal Wave)’, a beach connection there too.”
Yes indeed, that’s your first – of many, it has to be said – double linkers of the week right there. Points!
Next to one of several songs this week that I had never heard of before the suggestions came flooding in, this one courtesy of The Swede from Unthought of, though, somehow who proposed this by Cavern of Anti-Matter who, for the uninitiated (i.e. me), are Joe Dilworth and Tim Gane, formerly of Stereolab, possibly one of the most missed and most under-rated (if that’s not a contradiction, and if it is, I’m sure it’s one which would please them immensely) bands of the last twenty years or so:
I like that. A lot. Thanks for nudging it under my nose, Swede.
Which leads us quite nicely onto another suggestion by Alex G:
“When they recorded ‘Echo Beach’, Martha And The Muffins’ drummer was one Tim Gane. Another Tim Gane was more famously (not *much* more famously, I admit) the lead guitarist of McCarthy and Stereolab. [I just told them that – Ed] So I’ll go for….”
And since that takes us back into 1980s indie territory, that makes it time for another Echo & The Bunnymen track, this one proposed by Alyson from What’s it All About?:
“…double link there if I’m not mistaken…” pleads Alyson. Hmmm…Echo, yes…Seas -> Beach…what do you reckon, Chain Gangers? Oh go on then: Points!
I first posted that song way back in August 2015, accompanied by a retelling of one of the many faux pas I’ve committed over the years. Since some of you may not have frequented these pages that long ago, indulge me for a moment whilst I relate this one, which took place circa 1984, as I waited for the school bus and found myself chatting to one of the “cool kids” at school. He liked cool music (i.e. not Quo) and during this conversation he extolled the virtues of ‘Seven Seas’. My response, a rather pathetic and, as it transpired, ill-judged, attempt to ingratiate myself, was to talk at length about the lead singer fire-eating on Top of the Pops and how impressive he was. I realised mid-flow that my conversation piece was attracting some quizzical looks. And that was because I had completely mis-heard him. When he had said ‘Seven Seas’, I had thought he had said this song title:
Not cool, just…not.
Anyway, moving swiftly on, here’s Walter from A Few Good Times in My Life with the scecond song this week that I’ve never heard before. Over to you Walter:
“They might be forgotten but this song is still worth to listen to sometimes…”
Actually, that was Walter’s second suggestion. His first was for an Echo & The Bunnymen track, and I think enough time has passed since the last one to allow me to post his, which needs no introduction:
Now, a couple of you picked up on the Echo/Repeat/Again angle, but to explain how The Great Gog (who appears to still be doing DIY) got there, we’ll have to take a slight – but relevant – detour:
“Martha And The Muffins’ follow-up to ‘Echo Beach’ was called Saigon, the former name for a city in Vietnam whose new name I can’t accurately spell. This gives rise to…”
Which leads us on to a very brief sub-category, those of song titles which repeat, or, you might say, echo themselves. This is by far my favourite category of the week. You’ll see why. Julian from Music from Magazines suggested this, which probably doesn’t need any further explanation:
The Quo, there, demonstrating on the record sleeve their renowned empathy for the Black Power movement.
And that brings to an end that sub-category of song titles which repeat, or, you might say, echo themselves.
You know what I haven’t said for a while? I haven’t said the words: “And here’s the next suggestion of an Echo & the Bunnymen song, this time by *insert name of Chain Gang member here*“. I feel an overwhelming need to say it again. But not just yet. I’ll wait til I’m asked.
And here’s the next suggestion of an Echo & the Bunnymen song, this time by Dirk from sexyloser with the closest we’ve had to a Showboating Suggestion so far:
“Nominated to be one of the world’s most beautiful beaches back in 2012, 2014 and 2015 was Burundi’s coast fronting Lake Tanganyika: if you’ve never been there, you really have missed a treat, I can tell you!
So obviously the correct link can only be Echo & The Burundimen (yes, it’s the Bunnymen in disguise, but still I haven’t made that [name] up, just listen to McCulloch’s intro!) and ‘Zimbo’, the 1982 Shepton Mallet live version though!”
Which very nearly brings us to the end of the Echo section. Except…
Except I can’t believe nobody suggested anything by this lot. This is the first single I ever bought by them, before they’d properly found their feet and commercial success:
And that does bring us to the end of the Echo section. Except…
Except, you’ll recall that I mentioned five of you had suggested songs by Echo & The Bunnymen, and so far we’ve only had four. Well, GMFree suggested their rather wonderful comeback single ‘Nothing Lasts Forever’ but then ploughed through the entire history of suggestions in The Chain and retracted that on the grounds that it had featured back in #31 so I wouldn’t have been able to allow it. (Oh, and whilst I’m on songs I couldn’t allow – Lynchiefromab, if you check the Comments in the last Chain, you’ll see that I wasn’t sure if yours were suggestions or just recommendations; if the latter then, thank you, and you’re right, but if the former than I couldn’t allow either of them as they contravene rule No. 6: “Suggestions must be more than just naming a different song by the same artist. You’re cleverer than that.” And I know that you are. Sorry!) However, GMFree did propose a different Echo & The Bunnymen track, a cover version, but suggested that I might post the original instead, since the performers have never featured in The Chain before.
And that really does bring us to the end of the Echo section. Except…
Except, speaking of strange people, and making suggestions which kind of echo, here’s Jules again, and strangely he hasn’t proffered anything by Lambchop this week. Instead:
In case you’ve no idea what Jules is blethering on about, Bonnie ‘Prince’ Billy is the best known stage name of Will Oldham, but he has also recorded under variations of the Palace name, including the Palace Brothers, Palace Songs, and Palace Music. As you know, I prefer it if there’s only one suggestion per person for the same band, but since these two versions are so different, and since they were recorded under different monikers, and since I allowed GMFree to suggest more than one tune by Steven Jones last week for the same reason, I guess I’ll have to let it slide this time.
Speaking of GMFree and Steven Jones:
“Mentioning Mr Jones is too easy on this occasion as Babybird was signed to the Echo label, instead I’ll just suggest one track from his 27th (!) album as Black Reindeer…available through Bandcamp.”
Now, I wouldn’t normally buy a track specifically for The Chain, preferring the suggester to provide me with a copy, but I was intrigued by that title so I downloaded that song from the band’s Bandcamp page, as recommended. And shortly afterwards, I got an email from Steven Jones which read: “Ooh a bit topical that purchase Sx”. Which was nice. So I’ll not complain about being out of pocket. This time.
You’d have to have had your head buried in the (beach) sand to not understand what he was referring to, and as it happens, this was not the only track which referenced the forthcoming apocalypse.
“‘Echo Beach’ puts me in mind of the 1959 film ‘On the Beach’, which depicts the aftermath of a devastating nuclear war. (Not a surprising image, considering the current state of affairs, I suppose.) The film stars Gregory Peck, Ava Gardner, Fred Astaire and Anthony Perkins and is based on Nevil Shute’s 1957 novel. Anyway, as I’ll use any excuse to post some black gospel quartet music, my selection is the 1950 ‘a capella’ version of…”
Well, bar that last little excursion, we appear to not only be in nuclear war related territory – cheerful! – but also Beach related, so let’s have some more of those. And since that last song contains the lyric “Hello New Order!”, it seems appropriate for us to go back and find out what Swiss Adam’s other suggestion was:
“‘Echo Beach’ takes me to the remixed version of Blue Monday from its b-side in ’83…”
Bet you’re expecting me to suggest something by The Smiths now, right? Close, but no cigar. Instead, the greatest song about a seaside resort (that isn’t Echo Beach, of course):
So, having exhausted all of the suggestions about echoes, beaches and, of course, Nazis and impending nuclear doom, we’ll move onto something a lot nicer. Back to Martin who suggests this as a double linker:
And the thinking behind this double-linker? Well, for a start, the original is by Martha Reeves and the Vandellas (we’ll be coming back to some more Martha’s shortly), but also:
“…because you often get jam in the middle of a cake, and a muffin is a type of cake, so yes, I am making a blatant play for a double-linker (and The Jam’s version is, ahem, ace).”
Yes it is, and that’s a succesful double-linker play too. Points!
Do I need to get a shiny gameshow host jacket to wear whilst I write this, do you reckon?
But Martin’s not done there, oh no:
“Talking of muffins being a type of cake, I must also throw in [this] by Kiwi tunesmiths Crowded House:”
Which leads me onto this, a track lifted from one of those typically patchy tribute albums that were all the rage once upon a time one of those tribute albums, which were all the rage once upon a time, and which could (typically) be a little on the patchy side (and this one really is patchy).
In case you’re wondering what that’s doing there, give it a listen partly as there’s an extra verse, not in the original, which links to Martin’s last choice, but mostly because it’s an utterly wigged-out mental cover version.
And whilst we’re still on chocolate cake, it’s about time I posted another clip:
Right, that’s Muffins pretty much covered, right?
Well, actually, not quite. Here’s Rol from My Top Ten:
“Muffin was a Mule and a Mule is sort of like an Ass… though very slightly different.” Which brings us to, rather rudely:
Let’s have some Echo Beach/Martha and the Muffins facts to raise the tone a little.
Fact One: Martha and the Muffins are Canadian.
“Plenty of Canadian bands/artist to choose from,” chips in Rigid Digit of Stuff & Nonsense, “including: Rush (but who has time to listen to the whole of Side 1 of ‘2112’?), Neil Young, Joni Mitchell, Bryan Adams and Bachman-Turner Overdrive. All too obvious, but this bunch of Canadian one-hit wonders…:”
“Did you know,” pipes up George, inadvertently providing Fact Two, “that Echo Beach has been voted the 35th greatest Canadian song of all time? The greatest song is the execrable song ‘Four Strong Winds’ by Ian and Sylvia, which must surely get the Worst Song vote.”
Well, I’ll happily do that George, although you realise that would mean you’d have to agree the Chas & Dave record is better…? Along with two other songs yet to feature that we all know you’ll hate….?
Four strong winds, you say? Here’s four in varying levels of strength.
The ease and squeeze:
2. The Pant Ripper (a classic):
3. The Preposterously Executed:
and 4. The Accidental Decongestant:
Right, that’s…erm…got that out of my system. More factoids please!
Fact Three, courtesy of babylotti:
“‘Echo Beach’ was released in 1980 on DinDisc records, another record that was released in 1980 on Dindisc records, and one that I still have (okay, it was a re-release in 1980, but that’s the one I have) is…:
Before we get on to the final category, time for those two songs which George won’t like, the first of which is suggested by Alyson, and I think this one wins the award for Comment Showboat of the week (or have I already awarded that? I don’t know, I’m tired…). George, sorry, I was going to leave these two till last to make it easier for you to ignore them, but thematically they kind of need to be posted earlier.
Anyway, here’s Alyson’s suggestion:
“Martha’s Vineyard is actually a small island off the State of Massachusetts. It faces out onto the Atlantic and it’s where they filmed ‘Jaws’. The fake shark they used for the movie was given the name Bruce.” Which leads us to:
And so on to the final category, songs which link to Martha. And we’ll start off with my own double-linker for the week.
There’s a well known phrase in certain communities: “Is he Arthur or Martha?”. Well, here’s an Arthur, Arthur Lee to be precise, and he and his band are going to sing a Love-Lee song which has an Echo/Repeat/Again link too. Points please!
“First thought – got Martha on my mind now so I’d like to offer one of those songs that surely everybody knows and surely everybody likes? What better time for an office clerk with a very boring job to go down to Echo Beach than during a heatwave, too?”
Next up on the oche is The Robster from Is This The Life? Now, a few weeks ago, Rob announced that he was thinking about stopping writing his blog as he was feeling devoid of inspiration and was just going through the motions. I’ve often felt the same about this place, and I know others in our little blogging community have too. You may not know that Rob lives not a million miles away from where I used to in South Wales, and I love his blog for it keeps me in touch with what’s going on down in and around my old stomping ground so I’m delighted that he’s decided – for now – to keep going, albeit with less frequent posts.
I mention all this not to put any unintentional pressure on him to carry on, but because having cut back on his posts he seems to have gone a bit stir crazy, suggesting “I’m a Man” by The Spencer Davis Group on the basis that Martha & The Muffins were an all-male band. Getting confused by that whole “Arthur or Martha” issue there, I think.
To be fair, Rob did correct himself almost immediately (with a little help from Alex G, who I can confirm is not a qualified doctor, but is a very keen enthusiast), and redeemed himself by suggesting this, another of the records I’d never heard before, and which I’m really quite pleased that I have now. And it’s a double pointer, featuring as it does a Martha and “two items you might see at a beach”:
“In May last year I concluded a post containing one of [his suggested artists’s] fine songs, by saying that I’d return to his music soon – a promise I’ve yet to keep. I must remedy that situation.”
And having heard this, I think I’ll be joining you to investigate further:
Time for Abramson60 next, who…erm…echoes some of the sentiments raised earlier:
“Looks like things are getting worse and worse US of A side, can it really get any worse? My suggestion this week could well be aimed at that excuse for a human being, Trump. No need to explain the link?”
Nope, but this young lady certainly needs to wash her potty-mouth out with soap and water:
Another from Alex G now, who suggests “…a lovely song which is never played on the radio because if it was, everybody would stop what they were doing to listen, at a cost to the UK economy of several squillion pounds.”
I agree, it is a lovely song, although I suspect were it played more often, people would stop what they were doing to remember when – and I’m sorry to bring it up again (I’m not in the least bit sorry, as it goes) – this happened:
More from Rol next, who suggests this next song on the grounds that a) it has the word “Martha” in the title, b) it doesn’t have any other words in the title, and c) he “…can’t believe nobody’s suggested it yet…”
George is back with another suggestion: “I’m hoping no one has suggested a link from Martha Johnson (that would be the Martha of Martha and the Muffins) to….:”
As it happens, George has sort of gone down a route I explored, only I sought out other famous Marthas and linked from there. And here’s what I came up with:
Firstly, this which features Martha Wash, who was one half of The Weather Girls, but you’ll forgive for not posting anything by them, I hope:
And the presidential links don’t end there, for there was also of course Martha Jefferson, wife to Thomas, who became 3rd President of The United States in 1801. Martha would have been the third First Lady, had she not rather inconveniently died in 1782. Anyway, this Martha leads me to this ground-breaking house record from 1986:
And the other is…well, Mrs GMFree was not alone in suggesting it, for it was also proposed by Rigid Digit (and I thought one other person too, but I’m buggered if I can spot who it was now. If you suggested it and I have omitted to credit you, make yourself known and I’ll amend this bit).
Which means that for the first time ever, we have two people correctly guessing the next record in The Official Chain, which, with the simple explanation of “From one Martha to another…” is this:
So to wrap things up, your suggestions, please, for songs which link to “Martha My Dear” by The Beatles, along with a brief description of the link, via the Comments Section down below, in time for the next edition. Whenever that might be.
![giphy[1]](https://dubioustaste.files.wordpress.com/2017/09/giphy1.gif)
A History of Dubious Taste 