Firstly, I wanted to do a mix unlike the Not Christmas one, which I thought strayed a bit too far into the territories of cheese or chart music. Whilst it served a purpose, it wasn’t really indicative of the sort of tunes which usually feature here.
This one, though is a corker, even if I do say so myself.
Regular readers may recall that way back in the late 1980s, I started DJ’ing at college because I was fed up with being able to guess what song the indie DJs would play next. So imagine my annoyance when my own brother told me that on a previous mix he’d been able to predict my next choice a couple of times. Grrr.
But this mix has proved to be such a pain to complete; when I came to do it today, it tells me that some of the tunes have been played 22 times, which gives you an idea of how many times I’ve tried to get this one right. Pretty much once a week, since Christmas.
What’s gone wrong all those times? Well, on more than one occasion professional pride kicked in: I’ve messed up a mix between tunes, so have elected to start again.
On more than one occasion, preoccupied with playing Solitaire or Candy Crush just to have something to do whilst recording the mix, there’s a sudden, irretrievable silence where the next record should be. Oops!
Once I forgot to stop recording until an hour later, and, triumphant at how the mixes had worked out, I couldn’t understand why the mix lasted over 5 hours, until I listened to it.
The other problem is booze. More than once, I’ve taken drink to such an extent that I’ve forgotten I was doing a mix until the silence after one record has finished hits home and startled me awake.
Last weekend, I got to the third record from the end, and suddenly woke up to silence and realised I’d messed up again. That’s not an indictment of the standard of the mix, by the way, more an example of how drunk I’d gotten.
Even last night, when I finally nailed it, it was my second attempt of the night, having got through most of the mix when I had a drink-spillage event, which I thought I’d sorted, until, four records from the end, suddenly the sound cut out whilst the tunes kept playing and I had no idea if it was still recording the sound or the sound of silence.
Anyway, we’ve got here, and this has been a real pain, so if you could take a listen, that would be great.
I will confess that I have broken the golden rule of not featuring the same act more than once in this mix; this wasn’t intentional, but as the various run-throughs progressed, I simply forgot said acts already appeared as “featuring” acts. One is deliberate. Sue me (Please don’t).
Time for the usual disclaimer: any glitches, skips or jumps are down to the software or the uploading/downloading process, and nothing to do with my limited mixing skills.
Oh, and the usual “effing and jeffing” warning applies; it seems I’m incapable of doing a mix which doesn’t include more than the occasional swear.
I’m not posting a link to download here, other than the one to Soundcloud, where you can either download or stream it.
I couldn’t be bothered with the last ones, but I’ve done it this time: you’ll see a list of all the acts featured in this mix at the bottom of the page, so you can check whether this one’s likely to be your cup of tea before going to the hassle of actually listening to it. If you’re particularly short of things to do, you can try to guess which song I’ve picked by which artist. There’s fun.
But by way of a description: pretty much all life is here, from indie rock to 60s California hippy-shtick, some Old Skool dance classics, some hip-hop and some soul classics via some Northern Soul belters via some TV show theme tunes (sort of); there’s some hoary old rock and some psychobilly, and a couple of tracks which should have featured in a New post by now, but the bands in question played the 6Music festival last weekend so you’ll probably know them intimately by now. And, of course, there’s The Fall.
Easy on the cheese this time, there’s even some poetry so we can all pretend we’re intellectual. You’ll have chance to dance, sit and recover for a few moments, before getting back on it again.
Available for a limited time (i.e. until I do the next one), you can download or stream this on Soundcloud here:
Once upon a time, in a galaxy far, far away, I used to write a series here called Friday Night Music Club.
Here is what I wrote way back in March 2015 to explain:
“Friends of mine will tell you I love a themed mix tape or CD.
In my old flat, we used to have what we (ok, I) liked to call The Friday Night Music Club. This would involve us a) getting very drunk b) me shaving my head at some point c) listening to the latest CD mix I’d made (later, when I bought a sound system that allowed me to just plug my iPod in (other mp3 playing devices are available) these mixes got waaaay longer, and probably waaaaay more tedious for the listener) and d) ideally having a bit of a dance.
I’ve done mix tapes and CDs for friends and family all my life (but you already knew that, right?) but the idea here was to make a series of mix CDs which, when played in sequence, you could play at a house party and which would keep the night bubbling along nicely.
Actually, this is something I’d already tried a few years earlier. Friends of mine used to have the most excellent parties at their flat on Hilldrop Road, usually with a DJ playing, but on one occasion the DJ – and for that matter, their decks – couldn’t make it. In their absence I prepared a set of 11 CDs – about 15 hours – which, when played in sequence, took you from aperitifs and welcomers, to “go on have a bit of a dance”, through to off your nut party anthems, and then back down to sitting round talking nonsense about radishes until 6am.
Anyway, back to the Friday Night Music Club. Occasionally I’d make a theme out of the whole thing (hey, if Bob Dylan can do a radio show using the same format, I can do a mix CD, okay?) or do more than one CD and spread the theme out (there was once a 4 CD opus to a former flat mate which deserves a mention in passing) but more often than not the theme would occur to me in the middle of preparing it, and that’d be it…I’d be off….“
As an aside, I appear to have missed some fairly significant landmarks in the history of this place: my first ever post was in September 2013, and if you think my posts are sporadic now, bear in mind that my second post didn’t happen until a year later in 2014. Whatever, a belated 5th anniversary to me!
Anyway, it was when I became rather fixated on the theme rather than with just posting some songs which sound good when played together that I knocked the Friday Night Music Club series on the head.
Since there are now more of us are spending our Friday Nights at home, many of us getting drunk, I figured I would bring the series back for at least a one-off for you to use as your sountrack to your Zoom/Houseparty chats. There might be more, I’ve not decided yet.
Also, this, right here what you’re reading now, is my 1500th post, so I’d like to mark at least one of my landmark posts in a timely manner.
Ahem.
That’s better.
I figured we’d go back to where it all began, to the first few episodes of Friday Night Music Club, but now with fewer attempts to be clever/funny and just more songs to rock your end of the working (from home) week/kids are in bed celebrations.
Actually, I’d hoped to bring this to you last weekend, in time for the Bank Holiday, but time simply caught up with me, the bastard.
The initial intention was simply to repost those early “mixes”, with a few new songs thrown in here and there (and some brutally culled). But as I was working on it, it metemporphasised into something different, perhaps better described as a completely new mix of tunes, very loosely hung on the framework of the old ones, in an effort to reinvigorate them, poncey as that may sound.
If you’d prefer to just listen to this on Spotify, you can do here:
…although a word of warning: Spotify doesn’t have all of the songs in the playlist, so the only real way to enjoy this in it’s full…erm…glory is by ploughing through the links below.
Oh, and a second word of warning: there’s a fair bit of effin’ and jeffin’ on some of these, so perhaps not for those with young ears.
Hopefully, there will be something for everyone in here (there’s seventy tunes in just over five hours, so I bloody hope so!), so push back the sofa, get yourself a pint of White Russian (or whatever your weapon of choice is), dim the lights and turn up the volume. Let there be grooves. Let there be guitars. Let there be cheese. Let there be some surprises, some forgotten tunes and some old favourites. Let there be singing. Let there be dancing.
Tell you what: I’ll play a song or two by way of a little intro whilst you’re getting yourself sorted:
Regular readers will know that a pet hate of mine is TV adverts, and the songs that are hijacked and inserted into them.
In the past, I’ve written several posts where I attempt to deconstruct the advert in question, and explain why the song they’ve chosen to soundtrack it is not an appropriate one.
I’m wondering, though, if perhaps it might be better if I offered some more constructive criticism, and maybe ways to improve it.
So let’s give it a go.
There’s an advert currently airing in the UK which I imagine you’ve all seen. Here’s how it goes: a hipster-bearded middle-aged man leaps from his bed where he and his lady partner have just exchanged happy, satisfied glances (and doubtless much more). He dances, struts and swaggers his way from the bedroom, down the stairs, where his partner joins him for a brief dance before he goes outside into the bright sunshine. The camera pans up to the blue sky as voiceover man announces “4.3 million men in the UK experience erectile problems” before the product being advertised fades into shot.
Yup, it’s Pele’s favourite: Viagra.
(4.3 million sounds like a lot, doesn’t it? Although, I think it’s probably a conservative estimate. I mean, presumably they’re basing that figure on the amount of sales achieved when it was a prescription-only product, when blunted swordsmen gave in and visited their GP to seek help with their little problem. And men are notoriously reluctant to go the GP at all, let alone when they have to go through the embarrassment of explaining their current predicament, often preferring to stumble on using a rudimentary winch and pulley system fashioned out of a couple of elastic bands and a lollipop stick instead.)
Anyway, in the background (of the advert, not in the GP’s surgery), this is playing:
See what they did there? They made a joke. Well, (ahem) a semi one. Viagra. Up. Do you see? It’s very clever.
But I reckon there’s a better way this could have been done.
I’ll explain.
I think that there are two types of advert which are most effective. The first is where there is a series of adverts, each a new episode following on from the last, which tell a story. Perhaps the most famous example is the late 1980s/early 1990s ad campaign for Gold Blend coffee.
For those of you too annoyingly young to know what I’m referring to, the ad campaign in question ran from 1987 to 1993, and starred Anthony Head and Sharon Maughan as Tony and Sharon, a couple who begin a slow-burning romance after she moves into an adjoining apartment to him, and knocks on his door to ask if he has any coffee she can borrow to satisfy her dinner party guests.
Here’s that first ‘episode’ in all it’s naff glory:
The Gold Blend Couple advert ran for a total of twelve individual adverts, and as the series progressed, each drew more and more attention from the media, drawn into the “will they/won’t they” plot. So, essentially: free advertising on top of the paid-for advertising.
The second type of advert which I think is often effective is the one where you’re not quite sure what it is that’s being advertised. These also often form part of a sequence of adverts, but usually the additional adverts are shown if not within the same ad break, then within the ad breaks interrupting the one programme.
In my proposal, I’m not suggesting a sequence of twelve adverts – attention spans are not what they once were. Instead, I’m suggesting four “episodes”, each with a different, appropriate song to soundtrack it. Four adverts would sit quite nicely within one sixty minute television programme (in the UK anyway), as there are generally ad breaks at around the 10-15 minute mark, another at around 25-30, a third at 40-45 and then the final one as the show ends.
So I’m suggesting a combination of the two types of advert I’ve mentioned, where a story is told over those four adverts/episodes, but where you are not entirely sure what is being sold until the third one.
Even better, my ad campaign would bring back Tony and Sharon from the Gold Blend ads. Let’s face it, it’s over thirty years since the original Gold Blend ad campaign first aired, so Tony (and I must stress at this point, in case any lawyers happen to be reading, I categorically mean the character Tony and not the actor Antony Head, who I’m sure is among the most virile of men) is bang in the age group likely to need the services of the little blue pill. Also, this way there is no need to worry about dialogue or introducing the characters, we all know who they are: it’s Tony and Sharon from those old Gold Blend adverts. Our minds go back to that golden age when the nation was captivated by their budding romance. What have they been up to since then? How nice to see they’re still together and going strong!
Here’s how the ads would run.
Ad 1: The camera opens on a close-up of Tony’s eyes, viewed from above. It pulls back and we can see that he is laying on his back on one side of a double bed. He is clearly naked, but has a sheet across his lower half to protect his modesty. Not a word is spoken, but it is evident from the look on his face that he is worried, upset, embarrassed. The camera stops just as it becomes apparent that there is someone laying alongside him; there is a hint of a form, a shadow, but crucially it does not reveal who this person is.
Ad 2: The camera opens on a close-up of Sharon’s eyes, viewed from above. It pulls back and we can see that she is laying on her back on one side of a double bed, the other side to the one we saw Tony laying on earlier. She is also clearly naked, but has a sheet across her to protect her modesty. Not a word is spoken, but it is evident from the look on her face that she is disappointed, frustrated, embarrassed. A wicked smile plays across her lips, and she glances in the direction of the person laying in bed next to her (who we still do not see, but we all know it’s Tony). She reaches over to her bedside cabinet and opens the drawer, but crucially we do not see what is in there or what it is she is reaching for.
Ad 3: We rejoin Tony, the camera in exactly the same place as at the end of Ad 1. Not a word is spoken, but we can hear a buzzing noise. Tony sits up, looking disbelieving, offended looks towards the other side of the bed. He flops back onto the bed, before a look of steely determination takes over his face. He reaches to his own bedside cabinet, and pulls open the drawer. This time, we do see what is in there: a packet of Viagra.
And to soundtrack this ad (with the music kicking in as he opens the drawer):
Ad 4: Is exactly the same as the Viagra advert currently airing, with exactly the same tune, but re-shot with a satisfied Tony and Sharon frugging their way out of bed.
Good, eh?
To my boss, Kay: if you’re reading this, I’m very happy at work and definitely do not want a career change.
To any advertising types who may be reading: I didn’t mean all the nasty things I’ve said about you in previous posts. All said for comic effect, you understand.
Apropos of nothing, a reminder that I can be contacted via the Comments section, by email or on Twitter, details of which can be found somewhere on this page.
Firstly, it’s the FA Cup Final, Manchester United v Chelsea.
Yawn. I won’t be watching.
And yes, I am bitter, before you ask.
I was at Wembley with my old mate Richie last weekend for Tottenham’s last “home” game of the season, against former Champions Leicester. It was a quiet, uneventful game:
We have contacts at the club (hello, and thank you Ray!) so at half time we were ushered into the Members and Sponsors Reception Room; a room which punters pay a lot of money to be in at the same time as some ex-players. I needed to go to the Gents, and found myself stood at the urinal between Pat Jennings and Ricky Villa. I’m still not sure if I actually “went” or not – certainly there was stage-fright on my part (but probably not theirs). I suspect that I just nerd-perspired all of the excess liquid that needed to be expunged from my body.
After the match Richie and I were allowed back into the same Reception Room, for Man of the Match and various sponsor presentations. We – having been told it was perfectly okay to do so – spent a happy couple of hours getting photos of us with Spurs legends. As a result, I now have some photos I’ll cherish to the grave: me (and Richie) with Robbie Keane, Pat Jennings, Gary Mabbutt (he’s diabetic, you know) and Ricky Villa, who, when we were posing for the photo, I must have told about eight times that he’s the reason I support Spurs (or, more specifically, because of that goal in the 1981 FA Cup Replay against some up and coming whipper-snappers called Manchester City).
What do you mean, what goal? This one:
Anyway, there were a few other ex-players (legends, if you will) that we didn’t approach for photos (Graham Roberts, Micky Hazard, Alan Mullary, Cliff Jones), one that Richie got a selfie with that I was totally gutted on missing out on (Dimitar Berbatov, who looked cool as flip), one who was at the stadium but didn’t come into the reception area we were in or we would have (Gazza, obviously), and the one who got away, the one that we both really wanted a photo of/with, who we asked and who said he’d be back in a moment, but didn’t: Ossie Ardiles. Maybe next time.
I can guarantee you that the FA Cup Final today will have nowhere near as many goals as we saw last weekend. My prediction – with apologies to London Lee if he’s reading this – is 2-1 to United.
I should stress at this point that I have never correctly predicted a score and if you decide to place a bet based on that last statement that’s entirely up to you. Nowt to do with me, guv.
Here’s a record that sums up how I feel about the game today:
It’s another major event that I won’t be watching.
Throughout the week, the media has been obsessed with whether or not Meghan Markle’s father would be at the wedding and whether he would escort her down the aisle and give her away.
Dropping my feminist dungarees and putting aside my thoughts on what “giving the bride away” says about the patriarchal society we live in and the concept of ownership of women within it, with the news that her father will not be in attendance, I made the following observation at work earlier today:
It seems perfectly fair that Meghan’s father isn’t there. After all, Harry’s father hasn’t been invited either.
I think I upset somebody at work with this throwaway quip, for I was informed that a) somebody on Diana’s side of the family has red hair (I’m not sure how that adds anything to the discussion), and b) these days Harry has developed many of the same gestures and mannerisms of Charles, so he must be his son. I decided to let this slide, rather than point out that by that logic Mike Yarwood is his son too.
Delivery Man 1 [poking his head through the door]: Yes, this looks like it.
Delivery Man 1 backs into view, clipboard under arm, guiding a large object covered in a sheet, which is being pushed by Delivery Man 2 with considerably more effort than Delivery Man 1 is expending.
FX: The door slams shut.
Delivery Man 2: Whereabouts does it need to go? What does the order say?
Delivery Man 1 consults the clipboard.
Delivery Man 1: It says “Leave in the middle of the floor, covered, as if it’s been here for ages.”
Delivery Man 2 [with a shrug]: Bit weird, but if that’s what it says.
Job done, they exit, leaving the light on.
FX: the door opens and closes. Pause. Repeat.
An incredibly handsome, if fat and bald, man enters the room. He surveys the object before removing the sheet.
Incredibly handsome, if fat and bald, man: And we’re back in the room!
Hello, and welcome to The Chain. Where’ve you been? I’ve been waiting for you.
Prompted by a question about whether one of this week’s suggestions qualified under the rules, and nothing whatsoever to do with the amount of time since one of these posts appeared, nosireebob, I thought it might be best if I go over them again here, with a brief explanation of what we do here.
So, The Chain is a feature on BBC 6Music’s Radcliffe and Maconie show (and prior to that, their show on BBC Radio 2), where a record is played and they invite suggestions as to what record could be played next, which must link in some way to the one just played.
The difference here is that whilst they choose just one record to play, we try to post all of the suggestions which you submit.
The only rules are:
No suggested record can feature twice (unless it has only featured as part of The Official Chain). If you’re not sure – ask!
The only exception to this rule is “Back on the Chain Gang” by The Pretenders, which has been adopted as our theme tune
When making your suggestion, you must provide an explanation of the link between the two songs
You must already own a copy of it, and be willing to provide it (in case I don’t already own it or am unable to source it)
Suggestions must be more than just naming a different song by the same artist.
You can make as many suggestions as you like, but please, go easy on me, won’t you?
That’s about it. I award points every now and again, for Worst Record of the Week, Cheesiest Record of the Week, Comment Showboat of the Week, and of course, for anyone who happens to guess either the song or act (or both) that is the next record in the Official Chain, which becomes the source record for the following week. Nobody’s keeping score (well, I’m not anyway), the points are just a bit of fun.
Okay, that’s the admin done. Last time out, the source record was “The Universal” by Blur; personally, I found this a really tricky one to link to, especially as I have to wait and see what’s left after you guys have nominated all the good ones. Ho hum, such is life.
So, here we go then, and as usual, we’ll bracket them into several fairly broad categories and, as usual, we’ll probably wander off on a couple of tangents along the way.
First out of the traps last time was Charity Chic from Charity Chic Music who wrote:
“It has to be something off ‘Universal Audio’, the final album by The Delgados. I Fought the Angels would do rather nicely I feel”
Of course, CC was not alone in suggesting a link to something of Universal appeal; Dirk from sexyloser proffered thusly:
“…because not enough good German music is being featured on these pages, I’d like to link to Die Sterne – ‘Universal Tellerwäscher’ from 1994 …. which in fact is a mighty record indeed!”
I was going to make a rather unkind joke about the phrase “good German music” being an oxymoron, but then I listened to Dirk’s suggestion and have to agree, it is mighty fine (even if I have not one clue as to what it’s about, although Google Translate, which is never wrong, obviously, tells me that a Tellerwäscher is a dishwasher ):
Time for the first interlude of the day; I stumbled along this clip the other day, which I’m sure you’ll agree contains some quite wizardly rapping:
Anyway, where were we?
Ah yes. Blur’s ‘The Universal’. Take it away Julian of Music from Magazines fame:
“Blur did a song “Beetlebum” The Beatles did a song “Across The Universe” Laibach did a version of “Across The Universe” Laibach nailed “Sympathy For The Devil”
It’s scary how that song is so relevant now, 35 years after it came out. “Times have changed”, some people say. I’d play them that and respectfully disagree.
Anyway, before I start going off on one, more Universal shenanigans. Here’s Alex G from We Will Have Salad:
“A nice easy link from ‘Universal’ to another well-known film studio: Columbia.”
From the Universal links, it’s one small step to the universe, and space in general, and to our second new member of The Chain Gang of the week, abramson60, the 60th from the very noble Abramson family, as Adam Buxton would say:
Anyway, abramson60 has certainly got the hang of how to make sure you get lots of tunes played here: list of a load of songs he’d considered before finally plumping for a completely different one. I, of course, cannot resist:
“Universe would automatically take me down the space road, so you could have….”
“…not forgetting that he went on to become the nation’s favourite spaced out artist.”
But, “…sticking with universe, The Rocky Horror Picture Show had long lasting and profound influence on the somewhat naive 16 year old me who first saw the film at the tail end of the 70’s. So my pick is ‘I’m Going Home’, not quite sure where to but somewhere in the outer reaches of space.” I’m not sure I quite follow the link there, but as it’s your first visit, I’ll let it slide this time:
A couple of you suggested links from lyrics withing ‘The Universal’, which is fair enough and fine by me. For example, Rigid Digit from Stuff & Nonsense suggested:
“‘The Universal’ includes the lines: “And to karaoke songs, We like to sing along, Although the words are wrong”
So .. mondegreens (misheard lyrics) and possibly the most well known: ‘Scuse me while I kiss this guy'”
Next up, Martin from New Amusements, who takes the “list a load of songs then pick a completely different one as their choice” approach adopted by abramson60 and combines it with Rigid Digit’s focus on the song’s lyrics:
“The Universal includes a line about ‘satellites in every home’ so we could go with that, enabling…”
If I could just butt in for a moment, I can’t hear that record without thinking of this record (and vice versa) since I can’t help but think that while it’s not a straight-out sample, the synth melody line, owes more than a little debto the old instrumental Martin suggests:
Martin’s actual choice will follow in a moment, but props where props are due, the category it falls into was first suggested by The Robster from Is This The Life? (well, actually, it was first mentioned by Rigid Digit last week time)
“My link comes in the form of British Gas adverts. The Universal was, as you point out, used in an ad campaign for British Gas. So was ‘More Than A Feeling’ by Boston, which despite ticking all the middle-of-the-road 70s AOR boxes, is a damn fine tune and one I always find myself playing air guitar to. True!”
It may well be, but unfortunately that’s featured in The Chain before, so, as per the rules above, I can’t allow it this week. Sorry!
Tell you what, have another go:
“Another gem from the British Gas archive is the wonderful ‘Rescue Me’ by Fontella Bass which cannot fail to give everyone a lift on a Monday morning.”
Back to Martin again: “…let’s go down the route of the Blur track’s British Gas-based ubiquity, all the excuse we need to have ‘Jumpin’ Jack Flash’ by The Rolling Stones, since that tells us ‘it’s a gas, gas, gas.'”
“But I’d rather suggest a song I really like, so the gas connection allows me to pitch the much-less-played ‘It’s A Gas’ by The Wedding Present. Any excuse to get the Gedge out, after all.”
After those words from our sponsors, back to The Great Gog:
“‘The Great Escape album’ from which The Universal is taken also includes a song called ‘Top Man’. When I was younger (and a little less Great) I used to venture into Manchester and frequent a store of that name, and occasionally even buy something. Having done this, my then-significant other would drag me to where she wanted to buy stuff – Chelsea Girl. Obviously the title of a song by Simple Minds…”
He continues: “Suggestion that leads a little more explanation: Blur used to be called Seymour. I’m sure someone will link to the obvious song from that (the one about a record company boss…”
“…so,” Rol continues, “I’ll point us towards the character of Seymour in the movie ‘The Little Shop of Horrors’ and suggest the song ‘Feed Me, Seymour’ as sung by the killer plant Audrey II (aka Levi Stubbs from The Four Tops).”
You can all count yourself lucky that I decided not to post the version with Gazza on it. Actually, that might have been quite appropriate, since writing and indeed reading The Chain often has the air of a hostage situation about it, so maybe we should expect him to rock up with a bucket of fried chicken and a fishing rod.
I’ve got Snuff covering that too somewhere, but let’s not overdo it, eh? That would take us over the 2 minutes of Snuff records mark, which would never do.
Any more, abramson60?
“Having said all of that I would much prefer to offer up Dr Phibes and the House of Wax Equations (any brownie points for extra long band names?) [Nope – Ed] and Hazy Lazy Hologram, link being obvious and in hazy, and everyone loves drug induced music, don’t they?”
And what of the individual members of Blur, there must be some links there, right?
Guess what, here’s abramson60. Again.
“Blur’s singer is Damon Albarn who is the son of Keith Albarn, who once managed Soft Machine, whose drummer Robert Wyatt went onto have a solo career, recording ‘Shipbuilding’ which as we all know was written by Elvis Costello, who took part in the Red Wedge tours along side Billy Bragg. So my suggestion has to be ‘Valentine’s Day Is Over’.”
I have two things to say about this. Firstly, I had no idea of the Albarn connection to Soft Machine, and secondly, abramson60 did suggest this back on February 15th, which makes his choice of Billy track a little more understandable.
“Damon Albarn was the boyfriend of Justine Frischmann of Elastica. So let’s have ‘Stutter’ from them.”
The first record I ever bought by Elastica this, albeit on an NME compilation album of their Singles of the Week from 1993, and without doubt one of the finest ever songs about erectile disfunction.
Speaking of George, he’s been rather quiet so far this week, so here’s the first of his suggestions:
“Damon Albarn was/is also in a band called Gorillaz, and gorillas are in a branch of primates, as are monkeys, leading to ‘Monkey On My Back’ by The Triffids (from the Field of Glass EP). I think the song is not actually about monkeys.”
(My apologies, by the way: I realised I’ve misnamed the mp3 as Toots and The Maytals, rather than just The Maytals, but I really can’t be arsed with changing it.)
The Great Gog’s back again:
“I did have one more up my sleeve, but left it in case anyone else came up with it – they haven’t , so here goes. Blur’s lead singer is D. Albarn. Shuffling one of those letters to the left a bit allows me to type Dr. Alban, the early 90’s hitmaker who made such a lasting impression on me that I can only recall one of his tunes…”
Hands down winner of the “Worst Record of the Week” award, there.
“Used in a Tampax advert at some point in the nineties too,” pipes up The Beard. Now, let’s not lower ourselves by making any jokes about that particualr subject. That’s it. None. End of. Period.
Instead, let’s move onto the other members of Blur, and focus for a moment on bass player Alex James. Over to you, George:
“Another Alex is Alex Harvey, so the song is from the first Sensational Alex Harvey Band album ‘Framed’, and ‘The Hammer Song’.”
“When he is not doing that [being in Blur] he schmoozes up to his famous neighbours David Cameron and Jeremy Clarkson. He also pretends to make cheese which gives us a lovely link to ‘Gorgonzola’ by Leslie Sarony.”
Mention any of the old music hall acts such as Leslie, and I’m afraid I can’t help thinking of this chap:
Back over to Rol, who might just see this post before his birthday’s finished:
“All this talk of Alex James’s cheese behooves me to suggest Copy Cats by The Humdrum Express, which features the lines…
“I read a Jamie Oliver’s Feastival review Where ex-Top Gear presenters jumped the queue To a sign publicising ageing sleaze But it was Alex James’s aptly named new cheese”
(It also features the line “More Betty Than Swervedriver”, which I’m half thinking of stealing to rename my blog.)”
I may aswell chuck one in to the Alex-mix. When he isn’t making cheese, or being in Blur, he’s also popped up in some questionable novelty acts, most famously with Fat Les, but also in Wig Wam, a truly awful project that I’m not going to offend your ears by playing. His partner-in-crime there, though, was one Alison Clarkson aka Betty Boo:
Two band members left, and absolutely nobody suggested anything Graham Coxon-related so I had a quick shufty round and found that according to wikipedia, he appeared on Blue Peter twice as a child.
But since all the rest of the band are getting at least two songs, we may as well have one of his singles. Friends of mine will attest that every time we’ve heard thisplayed out, I always point out that the intro sounds a lot like “Into the Valley” by Skids (Since nobody has ever agreed with me on this point, I’d post it so you could compare, but as it’s already featured on The Chain once before, I can’t. Who made these stupid rules up anyway??):
Which just leaves drummer Dave Rowntree, and a suggestion by The Beard:
“He shares his surname with the confectioners Rowntree. They are based in York and created the KitKat. York City’s Bootham Crescent ground was for a period renamed KitKat Crescent. ‘Crystal Crescent’ is a track by Primal Scream amd nothing to do with chocolate or the city of York.”
Which just leaves us to reveal what the next record in the Official Chain is, and many of you will have noticed the absence of one particular song from the start of this post, when we looked at songs with the word “Universal” in the title. Many people wanted to suggest this, but Swiss Adam from baggingarea was the first out of the traps so the kudos and points are his this week:
“The Small Faces have their own ‘Universal’ which is a lovely song.”
So, all that laves me to do is to ask for your suggestions, please, for songs which link to “The Universal” by Small Faces, along with a brief description of the link, via the Comments Section down below, in time for the next edition.
Let’s say that will be next week, and see what happens, eh?
Quite often I’ve mentioned on these pages how the idea of which song to write about has come to me serendipitously. This is, of course, slightly disingenuous of me; for whilst I do have my iPod constantly on shuffle, I don’t really believe that it’s fate that a certain song has come to my attention; often, as with the songs on this thread, my ears are attuned to any song which might contain either handclaps, finger clicks or whistles.
It is true to say that every now and then I will hear a song which contains one of the above that I had either not noticed before, or, as with today’s tune, where I’d forgotten that it did, possibly because they don’t surface until the record has almost finished.
Last weekend I was watching a BBC4 show featuring performances of bands which had female members, and there, almost at the end of the show, came this, which I’m going to assume you need no further introduction to (especially as this song featured recently on The Chain, and as another song by the same band will feature in this week’s once WordPress/my laptop has decided that it likes the idea of me inserting links to mp3s again).
Oh, Come All Ye Faithful, Joyful and Triumphant, come to the Festive edition of The Chain!
I’ve been beset by technical issues this week, not just those which have delayed this by a day, but also the issues with several contributions mysteriously being marked as Spam and disappearing from the Comments section.
But, nevertheless here we are, with another mixed bag of your suggestions, linked to last week’s final record, “Pink Moon” by Nick Drake.
As usual, the suggestions can be split down into various categories – namely songs or artists which include the words or some derivative thereof, of “Nick”, “Drake, “Pink” or “Moon”. Surprisingly, almost none of you suggested anything which contained more than one link, so here’s one to get us started.
From “The Dark Side of the Moon” by Pink Floyd (who have a band member called Nick), here’s:
I set you all an additional challenge last week: since this week’s post would be available in Christmas week, I asked you to see if you could provide suggestions of a festive nature where possible, and some of you duly obliged.
Surprisingly, though, none of you suggested this, a song by a band so un-Christmassy I’ve always found this to be a slightly odd addition to their canon of work, let alone the fact that they released a whole album worth of this stuff:
So, over to you, but where to start? I suppose really, given that he has made more contributions this week than our most regular of readers have made since we started doing this, we should probably hear something from Rol of My Top Ten, right? Agreed.
“Another Nick busy at this time of year is St Nicholas better known as Santa Claus. When another Nick shuffles of this mortal coil he will almost certainly be canonized. Can we have The Man That I’ve Become from Dig My Mood an album by St Nick of Lowe please?”
Is it just me, or does the picture on that sleeve have more than a passing resemblance to a certain orange President-Elect?
CC wasn’t the only person to suggest this particular Nick this week. Here’s Walter from A few good times in my life:
“Taking his first name it is a short step to Nick Lowe. Probably one of the best songwriters in the early 80’s and blessed with a great voice. So what about the first Stiff single ever ‘So It Goes’?”
Regular visitors will know that generally, each week, after I’ve received several suggestions, I get a comment from Alyson from What’s It All About, Alfie? bemoaning the fact that all of the songs she was going to suggest had already been made by co-Chain Gangers. It’s a bit like when the person on the third podium on ‘Pointless’ says that the person on the second podium had just taken their answer. Anyway, so imagine my delight when the very first comment I got this week was from Alyson:
“Time for sleep now, then work tomorrow, so will no doubt be late again with my suggestion…but before CC trumps me, it might involve Lily the Pink.”
Several hours passed. Article 50 was activated and nobody noticed. Civilizations rose and fell. And then, finally, this:
“Well, sleep, work and xmas shopping got in the way so 18 hours after my first comment, I have decided against Lily The Pink by The Scaffold…”
Oh no you don’t. You’re having it, whether you like it or not, young lady:
And since we seem to have stumbled into Pink territory, back to Walter:
“Pink leads me to Pink Flag, Wire’s first record. Three Girl Rhumba was one of these little masterpieces in this era. Groundbreaking and always worth to listen to.”
A few years ago, when I still shared a flat, I did my usual Friday night routine of doing a playlist to get drunk with my flatmates to; it included that Wire rune, followed by the next record. I had neglected to tell my new flatmates that it was a playlist they were listening to; they thought my iPod was incredible for knowing to play these two records together (along with a whole host of other songs which sounded like/had been ripped off (allegedly) from each other. Hmm…maybe there’s a new topic for me there….). What I mean to say is *ahem* *clears throat* *offers a cheeky wink to the audience*…Well, if you’re going to suggest that, then I’m going to suggest this:
Right. I suppose we’d better make some in-roads into this mountain sized pile of suggestions by Rol. Oh hang on, Alyson’s back:
“I have always thought that the multi-talented American singer Pink, and Sharon Watts from Eastenders, were dopplegangers and who did Sharon date for a while on that show – Yes it was “Nick” Berry who had a big hit with Every Loser Wins. (They don’t, every loser generally loses, but it worked well for him). A tenuous double link.”
Much as I’d love to post that, it has featured here before and the rule is that the only records we can feature twice are a) “Back on the Chain Gang” by The Pretenders, and b) records which turn out to be the next record in The Official Chain which we’ve already had. Have another go.
“…perhaps Lily The Pink it will have to be, although just remembered that the brother of Mike McGear of The Scaffold was Paul McCartney whom I also seem to remember recorded a theme for the teatime soap “Crossroads” which Nick Drake’s sister, aforementioned Gabrielle, appeared in. Don’t know if theme tunes count as a suggestion but another double link.”
Well, we’ve featured the theme tune to Bergerac and Space:1999 here before, so I don’t see why not, especially when The Great Gog made reference to the same theme tune via a different link in his suggestion:
“There is Nick’s sister, Gabrielle, who starred in Crossroads at one time. The theme tune to Crossroads was written by Tony Hatch…”
I have had that firmly lodged in my brain ever since I listened to it. It should come with some sort of Government health warning. As should have the programme it book-ended.
“Things hatch from eggs,” continues The Great Gog, “which to me at least is as good an excuse as any for “Egg Shaped Fred” from Mansun.”
Catchphrase alert! Well, if you’re going to suggest that, then I’m going to suggest this, from the magnificent “The Mysterious Production of Eggs” by Andrew Bird:
Right, where were we? Ah yes, Alyson, back to you:
“Final pink suggestion is simply ‘Pink Cadillac’ by Natalie Cole simply because she is yet someone else from that long list of artists who have left us since this time last year.”
It’s probably about time put a dent into Rol’s suggestions. No, really this time.
“I’m resisting the obvious Springsteen link from Alyson’s last suggestion as it’s Christmas and I don’t want to upset George” This would be most admirable, were it not for the fact that Springsteen wrote Pink Cadillac, but I’m sure George appreciates the sentiment.
“However, since no one else will dare suggest a song by the best damned pop star of the last 20 years, can I suggest ‘So What’ by Pink?”
The Chain would like to make it very clear that the views of Rol re: the best pop star of the last 20 years are not necessarily shared by the publishers of The Chain.
There’s something rather wonderful about hearing a seventy-year old Welsh woman proclaiming: “I’m comin’ up so you better you better get this party started”, isn’t there? Bear that in mind when your grannies farting herself to sleep in front of the television on Christmas Day.
Which reminds me: Christmas records, anyone?
Ah, here’s Julian from Music From Magazines, he seems the sort of cheery fellow bound to supply us with something festive. Which he will, but first, he’ll expand a little on the whole Gabrielle Drake thing. She rather seems to have set racing the hearts of several of the men of a certain age who contribute here:
“Nick Drake’s sister was Gabrielle Drake who was in the TV show UFO (any picture would be a Christmas gift for any man of a certain age [See? I told you so]), the heavy metal band UFO is not a gift.”
It’s okay, we’re not having anything by UFO. Although, had you actually suggested something by them, I would have been honour bound to post it. Oh and by the way, I am not posting a picture of Gabrielle Drake. If you’re reading this, you’re already connected to the internet, so you can find one yourself, you mucky sod. ()
Before you all go cranking open a spare browser to do exactly that, stick around folks, because if you piece together this little bit of connected thinking out loud, you get a rather fine example of Comment Showboating.
“On the other hand ‘Calling Occupants of Interplanetary Craft” by The Carpenters is a fine song written by the Canadian group Klaatu, a bunch of session musicians, who some folk thought were The Beatles.”
I’ve always thought that was a pretty odd, uncharacteristic record for The Carpenters to have recorded, had assumed it was a cover version, but had never actually thought about finding out for sure. Consequently, that’s the first time I’ve ever heard it.
By the way, many years ago, I was drafted into what turned out to be the winning team in a pub quiz. (There was a music round, and without wishing to sound immodest, I was often asked to join teams for pub quizzes which featured a music round). The prize was “A Tribute to The Carpenters”, which I had assumed was going to be a night of people performing cover versions of their many hits, but which actually turned out to be a selection of middle aged men displaying a rather fine range of bureaus and occasional tables they had made.
I digress. Back to Julian:
“A slight detour to the movies for the classic sci fi ‘The Day the Earth Stood Still’ starring Michel Rennie as the alien called ….Klaatu. A still from the film was used (with some editing) for the cover of Ringo Starr’s LP ‘Goodnight Vienna’.”
It’s okay, he’s going somewhere with this. Trust me.
And he’s not wrong you know. The original:
and the “Peace and Love! Peace and Love! No autographs! Peace and Love” rip off:
“Which of course leads on to Dora Bryan and ‘All I Want for Christmas is a Beatle'”
At last, a Christmas record! And am I alone in being reminded of a certain other iconic performer from the North West of England when I hear that? No? You know who I mean, surely?
Julian’s not quite done yet, and we’re most definitely not done with the Gabrielle Drake links just yet. Here’s Julian, ruining all that excellent Comment Showboating by suggesting the Worst Record of the Week:
“Back to Gabrielle Drake. The organisation that [Spoiler alert!! – Considerate Ed] will save the world in UFO is the Supreme Headquarters Alien Defence Organization or SHADO which is only a short step, (or a W) to a truly crap Christmas song”:
“All this talk of Gabrielle Drake being in Crossroads but am I the only one who mainly remembers her from that 1970s Sunday Night drama set in the exciting world of haulage – ‘The Brothers’?” chips in Alyson. “So many links to bands/duos with Brothers in their name so won’t overload you and was really just looking for one that might have done a seasonal ditty but all I could find in my library was Count Basie & The Mills Brothers with ‘December’! (Goodness knows where that came from as can’t remember ever noticing it before.)”
Okay, let’s wrap up the rest of the Drake related suggestions, and we’ll go back to The Great Gog:
“A contender for worst record of the week [Too late, even though you did suggest this first. It is nowhere near as bad as Sir Cliff – Cut’n’Paste Ed]”:
More Drake-related shenanigans from The Beard now:
“Drake is a popular Canadian rapper. Another, much better, Canadian rapper is Abdominal. He is best known for his collaborations with DJ Format. When not hip-hopping Format makes spaced out funk as part of The Simonsound. ‘Tour De Mars’, their cover of Kraftwerk’s Tour De France, is almost as good as the original.”
And the Drake links just keep on coming. Here’s Swiss Adam from Bagging Area:
“Nick Drake was related to Elizabethan sailor, privateer and adventurer, Francis Drake.[Has anyone checked this? – Ed] Francis Drake was a thorn in the side of the ‘King of Spain’, which is a song by Galaxie 500.”
“A drake is a male duck. Chuck Berry was famous for his ‘duck walk’ and he had a song called Havana Moon, first released in 1957, later re-recorded for the 1979 album Rock It. Interestingly, that was the last studio album Chuck released, but he has a new one lined up for 2017, the year he turns 91. Yes – 91. I wonder if he can still do the duck walk?”
I imagine if he can, it would be The Duck Walk sponsored by Stannah Stairlifts and Sanatogen Vital 50+.
Props for the Duck/Drake/Moon double-linker by the way, Rob.
A quick additional duck-link from Walter:
“I don’t think he can’t do the duck walk any more but I’m surprised that he will us give a new record at the age of 91 and I ask myself if Keith Richards will still be on the stage at this age. So Ducks Deluxe came to my mind with Who’s put the bump”
By which I think you mean this (and apologies, I could only find a live version, but it doesn’t sound like there’s many people in the audience, so it’s practically a live studio version):
Whilst we’re on ducks, a song which I remember from my childhood, which I haven’t been able to find a decent copy of, but did find this clip from TOTP2, which means it is top-and-tailed by Steve Wright, which makes it even worse than it already is:
It was around this point that the Comments went all wonky and some got deleted. As far as I can tell, this affected Charity Chic, who compensated by reposting his links over and over again until they worked, and SWC and Badger’s. If anyone else’s got lost, my apologies.
One that didn’t get lost, was this from Kay. In the interest of full disclosure, I should let you all know that Kay is not just a friend of mine, but also my boss, so you’ll forgive me for allowing her suggestions, irrespective of how terrible the record or tenuous the link she suggests. I can say this without fear of retribution because by the time she reads this, she’ll be at least halfway through the bottle of Chocolate Orange liqueur we bought her today. Delicious on Coco Pops, I’m…er…told.
“Nick Drake links to Drake, same name but then realised I didn’t really know any of Drake’s stuff. [I have just Googled him,and I’m none the wiser] So went the same way as The Robster and linked drake to male ducks, then realised I knew no songs that are linked to ducks [It’s going well this, isn’t it?] …. but [I sense a Eureka! moment is imminent] ducks live in ponds and frogs do too…so my choice is Paul McCartney & The Frog Chorus’ ‘We All Stand Together’, which was the first record my sister brought.”
Or, as he is forever known Chez Jez: Fab Macca Wacky Thumbs Aloft. Some of you will understand the reference.
I’m going to avoid the lazy joke about that being Nigel Farage’s least favourite record since it contains a bunch of frogs suggesting unity. Although I appear to have just made it anyway.
By George, it’s George!
“Worst song of the week contender [Nuh-huh]. From Nick Drake to Ted Drake (the footballer) who played for Southampton (and Arsenal)., and was manager of Chelsea when they won their first league title in 1954/55. And born in Southampton, in 1955 (double chain link there!) was Howard Jones. Now, I could it leave it to Charity Chic to pick a Howard Jones track from his record shelves But I’m going for…”
“…which had that bloke in chains prancing around on Top of the Pops. Who was he, anyone know?”
As I said in the Comments, I do. His name was Jed, a name I have been mistakenly called many times, and as such one which is indelibly edged into my brain.
And in case you don’t know who George is on about, here’s Howard and Jed, singing and prancing around on Top of the Pops:
I’m having a flashback, I swear…
Let’s move on to wrapping up the Pink links, and I’ll hand you over to George again:
“Pink Moon to Pink Industry and their single ‘What I Wouldn’t Give’. (The cover of the single featured a picture of Morrissey).”
It does indeed, which is precisely the reason I have a copy of it, poor obsessed fool that I was:
By the way, as I’ve uploaded that I’ve realised that there’s about three minutes of silence at the end of it. Time constraints prevent me from editing it, but I may come back and do it later on, if anyone’s that fussed. What I mean is, when the song sounds like it has ended at around the 3:30 mark, it has: don’t sit around in silence on the off-chance something interesting might be about to happen, as it isn’t.
As I mentioned earlier, the glitches that meant some comments went AWOL seem to have affected Charity Chic, SWC and Badger’s. I think we got there in the end though, although what with SWC and Badger both posting from their excellent When You Can’t Remember Anything blog I’m not 100% sure that I’ve attributed the right song to the right chap this week. So, more apologies if I’ve messed it up.
So, I think this is SWC taking us, as he puts it, “down the pink route” now he’s “finished watching Gabrielle Drake’s finest moment ‘Commuter Husbands’ “
“The obvious link from here is to ‘Snooker Loopy’ by Chas ‘n’ Dave and The Matchroom Mob” which has featured before, so I can’t allow, I’m afraid, “But another song that features pink would be ‘Pink Glove’ by Pulp.”
From vomit to Martini. I don’t just throw this together you know.
Here’s babylotti with a hat-trick, starting with a pink connection, and ending with something festive:
“First of all, I can think of Fuzzbox (had they dropped the ‘We’ve Got a …& We Know How to Use It’ by then?) [Yes and no, is the answer: officially they were now just Fuzzbox, but as this was the first single they released under that moniker, the “We’ve Got…” part was snuck onto the record sleeve just in case there was any doubt as to who was responsible for it. There’d been quite a make over in between the ‘Bostin’ Steve Austin’ album and this, so you can’t really blame them – Ed]) and Pink Sunshine. Bostin’”
“From there that leads me to another one introduced to me by Peel, Fuzzbox’ label mate Ted Chippington. I’d love to go for his version of ‘D.I.S.C.O.’, but I will settle for ‘Rockin with Rita’…”
That’s fortuitous, I haven’t been able to find ‘D.I.S.C.O.’, but ‘Rockin’ with Rita’, no problem:
“Finally from ‘Rockin’ with Rita’, I’m going for a festive link to Mel & Kim’s [no, not those ones, but it’s only a matter of time before they turn up here] ‘Rockin’ Around the Christmas Tree’.”
“Moon River is from the excellent 1961 movie Breakfast At Tiffany’s, starring Audrey Hepburn and George Peppard. Ten years earlier, one of Audrey’s first ever screen roles was as a “Cigarette Girl” in the movie Laughter In Paradise in which she appeared alongside another famous George… George Cole. That George would go on to become immortalised as Arfur Daley in the TV show Minder, and in 1983, he would release a Christmas single with his co-star Dennis (“write the theme tune, sing the theme tune”) Waterman.”
I wish I could say I didn’t actually already own this. I think this may over-take Sir Cliff in the Worst Record of the Week stakes:
“Their Top of the Pops performance is worth a watch.” It is, just so you can see the dictionary definition of the words “excrutiating” and “embarrassing” acted out:
It is at this point in the Comments section, that Julian and Rol had a bit of a chat, coming up with more suggestions. Nice to see you boys getting along!
Julian: “Back to the movies, in the film ‘New York New York’ Blue Moon is destroyed by Robert De Niro who costarred in ‘What Happened Next’ (2008) with Bruce Willis……..”
Which leads us to what has been argued to be the greatest Christmas movie ever: Die Hard. (It’s not. It’s pretty much Home Alone for grown-ups.)
The end credits have this festive number playing over them:
And since we’ve landed on some Christmas songs again, here’s another suggestion from Rol:
“Can I add ‘Run With The Fox’ by Chris Squire & Alan White (roughly a quarter of Yes) because it contains a Christmas Moon, which isn’t pink but probably has fairy lights hanging from it. It might keep old proggies like The Swede happy… or not. “
Which I think just leaves us with Badger. Since his comment was one that was lost, I received a summary of both his and SWC’s suggestions. We’ve had SWC’s, here’s Badger’s:
“Nick Drake also recorded ‘Road’ which was covered by scouse punk band Drive on their ‘Out Freakage’ album…”
And this is where it gets complicated. For at the end of their summary of the lost comments, posted by which of our fine friends I know not, was this:
“He also said something about Malcolm McLaren but I true to form can’t remember what.”
Later, this, again, author unconfirmed: “It was to do with ‘Duck Rock’.”
I sought clarification: “Was there a song from ‘Duck Rock’ you had in mind? If not, it’s going to be ‘Double Dutch’…”
The response, again author unconfirmed: “Well most of it is rubbish to be honest [Fair point]. I only thought of it because I saw a copy in a charity shop. Double Dutch is fine.”
But I felt a bit bad about…erm…badgering them into letting me play the track I like the most, so I persevered:
“Yeh, it’s that or ‘Buffalo Girls’ really isn’t? Your call, I have them both lined up ready to go. Which did you suggest in your original lost comment? We should go with that one, really.. “
No response, but to be fair, the boys have probably been swamped with comments and nice things being said about their frankly phenomenal final post (for now…?) over at When You Can’t Remember Anything. If you haven’t read it yet, do your self a favour: click that link and read something incredible. Advanced warning: you will undoubtedly shed a tear.
The reason I was trying to check whether or not one of them had suggested ‘Buffalo Gals’ (as I have subsequenty realised it’s actually called) was this. I never look at what the next record in the Official Chain is until I’ve finished sourcing all the tunes you suggested and thought of a few myself. Seems only fair that we have an even playing field, where I don’t know what the next record in The Chain is any more than you do. Besides, it’d just look plain fishy if I “guessed” right every week.
But when I did look to see what the next record in The Official Chain was, this is what I found:
“From Nick Drake to the following (which is on the ‘Duck Rock’ album)..”:
So, SWC, Badger, jointly as I have no idea which of you suggested Malcolm McLaren, and in honour of your bloody marvellous (please keep going, you’re too good at this to stop) blog, have some bonus points. Merry Christmas.
Okay. So. This is the last edition of The Chain for 2016. I’ll be taking next week off, bar a couple of pre-planned posts I have lined up. Due to the nature of it, I can’t really write The Chain in advance, obviously.
So, you have two weeks to get your suggestions to me, via the Comments section below, for songs which link to “Buffalo Gals” by Malcom McLaren, along with the usual explanation about how you got from record A to record B.
Oh and one more thing. I love doing this, and I’ve said it before and I really mean it – I just host it, the majority of the work is down to you lot and your quite brilliant suggestions. I’ve followed blogs for over ten years now, and I don’t think I’ve ever come across a blog that does what we do here at The Chain. Not me, we.
I cannot think of a single other blog where requests are invited and all are posted; where all is good-natured, pleasant and friendly and everyone accepts they may get a bit of a ribbing every now and then, and nobody objects, nobo
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