Acoustic Afternoons

Ahh, Evan Dando and the Lemonheads. About time they cropped up here, for I have quite a few tunes of theirs performed acoustically.

See, old Evan I think sees himself as quite the troubadour, travelling around the land armed only with an acoustic guitar and a plaid shirt, tossing off unplugged versions of some of his finer moments for his adoring fans, of which, just so there’s no confusion, I am most definitely one of them.

In fact, the first time I ever saw Dando play live, it was without the Lemonheads, an acoustic gig, upstairs in Cardiff’s Clwb Ifor Bach, and it was a wonderfully sing-a-long affair, as you would expect.

Here’s an acoustic version of a track from their “Come On Feel The Lemonheads”, which cropped up as an extra track on one of the singles released from the album:

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The Lemonheads – Down About It (Acoustic)

Aficionados of the original version will know that backing vocals were provided, as they often were on Lemonheads records, by Juliana Hatfield (I’m not entirely sure if it’s her that crops up at the end of that acoustic version). Coincidentally, Juliana released an album of acoustic cover versions in 2012, and here she is performing one of Led Zeppelin’s finest moments:

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Juliana Hatfield – Rock And Roll

And to round things off here for today, I’m going to take you back to Evan. Last night I watched the Nick Broomfield documentary about Whitney Houston, which leads me to this:

ificouldtalkcoverThe Lemonheads – How Will I Know?

More soon.

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The Election Section V2.7

Right, let me make it clear; it’s less than a week to go until the General Election, so there’s probably going to be a few of these posts over the next few days. So, if you’re bored with reading my thoughts on what has happened in the run-up to June 8th, you’re more than welcome to come back next week when a miserable normality will have been restored.

Still here? Good.

There was something that I wanted to mention on the back of Wednesday’s “Leader’s Debate”, and that’s this: the not entirely unexpected bleatings from the right about BBC bias.

Much of this has been prompted by the studio audience’s reaction to some of the things (Conservative) Amber Rudd said, compared to things said by her political opponents on the night.

Nowhere is this better summed up than this screenshot someone posted on Twitter; a snatch of one of Rudd’s answers (about the absence of any costings in the Tory manifesto), complete with subtitles:

Ruddy Brill

You don’t need me to tell you why that raised the biggest laugh of the night.

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The Wedding Present – Don’t Laugh

The response, predictably caused outrage amongst the right-wingers. Here’s Nicholas Soames on Twitter:

Soames 2The first thing to say about that is that Soames really hasn’t got the hang of hashtags, has he? Make it snappy, Nicholas, that’s the way to get it trending.

And then, something rare in this Election campaign, rarer even than Theresa May being seen engaging with the public: Boris Johnson was let out of his cage.

Old Shagger Bojo claimed that the audience was “the most left-wing audience I’ve ever seen”. Boris, using words we all understand there, for a change. Not a whiff of mug-wumps or wiff-waff.

See, the thing is, this is a standard trick both of the main parties churn out whenever things don’t really go their way on a BBC programme. The BBC, you see, has to be impartial – as do all of the broadcasters when the purdah rules of an election apply (which, by the way, is why you won’t find any BBC radio station playing Captian Ska’s “Liar Liar”: it hasn’t been banned, but if they are going to play it, then they’d have to be balanced and play a song extolling the virtues of the Conservatives. And can you think of one of those? Me neither.)

I, though, have no such obligation, so here’s the song in question:

Where was I? Ah yes, the biased BBC.

I addressed this on Twitter a good while ago. See, since it’s publicly funded by way of the TV Licence, the BBC is supposed to be impartial all the time, so when prominent voices from both sides of the political spectrum howl in indignation about the BBC being biased (and the left do it too: see their upset about perceived bias of Political Editor Laura Kuenssberg, or Nick Robinson), then it seems to me that’s evidence of the BBC doing it’s job: having a go at all sides, not siding with anyone.

If you watched any of the Andrew Neill interviews, you can’t honestly say that he gave anyone a particularly easy ride, now can you? He took down each and every leader who stumbled into his cross-hairs (or should that be his cross hair…?)

Truth be told, the audience at the Leaders’ Debate weren’t biased or loaded in the left wing’s favour at all: they were representative of the country’s current political make-up. The largest share of voters present were Conservatives and Labour, whilst the smaller parties had a proportionally lower number of supporters in the audience, which was also weighted to have a 50:50 split of Remain and Leave voters.

See, the audience had been assembled not by BBC staff but by Comres, a polling company. And here’s what their founder, Andrew Hawkins had to say:

“If you have a panel of people – one from the governing party, one from what’s regarded as a right-wing party [that’s UKIP, by the way] and five from broadly left-wing parties – and you give those speakers equal airtime, it means you’re giving five slots of airtime to the left-wing parties for every two slots to the not-so-left-wing parties…Therefore it’s inevitable that the cheering is going to be skewed in one direction.”

So, Boris, Soamesy: if the audience seemed anti-Tory, it’s for the fairly good reason that  a lot of people just don’t like the Tories very much.

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Electric Light Orchestra – Don’t Bring Me Down

See, here’s your marker. Remember when this happened?

Nigel Farage there, taking the unprecedented step of criticising the audience for being too left wing in the middle of a debate prior to one of the many elections he failed to win a seat in.

Which leads me nicely on to one of the other big stories of the week: that Nigel Farage is a “person of interest” to the FBI in the investigation into links between US President Donald Trump and Russia, and with his association with WikiLeaks founder and Hide & Seek Champion (2012 – Present), Julian Assange.

Really, it couldn’t happen to a nicer guy, could it? The come-uppance of the oily, frog-faced hypocrite (no, really, I like him!) is long overdue. Maybe it’s about time.

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The Lemonheads – It’s About Time

(Just to be clear: I don’t like him.)

(I wish I could think of a better way to describe Farage than Tory MP Anna Soubry managed – credit where credit’s due – in 2013 when she said: “I always think he looks like somebody has put their finger up his bottom and he really rather likes it.”)

Of course, Farage denies any wrong-doing. In a recent interview with Die Zeit, Farage, having been seen leaving the Ecuadorian embassy where Assange has lived for years, was asked about his relationship with the hiding alleged sexual predator. Farage declared that he had “never received a penny from Russia”, and said he met Assange for “journalistic reasons”.

Which is interesting, since that wasn’t his first answer. Door-stopped by BuzzFeed as he left the embassy, Farage said he “couldn’t remember” what he had been doing in the building.

I’m of the age where, every now and then, I forget why I’ve gone into a room. But I think that even I, were I to be exiting an Embassy, would be able to remember why I was in there.

Asked specifically if he had gone to the Knightsbridge building to meet with Assange, Farage said: “I never discuss where I go or who I see.”

Course you don’t, Nigel, course you don’t.

I’ll just leave this here:

Farage

When pressed on his past meetings with Russian officials, Farage initially denied having had any. Oh, apart from that time he met some Russians (the Russian ambassador to the UK, Alexander Yakovenko, to be precise), in 2013. That, he (finally) admitted.

If that and his meeting with Assange was all above board, why not just say so when asked? S’all rather odd, isn’t it?

*coughs* selective memory *coughs*

Fear of litigation leaves me saying no more. Except, I’m not saying Farage is a conniving liar, but pretty soon we’ll have conclusive proof one way or another.

Oh and this: we all laugh at Trump, because, well, he’s a fucking idiot. We all rub our hands together with glee at the prospect of the FBI uncovering some links between Trump and Russia. And now, it seems, there’s the possibility of Farage being involved too.

That’s Farage, formally of UKIP, who, as I’ve mentioned before, have had many of their policies adopted by the Conservatives. I’ll leave you to draw your own conclusion there.

More soon.

The Least Surprising News of the Week

In a week full of nasty surprises, death and war, surely, this week’s news that Barry Manilow is gay was a little ray of sunshine, even if it can have come as a surprise to literally nobody.

Manilow explained that he had kept his sexual orientation secret out of concern that it would disappoint his largely female fan base; turns out that when his fans found out, they were supportive. Probably because they’re all in their late-70s by now and past caring. Or at the very least, unable to chase him anymore.

I can understand that when he rose to fame in the early to mid-1970s, times were different, and perhaps such an announcement would have attracted some adverse publicity. But it’s rather sad that he felt the need to keep this concealed, especially when you consider that he married his long-time partner in 2014, whom he had been with since 1978.

A couple of songs which seem appropriate then:

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Diana Ross – I’m Coming Out

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The Lemonheads – It’s About Time

Something else which will probably not come as much of a surprise – and this is where my credibility takes a bit more of a battering – is that I do have a bit of a soft-spot for Manilow’s schmaltzy kitsch shtick.

But, I’ve always found it rather ironic that, despite his reputation as being a composer/arranger and  singer/songwriter, one of his bigger hits, “I Write the Songs”, was actually written by former Beach Boy Bruce Johnston; in fact by the time Manilow released it in 1976, it had already been recorded by The Captain & Tennille, and been a hit for teen pin-up David Cassidy.

I do rather like Manilow’s version, though. There. I’ve said it.

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 Barry Manilow – I Write the Songs

Yes, you’re right. I did just want to post some Manilow. Sue me.

More soon.

The Chain #26

Welcome back to the Chain Gang.

We ended up last week with me inviting suggestions for songs which link to The Jimi Hendrix Experience’s “Voodoo Chile [Slight Return]”, which is lifted from their “Electric Ladyland” album, whilst also making a rather bold prediction:

“I’m willing to bet I know which artist Charity Chic will suggest.”

So over to you, CC:

“If you are thinking Wall of Voodoo, they only had one decent song which I suggested last week which could be winner if it didn’t take you back to the radio theme.”

Errrr,  no. That wasn’t who I was thinking of. However, that did prompt Dirk from Sexyloser to suggest the following:

“Wall Of Voodoo’s “Dance You F***ers*” was okay as well, if I remember correctly”

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Wall Of Voodoo – Dance You Fuckers

Fancy another go, Charity Chic?

“Chile used to be ruled by a tin-pot fascist dictator called General Pinochet. When he took I’ll he came to the UK where our very own tin-pot fascist dictator Margaret Thatcher gave him bed and board at the countries expense. Thereafter the normally spineless Jack Straw the then Home Secretary deported him. I wrote to congratulate him but never got the courtesy of a reply.

 So “(We Don’t Need This) Fascist Groove Thang” by Heaven 17 please.”

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Heaven 17 – [We Dont Need This] Fascist Groove Thang

Nope, that wasn’t what I was thinking of either. How embarrassing. Anyone else?

Here’s Rol from My Top Ten:

“Why has nobody suggested Kirsty MacColl yet? Is that what you were expecting from Charity Chic?

Kirsty had an excellent album called Electric Landlady. The opening track is called Halloween, making it doubly appropriate.

That’s not my official suggestion. Just the obvious one you were no doubt looking for.”

Bingo!

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Kirsty MacColl – Halloween

You see, the other week, having successfully suggested a link to a Kirsty MacColl record for the second week running, and aware of our mutual adoration of her work, CC announced that he would attempt to link to something by her at every opportunity.

I’m reminded of QI, and the number of times Alan Davies has proffered “a blue whale” as an answer, and got it wrong, but then when it is the answer, manages to miss it. Like this:

Now. Before we go any further, I need to just clear a little something up. And having popped the tissues away, now I need to clarify something.

The reason we are linking to The Jimi Hendrix Experience’s “Voodoo Chile [Slight Return]” is that it was the next record in the official BBC Chain, following on from Joni Mitchell’s “You Turn Me On I’m a Radio”, and the official link between the two was given as “…Mitch Mitchell played bass in the Jimi Hendrix Experience…”. Needless to say this raised a few eyebrows, by The Swede (“That’ll be news to Noel Redding’s estate”) and Alex G (“What a disappointing official connection. I expect better than that for £145.50 a year.”)

So let’s just check with the bible of all accurate data: Wikipedia, which lists Mitch Mitchell’s credits as ‘backing vocals, drums (except on “Rainy Day Dream Away” and “Still Raining, Still Dreaming”), percussion, lead vocals on “Little Miss Strange”‘ and Noel Redding’s as ‘backing vocals, bass on “Crosstown Traffic”, “Little Miss Strange”, “Come On (Let the Good Times Roll)”, “Burning of the Midnight Lamp”, and “Voodoo Child (Slight Return)”, acoustic guitar and lead vocals on “Little Miss Strange”‘

So perhaps we should have a couple of Noel Redding related tunes before we go any further.

There is a town just outside London which hosts an annual music festival over the August Bank Holiday Weekend. That town is Reading, but it’s pronounced the same way as Noel’s surname. The other way to pronounce it is, of course, in the same way as in the phrase “Reading, Writing And Arithmetic”, which just so happens to be the title of the debut album by The Sundays. Here’s the opening track:

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The Sundays – Skin & Bones

Similarly, here’s George, with both of his suggestions linking to the unappreciated multi-instrumentalist:

“Noel Redding the bass player/drummer, could also play the mandolin, and so could Ira Lonnie Loudermilk, better known as Ira Louvin, one half the toptastic Louvin Brothers. (He was also the heavy drinking much married and alleged wife-beater who was once shot by one of wives). And one of the Louvin Brothers’ song is The Angels Rejoiced Last Night, which has one of the finest examples of lyrics in country music you’ll ever hear.”

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The Louvin Brothers – The Angels Rejoiced Last Night

I don’t know about you, but the sight of that album sleeve has just bumped that record to the top of my “must own” pile.

Here’s George’s second suggestion:

“I’m surprised no-one has posted an Otis Redding suggestion, so mine is ‘Stay in School’.”

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Otis Redding – Stay in School

I have two things to say about that. Firstly, I always thought Roy Orbison was ‘The Big O’? Secondly, George adds: “I played this to some of my classes when I was working.” So what on earth was your teaching style like if you had to play the pupils a record imploring them not leave?

“I also played them the occasional track by Gong,” George adds, like that makes it perfectly acceptable. Although maybe in an alternative to classroom bell context, a “That Gong’s not for you, it’s for me” kinda way, I guess it might work.

But I digress. Where were we. Oh yes, Chile. CC was not the only person to go down the “Chile” route. Here’s The Robster from Is This The Life?

“I also couldn’t get Chile out of my head, in this case the country – ‘Chile Your Waters Run Red Through Soweto’. While the Billy Bragg version is best known, for me you can’t beat Sweet Honey In The Rock’s take which is just wonderful.”

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Sweet Honey In The Rock – Chile Your Waters Run Red Through

And in similar territory, literally, here’s The Great Gog:

“Back in my mid-80s student radio days, I had a stand-in co-presenter for the mammoth 4-hour Saturday Sportswatch (not my choice of title). I set the Hendrix track off and as it finished I was busy scribbling info off Ceefax for an upcoming link. Said co-presenter then back-announced the track, pronouncing Chile as one would the South American country which is spelt that way. Cue much mirth around the studio where music snobbery was positively encouraged.

 Anyway…I’m obviously now in South American county mode, so I offer ‘Ecuador’ by Sash!…”

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Sash! – Ecuador

…or,” The Great Gog continues, “‘Brazilian Love Affair’ by George Duke.”

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 George Duke – Brazilian Love Affair

Before we move on to the most popular links, one which received two nominations this week, firstly from Rol (“The other obvious suggestion is ‘Slight Return’, the Bluetones’ biggest hit. But you can have that one for free.”) – CC: did you notice that’s the second time he’s said “obvious choice”? He may as well have said blue whale – but also from The Beard (“Alternatively, ‘Slight Return’ by The Bluetones”), which, to be fair, looks a little bit odd when taken out of context i.e. immediately after his other suggestions, which we’ll come to in a bit.

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The Bluetones – Slight Return

Now, a Public Service Announcement. I have had to disqualify three suggestions this week, because I don’t think the suggested link is correct. I’m talking about these:

“Jimi’s guitar solo from, oh I forget but not Voodoo Chile, was recycled in BAD’s C’mon Every Beat Box and then later Right Said Fred (Deeply Dippy I think). Which was then covered on the Heavenly Fred EP by the Rockingbirds. One of whom plays guitar for Edwyn Collins.”

I had the BAD track all lined up and ready to go, listened to it to make sure it sounded okay, and realised after it finished that I hadn’t noticed any Hendrix-guitar in there. So I listened again. And again. And again. And again. Nope. So I had a little look on-line, and stumbled across this page which explains all of the samples, source materials and references on BAD’s “No 10 Upping Street” album, from which “C’mon Every Beat Box” is lifted. No mention of Mr Hendrix at all there, nor on several other places I checked.

Now, don’t get me wrong, I would love to post all of them, not least The Rockingbirds version of Deeply Dippy, but as far as I can see, these suggestions fall at the first hurdle. So sorry, but in the absence of any link, I can’t play any of those tunes.

Ok, so there were two other means of linking to our source record this week which attracted mucho attentioni (those online Italian lessons weren’t wasted on me, right?), and so I’ll hand you back over to Dirk for a moment:

“Now, there are quite a lot of really good bands called “The Something Something Experience”, such as The Colorblind James Experience, The Iowa City Beef Experience, The Jean Paul Sartre Experience, The Joyce McKinney Experience, The Mr. T Experience, The Tony Head Experience plus, I’m sure, a few others which I can’t think of currently. ‘Lift To Experience’ spring to mind as well, but they don’t count in my Mr. Monk–world.

Also we have The Sid Presley Experience and the B-Side of their 1984 7″ ‘Hup 2-3-4’ is rather splendid, so it shall be my link for this week, please: ‘Public Enemy Number One’.”

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The Sid Presley Experience – Public Enemy Number One

Time to welcome back Charity Chic:

“I was going to offer up ‘Considering a Move to Memphis’ by the Colorblind James Experience but Dirk stole my thunder…I am not having a good day…”

Well, actually he just mentioned it in passing, so I’ll give you that one (also because it’s one of my favourite records ever):

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The Colorblind James Experience – Considering a Move to Memphis

And here’s another one of those ‘The Something Something Experience’ bands, suggested by Yours Truly, although strictly speaking they’re a the ‘Something Something Something Experience’ band: a band with a truly magnificent name, but who’s music sadly doesn’t quite fulfill expectations, unless you’re expecting some fey C86-esque indie jingly-jangly guitars, in which case, fill your boots:

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James Dean Driving Experience – Sean Connery

But by far and away the most popular link this week was to Voodoo. There was a great song by Vic and Bob from their “The Smell of Reeves & Mortimer” series called, I think, “Do You Do Voodoo?” which I was hoping to link to now, but can I find it? Can I heck as like.

So, let’s start off with a welcome return for Marie, who suggests this:

“As soon as I saw the word “Voodoo” (with Halloween being just around the corner an’ all), I knew that I had to suggest this song: Charles Sheffield’s ‘It’s Your Voodoo Working'”

I wish I could say I’d planned this week’s post to land a couple of days before Halloween, but honestly, I never look at what the next link in the Chain is until I come to write this, so I can’t claim to be that organised.

Anyway, here’s Charles:

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Charles Sheffield – It’s Your Voodoo Working

Time for babylotti’s suggestion(s):

“‘Voodoo Chile’ was part of the Hendrix medley released as a free record with Soft Cell’s most accomplished album, The Art of Falling Apart. The other side of that record was a song based on George A Romero’s film about a boy who believes himself to be a vampire. So I’m suggesting that one, ‘Martin’, by Soft Cell.”

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Soft Cell – Martin

It’s not long before babylotti’s back though, with a second suggestion:

“Jeez, how did I not take that chance to link to Tom Robinson Band’s Martin? I think I just did…;-)”

Don’t think you can get round me with a cheeky winking emoji, old chap. That’s the sort of thing likely to make me not post your choice. But since it’s a rather fine choice, here you go:

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Tom Robinson Band – Martin

It’s not often that we get different versions of the same song suggested here, but that’s exactly what happened this week. I’ll let SWC from When You Can’t Remember Anything explain:

“I have always thought that the greatest song to ever feature the word voodoo was by A Guy Called Gerald and Voodoo Ray….”

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A Guy Called Gerald – Voodoo Ray (Original Mix)

“But,” continues SWC, “his version is not the best for that you need to go to Acid Brass version.”

For the uninitiated, “Acid Brass” is an album of acid house choons covered by a brass band. The Williams Fairey Brass Band, to be precise. Don’t let that put you off though, this is, as SWC alludes, brilliant:

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The Williams Fairey Brass Band – Voodoo Ray

I said three versions, right? Right. Here’s Swiss Adam from Bagging Area:

“Voodoo Ray is not only the best record with the word Voodoo in its title, but one of the best records ever made. No arguing. Fact. The Acid Brass version is wonderful too but Gerald’s was proof that British house music was going somewhere else entirely. For an updated version see Optimo’s remix (done with Jeremy Deller).”

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Jeremy Deller – Voodoo Ray (Optimo remix)

Can we have a factoid about the tune before you go Swiss?

“It was supposed to be Voodoo Rage but there weren’t enough spaces in the digital name display so he changed it to Ray.”

Thanks Swiss!

Here’s babylotti again. He’s been thinking.

“Just yesterday I was listening to Philip Boa & The Voodoo Club, they once sang a song about Paul, who was in love with a container…..which is a line from another of their songs, so my next suggestion is Love on Sale by them…”

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Phillip Boa & The Voodoo Club – Love On Sale

Now. “Container Love” by Philip Boa & The Voodoo Club is another record I adore, so I’m a bit annoyed you didn’t pick that one. In fact, I very nearly over-ruled you and played that instead. But then I realised we’re a bit light on cheese this week – we love the occasional cheesy record round these parts – and without Love on Sale then you wouldn’t have been able to provide this week’s Dairylea triangle:

“Which leads me to my awful song selection, from Love on Sale to ‘You Gotta Be A Hustler If You Wanna Get On’ by Sue Wilkinson.”

Not awful, babylotti, cheesy.

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Sue Wilkinson – You Gotta Be A Hustler If You Wanna Get On

Ah. Okay. As you were. Awful it is.

That made it to Number 25 in the UK charts back in 1980. It was her only hit. Maybe she’d have had more if her name hadn’t been so…well, drab. I mean, it’s not exactly the sort of name that conjures up visions of a pop star, is it? To me, Sue Wilkinson sounds like the woman from the office with a fixation on cats, who arranges the collections for people’s birthdays and tries to engage you in conversations about The Great British Bake Off when you’re trying to mind your own business by killing time at the photocopier.

Now, we can’t really do a post referencing records linked to Voodoo without mentioning The Robster’s next suggestion:

“Screamin’ Jay Hawkins looked like a witch doctor who practiced voodoo. He’s best known, of course, for his classic I Put A Spell On You, but in 1974, he released a single called Voodoo, which was backed by You Put The Spell On Me. So you can have any one of those three.”

Suddenly, this has become like a version of Michael Barrymore’s “Strike It Lucky”: I can have top, middle or bottom, you say? Middle! (See, I can resist making the obvious joke sometimes)

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Screamin’ Jay Hawkins – Voodoo

Time for some Swede action. Here’s The Swede from Unthought of though, somehow:

“Working on the basis of ‘first thought, best thought’, the song that immediately popped into my head to follow ‘Voodoo Chile (Slight Return)’ was ‘(The Ballad Of) The Voodoo Ranger’ by Multicoloured Shades.”

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 The Multicoloured Shades – (The Ballad Of) The Voodoo Ranger

Chain Gang, count yourself very lucky, for that song made me think of one very cheesy one which, had I had the time, would have got posted right now. I’ll save it for another time…

Here’s Swiss Adam, back for a second, third and fourth bite at the cherry:

“Voodoo always makes me think of The Gun Club’s debut album Fire of Love (the cover art). Sex Beat is a peak on an album of peaky peaks. They were never that good again.”

I’m not sure we’ve ever had someone link via the medium of cover art before. I suppose, given the cover art I used for “Electric Ladyland” last week – which Hendrix himself disapproved of, by the way – I should be grateful. Anyway: a first!

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The Gun Club – Sex Beat

Anyone who regularly visits his excellent Bagging Area blog will not be surprised by the manner in which Swiss continues: “…which gives me two Andrew Weatherall links- Two Lone Swordsmen did a spirited cover version of Sex Beat…”

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Two Lone Swordsmen – Sex Beat

“…and the sleeve of Sabres of Paradise’s wonderful single Wilmot recycled The Gun Club’s cover images and is a voodoo influenced tune itself.”

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The Sabres Of Paradise – Wilmot

I always thought that was about popular chicken-in-a-basket entertainer Gary Wilmot. Apparently not.

A couple of weeks ago, one of the songs posted here was Carly Simon’s “Nobody Does It Better”, and I happened to comment that it was my favourite Bond theme ever, although occasionally it might be the next record. Here’s Alyson from What’s It All About, Alfie?:

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Paul McCartney & Wings – Live And Let Die

It seems Rol has been trying to think of something clever:

“I was going to try and be deep and obscure this week, but then I remembered one of my favourite tracks from my favourite album of last year: ‘Voodoo Doll’ by John Grant”.

Regular readers will know I share Rol’s love of all things John Grant related, so here you go:

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John Grant – Voodoo Doll

Time to welcome back (I think – you have posted here before, haven’t you…?) Brian from Linear Tracking Lives:

“Like The Robster, my first thought was Screamin’ Jay Hawkins. Then I recalled quite a few albums with voodoo in the name, such as the Dirty Dozen Band’s Voodoo and Paul Carrack’s Suburban Voodoo, but there isn’t that one song that hits on the theme. Then I smiled when I thought of Harvey Korman as Hedley Lamarr in ‘Blazing Saddles’ telling his band of bad guys “Now go do that voodoo that you do so well.” Yes, I’m that highbrow. Well, that’s liberally lifted from Cole Porter’s ‘You Do Something to Me’. Francis Albert sings that song with gusto, but it’s not my favourite. So, finally, my pick is a close cousin to voodoo…. Witchcraft, sung by Sinatra”

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Frank Sinatra – Witchcraft

Here’s Alex G, fresh from expressing his disappointment at last week’s link, which given the amount of research he’s done into his own link is a bit rich:

“Talking Heads did a song called Papa Legba, which is named after some sort of spirit in Haitian Voodoo.”

(Papa Legba is the loa who serves as the intermediary between the loa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. Either that or an over-priced midfielder currently arousing the curiosity of  Manchester United’s scouting team. You decide.)

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Talking Heads – Papa Legba

Alyson’s back, to expand on her earlier “Live and Let Die” nomination:

“Thinking about it a bit more, the fictitious island where much of the Voodoo action in the film took place was called San Monique but of course it is highly likely that this fictitious island was supposed to be Haiti where, apparently, the majority of the population hold Voodoo beliefs. This of course got me thinking of the song ‘Haitian Divorce’ by Steely Dan.”

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Steely Dan – Haitian Divorce

Time now for a big warm Chain Gang welcome to Kuttowski, who unless I’m very much mistaken, is Walter from the excellent A few good times in my life blog. Welcome aboard, Kuttowski/Walter, what have you got for us?

“I think it is time to join the chain gang. Thinking about the word voodoo Screaming Jay Hawkins and Voodoo Ray came to my mind. But it all said by the ones before. So I would suggest Voodoo by Mano Negra, a French band lead by Manu Chao back in the late 80’s. Starting with a dark mood this song turns into a weird folk chaos.”

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Mano Negra – Voodoo

“Otherwise,” he continues, “I would suggest Jah Wobble’s Voodoo.”

You can have both:

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Jah Wobble – Voodoo (Original Mix)

And so to the last of the Voodoo related tracks, and a very heartfelt welcome back, albeit via the conduit that is SWC, to Badger:

“I spoke to Badger and his suggestion from the sofa is thus. Part of the voodoo ceremony is to slaughter a rooster. (He is basing this solely from the Mickey Rourke/Lisa Bonet film [Angel Heart, I believe – Film Ed] of a few years back.) But that takes us too ‘Mansize Rooster’ by Supergrass.”

Hallelujah, what a great, often overlooked tune. And I think I speak for everyone here when I say it’s great to hear Badger is on his way back to fighting fit.

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Supergrass – Mansize Rooster

Four songs to go, and here’s my last choice. This is, I believe, a cover of a Kiss record, performed here by The Lemonheads back in their early days before they had added the The to their name. I’m not going to explain the link: if you don’t get it, then just type the words “Jimi Hendrix” and “Plaster Caster” into Google. But don’t do it at work:

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The Lemonheads – Plaster Caster

Having given him a bit of a ribbing earlier, I was going to let Charity Chic have the last word this week. But, that honour is being saved for my favourite link of the week.

So, sorry CC, but here’s your other selection:

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Neil Young – From Hank to Hendrix

Earlier on, I mentioned that The Beard had suggested The Bluetones “Slight Return” as his final choice, and here come his first two choices, the reasoning behind which I love:

“From Jimi Hendrix to Hendrik Van Kleefe, the dodgy Dutch diamond dealer from To Hull And Back, the Only Fools and Horses Christmas special from 1985. Two of the world’s greatest cities, Hull and Amsterdam, are featured in the episode. 1985 also saw the release of Flag Day, the debut single by “the fourth best band in Hull” aka The Housemartins.”

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The Housemartins – Flag Day

And finally:

“‘Amsterdam’ by Peter Bjorn and John didn’t come out in 1985 but is great nonetheless.”

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Peter Bjorn and John – Amsterdam

Right, can you all line up please? *Does quick head count* Okay, I don’t think I missed anyone out. So let’s have a look at the reason behind the next record in the official Chain:

“Jimi Hendrix’s manager was Chas Chandler, who played bass in The Animals…”

…and this was the record of choice:

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26. The Animals – The House of the Rising Sun

So, let’s be having your suggestions for records which you can link to The House of the Rising Sun by The Animals, along with a description as to the link between the two records, via the Comments section down below.

See you next week.

(More soon).

Sunday Morning Coming Down

I mentioned I little while ago (I think) that I’d received one of those Facebook things, where you are invited to provide a list about a certain topic, and then forward it to friends and invite them to create their own list. Sounds fun, right?

Actually, I received the same request twice: list 12 albums which have “stayed with you”, or, put another way, list 12 albums you bought when you were younger that you still listen to regularly now.

The album from which this morning’s song is taken was on my list, which makes it even more surprising that I’ve managed to get this far in to writing this blog without ever posting anything by The Lemonheads.

So, let me put that right by posting this track from the slacker-rock, alt country classic that is The Lemonheads’ (or just Lemonheads, as they were at this point) “It’s a Shame About Ray” album:

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The Lemonheads – Hannah & Gabi

If you’re unfamiliar with The Lemonheads, main man Evan Dando makes no bones about Gram Parsons being a huge influence, so if you like Parsons, you’ll definitely like that.

More soon.