The Chain #49

I promise that I’m not going to start all of my posts with these words, but following the last instalment of The Chain I had an email from from long-time reader and Chain Gang contributor George who said that he was “toying with idea of making a cd of Chain 48”. (To any of our younger readers, CDs are what we used to record music on to and listen to music from before streaming and making playlists became things.)

Anyway, I thought this was an excellent idea, because I have a playlist for every edition of The Chain, the purpose of which was partly so that I could revisit and relive the good times and the bad, but mostly so that I could check whether something had already been suggested and therefore was precluded from being nominated again. You may have noticed I’ve been rather lax about this since The Chain returned, and that’s not going to change: I figure in these days of Trump & Johnson, of global pandemics*, international recessions, corruption at a governmental level, and starving children (it was The Chain or a Rant today), there’s more important things to worry about than duplications in The Chain back catalogue.

(*Sit down, New Zealand, I’m not talking about you)

Anyway, the point I am trying to make is that to get all of #48’s songs onto one CD would take a lot of editing choices, so I’d love to hear which songs made the cut – even more so should you decide on making one after you’ve read this one because this week (I say that like I post these every week, rather than every six weeks or so) we have just shy of 4 and 3/4 hours worth of tunes to get through, and I don’t think there’s a duff choice amongst them. Some ropey ones, yes, but duffers, no. But then Kay hasn’t suggested anything this time, so…..so maybe I should crack on.

Oh, and George (Incoming obligatory oblique 1970s TV reference that about 80% of you won’t get): I’m sorry but we aren’t able to return any drawings sent in, but yes, it is a big one, no I’ve never seen one quite that shape before, and no I don’t need you to send me a photo, but thank you for the offer.

OK, so let’s start as we usually do with a reminder of the source material this time around, which was this:

As you might expect, we have a lot of tunes related to Talk(ing), some related to Fear of Music (the album that features on), and then what I believe is the collective term for lots of suggestions on a similar theme: an absolute fuckload of songs linked to a specific city, or the words cities or city. As always, I’ll try to put them in an order that makes some kind of narrative sense (you’ve noticed I do that right?) but if you’re planning on doing yourself a playlist of these, I’d be interested to see if you think you’ve done better (NB: no I wouldn’t. Keep it to yourself, thanks very much).

Not quite first out of the traps this time was Swiss Adam from Bagging Area who, as he will explain, suggests a tune which simply demands to go first:

“Cities should have a theme and luckily we have an ahead of its time piece of ice cool euro dance that found a second life in the Balearic sounds of ’88 and thereafter:

Now, I don’t profess to know anywhere near as much about that there dance music as our Swiss, but I do know that got used on a tune recorded by David Russell Lee, who used to be known under the stage name of Joey Negro. Lee also recorded under many other pseudonyms, including this one, which throws in a Queen sample for good measure, and I think is what Swiss means when he says “thereafter”, given this came out in 2001:

But since we’re already going off on tangents, here’s a factoid for you (lifted from Wiki, so large pinch of salt at the ready): In 1993, Lee was approached by Take That’s label with a view to working together. Lee suggested they covered an old hit by Dan Hartman, which hadn’t been a hit in the UK but which had become a popular club track in the house music scene. They did as suggested, replacing Loleatta Holloway from the original with – who else? – Scottish songstress Lulu and lo! the boy band’s second number one in the UK was born.

Anyway. Cities. I think next I’ll hand over to Rigid Digit from Stuff & Nonsense to get us back on track:

“Knowing too much about 3rd Division Punk Bands (as I do), the phrase “Cities” immediately brought forth [this]…It’s OK, in a mohican wearing punky thrashing type way, but probably not what you’re looking for.”

Turns out, that’s quite the accurate description. I’m also imagining a purple and black furry jumper:

I gather Westlife are planning to do a cover of that as their comeback single.

Well, we seem to have strayed into the territory of songs with the word Cities in their title, so here’s another couple of suggestions. Firstly, C from Sun Dried Sparrows who says “I’m just plumping for the very first thing that comes into my head as a kind of quick subconscious response and it is…..:”

…which is bound to lighten the mood.

Let’s see what George can conjure up this time:

“Taking the cities from the song, to Manchester City, whose best English footballer was Colin Bell, whose birthday is February 26th, the same date as Michael Bolton…[Oh, Jesus, no…. – Ed]…wait for it…Fats Domino [Better – Ed]…and Johnny Cash, so my song is…:”

Phew!

I think at this point I should hand back to Rigid Digit, who gave me a whole host of acts who had recorded songs called In The City, the first of which was also suggested by Martin of New Amusements fame:

..and this (just Rigid Digit now):

and (which, if I was still giving points out, would earn a couple for being in one of the coolest films ever, but I’m not, so it won’t – and in any event, I’d have to deduct points for the artist having also been in The Eagles and Ringo Starr & His All Starr Band, surely the least cool bands ever):

and this:

Now. Regular readers will know that I have deep-seated hatred of songs being appropriated for advertising purposes, as documented in my S.S.O.S. (Stop Spoiling Our Songs) series. For the avoidance of doubt, I’m with the late, great Bill Hicks on this one:

Here’s a tune which I’ve been meaning to post for a while, and which samples Hicks and explains my thoughts better than I ever could, and which I must credit my old mate Dum Dum (not his real name) for bringing into my life:

See, it’s bad enough when songs we love are appropriated to sell something, but surely it’s even worse when an act we love pops over to an overseas land in the hope that those back home will never find out what they’ve done – and I’m looking at you Bacon and Clooney – isn’t it?:

Mostly because Joey did it too:

But I digress, again.

Rigid’s next suggestion is this: “…or even Starship who built this city on sausage rolls.” Now, we all know what he is obliquely referring to, and that’s the first of the last two Christmas #1s here in the UK. In a week where Tory MPs voted down a motion which would have ensured that children from poor families don’t starve because of the various lockdown restrictions, I thought it probably best if I didn’t post a free link to a song which tried to help. Instead, here’s the (extremely unfunny) video (and yes, this got to #1 in the UK):

…and here’s the song they are referencing:

To be fair, Rigid does offer up a vastly superior song, the title of which references the same source:

So before we set off on a little journey of all the songs mentioning actual cities in their titles or their lyrics (and there’s lots of them), we’ll have a look at all of the suggestions – most of them are mine, admittedly – which feature the word City in the title or in the artiste name. But before we do that, let’s get all of the other ones mopped up.

Here’s the Devonian with, I think, my favourite explanation ever:

“A geographical link… not going off “Cities” though, but rather the fact that the bassist in Talking Heads was the esteemed (albeit not by David Byrne) Tina Weymouth. That got me wondering whether there are any other groups with bassists named after gentrified Dorset coastal settlements. But I couldn’t find any, so I had to settle for a couple of singers instead. Therefore I give you Shelly and Karen Poole and…”

“…which is great and you know it is really.”

Actually, I’m more of an ‘I Am, I Feel’ kinda guy, as it goes, but that’s enough about why I can’t go on public transport without a responsible adult in tow anymore.

“Whilst Devonian was struggling for Dorset-named bass players to link to Tina Weymouth,” pipes up The Great Gog, “I found myself thinking of a feature of said coast that is named in a song – namely the theme tune to children’s TV show Portland Bill (which must have been 20 years old when my kids watched it on satellite telly in the early 00’s).

I can’t say this rang any bells with me at all, but I have managed to track down a copy of the writer of the theme tune in question, playing…well, it:

Next up is PhonicPat who, undeterred by suggesting the worst record last time out, has come up with a load of absolute bangers this time, starting with this, which kinda follows on given that it’s “made up of the rhythm section of Talking Heads” who just so happen to be husband and wife combo Chris Frantz (drums) and Tina Weymouth (bass and renowned gentrified Dorset coastal settlement):

Talking Heads “…tried to continue without Byrne and released the ‘No Talking Just Heads’ album” Pat continues, “featuring collaborations with Debbie Harry, Andy Partridge and Shaun Ryder amongst others therefore:”

and

and

And Pat isn’t finished there:

“[A] David Byrne/Talking Heads link” (as Byrne features as guest vocalist on this):

Now, there’s two things to say about that: firstly Byrne mentions New York at the start, and we’ll be coming on to that city in the fullness of time; and secondly these PhonicPat sponsored words: “…(along with saucy video)“.

In the name of research, strictly so that you don’t have to press play on this next video, you understand, I have watched this, several times, and can confirm that no matter how much you might slow it down or rewind and watch again, whoever had the job of censoring out the wobbly bits did a fine job. Still, best you approach with caution, eh?

Remind me in a bit to give you a related Pet Shop Boys fact, will you?

Since we seem to have landed on band-related suggestions, George is back again:

“From Talking Heads to the Talking Book album by Stevie Wonder, and the track:…”

And moving on to other suggestions about links to the band name we have Alyson from What’s It All About? who says: “We’ve had Dollar [last time out] so in the same vein can I suggest….”

Whoa there tiger! I need to explain the “in the same vein” bit, because Dollar should definitely not be bracketed with The Fizz so lightly. Oh no. For post-1980s fame The Fizz split into two factions: one containing original members Cheryl Baker, Mike Nolan and (sighs) Jay Aston, the other containing Bobby Gee and an almighty war broke out about who should use the name Bucks Fizz to promote their cruise ship wares. And amidst this row, up popped former member of Dollar and never member of the Fizz, David Van Day who, when he wasn’t trying to be the Lawrence Fox of his day and appear all outrageous by dumping his girlfriend live on Channel 5’s The Wright Stuff, elected to appropriate the name Bucks Fizz, go on a tour, sing a couple of their songs and trouser all the cash. The twat.

Anyway, here’s Alyson’s Fizz choice:

What I love about Alyson’s choice is that she could have picked the original of that, by The Romantics, but such is her devotion to ladies having their skirts ripped off as part of a Eurovision dance routine, she simply had to plump for a bit of Fizz. Kudos.

No idea what I’m banging on about? Here you go, complete with withering intro from the much missed Terry Wogan:

Genius pop music. And I mean that.

Alyson has some other suggestions linking to Talking Heads’ name, namely:

and

Almost time to set off on our tour of cities, have you got your packed lunch and your waterproof coat? Ok, I’ll stall for a bit with some frankly rather clever suggestions.

The source record this time features on Talking Heads’ Fear of Music album, which takes us into the dark territory of phobias. Or, as the Devonian puts it: “Cities is from the album Fear Of Music… which is a Phobia… which is a song by Flowered Up”

It sure is:

Which leads us neatly on to Hal’s suggestions: “Didn’t Cage the Elephant release an album called Melophobia?” he asks, rhetorically. Well, yes, yes they did. And in case you were wondering, Melophobia is the correct technical term for having a fear of music, so here’s something from the album of the same name:

I’ve always avoided them because, well, I thought (and still do) that they have a terrible name, but that’s not bad so maybe I need to reassess.

Anyway, Hal isn’t finished yet: “Which leads us to Phonophobia: The Second Coming by Extreme Noise Terror. Or perhaps not…”

Too late, you’ve said it now.

Phonophobia: The Second Coming is an album by Extreme Noise Terror, and this is one of the songs on it:

Peelie would be proud.

How do you follow that? With this:

Thank goodness for Rol from My Top Ten who kindly steps in to suggest this, which in his eyes “seems an obvious winner”

Frankly, if we’re going to mention bands with the word City in their name, I don’t think we can justifiably omit this lot:

“The other obvious one”, Rol continues undeterred, and I’ll let him carry on because I can’t quite work out where else to place this, “is to jump to Radiohead (as they took their name from a Talking Heads song) and Street Spirit (because there are lots of streets in cities…)

He’s not wrong, there are. I counted at least seven near where I live just the other day, and I think I may have missed some.

I hadn’t finished with bands with City in their names. This lot are definitely less renowned than Mr McKeown and the gang (Bay City Rollers, not Radiohead) and are named after 2000AD’s Judge Dredd comic strip. Play this one loud:

And so we move on to songs with the word City in the title (that aren’t called In the City). You know how until that last little spurt I’ve hardly suggested anything so far? Consider that ended. Eyes down and here we go with the almost entirely forgotten about:

…to an often overlooked gem:

…and the never to be forgotten:

A sort of clever one: this was released on City Rockers, a label synonymous with the electro-clash sound of the early 2000s:

And we shouldn’t overlook this brace of bangers:

…which almost inevitably leads us here:…

…which leads me to this spoof record, but it’s a spoof of a song which doesn’t have a city in it’s title, but I’m sure you’ll get it:

And finally, I was very surprised that absolutely nobody suggested anything from PJ Harvey’s magnificent Stories from the City, Stories from the Sea album, so I guess I’ll have to:

I’m stalling because it feels slightly disingenuous to be suggesting we go on a world tour just as so many cities around the world are locking down to prevent travel and the potential spreading of the Corona virus, so can I ask that you all don your face masks, smear yourselves in hand sanitiser like it’s goose fat before you attempt to swim the Channel, don’t stand so close to me and we’ll be off, safely.

But where to start? “Something from Gerry Rafferty’s very fine City To City album perhaps?” pipes up Rigid Digit again, which seems a perfectly good suggestion, and I’ve plumped, somewhat obviously, for the title track:

And it’s to Rigid Digit that we turn to yet again as we herald the start of The Chain World Tour which, given some places like my beloved Wales have gone into circuit-breaking lockdown today, I must say I feel a teensy bit guilty about, but, nevertheless, here we go.

Truly, there can only be one song to kick this off, and as Rigid quotes: “London, Paris, New York, Munich.  Everybody talk about…:

“I was beaten to M,” moans The Great Gog, “but other songs name-checking a number of cities that sprang to mind were…:”

…and…

Not forgetting, as Martin from New Amusements points out, a song which (apart from the Hang the DJ bit) perhaps most perfectly encapsulates where we are right now:

Ok, let’s start, with a whistle-stop tour of the UK. Here’s The Robster:

“I was going to suggest the wonderful Theme For Great Cities but Swiss Adam beat me to it! So I decided to think about songs ABOUT cities. Then I realised I’d be suggesting about 4 million songs and you’d hate me more than I’d hate myself! So in the end I plumped for one city. It was going to be Newport, but the only songs about us are parodies and parodies of parodies. So I chose our neighbours instead and came up with…:

I’m not sure why The Robster thinks this lot only do parodies. Funny songs, of course: it’s their stock in trade. I mean, sure this one is a parody, but it’s the only one I know which actually mentions The Mighty ‘Port in it’s title, and (sorry Rob) from the short time I lived there, seems wholly accurate to me:

Let’s head up to Birmingham next, and I’ll hand the reins back to Swiss Adam for a moment, for he is quoting lines from the source material to guide us to our next destination.

“Birmingham ‘lots of rich people’….” (although I think Byrne was probably referring to B’ham, Alabama.)

For those of us old enough to remember, it’s hard to forget when they fell foul of a Government clause of the 1981 Broadcasting Act which prohibited the broadcast of direct statements by representatives or supporters of 11 Irish political and paramilitary organisations. The restrictions were part of the Thatcher government’s desire to prevent Sinn Féin from employing the media for political advantage.

Yeh, I know. Dry subject.

What this meant in practical terms was that when, in 1987, they appeared on Friday Night Live , a Thames Television programme hosted by Ben Elton, they played Streets of Sorrow but the broadcaster cut to an ad break before they got to Birmingham Six.

Ridiculous as the rules were, a loop-hole meant that we were allowed to hear what Sinn Fein (the political arm of the IRA) had to say, but we could not hear them spoken by a member of the political party. Generally what this meant was the words were read by an actor with a plummy Home Counties accent, but the ludicrousness of the situation was highlighted here, on The Day Today:

This next song actually mentions bombing in Birmingham, although it means it in the “not going down to well at a gig” sense, rather than the more literal interpretation:

In these times of Tiers and Lockdown, I’m not sure we’ll get any better advice than to ‘start drinking til we’re blind’ (again, metaphorically of course – I don’t want any of us to end up in one of those adverts asking people to sponsor a puppy); I know it’s what has got me through writing this post, for a start.

“This mentions Birmingham, Alabama”, offers PhonicPat, and he’s not wrong, it does:

But we’re not quite ready to go trans-Atlantic, because here’s The Robster again:

“I have another one, this time referring to my Devon roots. The nearest city to where I grew up was Exeter – so:”

What I love about IDLES, apart from their records, is that they’re so bloody angry about everything, even their name is in capital letters like they’re shouting that too.

Catchphrase time! Well, if you’re having that, then I’m having this, a song about the nearest city to where I grew up, but where IDLES are VERY ANGRY! about how shit Exeter is, The Long Blondes are just a wee bit disappointed with how dull Peterborough is:

Staying in the UK, here’s Stevie from Charity Chic Music who takes us (much) further Up North:

David Byrne was born in Scotland – Dumbarton to be precise.  So the link is obviously:”

…which not only gets added to the ever-growing pile marked: ‘Must Investigate Further’, it also allows me to include this, which the title obviously references:

Since that also mentions Berlin, we may as well pop over to Europe, y’know, whilst we still can, without having to incorporate a two-week stay in a car park in Kent. Here’s another suggestion from Martin:

Well, this all seems to have got rather gloomy rather quickly. But I have an idea! Let’s pop over to the former capital of Turkey to liven things up a bit:

It became very apparent as I was sifting through the suggestions that there were two cities which featured more than any other, so, after a spot of self-isolation, we’ll pop back to the one in the UK: That London. And first up is another suggestion from Phonic Pat which takes us on a nice little (if expensive) tour of the city:

Here’s Swiss Adam again, quoting lines from the source record:

“…a small city, dark in the day time…”

…and suggesting this absolute shoe-in:

And here’s Martin again with two further capital suggestions:

“For when one is tired of London, one is tired of life, right?” adds Martin. Try telling Alan that:

Obligatory Alan Partridge clip? Tick!

One more from Martin, “…because I love them so…” (me too, mate, me too):

Sticking with Martin’s stream of suggestions, let’s hop over to the other city which seems to be mentioned in song titles more than any other:

“Decidedly not a cover of Ol’ Blue Eyes”, Martin adds. Well no: there’s a more liberal use of the F-word than Sinatra ever committed to record for a start. Plus, without wishing to be pedantic (he says as he is about to do just that), the Sinatra song Martin refers to is actually called Theme from New York, New York, so there was never any real danger of confusion. This next one though, less so:

That’s what being brought up listening to Radio 2 does for you: you remember records like that.

You won’t be surprised to read that I’ve got loads of these, the next of which is by someone who gets a bad rap for being a bit square (I think that’s it; I certainly don’t recall him having done anything unmentionable, apart from Uptown Girl of course), but I think he’s written some absolute corkers, and this is one of them:

New York, here we are, and here’s Odyssey to tell us we fit right in:

When The Strokes released their wonderful and never-bettered debut album Is This It? in 2001 (God, that makes me feel old), there was a difference between the UK and the US release, for the UK release included this, presumably omitted from the US release because it probably wasn’t considered to sit well so close in the wake of 9/11:

Back in time now, to the first record I ever bought, sort of. You can read about that here but in case you can’t be bothered (and if you’ve got this far I can’t blame you for feeling a bit wiped out) here it is:

Remember about seven hours ago, just after The BPA tune, I asked you to remind me to give you a Pet Shop Boys factoid? Well, the time is now: before he worked for Smash Hits magazine (my gateway drug to pop music before I grew up/discovered the NME) Neil Tennant used to work for Marvel Comics, editing out any hint of nipple from the cartoons contained within the pages of the heralded comic book. And that’s not even as funny as the rumour Stuart Maconie made up about him being a fully qualified Rugby League referee.

Anyway, here’s the Pet Shop Boys:

Hold up, Swiss is back with his quoting lyrics and suggesting songs ways:

“Memphis: ‘home of Elvis and the ancient Greeks’”

Leading him here:

And if you’re going to mention Memphis, you either have to include something by a certain Mr Presley (not Reg), or make a joke about being dead on a toilet eating a burger, or post this:

Funnily enough, Mr Simon is going in the opposite direction to Ian Hunter and the Mott the Hoople crew, as suggested by Phonic Pat:

And here’s a group who are considering a move to a completely different part of the US of A:

But as we all know, there’s only one place in America that one should consider moving to:

And that’s where I intended to sign off, were it not for one final suggestion from Martin:

“Oh, and can I add Vegas by Sleeper, just because… well, okay, just because of Louise Wener, really.”

Of course you can: if it doesn’t get cancelled as opposed to being forever rescheduled, I’ll be going to see them perform their debut album Smart, sometime, along with this morning’s postees The Bluetones doing the same with their debut album Expecting to Fly:

And that’s yer lot, except to reveal the actual next record in the actual Chain, which nobody suggested.

Here’s the link: “Talking Heads had a female bassist. So did…

Which just leaves me to ask for your suggestions for songs which link to 1979 by The Smashing Pumpkins, to be submitted via either the Comments function on this page, or if you prefer anonymity that you ultimately won’t be afforded, by email to dubioustaste26@gmail.com

More soon.

The Chain #46

I got quite excited the other day, when I went into my Drafts folder and saw this title.

“Zut alors!” I exclaimed, thinking that I must have at the very least started writing the next installment of The Chain. And that I was French or German or whatever that language is.

But no, my laziness and ineptitude was laid out there before me, for all I had done was write the title, and that was it. Classic me, if my deadline nightmares are anything to go by.

Anyway, hello, and welcome back to the latest in what is turning out to be an increasingly infuriating occasional series: The Chain.

But at least it’s here, right? We all need distractions and things to think about at the moment, things to fill the time, and surely there’s no finer way to spend some time than reading what folks from all around the world can link to one particular song. It’s what Covid-19 was invented for, surely.

A brief reminder for those new to the shnizz we get up to here: we’re working our way through the songs played on The Chain section of Radcliffe & Maconie’s 6Music show, coming up with alternative suggestions, and listening to them all instead of just the one (Mrs Wembley). 80s sitcom gag, there, to help you acclimatise to the level of writing you can expect should you venture further.

I used to write these once a week, but then couldn’t be arsed lacked inspiration for a year or so, brought it back and suddenly find myself wondering where the days/weeks have gone and how it’s got to the point where I really should have written it by now has arrived.

Anyway, blah blah blah poor old me….let’s be off.

This episode, just to be different, we’re not going to start with the source record from last time. Well not quite, anyway.

No, instead, we’re going start with the first part of one of Rol from My Top Ten‘s suggestions:

The album version of Tubthumping opens with an inspirational quote from the great Pete Postlethwaite, taken from the movie ‘Brassed Off’…

Dammit, it’s done my head in for years trying to remember where I recognised that from! Cheers, Rol!

Chumbawamba – Tubthumping (Album Version)

Before we go any further with Rol’s suggestion, I’ll hand you over to one of the two people who insist on emailing me (which is fine, by the way) their suggestions rather than popping them in the Comments section:

You may recall that last time out The Great Gog got a little obsessed with the county of Hampshire. And rightly so: if Hampshire had a church steeple with a 123-metre spire, then them pesky Ruskies would be queuing up to smear Novochok all over it and any corporate Italian restaurant chain in the immediate vicinity (I’m nothing if not topical).

Anyway, things don’t appear to have changed much in the Land of the Gog:

The album containing Tubthumping is Tubthumper.

Thumper is a rabbit in the animated film Bambi.

There are lots of cartoon rabbits in the animated film Watership Down.

Watership Down is set in some Hampshire fields – which could take us all the way back…

Art Garfunkel – Bright Eyes

Is it too early to be handing out points for Comments Showboating? I think not: POINTS!

By the way, I’m not going to post the Points Table every time I write one of these, as nothing much will change from one post to another. It’d be like looking at any sports league table over the past four weeks. I’ll update things and do it every couple of posts or so.

Or…The Great Gog continues…stretching the link to breaking point (You’re by no means the worst cuplrit, fill your boots)…given my ramblings above…[this] would seem appropriate:

Bright Eyes – Down in a Rabbit Hole

Which gives me an unexpectedly early opportinty to to dust off my catchprase (he says, as he dons a spangly suit).

*Ahem*

Well, if you’re having that, then [all together now] I’m having this:

Chas & Dave – Rabbit

Sorry, Rol, where were we?

The soundtrack to Brassed Off was performed by the Grimethorpe Colliery Band, Rol continues. The Grimethorpe Colliery Band also played on this famous John Peel favourite:

Roy Harper – When An Old Cricketer Leaves The Crease

Next up, over to The Robster from the annoyingly still dormant Is This the Life blog who offers this:

All I could come up with is Get Up by R.E.M. but I’m sure I can come up with something else given time. Probably got, what, 18 months before the next installment? which is a bit rich, coming from the man who only posts anything at the end of the year. Go on click that link to his blog, let’s see if we can’t get him back in action. Your country needs you, Rob!

I posted the album version of this song not so long ago in my I’m Not Too Keen on Mondays series, so here’s a slightly different version, a live one, which pops up as one of the bonus tracks on the Collector’s Edition of the Shiny Happy People CD single.

But since the band themselves have practically disowned that single (guitarist Peter Buck once described it as “relentlessly upbeat” and also said “If we did one of those per record, I could see how it could get a little embarrassing”) maybe we should too; it’s notable for it’s absence from many of the Greatest Hits compilations, despite it being their =4th biggest hit in the UK (after, in reverse order: Leaving New York (#5), E-Bow The Letter (#4) and The Great Beyond (#3))

They weren’t so embarrased by it that they declined to do this, though (and who could blame them: would you turn down the chance to appear with the Muppets on Sesame Street???)

I love that the female vocalist is a Muppet who looks like Kate Pierson from The B-52s who, as you all know, provided the additional vocals on the single.

But I digress: this version is neither the album version nor the tucked-away-on-a-limited-edition-CD single version, but one I *coughs* obtained from a long gone and much missed blog called (I think…) The Independence of Tractors (long-time bloggers and blog followers may be able to jog my memory….I’m thinking of featuring this soon and would like to accredit, so if anyone has any info….y’know….), who once posted the whole of the band’s Tourfilm DVD as a series of mp3s:

R.E.M. – Get Up (Tourfilm Version)

Onwards, then, to the next suggestion, and to Alyson from What’s It All About? who proffers this:

I got a bit worried when you mentioned Jarvis and his controversial stunt at the Brits as I remember whose expense it was at. But no, it was our friendly water boys who if I remember correctly soaked Two Jags Prescott. Sticking to my Scottish band theme I’m therefore going to go with The Waterboys for the next link and sticking with my “water” theme in this comments box, the song….

The Waterboys – Fisherman’s Blues

I think I should step in and clarify that, according to their Wikipedia page, they’re a Scottish-Irish band..

Anyway, nice of you to bring up the subject of Chumbawamba’s dust up with John Precott at The Brits, as this gives us licence to go off at a bit of a tangent.

To start things off, here’s George:

A Chumbawumba was involved in an altercation with then deputy PM John Prescott, who was the MP for Hull. Also from Hull was Mick Ronson, who played guitar on:

Lulu – The Man Who Sold the World

It’s not really a surprise that Ronson was involved, given who wrote the song and who – keen-eared listeners will have noticed – also provides backing vocals on that: one Mr D Bowie Esq.

George adds: I was going to go from John “Two Jags” Prescott to The Jags and Back of my Hand, but changed my mind.

What, and you think that’s going to stop me posting it? Of course you don’t, you know I won’t be able to resist:

The Jags – Back Of My Hand

Since we’re on Prescott, indulge me for a moment with my two favourite clips involving him. The first isn’t really about him, but it is from a documentary he made back in 2008 called Prescott – The Class System And Me:

I guarantee you, she voted Brexit.

And then there’s this notorious clip:

In his defence: a) what would you do if someone chucked an egg at you? and b) later (admittedly when he’d had time to get someone else to write a witty response think of something clever to say, he came up with this: “Well, Tony Blair asked me to go out and connect with the electorate….”

Anyway, that leads me to my next suggestion of the week:

The Chemical Brothers (feat. Tim Burgess) – The Boxer

Over now to Martin from New Amusements who proffers this Prescott related…um… jewel, I guess:

Like George, I’m going with a John Prescott connection, but hope to craft mine into a Double Linker. Yes, Danbert Nobacon once up-ended an ice-bucket over John Prescott at the Brits, but John Prescott was also memorably once replaced on ‘Have I Got News For You’ with a tub of lard, so I can surely claim a double link to Tubthumping for anything lard-related, so I’ll pitch:

The Shirehorses – If You Tolerate This Piss

He’s not done yet: …which, lest we forget, featured Marc “Lard” Riley. Since this is also about drinking, much like Chumbawumba’s chorus, could this be a Triple Linker? And maybe a point for worst suggestion of the week?

I don’t think I can refuse, can I, dear reader? It’s unquestionably the worst record of the week (POINT!) and he has managed to get a triple link out of this, the first time this has happened as far as I can recall (Ermmmm…points, I guess….).

I think we need to cleanse our palate a little, and remind ourselves that Martin could easily have dodged the sub-Barron Knights tosh that is The Shirehorses by referencing it and then directing us to this:

Manic Street Preachers – If You Tolerate This Your Children Will Be Next

Which brings me back to Rol, whose first suggestion was this:

The Manic Street Preachers must be guilty of Tubthumping, since that’s what Street Preachers do.

Alice Nutter was in Chumbawamba. The Manics once covered an Alice Cooper song. So…

Manic Street Preachers – Under My Wheels

If that’s not a double-linker, than I don’t know what is.

Well, yes, Yes it is. POINTS!

Anyway, for continuity purposes, take a step back. If You Tolerate This… was the band’s first #1 single in the UK (I’m sure this can all be traced back to a shared cheese salad…) and it contains the line “Well, if I can shoot rabbits, then I can shoot fascists”, which leads me to another draft post of mine which I never got round to finishing. And neither Chas nor Dave are anywhere in sight.

This one even had a semi-clever title: “You’re Not The One For Me, Fascist”.

I’ll hand over to the ever wonderful Charity Chic to explain:

Chumbawumba recorded a song with Credit to the Nation called ‘The Day the Nazi Died’…

Chumbawamba & Credit to the Nation – The Day The Nazi Died (1993 Mix)

Ordinarily, I wouldn’t allow a suggestion which was simply “X recorded the source record, and they also recorded this”, but since this was a collaboration with the frankly quite marvellous Credit to the Nation, I’ll let it slide.

Plus: Charity Chic has a point to make:

….Morrissey (who may or may not be a Nazi) – he continues (“Not my words, the words of Top Gear car magazine!”) had a song called:

Morrissey – First of the Gang to Die

…And he is a bit of a tub these days who could probably do with a good thumping…Charity Chic signs off.

Just in case you’re not sure what CC is banging on about, or on which side of the fence you should be sitting when it comes to the whole “Is Morrissey a racist?” question, well I’ll leave you to make your own mind up.

And here to help you is a picture of him performing live on The Jimmy Fallon Show in May 2019:

And here’s a close-up of the badge he’s wearing on his lapel:

In case you’re not familiar with it, and I hope you’re not, that is a For Britain badge.

For Britain are not nice people.

Oh my, indeed.

Here’s my rule of thumb when it comes to Morrissey, which you are welcome to adopt: yes, when he was in The Smiths he made some inflammatory comments in interviews, but none of them leaked into his lyrics. Since The Smiths split and he went solo, they have. Regularly.

So: The Smiths – fine to still express love and admiration; Morrissey solo – tread carefully.

Which leads me to a suggestion from Jules of Music From Magazines fame, which *checks notes* I’m disqualifying becuase *checks notes*…well, I’m not sure why to be honest, but I am and that’s that:

Carrying on with the high five, Mel Brooks ‘Hitler Rap’

Ah now, I remember; in response to Charity Chic’s anti-Moz post, Jules responded: A high five for that and I don’t think that’s enough to allow it.

Yes, I am a strict Taskmaster, and yes, Greg Davies, watch your back!

What else have you got, Jules?

As I am a tad partial to a cider drink or eight anything I suggest at closing time will make sense….

I beg to differ, but nonetheless:

Tom Waits – Closing Time

Please allow me to interject with something more cheerful but less good:

Semisonic – Closing Time

And then with something less good and less cheerful:

Leonard Cohen – Closing Time

Ok, who’s left?

Well, long time readers of The Chain will know that certain things crop up repeatedly. For sure is eggs is eggs, someone will suggest either a record by The Clash or Bruce Springsteen just to annoy George, and Jules will suggest something by Lambchop.

No, not that Lambchop….

So let’s unclasp the shackles and let Jules free; I have to say that I almost rejected all that you are about to enjoy, until I thought about his first suggestion a little harder:

Any crossword fan would see the anagram “wham bam Cuba” and the country’s name was nailed by the Gibson Brothers:

Gibson Brothers – Cuba

Don’t think Debbie Gibson was related but her role in the film “Mega Python vs. Gatoroid” was ably supported by Tiffany...

Tiffany – I Think We’re Alone Now

Whoa there! You can’t mention Debbie Gibson and expect me not to slide this in, for no other reason than to direct you away from the schmaltz:

Mojo Nixon & Skip Roper – Debbie Gibson Is Pregnant With My Two Headed Love Child

Well, that hasn’t lost any of it’s charm, has it?

Right, where were we? Ah yes, with Jules. Off you go, feller. Pretend I said nothing. I promise not to interupt again.

Ah yes “Breakfast At Tiffany’s”, not that song

What, this song….? (I lied)

Deep Blue Something – Breakfast At Tiffany’s

Jesus, I’d forgotten how much I hate that record.

…not that song, but the film that featured Moon River...

This..?

Audrey Hepburn – Moon River

At last! A bit of class is introduced around these parts!

Oh wait, he’s not done yet.

…but more importantly was based on a novella by Truman Capote. Harry S. Truman was the 33rd U.S. president, the 37th was Richard Nixon….

Lambchop – The Old Gold Shoe

There it is! Normality restored.

Where next? Step up to the plate, if you will, Rigid Digit:

Tubthumping – a synonym for drumming (or it is in my world anyway).

Drummers doing solo singles? Not a rare thing. Plenty of stuff from Ringo…

Ringo Starr – It Don’t Come Easy

….and Phil Collins

Phil Collins – In The Air Tonight

Now, let’s be honest: every time we’re unlucky enough to hear that, all we can really think of is this:

…Dave Grohl left the drum stool, strapped on a guitar and became Mr Foo…which sounds like a George Formby record (“Oh Mr Foo, what shall I do…? A niche joke, I know), but I’ve gone off at enough tangents, so we’ll leave that.

Foo Fighters – The Pretender

Even Keith Moon managed a solo album (word of advice: approach with caution).

I have to draw the line somewhere…

But I’m choosing the drummer who was invited to join the reformed ELP in the mid-80s for two reasons:

1) He was a great drummer

2) His surname began with P

Cozy Powell – Dance With The Devil

Let’s hand the baton on to Walter from A Few Good Times In My Life:

The main thing of Tubthumping is keep your head up whatever will be. This leads me to:

Curtis Mayfield – Keep on Keeping On

 …otherwise by…

The Redskins – Keep On Keepin’ On!

If I could award points for Best Record of The Week, that would win, hands down.

Back then to some email submissions I received, and I’ll hand over to Pat from phonicpat for a bit:

“….a couple of suggestions – a link to a thumping:

Earl Vince & The Valiants – Somebody’s Gonna Get Their Head Kicked In Tonite

This song has featured in The Chain before so strictly speaking should be disqualified, but looking back I see that both this and The Rezillos version were suggsted at the same time, and, unable to choose between the two, I posted both. So I’ll let this slide too…but only so I can post my favourite record about somebody getting their head kicked in:

The Jam – Down In The Tube Station At Midnight

What else have you got, Pat?

Elvis Presley – Heartbreak Hotel

…link being Chumbawamba covered this on the “Fuck EMI” compilation.

Which leads me back to The Robster, who hasn’t quite had the eighteen months he ribbed me with earlier to think things over, but nonetheless has returned with this:

I remember when Tubthumping came out, it was released on EMI *shock-horror* a filthy major label. The band was deluged with accusations of selling out and going back on its DIY ethos. But one of the reasons they signed to EMI was because previous label One Little Indian rejected the ‘Tubthumper’ album as they didn’t like its sound. The band subsequently signed to EMI as “…experience had taught us that in a capitalist environment almost every record company operates on capitalist principles. Our previous record label One Little Indian didn’t have the evil symbolic significance of EMI but they were completely motivated by profit. Our position was that whoever we signed with would want us not for our ideas but for the potential profit, so we’d battle for a contract where we still had autonomy.”

So to that end, I’m offering up…a song about the music industry’s obsession with making moolah with little regard for the art:

The Kinks – The Money Go Round

Hang on a minute: that’s two mentions of the same record company in as many messages. It’s almost like somebody has manipulated it so the suggestions fell this way…

Sex Pistols – E.M.I.

We’re on the home stretch now, I promise. And with the finish line in sight, the baton is thrust into Alex G’s hand:

Of course, a song about a man who drinks a whiskey drink, a cider drink, a lager drink AND a vodka drink naturally leads us to Shane MacGowan. I suppose any song would do, but just to keep the theme going, it may as well be

Shane MacGowan and the Popes – That Woman’s Got Me Drinking

What Alex G omits to mention is that That Woman’s Got Me Drinking features the guitar work of one Mr Johnny Depp. When he’s not acting in the latest Tim Burton movie, or appearing in an advert for something smelly, or getting stopped at the border of an antipodean country trying to smuggle dogs across and subsequently being forced to make an apologetic if half-arsed video rather than go to jail, or defending himself against allegations of domestic abuse for that matter, there’s nothing Mr Depp likes more than to pop up in unexpected places:

Where were we?

Ah yes, booze related songs. I’m surprised there wasn’t more of these. Let me chuck one into the mix:

The Wurzels – I Am A Cider Drinker

And yes, The Shirehorses song is worse than that.

Hold up, Pat’s got another one:

Several booze songs come to mind but I’ll go for…

Pulp – Whiskey in the Jar

…on the bonus cd of Different Class, Jarvis trying very hard to keep his own accent rather than channelling Phil Lynott.

Pat has a point; I much prefer it when Jarvis sounds like Jarvis, rather than trying to sound like a drug-addicted partner of gameshow host Leslie Crowther’s daughter.

Hey Dirk! Dirk! DIRK! Fancy suggesting something mate?

Two famous song titles are more or less quoted in the lyrics of ‘Tubthumping’ – the first one being ‘Danny Boy’, which, as we all know, is the Anthem of Northern Ireland. And what is the finest thing Northern Ireland ever produced, apart from ships (minus the Titanic. Obviously)?

Oh blimey, there’s a can of worms opened…

It’s of course:

The Undertones – Teenage Kicks

Phew!

…which could well be the link here. (It isn’t.)

Alas it’s not [I know] (although, Jez, nevertheless this should be a good excuse to include said tune in your essay straightaway), because, as I said, another song is being mentioned and that is ‘Don’t Cry For Me Argentina’. Yes, I have noticed that Chumbawamba omit the ‘Argentina’ – bit (and replace it by ‘next door neighbour’). But this is purely for copyright infringement reasons, I’m sure.

Now, ‘Don’t Cry For Me Argentina’ is a song done by Julie Covington back in 1976. But only (freaks like) you and me know this. And Wikipedia. To the wider public another version is much better known, and that’s the one by Madonna from 1997.

So the link, no question about that, is, to my great dismay (because I would have LOVED to see my other option), Madonna’s version of ‘Don’t Cry For Me Argentina’.

I mean, love ya for trying and all that, but it isn’t the link, and frankly Covington’s version pisses all over Madonna’s attempt, so Dirk: you shall (metaphorically) go to the (metaphorical) ball!

Julie Covington – Don’t Cry For Me Argentina

I always thought that ended rather abruptly, like the whole orchestra had spotted that David Essex had the microphone again, and downed tools to wrestle it from his sweaty palms.

Last one, now (sort of), for inspired by Dirk’s moving words, Walter has something else to offer:

…as Dirk said ‘Danny Boy is is the North Irish anthem and House of Pain celebrated the Irish style on their first album. Therefore I suggest:

House of Pain – Jump Around

(We may have to explain the difference between Northern and Southern Ireland to our overseas friends one day. But not today.)

I say sort of, because of course I have something else to offer.

Dirk also mentions Danny Boy, and you’ll recall that, several hours ago when you first started reading this, Rol mentioned the film Brassed Off and The Grimethorpe Colliery Band.

Which, just to make this all nice and circular (you know, like I know what I’m doing) makes right here a pretty good point to jump off:

The Grimethorpe Colliery Band – Danny Boy

Brassed Off was on Film 4 the other night. It remains a thing of beauty. If you haven’t seen it, or even if you have, and have a couple of hours to kill (which, I think I’m safe in saying we all do at the moment) then you could do a lot worse than spend them watching this: it’s up to stream on the C4 app All4.

And that leaves just one thing: the unveiling of the next link in The Chain, and trust me, had anybody got this I would have been suspicious.

Here’s the official link from Tubthumping to the next record:

[Tubthumping] was once sung by Homer Simpson of cartoon fame. He also sang:

Donovan – Mellow Yellow

Your suggestions then, please, along with your explanation of how your suggestion links to Mellow Yellow by Donovan, via the Comments section below or, if you must, by email to dubioustaste26@gmail.com.

Minus points to anyone who suggests Coldplay. You’ve been warned.

More soon.

The Chain #19

Hello, and welcome to The Chain Gang (© Charity Chic)

You’ll forgive me if I crack right on this week, as we have an awful lot to get through.

Ok, so we ended last week asking for suggestions for records to play which had some vague connection to Elvis Presley’s “(Marie’s The Name) His Latest Flame”, and I’ll tell you straight off that one of you managed to suggest the song that follows next on the official Chain. So: bonus points will be awarded at some point in today’s post.

Exciting this, isn’t it?

So let’s get cracking shall we?

First out of the traps today is Alex G from We Will Have Salad who writes:

“I’m sure there must be other Maries in popular music (though I can’t think of any off the top of my head), but I do know that Marie’s the (real) name of the fairly popular vocalist and light entertainer, Lulu. So in accordance with your request for some cheese (and because I don’t actually know very much by Lulu), how about “Boom Bang A Bang”?”

I can’t pretend this isn’t a song that I love and have posted before, so I’m not complaining. Ladies and Gentlemen, we give you the UK’s entry into the 1969 (a good vintage, by the way) Eurovision Song Contest:

lulu69w

Lulu – Boom~Bang~A~Bang

For those of you who don’t know the Euro-tale behind this, it was back in the days when the UK wasn’t hated by the rest of Europe, and we regularly stood a fairly good chance of winning the Eurovision Song Contest. In 1967, Lulu’s tune was the UK’s entry, and it was involved in a four-way tie for first place, with France, Sweden and the Netherlands. Regrettably, there wasn’t time to go through the process of establishing an out-and-out winner on the night, so Lulu was proclaimed joint-winner.

Moving swiftly on and can we all give a very warm Chain Gang (© Charity Chic) welcome to babylotti. Now, babylotti seems to be one of those rare creatures to contribute to The Chain (although numbers are starting to flourish): someone who doesn’t have a blog of their own. Regular readers will know that this is something I want to encourage: I love having my regular blogging buddies suggesting stuff to play here, but I also want more people who just pop by, read, listen and download (for assessment purposes only, of course, before purchasing their own copy) to join in, so: babylotti, you are very welcome here. Just don’t take the piss by posting loads of suggestions, okay?

“Maria McKee collaborated with Youth on a project called Sweetest Child, their one & only single being of the same name, so my suggestion is that.”

featuring-maria-mckee-sweetest-child-geffen

Youth feat. Maria McKee – Sweetest Child

Now. Strictly speaking, I should be declining that suggestion on the grounds that the song we’re linking to has the name “Marie”, not “Maria” in it. But, before there are complaints from the locals: I’m going to let it slide this time, for three reasons: firstly, it’s your first time here so I’ll cut you some slack; secondly, for a time in the late 1980s I loved Miss McKee’s band Lone Justice, and they will feature again here soon, so I’m more than happy to hear some of her solo-ish work; thirdly, I don’t think there’s a single one of the regular contributors who haven’t posted a suggestion then gone “Doh! I’ve thought of something waaaay better than that!”, and I, diligent and warm host that I am, have posted both. So, shush. Maria McKee suggestion stands.

Take the pressure off me, someone, please?

Ah, here’s Charity Chic, creator of the Chain Gang name with which you are all now blessed (I’m still kicking myself that I didn’t think of that.)

“I suspect I would lose points for the fairly obvious Marie Marie by Shaking Stevens. So what about the original by The Blasters?”

No, but you might lose points for placing an erroneous g where a ‘ should be in his name. Very long term readers will know, I was pretty much obsessed with the Shaky one when I was a kid, so sorry, you’re getting both versions:

shakin-stevens-marie-marie-23974

Shakin’ Stevens – Marie Marie

the-blasters-marie-marie-warner-bros

The Blasters – Marie Marie

Speaking of points, here’s….no, not yet, calm down, I’m just messing with you…

Oh wait, it’s Charity Chic again!

“I see a Maria has already sneaked in. Maria was a song in the musical West Side Story (don’t panic I’m not stopping there) Squeeze had an album called East Side Story which included the wonderful Tempted.”

CC, you have redeemed yourself:

squeeze-tempted-1981-2

Squeeze – Tempted

If I had to say anyone had mastered the art of getting multiple songs played here, it’s Badger from When You Can’t Remember Anything, who sent this:

“I was going to start with suggesting eternal flame by The Bangles. In the hope that the latest flame lasted for ever…”

Hmmm. At least you didn’t go for the Atomic Kitten version, I suppose…

bangles-eternal-flame-1989

The Bangles – Eternal Flame

“Then I wondered what would happen if Elvis in the throws of passion called out ‘oh brenda’ to be met by Marie saying ‘that’s not my name’. Which just so happens to be a song by the ting tings.”

517YPxXymYL

The Ting Tings – That’s Not My Name

“….but then after scrolling through the iPod for a vague chain link I came across ‘Her Name was Audre’ by Maximo Park. Which seems perfect.”

Maximo-Park-Too-Much-Information-Album-Cover-1024x1024

Maxïmo Park – Her Name Was Audre

I have to admit I kinda lost interest in Maximo Park after their second album, so it’s rather nice to hear something from later on in their career. Time for to me to revisit them, I think.

Hold up. babylotti’s back:

“I shall suggest another one, Sister Marie Says by OMD, from their 2010 History of Modern LP, though written in 1981 it sounds like it could have appeared next to Enola Gay and not been out of place. And he sings this as Sister Mary, not Marie to add to my earlier Maria faux pas”

Sister-Marie-Says7-Inch-Vinyl

OMD – Sister Marie Says

I can’t say that anything by OMD had crossed my radar since they stopped writing records for Atomic Kitten (there’s a separate theme starting right there…) and reformed, but I take your point about that sounding like something circa Enola Gay.

babylotti’s not finished there though:

“Ok last one, I suggest His Latest Flame – “Somebody’s Gonna Get Hurt” for hopefully obvious reasons…..”

Now, there’s a name I’ve not heard for a long time.

His+Latest+Flame+Somebodys+Gonna+Get+Hurt+284393

His Latest Flame – Somebody’s Gonna Get Hurt

It seems our new friend has an interesting definition of the phrase “last one” though (I’m teasing by the way):

“To add to this chain, I’m going to make the leap from Somebody’s gonna get hurt, to Somebody’s going to get their heads kicked in tonight…. the original or The Rezillo’s one, your choice….”

Since I’ve posted two versions of Marie, Marie I can’t really not do the same here, now can I, Chain Gangers?:

fleetwood_mac-man_of_the_world_s

Earl Vince & The Valiants – Somebody’s Gonna Get Their Head Kicked In Tonite

Rezillos - Can't Stand The Rezillos The (Almost) Complete Rezillos front

The Rezillos –  Somebody’s Gonna Get Their Head Kicked In Tonight

And now, as they say, for something completely different. Here’s The Swede from Unthought of, though, somehow:

“‘(Marie’s the Name) His Latest Flame’ was written by Doc Pomus and Mort Shuman, as was the Andy Williams classic, ‘Can’t Get Used to Losing You’.”

andywilliamscantgetusedtolosingyou-409398

 Andy Williams – Can’t Get Used To Losing You

I figured using the album sleeve, with it’s “And Other Requests” was more appropriate than the single sleeve for that one.

Here’s What’s It All About, Alfie? with something else of a certain vintage:

“As we all know, at one point Elvis’ latest flame was Priscilla Beaulieu but Priscilla was also the real name of that other ’60s singer/light entertainer Cilla Black. (Don’t worry it’s not going to be Alfie) – Going to choose her very first release, the Lennon & McCartney penned song Love of the Loved please.”

cilla-black-love-of-the-loved-1963

Cilla Black – Love of the Loved

Back over to the When You Can’t Remember Anything blog, and to S-WC:

“Two suggestions from me. Elvis famously resurrected his career in Vegas. Vegas was a song by Sleeper. So we could have that. I forget which album it was on – the first one I think.”

Indeed it was. As I purchased this on cassingle (remember them?) back in the day, I’ve plumped for the single version though:

sleepervegas-colouredvinyl68983

Sleeper – Vegas

The very thought of Louise Wener still makes me go a little weak at the knee….

Here’s S-WC’s second choice:

“The second one is that Elvis as well as singing about Flames called Marie also wrote about being ‘In The Ghetto’ which is probably his finest moment. That was memorably covered by Leatherface on their 1989 classic ‘Fill Your Boots’”

leatherface_-_fill_your_boots

Leatherface – In the Ghetto

Remember how earlier I said ‘I don’t think there’s a single one of the regular contributors who haven’t posted a suggestion then gone “Doh! I’ve thought of something waaaay better than that!”, and I diligent host that I am, have posted both.’? Well, here’s What’s It All About, Alfie? back for a second bite:

“I’m back as now having listened to my last suggestion it sounds truly awful so to redeem myself I’m going to suggest that other Elvis – Costello. He also sang about a girl’s name, the lovely Alison.”

Even if I wanted to complain about multiple submissions (which I don’t), that is not a song I could resist posting (so I won’t):

121-14-im-cover-3108

Elvis Costello – Alison

Hold up, here’s George with what I think we can all agree is this week’s clear winner of the Comments Showboating award:

“Here goes. The song (Marie’s the name) His latest Flame was originally sung by Del Shannon. Unfortunately Del Shannon killed himself with a gun (in 1980). And two years earlier Terry Kath had killed himself with a gun, although this was accidental [this from Wikipedia: “Don’t worry about it … look, the clip is not even in it.” …….Kath showed the empty magazine………….then replaced the magazine in the gun, put the gun to his temple and pulled the trigger. However, there was a round in the chamber, and Kath died instantly.] Terry Kath was in the band Chicago, whose song 25 and 6 to 4 is pretty good.”

If, like me, you’re more familiar with Chicago for their slushy ballads (“If You Leave Me Now”, “Hard to Say I’m Sorry” etc.) then I’d heartily recommend you give this one a listen to see what they used to sound like:

chicago-25-or-6-to-4-cbs-8

Chicago – 25 Or 6 To 4

But George isn’t done just there. No-siree-bob:

“I was going to link to The Smurfs but they’re Belgian….so instead. Elvis Presley’s manager was Tom Parker (who was Dutch, and I thought the Smurfs were Dutch but they’re not). And Parker was a character in Thunderbirds, he was Lady Penelope’s chauffeur/manservant. And Felt did a song called Penelope Tree.”

As I mentioned in the Comments to last week’s post, I cannot believe I’ve not posted anything by Felt before, lead singer Lawrence being one of the great unsung heroes of the UK independent music scene:

felt-penelope-tree-cherry-redFelt – Penelope Tree

Ordinarily, I’d save my own contribution until the end, but as George has kindly taken me halfway to both of my suggestions this week, I may as well go now.

Parker was indeed a character from Thunderbirds, and back in 1989 the renamed, rebranded, repackaged Fuzzbox released a single as a homage to those superheroes on  puppet strings:

fuzzbox-international-rescue-10731-p

Fuzzbox – International Rescue

Of course, they weren’t the only band who released a Thunderbirds-related single, for in 2004 those naughty Busted boys had a hit with the theme to the movie. But I’m not going to play that. A Thunderbirds related Busted song? On these pages? Don’t be so ridiculous.

bustedwhatigotoschoolfor223072

Busted – What I Go To School For

Back over to you guys, and here’s Swiss Adam from bagging area with – drum roll please – the correct suggestion, by which I mean, the next official record in The Chain:

“Marie’s the Name was the inspiration for the riff to Rusholme Ruffians and on Rank and at live shows Marr jammed the two songs together.”

rank

19. The Smiths – Rusholme Ruffians/His Latest Flame (Medley)

Bonus points (again) to Swiss it is then!

Over to The Great Gog now:

“Some good tunes already suggested: Smiths, Felt & OMD. Hit by the perils of just returning from hols with all the good suggestions gone, and I feel like I’m being forced into a bit of fromage. I’ve been on a cruise ship on the Baltic for the last fortnight, and I believe Tony Christie was doing such venues at one point. He of course had a girl called Marie who was apparently hanging around for him in Amarillo, presumably as there was nothing else to do there.”

I really wouldn’t worry about the fromage, GG. You’ve seen what I posted,right?

is_this_the_way_to_amarillo

Tony Christie – (Is This The Way to) Amarillo

Those of you who read the Comments on this section as they come in will know that Charity Chic posted a very intriguing comment, which I invited CC to expand on:

“You’re wrong there about Amarillo GG – I once spent an hour in a turkey compound there hiding from an armed and unstable man in a El Camino truck intent on causing us harm.”

For those of you were as fascinated as I was for more details, he has indeed spilt the beans, here. (Oh and cheers for the plug!)

Whilst we’re on Charity Chic, here’s a first: a (kinda) dual suggestion by two of our Chain Gang regulars. Firstly Swiss Adam of bagging area, flush with his bonus points, returns with three simple words:

“Absolutely Sweet Marie”

Since no artiste was given, I can only assume Swiss meant this version, as opposed to, say,the George Harrison or Jason & The Scorchers versions:

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Bob Dylan – Absolutely Sweet Marie

…at which point, CC chipped in with:

“The Jason and the Scorchers version please”

Fair enough!

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Jason & The Scorchers – Absolutely Sweet Marie

And so we come to the last suggestion of the week, and it’s a warm Chain Gang welcome back to Rol from My Top Ten:

“The Smiths was my first, most obvious, choice… but for something a bit more obscure, how about Flame On! by Captain America? “

Happy to oblige. I seem to remember this lot getting into a spot of bother with a certain high street retailer back in the day. Can’t think why:

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Captain America – Flame On

Ok, so before I wrap things up, two things. Firstly: CW, thanks for your comment and I – no, we all – look forward to your suggestions in the future. And secondly, many many thanks for all of the  messages about my cousin, it really meant a lot to me that some of you took the time to pass on your kind words of support.

Before I get all teary-eyed, I’ll end for the night. Your suggestions please for any record that you can link to The Smiths “Rusholme Ruffians/His Latest Flame (Medley)” which is lifted from their 1988 live album (and Rough Trade contract fulfilling) “Rank” – via the Comments section at the bottom of the page please!

See you same time, next week.

More soon.

Friday Night Music Club

A couple of weeks ago, I wrote a very short post – too short, so I’m told – in my “Which Reminds Me…” thread, about Kaiser Chiefs’ “Na Na Na Na Naa”.

That in turn has made me think about how songs with nonsensical titles have played quite a big part in the history of rock and pop, so I thought we’d have a look at some of them tonight.

But just like cafe’s feel obliged to write the words “Warning: Contents May Be Hot”, here’s an advance warning for you: this post contains songs of wildly varying quality. But that’s why you’re here, right? Right….?

So, let’s start with one of the greatest records ever:

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283. The Crystals – Da Doo Ron Ron

Unfortunately, people of a certain age, i.e. me, can’t hear that record without being reminded of this pair:

Not got any funnier with age that, has it?

What is there to say about Little Richard that hasn’t already been said? Well, very little that isn’t defamatory, so we’ll go straight to one of his tunes:

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284. Little Richard – Bama Lama Bama Loo

Bears more than a passing similarity to his own “Tutti Frutti”, that is it…?

In 1986, presumably spurred on by his former Generation X frontman Billy Idol’s solo success, guitarist Bob “Derwood” Andrews formed Westworld. Named after the Yul Brinner movie, the band had two hit singles in 1987: a great one, “Sonic Boom Boy” which made Number 11 in the UK charts, and this not so great one, which made Number 37:

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 285. Westworld – Ba-Na-Na-Bam-Boo

The follow-up single, “Where The Action Is” tanked even more, not even making the Top 40, and when their debut album met with a similarly indifferent response from the UK record buying public, the writing was on the wall for the band.

A few years ago, there was a rather wonderful sitcom on BBC3 called “Him and Her”. Starring Russell Tovey as Steve (the “Him”) and Sarah Solemani as Becky (the “Her”), a young couple living together in a flat where all of the action in the first three series’ took place. With able support from the likes of Joe Wilkinson, Camille Coduri and Kerry sister-of-Russell-Howard Howard, it’s a wonderfully understated show, with no laughter track or studio audience, full of awkward silences and knowing looks. If you haven’t ever seen, I would urge you to check out.

Here’s a clip:

I mention this now because the end credits had this playing over them:

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286. Lulu – Boom Bang-a-Bang

“Him and Her” was written by Stefan Golaszewski, who some of you will know for being part of the comedy sketch group “Cowards”, along with the likes of Tim Key and Tom Basden. He also wrote the equally great “Mum” which is currently showing on BBC2 at 10:00pm on Friday nights, but you wouldn’t know that because you’re here reading this on a Friday night, right? Watch it, it’s great.

More TV related shenanigans now, and a tune which again is guaranteed to bring back some happy memories for those of us “of a certain age”:

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287. The Dickies – Banana Splits (Tra La La)

For those of you who have no clue what I’m talking about, when I was a kid in the 1970s, no Saturday morning was complete without watching The Banana Split Show, which would always be on at about 8am, whetting the appetite for the three and a bit hour feast of middle of the road, middle class niceness that was The Multi-Coloured Swap Shop.

The Banana Splits were a fictional rock band comprised of Fleegle, Bingo, Drooper (I wonder how he got his name….?) and Snorky, who were in essence, and sorry to shatter the illusion, four blokes in weird costumes.

Probably easier if I just show you them, I think:

I so wanted a buggy like that when I was a kid.

Wait – did I just say “Middle of the Road”…?

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288. Middle Of The Road – Chirpy Chirpy Cheep Cheep

Let’s not dwell to much on that one, eh? Instead, let me direct you this, a song which was just a bit too far ahead of the pack. Released in 1992, had it been three of four years later it would have been one of the great records of the Britpop era, by one of the most underrated  acts, led by one of the most underrated musicians ever – Lawrence, formally of Felt, now of Go-Kart Mozart (unless he’s moved on again), then of Denim. As it was, it was largely, criminally, ignored by the majority of the Great British record buying public, the fools:

I’d hoped to be able to find their appearance on “Later…”, and it’s there on YouTube, but with even worse sound/video quality than that clip. It is rather amusing to read all the “This sounds like something from the 70s” slams in the Comments under that, written by people who really didn’t understand that that was the whole point.

Time for some more puppet-based fun now, but ignore what it says on the sleeve, and give credit where credit’s due:

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289. Mahna Mahna & The Two Snowths – Mahna Mahna

Nope, you’re right. I can’t resist posting the video clip of that:

What’s not to love about that?

To some early 1980s German electro now, and a record which when I saw them perform it on Top of The Pops, the lead singer scared me like nothing else on that show had since Ron Mael had glowered down the camera lens in the 1970s:

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290. Trio – Da Da Da

Next to one of my favourite bands when I was a kid, cementing a place in my affections just after I’d grown bored of Shakin’ Stevens but before I’d discovered the joys of Status Quo, and, crucially, before I’d realised what a pretentious prick Sting was, and, even more crucially, before I’d ever seen him act.

From their 1980 album “Zenyatta Mondatta”, here’s:

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291. The Police – De Do Do Do, De Da Da Da

I say I hadn’t worked out how pretentious Sting was, but the clues are on that album. Who else could write a lyric like this with a straight face:

“It’s no use, he sees her
He starts to shake and cough
Just like the old man in
That book by Nabokov” (from “Don’t Stand So Close To Me”)

Really, Sting? Are we supposed to believe you couldn’t think of something to rhyme with “Lolita”??

Time to round things off for this week, with two stone cold classics.

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 292.Small Faces – Sha-La-La-La-Lee

And finally, you will have done very well to avoid knowing that the Euro 2016 tournament started tonight, with England’s first game on tomorrow. Now, there seems little point in me posting any football related songs – though I have loads – when you can go and pay Football and Music a visit, and find everything you ever wanted to hear, and quite a lot that you don’t (said with affection, I promise – the first comment I ever posted was on this website).

No, instead, I’m going to leave you with this song, because it mentions “Tottenham Hotspur, when they couldn’t get one in” in the lyrics.

It’s looking like there will be five Spurs players in England’s starting eleven tomorrow night. Some of them might even be lucky enough to get played in their preferred position.

I’ll be hoping that one of them, at least, manages to get one in.

You know where I’m going with this, right?

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293. Chas & Dave – Gertcha

Oh, and good luck to all the Home Nations: Wales (except against us, of course), Northern Ireland, Republic of Ireland and…oh, that seems to be the end of the list.

More soon.