Friday Night Music Club Vol 48

As you hopefully know, I generally try to keep things in this series upbeat. But with all that has happened recently, I’ve found that pretty difficult.

Take this week’s mix for example: I first put this one together when I finally got home from Joe’s funeral a couple of weeks ago. As a result, this first few tunes on it are…melancholic I think is the best way to describe them. Beautiful, but melancholic. (Trust me, it was almost a lot bleaker: the first draft, recorded in the wee small hours of Saturday morning, also had Nick Cave and Leonard Cohen in it too. I listened back to it and decided: too bleak.)

In fact, here’s a fun game: see if you can spot the precise moment when preparing this mix that I decided that I needed to liven things up a bit.

Actually, this is the third time I’ve had a go; I’m writing this paragraph at 19:25 on Friday evening, having listened to the second attempt, decided one song didn’t quite fit (so swapped it for a different one by the same artist) and two songs which were clearly the wrong way round. And because I’ve redone it so late in the day, I suspect some of the mixing may be a little shonky, so apologies if that turns out to be the case.

The result? Well, if you’re intrigues to see how I get from Tom Waits to Faithless in an hour, give this one a listen. But suffice it to say, it’s not one for your average indie purist.

:

Friday Night Music Club Vol 48

No time for sleeve notes (again) this week; I can’t really go into the reasons that I’m so short of time at the moment, but I should be in a position to reveal all (and hopefully rectify it) in the next week or so…

Anyhoo, a quick scan through this list and you’ll realise that at least one of these tunes merits one of these:

  1. Tom Waits – I Hope That I Don’t Fall in Love With You
  2. 10,000 Maniacs – Verdi Cries
  3. The Weather Prophets – Like Frankie Lymon
  4. Red Hot Chili Peppers – The Zephyr Song
  5. Danger Mouse & Sparklehorse – Little Girl (Ft. Julian Casablancas)
  6. Inspiral Carpets – Caravan
  7. Danny Tenaglia + Celeda – Music Is The Answer
  8. Moloko – Sing It Back (Mousse T’s Feel Love Mix) (Edit)
  9. Fatboy Slim – Star 69 (Ronario Remix)
  10. Duck Sauce – aNYway (DJ DLG Remix)
  11. Leftfield – Song Of Life
  12. Faithless – God Is A DJ

And that’s your lot for another week. Same time next Friday? (More soon.)

Friday Night Music Club Vol 24

Whilst I was off, towards the end of 2022, there was a sudden rush of celebrity/musician deaths. It almost seemed like they knew what 2023 held in store and just preferred to shuffle off this mortal coil rather than face it.

Although I easily could, it seems to me a little odd to write a eulogy to them this late after the event of their sad passing; so instead I’ve done a mix which includes the three I was most upset by, and some other tunes by (at the time of writing) musicians who are very much alive. God, I hope I haven’t jinxed them now..

So, here you go, this week’s mix. I do often have to rein myself in when I have a theme to provide a mix for/about, and I think I’ve managed it this time: a homage (but not exclusively limited) to Terry Hall, Maxi Jazz and Martin Duffy, at least one of whom some may need guidance as to their importance and why they should, and will, be missed:

Friday Night Music Club Vol 24

And here’s your track-listing with explanatory sleeve notes:

  1. Terry, Blair & Anouchka – Missing

I’m probably not alone in being most shocked and saddened by the sudden passing of Terry Hall. I first remember encountering his dulcet tones on The Specials’ Too Much Too Young, a record which, when it came out in 1980, I was too young to understand. Similarly, the subject matter of Ghost Town was, at the time, way above my head – but I remember associating Terry with the lively, upbeat sounding bit in the middle (“Do you remember the good old days before the ghost town?/We danced and sang, and the music played in a de boomtown.“), so I was always slightly bemused by the popular opinion of him as a bit of miserablist.

Whilst I saw many tributes to Terry online after his very sad passing, very few of them featured anything from his brief Terry, Blair & Anouchka incarnation, so I thought I should redress that.  He teamed up with American actress Blair Booth and jeweller (!?) Anouchka Grose and began recording under the aforementioned moniker in 1989. Two singles were criminally ignored, both only scraping into the top 80 of the UK Singles Chart.  This, the first single, made it to #75. It deserved better.

2. The Lightning Seeds – Sense

Collaborations with Ian Broudie were plentiful, but for my money Terry’s vocals absolutely make this version (more so than his own version).

3. The Go-Go’s – Our Lips Are Sealed

Also recorded by Fun Boy Three (sorry, this version is just superior, if only because it allows me to imagine I’m in a sordid, secret relationship with Belinda Carlisle) this was co-written by Terry and Go-Go’s guitarist Jane Wiedlin. Possibly the greatest pop record ever made. If Terry Hall had done nothing else, his involvement in this alone should earn him our undying respect and love.

4. Elvis Costello & The Attractions – I Can’t Stand Up For Falling Down

Although Mr McManus had a C-word (not that one) health scare a couple of years ago, he’s still with us at the time of writing. Originally recorded by legendary soul act Sam & Dave, this appeared on Elvis’ 1980 Get Happy! album, which is worth 35 minutes or so of your time if you’ve not had the pleasure.

5. Dave Edmunds – Girls Talk

Also not dead (although I did have to check). From hereon in, assume the artiste in question is alive and kicking unless I say otherwise, otherwise it will get pretty tedious if I just keep saying they’re not dead. I’ve been wanting to post this tune, which I love, for a while now, and right here it just seemed to fit.

6. Moloko – Pure Pleasure Seeker

This is from the Things to Make and Do, the same album as The Time Is Now and Sing It Back (the latter admittedly tagged on with the smasheroo Boris Musical Mix version), which means this tune is often overlooked, unless you’re making adverts for beds (I think). Reclaiming this one back from the evil clutches of capitalism (right on, brothers and sisters).

7. The Steve Miller Band – Abracadabra

Shush. It’s a tune. And a mighty fine one, at that. Dislike it at your peril.

8. Cornershop – Brimful Of Asha (Norman Cook Remix)

Since watching the Fatboy Slim/Brighton beach documentary recently, I’ve been on a bit of a Norm-trip. A Cook-off, if you will. So this is included just as a reminder of how ace it is. (Around the time this came out, I remember seeing an interview with Norm, where he warned Jason Nevins, having success with a Run-DMC remix, not to spread himself too thinly with his remixes, which frankly seemed a bit rich…)

9. Wild Child – Renegade Master

…especially as Norm remixed this.

10. Faithless – Mass Destruction

Back to the death roll-call I’m afraid. Maxi Jazz and Faithless made mostly inspiring, upbeat, trance-based club records, and were an incredible live act that I had the pleasure of seeing a couple of times. I’m sure you’re mostly familiar with their biggest hits: Insomnia, We Come 1 and God is a DJ; they all featured highly in the post-passing articles and tributes I read, but less so this brilliant articulation of, amongst other things, dismay at disinformation that was, released in 2004, way ahead of its time, the term fake news not entering the zeitgeist until several years later. It’s still, sadly, just as relevant today.

11. Belinda Carlisle – (We Want) The Same Thing

I don’t really need to justify the inclusion of this, do I? Good. Thought not. It’s ace, and that will suffice.

12. Violent Femmes – Prove My Love

“Third verse, same as the first!”

13. Pixies – Head On

Ironically, or perhaps appropriately, given it’s title, a double-header with…

14. The Jesus & Mary Chain – Far Gone and Out

…this, who originally wrote and performed Head On, so it didn’t seem right to omit them from this mix.

15. Felt – I Will Die With My Head In Flames

Martin Duffy’s sudden death in December, as a result of a brain injury following a fall at his home, was both saddening and shocking. He had first come to prominence as keyboard player in the always under-rated indie band Felt. This, short but sweet, little beauty never appeared on an actual Felt album (compilations aside) and was the B-side (or possibly the 2nd track on an AA side, I’m not entirely sure) to 1986’s Rain of Crystal Spires, which, needless to say of all Felt records, and pretty much every record that Felt mainman Lawrence has been involved in, was unjustly ignored by Joe Public, the idiot.

16. The Colourfield – Thinking of You

As I believe I mentioned recently, it’s always nice to have your musical taste supported, and such was the case when I tweeted about how sad I was about Terry’s passing: my old mucker Heledd replied: “Thinking of You always reminds me of you – you were the first person I met who loved it as much as me.”

I can think of worse records to be associated with.

17. Primal Scream – Shoot Speed/Kill Light

After Felt disbanded/fell apart, Martin Duffy became a full-time member of Primal Scream. His passing inspired the band to release this statement: “We’re all so sad…Martin was the most musically talented of all of us. (He) could play piano to the level where he was feted not just by his peers in British music, but old school master American musicians such as James Luther Dickinson, Roger Hawkins, David Hood (and) producer Tom Dowd”.

18. The Charlatans – Just When You’re Thinkin’ Things Over

It wasn’t just the Primals who mourned him; following the death of founding member Rob Collins, Martin learned all of The Charlatan’s songs in three weeks so that he could appear with them supporting Oasis at their legendary and record-breaking gigs at Knebworth in 1996. He also contributed keyboard parts to the band’s fifth album Tellin’ Stories. Here’s Charlatans front man and National Treasure in waiting, Tim Burgess: “(Martin) stepped in to save the Charlatans when we lost Rob – he played with us at Knebworth and was a true friend. He toured with me in my solo band too – he was a pleasure to spend time with”.

This isn’t on Tellin’ Stories, but was the single The Charlatans had out at around the time of those Knebworth gigs, so undoubtedly Martin would have learned it.

19. The Specials – Enjoy Yourself

“Hello. My name’s Terry and I’m going to enjoy myself first.”

Enough said.

More soon.

S.S.O.S. (Stop Spoiling Our Songs)

Adverts.

I hate them.

The first thing I need to say is that the other day I went onto my blog to see if I had posted a song before, and I was shocked to find lots of adverts popping up within the text of whatever I had written.

Please, don’t ever click on to those adverts. They’re nothing to do with me.

But also: have you noticed that thing they now do on Channel 4? (Maybe on ITV and 5 too, but I never record anything on those channels so I can’t say for sure.)

Okay, so picture the scene: you have recorded a programme on Channel 4. There is an ad break, so you fast forward through them. You look for the signal that the show you’vee recorded is about to start again. And that signal is this: a Channel 4 advert for an upcoming Channel 4 show.

You press play.

But they’ve started putting these in the middle of the ad break, so that you press play thinking your recorded programme is about to start again. But it isn’t, it’s just a way of getting you to watch the second batch of adverts.

Cunning bastards.

Anyway, much as I hate adverts, and their appropriation of songs I like, sometimes I do have to concede that at least the song in question has been chosen well.

For example: I love this song, and initially bristled when, having pressed play too soon, I found it had been hijacked for an advert.

It’s in an advert for a range of mattresses, so through very gritted teeth, I had to admit it was at the very least an apt choice. (And as someone whose very stock is based around choosing a vaguely fitting songs to illustrate a point, it would be somewhat churlish of me to object anyone else doing the same.)

Anyway, here’s the song in question:

Moloko – Pure Pleasure Seeker

As an aside: is it just me, or has the amount of companies trying to sell us artisan mattresses massively increased over the past year or so? And for each of them, the USP is the same:

  1. You can (literally) sleep on your purchase for a while, and if you don’t like it, you can return it, and
  2. It comes in a box and magically unfolds, like a pop-up tent, when you open it.

Have you ever tried to pack away one of those pop-up tents? They’re utter, utter bastards, steadfastly refusing to be packed away again, so God knows how difficult it is to try and cram a mattress back into a box.

If you listen to podcasts regularly, you’ll have become familiar with these sorts of products some time ago, for they are one of a select band to have adopted popular podcasts as their weapon of choice.

You’ll have noticed the same companies popping up on a carousel between them. The main cuplrits are: mattress companies, Harry’s (the razor company), Beer52 and The Economist, all of whom proffer a special offer or discount if you go to their website and enter a special code…and I find myself thinking: it can’t be that special, it was on No Such Thing as a Fish last week.

But I digress.

As I was saying, much as it boils my piss to have songs I love inserted into an advert to sell something, occasionally I have to tip my hat and concede they have chosen well (And then find another way to slag them off, as you have just witnessed).

But then sometimes I find myself thinking: what the flipping flip is this song doing here?

For example: what is it about The Connells really quite lovely 74-75 that made some advertising smarty-pants think it was an appropriate record to soundtrack the bathroom section of DIY hardware store B&Q?

The Connells – ’74 – ’75

If you’re looking for a tune to soundtrack the sale of bathroom features and fittings, then surely this would be a better choice?:

Creedence Clearwater Revival – Up Around The Bend

Actually, now I think about it perhaps not: when selling bathroom fixtures the very last thing you want to advertise is that things might come back up and around the (U-)bend, post-flush…

Ewwwww……

*hastily rewrites CV*

More soon.

I Am The Mouth

Blimey, where does the time go? Has it really been three weeks since I wrote one of these?

Well, this is a pretty straight-forward one.

Moloko were a duo from Sheffield comprising of Mark Brydon (a musician and producer who had previously worked with the likes of Chakk, Sly and Robbie, Human League, Psychic TV, Boy George, Art of Noise, Cabaret Voltaire, Krush and, erm, The Funky Worm) and Róisín Murphy (who hadn’t). The two met at a party in 1994 when Murphy approached Brydon with the chat-up line: “Do you like my tight sweater?” All of my sweaters are tight, I suspect not for the reason that Murphy’s was though.

The only record I’ve ever heard played out by Moloko is “Sing it Back”. That’s a great record, such a great record that today’s choice never gets a look in, which is a shame, because it has exactly the sort of groove, propelled along by a brass riff (I’m sure someone will now point out to me it’s not brass, it’s woodwind, but I’m pretty sure it’s a saxophone) which lends itself to some rather exotic shape pulling on the dancefloor. At least it does in my living room when nobody else is looking and I’ve had a few. Which is often.

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Moloko – Pure Pleasure Seeker

More soon.

Friday Night Music Club

Week Three and we’re ticking along nicely and we’re segueing nicely into a little 80s and 80s-ish period.

dubbegood Beats International – Dub Be Good To Me

R-102690-1170019469_jpeg Freakpower – Turn On, Tune in, Cop Out

R-88784-1252781781_jpeg Moloko – Pure Pleasure Seeker

Intothegroovesinglecover Madonna – Into The Groove

c4d72c66 La Roux – Uptight Downtown

More next week!