Well, that’s the World Cup over and done with for another four years.
Time to restore some normality around these parts.
Starting with one of the most iconic bass lines, and greatest records, ever made:
Well, that’s the World Cup over and done with for another four years.
Time to restore some normality around these parts.
Starting with one of the most iconic bass lines, and greatest records, ever made:
There. That’s caught you all out. The Chain on a Wednesday morning.
Don’t get used to this. I’m at a work conference this afternoon and won’t get back until late, so I figured if I didn’t get it done before then, it’d end up being another week before it appeared. So, I started writing it earlier than usual (but still a week late, if you’re being ungratefully picky).
Anyway, we’ve lots to get through this week – 63 new suggestions in total – and so, as has become usual, we’ll start off with a reminder of the source record for the week:
Yet again, one of you correctly guessed the next song in The Chain, but we’ll come to that later. Or, more specifically, at the end.
But first, where to begin? Link-wise, I can think of no finer place than with therobster from Is This The Life? although, as you will see, the first tune of the week can only be partly credited to him:
“I’ve gone down the ‘intentionally misspelled animal-related band name’ route. How about some Def Leppard? No…?”
Yes! But with no actual one-armed suggestions forthcoming from the robster, in stepped Rol from My Top Ten:
“If therobster isn’t going to suggest one, can I suggest…”
“…because it’s very silly.”
Back to therobster, who actually suggests this:
“…let’s have the Monkees. As the Beatles were from Liverpool, I reckon ‘Randy Scouse Git’ would fit well. Plus, it’s actually about a party the band went to that was hosted by The Beatles”
Now, just in case any of you were planning on pulling me up on using that sleeve, let me explain. RCA Records bosses told the band that they would not release the song with the title “Randy Scouse Git” (which, incidentally, is taken from 1960s sitcom “‘Til Death Us Do Part”), and demanded they gave it an alternate title. “Okay”, said drummer/singer Mickey Dolenz, “‘Alternate Title’ it is.”
Here’s another band that fits nicely into the category:
Now, as therobster quite right points out, The Beatles is indeed a mis-spelling, and a pun, on a group if insects, but this seems to have completely passed Kay by:
“I’m going down the insect/bug route” she announces, and then names these two tunes:
But whilst we’re on links from The Beatles to the beetles, we may as well have Mrs GMFree, who suggests: “A Beetle is a VW car which is German, so are krautrock masters Kraftwerk…”
Or, as Alan Partridge would say:
(NB. I tried to track down a video clip of just the Partridge – Kraftwerk introduction, sadly to no avail. But imagine my surprise when typing the words “alan partridge introduces kraftwerk” into Google to find that the fourth link it offers is to…The Chain #28!)
But I digress. GMFree seizes the opportunity to do the old Chain link one-two shuffle:
“Which leads me to my [next] suggestion with the recent death of Holger Czukay…”
“…which I first heard covered by The Jesus & Mary Chain, one of many bands influenced by the experimental Germans.”
And GMFree isn’t done there, providing “a Beatle link to a Captain Beefheart cover”, which contains one of the rarest sounds ever committed to record – Mark E Smith giggling:
There’s also this, of course:
Enter George (that’s an introduction, rather than a command), who suggests:
“…given that The Beatles once played on the roof of their Apple building, what about…”
Ah yes, Apple Records. Alex G picks this up and runs with it:
“‘Martha, My Dear’ is from The Beatles’ eponymous 1968 LP, their first on their own Apple Records imprint. So from one artist-owned label named after a fruit, to another: Ray Charles’ Tangerine Records. I do wonder whether the Beatles got the idea from him, though nobody else seems to think so. Anyway, let’s go for Ray Charles’ version of…”
Which is, as Alex G points out/pleads, a double linker. Points!
Time for a Magical Mystery Tour next, courtesy of Julian from Music From Magazines:
“The Beatles had a couple of names before they became famous
1. The Quarrymen
To quarry is to mine as in ‘Soul Mining’ by The The ( fill your boots)”
Don’t mind if I do.
“2. The Silver Beatles
Martha is a lady’s name
And the bloke leaning over my shoulder at the bar is called Dave, amongst other things
So let’s switch on the Magimix ™ and see what delight we get
………… and the winner is
David Soul ‘Silver Lady'”
Much as I love that record, it’s featured before, way back in The Chain #8, and as such has to be disqualified. But since GMFree has done the old Chain link one-two shuffle, I suggested Julian might want to follow suit. So, since, he’d got to David Soul, perhaps one of his other songs? Nope. That’s too straight-forward for our Julian:
“David Soul starred in a short lived TV show called ‘Casablanca’, so how about…”
I must say, I’m not in the least bit surprised that Julian has suggested a song from a film which contains the line “Of all the gin joints in all the towns in all the world, she walks into mine.”
Anyway, he’s riffing by now:
“…coincidently [Casablanca] was the record label that released…”
Having valiantly chipped in to assist therobster earlier, Rol’s back with a suggestion all his own doing:
“‘Martha My Dear’ is from The White Album. Another band who released a ‘White Album’ (following on from their Blue, Green and Red albums… even though all of them were actually just eponymous) were Weezer. From that, I’ll suggest…”
Do any other White albums spring to mind? Well, no, although there is, of course “The Whitey Album”, by Sonic Youth off-shoot Ciccone Youth (I really thought this would get suggested, especially as I posted a track from it in a recent post).
Over to Alyson from What’s It All About? to wrap up the whiteness now:
“It occurred to me that The Beatles ‘White Album’ reminds me of Mr Barry White…I can’t find any dog-related [this will get explained soon – Ed] Barry songs or ones about a girl called Martha [I think we pretty much used them all up last time – Ed] so it’ll have to be the next most appropriate for this place:”
Now, all this white stuff is all well and good, but let me draw all of your attention back to something Alex G said earlier: ‘Martha, My Dear’ is from The Beatles’ eponymous 1968 LP…” And he’s quite right: the album in question is colloquially known as ‘The White Album’ but it’s actually, officially, called ‘The Beatles’.
Which takes us back to George, who suggests a new category: “…the ‘eponymous album that wasn’t a debut’ route.” And specifically he suggest this, from Blur’s 1997 album, the fifth that they released:
I must say, this is my favourite link of all that were suggested this time. It had never occurred to me before that most acts, when releasing an eponymous album, made it their debut, presumably to double the impact of their name, get it “out there” as a recognisable brand. So I did a little digging and found these acts also released eponymous albums, but not first time around:
Yes, everyone calls their fifth album “The Black Album”, but it’s not called that, it’s called ‘Metallica’.
And at the other end of the musical spectrum, this lots’ first album was 1973’s “Ring Ring”, but it wasn’t until two years later, when they released their third album, that they released an album called…well, you can figure the rest of that sentence out for yourselves:
I sense a new series of posts coming on…
Now, remember how in her suggestion Alyson mentioned something about dogs in songs? Well that’s where we’re going next and here’s Dirk from sexyloser to explain why:
“..the title ‘Martha My Dear’ was inspired by McCartney’s Old English Sheepdog, named Martha.”
Which leads us nicely into a whole batch of songs about dogs. Sort of. But before we get to Dirk’s suggestion, here’s The Great Gog, awake at 02:31am and thinking about dogs:
“All this talk of Martha has me thinking of my one of my sister’s dogs, which goes by that moniker. Martha is a spaniel, no idea what type of spaniel though. One type is a cocker spaniel which immediately led me to thinking of…”
Relax ladies, he’s married. And dead.
Back to The Great Gog it is then:
“Another type is a King Charles spaniel. The next King Charles is still a prince, however, so I can legitimately suggest…”
The Songs (Sort Of) About Dogs category is (almost) the largest category, so strap yourself in for some canine capers. You could say that we’ve gone dog crazy, in fact:
Okay then Dirk, what have you got for us?
“Another famous Old English Sheepdog was Alfie, who starred in ‘Serpico’, so – of course – did Al Pacino. And Al Pacino will always be remembered – at least in my household – not for Serpico, but a) [for the sex scene he had with the fabulous Ellen Barkin in] ‘Sea Of Love’, the film being named after a single by Phil Phillips from 1959. I prefer The Heptones’ version from 1968 though, also we don’t have enough Rocksteady on ‘The Chain’, I’m sure you’ll agree!”
Sorry, I stopped paying attention at the mention of Ellen Barkin. (I was wondering you were linking to her surname)
What was the other thing Al Pacino is remembered for in Dirk Towers, Dirk?
“…and b) for ‘The Godfather’….So…if you have a minute The Godfathers would be appropriate…perhaps….?”
And Dirk’s not done there. Oh no:
“We could also have something by Blondie as well…‘cos contrary to what everyone thinks, the band didn’t choose their name because Debbie Harry was blonde, no, they named themselves after Adolf Hitler’s German Shepherd, Blondi (the ‘i’ – ending was generally regarded as being too uncommon for American ears, so much so that the ‘-e’ was added)!”
Which is good enough for me. Here’s the Blondie track Dirk suggested:
At which point, Walter from A few good times in my life pops in to throw this threesome into the mix:
“…if we go the ‘dog’ road there will be a lot of songs recommended, i.e….:”
And as it happens, nobody else suggested any of the three Walter mentioned, (although I had one lined up as one of my oh-so many choices) so here they are:
Ok, brace yourself. It’s time for the undisputed Worst Record of the Week award, and to
present the award here’s all round nice guy and not a white supremacist enabler at all, Sean Spicer accept the award and explain what the hell he was thinking when he sent me this suggestion is Rigid Digit from Stuff & Nonsense:
“…sticking firmly to the Dogs route (and a contender for Worst Record Of The Week)…”
Not just a contender, Rigid, but so nailed on The Worst Record Of The Week that nobody else even bothered to try to think of any more because this was so obviously unbeatable.
But first some context.
The song is about Barbara Woodhouse, a dog trainer who found celebrity status in the UK in the late 1970s/early 1980s, back when celebrities were required to have some semblance of talent (see also celebrity steeplejack Fred Dibnah). Here’s a clip to give you an idea:
And here she is, interviewing William Shatner, teaching his dogs a thing or two, and then revealing a little too much about her bedtime habits for my liking:
And here’s Rigid’s suggestion. Remember: in the world of The Barron Knights, a man putting on a ladies voice = funny:
Not that they’re alone in that belief:
And here’s two actual funny women, Rebecca Front and Joanna Scanlon, parodying Ms Woodhouse directly and subtly:
I’ll leave the last word on that Barron Knights song to Charity Chic who quipped:
“I think you missed an H out of the title.”
Rigid then goes on to mention the Dogs d’Amour, but doesn’t actually suggest a record by them. Luckily for
us him, babylotti steps in with three suggestions by the band; I’ve picked the one he cited as his favourite. Because I’m nice like that.
Relax ladies, etc. etc.
I must say I always get the Dogs d’Amour mixed up with The Quireboys. Were they around at the same time? (NB: This is a rhetorical question, the type where instead of already knowing the answer, I already know that I don’t really care.)
So let’s have some more doggy-do’s, and one which I was surprised nobody else suggested. A song which is famously about a dog, although the name in the title was changed from ‘Brandy’ in the first draft (who sounds more like a stripper than a dog, if I’m honest) to:
Count yourselves lucky I didn’t post the Boyzone version. Or the Westlife version. Whichever one of them recorded it. They’re the same thing really anyway, aren’t they?
Oh, and innuendo fans, check out the title of that B-Side. Parp!
Since we appear to be in 1970s softie ballad territory, here’s another from Rigid Digit:
“What the world needs is more acoustic guitar playing beardy blokes…”
which is debatable, but he means that as an introduction to this:
It’s no wonder that Cat Stevens changed his name. A cat admitting to loving a dog is always going to be given the cold shoulder by the feline community.
Now, I must admit that when Rigid suggested that song, I actually thought he was talking about this:
Thank goodness for The Barron Knights, or I’d have to give myself the Worst Record of the Week award now.
But it’s okay, I can turn things round. From Peter Shelley, to Pete Shelley:
(I was going to post a Buzzcocks tune and had settled for the (s)punky little burst that is ‘Orgasm Addict’, until I realised how that might look when played after the previous two songs…)
Time for another one that I was surprised nobody else came up with. The original version has featured on The Chain before, so I would have had to disqualify it. But, as with the helping hand I tried to give Julian earlier, had the original been suggested than I would doubtless have given you a nudge towards this:
One more doggy disc to go, and we’re back with Rigid Digit again. He’s relentless, isn’t he?
His final suggestion is for a record that’s “Madly brilliant, but not really essential.”
Their record label initially refused to release that, on the grounds that it was trying just a bit too hard to sound like The Small Faces. Harsh, but fair.
But as Rigid astutely concludes:
“There ain’t many songs whose last words are: ‘lovely buttocks'”
A fair point, well made. But just think of the songs which could be improved by the inclusion of those words. “God Save The Queen” springs to mind.
Speaking of which…
Often, the suggestions link from one song to another by way of one word in the title. But there wasn’t much to work on here, just three words, and one of them, Martha, was pretty much done to death last time. But there was one more song to link to that name, from Swiss Adam over at Bagging Area:
“I have a niece called Martha. Her Mum, my sister, was born in June 1977. My parents sometimes say that if she’d been born on the Queen’s jubilee day they’d have called her Jubilee. At least I think they’re joking. So [this] seems an appropriate link (Pistols obvs).”
As does this, to be fair:
Having mopped up the last of the Martha’s, we’ll edge towards the end of the song title now with a “My” or two. Or three, actually. And two of them are from me.
This being one of them:
And since it features a man and his dog (and for no other reason, honestly) here’s the video for that one too:
The other “My” suggestion comes from abramson60, who, clearly unmoved by that video, announces that he’s “got a soft spot for Joan Armatrading.”
Me: Well, if you’re suggesting that…
The Chain gang: …then you’re suggesting this:
And so on to what is the biggest grouping of songs of the week.
Surprisingly, nobody went for this:
So, where to start with this little lot. Well, let’s split them down into songs which feature the word “Dear” in the title (or prominently elsewhere in the lyrics) and, first, songs which can in some way be linked to Deer.
And, after missing last times linkage, it’s a warm welcome back to SWC, who proffers this:
“If we want to be clever…”
Look out. Julian’s back:
“I never checked the spelling and assumed Paul was singing about a ruminant mammal on his Scottish Croft . The Beatles released a b-side “Rain” and Bambi was a deer, know the song yet?
Blind Bambi… no idea
Dead blind Bambi… still no idea…?”
I must admit, I assumed at this point that Julian was about to suggest this:
(Except it’s not really the Sex Pistols, is it? It’s got Eddie Tudor-Pole on lead vocals for a start. And it’s from ‘The Great Rock’n’Roll Swindle’. And it’s title and that picture are clearly meant to shock, but it’s shocking for the sake of being shocking. Not cool.)
But no, Julian was in fact going here:
“Ok it’s the rain song from Bambi”.
This caused a little confusion at Chain HQ, as the song that Julian actually wanted was this:
…which, confusingly, was not going to be in the original film, it was going to be a song called “Rain Song”, which was ditched in favour of “…April Showers”, and which you can see/hear here:
And then, just to confuse things even further, Julian goes and suggests this:
But of course, we all know where Julian’s really heading:
“More importantly the animated video for “Is a Woman” also features falling leaves and a deer, by Lambchop of course”
But of course:
And here’s the video he mentions:
I’ve not had chance to watch that, so I’m trusting you on that one, Jules.
Ok, so that’s the deer related bunch over with, so “if we are going down the dear route”, says SWC, then “we need….”
Cheers, SWC, I’d totally forgotten about that one. Great to hear it again.
Back to GMFree now, for another couple of belters:
I have a confession to make: I’ve never seen Blade Runner. Sacrilege, I know. But it’s one of those films that everybody bangs on to me about how amazing it is that it can never live up to expectations. I guess I’d better rectify that before the new one comes out later this year, right?
Over to babylotti now, who suggests these two:
“[I’m] going to fall back on Marvin Gaye’s divorce settlement album, ‘Here My Dear’, with obvious reference to Martha my dear….I’ll suggest the title track rather than any of the singles.”
…before also doing that old Chain link one-two shuffle:
“And from there I believe I have to link to…”
And whilst we’re on great versions of classic songs, does this next one remind anyone of anything?
Anybody? No? Not even this:
Just me then.
Back to abramson60 again for his second and final submission:
“…there would be ‘Mother dear, they’re teaching me to do the goose-step’, which can be found in….”
Martin from New Amusements snuck his suggestion under the wire just in time:
“Keith Moon used to call everybody “Dear Boy” and he did a pretty fair cover of Beatles track ‘In My Life’ for his lone solo album ‘Two Sides of the Moon’ (even if it was played with too straight a bat). Anyway, a double-linker!”
A double-linker indeed. Points!
Back to Walter now, and his final two suggestions (although, granted, his first three were more mentioned in passing than actual suggestions):
“For sure, from probably Talking Heads’ last good record ‘Naked’…”
and “Another song that accompanied me since my youngest days…”
Time for C from Sun Dried Sparrows tune now, and this is an example of me saving the best ’til (almost) last; I think this is my favourite song by this lot. I love a good bracket (see?)
“I went down the ‘dear’ route too and another song whose title ends in the word ‘dear’ (there can’t be many, surely?). “Dear” is such a charming, old-fashioned word, I always thought it sounded a bit out of place for Blondie to use it but I love that they do. So I’d like to suggest…”
Now, when the suggestions start coming in, I will often have a little bet with myself as to who I think will suggest what. I’m rarely right, of course. For example, this week I was sure that Dirk would suggest this:
But he didn’t, so now I have to, just to give extra justification for me posting this:
You’re right. I can’t help myself sometimes.
Which just leaves two songs, and you’ve probably noticed that Charity Chic from Charity Chic Music has been a bit quiet this time out. Here’s why:
“My first thoughts (neither of which will be the correct answer) were…”
…which, given it’s a cover of a song from The Beatles’ “White Album” and features the word “Dear” is unquestionably a double-linker (Points!!).
And I wouldn’t be so sure about neither of your suggestions being right, CC, for you’re right on the money with your second one. The official link is, quite simply “From one Dear to another…” and the next record in The Official Chain is this:
I’d forgotten how great that record is too, as it goes.
So, CC, congratulations. A huge bag of non-existent points is winging its way to you. Hopefully that makes up for The Chain making you late for work last time. And today, too.
Ok, you know what happens now. This is the bit where I invite your suggestions, please, for songs which link to “There, There, My Dear” by Dexys Midnight Runners, along with a brief description of the link, via the Comments Section down below, in time for the next edition. Who knows when that might be.
On to a record which actually came out in 1985, but I didn’t buy until the following year.
I remembered hearing “Once in a Lifetime” by Talking Heads on the radio when it was a hit back in 1981, and thinking it sounded like nothing else I’d ever heard. My interest wasn’t piqued enough to buy the thing of course – I was just entering my early years of obsession with the Quo at that point – and I don’t think I heard anything else by them again until “Road to Nowhere” came out in 1985. And I didn’t buy that (immediately) either.
Then two things happened. Firstly, “And She Was” came out. And secondly, I saw “Stop Making Sense”, unquestionably one of the greatest live film recordings of a band at the very peak of their powers.
Coincidentally, around about this time I was becoming more interested in buying albums rather than singles, but realising I would not be able to afford to buy every album that had a single on it I liked, I had developed a purchasing protocol: if I liked at least two singles from it, then it was probably worth investing in. Which meant that 1985’s “Little Creatures” had earned its’ place on my list of records I wanted to own.
At the time, though, money was a little short; I had yet to enter the job market on any meaningful level, although I did have a job delivering the local free newspaper once a week to the residents of the village I lived in, a job I had somehow inherited from my brother.
I say delivering, but it would be remiss of me not to admit that I got very bored of this job very quickly, and ended up stashing most of the copies anywhere I could (under my bed, in the garage), rather than spend three hours on a Wednesday night trudging round the locale. Who’s going to complain about not receiving their free newspaper, I reasoned.
Friends of my parents, that’s who.
Anyway, I digress. What I mean to say is that it took a little while to save up enough pennies to be able to afford the “Little Creatures” album, meaning I didn’t actually get hold of a copy until early 1986.
It’s possibly the most polished and commercial of their albums, probably not even my favourite album by them, but nevertheless here’s a couple of tracks from it:
Oh, Come All Ye Faithful, Joyful and Triumphant, come to the Festive edition of The Chain!
I’ve been beset by technical issues this week, not just those which have delayed this by a day, but also the issues with several contributions mysteriously being marked as Spam and disappearing from the Comments section.
But, nevertheless here we are, with another mixed bag of your suggestions, linked to last week’s final record, “Pink Moon” by Nick Drake.
As usual, the suggestions can be split down into various categories – namely songs or artists which include the words or some derivative thereof, of “Nick”, “Drake, “Pink” or “Moon”. Surprisingly, almost none of you suggested anything which contained more than one link, so here’s one to get us started.
From “The Dark Side of the Moon” by Pink Floyd (who have a band member called Nick), here’s:
I set you all an additional challenge last week: since this week’s post would be available in Christmas week, I asked you to see if you could provide suggestions of a festive nature where possible, and some of you duly obliged.
Surprisingly, though, none of you suggested this, a song by a band so un-Christmassy I’ve always found this to be a slightly odd addition to their canon of work, let alone the fact that they released a whole album worth of this stuff:
So, over to you, but where to start? I suppose really, given that he has made more contributions this week than our most regular of readers have made since we started doing this, we should probably hear something from Rol of My Top Ten, right? Agreed.
So, here’s Charity Chic from Charity Chic Music then:
“Another Nick busy at this time of year is St Nicholas better known as Santa Claus. When another Nick shuffles of this mortal coil he will almost certainly be canonized. Can we have The Man That I’ve Become from Dig My Mood an album by St Nick of Lowe please?”
Is it just me, or does the picture on that sleeve have more than a passing resemblance to a certain orange President-Elect?
CC wasn’t the only person to suggest this particular Nick this week. Here’s Walter from A few good times in my life:
“Taking his first name it is a short step to Nick Lowe. Probably one of the best songwriters in the early 80’s and blessed with a great voice. So what about the first Stiff single ever ‘So It Goes’?”
Regular visitors will know that generally, each week, after I’ve received several suggestions, I get a comment from Alyson from What’s It All About, Alfie? bemoaning the fact that all of the songs she was going to suggest had already been made by co-Chain Gangers. It’s a bit like when the person on the third podium on ‘Pointless’ says that the person on the second podium had just taken their answer. Anyway, so imagine my delight when the very first comment I got this week was from Alyson:
“Time for sleep now, then work tomorrow, so will no doubt be late again with my suggestion…but before CC trumps me, it might involve Lily the Pink.”
Several hours passed. Article 50 was activated and nobody noticed. Civilizations rose and fell. And then, finally, this:
“Well, sleep, work and xmas shopping got in the way so 18 hours after my first comment, I have decided against Lily The Pink by The Scaffold…”
Oh no you don’t. You’re having it, whether you like it or not, young lady:
And since we seem to have stumbled into Pink territory, back to Walter:
“Pink leads me to Pink Flag, Wire’s first record. Three Girl Rhumba was one of these little masterpieces in this era. Groundbreaking and always worth to listen to.”
A few years ago, when I still shared a flat, I did my usual Friday night routine of doing a playlist to get drunk with my flatmates to; it included that Wire rune, followed by the next record. I had neglected to tell my new flatmates that it was a playlist they were listening to; they thought my iPod was incredible for knowing to play these two records together (along with a whole host of other songs which sounded like/had been ripped off (allegedly) from each other. Hmm…maybe there’s a new topic for me there….). What I mean to say is *ahem* *clears throat* *offers a cheeky wink to the audience*…Well, if you’re going to suggest that, then I’m going to suggest this:
Right. I suppose we’d better make some in-roads into this mountain sized pile of suggestions by Rol. Oh hang on, Alyson’s back:
“I have always thought that the multi-talented American singer Pink, and Sharon Watts from Eastenders, were dopplegangers and who did Sharon date for a while on that show – Yes it was “Nick” Berry who had a big hit with Every Loser Wins. (They don’t, every loser generally loses, but it worked well for him). A tenuous double link.”
Much as I’d love to post that, it has featured here before and the rule is that the only records we can feature twice are a) “Back on the Chain Gang” by The Pretenders, and b) records which turn out to be the next record in The Official Chain which we’ve already had. Have another go.
“…perhaps Lily The Pink it will have to be, although just remembered that the brother of Mike McGear of The Scaffold was Paul McCartney whom I also seem to remember recorded a theme for the teatime soap “Crossroads” which Nick Drake’s sister, aforementioned Gabrielle, appeared in. Don’t know if theme tunes count as a suggestion but another double link.”
Well, we’ve featured the theme tune to Bergerac and Space:1999 here before, so I don’t see why not, especially when The Great Gog made reference to the same theme tune via a different link in his suggestion:
“There is Nick’s sister, Gabrielle, who starred in Crossroads at one time. The theme tune to Crossroads was written by Tony Hatch…”
I have had that firmly lodged in my brain ever since I listened to it. It should come with some sort of Government health warning. As should have the programme it book-ended.
“Things hatch from eggs,” continues The Great Gog, “which to me at least is as good an excuse as any for “Egg Shaped Fred” from Mansun.”
Catchphrase alert! Well, if you’re going to suggest that, then I’m going to suggest this, from the magnificent “The Mysterious Production of Eggs” by Andrew Bird:
Right, where were we? Ah yes, Alyson, back to you:
“Final pink suggestion is simply ‘Pink Cadillac’ by Natalie Cole simply because she is yet someone else from that long list of artists who have left us since this time last year.”
It’s probably about time put a dent into Rol’s suggestions. No, really this time.
“I’m resisting the obvious Springsteen link from Alyson’s last suggestion as it’s Christmas and I don’t want to upset George” This would be most admirable, were it not for the fact that Springsteen wrote Pink Cadillac, but I’m sure George appreciates the sentiment.
“However, since no one else will dare suggest a song by the best damned pop star of the last 20 years, can I suggest ‘So What’ by Pink?”
The Chain would like to make it very clear that the views of Rol re: the best pop star of the last 20 years are not necessarily shared by the publishers of The Chain.
Well, if you’re going to suggest that, then I’m going to suggest this, by one of the greatest pop stars of the last 60 years:
There’s something rather wonderful about hearing a seventy-year old Welsh woman proclaiming: “I’m comin’ up so you better you better get this party started”, isn’t there? Bear that in mind when your grannies farting herself to sleep in front of the television on Christmas Day.
Which reminds me: Christmas records, anyone?
Ah, here’s Julian from Music From Magazines, he seems the sort of cheery fellow bound to supply us with something festive. Which he will, but first, he’ll expand a little on the whole Gabrielle Drake thing. She rather seems to have set racing the hearts of several of the men of a certain age who contribute here:
“Nick Drake’s sister was Gabrielle Drake who was in the TV show UFO (any picture would be a Christmas gift for any man of a certain age [See? I told you so]), the heavy metal band UFO is not a gift.”
It’s okay, we’re not having anything by UFO. Although, had you actually suggested something by them, I would have been honour bound to post it. Oh and by the way, I am not posting a picture of Gabrielle Drake. If you’re reading this, you’re already connected to the internet, so you can find one yourself, you mucky sod. ()
Before you all go cranking open a spare browser to do exactly that, stick around folks, because if you piece together this little bit of connected thinking out loud, you get a rather fine example of Comment Showboating.
“On the other hand ‘Calling Occupants of Interplanetary Craft” by The Carpenters is a fine song written by the Canadian group Klaatu, a bunch of session musicians, who some folk thought were The Beatles.”
I’ve always thought that was a pretty odd, uncharacteristic record for The Carpenters to have recorded, had assumed it was a cover version, but had never actually thought about finding out for sure. Consequently, that’s the first time I’ve ever heard it.
By the way, many years ago, I was drafted into what turned out to be the winning team in a pub quiz. (There was a music round, and without wishing to sound immodest, I was often asked to join teams for pub quizzes which featured a music round). The prize was “A Tribute to The Carpenters”, which I had assumed was going to be a night of people performing cover versions of their many hits, but which actually turned out to be a selection of middle aged men displaying a rather fine range of bureaus and occasional tables they had made.
I digress. Back to Julian:
“A slight detour to the movies for the classic sci fi ‘The Day the Earth Stood Still’ starring Michel Rennie as the alien called ….Klaatu. A still from the film was used (with some editing) for the cover of Ringo Starr’s LP ‘Goodnight Vienna’.”
It’s okay, he’s going somewhere with this. Trust me.
And he’s not wrong you know. The original:
and the “Peace and Love! Peace and Love! No autographs! Peace and Love” rip off:
“Which of course leads on to Dora Bryan and ‘All I Want for Christmas is a Beatle'”
At last, a Christmas record! And am I alone in being reminded of a certain other iconic performer from the North West of England when I hear that? No? You know who I mean, surely?
Take that back a step, before I interrupted and brightened your lives up with Frank, and Rol has another link:
“…this leads me to think of ‘Doris Daytheearthstoodstill’ by Future Bible Heroes.”
Julian’s not quite done yet, and we’re most definitely not done with the Gabrielle Drake links just yet. Here’s Julian, ruining all that excellent Comment Showboating by suggesting the Worst Record of the Week:
“Back to Gabrielle Drake. The organisation that [Spoiler alert!! – Considerate Ed] will save the world in UFO is the Supreme Headquarters Alien Defence Organization or SHADO which is only a short step, (or a W) to a truly crap Christmas song”:
“All this talk of Gabrielle Drake being in Crossroads but am I the only one who mainly remembers her from that 1970s Sunday Night drama set in the exciting world of haulage – ‘The Brothers’?” chips in Alyson. “So many links to bands/duos with Brothers in their name so won’t overload you and was really just looking for one that might have done a seasonal ditty but all I could find in my library was Count Basie & The Mills Brothers with ‘December’! (Goodness knows where that came from as can’t remember ever noticing it before.)”
Okay, let’s wrap up the rest of the Drake related suggestions, and we’ll go back to The Great Gog:
“A contender for worst record of the week [Too late, even though you did suggest this first. It is nowhere near as bad as Sir Cliff – Cut’n’Paste Ed]”:
More Drake-related shenanigans from The Beard now:
“Drake is a popular Canadian rapper. Another, much better, Canadian rapper is Abdominal. He is best known for his collaborations with DJ Format. When not hip-hopping Format makes spaced out funk as part of The Simonsound. ‘Tour De Mars’, their cover of Kraftwerk’s Tour De France, is almost as good as the original.”
Even more Drake related nonsense from Rigid Digit of, appropriately enough, Stuff & Nonsense fame:
“Drake = a male duck
A wild duck = mallard
Mallard = Steam Train
The only* Heavy Metal song about a Steam Train
* probably not the only, but the only one I can think of right now”
And the Drake links just keep on coming. Here’s Swiss Adam from Bagging Area:
“Nick Drake was related to Elizabethan sailor, privateer and adventurer, Francis Drake.[Has anyone checked this? – Ed] Francis Drake was a thorn in the side of the ‘King of Spain’, which is a song by Galaxie 500.”
Over to The Robster from Is This The Life? now:
“A drake is a male duck. Chuck Berry was famous for his ‘duck walk’ and he had a song called Havana Moon, first released in 1957, later re-recorded for the 1979 album Rock It. Interestingly, that was the last studio album Chuck released, but he has a new one lined up for 2017, the year he turns 91. Yes – 91. I wonder if he can still do the duck walk?”
I imagine if he can, it would be The Duck Walk sponsored by Stannah Stairlifts and Sanatogen Vital 50+.
Props for the Duck/Drake/Moon double-linker by the way, Rob.
A quick additional duck-link from Walter:
“I don’t think he can’t do the duck walk any more but I’m surprised that he will us give a new record at the age of 91 and I ask myself if Keith Richards will still be on the stage at this age. So Ducks Deluxe came to my mind with Who’s put the bump”
By which I think you mean this (and apologies, I could only find a live version, but it doesn’t sound like there’s many people in the audience, so it’s practically a live studio version):
Whilst we’re on ducks, a song which I remember from my childhood, which I haven’t been able to find a decent copy of, but did find this clip from TOTP2, which means it is top-and-tailed by Steve Wright, which makes it even worse than it already is:
It was around this point that the Comments went all wonky and some got deleted. As far as I can tell, this affected Charity Chic, who compensated by reposting his links over and over again until they worked, and SWC and Badger’s. If anyone else’s got lost, my apologies.
One that didn’t get lost, was this from Kay. In the interest of full disclosure, I should let you all know that Kay is not just a friend of mine, but also my boss, so you’ll forgive me for allowing her suggestions, irrespective of how terrible the record or tenuous the link she suggests. I can say this without fear of retribution because by the time she reads this, she’ll be at least halfway through the bottle of Chocolate Orange liqueur we bought her today. Delicious on Coco Pops, I’m…er…told.
“Nick Drake links to Drake, same name but then realised I didn’t really know any of Drake’s stuff. [I have just Googled him,and I’m none the wiser] So went the same way as The Robster and linked drake to male ducks, then realised I knew no songs that are linked to ducks [It’s going well this, isn’t it?] …. but [I sense a Eureka! moment is imminent] ducks live in ponds and frogs do too…so my choice is Paul McCartney & The Frog Chorus’ ‘We All Stand Together’, which was the first record my sister brought.”
Or, as he is forever known Chez Jez: Fab Macca Wacky Thumbs Aloft. Some of you will understand the reference.
I’m going to avoid the lazy joke about that being Nigel Farage’s least favourite record since it contains a bunch of frogs suggesting unity. Although I appear to have just made it anyway.
By George, it’s George!
“Worst song of the week contender [Nuh-huh]. From Nick Drake to Ted Drake (the footballer) who played for Southampton (and Arsenal)., and was manager of Chelsea when they won their first league title in 1954/55. And born in Southampton, in 1955 (double chain link there!) was Howard Jones. Now, I could it leave it to Charity Chic to pick a Howard Jones track from his record shelves But I’m going for…”
“…which had that bloke in chains prancing around on Top of the Pops. Who was he, anyone know?”
As I said in the Comments, I do. His name was Jed, a name I have been mistakenly called many times, and as such one which is indelibly edged into my brain.
And in case you don’t know who George is on about, here’s Howard and Jed, singing and prancing around on Top of the Pops:
I’m having a flashback, I swear…
Let’s move on to wrapping up the Pink links, and I’ll hand you over to George again:
“Pink Moon to Pink Industry and their single ‘What I Wouldn’t Give’. (The cover of the single featured a picture of Morrissey).”
It does indeed, which is precisely the reason I have a copy of it, poor obsessed fool that I was:
By the way, as I’ve uploaded that I’ve realised that there’s about three minutes of silence at the end of it. Time constraints prevent me from editing it, but I may come back and do it later on, if anyone’s that fussed. What I mean is, when the song sounds like it has ended at around the 3:30 mark, it has: don’t sit around in silence on the off-chance something interesting might be about to happen, as it isn’t.
As I mentioned earlier, the glitches that meant some comments went AWOL seem to have affected Charity Chic, SWC and Badger’s. I think we got there in the end though, although what with SWC and Badger both posting from their excellent When You Can’t Remember Anything blog I’m not 100% sure that I’ve attributed the right song to the right chap this week. So, more apologies if I’ve messed it up.
So, I think this is SWC taking us, as he puts it, “down the pink route” now he’s “finished watching Gabrielle Drake’s finest moment ‘Commuter Husbands’ “
“The obvious link from here is to ‘Snooker Loopy’ by Chas ‘n’ Dave and The Matchroom Mob” which has featured before, so I can’t allow, I’m afraid, “But another song that features pink would be ‘Pink Glove’ by Pulp.”
Plus, “Aerial Pink who was in a band called Holy Shit with Christopher Owen from Girls. So you could have the very Christmassy:”
It’s Rol time again, with more pinkness:
“‘Hey Eugene’ by Pink Martini would be good too.”
From vomit to Martini. I don’t just throw this together you know.
Here’s babylotti with a hat-trick, starting with a pink connection, and ending with something festive:
“First of all, I can think of Fuzzbox (had they dropped the ‘We’ve Got a …& We Know How to Use It’ by then?) [Yes and no, is the answer: officially they were now just Fuzzbox, but as this was the first single they released under that moniker, the “We’ve Got…” part was snuck onto the record sleeve just in case there was any doubt as to who was responsible for it. There’d been quite a make over in between the ‘Bostin’ Steve Austin’ album and this, so you can’t really blame them – Ed]) and Pink Sunshine. Bostin’”
“From there that leads me to another one introduced to me by Peel, Fuzzbox’ label mate Ted Chippington. I’d love to go for his version of ‘D.I.S.C.O.’, but I will settle for ‘Rockin with Rita’…”
That’s fortuitous, I haven’t been able to find ‘D.I.S.C.O.’, but ‘Rockin’ with Rita’, no problem:
“Finally from ‘Rockin’ with Rita’, I’m going for a festive link to Mel & Kim’s [no, not those ones, but it’s only a matter of time before they turn up here] ‘Rockin’ Around the Christmas Tree’.”
Next, a stone cold classic, courtesy of Charity Chic:
“No repetition here and something that is neither obscure nor obtuse, just a song that is demanding to be played:”
What we need now is something that neatly takes us from Pink to Moon. Preferably by way of one of the greatest records ever recorded. Any takers?
The Swede from Unthought of, though, somehow confidently steps up to the oche:
“‘Pink Moon’ was produced by John Wood and among his many other credits are several of Squeeze’s early hits, including ‘Up the Junction’.”
That will do nicely.
So, moons. Over to Martin now (forgive me if I’m rattling through these a bit now…time is ticking away….) who offers a song and a critique:
“I’ll go with an obvious moon connection instead and throw Morrissey’s ‘Moon River’ hat into the ring, even if it does go on a bit.”
You can say that again. Somehow he manages to drag this out for 9:40. I’d put the kettle on if I were you:
“Moon River is from the excellent 1961 movie Breakfast At Tiffany’s, starring Audrey Hepburn and George Peppard. Ten years earlier, one of Audrey’s first ever screen roles was as a “Cigarette Girl” in the movie Laughter In Paradise in which she appeared alongside another famous George… George Cole. That George would go on to become immortalised as Arfur Daley in the TV show Minder, and in 1983, he would release a Christmas single with his co-star Dennis (“write the theme tune, sing the theme tune”) Waterman.”
I wish I could say I didn’t actually already own this. I think this may over-take Sir Cliff in the Worst Record of the Week stakes:
“Their Top of the Pops performance is worth a watch.” It is, just so you can see the dictionary definition of the words “excrutiating” and “embarrassing” acted out:
It is at this point in the Comments section, that Julian and Rol had a bit of a chat, coming up with more suggestions. Nice to see you boys getting along!
Julian: “Back to the movies, in the film ‘New York New York’ Blue Moon is destroyed by Robert De Niro who costarred in ‘What Happened Next’ (2008) with Bruce Willis……..”
Which leads us to what has been argued to be the greatest Christmas movie ever: Die Hard. (It’s not. It’s pretty much Home Alone for grown-ups.)
The end credits have this festive number playing over them:
Rol: “Blue Moon was also the detective agency where David Addison (Bruce Willis) worked in the aforementioned [last week] ‘Moonlighting'”
Julian: “Nice. Al Jarreau “The Christmas Song” anyone?”
And since we’ve landed on some Christmas songs again, here’s another suggestion from Rol:
“Can I add ‘Run With The Fox’ by Chris Squire & Alan White (roughly a quarter of Yes) because it contains a Christmas Moon, which isn’t pink but probably has fairy lights hanging from it. It might keep old proggies like The Swede happy… or not. “
Respect to the guys in the Art Team for the many hours they must have put in coming up with the concept for that sleeve. Money well earned, chaps.
I haven’t used my catch-phrase for ages. It’ll never catch on at this rate. Let’s do it.
Well, if you’re going to suggest that, then I’m going to suggest this, since it’s actually called “Christmas Moon” and because it’s ace:
Which I think just leaves us with Badger. Since his comment was one that was lost, I received a summary of both his and SWC’s suggestions. We’ve had SWC’s, here’s Badger’s:
“Nick Drake also recorded ‘Road’ which was covered by scouse punk band Drive on their ‘Out Freakage’ album…”
“…Roads lead to nowhere as Talking Heads told us…”
“…Or if you want to go festive you drive home on them like Chris fucking Rea….”
Or like Saint Etienne, for that matter (bullet dodged, there, I think):
And this is where it gets complicated. For at the end of their summary of the lost comments, posted by which of our fine friends I know not, was this:
“He also said something about Malcolm McLaren but I true to form can’t remember what.”
Later, this, again, author unconfirmed: “It was to do with ‘Duck Rock’.”
I sought clarification: “Was there a song from ‘Duck Rock’ you had in mind? If not, it’s going to be ‘Double Dutch’…”
The response, again author unconfirmed: “Well most of it is rubbish to be honest [Fair point]. I only thought of it because I saw a copy in a charity shop. Double Dutch is fine.”
But I felt a bit bad about…erm…badgering them into letting me play the track I like the most, so I persevered:
“Yeh, it’s that or ‘Buffalo Girls’ really isn’t? Your call, I have them both lined up ready to go. Which did you suggest in your original lost comment? We should go with that one, really.. “
No response, but to be fair, the boys have probably been swamped with comments and nice things being said about their frankly phenomenal final post (for now…?) over at When You Can’t Remember Anything. If you haven’t read it yet, do your self a favour: click that link and read something incredible. Advanced warning: you will undoubtedly shed a tear.
The reason I was trying to check whether or not one of them had suggested ‘Buffalo Gals’ (as I have subsequenty realised it’s actually called) was this. I never look at what the next record in the Official Chain is until I’ve finished sourcing all the tunes you suggested and thought of a few myself. Seems only fair that we have an even playing field, where I don’t know what the next record in The Chain is any more than you do. Besides, it’d just look plain fishy if I “guessed” right every week.
But when I did look to see what the next record in The Official Chain was, this is what I found:
“From Nick Drake to the following (which is on the ‘Duck Rock’ album)..”:
So, SWC, Badger, jointly as I have no idea which of you suggested Malcolm McLaren, and in honour of your bloody marvellous (please keep going, you’re too good at this to stop) blog, have some bonus points. Merry Christmas.
Okay. So. This is the last edition of The Chain for 2016. I’ll be taking next week off, bar a couple of pre-planned posts I have lined up. Due to the nature of it, I can’t really write The Chain in advance, obviously.
So, you have two weeks to get your suggestions to me, via the Comments section below, for songs which link to “Buffalo Gals” by Malcom McLaren, along with the usual explanation about how you got from record A to record B.
Oh and one more thing. I love doing this, and I’ve said it before and I really mean it – I just host it, the majority of the work is down to you lot and your quite brilliant suggestions. I’ve followed blogs for over ten years now, and I don’t think I’ve ever come across a blog that does what we do here at The Chain. Not me, we.
I cannot think of a single other blog where requests are invited and all are posted; where all is good-natured, pleasant and friendly and everyone accepts they may get a bit of a ribbing every now and then, and nobody objects, nobody trolls, nobody flounces off in a strop because I’ve said their record choice was terrible; where I’ve been introduced to God knows how many songs and artists that I would probably never have heard were we not doing this (and where I hope I’ve returned the favour a few times); and where we get the most incredibly diverse range of artists – just look at that Tag list underneath this!! 46 songs!! Where else would you get that?
What I’m trying to say is this: if you’ve ever made a suggestion here, thank you. You have helped make this place what it is.
Have a very Merry Christmas, and a Happy New Year.
More power to your elbows.
Oh. And More soon, obviously.
So this is what Thursday looks like, is it? I’m not sure I care for it much. It’s no Wednesday, is it?
We ended last week with the 32nd record in The Official Chain, “Valley Girl” by Frank Zappa, and my usual open invitation for suggestions for songs which can be linked to that.
And, as usual, the usual diverse range of songs came in, linking a numerous amount of clever, corny, obscure, obvious, tenuous or terrific ways. This week, for a change (and because it’s a lot easier) we’re going to look at them in the order they came in.
Also this week, as I was struggling for ideas for my own suggestions, I seem to have developed a new catch-phrase.
First out of the traps this week was Charity Chic from Charity Chic Music, with a suggestion which truly fulfils the remit of the name of this here blog:
“‘Frank Zappa and the Mamas were at the best place around’ according to Deep Purple on Smoke on the Water”
Altogether now: Der-der-der, der-der-de-der, der-der-der-der-der…..
That’s taken from their 1972 album “Machine Head”, an album which my brother owned when we were kids, on gatefold vinyl. When opened, this was the collage which greeted you:
As you may be able to see, each of the band member has their photo with their name on the right hand side – there’s Gillan, Blackmore, Glover, Lord, Paice, and then on the left, just one photo bears a name, a name which my brother and I found hilarious when we were kids: Claude Nobs.
This sounded to us like one of those comedy innuendo names, like Ivor Biggun or Hugh G. Rection. But actually, Nobs is there for a reason. He does not appear on the record. He is not one of the sound technicians. During Zappa’s concert, when the fire that the song tells the story of broke out in the Montreux Casino, started by a fan firing a flare into the ceiling, Nobs was a hero, saving several young people who had hidden in the casino, thinking they would be sheltered from the flames.
He still has a funny name, mind.
Anyway, if you’re going to suggest that, then I’m going to suggest this version, just in case you think that what that song needs is less guitar riffs, and more salsa brass:
If that version isn’t on Strictly Come Dancing some day, then…well, I won’t have the faintest idea, as I never watch it.
Over to the Great Gog now:
“Frank Zappa’s band were the Mothers Of Invention which set me thinking about anything referring to invention / inventiveness or whatever, and inevitably our old friends, Manic Street Preachers cropped up with ‘Another Invented Disease’.”
I think sooner or later I’m going to have to draw up a league table of the acts who have featured the most in The Chain. The Manics have to be right up there, along with Kirsty MacColl and maybe The Bluetones.
“Also springing to mind on a separate train of thought,” continues the Great Gog, “was a band who I’m guessing didn’t name themselves purely to be next to Zappa in the record store racks, but achieved that anyway. That will be Zapp and the only song I can recall of theirs is ‘It Doesn’t Really Matter’ – and it didn’t to the Great British record-buying public at least, because it wasn’t much of a hit.”
And here’s why I think that was: because we just weren’t ready for someone trying to sound like Prince after he’d had a vocoder forcibly inserted:
Here’s Rol from My Top Ten, with the first of many “Frank” links:
“Tom Waits – Frank’s Wild Years. I won’t come up with a better song than that this week.
Although I might come up with a few worse ones.”
Time will tell, eh, readers?
And since we’re on Frank’s, well if you’re going to suggest that, then I’m going to suggest this:
Time to welcome back Dirk from Sexyloser, conspicuous by his absence the past week or so, and, from the length of his suggestion, keen to make up for lost time:
“That’s an easy one and one that links to one of my favourite tunes in the history of the whole wide world ever: how cool is that? Now, Zappa had this song on the album “Ship Arriving Too Late To Save A Drowning Witch”, which was released in 1982. Now, if you have a closer look at the lyrics of “Valley Girl”, you start wondering who stole from whom when you take into consideration that The Valley Girls’ “Marina Men” (a m.i.g.h.t.y. tune, friends!) was ALSO released in 1982: if some expert now told me that the Valley Girls’ 12″ came out first, my life would be complete, believe me!”
“Plus,” Dirk continues, “in order to show you that I’m a friend of the stars: one of the first comments I received when I started sexyloser years and years ago came from Pamy out of The Valley Girls: she thought it was cool to see the record being brought up again some 25 years after its release. Had I already known about the Zappa – tune then, I would have asked her for the exact release date straightaway! So Pamy, if you’re reading this, who was first: you or Zappa? Also, as a kind reminder: I’m still waiting for this lyric sheet, alright?!”
I don’t think she reads this, Dirk. Not unless one of you is about to suddenly rip a mask away from your face to reveal your true identity, like the owner of the run-down, reputedly haunted, circus in every episode of Scooby Doo ever.
Charity Chic is back, with two more suggestions now, one absolute belter, and one…er…less so. I wonder if you can guess which one is which?
“The Skids who recorded the mighty ‘Into the Valley’ were from Dumfermline…..”
“So too is Barbara Dickson who recorded the not so mighty ‘Answer Me’.”
Don’t you go bad-mouthing Dickson on my watch, CC! For me, Dixon epitomises Saturday night TV in the 1970s, since she seemed to be the guest singer on every episode of “The Two Ronnies” ever:
Over now to The Robster from Is This the Life?:
“What immediately sprang to mind was Our Frank by Morrissey, but you had a Moz tune on the previous episode, so…”
Yes, so? That’s not a reason not to have another one by him this week:
“…Fresh from seeing Pixies in Cardiff last night, and with my body still recovering from a full TWO HOUR onslaught in the mosh-pit, my mind turns to lead singer Black Francis. Now he has released records under the alternative name Frank Black. In 2000, with his backing band The Catholics, he recorded an album called ‘Sunday Sunny Mill Valley Groove Day’, the title track of which was a cover of the Sir Douglas Quintet track. The album was never officially released, although Frank did distribute some copies at gigs. He re-recorded the track for his 2005 album ‘Honeycomb’ while other tracks ended up as b-sides or on compilations. It also provides a double-link for The Chain!”
Frank + Valley = double- linker!
Well, if you’re going to suggest that, then I’m going to suggest this, my own double-linker, one of the greatest Northern Soul tunes ever, and frankly (see what I did there), I can’t believe nobody else suggested it this week:
Now if anyone was ever going to rip their mask off and reveal themselves to be Pamy from the Valley Girls, then surely it’s George:
“Frank Zappa’s middle name was Vincent. Which leads to Vincent Eugene Craddock, who was better known as Gene Vincent. So the song is Baby Blue.”
Here’s Rol, back again, with a suggestion which may, or may not, be worse than his earlier one. You decide:
“That would lead me on to Vincent Furnier, aka Alice Cooper. ‘School’s Out’ is too obvious, so how about ‘Teenage Lament ’74’?”
Time for something circular from Rigid Digit from Stuff & Nonsense now:
“Alice Cooper released two albums on Frank Zappa’s Record Label Straight. Ian Dury and The Blockheads sang ‘I Want To Be Straight’, and to complete the circle (back to Frank’s middle name) [and back to George’s suggestion, for that matter] he also recorded ‘Sweet Gene Vincent’.”
Back now for his third suggestion, it’s Rol time again:
“…it just occurred to me that a Zappa is a good way of killing flies… as is Flyswatter by Eels.”
I do not recommend you using the song Flyswatter by Eels to kill flies, it’ll take you ages. You’d be much better off trying an actual flyswatter.
Before we’re completely over-run with Rol’s interjections, here’s a few suggestions by Martin from New Amusements:
“So many roads to take from this one, doubtless many cul-de-sacs…
The ‘valley’ connection: Generation X, Valley of the Dolls’…”
“A ‘moon’ connection (since Frank co-wrote Valley Girl with his daughter, Moon Unit) – Moon Unit implies moon base, hence the ‘Space 1999 Theme’…”
(You did mean the Series One Theme Tune, right Martin? Pah, of course you did. Nobody would pick the Series Two Theme Tune. The Series One Theme Tune is the best Space:1999 Theme Tune ever, everybody knows that).
“A better ‘moon’ connection – Keith wrote, sang and drummed on the excellent ‘I Need You’ from ‘A Quick One’ by The Who…”
“…Another ‘valley’ connection: The Monkees, ‘Pleasant Valley Sunday’…But ultimately, I will revert to type. Yes, I want to pitch Pleasant Valley Sunday to you, because it’s utterly brilliant, Gerry Goffin and Carole King at their 60’s song-writing zenith. But, to maintain my indie boy credentials, can I hesitantly suggest The Wedding Present’s 1992 cover of same….?”
Oh, Martin. Never be hesitant round these parts when suggesting The Wedding Present. Besides, when they released a limited edition 7″ single at the start of the month, every month, throughout all of 1992, with an original song as the ‘A’ side and a cover version on the ‘B’ side, I bought the lot, and still have them all. And their version of Pleasant Valley Sunday was on the flip-side of May’s “Come Play With Me”:
Time to welcome back Julian Badenoch for a second week on the trot, and after I’d spent a few days scratching my head and trying to work out where I knew his name from after he kindly dropped by last week, I was reminded – admittedly by him – that he writes, as he calls it the “unreliable music blog”: Music from Magazines (“unreliable” seems a little overly self-deprecating, Julian. I think “sporadic” is more appropriate):
“This may be wrong for the girls but …Valley sounds like valet which leads to valet parking, and Grace Jones’ instruction to ‘Pull Up To The Bumper’…”
Now I’m not the biggest fan of Ms Jones generally – we got off to a bad start when she battered Russell Harty about the head – but that’s an absolute stone cold classic (I’ve not said that for ages, I don’t think…)
Anyway, Julian proceeds: “…which could be paired with ‘Relax’ [I’m skipping that one, as I’m not quite sure I follow what the link is; doubtless I’ll get it the second I press Publish] or even ‘If It Don’t Fit Don’t Force It’…”
Next! Over to Alyson from What’s It All About Alfie?, permanently scuppered in her efforts to get her suggestions by a combination of a) being in work and b) those fast-fingered blogging boys:
“…as I have absolutely no indie boy credentials whatsoever to maintain, I can go in a totally different direction. One of the first songs I can think of that links to the word Moon, is by Al Jarreau and it’s his theme from the TV Show ‘Moonlighting’. I mention this only because a certain Chain Ganger, who shall not be named, recently revealed a first album purchase which did kind of link to that show!”
I’m not going to mock. I bought a single from the same album. It most definitely wasn’t my first single, so I cannot even afford myself the luxury of that excuse.
Here’s a little know factoid for you: Al’s surname is actually spelt Jarrow. His parents adopted this as their family name after they took part in the 1936 Jarrow March. However, when he started earning his corn as a soul singer, young Al decided to change the spelling from ‘Jarrow’ to ‘Jarreau’ because he didn’t think being associated with the Tyneside town with the same name made him sound “suave” enough.
100% true, that. Except for the bits that aren’t. Which is all of it, obviously.
“Other than that all my Moon suggestions come from way back, Moon River, Blue Moon, Moonlight Serenade etc. or are by Showaddywaddy (and we won’t go there). Slightly more recently there is ‘Dancing In The Moonlight’ by Toploader (this millennium anyway, just) [DON’T YOU BLOODY DARE SUGGEST THAT!!]. The one I’ll go with as my actual suggestion [Phew! Crisis averted]however is going to be ‘Moonlight Shadow’ by Mike Oldfield (featuring the vocals of Maggie Reilly). As ever I don’t know if its cool or uncool to like Mike Oldfield around these parts but not averse to hearing a bit of ‘In Dulce Jubilo’ at this time of year.”
Also a single I bought when I was a kid, so it’s a thumbs-up from me:
Hands up who needs a bit of Badger in their life?
Thought so. Off you snuffle, Badge:
“Now valleys. They are found in the country as are girls which leads us to ‘Country Girl’ by Primal Scream…”
(Is it just me, or is that sleeve strangely reminiscent of The Wannadies’ “Bagsy Me” album, released in 1997, almost 10 years earlier…..?
I’m not playing anything from it, jus’ sayin’ like.)
Sorry, Badger. Floor’s all yours again.
“Or if we want to go a bit seventies doll is another word for girl which takes us to ‘Valley of the Dolls’ by strangely absent Scottish dance guru Mylo.”
That’s a fair point, what has happened to Mylo?
“SWC will be along later with his suggestions,” wraps up Badger, in what looks suspiciously like an audition for hosting duties on some interactive music blog, like that’s an idea that would ever take off, “I think he was going down the Frank route. Or something to do with Lithuanians.”
And here is he, right on cue. Badger and SWC both write When You Can’t Remember Anything, so it’s quite nice that their suggestions have come in next to each other, not least because I only have to type their blog name once.
Anyway, SWC, what’s all this about Lithuanians?
“So…in the city of Vilnius in Lithuania there is a statue of Frank Vincent Zappa. There is a reason it is there, but I can’t remember what it is. [You can read it here, if you so wish to do – Helpful Ed] As I’ve stated Vilnius is in Lithuania which gives us a lovely link to ‘Lithuania’ by Jaga Jazzist.”
“In addition there is a street in Berlin named Frank Zappa Strasse (its in Marzahn, check it out…) which gives us two options – the brilliant ‘Berlin Got Blurry’ by Parquet Courts …”
“…or the godawful ‘Take My Breath Away’ from homoerotic classic ‘Top Gun’. Your choice….”
In case any of you are unsure as to why SWC refers to Top Gun as being homoerotic, then watch this, written and performed by Quentin Tarantino from early 90s indie-flick “Sleep With Me” (which, by the way, is definitely Not Safe for Work, containing, as you would probably expect from anything written and performed by Tarantino, a fair degree of effing and jeffing)
Now, I’ve noticed a scarcity of records vying for the title of “Worst Record of the Week” this week, so, time for me to wheel out my new catchphrase.
If you’re going to suggest that, then I’m going to suggest this:
Europop at it’s most….erm…most distinguished there.
As an aside, do you remember when in 2006 they re-recorded that for the football World Cup, which was being held in Germany? No? Have a listen to this (not the official video, needless to say – all traces of that seem to have been wiped from all corners of the internet):
England got to the last eight that year, going out on penalties to Portugal. I think they deliberately lost so that we didn’t have to hear that rubbish ever again. Until today.
Here’s Rigid Digit, back to inject some class back into proceedings:
“Frank: Frank Bough presented BBCs Grandstand – all the big sporting events, mainly Football, Rugby League, Horse Racing and Snooker were covered every Saturday Afternoon. ITV offered an alternative with World Of Sport fronted by Dickie Davies which focused on Wrestling, Darts and Stock Car Racing.
Which leads to:”
There’s another band who must feature in the “Most Suggested” list. Not that I’m complaining. I’ve written before how that contains one of my favourite rhyming couplets ever.
Hold up, old Goalhanger Rol’s back, hovering ready to pounce should another suggestion leave a gaping goal, which as we all know by now, is what I do.
“Frank Bough would lead me either to ‘Make It Right’ by Tim Buckley …”
“…or ‘Spank’ by Jimmy “Bo” Horne. Both, for the same reason.”
Well, if you’re suggesting that….altogether now……then I’m suggesting this (see, catchy, innit?):
And just in case you don’t know what Rol and I are referring to, it’s to the broadcasting career ending expose of Bough, when it was revealed he enjoyed attending S&M dens, dressed in stockings and suspenders, and indulging in a little light flagellation.
Over to George again now, and you may recall that last week George suggested a tune by Emerson Lake & Palmer, and the next day Greg Lake dropped dead. Let’s see who he has in the cross-hairs this week:
“I can get a link to the Clash, but I’m not going to [regulars will know why – Semi-Helpful Ed]. Frank Zappa was made a special ambassador for Czechoslovakia by then President Vaclav Havel. Vaclav Havel was a founder of Charter 77 (formed in 1977, and isn’t that the title of Clash song…?) so I am of course suggesting a track from Talking Heads’ first album, 77, namely ‘Don’t Worry About The Government'”
So tune in tomorrow for tributes to one of the late founding members of Talking Heads:
Here’s The Beard with his usual clutch of contributions:
“Valley Parade is the home of Bradford City FC. The dreadful nineties outfit Terrorvision hailed from Bradford. I stood next to their lead singer at a Supergrass gig at Leeds Town & County Club in 1996. He was wearing, if memory serves me right, awful trainers. I can’t remember what made them so particularly awful but since I always associate Terrorvision with bad footwear. As awful as his trainers were they were nowhere near their single Tequila in the scale of awfulness. Bile inducingly bad. Tequila is of course a type of alcoholic drink. Better songs loosely linked to alcohol, to name just a few, are:”
(I have genuinely never heard that record as being described as “better” than any other, so fair play for buying in to the ethos of this place, trying to justify those records traditionally considered “guilty pleasures”, which we all know don’t exist. Well, not in the land of music, anyway)
He’s not done yet though:
“‘Velocity Girl’ by Primal Scream (“here she comes again, with vodka in her veins”)”
If I hadn’t posted it yesterday, this would undoubtedly have featured today. We’ll call it an honorary mention this time, and we’ll try to think of a reason to post it some other time. Sorry!
Well, if you’re suggesting louche cover versions of alcohol based beverages, then I’m going to suggest this louche cover version of an alcohol based beverage (Wasn’t quite as catchy that time, was it? Mental note to self: new catch-phrase needs some polishing):
No, I didn’t quite believe it existed until I heard it either.
Oh, wait. The Beard’s thought of another one:
“And ‘I Got Loaded’ by Peppermint Harris. I think that’s his name anyway.”
It was indeed, so-called because of his world-renowned minty fresh…erm…”Aris” (look it up):
To round things off this week, I’ll hand you over to babylotti:
“Going to go all Antipodean on you here: Valley makes me think of ‘In the Valley’ by Midnight Oil…”
“…The Oil’s Rob Hirst filled in for Crowded House live when Hessie was ill, so my favourite from them, ‘Fall at Your Feet’…”
I’d forgotten how many songs I know by them.
“…and Nick Seymour from Crowded House [if Midnight Oil are ‘The Oil’, are Crowded House not ‘The House…? – Facetious Ed] is the brother of Mark Seymour from Hunters & Collectors, so I’ll go for the oft covered ‘Throw Your Arms Around Me’ by them…”
Well, if you’re going to suggest that, then I’m going to suggest…no, enough already.
Here’s the next song in The Official Chain, and there’s a few “close, but no cigars” being handed out this week, goes like this:
“…Frank Zappa’s daughter, Moon Unit sang on ‘Valley Girl’. So from Moon Unit to…”
So, your suggestions please, via the Comments section below, for records that you can link, and explain the link in your suggestion, to Nick Drake’s “Pink Moon”.
We’ll be back to Wednesday next week again, so you have one day less than usual. Also, as it’ll be Christmas week, any festive suggestions would go down a treat.
See you next week!
Welcome back to the Chain Gang.
We ended up last week with me inviting suggestions for songs which link to The Jimi Hendrix Experience’s “Voodoo Chile [Slight Return]”, which is lifted from their “Electric Ladyland” album, whilst also making a rather bold prediction:
“I’m willing to bet I know which artist Charity Chic will suggest.”
So over to you, CC:
“If you are thinking Wall of Voodoo, they only had one decent song which I suggested last week which could be winner if it didn’t take you back to the radio theme.”
Errrr, no. That wasn’t who I was thinking of. However, that did prompt Dirk from Sexyloser to suggest the following:
“Wall Of Voodoo’s “Dance You F***ers*” was okay as well, if I remember correctly”
Fancy another go, Charity Chic?
“Chile used to be ruled by a tin-pot fascist dictator called General Pinochet. When he took I’ll he came to the UK where our very own tin-pot fascist dictator Margaret Thatcher gave him bed and board at the countries expense. Thereafter the normally spineless Jack Straw the then Home Secretary deported him. I wrote to congratulate him but never got the courtesy of a reply.
So “(We Don’t Need This) Fascist Groove Thang” by Heaven 17 please.”
Nope, that wasn’t what I was thinking of either. How embarrassing. Anyone else?
Here’s Rol from My Top Ten:
“Why has nobody suggested Kirsty MacColl yet? Is that what you were expecting from Charity Chic?
Kirsty had an excellent album called Electric Landlady. The opening track is called Halloween, making it doubly appropriate.
That’s not my official suggestion. Just the obvious one you were no doubt looking for.”
You see, the other week, having successfully suggested a link to a Kirsty MacColl record for the second week running, and aware of our mutual adoration of her work, CC announced that he would attempt to link to something by her at every opportunity.
I’m reminded of QI, and the number of times Alan Davies has proffered “a blue whale” as an answer, and got it wrong, but then when it is the answer, manages to miss it. Like this:
Now. Before we go any further, I need to just clear a little something up. And having popped the tissues away, now I need to clarify something.
The reason we are linking to The Jimi Hendrix Experience’s “Voodoo Chile [Slight Return]” is that it was the next record in the official BBC Chain, following on from Joni Mitchell’s “You Turn Me On I’m a Radio”, and the official link between the two was given as “…Mitch Mitchell played bass in the Jimi Hendrix Experience…”. Needless to say this raised a few eyebrows, by The Swede (“That’ll be news to Noel Redding’s estate”) and Alex G (“What a disappointing official connection. I expect better than that for £145.50 a year.”)
So let’s just check with the bible of all accurate data: Wikipedia, which lists Mitch Mitchell’s credits as ‘backing vocals, drums (except on “Rainy Day Dream Away” and “Still Raining, Still Dreaming”), percussion, lead vocals on “Little Miss Strange”‘ and Noel Redding’s as ‘backing vocals, bass on “Crosstown Traffic”, “Little Miss Strange”, “Come On (Let the Good Times Roll)”, “Burning of the Midnight Lamp”, and “Voodoo Child (Slight Return)”, acoustic guitar and lead vocals on “Little Miss Strange”‘
So perhaps we should have a couple of Noel Redding related tunes before we go any further.
There is a town just outside London which hosts an annual music festival over the August Bank Holiday Weekend. That town is Reading, but it’s pronounced the same way as Noel’s surname. The other way to pronounce it is, of course, in the same way as in the phrase “Reading, Writing And Arithmetic”, which just so happens to be the title of the debut album by The Sundays. Here’s the opening track:
Similarly, here’s George, with both of his suggestions linking to the unappreciated multi-instrumentalist:
“Noel Redding the bass player/drummer, could also play the mandolin, and so could Ira Lonnie Loudermilk, better known as Ira Louvin, one half the toptastic Louvin Brothers. (He was also the heavy drinking much married and alleged wife-beater who was once shot by one of wives). And one of the Louvin Brothers’ song is The Angels Rejoiced Last Night, which has one of the finest examples of lyrics in country music you’ll ever hear.”
I don’t know about you, but the sight of that album sleeve has just bumped that record to the top of my “must own” pile.
Here’s George’s second suggestion:
“I’m surprised no-one has posted an Otis Redding suggestion, so mine is ‘Stay in School’.”
I have two things to say about that. Firstly, I always thought Roy Orbison was ‘The Big O’? Secondly, George adds: “I played this to some of my classes when I was working.” So what on earth was your teaching style like if you had to play the pupils a record imploring them not leave?
“I also played them the occasional track by Gong,” George adds, like that makes it perfectly acceptable. Although maybe in an alternative to classroom bell context, a “That Gong’s not for you, it’s for me” kinda way, I guess it might work.
But I digress. Where were we. Oh yes, Chile. CC was not the only person to go down the “Chile” route. Here’s The Robster from Is This The Life?
“I also couldn’t get Chile out of my head, in this case the country – ‘Chile Your Waters Run Red Through Soweto’. While the Billy Bragg version is best known, for me you can’t beat Sweet Honey In The Rock’s take which is just wonderful.”
And in similar territory, literally, here’s The Great Gog:
“Back in my mid-80s student radio days, I had a stand-in co-presenter for the mammoth 4-hour Saturday Sportswatch (not my choice of title). I set the Hendrix track off and as it finished I was busy scribbling info off Ceefax for an upcoming link. Said co-presenter then back-announced the track, pronouncing Chile as one would the South American country which is spelt that way. Cue much mirth around the studio where music snobbery was positively encouraged.
Anyway…I’m obviously now in South American county mode, so I offer ‘Ecuador’ by Sash!…”
“…or,” The Great Gog continues, “‘Brazilian Love Affair’ by George Duke.”
Before we move on to the most popular links, one which received two nominations this week, firstly from Rol (“The other obvious suggestion is ‘Slight Return’, the Bluetones’ biggest hit. But you can have that one for free.”) – CC: did you notice that’s the second time he’s said “obvious choice”? He may as well have said blue whale – but also from The Beard (“Alternatively, ‘Slight Return’ by The Bluetones”), which, to be fair, looks a little bit odd when taken out of context i.e. immediately after his other suggestions, which we’ll come to in a bit.
Now, a Public Service Announcement. I have had to disqualify three suggestions this week, because I don’t think the suggested link is correct. I’m talking about these:
“Jimi’s guitar solo from, oh I forget but not Voodoo Chile, was recycled in BAD’s C’mon Every Beat Box and then later Right Said Fred (Deeply Dippy I think). Which was then covered on the Heavenly Fred EP by the Rockingbirds. One of whom plays guitar for Edwyn Collins.”
I had the BAD track all lined up and ready to go, listened to it to make sure it sounded okay, and realised after it finished that I hadn’t noticed any Hendrix-guitar in there. So I listened again. And again. And again. And again. Nope. So I had a little look on-line, and stumbled across this page which explains all of the samples, source materials and references on BAD’s “No 10 Upping Street” album, from which “C’mon Every Beat Box” is lifted. No mention of Mr Hendrix at all there, nor on several other places I checked.
Now, don’t get me wrong, I would love to post all of them, not least The Rockingbirds version of Deeply Dippy, but as far as I can see, these suggestions fall at the first hurdle. So sorry, but in the absence of any link, I can’t play any of those tunes.
Ok, so there were two other means of linking to our source record this week which attracted mucho attentioni (those online Italian lessons weren’t wasted on me, right?), and so I’ll hand you back over to Dirk for a moment:
“Now, there are quite a lot of really good bands called “The Something Something Experience”, such as The Colorblind James Experience, The Iowa City Beef Experience, The Jean Paul Sartre Experience, The Joyce McKinney Experience, The Mr. T Experience, The Tony Head Experience plus, I’m sure, a few others which I can’t think of currently. ‘Lift To Experience’ spring to mind as well, but they don’t count in my Mr. Monk–world.
Also we have The Sid Presley Experience and the B-Side of their 1984 7″ ‘Hup 2-3-4’ is rather splendid, so it shall be my link for this week, please: ‘Public Enemy Number One’.”
Time to welcome back Charity Chic:
“I was going to offer up ‘Considering a Move to Memphis’ by the Colorblind James Experience but Dirk stole my thunder…I am not having a good day…”
Well, actually he just mentioned it in passing, so I’ll give you that one (also because it’s one of my favourite records ever):
And here’s another one of those ‘The Something Something Experience’ bands, suggested by Yours Truly, although strictly speaking they’re a the ‘Something Something Something Experience’ band: a band with a truly magnificent name, but who’s music sadly doesn’t quite fulfill expectations, unless you’re expecting some fey C86-esque indie jingly-jangly guitars, in which case, fill your boots:
But by far and away the most popular link this week was to Voodoo. There was a great song by Vic and Bob from their “The Smell of Reeves & Mortimer” series called, I think, “Do You Do Voodoo?” which I was hoping to link to now, but can I find it? Can I heck as like.
So, let’s start off with a welcome return for Marie, who suggests this:
“As soon as I saw the word “Voodoo” (with Halloween being just around the corner an’ all), I knew that I had to suggest this song: Charles Sheffield’s ‘It’s Your Voodoo Working'”
I wish I could say I’d planned this week’s post to land a couple of days before Halloween, but honestly, I never look at what the next link in the Chain is until I come to write this, so I can’t claim to be that organised.
Anyway, here’s Charles:
Time for babylotti’s suggestion(s):
“‘Voodoo Chile’ was part of the Hendrix medley released as a free record with Soft Cell’s most accomplished album, The Art of Falling Apart. The other side of that record was a song based on George A Romero’s film about a boy who believes himself to be a vampire. So I’m suggesting that one, ‘Martin’, by Soft Cell.”
It’s not long before babylotti’s back though, with a second suggestion:
“Jeez, how did I not take that chance to link to Tom Robinson Band’s Martin? I think I just did…;-)”
Don’t think you can get round me with a cheeky winking emoji, old chap. That’s the sort of thing likely to make me not post your choice. But since it’s a rather fine choice, here you go:
It’s not often that we get different versions of the same song suggested here, but that’s exactly what happened this week. I’ll let SWC from When You Can’t Remember Anything explain:
“I have always thought that the greatest song to ever feature the word voodoo was by A Guy Called Gerald and Voodoo Ray….”
“But,” continues SWC, “his version is not the best for that you need to go to Acid Brass version.”
For the uninitiated, “Acid Brass” is an album of acid house choons covered by a brass band. The Williams Fairey Brass Band, to be precise. Don’t let that put you off though, this is, as SWC alludes, brilliant:
I said three versions, right? Right. Here’s Swiss Adam from Bagging Area:
“Voodoo Ray is not only the best record with the word Voodoo in its title, but one of the best records ever made. No arguing. Fact. The Acid Brass version is wonderful too but Gerald’s was proof that British house music was going somewhere else entirely. For an updated version see Optimo’s remix (done with Jeremy Deller).”
Can we have a factoid about the tune before you go Swiss?
“It was supposed to be Voodoo Rage but there weren’t enough spaces in the digital name display so he changed it to Ray.”
Here’s babylotti again. He’s been thinking.
“Just yesterday I was listening to Philip Boa & The Voodoo Club, they once sang a song about Paul, who was in love with a container…..which is a line from another of their songs, so my next suggestion is Love on Sale by them…”
Now. “Container Love” by Philip Boa & The Voodoo Club is another record I adore, so I’m a bit annoyed you didn’t pick that one. In fact, I very nearly over-ruled you and played that instead. But then I realised we’re a bit light on cheese this week – we love the occasional cheesy record round these parts – and without Love on Sale then you wouldn’t have been able to provide this week’s Dairylea triangle:
“Which leads me to my awful song selection, from Love on Sale to ‘You Gotta Be A Hustler If You Wanna Get On’ by Sue Wilkinson.”
Not awful, babylotti, cheesy.
Ah. Okay. As you were. Awful it is.
That made it to Number 25 in the UK charts back in 1980. It was her only hit. Maybe she’d have had more if her name hadn’t been so…well, drab. I mean, it’s not exactly the sort of name that conjures up visions of a pop star, is it? To me, Sue Wilkinson sounds like the woman from the office with a fixation on cats, who arranges the collections for people’s birthdays and tries to engage you in conversations about The Great British Bake Off when you’re trying to mind your own business by killing time at the photocopier.
Now, we can’t really do a post referencing records linked to Voodoo without mentioning The Robster’s next suggestion:
“Screamin’ Jay Hawkins looked like a witch doctor who practiced voodoo. He’s best known, of course, for his classic I Put A Spell On You, but in 1974, he released a single called Voodoo, which was backed by You Put The Spell On Me. So you can have any one of those three.”
Suddenly, this has become like a version of Michael Barrymore’s “Strike It Lucky”: I can have top, middle or bottom, you say? Middle! (See, I can resist making the obvious joke sometimes)
Time for some Swede action. Here’s The Swede from Unthought of though, somehow:
“Working on the basis of ‘first thought, best thought’, the song that immediately popped into my head to follow ‘Voodoo Chile (Slight Return)’ was ‘(The Ballad Of) The Voodoo Ranger’ by Multicoloured Shades.”
Chain Gang, count yourself very lucky, for that song made me think of one very cheesy one which, had I had the time, would have got posted right now. I’ll save it for another time…
Here’s Swiss Adam, back for a second, third and fourth bite at the cherry:
“Voodoo always makes me think of The Gun Club’s debut album Fire of Love (the cover art). Sex Beat is a peak on an album of peaky peaks. They were never that good again.”
I’m not sure we’ve ever had someone link via the medium of cover art before. I suppose, given the cover art I used for “Electric Ladyland” last week – which Hendrix himself disapproved of, by the way – I should be grateful. Anyway: a first!
Anyone who regularly visits his excellent Bagging Area blog will not be surprised by the manner in which Swiss continues: “…which gives me two Andrew Weatherall links- Two Lone Swordsmen did a spirited cover version of Sex Beat…”
“…and the sleeve of Sabres of Paradise’s wonderful single Wilmot recycled The Gun Club’s cover images and is a voodoo influenced tune itself.”
I always thought that was about popular chicken-in-a-basket entertainer Gary Wilmot. Apparently not.
A couple of weeks ago, one of the songs posted here was Carly Simon’s “Nobody Does It Better”, and I happened to comment that it was my favourite Bond theme ever, although occasionally it might be the next record. Here’s Alyson from What’s It All About, Alfie?:
It seems Rol has been trying to think of something clever:
“I was going to try and be deep and obscure this week, but then I remembered one of my favourite tracks from my favourite album of last year: ‘Voodoo Doll’ by John Grant”.
Regular readers will know I share Rol’s love of all things John Grant related, so here you go:
Time to welcome back (I think – you have posted here before, haven’t you…?) Brian from Linear Tracking Lives:
“Like The Robster, my first thought was Screamin’ Jay Hawkins. Then I recalled quite a few albums with voodoo in the name, such as the Dirty Dozen Band’s Voodoo and Paul Carrack’s Suburban Voodoo, but there isn’t that one song that hits on the theme. Then I smiled when I thought of Harvey Korman as Hedley Lamarr in ‘Blazing Saddles’ telling his band of bad guys “Now go do that voodoo that you do so well.” Yes, I’m that highbrow. Well, that’s liberally lifted from Cole Porter’s ‘You Do Something to Me’. Francis Albert sings that song with gusto, but it’s not my favourite. So, finally, my pick is a close cousin to voodoo…. Witchcraft, sung by Sinatra”
Here’s Alex G, fresh from expressing his disappointment at last week’s link, which given the amount of research he’s done into his own link is a bit rich:
“Talking Heads did a song called Papa Legba, which is named after some sort of spirit in Haitian Voodoo.”
(Papa Legba is the loa who serves as the intermediary between the loa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. Either that or an over-priced midfielder currently arousing the curiosity of Manchester United’s scouting team. You decide.)
Alyson’s back, to expand on her earlier “Live and Let Die” nomination:
“Thinking about it a bit more, the fictitious island where much of the Voodoo action in the film took place was called San Monique but of course it is highly likely that this fictitious island was supposed to be Haiti where, apparently, the majority of the population hold Voodoo beliefs. This of course got me thinking of the song ‘Haitian Divorce’ by Steely Dan.”
Time now for a big warm Chain Gang welcome to Kuttowski, who unless I’m very much mistaken, is Walter from the excellent A few good times in my life blog. Welcome aboard, Kuttowski/Walter, what have you got for us?
“I think it is time to join the chain gang. Thinking about the word voodoo Screaming Jay Hawkins and Voodoo Ray came to my mind. But it all said by the ones before. So I would suggest Voodoo by Mano Negra, a French band lead by Manu Chao back in the late 80’s. Starting with a dark mood this song turns into a weird folk chaos.”
“Otherwise,” he continues, “I would suggest Jah Wobble’s Voodoo.”
You can have both:
And so to the last of the Voodoo related tracks, and a very heartfelt welcome back, albeit via the conduit that is SWC, to Badger:
“I spoke to Badger and his suggestion from the sofa is thus. Part of the voodoo ceremony is to slaughter a rooster. (He is basing this solely from the Mickey Rourke/Lisa Bonet film [Angel Heart, I believe – Film Ed] of a few years back.) But that takes us too ‘Mansize Rooster’ by Supergrass.”
Hallelujah, what a great, often overlooked tune. And I think I speak for everyone here when I say it’s great to hear Badger is on his way back to fighting fit.
Four songs to go, and here’s my last choice. This is, I believe, a cover of a Kiss record, performed here by The Lemonheads back in their early days before they had added the The to their name. I’m not going to explain the link: if you don’t get it, then just type the words “Jimi Hendrix” and “Plaster Caster” into Google. But don’t do it at work:
Having given him a bit of a ribbing earlier, I was going to let Charity Chic have the last word this week. But, that honour is being saved for my favourite link of the week.
So, sorry CC, but here’s your other selection:
Earlier on, I mentioned that The Beard had suggested The Bluetones “Slight Return” as his final choice, and here come his first two choices, the reasoning behind which I love:
“From Jimi Hendrix to Hendrik Van Kleefe, the dodgy Dutch diamond dealer from To Hull And Back, the Only Fools and Horses Christmas special from 1985. Two of the world’s greatest cities, Hull and Amsterdam, are featured in the episode. 1985 also saw the release of Flag Day, the debut single by “the fourth best band in Hull” aka The Housemartins.”
“‘Amsterdam’ by Peter Bjorn and John didn’t come out in 1985 but is great nonetheless.”
Right, can you all line up please? *Does quick head count* Okay, I don’t think I missed anyone out. So let’s have a look at the reason behind the next record in the official Chain:
“Jimi Hendrix’s manager was Chas Chandler, who played bass in The Animals…”
…and this was the record of choice:
So, let’s be having your suggestions for records which you can link to The House of the Rising Sun by The Animals, along with a description as to the link between the two records, via the Comments section down below.
See you next week.
Oh, where to start?
I think I’ve banged on enough about the EU Referendum, for now at least.
But, before I stop…here’s an “at the time of writing” overview of the present situation:
On Sunday, Ian Duncan Smith appeared on the Andrew Marr show, and claimed that the Leave campaign had “never said” that the oft-cited £350 million a week the UK would save by leaving the EU would be given to the NHS
Coincidentally, the official Leave campaign has now wiped almost its entire website from the internet in an effort to stop any more of these pesky lies, which they definitely didn’t make, being uncovered.
Thing is, they forgot one teensy thing:
Because over the weekend, this picture became one of the most shared images on social media platforms:
Mmm-hmm. So, no. Course they didn’t promise that at all, did they?
Chancellor George Osbourne has announced that taxes will need to be raised and public services cut – still further – as a result of the Referendum result. I’ll start clearing my desk.
Boris Johnson, surely the most high profile champion of the Leave campaign, couldn’t even be bothered to turn up to the House of Commons for the first meeting of Parliament since the result.
Despite this, Rupert Murdoch has announced that Boris Johnson would be his preference for the new leader of the Conservative Party/Prime Minister, which is no surprise, given this pre-referendum quote from the Evening Standard:
Meanwhile, reported incidents of racist abuse in the UK have increased by 57% since Friday. Which is good, because that finally puts to bed the myth that there were any racist elements involved in some – not all – people’s pro-Leave vote (sense the tone).
The Conservative Party is in utter disarray, divided on what to do next in the Brexit process, as Cameron stands down and the in-house fighting about who will succeed him starts. Ordinarily, this would normally make me very happy indeed, a silver lining to the dark clouds that seem to hovering over the UK at the moment, like they think we’re Eeyore from the Winnie the Pooh stories.
Time for strong, effective opposition then. Nuh-huh. For mere days after the result, the Labour Party decided to press the self-destruct button, firstly with a whole raft of high profile resignations and the occasional sacking from the Shadow Cabinet, followed by an overwhelming vote of no confidence against leader Jeremy Corbyn by Labour MPs. Labour have decided that instead of seizing the moment, they’d rather implode instead.
Harold Wilson was right, it seems: a week really is a long time in politics.
The main thrust, as far as I can see, for this uprising is that Labour MPs felt that Corbyn wasn’t high-profile enough in his backing of the Remain campaign, and to an extent, they have a point. But when the whole of the British media pretty much ignored him, preferring to focus on the likes of Cameron, Johnson and Farage instead, who
lie better give much ‘better’ soundbites, what was he supposed to do?
Earlier this month, Angela Eagle, Labour MP – now one of the dissenting MPs arguing Corbyn should go for exactly the reasons I’ve just cited – said this:
I knew what his position was – that he thought there EU was far from perfect, but felt the best way to work for change was from within, not outside, of it – and it seems to me that such a position would have resonated with a great many voters, had the media actually taken the time to report it. Which they didn’t because it wasn’t in their interests to do so.
But that’s all a smokescreen: Labour MPs have been dissatisfied with Corbyn from the moment he was voted in by the swelling ranks of the Labour Party not 12 months ago. They think that having a left-wing leader is a step away from the more central/right politics implemented by Tony Blair and his ilk which brought them to power in 1997.
They seem to have missed the point that many Labour Party members voted for Corbyn for precisely the reason that he doesn’t play the game, that he doesn’t bow to the press, that he offers an ideological alternative to the other main parties. And whilst I have seen quite a few high-profile Labour voters, with admittedly heavy hearts, say that in the face of such opposition from within his own party, perhaps it is time for him to stand down, I’m not sure it’s that straight-forwards. I saw one poll earlier which indicated that if there was to be another Labour leadership vote, then Corbyn would still get 68% of the vote. Which would leave us, and him, almost exactly where he is now: in a totally unworkable position.
When the last Labour leadership vote happened, I made the point on these very pages that whilst I broadly backed him as a candidate, I worried that Corbyn might turn out to be another Michael Foot, who led the Labour Party from 1980 – 1983, just after Thatcher swept to power, a man much admired for his left-wing principles and rhetoric, but a man who was consistently derided by the media, and who turned out to be utterly unelectable. Which seems to be exactly where we are now. I hate being right sometimes (that’s right with a small ‘r’, as in correct, as opposed to with a capital ‘R’, which isn’t).
In a little under two weeks, the Chilcot Report, which for years has been investigating whether or not Blair took us into an illegal war in Iraq – a political rhetorical question if ever there was one – is due to be published. One has to wonder about the wisdom of attempting to realign the party with Blair’s ideals right now.
Enough, already. No more. This is doing nothing for my blood pressure.
Luckily, I have something else to be pissed off about.
On Monday night, I, like many other English football fans, settled down to watch England play Iceland in the last 16 of Euro 2016, currently being held in France.
I hadn’t expected England to win the tournament. I hadn’t expected them to progress any further than the quarter finals, if they even managed to get that far.
But I really hadn’t expected what happened on Monday night to take place.
Whilst nobody thought the game was going to be easy, I, and many others, thought that on paper, England should progress: they have a team packed with young, fast, highly talented, highly paid players from what is supposedly the best league in the world, compared with Iceland, a team of part-timers and, with the odd exception, lower league players, from a country with a population roughly the same as Croyden, playing in a tournament for the very first time.
But we all know that saying about the game not being played on paper, right?
After 4 minutes, England took a 1-0 lead, and the nation seemed finally to be about to have something to collectively smile about.
Needless to say, it didn’t last long.
After 6 minutes, it was 1-1. After 18 minutes, it was 1-2. And so it stayed for the rest of the game, with the England players abjectly failing to play as if they’d ever met before, let alone having worked, played and trained together for the past month. It was a spineless, humiliating exit.
Iceland deserved to win. They played better, fought harder, wanted it more, had a system the players understood and knew how to implement – dammit, had a system! The opposite of the England team, in other words.
You have to question not just the tactical naivety of England Manager Roy Hodgson, but also his selection. It was apparent that with our full backs not managing to get up the pitch, that we had no width. Look to the bench for a winger to bring on then – ooops! None there.
Before the tournament, Hodgson had insisted that his squad selections would be based on who was in form: those who were, would be in, those who weren’t, would not. Which makes his decision – and I say this not because one is a former Spurs player and the other is a current Arsenal player – to leave winger Andros Townsend (on fire for Newcastle at the end of the season, despite them ultimately getting relegated) at home, and take Jack Wilshere, who had played just 141 minutes of competitive football all season, all the more inexplicable. And then to bring Wilshere on for the second half instead of, say, Adam Lallana, who’d been one of England’s best players up until then….grrrrrrrrr!!!
(I appreciate that one of the things that makes football such a beautiful game is that every fan has an opinion. Whilst we may not agree about the EU – although I know very many who visit here do, and thank you for all of your kind messages, by the way – I bet there’s very little I’ve just written that any England fan disagrees with.)
Moments after the final whistle, England manager Roy Hodgson resigned. Although…since his contract expired at the end of England’s involvement in Euro 2016, I’m not sure it can technically be called a resignation – he was already out of the job.
In his remarkably quickly written ‘resignation’ speech – it seems the only tactic he was sure of was that he would be getting his coat after the final match – Hodgson said the team had been “fantastic” and had “done everything that was asked of them”. Which begs the question – what were they asked to do??
I wasn’t going to write about this. But then I had a text from my Dad, suggesting a song, which I couldn’t resist. The irony of it being by a Welsh woman is not lost on me:
I hope I’m not jinxing them, but good luck to Wales this Friday. You have my full support, and we all know how well that usually works out, right?
Hopefully, I won’t be posting “It’s a Heartache” come Friday night/Saturday morning.
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