Friday Night Music Club Vol 51

Apologies for the absence of any posts for the past week or so; I had a case of ‘can’t-be-arsed’, a lethargy descending which often happens to me during the winter months, a little later this year than most. Thanks for the kind messages enquiring about my well-being, they were massively appreciated. Rest assured, all is as well as can be expected – is anyone ever 100% happy….?

So on to business, and a new mix for you all to cherish/enjoy/ignore as you see fit, and with the benefit of hindsight I guess I can say that the somewhat gloomy start (and end) to this one can probably be explained by my mood at the time that I did it. Still, fear not: it does pick up for the most part, so bear with it.

Still, one of the things I like doing with these mixes is putting songs by very different acts together, tunes which on the face of it shouldn’t work when placed alongside each other, but somehow, surprisingly, do: this week, Metallica become neighbours with Kate Bush, which sounds like a recipe for an ASBO, a planning permission dispute, or at the very least the plot for a great sitcom (“Lars, that mad woman from next door’s cat is shitting in our garden again!”).

And a word of warning: I’ve put together a couple of these whilst I was AWOL, and there’s a recurring feature on them, which started a couple of mixes ago to remarkably little outrage, so I figured I’d carry on: a MOR tune given a new lease of life by an uplifting, banging dance mix, which on this occasion I immediately spoil by rounding things of with something great but despairing. Sorry, I couldn’t resist the circularity of starting and ending with Nothing.

Also this week: two great (IMO) covers, one lifted from the great Alvin Lives (in Leeds): Anti Poll Tax Trax, a 1990 compilation containing prominent indie bands of the day covering mostly 70s tunes, with the intention of raising funds for those campaigning against what was a very unpopular piece of government legislation way back then. (You can read a much more detailed review of the album over in a post dating back to 2014 over at JC’s ever-inspirational The (new) Vinyl Villain here; the links may have expired, but I’m sure were you to ask JC he’d happily re-up them, or if there’s one mentioned that piques your interest, let me know and I’ll find a way to post it myself).

All I would add is that the Poll Tax inspired more than just a protest album: there were marches, riots, and eventually it was axed (the legislation, not the album), which shows the power of the people. It was replaced by the Council Tax, which as we all know is a hugely popular substitute, as I’m sure anyone who has recently received their bill for 2024/5 will attest. Me, well I’m delighted to see mine increase by 6.1%, including a 200% increase in the charge for “CPCA Mayoral Precept”. I think delighted is the word I’m searching for, anyway….

I’m not going to go off on a political rant – not just yet, anyway; instead, let’s crack on, shall we?

Friday Night Music Club Vol 51

And here’s your sleeve note-free tracklisting:

  1. Metallica – Nothing Else Matters
  2. Kate Bush – The Man With The Child In His Eyes
  3. The Left Banke – Walk Away Renee
  4. Billy Bragg – Walk Away Renee
  5. The Box Tops – The Letter
  6. Squeeze – Another Nail For My Heart
  7. Dr Feelgood – Roxette
  8. Gomez – Get Myself Arrested
  9. The Siddeleys – Love Grows (Where My Rosemary Goes)
  10. The Specials – Rudy, A Message To You
  11. George Ezra – Budapest
  12. Editors – Munich
  13. Girls Aloud – The Show
  14. Groove Armada – Superstylin’
  15. Bruce Hornsby & The Range – The Way It Is (Brothers In Rhythm Mix)
  16. Del Amitri – Nothing Ever Happens

More soon.

Friday Night Music Club Vol 50

So, here we are, Volume 50. I’m not sure I believe I’ve done so many of these, especially when you take into account the Christmas, Easter and Halloween editions which haven’t gone towards the total, and that I split the first six playlists (apart from Vol 3, which has been forever wiped from the annals of history, unless any of you downloaded it) into 22 more palatable hour-long chunks.

What follows is, as I mentioned previously, essentially a Friday Night Music Club Greatest Hits compilation, with a few others thrown in just to keep it…well, interesting, I hope. In reality, it’s just a load of my favourite records, many of which just happen to have featured in this series before. And no, not all of them are in anyway cool, but then neither am I. They do, however, make grear sin-a-long records should you elect to take drink when listening to this (which is recommended). Anyway, if I just featured the achingly-hip here, I’d be betraying the No Such Thing as a Guilty Pleasure tagline I cling to.

My thanks to my old buddy Richie, who I bombarded with the first and second goes at this, to seek his opinion and feedback. His response? “Genuinely, really good…even the dance stuff I’d never heard before”. I’m sticking that on the promo posters.

I should add that I’ve had at least another two goes at it since then. New songs added, some dismissed. The thing is, I kept haring songs and thinking: “Well, that should be on there!” I’ve had to just stop, and add those that I’ve missed to future volumes.

Let’s crack on, shall we?

Friday Night Music Club Vol 50

Here’s your track-listing with, as promised/threatened (delete as applicable), sleeve notes:

1, Saint Etienne – Join Our Club

No, I don’t know how I’ve managed to avoid including this appropriate little beauty for so long either!

2. The Cardigans – My Favourite Game

Just to hammer home the favourite records theme, here’s a couple of tunes with Favourite in the title.

I will always remember a conversation with an old mate, following the release of the Manic Street Preachers’ Your Love Alone is Not Enough, which featured lead Cardigan Nina Persson, when they revealed they hated that single becaue they hated Nina’s voice. Now, I totally get that some people’s voices just grate (see Ed Sheeran as a good example of someone who can make me turn the radio off whenever one of his dreary yet bafflingly succesful tunes is aired). But Nina Persson’s????? I haven’t spoken to this old mate in at least 20 years, and proximity is only part of the reason for that.

3. The Wedding Present – My Favourite Dress

Favourite tune #2. You didn’t really think I’d get through this without Mr Gedge making an appearance, did you?

4. PJ Harvey – Dress

I’ve said it before and I’ll say it again: I don’t post anywhere near enough Peej on here. Consider that partially rectified.

5. Buzzcocks – What Do I Get?

Back at college, I was in a band. Not a very good band, but a band nonethless. We mostly did covers of punk and new wave records: they were short, recognisable to the masses who flocked to our gigs (sense the tone), and most importantly, with barely more than three chords between them, piss-easy to learn. This was one of them: I even persuaded our lead singer to shout “Tricky guitar solo!” just as I’d seen Pete Shelley do on some old footage of the Buzzers (the Cocks?) do as that instrumental break hoved into view.

6. Super Furry Animals – God! Show Me Magic

You didn’t really think I’d get through this without Gruff and the boys making an appearance, did you? If this isn’t the greatest record ever to mention the lead singer’s hamster, then it has to be in the Top Ten at least.

7. Manic Street Preachers – Motown Junk

Just an absolute belter, with what would become standard Manic’s sloganeering (standard until Richie went missing. Did I ever mention I shared a cheese salad with him…? Yes I did.)

8. Half Man Half Biscuit – Joy Division Oven Gloves

Thanks to my brother, I own a pair. Best Christmas present ever. Apart from maybe the fake NME Brat Award he gave me for one of these mixes (true story).

9. Generation X – Dancing With Myself

Unlike the debunked theory that The Vapors’ Turning Japanese is about the joys of ononism, this probably is about exactly that. When I was in the aforementioned band, I wrote a song which referenced it – less subtly, it was called The Lonely Dance – and we used to dedicate it to someone we knew was in attendance whenever we played it. They felt cool because we’d name-checked them, everyone else would know we’d just called them a wanker.

10. Underworld – Cowgirl (Bedrock Mix)

You’ll have guessed from previous posts that I adore Underwold, so it’s a rare event when I hammer my flag to the mast and say: this is Underword’s finest moment and this is the finest mix of it.

11. LCD Soundsystem – All My Friends

Some years ago, my friend Matt and I were invited to provide the music for a mate’s 40th birthday, held in a little basement bar somewhere in That London. I went down the traditional route of preparing a mix, burning it on to a CD (I know? Imagine that!! So old fashioned…!) and handing it to the bar staff to play; Matt, who is much cooler than I am (I’m sure you’ll find that hard to believe) simply paired his phone to the speakers and DJ’d as he chatted, ate, drank and danced. He dropped this one, and the dancefloor emptied, leaving just me and him looking quizzically at each other as we continued to cut a mean rug between us. Where had everyone gone? Why weren’t they dancing?

Then someone approached Matt and, pointing upwards as if the speakers were in the sky, asked “What’s this? It’s ace!” (or words to that effect). And so, whilst we were baffled as to how nobody knew this absolute banger, we came to the conclusion: people around the 40 mark don’t like to dance in public to things they don’t know.

It is ace, mind.

12. Dizzee Rascal & Calvin Harris – Dance Wiv Me

I wish I could recall what Matt played next, but whatever it was it got everybody back on the dancefloor. I’ll say it was this. If not, Deee-Lite’s Groove is in the Heart (not featured here) is my go-to floorfiller.

13. Double Trouble & Rebel MC – Street Tuff (Scar Mix)

I’ve dropped this bon mot before I think, but many years ago I attended a house party in North London. Music was supposed to be provided by some DJ friends, but they had to drop out when they got an actual paid gig on the same night, the selfish sods. I was asked to help out and so I prepared 13 CDs, each an hour-or-so-long, numbered and to be played in numerical order, left them in a stack next to the CD player, so that if you were closest to the music box when one ended, you could just pop the next in the sequence in. They went from intro/welcome tunes to indie bangers to the-pills-should-be-kicking-in-by-now to comedown chillout tunes. This one featured somewhere in the middle, and a bloke I’d never met before or since approached me, hugged me, and thanked me for including it in my musical selection, before treating me to his break-dancing efforts, Which I really appreciated, obviously.

14. Lizzo – Juice

Shush! A rarity: something released in the last 10 years!

15. Girls Aloud – Love Machine

You didn’t really think I’d get through this without Sarah (RIP) and the girls making an appearance, did you? A song which will forever remind me of Llŷr, from when we played it in our guest DJ spot at a friend’s wedding, those attending went wild. Miss you bro, always.

16. Le Tigre – Hot Topic

At work team meetings, we now have a Hot Topic to discuss each month. I’ve suggested this as the theme tune to announce the start of the discussion. My suggestion has not yet been agreed.

17. Los Campesinos! – You! Me! Dancing!

Had any of them actually been Welsh, as opposed to having merely met and formed in Cardiff, then this would’ve featured in last week’s St David’s Day mix. But they aren’t, so it didn’t.

One of the many things I love about this record, is that bit towards the end, about it being a good idea to go paddling in a fountain on the way home from a night out. I know exactly which fountain they mean, and, as it was on my way home, the thought crossed my mind many times as I wobbled my way back home at 3am. And that’s because it really is a good idea. I was never brave/drunk/off my tits enough though. I feel like I’ve missed out, somehow.

18. Arctic Monkeys – I Bet You Look Good On The Dancefloor

Just wonderful. A piece to accompany the Dizzie Rascal tune which featured earlier, only with more Shakespeare references and much more sardonic intent.

19. Status Quo – Mystery Song

You didn’t really think I’d get through this without Francis and the boys making an appearance, did you?

This, from way back in 1976, just before they tipped over into cliche and parody of themselves, is unquestionably my favourite Quo song. It’s (RIP) Parfitt’s ode to a sex worker, set to a literally amphetimine-fuelled background. There’s a notorious story about how, one day in the studio, Rossi put a spoonful of speed into Parfitt’s tea, not expecting (he now says) him to drink it. But he did, and they left him in the studio, messing around with a riff – dink-dink-dink, dink-dink-de-dur-de-dink – and returned the next day to find Parfitt sitting exactly where they left him, playing the same riff – dink-dink-dink, dink-dink-de-dur-de-dink. Phew, rock’n’roll, eh?

20. Milltown Brothers – Janice Is Gone

An under-rated and generally unknown classic. The Janice in question is the much-missed DJ Janice Long, and you can read what I wrote when she passed away here, and here’s a post about an adventure I had with the band themselves, way back when (the download links are all dead on that one, let me know via the Comments if you want anything uploading again).

The only thing to add to that is a year or so later, the Milltown Brothers came round on the college circuit again. I said hello to them all post-gig, and one of them asked if we’d met before. I recounted the story about our last meeting, and, memories jogged, they plied me with booze and suspiciously constructed rollies. I passed out in the toilets, waking up after everyone had left the building, staggered home through the Welsh snow. I think I missed my train back home as a result; lawd knows what excuse I gave my parents (doubtless they will remind me if they’ve read this far).

21. Linda Rondstadt/The Stone Poneys – Different Drum

There are so many versions of this classic written by former Monkee Mike Nesmith out there – many of which have featured on these pages – but for my money this is the best, the absolute beauty, peerless.

22. Clout – Substitute

If ever there was one record that explained the “No Such Thing as a Guilty Pleasure” moniker under which this blog sits, it’s this one. I bought a compilation album called Guilty Pleasures Rides Again; this was on it and I couldn’t understand why anyone would feel guilty about liking it. I mean, it’s a stone cold banger, right? (Right!)

23. Billy Bragg – The Saturday Boy

In one of the first goes I had at doing this mix, Billy featured, but it wasn’t this tune, it was Sexuality, because it was much poppier than this. But that didn’t feel right, so I swapped it for this, Billy’s finest moment in my book. I’ve often said that, whilst his politics broadly chime with mine, it’s his love songs – or in this case, his unrequited love songs – which mostly hit the mark with me. I can never thank my old buddy Richie enough for pointing me in the direction of these songs from Billy’s back catalogue – albeit he played me The Man in the Iron Mask, and I was smitten – and since then, when I’ve wanted to persuade a mate of Billy’s relevance, this is my go-to song, because everyone has experienced the adolescent amourous rejection this song highlights.

24. The Go-Go’s – Our Lips Are Sealed

I’ve said it before and I’ll say it again: quite possibly the greatest pop song ever written…

25. The Waltones – She Looks Right Through Me

…although this pushes it pretty close. Pretty much the happiest night of my life was when, a few years ago, Richie and I saw The Waltones support The Chesterfields at the 100 Club in That London. After they’d played, I found myself standing next to lead singer James Knox; we discussed our ever burgeoning waistlines and our choice of t-shirt to either disguise or embrace it. He was wearing a shape-concealing black tee, I was wearing this:

…which, for the uninitiated is a reference to one of these bad boys:

26. The Chesterfields – Kiss Me Stupid

Since I’ve mentioned them, it seems somewhat churlish of me to not include something by them.

27. The Soup Dragons – Hang Ten!

Indie Banger. That is all.

28. The Smiths – William, It Was Really Nothing

Remember way back when we didn’t know Morrissey was a racist twat and could just enjoy the beauty of The Smiths’ records without feeling any guilt? Forget the current, live in the past for a few moments.

29. Kirsty MacColl – Free World

This is from 1989. You’d think things might have improved since then, wouldn’t you? But, nope: just as relevant now as it was 35 (yikes) years ago.

30. Johnny Boy – You Are The Generation That Bought More Shoes And You Get What You Deserve

Possibly the greatest song title ever. And the song’s not far off being one of the greatest anti-capitalist records ever.

31. Denim – Middle Of The Road

For my money, the song that properly kick-started the Britpop scene, and probably never bettered by any Union Jack wafting indie-kid underling. Surely, when it comes to unrecognised musical geniuses, Lawrence has to be at the front of the queue, right…?

32. Belinda Carlisle – Leave A Light On

Turns out the title of that Denim tune was an indicator to how we wrap things up here.

Apart from Johnny Marr (who I think appears on the Kirsty tune), Belinda is the only one to feature twice on this one. She was, of course, lead singer of The Go-Go’s, but it wasn’t until the band split and she went solo that Belinda became succesful on this side of the pond. I bloody love this song.

33. Dionne Warwick – Heartbreaker

Written by the Bee Gee boys, this seemingly effortless beauty is just one of the finest records ever.

34. Chas’n’Dave – Ain’t No Pleasing You

And to bring things to a close, this beauty.

Given their close association with Tottenham, I feel sorry for Arsenal fans, joyless vagrants that they are, for they can never admit to liking this.

And that’s your lot.

More soon.

Late Night Stargazing

Since I saw Billy Bragg last year, I’ve been diving into his back catalogue with something approachin abandon.

See, bar the occasional single, I’d ignored much of his output since Worker’s Playtime. In 1988.

To my detriment.

This, from 2013’s Tooth & Nail, is right up there with his finest moments:

Billy Bragg – Do Unto Others

A fine philosophy.

More soon.

Remembering Kirsty

I always swore that, on the anniverary of her death, I’d resist posting the most obvious of songs, but this year it kinda feels like I have to break that pledge.

For this year, today, not only are we marking the 23rd anniverary of the passing of Kirsty, but this year we also lost Shane MacGowan, and you don’t need me to tell you they were jointly responsible for what I have often described as ‘The Greatest Christmas Record Ever.”

Truth be told, I have a slightly more complicated relationship with Fairytale of New York, for many years believing the aforementioned description, but for the last few years feeling utterly sick of hearing it.

But this week, I was at work and had cause to venture down to the depths of the building and the Post Room, and – I don’t know if they had the radio on, or were playing a Christmas CD or playlist – but Fairytale was playing, and I found myself reconnecting with it most unexpectedly, a grand swooping feeling of “Awwwww…..” came over me.

The Pogues feat Kirsty MacColl – Fairytale of New York

Looking at that sleeve, from the original release back in 1987, I’m shocked that Kirsty doesn’t even get a mention on the front.

So, to make up for that, here’s Kirsty and the boys performing (ok, miming to) ‘The Greatest Christmas Record Ever’ on Top of the Pops back in the day:

Mike Reid loved it, and he’s never been known to be wrong…

And here, just to round things off in a nice cheery way, is Fairytale… being played at Shane’s funeral:

In all of this sadness about Shane’s passing, it’s very easy to overlook Kirsty.

But Billy never forgets:

Billy Bragg – A New England (live)

And so, with a week to go until The Big Day, we kick off 7 days of Christmas-related tunes…assuming I manage to get my arse in gear and actually write them, that is…

More soon.

Friday Night Music Club Vol 41

Well, here we are again. It’s Friday and I’m desperately trying to think of something original to write to introduce this week’s mix.

As it happens, it’s made slightly easier by the fact that I owe you guys an apology.

See, one of the underlying premises of doing these, the rules if you like, is that I don’t feature the same song twice (or, for that matter, more than twice) over all of them, and last week I let you down. Not that anyone complained, but I noticed, and so I’m hanging my head in shame.

Last week I featured the Parental Advisory Version of Girls Aloud’s No Good Advice, and, because I’d included the Non-Parental Advisory Version, I didn’t pick up the duplication. Sorry about that.

Still, at least it wasn’t the same Quo record, eh? Not that anyone would have noticed then either, cos they all sound the same, amIright?

So, moving swiftly on, what do we have for you this week? Well, this week’s mix has been knocking around for a while – I even played it to my brother on the driver to visit my Dad in hospital a month or so ago, he’s probably been wondering what’s happened to it.

Truth be told, there’s a song in it which I had grave reservations about keeping in. It sounded, to these ears, perfect for where it sits in the mix, but the tone and lyrical content bothered me. But, in the end I’ve kept it in, with this huge disclaimer and one of these slapped on it:

The tune after it isn’t particularly tasteful either, mind. Do I need to put that image in twice?

Nah, you’ll cope, I think.

Let’s do this, shall we?

Friday Night Music Club Vol 42

And here’s you track-listing and – yes, again – sleeve-notes:

  1. T. Rex – 20th Century Boy

I figured I’d start this week with a crunching intro, and there’s none more crunching than this, is there? Not even Placebo’s cover of it. Although maybe the noise Bolan’s car made when it hit that tree comes close.

2. Muse – Supermassive Black Hole

Obviously I wish to avoid libel litigation about copyright, but there’s something about the start of this one which reminds me of the record which precedes it.

Muse will forever in my mind be the band that, when a friend wanted to go see them headline the Pyramid Stage at Glastonbury on the Sunday night back in 2004, caused me to snap, my persona as the mild-mannered janitor father figure of our group (because I was the oldest, and carried a ruck-sack with paracetamol in it, amongst *coughs* other things) briefly exposed, when I told them to “Fuck off and watch Muse then, we’re staying here to watch Orbital” (who were excellent, by the way).

3. Nine Inch Nails – Head Like A Hole

A tune which will forever remind me of Metros, the oft-mentioned indie club in Cardiff that gave out free toast at 3am, because if there was one thing you could guarantee in there (apart from the toast) was that they would drop this at some point.

Also: Nine Inch Nails have only got two decent tunes, haven’t they? This, and Hurt, which most of us only know because of the (far-superior) version by Johnny Cash. (*Sits back and waits for the vitriolic comments telling me Trent Reznor is a genius*)

4. Radiohead – There There. (The Boney King of Nowhere.)

Glastonbury memory time again, and if I recall correctly, they opened their 2003 set with this, and I still get goosebumps whenever I hear it.

5. The Kills – Future Starts Slow

The Kills have more than one one decent tune – who knew? 2-2 with Nine Inch Nails.

6. My Morning Jacket – Holdin’ On to Black Metal

This was out at roughly the same time as The Kills’ tune, and I always thought they’d sound good next to each other, and now I know whether I was right or not (clue: I was).

7. The Soundtrack Of Our Lives – Sister Surround

Speaking of Black Metal, we’re off to Scandinavia, the home of such dark forces, for this one, for one by the vastly underknown and under-rated The Soundtrack Of Our Lives. If you like this, check out the album it’s from, Behind The Music.

8. Broken Social Scene – 7/4 (Shoreline)

A collective from Canada. Canada don’t do ‘bands’, do they? It’s all collectives. Oh, and Bieber, Celine and Bryan, but let’s ignore them.

This is the original source of my oft-used phrase “a great cacophony of glorious noise”, which is still my favourite description of a record ever (by me) (athough, I’d rather substitute ‘great’ for ‘magnificent’, because that’s what this is).

9. The Polyphonic Spree – Lithium

A couple of Nirvana covers for you now. This is just chuffing great. That’s all.

10. Richard Cheese – Rape Me

Ok, so this is the tune I had reservations about including. And here’s why: I think the original is woefully misguided. To be serious for a moment; rape, be it of women or men, is not an easy subject to be addressed in song. Also: you can’t ask to be raped, because that infers complicity, and that’s the polar opposite of what rape is.

That said, I do think Mr Cheese manages to prick the balloon of pomposity here, so it’s in. My apologies to anyone offended.

11. Mojo Nixon & Skip Roper – Debbie Gibson Is Pregnant With My Two Headed Love Child

Speaking of offensive, here’s a side-burned rockabilly type with a long and objectionably titled tune, which I have to admit I have a bit of a soft spot for.

For younger viewers, Debbie Gibson was one of a clutch (along with Tiffany, also name-checked in the song) of teenage pop singers with a schmaltzy, sweeter than sweet, girl next door image. I also thought that, when the pop hits inevitably dried up, she appeared in some porn movies, but this turns out not to be correct, and trust me, I’ve spent many hours searching. Which reminds me, I most clear my browser history.

12. Billy Bragg – A13, Trunk Road To The Sea

I went to see Billy last night, and he was every bit as brilliant, charming, engaging, polemic and funny as he has been every time I’ve seen him. He didn’t play this, which is a bit disappointing, but then he can’t possibly play every song I love by him or we’d still be there now. Fortuitously, I have a lot of his records, so the past 24 hours (when I haven’t been writing this) have been spent mostly with him blaring away in the background

Anyway, this is a riotous romp and a piss-take of Route 66 and it’s bloody grear, but you already knew that, right?

13. Kirsty MacColl – There’s A Guy Works Down The Chip Shop Swears He’s Elvis

Of course, when Billy did A New England last night – final song, as always – we all sang the extra verse he wrote for her version, as a tribute to Kirsty. But that’s already featured in this series before, and I’ve learned my lesson, so this is one which is just as great, has one of the greatest titles in pop history, and which, crucially, she wrote herself.

14. The Beach Boys – Heroes and Villains

I dunno, it just sounded right next to Kirsty. Also: it’s November, we all need a little sun in our lives right now, right?

Also, it gives me the opportunity to post this (again):

I saw Adam live a few years back, preparing and refreshing material he intended to include on his Old Bits DVD; he did this, the clip went on for much longer, and I was laughing so hard I almost slid off my chair.

15. Sugababes – Push The Button

Shut it. I can throw a random 2000s girl group banger in if I like. S’my blog, I’ll do what I like.

16. The Jam – Man In The Corner Shop

Time for a serious, Red Wedgey ending. I first became aware of this record years after it was released, when I saw The Men They Couldn’t Hang do a (rather fine) cover of it live, introduced by the words: “Paul Weller’s asked us to stop doing this one. He’s not here tonight, is he? Good. Let’s do it.”

17. Redskins – Keep On Keepin’ On!

Right-oh, brothers, sisters and siblings, will do!

And that’s it for another week. More soon!

Late Night Stargazing

A couple of weeks ago in this series I posted a tune by Lloyd Cole (with The Commotions) as I was due to go and see him play.

That gig was this week, and he was wonderful. I may even write a review of it if I have time, but I wouldn’t hold your breath.

In a couple of weeks I’m off to see another long-time hero of mine, Billy Bragg, so I figured I’d do the same again, and post something by him here.

I’ve mentioned before on these pages that whilsy my political views generally chime with his, it’s love songs and somgs about relationships that I really love, rather than his ones which mix pop and politics.

Like this one, from his second album, 1984’s Brewing Up With…:

Billy Bragg – A Lover Sings

More soon.

Rant

It’s been a while since I wrote one of these. That’s not through choice, it’s just that the news moves so bloody fast that by the time I’ve alighted on something I fancy writing about, things have moved on so far as to make anything I may want to write utterly obsolete.

Before I go any further, I should warn any of you with a nervous disposition or a delicate bowel, this post contains a lot of unsavoury ne’er-do-wells who, for want of a better phrase, really boil my piss.

OK. If you’re still reading, your reaction is all on you.

So, I figured I’d start with something personal to me.

Although common sense prevents me from stating exactly which one, I work for one of the London Borough councils. Long term readers may recall that I lived in the Borough that I worked for, until, a year and a half ago, when the owner of the flat I rented decided to sell up, the new owner decided they didn’t want me in there anymore, evicted me and, unable to afford rent on my own in London and unwilling to go back to flatsharing (I’m in my 50s, I’m too old and set in my ways to go back to sharing, and I’m not sure anyone would particularly want to share with me), I ended up moving back to Peterborough, the town closest to where I grew up.

Obligatory tune incoming:

The Long Blondes – Peterborough

This all happened towards the end of lockdown, when we’d been working from home for almost 12 months with no demonstrable effect on our efficiency. (Actually, that’s not 100% true: it was pointed out to me mid-way through lockdown that my productivity had dropped off a bit; we considered what was different and alighted on the fact that I had the radio on at home, which I didn’t have in the office. I duly stopped tuning in to Pop Master (sorry Ken!) every day, and bingo! Productivity back up to normal again.) Anyway, before I moved, I sought permission from my managers, and it was agreed that as long as I came back into the office for monthly team meetings, and for any other meetings I needed to attend in my normal course of work, there would be no issue with me mostly working from home. Fair enough. Most accommodating, I thought. I agreed, of course.

And so it proceeded for a goodly while. Until recently, and I should stress this was not the idea of the managers who consented to me moving away, but very senior management, at the behest of the (Tory) councillors, told us that we have to go into the office twice a week.

It costs me a little over £50 a time for me to travel into work, which means it’ll cost me at least £400 a month to fulfil this obligation. So much for saving money by moving out of London.

And of course, my health has deteriorated since I moved, my mobility is restricted, which makes the long slog on the train into London especially arduous.

This whole “you cannot work from home anymore” ethic has, of course been started by Tory MP Jacob Rees-Mogg, who a while ago went around leaving passive aggressive notes (presumably word-checked by Nanny, since there’s no Latin in it) like this:

The Mighty Wah! – Come Back

(I’m sure Pete Wylie would really appreciate being associated with the Moggster…)

Many of you will doubtless recall how Rees-Mogg himself acts when he is “in the office”, his place of work being, of course, the Houses of Parliament. In case you don’t, here he is, treating the Parliament with all the respect he feels is due:

I’d like to think I’m better than just slinging unsavoury swear words at those who govern, but for him I’ll make an exception: the man’s a fucking twat. And a hypocritical twat, at that.

Rees-Mogg has a show on GB News. You’ll have heard of GB News, even if you’ve never had the misfortune to actually see it. It’s the channel which models itself on Fox News. It was too right-wing even for Andrew Neil to stomach. It’s basically The Sun “news” paper with moving pictures.

The haunted pencil isn’t the only Conservative MP to have their own show on GB News. There’s also Nadine Dorries.

You remember Nadine, right? Took a load of time off from her parliamentary duties to go into the jungle on I’m A Celebrity…, the urge to chomp on kangaroo cock too much to resist. At least Matt Hancock had the decency to wait until he had been fired before he went in (and that’s the nicest thing I’ll ever say about him. Hilariously, he has just lost an action against The Sunday Mirror who described him as “corrupt” and “…“a failed health secretary and cheating husband who broke the lockdown rules he wrote.”).

Back to Nadine though. Steadfast supporter of Boris for *coughs* whatever reason, and promised a peerage in his resignation list, she was bumped from the list, seemingly to avoid a by-election when she was moved to the House of Lords. Her reaction was furious, announcing that she would be stepping down as an MP “with immediate effect.”

Thing is, that was back in June, and guess what? She hasn’t quit yet.

Here’s a letter sent to her this week from Flitwick Town Council; Flitwick Town is in Mid-Bedfordshire, and Dorries is their MP. They’re not especially pleased with her:

We’re still paying her wages. To do, so her own constituents feel, fuck all.

Betty Boo – Where Are You Baby?

GB News was a prime mover in the race to identify and bring down Huw Edwards, for no other reason than because he works for the BBC. And possibly because he’s Welsh. Neither of which are crimes, as far as I know. Speaking of crimes, it seems the police aren’t interested in Edwards as, however unsavoury you might consider his actions to have been, he hadn’t actually broken the law.

GB News is co-owned by Sir Paul Marshall. Remember that name, it’ll be cropping up again soon.

Strangely, they’ve been less vociferous in their howls of outrage at the allegations against one of their own employees, Dan Wooton, who just so happens to be an ex-employee of The Sun, the paper which originally ran the story on Edwards despite, it seems, having evidence from the allegedly-expoited male that nothing untoward or coerced had happened.

There’s only so many times one can post this:

Billy Bragg – Never Buy The Sun (live at The Union Chapel)

Once the unwarranted furore about Edwards had abated, a new outrage needed to be manufactured. Preferably one that our friends in power could monetarise, now all the PPE VIP fast lane revenue avenues have been exhausted.

Step forward everyone’s least favourite nicotine stained tree frog, Nigel Farage.

You know what has happened by now, and are probably sick of hearing about it, but here’s a summary: Farage banked with Coutts, who are owned by NatWest. Coutts decided they didn’t want Farage as a customer anymore, so wrote and told him that, now his mortgage was repaid, they would not be keeping him on their books. They offered him an account with NatWest. Nigel didn’t think he should be grubbing about with the plebs who have accounts with a high street bank; he wanted to bank with the high status bank (Coutts). Farage went on the media offensive. Coutts stated that Farage didn’t meet the criteria for their clients (i.e. he didn’t have enough money), but also, after Farage submitted a Subject Access Report (SAR) it transpired that they also didn’t much fancy his politics, his shady links, or where his money was coming from, so decided to close his account.

The situation was made worse when NatWest CEO Dame Allison Rose sat next to BBC Business Editor Simon Jack at a function, where she accidentally let slip some details of Farage’s “relationship with the bank.” Jack duly broadcast it, albeit without naming Rose as his source, thereby providing Farage with more ammunition. Rose ‘fessed up to being the source of the leak, and, despite receiving the backing of the NatWest board, she resigned, closely folowed by the CEO of Coutts, Peter Flavell.

No Doubt – Don’t Speak

All of this precipitated by some comments by our Prime Minister, Rishi Sunak, who clearly decided he needs to keep Farage, and by extension his employers GB News, on side. It’s funny though, don’t you think, that Sunak came out in support of Farage, but has been remarkably quiet on, for example, the matter of Dame Michelle Mone, and the £29m that she and her children received, originating from the profits of a PPE business that was awarded large government contracts (via the VIP lanes) after she recommended it to ministers.

Ol’ Dirty Bastard ft. Kelis – Got Your Money

Now. It takes a lot for me to side with a bank, any bank, particularly NatWest. But when you have to pick a team – them or Farage – it leads to a lot of soul searching. Like in the run up to the Brexit vote, when you had to choose between David Cameron on one side and Boris Johnson (and Farage) on the other. Rarely has the phrase “between a rock and a hard place” been more apt.

Sure, Rose probably had to go for her indiscreet chatter. We get SARs all the time at work, and it’s drummed into us that you cannot put your personal thoughts or feelings on the file, even less discuss them with jouranlists, because that is something likely to get you in a lot of bother.

And I see now that, once again, Farage is being championed as a man of the people, for ensuring banks cannot decide who they have as clients based on the banks personal opinion of them.

Which is odd, because that postion is the polar opposite of a previously expressed Farage view.

You’ll remember this, I think: back in 2015, a Christian cake making company got into bother when they refused to provide a cake featuring Sesame Street‘s Bert & Ernie to a gay couple. Here’s one of the headlines printed in The Telegraph which details Farage’s position, when he was leader of the UKIP Party, on companies being allowed to choose who they have as customers:

Many venues have the word ROAR on their promotional material. It stands for: Right of Access Reserved.

Katy Perry – Roar

I may have missed it, but I haven’t noticed a full-throttled campaign by Farage to allow clubbers in to their local Electric Avenue wearing trainers and something other than a tidy pair of slacks.

Hmmm. This springs to mind:

So whilst all this has been going on, NatWest’s shares have plummeted. Bad news all round, you’d think, especially as the UK taxpayer is the majority share-holder in the bank.

But fear not: someone is pleased to hear this news. Remember Sir Paul Marshall? Co-owner of GB News, on which Farage has a TV show (along with Nadine and Jacob)? Well, and you’ll never going to believe this: it turns out that he also leads a hedge fund which has made millions from shorting NatWest stock as the bank’s shares fell in the wake of the controversy over Farage’s bank account.

I know! Who’d have thunk it?

This goes some way to explaining why Sunak decided to wade in: this is the Tories, knowing they’re going to be kicked out at the next General Election (although Labour seem to be doing their best to make that less likely, but we’ll save that rant for another time), greedily stuffing theirs and their mates pockets with as much cash as they can before their time runs out.

Jane’s Addiction – Been Caught Stealing

Right, that’s got that off my chest.

More soon.

Friday Night Music Club Vol 5.4

Yup, it’s that time of week again, and many of you will be delighted to hear this is the last time we’ll be doing admin, by which I mean revisiting a tediously-long older mix, splitting it down and spicing it up into a series of shorter (around 60 minutes, give or take) mixes. Hoorah!

And, as you may have gathered from that gif up there, this week’s edition is very much one which will hopefully have a fair few of you singing along, preferably a few sheets to the wind. There’s even one where you can properly test your memory of the lyrics, or make your own up if you prefer. I don’t have to listen to you, so fill your boots.

As usual, it’s a right old time-and-space busting edition, with stuff from the 60s, 70s, 80s, 90s..in fact – and be warned, you should be sitting down when you read this next bit – there are even two songs which were released post-2020. I know! Something that could be described as modern! Here! On this blog! Who’d have thunk it?

Hopefully that’s whet your appetite, so without further ado, let’s get going shall we?

Friday Night Music Club Vol 5.4

And here’s your tracklisting (no sleeve notes again this week, I’ve just not had time, sorry!):

  1. Billy Bragg – Lovers Town Revisted
  2. An Emotional Fish – Celebrate
  3. Arcade Fire – Everything Now
  4. Teenage Fanclub – Everything Flows (‘Teenage Fanclub Have Lost It’ version)
  5. Kirsty MacColl – A New England
  6. The Long Blondes – Once And Never Again
  7. Nik Kershaw – Wide Boy
  8. Hall & Oates – Maneater
  9. Miley Cyrus – Angels Like You
  10. Dua Lipa – We’re Good
  11. Cheap Trick – If You Want My Love
  12. Paul McCartney & Wings – Jet
  13. Belinda Carlisle – Leave A Light On
  14. Janis Joplin – Me & Bobby McGee
  15. The Kinks – Waterloo Sunset (Session Excerpt – Backing Track Take Two)
  16. Blur – The Universal

There won’t be an edition of Friday Night Music Club next Friday, as I imagine many of you will be at, or watching, Glastonbury (I’ll be doing the latter, sadly).

But there will be more soon.

More soon. (See?)

Rant

There’s a very good reason why one of these hasn’t surfaced since I returned: I’m an avid watcher of Have I Got News For You and listener of Radio 4’s The News Quiz. Both, whilst recorded on a Thursday, are broadcast on a Friday, which gives them a headstart on anything I might be thinking about writing about for a Saturday morning post.

See, the last accusation I want to have levied at me is one of plagiarism; I’ve lost count of the amount of times over the past few weeks I’ve intended to post something here, then watched/listened to those shows, and deleted my post as there were a few too many similarities gag-wise.

But when a big news story breaks on a Friday…well, the tables are turned.

So no prizes for guessing who today’s post is all about…

Blur – Charmless Man

The problem is, I don’t have much to say that I haven’t said already, so this won’t be much of a rant, more a celebration. Not of the man, but of the fact that he’s gone. For now.

And it is extraordinarily good news, and it must be, because I’m not even going to spend much time gloating about Nadine Dorries, not someone greatly troubled by either facts or brain-cells, quitting as an MP because PM Rishi Sunak actually had the balls to block her peerage, a peerage which you’ll recall Johnson had nominated her for in his jump before he was pushed resignation honours list as a thank you for her unwavering support through all the…jeez, where do I start…I dunno…through everything. No matter what he did wrong, there was loyal Nadine, slurring her defence of the walking marshmallow in an ill-fitting suit.

This proved to merely be the amuse-bouche for the day of strops and sulks that would come later…

Belle & Sebastian – Nice Day For A Sulk

Billy Bragg – Sulk

(Perhaps appropriately, we appear to be a bit B heavy with the bands/singers so far…best I rectify that:

Radiohead – Sulk

…dammit. Bends. With a B. There’s no escaping him.)

Anyway, where was I? As yes: it was a day of toys being thrown out of prams, of allegations of a conspiracy against Johnson by the MP-led Privileges Committee who were looking into whether or not he misled Parliament over lockdown rule breaking parties at Downing Street. We all know they happened, at a time when mixing with those outside of your bubble was prohibited, but did he lie to the House about them?

Shortly after being advised of the contents of the report the Committee had prepared, Johnson realeased a resignation statement, where he said: “I am not alone in thinking that there is a witch hunt under way, to take revenge for Brexit and ultimately to reverse the 2016 referendum result.” Looking at the state the country’s in now, I bloody hope there is.

Bloc Party – Hunting for Witches

He still doesn’t get it, does he? He still thinks he can’t have done anything wrong, because he is Boris and he can do whatever he likes. I’m reminded of this extract from a letter written to his father back in 1982:

Crazyhead – What Gives You the Idea You’re so Amazing Baby?

Lest we forget, whilst the Privileges Committee was considering whether he lied to Parliament about Partygate, it has always been Johnson’s position that no rules were broken, but if they were, it was unintentional, and any statement he made to Parliament which may also have been incorrect was inadvertent. He told the Committee that social distancing had not been “perfect” at gatherings in Downing Street during Covid lockdowns but insisted the guidelines (as he understood them) were followed at all times.

“As he understood them.” Like he had nothing to do with creating the guidelines. Like he didn’t stand behind that expensive lectern and tell the nation precisely what the guidelines were. Perhaps if they’d been written in faux-Latin he might have remembered them better.

And then, a couple of weeks ago, his sister accidentally let slip that it wasn’t just at Downing Street that the lock-down rules had not been followed:

Oopsies.

Camera Obscura – I Missed Your Party

Let’s take a closer look at his resignation speech.

“I am now being forced out of Parliament by a tiny handful of people, with no evidence to back up their assertions, and without the approval even of Conservative party members, let alone the wider electorate.” You’re not being forced out, you bumbling comb-less oaf, you resigned (for the second time, I might remind you. No, wait – third if we count that time you quit as Foreign Secretary. But it’s interesting to note you struggle with the difference between resigning and fired. Between renuntiate et accentus, if it helps. You’re welcome). You could have stayed on and seen how the vote in the House of Commons as to whether the findings of the Committee should be accepted or not went, but you have chosen not to, because you know that vote would not go in your favour. And that’s with the massive majority that your party currently holds. Forgotten how many MPs rebelled against you to bring your time as PM to a close have you? 52. In one day. And that’s before we consider the 148 who voted against you in the confidence vote in June 2022 (although there was doubtless an overlap between the two, a bulging middle section of the Venn duagram, if you will).

“When I left office last year [you mean resigned, Boris], the government was only a handful of points behind in the polls. That gap has now massively widened. Just a few years after winning the biggest majority in almost half a century, that majority is now clearly at risk.” The old selective memory is really kicking in here. Let’s not forget that during your tenure as PM, Chris Pincher, a senior member of your government – appointed by you – was forced to resign after allegations he had groped two men on a drunken night at a private members’ club. His resignation prompted multiple reports of other past sexual harassment allegations against him. Your spokesperson initially said you had not been aware of any allegations made about Pincher when you appointed him to government. You backtracked after it emerged you’d been briefed about a specific allegation ahead of that appointment. Not forgetting that it was reported you had quipped “Pincher by name, pincher by nature.”

I mean, that kind of leadership can’t have helped the support getting decimated, now can it?

And then there was Neil Parish MP, who was forced to resign after admitting watching “tractor porn” in Parliament? (What even is tractor porn? I have visions of a Page 3 photo of a tractor, and a caption reading “Massey Ferguson just loves getting dirty out in the countryside…”). Another (whose name escapes me, and I am not going to Google it to find out) was found guilty of sexually abusing a teenage boy. In local elections held to replace the pair of them, opposition candidates won by large majorities. So yeh, everything was just hunky dory when you quit as PM.

But enough of this. Time to look to the future:

Viola Wills – Gonna Get Along Without You

Glen Campbell – I’m Not Gonna Miss You

…following his most recent resignation, the usual candidates lined up to pay tribute to him. Winner of Most Reasonable Employer of the Year award 2022 (current holder one Mr D Raaaaaaaaab) Priti Patel described Johnson as “a political titan” (two letters too many at the end there, Priti), whilst Richard Mills, Johnson’s local Conservative association chairman, said he had “delivered on his promises to local residents” (and if he hasn’t then he now has plenty of time on his hands to pop round and sire another couple of kids he’ll deny all knowledge of later).

Oh. Before I go, there’s just one more thing…

…those glad to see the back of him were much easier to get quotes from. Liberal Democrats, deputy leader Daisy Cooper simply said: “Good riddance.” And that’s where I’ll leave it.

Green Day – Good Riddance (Time of Your Life)

Good job I didn’t have much to say, eh?

More soon.

Friday Night Music Club Vol 23

And, as promised/threatened (delete as applicable), we’re back with one of my self-proclaimed ‘eclectic’ mixes.

This one clocks is at just shy of 90 minutes, as opposed to the usual 60-ish, which is partly to celebrate the return of the mix, but also as a reference to an NHS employee I encountered when I had my recent consultant with a rheumatologist.

As this was my first visit, I had to have the usual checks (height, weight, blood pressure) and as I entered the examination room the chap about to perform these tasks (he did introduce himself, but I’m terrible with names) commented that he liked my t-shirt.

I was wearing one which was a homage to the retro, and had depictions of nine cassette tapes on it. This one, in fact:

I pretended I wasn’t absolutely delighted to have someone commend my sartorial taste.

“Thanks,” I replied, “but you realise you’re showing your age, right?”

So, anonymous NHS chap, this mix is designed to fit on a C90 in your honour. Yes, I’d rather you had a decent pay rise too, but sadly that is beyond my control.

Anyway, since this mix includes a bit of actual mixing, it’s admin/disclaimer time: any shonky mixes are down to me; any skips or jumps are down to the mixing software or the uploading process; all song choices are mine.

Ready? Good, then let’s begin:

Friday Night Music Club Vol 23

And here’s your track listing, complete with sleeve notes:

  1. Spinal Tap – Tonight I’m Gonna Rock You Tonight

Regulars will know that I like to kick these mixes off with a pace-setter, and this week I was torn between four different tunes. Unable to decide which to use, I’ve included all of them. I was, as you will have gathered from the image at the top of this post, unable to resist starting proceedings with something from one of the funniest films ever made (and I don’t mean Big Momma’s House).

2. Led Zeppelin – Rock and Roll

Second song which could’ve been the opener. Since this is the first mix I’ve posted since October, the “been a long time” lyric seemed too appropriate to ignore

3. The Jim Jones Revue – High Horse

Whatever happened to this lot? Like Jerry Lee Lewis meets the Jon Spencer Blues Explosion, this is fecking great.

4. The Vines – Ride

Potential opener number 3. Instead: consider it an invitation.

5. Ride – Like a Daydream

I couldn’t resist the theme. Sue me. Also: I was there Part 1. The video for this was filmed at That London’s ULU, and I was there. Sort of. A story for another day, I think (if I haven’t written about it before, that is…)

6. Helen Love – Power On the Music

Potential opener number 4. Helen Love are ace, even better now they’ve moved on from their original obsession with Joey Ramone to release a swathe of top-notch indie-pop records (not that the Ramone-fixated years weren’t also great). This little beauty is simply a call to play music loudly, and contains one of the few Super Furry Animals samples that I’m aware of.

7. The Lovely Eggs – Don’t Look at Me (I Don’t Like It)

Short of some decent insults? There’s loads in this absolute belter. Lovely stuff.

8. Fatboy Slim – Right Here, Right Now

At the time of writing, there’s a documentary on Sky/NOWTV which covers the events of July 13 2002, when Fatboy Slim threw Big Beach Boutique II, a free entry gig on Brighton beach which was expected to attract around 60,000 people, but which actually found the seaside town over-run by closer to 250,000. One of whom was me (I was there Part 2). I’ll be writing about it when the time is appropriate (i.e. come the 21st anniversary later this year…).

9. U2 – Even Better Than The Real Thing (Perfecto Mix)

Look, I know it’s not the done thing to like U2, and I would certainly not consider myself a fan. But, as the saying goes, even a stopped clock is right twice a day. It’s possible to think that this remix is great, but retain the belief that Bono is a prick. Lose the sunglasses, mate, you’re not Edgar Davids.

Edgar Davids: Not Bono.

10. The Tamperer feat. Maya – Feel It

Some dumb but great pop from 1998. At the time this was riding high in the charts, I was working at Boots the Chemist in Cardiff, and remember going to local dodgy night-spot Zeus with some of the store’s weekend staff – students, predominantly – and trying to explain to one them that the riff this is based on is a Jacksons sample. She didn’t know the original, nor who The Jacksons were for that matter, and I’ve rarely felt older until I just looked up the date when this came out.

11. Tim Deluxe (Feat. Sam Obernik) – It Just Won’t Do

Fatboy’s opening tune from the aforementioned Big Beach Boutique II gig and an absolute “choon”.

12. Danny Tenaglia + Celeda – Music Is The Answer

In the words of Frank Sidebottom: “You know it is, it really is.”

13. The Prodigy – Breathe

It’s really hard to overstate just how massive The Prodg were way back then, but perhaps this best explains it: in 1998 (two years after this was released) I visited some friends in Nottingham and, as is the law there, we ended up at Rock City, where the DJ broke two golden rules: 1) he played two tunes by the same artists in the same set, and 2) he played them right next to each other, Firestarter followed immediately by this. Rather than point out his faux pas, I danced my legs down to the knees, as did pretty much every one else there that night.

14. Oceanic – Insanity (99 Radio Edit)

Still a tune. Whilst I’ve been off work, I’ve watched all the Top of the Pops recaps of the years on the BBC iPlayer, and the two members of Oceanic continue to argue to this day as to whose idea it was to include the key change in this. Doubtless, Louis Walsh will step in and claim credit at some point.

15. The Osmonds – Crazy Horses

I was DJing once, opening slot (so I could get home on public transport) when the chap following on from me decided to guide me through the records he had brought and especially drew my attention to an Osmonds Greatest Hits album he had in his record satchel.

“Do you know what I’ll be playing off of this, Jez?” he asked.

I gave him my best “do-you-know-who-you’re-talking-to?” look and replied innocently: “Love Me For a Reason?”. Twat.

16. Billy Bragg & Wilco – Hoodoo Voodoo

If I could find a clip of Vic & Bob performing their voodoo song – “Do you do voodoo?” – then I’d include it here, but I can’t so….tough.

17. El Goodo – Feel So Good

Apparently, I’ve met at least some of this lot, friends of friends, who have made the mistake of making themselves incredibly hard to find via a Google search, given that their name is derived from a very wonderful tune by icons-to-cool-indie-kids Big Star.

18. Django Django – Default

You can tell it’s getting near the end when all I can think of to say is that this is great. Next!

19. Cracker – Movie Star

Because your Friday night wouldn’t be complete without a song about a decapitated celebrity, right?

20. The Dandy Warhols – Bohemian Like You

Okay, so I know it’s an obvious pick from this band’s back catalogue, and also it was used in *shudders* an advert back in the day, but, at the risk of sounding patronising, I figured a tune most of you will know was needed. My apologies if I’ve underestimated you. This reminds me of dancing in a packed Cardiff’s Barfly with my buddies Llŷr, Mike, Vicky, and the two Claires. Happy days.

21. The Stylistics – Can’t Give You Anything (But My Love)

I’ve had this in my brain for ages, a forgotten 70s classic. It’s another beauty, which probably would have sounded pretty great next to The Tamperer, but it’s getting late and I can’t be arsed with redoing the whole mix. Here is just fine.

22. The Divine Comedy – Everybody Knows (Except You)

And so we fade further into end-of-night sing-a-long territory. Probably my favourite Hannon composition (although, to be fair, that changes fairy regularly).

23. The Lemonheads – Bit Part

More sing-a-long stuff which, I’ll be honest, has been squeezed in for no other reason than I realised I had room.

24. Baby Bird – Goodnight

Night BB, thank you for not singing You’re Gorgeous. And that’s it, right?

25. R.E.M. – Afterhours

Wrong. I flim-flammed between this and The Velvet Underground’s original (and indeed We Are Scientists identically-named belter) as the final tune, before ultimately plumping for Stipe & Co’s rather shambolic version, deciding the applause to wrap things up was egotistically appropriate, if ill-deserved on my part. This is lifted from a rip of the band’s Tourfilm video which showed them on the tour to promote the Green album back in 1989 – the first time I ever saw them (at the Newport Centre, support from the Blue Aeroplanes), and to this day my favourite gig I ever went to. With thanks and much love to the much missed The Power of Independent Trucking blog for providing.

Now I’m off to put my hands, fingers and wrists in ice to recover.

More soon.