The Chain #49

I promise that I’m not going to start all of my posts with these words, but following the last instalment of The Chain I had an email from from long-time reader and Chain Gang contributor George who said that he was “toying with idea of making a cd of Chain 48”. (To any of our younger readers, CDs are what we used to record music on to and listen to music from before streaming and making playlists became things.)

Anyway, I thought this was an excellent idea, because I have a playlist for every edition of The Chain, the purpose of which was partly so that I could revisit and relive the good times and the bad, but mostly so that I could check whether something had already been suggested and therefore was precluded from being nominated again. You may have noticed I’ve been rather lax about this since The Chain returned, and that’s not going to change: I figure in these days of Trump & Johnson, of global pandemics*, international recessions, corruption at a governmental level, and starving children (it was The Chain or a Rant today), there’s more important things to worry about than duplications in The Chain back catalogue.

(*Sit down, New Zealand, I’m not talking about you)

Anyway, the point I am trying to make is that to get all of #48’s songs onto one CD would take a lot of editing choices, so I’d love to hear which songs made the cut – even more so should you decide on making one after you’ve read this one because this week (I say that like I post these every week, rather than every six weeks or so) we have just shy of 4 and 3/4 hours worth of tunes to get through, and I don’t think there’s a duff choice amongst them. Some ropey ones, yes, but duffers, no. But then Kay hasn’t suggested anything this time, so…..so maybe I should crack on.

Oh, and George (Incoming obligatory oblique 1970s TV reference that about 80% of you won’t get): I’m sorry but we aren’t able to return any drawings sent in, but yes, it is a big one, no I’ve never seen one quite that shape before, and no I don’t need you to send me a photo, but thank you for the offer.

OK, so let’s start as we usually do with a reminder of the source material this time around, which was this:

As you might expect, we have a lot of tunes related to Talk(ing), some related to Fear of Music (the album that features on), and then what I believe is the collective term for lots of suggestions on a similar theme: an absolute fuckload of songs linked to a specific city, or the words cities or city. As always, I’ll try to put them in an order that makes some kind of narrative sense (you’ve noticed I do that right?) but if you’re planning on doing yourself a playlist of these, I’d be interested to see if you think you’ve done better (NB: no I wouldn’t. Keep it to yourself, thanks very much).

Not quite first out of the traps this time was Swiss Adam from Bagging Area who, as he will explain, suggests a tune which simply demands to go first:

“Cities should have a theme and luckily we have an ahead of its time piece of ice cool euro dance that found a second life in the Balearic sounds of ’88 and thereafter:

Now, I don’t profess to know anywhere near as much about that there dance music as our Swiss, but I do know that got used on a tune recorded by David Russell Lee, who used to be known under the stage name of Joey Negro. Lee also recorded under many other pseudonyms, including this one, which throws in a Queen sample for good measure, and I think is what Swiss means when he says “thereafter”, given this came out in 2001:

But since we’re already going off on tangents, here’s a factoid for you (lifted from Wiki, so large pinch of salt at the ready): In 1993, Lee was approached by Take That’s label with a view to working together. Lee suggested they covered an old hit by Dan Hartman, which hadn’t been a hit in the UK but which had become a popular club track in the house music scene. They did as suggested, replacing Loleatta Holloway from the original with – who else? – Scottish songstress Lulu and lo! the boy band’s second number one in the UK was born.

Anyway. Cities. I think next I’ll hand over to Rigid Digit from Stuff & Nonsense to get us back on track:

“Knowing too much about 3rd Division Punk Bands (as I do), the phrase “Cities” immediately brought forth [this]…It’s OK, in a mohican wearing punky thrashing type way, but probably not what you’re looking for.”

Turns out, that’s quite the accurate description. I’m also imagining a purple and black furry jumper:

I gather Westlife are planning to do a cover of that as their comeback single.

Well, we seem to have strayed into the territory of songs with the word Cities in their title, so here’s another couple of suggestions. Firstly, C from Sun Dried Sparrows who says “I’m just plumping for the very first thing that comes into my head as a kind of quick subconscious response and it is…..:”

…which is bound to lighten the mood.

Let’s see what George can conjure up this time:

“Taking the cities from the song, to Manchester City, whose best English footballer was Colin Bell, whose birthday is February 26th, the same date as Michael Bolton…[Oh, Jesus, no…. – Ed]…wait for it…Fats Domino [Better – Ed]…and Johnny Cash, so my song is…:”

Phew!

I think at this point I should hand back to Rigid Digit, who gave me a whole host of acts who had recorded songs called In The City, the first of which was also suggested by Martin of New Amusements fame:

..and this (just Rigid Digit now):

and (which, if I was still giving points out, would earn a couple for being in one of the coolest films ever, but I’m not, so it won’t – and in any event, I’d have to deduct points for the artist having also been in The Eagles and Ringo Starr & His All Starr Band, surely the least cool bands ever):

and this:

Now. Regular readers will know that I have deep-seated hatred of songs being appropriated for advertising purposes, as documented in my S.S.O.S. (Stop Spoiling Our Songs) series. For the avoidance of doubt, I’m with the late, great Bill Hicks on this one:

Here’s a tune which I’ve been meaning to post for a while, and which samples Hicks and explains my thoughts better than I ever could, and which I must credit my old mate Dum Dum (not his real name) for bringing into my life:

See, it’s bad enough when songs we love are appropriated to sell something, but surely it’s even worse when an act we love pops over to an overseas land in the hope that those back home will never find out what they’ve done – and I’m looking at you Bacon and Clooney – isn’t it?:

Mostly because Joey did it too:

But I digress, again.

Rigid’s next suggestion is this: “…or even Starship who built this city on sausage rolls.” Now, we all know what he is obliquely referring to, and that’s the first of the last two Christmas #1s here in the UK. In a week where Tory MPs voted down a motion which would have ensured that children from poor families don’t starve because of the various lockdown restrictions, I thought it probably best if I didn’t post a free link to a song which tried to help. Instead, here’s the (extremely unfunny) video (and yes, this got to #1 in the UK):

…and here’s the song they are referencing:

To be fair, Rigid does offer up a vastly superior song, the title of which references the same source:

So before we set off on a little journey of all the songs mentioning actual cities in their titles or their lyrics (and there’s lots of them), we’ll have a look at all of the suggestions – most of them are mine, admittedly – which feature the word City in the title or in the artiste name. But before we do that, let’s get all of the other ones mopped up.

Here’s the Devonian with, I think, my favourite explanation ever:

“A geographical link… not going off “Cities” though, but rather the fact that the bassist in Talking Heads was the esteemed (albeit not by David Byrne) Tina Weymouth. That got me wondering whether there are any other groups with bassists named after gentrified Dorset coastal settlements. But I couldn’t find any, so I had to settle for a couple of singers instead. Therefore I give you Shelly and Karen Poole and…”

“…which is great and you know it is really.”

Actually, I’m more of an ‘I Am, I Feel’ kinda guy, as it goes, but that’s enough about why I can’t go on public transport without a responsible adult in tow anymore.

“Whilst Devonian was struggling for Dorset-named bass players to link to Tina Weymouth,” pipes up The Great Gog, “I found myself thinking of a feature of said coast that is named in a song – namely the theme tune to children’s TV show Portland Bill (which must have been 20 years old when my kids watched it on satellite telly in the early 00’s).

I can’t say this rang any bells with me at all, but I have managed to track down a copy of the writer of the theme tune in question, playing…well, it:

Next up is PhonicPat who, undeterred by suggesting the worst record last time out, has come up with a load of absolute bangers this time, starting with this, which kinda follows on given that it’s “made up of the rhythm section of Talking Heads” who just so happen to be husband and wife combo Chris Frantz (drums) and Tina Weymouth (bass and renowned gentrified Dorset coastal settlement):

Talking Heads “…tried to continue without Byrne and released the ‘No Talking Just Heads’ album” Pat continues, “featuring collaborations with Debbie Harry, Andy Partridge and Shaun Ryder amongst others therefore:”

and

and

And Pat isn’t finished there:

“[A] David Byrne/Talking Heads link” (as Byrne features as guest vocalist on this):

Now, there’s two things to say about that: firstly Byrne mentions New York at the start, and we’ll be coming on to that city in the fullness of time; and secondly these PhonicPat sponsored words: “…(along with saucy video)“.

In the name of research, strictly so that you don’t have to press play on this next video, you understand, I have watched this, several times, and can confirm that no matter how much you might slow it down or rewind and watch again, whoever had the job of censoring out the wobbly bits did a fine job. Still, best you approach with caution, eh?

Remind me in a bit to give you a related Pet Shop Boys fact, will you?

Since we seem to have landed on band-related suggestions, George is back again:

“From Talking Heads to the Talking Book album by Stevie Wonder, and the track:…”

And moving on to other suggestions about links to the band name we have Alyson from What’s It All About? who says: “We’ve had Dollar [last time out] so in the same vein can I suggest….”

Whoa there tiger! I need to explain the “in the same vein” bit, because Dollar should definitely not be bracketed with The Fizz so lightly. Oh no. For post-1980s fame The Fizz split into two factions: one containing original members Cheryl Baker, Mike Nolan and (sighs) Jay Aston, the other containing Bobby Gee and an almighty war broke out about who should use the name Bucks Fizz to promote their cruise ship wares. And amidst this row, up popped former member of Dollar and never member of the Fizz, David Van Day who, when he wasn’t trying to be the Lawrence Fox of his day and appear all outrageous by dumping his girlfriend live on Channel 5’s The Wright Stuff, elected to appropriate the name Bucks Fizz, go on a tour, sing a couple of their songs and trouser all the cash. The twat.

Anyway, here’s Alyson’s Fizz choice:

What I love about Alyson’s choice is that she could have picked the original of that, by The Romantics, but such is her devotion to ladies having their skirts ripped off as part of a Eurovision dance routine, she simply had to plump for a bit of Fizz. Kudos.

No idea what I’m banging on about? Here you go, complete with withering intro from the much missed Terry Wogan:

Genius pop music. And I mean that.

Alyson has some other suggestions linking to Talking Heads’ name, namely:

and

Almost time to set off on our tour of cities, have you got your packed lunch and your waterproof coat? Ok, I’ll stall for a bit with some frankly rather clever suggestions.

The source record this time features on Talking Heads’ Fear of Music album, which takes us into the dark territory of phobias. Or, as the Devonian puts it: “Cities is from the album Fear Of Music… which is a Phobia… which is a song by Flowered Up”

It sure is:

Which leads us neatly on to Hal’s suggestions: “Didn’t Cage the Elephant release an album called Melophobia?” he asks, rhetorically. Well, yes, yes they did. And in case you were wondering, Melophobia is the correct technical term for having a fear of music, so here’s something from the album of the same name:

I’ve always avoided them because, well, I thought (and still do) that they have a terrible name, but that’s not bad so maybe I need to reassess.

Anyway, Hal isn’t finished yet: “Which leads us to Phonophobia: The Second Coming by Extreme Noise Terror. Or perhaps not…”

Too late, you’ve said it now.

Phonophobia: The Second Coming is an album by Extreme Noise Terror, and this is one of the songs on it:

Peelie would be proud.

How do you follow that? With this:

Thank goodness for Rol from My Top Ten who kindly steps in to suggest this, which in his eyes “seems an obvious winner”

Frankly, if we’re going to mention bands with the word City in their name, I don’t think we can justifiably omit this lot:

“The other obvious one”, Rol continues undeterred, and I’ll let him carry on because I can’t quite work out where else to place this, “is to jump to Radiohead (as they took their name from a Talking Heads song) and Street Spirit (because there are lots of streets in cities…)

He’s not wrong, there are. I counted at least seven near where I live just the other day, and I think I may have missed some.

I hadn’t finished with bands with City in their names. This lot are definitely less renowned than Mr McKeown and the gang (Bay City Rollers, not Radiohead) and are named after 2000AD’s Judge Dredd comic strip. Play this one loud:

And so we move on to songs with the word City in the title (that aren’t called In the City). You know how until that last little spurt I’ve hardly suggested anything so far? Consider that ended. Eyes down and here we go with the almost entirely forgotten about:

…to an often overlooked gem:

…and the never to be forgotten:

A sort of clever one: this was released on City Rockers, a label synonymous with the electro-clash sound of the early 2000s:

And we shouldn’t overlook this brace of bangers:

…which almost inevitably leads us here:…

…which leads me to this spoof record, but it’s a spoof of a song which doesn’t have a city in it’s title, but I’m sure you’ll get it:

And finally, I was very surprised that absolutely nobody suggested anything from PJ Harvey’s magnificent Stories from the City, Stories from the Sea album, so I guess I’ll have to:

I’m stalling because it feels slightly disingenuous to be suggesting we go on a world tour just as so many cities around the world are locking down to prevent travel and the potential spreading of the Corona virus, so can I ask that you all don your face masks, smear yourselves in hand sanitiser like it’s goose fat before you attempt to swim the Channel, don’t stand so close to me and we’ll be off, safely.

But where to start? “Something from Gerry Rafferty’s very fine City To City album perhaps?” pipes up Rigid Digit again, which seems a perfectly good suggestion, and I’ve plumped, somewhat obviously, for the title track:

And it’s to Rigid Digit that we turn to yet again as we herald the start of The Chain World Tour which, given some places like my beloved Wales have gone into circuit-breaking lockdown today, I must say I feel a teensy bit guilty about, but, nevertheless, here we go.

Truly, there can only be one song to kick this off, and as Rigid quotes: “London, Paris, New York, Munich.  Everybody talk about…:

“I was beaten to M,” moans The Great Gog, “but other songs name-checking a number of cities that sprang to mind were…:”

…and…

Not forgetting, as Martin from New Amusements points out, a song which (apart from the Hang the DJ bit) perhaps most perfectly encapsulates where we are right now:

Ok, let’s start, with a whistle-stop tour of the UK. Here’s The Robster:

“I was going to suggest the wonderful Theme For Great Cities but Swiss Adam beat me to it! So I decided to think about songs ABOUT cities. Then I realised I’d be suggesting about 4 million songs and you’d hate me more than I’d hate myself! So in the end I plumped for one city. It was going to be Newport, but the only songs about us are parodies and parodies of parodies. So I chose our neighbours instead and came up with…:

I’m not sure why The Robster thinks this lot only do parodies. Funny songs, of course: it’s their stock in trade. I mean, sure this one is a parody, but it’s the only one I know which actually mentions The Mighty ‘Port in it’s title, and (sorry Rob) from the short time I lived there, seems wholly accurate to me:

Let’s head up to Birmingham next, and I’ll hand the reins back to Swiss Adam for a moment, for he is quoting lines from the source material to guide us to our next destination.

“Birmingham ‘lots of rich people’….” (although I think Byrne was probably referring to B’ham, Alabama.)

For those of us old enough to remember, it’s hard to forget when they fell foul of a Government clause of the 1981 Broadcasting Act which prohibited the broadcast of direct statements by representatives or supporters of 11 Irish political and paramilitary organisations. The restrictions were part of the Thatcher government’s desire to prevent Sinn Féin from employing the media for political advantage.

Yeh, I know. Dry subject.

What this meant in practical terms was that when, in 1987, they appeared on Friday Night Live , a Thames Television programme hosted by Ben Elton, they played Streets of Sorrow but the broadcaster cut to an ad break before they got to Birmingham Six.

Ridiculous as the rules were, a loop-hole meant that we were allowed to hear what Sinn Fein (the political arm of the IRA) had to say, but we could not hear them spoken by a member of the political party. Generally what this meant was the words were read by an actor with a plummy Home Counties accent, but the ludicrousness of the situation was highlighted here, on The Day Today:

This next song actually mentions bombing in Birmingham, although it means it in the “not going down to well at a gig” sense, rather than the more literal interpretation:

In these times of Tiers and Lockdown, I’m not sure we’ll get any better advice than to ‘start drinking til we’re blind’ (again, metaphorically of course – I don’t want any of us to end up in one of those adverts asking people to sponsor a puppy); I know it’s what has got me through writing this post, for a start.

“This mentions Birmingham, Alabama”, offers PhonicPat, and he’s not wrong, it does:

But we’re not quite ready to go trans-Atlantic, because here’s The Robster again:

“I have another one, this time referring to my Devon roots. The nearest city to where I grew up was Exeter – so:”

What I love about IDLES, apart from their records, is that they’re so bloody angry about everything, even their name is in capital letters like they’re shouting that too.

Catchphrase time! Well, if you’re having that, then I’m having this, a song about the nearest city to where I grew up, but where IDLES are VERY ANGRY! about how shit Exeter is, The Long Blondes are just a wee bit disappointed with how dull Peterborough is:

Staying in the UK, here’s Stevie from Charity Chic Music who takes us (much) further Up North:

David Byrne was born in Scotland – Dumbarton to be precise.  So the link is obviously:”

…which not only gets added to the ever-growing pile marked: ‘Must Investigate Further’, it also allows me to include this, which the title obviously references:

Since that also mentions Berlin, we may as well pop over to Europe, y’know, whilst we still can, without having to incorporate a two-week stay in a car park in Kent. Here’s another suggestion from Martin:

Well, this all seems to have got rather gloomy rather quickly. But I have an idea! Let’s pop over to the former capital of Turkey to liven things up a bit:

It became very apparent as I was sifting through the suggestions that there were two cities which featured more than any other, so, after a spot of self-isolation, we’ll pop back to the one in the UK: That London. And first up is another suggestion from Phonic Pat which takes us on a nice little (if expensive) tour of the city:

Here’s Swiss Adam again, quoting lines from the source record:

“…a small city, dark in the day time…”

…and suggesting this absolute shoe-in:

And here’s Martin again with two further capital suggestions:

“For when one is tired of London, one is tired of life, right?” adds Martin. Try telling Alan that:

Obligatory Alan Partridge clip? Tick!

One more from Martin, “…because I love them so…” (me too, mate, me too):

Sticking with Martin’s stream of suggestions, let’s hop over to the other city which seems to be mentioned in song titles more than any other:

“Decidedly not a cover of Ol’ Blue Eyes”, Martin adds. Well no: there’s a more liberal use of the F-word than Sinatra ever committed to record for a start. Plus, without wishing to be pedantic (he says as he is about to do just that), the Sinatra song Martin refers to is actually called Theme from New York, New York, so there was never any real danger of confusion. This next one though, less so:

That’s what being brought up listening to Radio 2 does for you: you remember records like that.

You won’t be surprised to read that I’ve got loads of these, the next of which is by someone who gets a bad rap for being a bit square (I think that’s it; I certainly don’t recall him having done anything unmentionable, apart from Uptown Girl of course), but I think he’s written some absolute corkers, and this is one of them:

New York, here we are, and here’s Odyssey to tell us we fit right in:

When The Strokes released their wonderful and never-bettered debut album Is This It? in 2001 (God, that makes me feel old), there was a difference between the UK and the US release, for the UK release included this, presumably omitted from the US release because it probably wasn’t considered to sit well so close in the wake of 9/11:

Back in time now, to the first record I ever bought, sort of. You can read about that here but in case you can’t be bothered (and if you’ve got this far I can’t blame you for feeling a bit wiped out) here it is:

Remember about seven hours ago, just after The BPA tune, I asked you to remind me to give you a Pet Shop Boys factoid? Well, the time is now: before he worked for Smash Hits magazine (my gateway drug to pop music before I grew up/discovered the NME) Neil Tennant used to work for Marvel Comics, editing out any hint of nipple from the cartoons contained within the pages of the heralded comic book. And that’s not even as funny as the rumour Stuart Maconie made up about him being a fully qualified Rugby League referee.

Anyway, here’s the Pet Shop Boys:

Hold up, Swiss is back with his quoting lyrics and suggesting songs ways:

“Memphis: ‘home of Elvis and the ancient Greeks’”

Leading him here:

And if you’re going to mention Memphis, you either have to include something by a certain Mr Presley (not Reg), or make a joke about being dead on a toilet eating a burger, or post this:

Funnily enough, Mr Simon is going in the opposite direction to Ian Hunter and the Mott the Hoople crew, as suggested by Phonic Pat:

And here’s a group who are considering a move to a completely different part of the US of A:

But as we all know, there’s only one place in America that one should consider moving to:

And that’s where I intended to sign off, were it not for one final suggestion from Martin:

“Oh, and can I add Vegas by Sleeper, just because… well, okay, just because of Louise Wener, really.”

Of course you can: if it doesn’t get cancelled as opposed to being forever rescheduled, I’ll be going to see them perform their debut album Smart, sometime, along with this morning’s postees The Bluetones doing the same with their debut album Expecting to Fly:

And that’s yer lot, except to reveal the actual next record in the actual Chain, which nobody suggested.

Here’s the link: “Talking Heads had a female bassist. So did…

Which just leaves me to ask for your suggestions for songs which link to 1979 by The Smashing Pumpkins, to be submitted via either the Comments function on this page, or if you prefer anonymity that you ultimately won’t be afforded, by email to dubioustaste26@gmail.com

More soon.

The Chain #39

Scene: an empty warehouse, in darkness.

FX: A door creaks opens, a switch clicks.

The lights flicker into life.

Delivery Man 1 [poking his head through the door]: Yes, this looks like it.

Delivery Man 1 backs into view, clipboard under arm, guiding a large object covered in a sheet, which is being pushed by Delivery Man 2 with considerably more effort than Delivery Man 1 is expending.

FX: The door slams shut.

Delivery Man 2: Whereabouts does it need to go? What does the order say?

Delivery Man 1 consults the clipboard.

Delivery Man 1: It says “Leave in the middle of the floor, covered, as if it’s been here for ages.”

Delivery Man 2 [with a shrug]: Bit weird, but if that’s what it says.

Job done, they exit, leaving the light on.

FX: the door opens and closes. Pause. Repeat.

An incredibly handsome, if fat and bald, man enters the room. He surveys the object before removing the sheet.

Incredibly handsome, if fat and bald, man: And we’re back in the room!

Hello, and welcome to The Chain. Where’ve you been? I’ve been waiting for you.

Prompted by a question about whether one of this week’s suggestions qualified under the rules, and nothing whatsoever to do with the amount of time since one of these posts appeared, nosireebob, I thought it might be best if I go over them again here, with a brief explanation of what we do here.

So, The Chain is a feature on BBC 6Music’s Radcliffe and Maconie show (and prior to that, their show on BBC Radio 2), where a record is played and they invite suggestions as to what record could be played next, which must link in some way to the one just played.

The difference here is that whilst they choose just one record to play, we try to post all of the suggestions which you submit.

The only rules are:

  1. No suggested record can feature twice (unless it has only featured as part of The Official Chain). If you’re not sure – ask!
  2. The only exception to this rule is “Back on the Chain Gang” by The Pretenders, which has been adopted as our theme tune
  3. When making your suggestion, you must provide an explanation of the link between the two songs
  4. You must already own a copy of it, and be willing to provide it (in case I don’t already own it or am unable to source it)
  5. Suggestions must be more than just naming a different song by the same artist.
  6. You can make as many suggestions as you like, but please, go easy on me, won’t you?

That’s about it. I award points every now and again, for Worst Record of the Week, Cheesiest Record of the Week, Comment Showboat of the Week, and of course, for anyone who happens to guess either the song or act (or both) that is the next record in the Official Chain, which becomes the source record for the following week. Nobody’s keeping score (well, I’m not anyway), the points are just a bit of fun.

Okay, that’s the admin done. Last time out, the source record was “The Universal” by Blur; personally, I found this a really tricky one to link to, especially as I have to wait and see what’s left after you guys have nominated all the good ones. Ho hum, such is life.

So, here we go then, and as usual, we’ll bracket them into several fairly broad categories and, as usual, we’ll probably wander off on a couple of tangents along the way.

First out of the traps last time was Charity Chic from Charity Chic Music who wrote:

“It has to be something off ‘Universal Audio’, the final album by The Delgados. I Fought the Angels would do rather nicely I feel”

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The Delgados – I Fought The Angels

Of course, CC was not alone in suggesting a link to something of Universal appeal; Dirk from sexyloser proffered thusly:

“…because not enough good German music is being featured on these pages, I’d like to  link to Die Sterne – ‘Universal Tellerwäscher’ from 1994 …. which in fact is a mighty record indeed!”

I was going to make a rather unkind joke about the phrase “good German music” being an oxymoron, but then I listened to Dirk’s suggestion and have to agree, it is mighty fine (even if I have not one clue as to what it’s about, although Google Translate, which is never wrong, obviously, tells me that a Tellerwäscher is a dishwasher ):

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Die Sterne – Universal Tellerwäscher

Sticking with the Universal theme, SWC from When You Can’t Remember Anything suggested this:

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Universal Being – Size of an Elephant

whilst The Great Gog wrote:

“…seeing as we’re all commenting on The Universal, Red Hot Chilli Peppers’ Universally Speaking would seem apt.”

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Red Hot Chili Peppers – Universally Speaking

And The Beard quoted a completely different song which contains the word “Universal”:

“Universal, unique untouched, unadulterated, the raw uncut”

He is, of course, referring to this:

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Blackalicious – Alphabet Aerobics

Time for the first interlude of the day; I stumbled along this clip the other day, which I’m sure you’ll agree contains some quite wizardly rapping:

Anyway, where were we?

Ah yes. Blur’s ‘The Universal’. Take it away Julian of Music from Magazines fame:

“Blur did a song “Beetlebum”
The Beatles did a song “Across The Universe”
Laibach did a version of “Across The Universe”
Laibach nailed “Sympathy For The Devil”

(The 7.52 version please)”

As you wish:

LAIBACH_SYMPATHY+FOR+THE+DEVIL-450525

Laibach – Sympathy For The Devil

Time for a big Chain welcome for the first of two new contributors to The Chain this week, here’s Telefrank:

“The video for ‘The Universal’ references the Korova Milk Bar, so something by Wendy Carlos natch.”

Just to join up the dots: the Korova Milk Bar features in ‘A Clockwork Orange’, so this seemed like as good a tune as any:

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Wendy Carlos – Title Music From ‘A Clockwork Orange’

Walter from A Few Good Times in My Life pointed out that “…the opposite of universe might be the underground. So…”

Going Undergound Front

The Jam – Going Underground

It’s scary how that song is so relevant now, 35 years after it came out. “Times have changed”, some people say. I’d play them that and respectfully disagree.

Anyway, before I start going off on one, more Universal shenanigans. Here’s Alex G from We Will Have Salad:

“A nice easy link from ‘Universal’ to another well-known film studio: Columbia.”

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Oasis – Columbia

Walter continues the theme: “Universal is also a music label distributing music of various and different artists. So I suggest:”

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Tom Petty – You Don’t Know How It Feels

From the Universal links, it’s one small step to the universe, and space in general, and to our second new member of The Chain Gang of the week, abramson60, the 60th from the very noble Abramson family, as Adam Buxton would say:

Anyway, abramson60 has certainly got the hang of how to make sure you get lots of tunes played here: list of a load of songs he’d considered before finally plumping for a completely different one. I, of course, cannot resist:

“Universe would automatically take me down the space road, so you could have….”

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 Liz Phair – Supernova

“…or another of my pet favorites…”

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Julian Cope – Spacehopper

“…not forgetting that he went on to become the nation’s favourite spaced out artist.”

But, “…sticking with universe, The Rocky Horror Picture Show had long lasting and profound influence on the somewhat naive 16 year old me who first saw the film at the tail end of the 70’s. So my pick is ‘I’m Going Home’, not quite sure where to but somewhere in the outer reaches of space.”  I’m not sure I quite follow the link there, but as it’s your first visit, I’ll let it slide this time:

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Dr. Frank N. Furter – I’m Going Home

Over to The Swede from Unthought of, though, somehow next, who says:

“I’ll keep things cosmic and suggest ‘Space is Deep’ by Hawkwind – the studio version from ‘Doremi Fasol Latido’ please.”

Very well.

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Hawkwind – Space Is Deep

A couple of you suggested links from lyrics withing ‘The Universal’, which is fair enough and fine by me. For example, Rigid Digit from Stuff & Nonsense suggested:

“‘The Universal’ includes the lines:
“And to karaoke songs,
We like to sing along,
Although the words are wrong”

So .. mondegreens (misheard lyrics) and possibly the most well known: ‘Scuse me while I kiss this guy'”

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The Jimi Hendrix Experience – Purple Haze

Next up, Martin from New Amusements, who takes the “list a load of songs then pick a completely different one as their choice” approach adopted by abramson60 and combines it with Rigid Digit’s focus on the song’s lyrics:

“The Universal includes a line about ‘satellites in every home’ so we could go with that, enabling…”

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The Hooters – Satellite

“…or…”

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Lou Reed – Satellite Of Love

“…or…”

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Tasmin Archer – Sleeping Satellite

“…or, I guess…”

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The Tornados – Telstar

If I could just butt in for a moment, I can’t hear that record without thinking of this record (and vice versa) since I can’t help but think that while it’s not a straight-out sample, the synth melody line, owes more than a little debto the old instrumental Martin suggests:

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Saint Etienne – You’re In A Bad Way

Martin’s actual choice will follow in a moment, but props where props are due, the category it falls into was first suggested by The Robster from Is This The Life? (well, actually, it was first mentioned by Rigid Digit last week time)

“My link comes in the form of British Gas adverts. The Universal was, as you point out, used in an ad campaign for British Gas. So was ‘More Than A Feeling’ by Boston, which despite ticking all the middle-of-the-road 70s AOR boxes, is a damn fine tune and one I always find myself playing air guitar to. True!”

It may well be, but unfortunately that’s featured in The Chain before, so, as per the rules above, I can’t allow it this week. Sorry!

Tell you what, have another go:

“Another gem from the British Gas archive is the wonderful ‘Rescue Me’ by Fontella Bass which cannot fail to give everyone a lift on a Monday morning.”

Much better.

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Fontella Bass – Rescue Me

Back to Martin again: “…let’s go down the route of the Blur track’s British Gas-based ubiquity, all the excuse we need to have ‘Jumpin’ Jack Flash’ by The Rolling Stones, since that tells us ‘it’s a gas, gas, gas.'”

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The Rolling Stones –  Jumpin’ Jack Flash

He’s still not done yet, mind:

“But I’d rather suggest a song I really like, so the gas connection allows me to pitch the much-less-played ‘It’s A Gas’ by The Wedding Present. Any excuse to get the Gedge out, after all.”

I could not agree more.

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The Wedding Present – It’s A Gas

Catchphrase time! If you’re suggesting that, then I’m suggesting this:

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T. Rex – Life’s A Gas

And as a special treat, here’s Marc Bolan performing ‘Life’s A Gas’ with Cilla Black, of all people:

The less said about that the better, I think.

But whilst we’re on adverts, here’s Snuff from their ace “Flibbiddydibbiddydob” album (these are so short, you may as well have two):

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Snuff – Bran Flakes

Snuff – Shake ‘n’ Vac

After those words from our sponsors, back to The Great Gog:

“‘The Great Escape album’ from which The Universal is taken also includes a song called ‘Top Man’. When I was younger (and a little less Great) I used to venture into Manchester and frequent a store of that name, and occasionally even buy something. Having done this, my then-significant other would drag me to where she wanted to buy stuff – Chelsea Girl. Obviously the title of a song by Simple Minds…”

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Simple Minds – Chelsea Girl

Well, if you’re suggesting that, then I’m suggesting this:

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Ride – Chelsea Girl

Sorry GG, I interupted, do carry on:

“…[Chelsea Girls is] also referenced on Mighty Mighty’s ‘Is There Anyone Out There?’ Which sort of links back to matters universal.”

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Mighty Mighty – Is There Anyone Out There?

Right, where next? Since we seem to have exhausted all of the possibilities of links to “The Universal”, how about links to Blur? Seems like a plan.

Over to Birthday Boy Rol (45 today!) from My Top Ten, then, with two and a half suggestions:

“Suggestion that needs no explanation: ‘Mr. Blur’ by Tom Verlaine.”

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Tom Verlaine – Mr. Blur

He continues: “Suggestion that leads a little more explanation: Blur used to be called Seymour. I’m sure someone will link to the obvious song from that (the one about a record company boss…”

You mean this one, I assume?

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Belle & Sebastian – Seymour Stein

“…so,” Rol continues, “I’ll point us towards the character of Seymour in the movie ‘The Little Shop of Horrors’ and suggest the song ‘Feed Me, Seymour’ as sung by the killer plant Audrey II (aka Levi Stubbs from The Four Tops).”

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Audrey II – Feed Me (Git It)

The Great Gog’s back:

As Rol has mentioned Seymour, the track that I always think of when I hear Blur’s previous name is ‘Read About Seymour’ by Swell Maps.”

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Swell Maps – Read About Seymour

Now, before he started listing spacey songs, abramson60 also proffered up a few relating to the name of Blur:

“Blur taken as unclear leads me to…”

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Lindisfarne – Fog On The Tyne

You can all count yourself lucky that I decided not to post the version with Gazza on it. Actually, that might have been quite appropriate, since writing and indeed reading The Chain often has the air of a hostage situation about it, so maybe we should expect him to rock up with a bucket of fried chicken and a fishing rod.

Anyway, back to you abramson60:

“…or maybe when everything clears…”

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Jimmy Cliff – I Can See Clearly Now

I’ve got Snuff covering that too somewhere, but let’s not overdo it, eh? That would take us over the 2 minutes of Snuff records mark, which would never do.

Any more, abramson60?

“Having said all of that I would much prefer to offer up Dr Phibes and the House of Wax Equations (any brownie points for extra long band names?) [Nope – Ed] and Hazy Lazy Hologram, link being obvious and in hazy, and everyone loves drug induced music, don’t they?”

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Dr Phibes & The House Of Wax Equations – Hazy Lazy Hologram

Back to Julian for his obligatory weekly suggestion of a record by Lambchop:

“A Blur is what the world is when ones had too many HIC!!

Where was I ?

Who fucking knows?

Oh yes its all coming back to me…..”

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Lambchop – The Man Who Loved Beer

And what of the individual members of Blur, there must be some links there, right?

Guess what, here’s abramson60. Again.

“Blur’s singer is Damon Albarn who is the son of Keith Albarn, who once managed Soft Machine, whose drummer Robert Wyatt went onto have a solo career, recording ‘Shipbuilding’ which as we all know was written by Elvis Costello, who took part in the Red Wedge tours along side Billy Bragg. So my suggestion has to be ‘Valentine’s Day Is Over’.”

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Billy Bragg – Valentine’s Day Is Over

I have two things to say about this. Firstly, I had no idea of the Albarn connection to Soft Machine, and secondly, abramson60 did suggest this back on February 15th, which makes his choice of Billy track a little more understandable.

But frankly, you had me at “Shipbuilding”:

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Elvis Costello & The Attractions – Shipbuilding

SWC’s back:

“Damon Albarn was the boyfriend of Justine Frischmann of Elastica. So let’s have ‘Stutter’ from them.”

The first record I ever bought by Elastica this, albeit on an NME compilation album of their Singles of the Week from 1993, and without doubt one of the finest ever songs about erectile disfunction.

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Elastica – Stutter

Charity Chic’s back, with the obligatory Clash record of the week. Don’t worry George, there’s a finite number of them that can be suggested:

“Damon Albarn was in The Good,The Bad and the Queen, as was Paul Simonon who wrote and sung ‘Guns of Brixton'”

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The Clash – The Guns of Brixton

Speaking of George, he’s been rather quiet so far this week, so here’s the first of his suggestions:

“Damon Albarn was/is also in a band called Gorillaz, and gorillas are in a branch of primates, as are monkeys, leading to ‘Monkey On My Back’ by The Triffids (from the Field of Glass EP). I think the song is not actually about monkeys.”

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The Triffids – Monkey on My Back

Well, if you’re suggesting that, then I’m suggesting this:

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Inspiral Carpets – Monkey On My Back

In fact, given his involvement with Gorillaz, you could describe Albarn as a…

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 The Maytals – Monkey Man

(My apologies, by the way: I realised I’ve misnamed the mp3 as Toots and The Maytals, rather than just The Maytals, but I really can’t be arsed with changing it.)

The Great Gog’s back again:

“I did have one more up my sleeve, but left it in case anyone else came up with it – they haven’t , so here goes. Blur’s lead singer is D. Albarn. Shuffling one of those letters to the left a bit allows me to type Dr. Alban, the early 90’s hitmaker who made such a lasting impression on me that I can only recall one of his tunes…”

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Dr Alban – It’s My Life

Hands down winner of the “Worst Record of the Week” award, there.

“Used in a Tampax advert at some point in the nineties too,” pipes up The Beard. Now, let’s not lower ourselves by making any jokes about that particualr subject. That’s it. None. End of. Period.

Instead, let’s move onto the other members of Blur, and focus for a moment on bass player Alex James. Over to you, George:

“Another Alex is Alex Harvey, so the song is from the first Sensational Alex Harvey Band album ‘Framed’, and ‘The Hammer Song’.”

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The Sensational Alex Harvey Band – The Hammer Song

Another from SWC next, I think:

“When he is not doing that [being in Blur] he schmoozes up to his famous neighbours David Cameron and Jeremy Clarkson. He also pretends to make cheese which gives us a lovely link to ‘Gorgonzola’ by Leslie Sarony.”

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Leslie Sarony – Gorgonzola

Mention any of the old music hall acts such as Leslie, and I’m afraid I can’t help thinking of this chap:

Back over to Rol, who might just see this post before his birthday’s finished:

“All this talk of Alex James’s cheese behooves me to suggest Copy Cats by The Humdrum Express, which features the lines…

“I read a Jamie Oliver’s Feastival review
Where ex-Top Gear presenters jumped the queue
To a sign publicising ageing sleaze
But it was Alex James’s aptly named new cheese”

(It also features the line “More Betty Than Swervedriver”, which I’m half thinking of stealing to rename my blog.)”

Bagsy and first dibs duly note.

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The Humdrum Express – Copy Cats

I may aswell chuck one in to the Alex-mix. When he isn’t making cheese, or being in Blur, he’s also popped up in some questionable novelty acts, most famously with Fat Les, but also in Wig Wam, a truly awful project that I’m not going to offend your ears by playing. His partner-in-crime there, though, was one Alison Clarkson aka Betty Boo:

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Betty Boo – Where Are You Baby?

Two band members left, and absolutely nobody suggested anything Graham Coxon-related so I had a quick shufty round and found that according to wikipedia, he appeared on Blue Peter twice as a child.

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Mike Oldfield – Blue Peter

But since all the rest of the band are getting at least two songs, we may as well have one of his singles. Friends of mine will attest that every time we’ve heard thisplayed out, I always point out that the intro sounds a lot like “Into the Valley” by Skids (Since nobody has ever agreed with me on this point, I’d post it so you could compare, but as it’s already featured on The Chain once before, I can’t. Who made these stupid rules up anyway??):

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Graham Coxon – Freakin’ Out

Which just leaves drummer Dave Rowntree, and a suggestion by The Beard:

“He shares his surname with the confectioners Rowntree. They are based in York and created the KitKat. York City’s Bootham Crescent ground was for a period renamed KitKat Crescent. ‘Crystal Crescent’ is a track by Primal Scream amd nothing to do with chocolate or the city of York.”

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Primal Scream – Crystal Crescent

Times may not change, by Primal Sceam certainly have over the years, haven’t they?

Finally, Rowntree has stood for election three times on behalf of the Labour party, losing on each occasion. Which leads me to this:

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Radiohead – Electioneering

Which just leaves us to reveal what the next record in the Official Chain is, and many of you will have noticed the absence of one particular song from the start of this post, when we looked at songs with the word “Universal” in the title. Many people wanted to suggest this, but Swiss Adam from baggingarea was the first out of the traps so the kudos and points are his this week:

“The Small Faces have their own ‘Universal’ which is a lovely song.”

Ain’t that the truth:

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Small Faces – The Universal

So, all that laves me to do is to ask for your suggestions, please, for songs which link to “The Universal” by Small Faces, along with a brief description of the link, via the Comments Section down below, in time for the next edition.

Let’s say that will be next week, and see what happens, eh?

More soon.

The Chain #36

And we’re back! Back! BACK!! (obligatory Smash Hits reference for you there.)

Here we go with another dose of interactive blogging; you all know how this works by now, so we’ll crack straight on.

Last…erm…time, we left you with “C30 C60 C90” by Bow Wow Wow and the usual plea for your suggestions for songs that can be linked to that tune.

Younger readers may not know what the C30 etc in that title stands for, so allow me to explain in a slightly patronising tone.

Many years ago, music as we know it today did not exist. MP3s was the name of a robot from Star Wars (probably); the term “streaming” meant that water, or some other liquid, was flooding out of something.

Back in those dark days, us old timers listened to music via the radio, (sometimes referred to as the wireless, but let’s not go there or things will get really complicated), or cassette tapes. These could either be purchased pre-recorded, or blank, onto which we would record the vinyl records (some naughty people recorded songs from the radio, which is definitely not okay, as we will find out), and these cassette tapes were then played on cassette players or, later, on portable devices called a Walkman. The length of the blank tape varied, and the 30 signified you could record thirty minutes of music onto it, the 60 held sixty minutes, and so on.

I mention all of this to save any puzzled looks when we start going through the suggestions, for many of them refer to that medium of music presentation.

For example, first up, here’s Charity Chic from Charity Chic Music:

“C30 C60 C90 refers to taped music [okay, you’ve put that a lot more succinctly than I just did…] – you can tape to tape and in days gone by this would be in the form to reel to reel tapes. So Reel to Reel by Simple Minds from when they were good please.”

“From when they were good”, eh? Well, that certainly narrows things down quite a bit:

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Simple Minds – Reel To Real

Reel to Real, you say? Well, if you’re going to suggest that, then I’m going to suggest this lot:

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That Mad Stuntman, he really was quite mad, wasn’t he? Textbook lunacy, there. Lovely stuff.

Over to Rigid Digit from Stuff & Nonsense who ventures: “Can I get away with 3 suggestions in one comment?” You can, but I will of course break them up into three separate suggestions and post them all out of sequence and context.

“1) C30, C60, C90 – all variants of the most portable music delivery method [Can you all stop putting that more succinctly than I did please?] Now all you need is something to play them on whilst on the move. Aah .. the Walkman – which leads (in my mind) to a roller-skating Cliff Richard in the video for Wired For Sound.”

It’s the stuff of dreams, if you’ve eaten far too much cheese before bedtime, that video:

That bit when he’s driving…does it remind you of anyone….?

May not make the midnight deadline now, as I have literally just watched that about ten times.

Anyway here, for anyone who may want to listen to it and be reminded of all that lycra again, is the single:

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Cliff Richard – Wired For Sound

Just when you thought we might be all Cliffed out for this week, here’s Alyson from What’s It All About, Alfie?:

“I remember well dancing to Go Wild In The Country by Bow Wow Wow back in the day (Mr WIAA,A?’s predecessor and I used to do a bit of show-dancing to that one) but another song about being In The Country (but not being wild) was by Sir Cliff & The Shadows back in 1966. Sir Cliff is also a great tennis fan and although this is tenuous, Annabel Croft was our British female no. 1 for a while and the lead singer with Bow Wow Wow was also called Annabel(la) so a double link.”

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Cliff Richard & The Shadows – In The Country

Quick! Someone suggest something slightly more credible!!

The Great Gog steps up to the oche.

“I suppose there’s also the very relevant “On Tape” by The Pooh Sticks.”

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The Pooh Sticks – On Tape

Over now to SWC from the very much still alive and kicking When You Can’t Remember Anything:

“I will be heading, like Charity Chic, down the tape route. I will start with the excellent ‘Freak Out’ by Tapes ‘n Tapes”

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Tapes ‘n Tapes – Freakout

They’re a band that have managed to pretty much pass me by, are Tapes ‘n Tapes. I remember reading about them, but never actually hearing anything by them. I think I was put off by the missing apostrophe from the other side of ‘n. Time for me to investigate some more, I think.

Here’s Rol from My Top Ten:

“The Pooh Sticks were my first thought, but I knew I’d be beaten to that, so I offer the far more obscure…..”

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Dan Bern – Tape

And here’s The Swede from Unthought of, though, somehow:

“C30, C60 & C90 were all commercially available cassette tape lengths [Ahem…! What did I just say….?] (as was C120, but who used those?) [Erm….] and the Bow Wow Wow song in question was the first ever cassette single. Pete Murphy of Bauhaus famously appeared in a TV advert for Maxell cassette tapes, so I’ll go for ‘Bela Lugosi’s Dead’”

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Bauhaus – Bela Lugosi’s Dead

Brace yourself now, as we are about to step into the nerdy world of which cassette tape was our weapon of choice back in the day. Welcome back, Alyson:

“The tapes of choice for me were usually made by Philips which was a Dutch company and 2 Unlimited were Dutch…… Oh no, did that link last week time.

Include another L in Philips and you have the surname of half of the members of The Mamas & the Papas and I don’t know about you but “All the leaves are brown and the sky is grey, I’ve been for a walk on a winter’s day, I’d be safe and warm if I was in L.A., California dreamin’ on such a winter’s day.” Yes it’s a bit of California Dreamin’ from me.”

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The Mamas & The Papas – California Dreamin’

And here’s Dirk from Sexyloser to chuck his thoughts on the matter in:

“For me it always had to be BASF cassettes, they really were the best. Although, somehow, they smelled rather disgusting, strangely enough ….”

They say the olfactory sense is the most powerful in terms of invoking childhood memories, so let’s see what that little sniff and scratch session has brought back to Dirk’s mind:

“I was thinking about other famous people with a nice mohawk (‘cos that’s what always impressed me mightily when looking at Annabella [of Bow Wow Wow] back then … that and her figure, of course … I always thought she was smoking hot! Still admire her today, to be brutally honest! Perhaps I should be careful these days when saying such things, bearing in mind she was only 13 or 14 when the first singles came out, and I don’t want to end up being the one with the paedophiliac stamp in future posts of The Chain! Then again she’s two years older than me, but does this fact legalize my continiuing adoration? Interesting subject, once you think about it …”

You do realise you’re talking out loud, don’t you Dirk? Reign it in, old chap.

But before you do, here’s Martin to add a little background to Dirk’s ramblings:

“Annabella Lwin of Bow Wow Wow was famously photographed for the album sleeve art with not too many clothes on, despite being a minor. Cue tabloid frenzy and a visit from Scotland Yard for Malcolm McLaren. And on that basis, I’ll make my suggestion, an ode to being sure she’s old enough…”

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Travis – U16 Girls

Back to Dirk, who hopefully has had time to have a cold shower. Dirk, fancy picking up where you left off, and maybe coming up with something which not only links to the subject record, but also to Martin’s suggestion?

“Famous people with a mohawk are Mr. T out of the A-Team of course, but also Robert de Niro as Travis Bickle in ‘Taxi Driver’, which gives me a fine opportunity to annoy George (again) and link to The Clash and ‘Red Angel Dragnet’ [because it features several lines of dialogue lifted from the film]

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The Clash – Red Angel Dragnet

As is traditional, Rol picks up the mohawk baton (which, surprisingly isn’t a euphemism) and kind of runs with it, as far as this:

“Mohawks lead me to recall Pop Corn & The Mohawks – ‘Custer’s Last Man’.  Worth a spin if you can find it”

Ok..

Two minutes later, Rol posted this:

“P.S. Having listened to it all the way through again now… you must dig it out. It is utterly mental.”

Blimey, Rol, give us a chance!

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Pop Corn & The Mohawks – Custer’s Last Man

We seem to have got a little way away from the subject in hand. Anyone care to drag us back to the whole tape thing?

Oche vacated, here’s Swiss Adam from Bagging Area

“Wild Billy Childish and the MBE’s ‘He’s Making a Tape’ (‘and it’s not for me’ she sings, Billy’s wife, Nurse Julie)”

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Wild Billy Childish and the MBEs – He’s Making A Tape

Continuing the tape theme, Martin’s back:

“Following the C30, C60, etc, into the land of mixtapes, how about ‘Press Play and Record” by Lois Maffeo?”

I could only find the same song credited to just Lois, so I’m hoping this is the song you had in mind:

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Lois – Press Play and Record

Back to SWC now, with his second choice, and his second choice by someone who has passed me by, mostly because I’ve always viewed him as a Billy Bragg wannabe, which isn’t necessarily a bad thing, but we’ve already got one Billy Bragg, so…

Anyway, having listened to this, I may have to reassess.

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Frank Turner – Losing Days

SWC: two shots on target, two goals.

Go on, have another go.

“You could also go down the mixtape route which is regularly used by rappers taking us nicely to the odd future tape and ‘Slow it Down’ by Tyler, The Creator.”

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Tyler, The Creator Ft. Hodgy Beat – Slow It Down

We’re almost at the end of the Tape links, here’s Dirk with one more, no build-up, no pre-amble, just introduced by the words: “Clever, eh? But this happens when you remember every old shit no-one else knew all along!):

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The Membranes – Spike Milligan’s Tape Recorder

First appearance of the week now from Jules of Music from Magazines fame:

“One of the best uses of tape in a promo video was of course in “America What Time Is Love?” By The KLF.”

It took me ages to work out what he meant. See if you can spot the reference:

Jules will be back shortly with some actual suggestions. Some of which I may even allow.

I haven’t suggested anything for a while. Feeling a bit left out actually. So how about I wrap up the Tape section with one of mine?

Every now and then, post The Chain, I get an email from George, telling me how much he loves a song that I’ve posted. They are always the songs that I least expect him to like, which is a mark of the man. George, I mention this because, going off some of the previous ones you’ve told me you enjoyed, you’ll love this, if you don’t know it already (though I would imagine you do).

Tidying off the tape section with another Reel song, here’s The Chemical Brothers:

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The Chemical Brothers – The Private Psychedelic Reel

Oh and George: next time you email me, there’s no need to attach the video clip of you dancing round your kitchen. But if you must, please can you be wearing some trousers next time? Or at least some underwear. Thank you.

Okay, before we move on to the next batch of links, a couple of random ones. First up, is Alex G from We Will Have Salad:

“Let’s play Chain Letters! Take Bow Wow Wow, change a letter, and you get Bow Wow Now, which is a song by Dubstar”

Quite a short game, really, that, wasn’t it? I suggest you work on a second draft before submitting it to one of the major TV channels. Although, stick the word ‘Celebrity’ at the start of it, and Channel 5 would probably be interested in it right now:

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Dubstar – Bow Wow Now

And since we seem to have stumbled into the vague area, here’s the aforementioned George:

“From Bow Wow Wow, to violins (played with a bow) and to some prog rock, namely King Crimson and ‘Larks Tongues in Aspic Part 2’ , which has some violin-ing in a splendid racket of a song.”

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King Crimson – Larks’ Tongues In Aspic, Part Two

One of the other recurring themes that came up after last week’s time’s source record, was home taping, the hobby/habit/thriftiness/call it what you will that so many of us of a certain age indulged in in our youth, sitting hunched and “hovering over the Pause & Record buttons on your knackered old tape recorder when the Top 40 was on a Sunday evening…cursing when you accidentally taped even the briefest snippet of Bruno Brookes…” as I once described it elsewhere on these pages.

This was known as piracy, which led two of the Chain Gang to come up with suggestions.

First, here’s The Robster from Is This The Life?:

“One thing immediately comes to mind, and it’s a double-linker! C30, C60, C90 Go! was a song about taping music off the radio – music piracy. The pirate skull and crossbones flag was called the Jolly Roger. Bow Wow Wow consisted of ex-members of Adam And The Ants, also formerly managed by McLaren. Adam banded together a new bunch of Ants and modelled himself as some kind of glam-punk pirate, recording a song called ‘Jolly Roger’ on the album ‘Kings of The Wild Frontier’.”

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Adam & The Ants – Jolly Roger

And then came The Great Gog, who I am used to receiving a suggestion from at around 3am the morning after I post The Chain. This time, he has a rather unique way of coming up with a suggestion:

“Like Robster, I started thinking of piracy, in particular the old cassette and crossbones logo that used to adorn many an album cover back in the early eighties. “Home Taping Is Killing Music – And It’s Illegal”, that one. This set me wondering how quickly I’d find one of these if I were to randomly pull out a few records from my vinyl collection. Around a minute or so as it turned out. The Psychedelic Furs’ eponymous debut LP was the album in question. Did any particular track lend itself to The Chain? Well, much home taping was done from the good old wireless, so a case could be made for “Blacks/Radio”. Of course, I’m now wide awake listening to said album through headphones when I should be sleeping like the more sensible members of my family…”

And I suppose that’s my fault, is it…?

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The Psychedelic Furs – Blacks/Radio

Mention of the ‘Home Taping is Killing Music’ campaign reminded me of this alternate logo, which always made me chuckle, and which at least one other blogger used to use on their website. Can’t remember who, suspect it may have been Dirk, but wouldn’t want to swear to it:

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I had that made up into a couple of t-shirts (for myself), so I probably owe somebody something for that blatant copyright breach. Ah well. Join the queue.

Anyway, where was I? Ah yes, the Home Taping is Killing Music thing. Here’s Rigid Digit with the second of his suggestions:

“2) Fuelling the Home Taping Is Killing Music campaign, the cassette single of C30, C60, C90 … Go had a blank side – this also led to the band parting company with EMI.
The logo was used in the back of Venom’s Black Metal album with the words ‘Home Taping Is Killing Music… So are Venom’…Venom have a place in my ears, but if I’m honest, they really aren’t that great…”

Don’t start backing down before we’ve even played it, Rigid!

So, here’s some words I never thought I’d type. Ladies and Gentleman, I give you Venom:

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Venom – Black Metal

Now I know I mentioned in jest that I wouldn’t post Rigid’s three suggestions in order, but truth be told, they do pretty much work in that order, fair play. So, here’s his third:

“3) The 21st Century equivalent of home-taping is downloading, so no pre-ambling explanation: Weird Al Yankovic – ‘Don’t Download This Song’.”

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Weird Al Yankovic – Don’t Download This Song

It won’t have escaped your attention that musically that’s based on this:

My two favourite bits on that song are when Cyndi Lauper comes on and kicks some ass (vocally), and (long term readers and friends, forgive me for making this joke yet again), the bit where Bob Dylan does his impression of Cartman from South Park.

But I digress, yet again.

Having allowed Rigid’s  three suggestions to appear almost uninterrupted and in sequence, I’m going to break with tradition and allow the same thing to happen with babylotti’s.

But first, round our way, whenever someone name drops, we tend to shout the word “Clang!” It is often bawled at me when I start regaling people with stories of all the bands and comedians, some on the way up, some on the way down, some going absolutely no further, that I worked with, albeit usually only for one night, back at the end of the 1980s/start of the 1990s. I mention this now, apropos of nothing.

Over to you, babylotti:

“Being from Coventry the thought of bootleg tapes immediately brings to mind my first serious music love, Ska. Or Two Tone Ska as it’s become known as.  So my first suggestion is Gangsters by The Specials with the line ‘Why must you record all my phone calls…’ [I’ve had the privilege of playing as drummer with several members of the band since]…”

Clang!

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The Specials – Gangsters

“…My next suggestion is staying with the same scene & to suggest The Selecter & On my radio, the 1991 version is better IMO. And I’m proud to say I actually deputised as their keyboard player for one gig, a very happy moment!”

CLANG!

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The Selecter – On My Radio (1991)

“…And lastly I’m going to link to Tom Robinson’s ‘Atmospherics: Listen To The Radio” for the radio link. And lets face it, we all used to tape stuff off the radio, didn’t we?”

CLA – oh. Sorry.

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Tom Robinson – Atmospherics: Listen To The Radio

Two more categories to go now until the big reveal, and unsurprisingly, we’re going to the dogs now. But before we do, a quickie from Jules:

“Songs with numbers in title, how about Culture’s ‘Two Sevens Clash’..?”

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Culture – Two Sevens Clash

To the dogs! And one from me, from an album that I’ve had for a while, but never really given it much of a chance; not sure why, probably partly because I’d not been fussed about their last one, partly because with Hooky gone I didn’t think they’d sound anywhere near as good, despite the decent reviews the album got.

But then the other night, the Iggy Pop growled his way out of my speakers on a tune I didn’t recognise. This one:

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New Order – Stray Dog

A change of pace now, and here’s Badger from When You Can’t Remember Anything, or rather, Mrs Badger on his behalf, as he had much more important things to sort out at the time:

“Greetings from the mountains. Mrs Badger here.
Tim wishes to link to ‘Old Brown Dog’ by Ralph McTell.
He’d tell you himself but he’s at the bar getting me a mojito.”

I had to check twice to make sure she hadn’t put us all to shame by submitting that in the form of a haiku.

Here’s Ralph:

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Ralph McTell – Old Brown Dog

Two Ralph stories.

When we were kids, although I have no recollection of my brother going to stay in Germany (and I know I definitely didn’t, I tend to remember that kind of stuff), we played host for a couple of weeks to a German exchange student by the name of Ralph. And of course, part of the task of having a foreign exchange student is to teach them about the British way of life, sample our culture, teach a little history even.

It was only years later that it occurred to me that perhaps there were less inappropriate,  more tactful places of interest that we could have taken a young German lad, away from his family for the first time, than the Duxford Imperial War Museum, which has, amongst many other things, a permanent Battle of Britain exhibition.

Ooopsies.

Second Ralph story isn’t really a story, but everyone who knows me knows that having featured a song by Ralph McTell, I simply cannot resist posting this:

Over to Jules, again, who is now in full on pun mood:

“Been feeling a bit ruff lately so I thought I was barking up the wrong tree with the cassette link until I did my sums

30+60+90=180 degrees, a complete turn around

Of course the link is Bow Wow Wow

And what do you do with dogs (quiet at the back)?

Run with them”

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Pet Shop Boys – Suburbia

Of course, any mention of Dogs, and there’s one person who we just have to mention:

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Snoop Doggy Dogg –  Gin and Juice

I don’t know if this particular story crossed your radar a couple of years ago, but it’s a prime example of why television interviewers, like barristers, should never ask a question that they don’t already know the answer to. Especially when you’re interviewing a Welsh farmer who has recently met Mr Dogg, and who drops da bomb at around 01:18 on this clip:

Here’s Jules with…a less successful suggestion:

“Oh! As mentioned many times Bow Wow Wow lead’s to dogs which are canine….. Sounds like K9 to me the robot dog in Dr Who

Put all the ingredients [including the earlier KLF reference] into the blender and simmer for a while and one gets

The Timelords’ ‘Doctorin’ The House’.”

Apologies Jules, but I can’t allow that one as it’s featured on The Chain before (The Chain #28, to be precise, before you started frequenting these pages, I think), and is therefore now off limits.

When I get time, I’ll set up a page listing everything we’ve posted here so far. Might take me a little while as we’re fast approaching the 800 mark, mind, but it will happen sooner or later, as I do hate having to disqualify a perfectly good suggestion on these grounds.

So, we’ve done dogs, but what about dog noises?

Here’s Martin:

“Bow Wow Wow is the noise a dog makes, as described by a child… who might describe said dog as a doggy… hence:

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Patti Page – (How Much Is) That Doggie In The Window?

“Twee but terrible,” he continues, before going on to suggest what is unquestionably the Worst Record of The Week. “So how about the noise that dog makes? In which case, “Ruff Mix” by Wonderdog, in which sampled barks are used for lyrics?

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Wonder Dog – Ruff Mix

“Fascinating (debatable) fact,” Martin adds, “the human voice of Wonderdog, in promo appearances, was none other than Simon Cowell in a dog suit – mindboggling and depressing in equal measure. Also twee but terrible.”

If only he’d stayed there, eh readers?

Two songs to go, and it’s at this point that I suddenly realise I haven’t sorted out the next song in The Official Chain which we’re all trying to either guess, or better. Bit of an oversight by me that.

I’ll leave you in Rol’s capable hands whilst I sort that out. Rol, it’s all yours, and try to pad it out a bit, will you?

“If you want a link that requires (a little) explanation, then…Bow Wow Wow is the sound of a dog barking, so…”

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I, Ludicrous – Trevor Barker

“(Actually, that didn’t take much explaining at all, did it? Must try harder.)”

That’s it, is it mate? Cheers.

Okay, last one, and last one from me. Following on from that, here’s Underworld’s “Diamond Jigsaw”. The link? It’s from their album “Barking”. I thank you.

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Underworld – Diamond Jigsaw

Before we have the final record, can I just say that all that up there that you’ve just read, that’s why I love doing this, and that’s why I don’t want to introduce any maximum suggestions per person. For where else would you hear Bauhaus, Snoop Dogg, The Pooh Sticks, Wonder Dog and King Crimson in the same post, other than here at The Chain?

Apart from on Charles Manson’s record player, of course.

So, to the official tune, and some of you got within a whisker of the link, if not the actual tune:

“C30/C60/C90 – types of cassettes. Cassettes were made by Dolby…”

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36. Thomas Dolby – Hyperactive!

Can’t really argue with that, can we?

So, your suggestions please, via the Comments section below, for records that you can link to Thomas Dolby’s “Hyperactive!”, along with your explanation on the links you propose.

And don’t forget, we’re moving to Sunday as of next post, so the next edition of The Chain will be with you the first weekend in February. Feel free to make your submissions as early as you like though.

Thanks for your time.

More soon.

The Chain #25

It’s Chain Gang time, and for any newcomers to these shores, hello, and here’s an explanation as to what we do here: each week we move along the records which have featured on the BBC’s The Chain segment of Radcliffe and Maconie’s show, originally on Radio 2, currently on 6 Music; we play the next in the chain, ask for your suggestions for tunes we can play which link to that record, but instead of picking just one, we endeavour to post links to them all. Then, at the end of the post, we reveal what the official next record is, and off we go again.

I mention this as at the weekend I met up with some friends for Sunday lunch; a few of them read this regularly (hello!), some sporadically (hello!), some never (there’s not much point in saying hello to them) and one who falls into the middle category asked me what the hell is going on here. Got it now?

Perhaps it would be better if we just crack on? Last week, we ended with the song that was the 24th record played in the official chain on the aforementioned show, Joni Mitchell’s “You Turn Me On, I’m a Radio” and these are the suggestions you came up with.

Oh and by the way, this is slightly later than usual as I’ve had some issues with the layout of this post, which I don’t seem to be able to rectify. I suspect it’s because of the size of the post; I’ll keep trying to make it look pwetty for you all after I’ve posted it.

Anyway, this week, all of the suggestions (including my own) can be put into one of six, broad categories.

Category 1 – Joni Mitchell:

Regular readers will know that the record that brought us to Joni Mitchell was Elvis Costello & The Attractions’ “Radio Radio”. Even more regular readers will know that a few weeks ago, in a Comment Conversation about acts which everyone else seems to adore and revere, but which leave some of us utterly flaccid and distinctly unaroused, regular contributor to this page, George, told us how he is left cold by The Clash and Bruce Springsteen. So imagine our surprise when he mentioned last week that he had a link which resulted in a song by The Boss. However, he declined to let us know what it was.

Until, that is, after last week’s Chain post had been posted, at which point he sent this:

“Now that you’ve published this week’s Chain I can give you my Springsteen link. Elvis Costello’s real name was Declan McManus. Mick MacManus was a wrestler, and Bruce Springsteen wrote a song called The Wrestler. Now, I have been in touch with the chairman of FOMAMB (Federation of Middle Aged Male Bloggers ) who tells me you are not allowed to edit your post and re-upload it with my suggestion.”

This is fictional federation-ness gone mad! Curse the federation! Where’s Blake’s 7 when you need them?

So why am I mentioning this in a section a category which I have quite clearly just announced contains links to Joni Mitchell? Well, because Alex G from We Will Have Salad kindly stepped in to assist, that’s why:

“That’s easy” writes our hero, “Nick Mitchell is a wrestler. Or Ryan Mitchell is a wrestler. And so on.”

Thanks Alex! And here you go George. No, no need to thank us:

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Bruce Springsteen – The Wrestler

And that, dear newcomer, is how easy it is to suggest a link.

Here’s another one, from The Robster, from Is This The Life? who writes:

“One of Joni’s most famous songs is Woodstock, about the legendary festival in 1969. Although initially scheduled to perform there, Joni was prevented from doing so by her record label as they had booked a TV appearance for her the next day and they were concerned she wouldn’t make it back in time.

Her then-boyfriend was Graham Nash, who did perform at Woodstock as part of Crosby, Stills, Nash & Young. He relayed the weekend’s events to Joni who subsequently wrote the song about it.

The link then… Woodstock was opened by Richie Havens who played one of the event’s most fondly remembered sets. On his 1974 album ‘Mixed Bag II’, Havens covered The Loner, a song originally written and performed by Neil Young, who also played Woodstock as a member of CSN&Y.”

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Richie Havens – The Loner

And that, BBC, is how you “educate, inform and entertain”.

Sometimes, the suggestions can go off at a bit of a tangent, mind. One person’s suggestion may lead another contributor in a different direction. So long as the link is sound, though, we’ll dust off the tune in question and give it a spin. Take Swiss Adam from Bagging Area‘s first suggestion of the week, for example (and yes, I did just say first suggestion, for often folks will make offer more than one. I’ve got four this week, but then it’s my blog, so there):

“Neil Young is the obvious route but Robster’s got it covered. Teenage Fanclub’s Neil Jung perhaps?”

Lifted from their should-have-been-huge “Grand Prix” album, it’s often overlooked that when it was released as a single, “Neil Jung” came in two different versions: your actual bona fide album version and this, the lesser known but still bloody excellent, version:

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Teenage Fanclub – Neil Jung (Alternative Version)

But like I said, Swiss Adam isn’t done there. Oh no.

“Acid house band Fluke had a decent track called Joni (think it samples Big Yellow Taxi too).”

Girls: out with your glo-sticks. Guys: off with your shirts and do the Meat Dance. Oi Oi! Saveloy!

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Fluke – Joni

One of the great things, even if I do say myself, is there sheer diversity of the suggestions we get here, and here’s an example. From Teenage Fanclub, to Fluke, to The Fall, all linking back to the same source. Here’s George again:

“Joni Mitchell sang about a Big Yellow Taxi. Taxi was an American sitcom from the late 70s, starring, amongst others, Danny De Vito. And there’s a Fall single Rolling Danny (originally by Gene Vincent).”

Yeh, I thought that was how Danny was spelt too, until I checked out the single sleeve, that is:

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The Fall – Rollin’ Dany

Now, The Chain is not just about picking the coolest record with the cleverest link. Here at A History of Dubious Taste (generally) and The Chain (specifically) we like to feature the occasional record which some might describe as cheesy, some just as downright crap. Previously, we’ve had songs by Chesney Hawkes, Busted, and last week, Russ Abbot. Truly we know no shame.

First to take a tilt at claiming this week’s “Worst Record of the Week” crown goes to babylotti. This is actually the third suggestion he gave this week (the others will feature in a bit,  in different categories):

“Paul Evans with the ‘Hello, This is Joannie (The Telephone Answering Machine Song)’, purely because I thought he was referring to Joni Mitchell as a kid (I originally thought that was how it was on the record….)

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Paul Evans – Hello, This Is Joannie (The Telephone Answering Machine Song)

Ordinarily, I would now write something terribly scathing and/or witty, but this is a record which I posted a few weeks ago on my currently on hiatus “Friday Night Music Club”, thread, where I once posted a load of songs about telephone calls. You can read it here: self-referential tosser.

Anyway, nice try, babylotti, but I’m afraid that’s not the Worst Record of the Week. Stick around folks, you’ll see soon enough.

Here’s The Swede, from Unthought of, though, somehow with his suggestion for the week:

“Joni collaborated with Charles Mingus on her LP ‘Mingus’. This was Mingus’s final musical project and the album was dedicated to him after his death. On the 1959 LP ‘Mingus Ah Um’, Charles Mingus paid his own tribute to the recently deceased saxophonist Lester Young, with the gorgeous ‘Goodbye Pork Pie Hat’.”

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Charles Mingus – Goodbye Pork Pie Hat

See? Educational, informative and entertaining.

On to Rol from My Top Ten now, who perfectly demonstrates what I mean about going off on tangents:

“Kudos to babylotti for suggesting Hello This Is Joannie… which led me to think of my all-time favourite answerphone song:”

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Blake Shelton – Austin

“Oh, but hang on, I’m supposed to be linking to Joni, aren’t I….?”

We’ll come back to you, Rol.

In the meantime, since we seem to be on a bit of a Country tip, here’s George again:

“From Joni Mitchell to David Mitchell of Peep Show and his co-worker Robert Webb, to Webb Pierce, he of the guitar-shaped swimming pool, and his absolutely toptastic song There Stands The Glass.”

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Webb Pierce – There Stands The Glass

Toptastic indeed, great mate!

And so to the last of the suggestions in this category, and I’ll hand you over to Charity Chic from Charity Chic Music:

“Joni Mitchell is a talented painter whose work has appeared on her album covers.  Ditto Jon Langford so Chivalry by the Mekons please.”

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Mekons – Chivalry

Category 2 – For the Roses:

That leads me rather nicely on to my own first suggestion of the week. “You Turn Me On, I’m a Radio” is lifted from Joni’s “For the Roses” album, and, just like Joni and Jon Langford, John Squire of The Stone Roses, when he wasn’t chucking paint over his former record company’s offices, or taking several years to make an album that falls into “alright but not as good as their first album and certainly not worth the wait” bracket, or releasing underwhelming come back singles (did anyone like The Stone Roses come back material? In fact, can anyone name any of the singles? Without checking? Nope, thought not.)

So here’s a double linker, courtesy of Yours Truly:

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The Stone Roses – Made Of Stone

Rol’s back!

“OK… ‘For The Roses’, also contains the excellent ‘Barangrill’, the opening lines of which are:

“Three waitresses all wearing
Black diamond earrings
Talking about zombies and Singapore Slings”

So, this week, my suggestions are…”

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The Zombies – Time of the Season

“…and…”

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Harry Belafonte – Zombie Jamboree

Is it just me, or has Harry Belafonte got massive hands?

Now, newcomers I now need to introduce you to the concept of Comment Showboating. This is where a contributor provides a long, detailed, spectacular explanation of how they have got from Record A to Record B, and is a phrase I originally used to describe one of George’s early suggestions. It is meant as a compliment, by the way. More recently, Dirk from sexyloser has been providing the entertainment in this regard, but not this week:

“No Comment Showboating attempt this week, because the fact that this song seems to derive from an album called ‘For The Roses’ immediately made me think of a version of ‘Good Year For The Roses’ that I simply LOVED ever since I first heard it (on Peel, where else?), and in my estimation it’s better than any other version I know, and this – excuse me – includes E. Costello. So my choice for this week links to Dino Lee (The King Of White Trash) and his version of ‘Good Year For The Roses’ from 1985.”

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Dino Lee – Good Year for the Roses

“If you can’t find it anywhere, I’d be happy to send you an mp3-file …” Dirk adds. Oh ye of little faith! But that does flag up one of the rules here at The Chain: if you’re going to suggest a record, particularly an obscure one, then you must have a copy yourself in case I don’t have it already or am unable to source it. And then be nice when I come begging.

Now, before I become all bogged down with “The Rule”, we’ll move onto the third category of the night.

Category 3 – Turns/Turn-Ons:

Often the simplest links are the best, and more often then not the simplest way to link from the source song to your choice of tune is to pick a word from the title and find one that has the same word, preferably, but not necessarily in the title.

Here’s SWC from When You Can’t Remember Anything to show you what I mean:

“So something you turn on are lights. Interpol released a fairly terrific record a few years back called ‘NYC’ which featured on their album ‘Turn on the Bright Lights’.”

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Interpol – NYC

“Alternatively,” continues our just-moved-house-buddy, “you can turn face as Gravenhurst did in their wonderful track ‘I Turn my Face to the Forest Floor’.”

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Gravenhurst – I Turn My Face To The Forest Floor

He’s right, that is wonderful. I’d never heard of Gravenhurst before, but if you like that track, I can heartily recommend getting hold of a copy (legally, of course) of the “Flashlight Seasons” album for more of the same. Cheers SWC!

“Now if you’ll excuse me, I have a wheelbarrow being delivered.”

Erm, fair enough. You’re excused.

What seemed an age ago, babylotti gave us the third of his three suggestions, and it’s about time we went back to check out his other two. Well, one of them for now:

“Robert Palmer’s cover of Jam & Lewis’s ‘I Didn’t Mean to Turn You On’ (the original was by Cherrelle)”

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Robert Palmer – I Didn’t Mean To Turn You On

Now, had you not stipulated you were nominating the Robert Palmer version, I would have happily plumped for the Cherelle version. There’s just something about the Robert Palmer version that makes me feel a little…uneasy. Listen to the lyrics: this a man apologising to a woman for being so utterly irresistible (simply irresistible, you could say) that she cannot help but get turned on by him. This came out in 1985, when Palmer was 36. I know that’s not quite old enough for this to qualify as locker room talk, the optimum age for which we all now know is 59, but still…. The “Don’t blame me, you shouldn’t have gone out with me because you should have known you wouldn’t be able to resist me” defence makes my skin crawl, and Palmer’s version of this song is a Ched Evans of a record.

Trump should use this version as his walk-on music for tonight’s final live debate. At least Palmer is dead and so won’t be able to protest about it’s appropriated use.

Ahem. Anyway. Remember Alex G from right at the top of this post, kindly providing me with a reason to post some Bruce Springsteen? Well, here he is again:

“I would say this is kind of obvious, but since nobody else has suggested it (and I still like it)…”

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Freakpower – Turn on, Tune in, Cop Out [Radio Mix]

Let’s stay in dancier territories for a moment, with another of my suggestions, which at first glance has no link, but once you hear the lyrics, you’ll spot the turn-on link fairly easily:

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Paul Oakenfold Ft Brittany Murphy – Faster Kill Pussycat

And since we’re now on to songs which contain the lyrics “You turn me on”, here’s The Beard:

“You turn me on are the opening words of a well known song by Simple Minds. Said song (almost) shares it’s title with one time Saturday morning kids show Live & Kicking. The predecessor of this show was Going Live!, helmed by Phillip Schofield. The greyer than grey presenter was famously accosted by Fruitbat from Carter the Unstoppable Sex Machine at the Smash Hits Poll Winners Party in 1991. The song they, erm, played at that shindig was After The Watershed.”

For those of you who don’t know what The Beard is blethering on about, here’s the footage:

For reasons which are probably already pretty clear if you watched that all the way through, The Rolling Stones took out an injunction against the band to prevent it being played on the radio, and then took further legal action to make sure the song was thereafter credited to “Morrison, Carter, Richards and Jagger”. You’d have thought, given that “After the Watershed” came out in 1991, Richard Ashcroft might have learned something, wouldn’t you?. But no: six years later The Verve released “Bitter Sweet Symphony”, which, predictably, befell exactly the same fate for sampling The Stones’ manager Andrew Loog Oldham’s orchestral version of “The Last Time”.

 And here’s the song:

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Carter the Unstoppable Sex Machine – After The Watershed (Early Learning The Hard Way)

“It’s better than aforementioned Simple Minds number,” signs off our Bearded Brethren. What, this one?

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Simple Minds – Alive And Kicking

Yes. Yes, it is.

Time for a category change.

Category 4 – Radio:

Time to pop back to babylotti again, for his third choice which was actually his second (I really don’t make this easy for myself, do I?)

“Because I meant to post it when ‘Radio, Radio’ was the chain, but it still is relevant with this thread, Latin Quarter’s ‘Radio Africa’. Wasn’t really a fan, but saw them at the Sheffield Leadmill years ago & have remembered that song ever since……”

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Latin Quarter – Radio Africa

Over now to The Great Gog, who was first to post a suggestion this week, which used to mean he got top billing, but hey-ho, times change, and now he finds himself the second of two songs in the fourth category. Nothing personal, mind, I thought this was one of the cleverest links this week:

“Well, Joni clearly believes herself to be an item of electrical equipment, and this is not a unique state for a recording artist to find themselves in. Remember Buggles? The “Video Killed The Radio Star” duo (there’s a Radio link I hadn’t thought of!)? Some people may be surprised to know that they recorded an album. Still more may be surprised to learn that they even made it as far as a second album.  It is on this second album where Trevor Horn rather robotically advises the listener that “I Am A Camera”. It was released as a single but didn’t trouble the Charts at all.”

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Buggles – I Am A Camera

 You’re right GG – I knew they made one album, but a second? Nope, no clue.

Category 5 – Blue:

Perhaps Mitchell’s most famous album, and one which will always feature in those snooty “Best Albums Ever” lists that are published every now and again, is “Blue”. Here’s another of my suggestions:

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The Bluetones – Are You Blue or Are You Blind?

The Bluetones were a fine singles band in my book, but were regarded as a poor man’s Stone Roses, which I’ve never seen myself. It’s like when Gene were proclaimed as a Happy Shopper Smiths, simply because they had an articulate, literate lead singer and their music was guitar-lead. I’ll feature some more of their records on here sometime soon.

In the meantime, over to Alyson from What’s It All About Alfie? Now, I have to be honest, her reason for suggesting the song she has done does not having anything to do with “Blue”, but I was feeling a little lonely in this category, all on my Jack Jones, and by putting Alyson’s suggestion in here too (it does fit) it bestows double-linker status on it:

“Elvis Costello did a version of ‘Good Year for the Roses’ but that means we double back to him. Thinking of flowers however, it did remind me that when I went to see him in the early ’80s he was supported by a band called The Bluebells (led by Bobby Bluebell !). They had a hit (twice) with the song ‘Young at Heart’ so I’ll go with that one as well.”

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The Bluebells – Young At Heart

In case you’re wondering why she says “as well”, I haven’t gotten to her first choice yet. Time, see. It’s not linear, it’s…oh, I’ll let this chap explain:

Category 6 – Berets:

We’re on the home straight now, folks. And the Worst Record of the Week is still to make an appearance.

Many contributions this week referred to Joni’s preferred head-wear – a beret – yet nobody nominated this one, so I guess I’ll have to:

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Prince & The Revolution – Raspberry Beret

The first to suggest a tune based on a beret was Charity Chic who wrote:

“Joni is famous for wearing a beret. So too was the whippet loving Dundonian, the late great Billy McKenzie. So ‘Party Fears Two’ by the Associates please !”

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Associates – Party Fears Two

Dirk’s back with his actual second suggestion of the week:

“I know that the above [his first suggestion] is not the correct link as chosen by the BBC lads, in fact it’s (because, as CC correctly points out, good ole’ Joni seems to like wearing a nice beret) Staff Sergeant Barry Sadler’s ‘The Ballad Of The Green Berets’. Of course it is….

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Staff Sergeant Barry Sadler – The Ballad Of The Green Berets

I wouldn’t be so sure about that, Dirk…

Ok, here comes the last of your suggestions for the week, and it’s Alyson’s other one:

“Another lady that used to sport a beret was Rickie Lee Jones, she of ‘Chuck E.’s in Love’ fame.”