Blimey, it’s been a while since I wrote one of these!
For those of you who don’t recall the thrust of this series, or those who have only started frequenting these pages in the not unsizeable gap that is since March 2018, here’s the giste: I have a theory, and that theory is that any song which features either handclaps, finger-clicks or whistles can only be fantastic (and generally upbeat) records. This series sets out to test this theory.
So far, I have been 100% correct, but then I do have the slight advantage of being the content provider/writer/editor.
So I’ll keep it brief, for this artiste needs no introduction whatsoever: