Second of my new threads for the week now, and here is where I want to expand on the whole “there’s no such thing as a guilty pleasure” ethos which is supposed to pervade this palace that I have built. It’s also the thread which is most likely to shatter what little is left of my credibility.
But first, I want to draw on a couple of things my blogging peers have written. Firstly, to Rol at My Top Ten‘s tagline: “Irk the Musos!”, and secondly to something Alyson said recently over at What’s It All About, Alfie?: “It seems you should never be dismissive of any genre of music as one day you may suddenly just “get it” and you have a great new world to explore.”
This is a life-long philosophy of mine. I always hate it when I meet someone for the first time and as an ice-breaker they ask “What kind of music do you like?” because I always want to answer “Don’t try to pigeon-hole me, I like music. Not all musics, but lots of musics,” but figure I’ll sound like a bit of an idiot, so end up saying something even more excruciating, like “Oh you know, I guess I’d be called an Indie kid if I was 30 years younger.”
An example: I don’t really like reggae music. It’s fine, I can listen to it, it’s not a race thing, I understand the importance of it, it just doesn’t float my boat, doesn’t grease my wheels or whatever analogy you might choose. I still post reggae tunes when suggested in The Chain, because whilst broadly I’m not a fan of the genre, every now and then I’ll hear a tune and think: “Actually, that’s bloody brilliant.” (N.B. none of the tunes that have made me think that were by cod-white Brummies UB40)
And the same applies to any genre: there’s some songs I, we, you, like, and some that I, we you, don’t. Don’t ever dismiss, because undoubtedly you will be the one to miss out.
Which brings me here, to this second new thread of the week, where I unashamedly nail my colours to the mast and say: this is a pop record, and I really like it.
The thing with pop music is that it’s not supposed to remain popular, fashionable, or current, it is, by its very definition, transient, here today and gone tomorrow. And there’s nothing wrong with finding glee in a pop record that a few weeks later is no longer the flavour of the month.
And so, to Girls Aloud. I like some Girls Aloud records. Actually, I like quite a lot of Girls Aloud records. There. I’ve said it.
And I like them because they are brilliant pop records.
Many of you will disagree, and you’re not wrong to, but I’m not wrong to like them either. Subjectivity, that’s where we are.
This is the second Girls Aloud single, and the first thing I ever bought by them. Lyrically, tt’s a mighty, anti-authoritarian “Don’t tell me what to do!”; musically, it obviously references “My Sharona” by The Knack, which just makes it even better in my opinion.
And don’t get me wrong, I’m not about to start extolling the virtues of Saturday Night ITV scheduling, but when they get it right, as they did here, with Girls Aloud (and I’m struggling to think of another “product” from that particular farm this applies to) it can be magnificent.
Girls Aloud will feature again in this thread, because like it or not, they made more than one ace pop record, so I’d suggest you either get used to it, or just don’t come visit on a Thursday.
By which, of course, I mean: More soon.